Posted in Random Things Tours

We Are Not In The World by Connor O’Callaghan.

‘The cargo door opens. It opens incrementally. It falls forward, away from us, into foreign day. There are men down there, stevedores in hi-viz and hardhats shouting to one another. I rotate the ignition to halfway, to check for evidence of light. The instrument panel flashes and falls still. There are chains. There is shrieking of iron like gates of hell. Then this fluorescence gradually floods the floor between rows and creeps towards us and feels warm.’

As soon as I read these lines, following Paddy as he and his lorry emerges from the ferry and out into the light, I knew the writing was going to be spectacular and that this was a poet’s novel. Paddy is travelling from England to France, with his stowaway daughter in tow. It’s hard to explain, but this is a book that manages to be both bitter and beautiful. There’s a bleakness to Paddy’s existence, but such a richness in the language used to describe it. It feels bang up to date too, despite the fact no pandemic is mentioned, the author captures a sense of unreality that is all too commonplace these days. The feeling that the world we know and understand has gone, and we are plunged into something other, like Alice down her rabbit hole. We Are Not In The World is an apt title indeed. We follow Paddy on his mundane journey, punctuated by graphic brief encounters and interactions with his daughter Kitty. However, we are also taken into Paddy’s memories of the past and into his relationships, which are largely disastrous. This is an intelligent rendering of psychological damage wrought within families. His marriage is broken, his brother is more successful than he is and there is a complex, almost Oedipal, relationship between him and his mother – also named Kitty. His daughter is wild and rebellious, and in another nod to Paddy’s mother, she wears her gran’s mink coat at all times.

This is not an easy read, but the right readers will love it. Having searched out some of the author’s poetry, it’s clear that the novel touches on some of the same themes. Family and sibling rivalry are represented in Paddy’s relationship with his brother. There’s a jealousy of his apparent successes, but Paddy has still made him the godfather of his daughter. There’s a sense that family is inevitable and no matter how much we wish to escape it we can’t. Separation is explored too – separateness from the land where he grew up, from family and even from his own self. There’s a sense of wanting to be home, but not being able to and the feeling of homesickness that pervades Paddy’s daily existence. He describes it as like a ‘low level virus’ that he permanently lives with. To me it felt like a low-level depression, one that would drop under the radar of most GP’s charts, but is debilitating nonetheless. There’s a numbness in Paddy. He’s on auto-pilot in his daily life, only living in his head until an interaction jolts him out of his memories. The separateness he describes is something I’ve felt when depressed or going through grief. I was physically in the world, but felt no connection to my surroundings or other people. It was like looking at the world through glass.

The only thing Paddy seems to look forward to is some sort of homecoming. He looks at the family home of Tír na nÓg as both a rose-tinted past and a future redemption. Situated on a shingle beach in Ireland, it feels like his chance of happiness or at least a respite from the homesickness that plagues him. Can it be a place of things coming full circle? A completion of this endless mental push and pull between past and future. It feels like a pipe dream, far removed from the reality he’s in and the way he thinks about certain family events, referred to by him and Kitty as ‘the thing we never mention.’ There are times when I wondered if Kitty was real, or whether her birth from the hiding place of his bunk behind the cab was purely metaphorical. I had moments of confusion, moments of being unsure how these fragmented memories and feelings fit together. I was even unsure of what was real and what was imagined occasionally. However, I loved the feelings it induced in me and the sheer beauty of the prose. There’s a haunting quality to the novel that will stay with me. It was a reading experience that I let wash over me, rather like listening to an opera or viewing a beautiful painting. This is for those readers who like their novels to be strange, and bleak, but beautiful at the same time.

Published by Doubleday 18th February 2022

Meet The Author

Conor O’Callaghan is originally from Dundalk, and now divides his time between Dublin and the North of England. His critically acclaimed first novel Nothing on Earth was published by Doubleday Ireland in 2016.

Posted in Publisher Proof, Random Things Tours

Demon by Matt Wesolowski

I was fascinated and blown away by this sixth novel in the author’s Six Stories series. As always the novel’s structure is based on a podcast format, where Scott King presents his investigation into a true crime case. Each podcast consists of six stories told by six people associated with the case, with additional emails, news reports and documents on the crime. This time King has chosen a highly emotive crime that reminded me of the James Bulger case. The novel takes us to the old mining village of Usslethwaite in Yorkshire, where a terrible crime was committed, one that shocked the world. In 1995 the murder of twelve year old Sidney Parsons, by two boys his own age, was front page news. The murderers were dubbed the ‘Demonic Duo’ by the press and as well as the usual speculation about both the boy’s upbringing and mental state, there was a whisper of something more sinister. The hills above Usslethwaite were reknowned as a place where witches congregated, all the way back to the 17th Century when witch-hunting was rife. Rumours of something dark and disturbing lurking in the caves near the crime scene had plagued the village for centuries, as well as more contemporary plagues of flies, animal deaths and a strange black shape seen nearby. Is there something supernatural and demonic about this crime? Or are they just hysterical excuses for a crime so savage no one can understand it? Now that the murderers have reached adulthood, they’re quite possibly rehabilitated and living somewhere in the U.K. Maybe now it’s time to hear the truth about what happened when Robbie and Danny formed a friendship and proceeded to commit this unspeakable crime.

I love the originality of this author’s work and his audacity in writing about subjects other writers might avoid. I was 20 years old when Robert Thompson and Jon Venables lured James Bulger away from his mother at a Liverpool shopping centre, then murdered him and left him on the train line in Walton. Everything I remember from that case also comes up in the course of King’s interviews about Usslethwaite. I remember being shocked by the murder, the age of Thompson and Venables, but also the savagery of the press and public towards the accused who were still children. Whilst the anger the crime aroused was understandable, I couldn’t understand grown men gathering outside a court to attack the prisoner transport. I kept wondering what their goal was. What would they do if they actually broke through to those boys? Even now, the mention of either boy, their incarceration or the new lives they now have kicks up a frenzy of controversy and rage. While Demon isn’t based on the Bulger case I did wonder if Wesolowski had it in mind, because he has managed to capture a lot of those conflicting feelings in this novel. Through his podcast guests we can look at different aspects of the Usslethwaite murder, and consider the differing perspectives on what happened. Although there is outrage that Scott King is even featuring this case, I can see that all he is trying to do is answer that universal question: Why? What drove these two boys to kill?

The psychological and paranormal aspects of the case are carefully intertwined here. Robbie is a newcomer to the village, fostered by a lovely, community minded couple who haven’t been able to have children. There is speculation on what Robbie went through before he was taken into care and whether he is the disruptive force behind the crime, with Danny simply taken along for the ride. However, Danny is quite a sad, lonely and disturbed little boy even before Robbie comes along. He found his mother when she had hung herself from the rafters of the barn. Rumours abound about his mother who was a herbalist and reiki healer – something rather frowned upon and misunderstood by some members of the village. In fact she was well regarded by her patients and it could be said that the suspicion was raised due to her occupation and how lucrative it seemed to be, more than anything she did. There were reports of her coming down from the caves with another person, scandalously naked. She was also thought to set fires and dance around them. However, to Danny she was the parent who brought warmth, love and softness to his life. Without her, he is left in the care of his father who is not a bad man, but is absorbed by work and struggles to show affection. Danny visits the caves to speak to his Mum, and thinks he might hear her, but in this dark place it’s hard to know who or what might reply.

The author is incredibly skilled at ratcheting up the tension, whether with more detail of the case or the next eerie happening. I often found myself reading yet another chapter so I could find out what was next. I found the paranormal elements clever, I wasn’t scared at first, but after a while the atmosphere built and I found myself uneasy. One night, my other half asked me to turn the bedside light off since it was late and I found myself unsure whether I wanted to carry on reading in the dark. The strange happenings in Robbie’s room at his foster home were very unsettling, from phantom footsteps to flies and a horrible smell that seems to permeate everything. There’s so much in this village that can’t be explained and is witnessed by lots of different people. Were these boys influenced by demons or was this a case of two very mixed up and lost boys doing something so terrible it would destroy the village, the victim’s family, and the rest of their lives. I loved the varied perspectives, especially those unexpected ones that took our understanding to another level. While never losing sight of the victim and his family’s loss, we get to explore the ideas of rehabilitation and how a perpetrator lives with their crime, especially ones so young. Can they ever make a life for themselves and get over the guilt? Or are they forever doomed to keep moving, constantly looking over their shoulder for fear of being exposed? I was fascinated with the question of whether a demon influenced these boys or whether we could call the boys demons. They are labelled monsters, but are they? Perhaps we just label them this way, because we can’t accept one human being could do this to another, let alone a child. This is another incredible read from this inventive and original author. I devoured it so quickly that I’m buying the whole series with this month’s book budget.

Meet The Author.

Matt Wesolowski is an author from Newcastle-Upon-Tyne in the UK. He is an English tutor for young people in care.

‘Six Stories’ was published by Orenda Books in the spring of 2016 with follow-up ‘Hydra’ published in the winter of 2017, ‘Changeling’ in 2018, ‘Beast’ in 2019 and ‘Deity’ in 2020.

‘Six Stories’ has been optioned by a major Hollywood studio and the third book in the series, ‘Changeling’ was longlisted for the Theakston Old Peculier Crime Novel of the Year, 2019 Amazon Publishing Readers’ Award for Best Thriller and Best Independent Voice.

‘Beast’ won the Amazon publishing award for Best Independent voice in 2020.

Posted in Random Things Tours

The Maid by Nita Prose.

I’m an absolute sucker for books where the narrator addresses the reader directly. I loved Molly the Maid from the first page and the book was an absolute delight from start to finish. Molly works as a maid at the Regency Grand Hotel and she is very proud of her skills as a cleaner, skills she learned from her grandmother who died a few months ago. Many of her colleagues find Molly a little bit odd – in fact she knows they call her Roomba after a robot hoover – but she thinks they call her Rumba after the dance on Strictly although she doesn’t know why. Molly likes things to follow a routine, things must be in their place and there are ways to clean everything. In fact her Gran said that cleanliness was next to Godliness. Even at home they had a cleaning schedule, something different each night before dinner, and Molly has carried that into her work. She does have some friends, Mr Preston who works on the door, Juan who washes dishes in the kitchens and Rodney who works behind the bar. Her friends are very important to her and if it does good, it’s occasionally okay to bend the rules. So, when Rodney takes her out for a meal and asks for a favour she’s only too happy to help.

Juan has lost his work visa and needs a place to stay, so could she slip him a key each day to an unoccupied room? Rodney gives her a bag, she doesn’t check, but assumes they are Juan’s things and deposits them in the chosen room on her rounds. Her last friend is Giselle, the glamorous second wife of Mr Black, who stays in a suite at the hotel so regularly that Giselle and Molly have interacted a lot. She has all those qualities that Molly values in a person – she acknowledges the little people, she’s polite and treats Molly like a real human being, rather than looking past her. The story begins as one day Molly doubles back on her normal route to clean the Black’s bathroom. She’s done the rest of the suite, but Giselle was in the shower. Molly makes her way through the suite, noticing that cushions are disturbed, the safe is open and Mr Black is taking a nap on the bed. Yet when she looks closer, perhaps he isn’t sleeping? Maybe he’s dead?

This was a clever way of merging a thriller, with a genuinely uplifting story about someone who has gone through an enormous change in her life. I truly felt gripped by the thriller aspects of the story, but also touched by the personal journey that Molly is facing. She has lost someone close to her and is learning to negotiate life as a fully fledged adult. She doesn’t have that ability to read people’s moods and motivations so she’s perhaps an easy mark for people who want to exploit her. I thought the author had a very difficult line to tread with the tone of the novel. We know that Molly thinks in an individual way and there are times when we do understand more than she does about what’s going on at the hotel. Molly refers to this with a jigsaw analogy – she knows she has all the pieces, but hasn’t put them in the right order yet. This could have been disastrous if the reader was superior to Molly, but we never are. The author keeps us firmly with our heroine, even while other characters treat her badly and underestimate her intelligence. The story was gripping and I wanted to know what was really going on at the hotel, and which of Molly’s friends were truly fighting her corner. Molly is a heroine who will stay with me a long time. Even though the goings on at the hotel are sleazy and dangerous, her personal story is touching, charming and ultimately joyful.

Meet The Author.

NITA PROSE is a long-time editor, serving many bestselling authors and their books. She lives in Toronto, Canada, in a house that is only moderately clean.

http://www.nitaprose.com
@NitaProse

Posted in Random Things Tours

Bitter Flowers by Gunnar Staalesen

PI Varg Veum has returned to duty following a stint in rehab, but his new composure and resolution are soon threatened when a challenging assignment arrives on his desk. He is offered a job by his physical therapist Lisbeth, with whom he has built a friendship during treatment. She has a friend who needs a house sitter and she drives Varg out there to look around, only to find a man dead, floating in the elite swimming pool. As Varg leaps in to check for signs of life, Lisbeth goes missing. Most chillingly, Varg Veum is asked to investigate the ‘Camilla Case’: an eight-year-old cold case involving the disappearance of a little girl, who was never found. As the threads of these apparently unrelated crimes come together, against the backdrop of a series of shocking environmental crimes, Varg Veum faces the most challenging, traumatic investigation of his career.

This is one of those slow burn thrillers and we find Veum at a pivotal moment in his life, just out of rehab and fighting a reliance on Aquavit. Whilst not fully back to his investigative peak, Lisbeth’s idea of a simple house sitting would have suited him perfectly, with no pressure. The circumstances he then finds himself in are really not going to help his recovery, it’s enough to find himself embroiled in a murder investigation, but even worse, could he actually be a suspect? Instinct takes over though and Varg can’t help looking into the victim’s life, once he is identified as Tor Aslaksen. He is also very concerned about the disappearance of Lisbeth, as he battled to save the dead man’s life. Needless to say he faces some very awkward questions from Inspector Hamre about how he ended up there, alone in a strange house with a dead man. His digging reveals a connection to a case from some years before, that of a missing child. As if that wasn’t enough, when he looks into the victim’s employer, his company is under suspicion for environmental crimes, namely the alleged improper disposal of toxic waste. There are noisy protestors demonstrating on site and within the conflict there are two brothers, who were childhood friends of Aslaksen and stand on opposing sides of the demonstration. These strands seem so disparate, but the author cleverly threads them back to the murder victim with so much care, taking his time to unwind the truth. Yet, he also keeps a steady tension and occasionally surprises the reader as Varg’s curiosity takes him into dangerous and threatening places. is enough to heighten Veum’s interest. Nobody’s fool and uncompromisingly persistent, Veum is intrigued enough to take a closer look, thereby uncovering a connection to the unsolved disappearance of a seven-year-old girl nearly a decade earlier in the dead of night. Casting his net wider and following the threads back to their fruition, Veum tries to make sense of the past and it’s significance on current events, specifically the murder of Tor Aslaksen and all that follows.

Gunnar Staalesen

I gradually started to bond with Varg, possibly due to the first person narrative; we’re with him all the way because we make discoveries at exactly the same time he does. His narrative can be abrupt at times, but always questioning and challenging those around him. As we experience his inner voice, unedited and raw, we can feel his struggles and the way his personal demons affect his life and his investigations. Yes, he has weaknesses, but his intelligence and determination are undimmed. I felt that, despite these struggles, I was safe with him as a narrator. I was firmly on his side throughout and didn’t doubt his innocence once. I didn’t work out the reasons for the murder, nor the tragic events which followed, but I did feel a constant sense of foreboding even from the first chapter. The author has a good grasp of human nature and how trauma affects people in very different ways. The psychology of addiction was also well observed and I enjoyed seeing Varg’s progress as he tries to recover while investigating a complex and emotional case. His developing relationship with Karen and friendship with Siv are handled with care and a gentleness I didn’t expect.

The case itself is emotive, allowing the reader to learn about Varg’s fragility, as he faces the horror of a child missing for eight years. By taking us back into Varg’s past, we can really see progression in his character; how did he get from there to his current stint in rehab? His previous career in child welfare has left him cynical, but he isn’t completely jaded yet. Everything he has experienced makes him more humane with an automatic reflex to fight for the underdog. I loved his underlying thirst for social justice too, something that could remain hidden from others, behind that calm and focused exterior. Staalesen provides the reader with a steady drip feed of Varg’s discoveries and this pace helps us understand the key characters better, especially where he becomes a nuisance by popping up to question certain people time and again. Even threats and constant police pressure can’t stop him from interfering and he is dogged in his determination to discover the truth. This is not a high octane thriller, but it’s more thorough and compelling because of that. Varg is not one of those showy, ‘on the edge’ investigators either, but the gradual opening up of his character allows us to trust him and truly know him. This felt like to me like a real PI might have worked back in the 1980’s, investing the time and noting the small details that crack a case. We never get the sense, as with other, flashier, P.I. characters, that he is more important than the case. There’s only a hint of fast action and real danger, but it has more impact and authenticity because of that restraint. This is complex, intelligent and authentic storytelling with a hero I enjoyed getting to know.

Posted in Random Things Tours

The Family by Naomi Krupitsky

A captivating debut novel about the tangled fates of two best friends and daughters of the Italian mafia, and a coming-of-age story of twentieth-century Brooklyn itself.

Two daughters. Two families. One inescapable fate.

Sofia Colicchio is a free spirit, loud and untamed. Antonia Russo is thoughtful, ever observing the world around her. Best friends since birth, they live in the shadow of their fathers’ unspoken community: the Family. Sunday dinners gather them each week to feast, discuss business, and renew the intoxicating bond borne of blood and love. But the disappearance of Antonia’s father drives a whisper-thin wedge between the girls as they grow into women, wives, mothers, and leaders. And as they push against the boundaries of society’s expectations and fight to preserve their complex but life-sustaining friendship, one fateful night their loyalty to each other and the Family will be tested.

I loved the way Naomi Krupitsky embedded me emotionally into the heart of Sofia and Antonia’s world, two little girls belonging to two Italian immigrant families. However, the term ‘family’ has two meanings in this community: your immediate family, or that you are a family with connections. Sofia Colicchio and Antonia Russo, live in side by side apartments and are best friends. Of course it was pre-ordained that they’d be best friends, because their fathers work together and their mothers were pregnant together. We join them at an innocent time in their lives and they’re both oblivious about what their fathers do, even if they do notice their mother’s tension and even tears when their fathers work late. Sofia and Antonia are focused on playing together, making each other laugh by making up silly games. By bringing the reader into their lives at this age we feel their innocence, and I found myself thinking about my girls and other young family members. I felt bonded to these girls and immediately felt a strong sense of foreboding. What fate might their parents have wrought on these girls?

They have been enough for each other and haven’t needed a wider group of friends, but when they start school that they notice that they are treated differently. On the first day they make friends with two other little girls from the neighbourhood and run towards their mothers at the school gates holding hands with their new playmates. Next day they’re excited to see their new friends again and are surprised when they don’t reciprocate, pointedly joining different girls at lunchtime. It seems that mothers will warn their sons and daughters to stay away from Antonia and Sofia and gossip about their fathers. However, the girls are mostly innocent to the to the world they live in. They don’t know that in 1920s New York City ‘The Family’ and their influence spreads far and wide. They know that on Sundays they have to join other families for lunch with their father’s boss in his huge Manhattan apartment. These children play with them and they’re told to call the men ‘Uncle’, but these people are not blood family, no matter what they call them. The truth shatters their lives one day when Antonia’s father goes missing and his body is never found. Of course the girls don’t understand what the adults know; the reason for the sudden fracture between the Russos and the Colicchios. Of course the truth does come out over the following years, but will the two girls struggle to keep that friendship?

As she turns into a woman, Antonia becomes reserved and sees a different life for herself. She can’t live with the people she knows were responsible for her father’s death. Her mother doesn’t recover from the trauma and as a result Antonia lives a very lonely life. This absence of parental support allows Antonia to slip away from reality into the worlds of her books. She wants to go to university and be someone other than herself. However, not even the loss of her father and the warnings of her mother can stop her heart being won by a Family man. It is love that takes her back to where she comes from. As for Sofia, she never left. She is in awe of The Family and has grown up bold and ambitious. Sofia seems fated to make dangerous, reckless, decisions. Their friendship is distant at times, eroded by the past, but it never seems to break. Underneath the trauma and complicated history, inside these women are two little girls who swore friendship and loyalty to each other. What they have is like a marriage, a promise to always be there even when life’s at it’s toughest. Perhaps it’s an even stronger bond than that. I love how this is a family drama, with the tensions all families have, but the author concentrates on that very specific tension between mother and daughter. Then there’s that outer layer of family, applying yet more pressure and creating a massive fissure between these girls born into something they never asked for. The Mafia is not open to everyone, but once you’re in that’s it. This is family with extra power and benefits, but with a sense of fear that always keeps you looking over your shoulder. With power comes terrifying risks and the knowledge there’s only one way to leave.

This is unlike any other Mafia story I’ve ever read because it concentrates on what it’s like to be female in this most macho of worlds. Here the gender roles are predetermined due to the time period and the set rules of the organisation. It’s a coming-of-age novel where these two girls are always going to be chafing against the confines of the roles the Family will allow. As the story moves from the 1920’s into 1940’s and WW2, we can see how Antonia and Sofia change from young girls to women, but also how society’s expectations of women change in that time period. Krupitsky also writes a realistic portrait of how the Mafia changed during the war. This historical detail and the character of Saul made me think about people fleeing Europe who bring with them their own strong sense of identity. Can they identity survive in a new place, where the opportunities may not always be the escape they were looking for? This made me think of my late husband’s family who ended up displaced separately, affected by their loss and wanting to grow up honouring their heritage, but finding themselves shaped by the society they’ve joined too. I felt so involved in these girl’s lives and the organisation they’ve grown up in, schooled in the essentials of staying loyal and keeping secrets. It was strange to leave their world and I wonder if there will be more from Antonia and Sofia in the future. This is a great Mafia novel, one that sets the organisation in social and historical context, but also gives us a rare female perspective on growing up as a mob daughter.

Meet The Author

Naomi Krupitsky attended NYU’s Gallatin School of Individualized Study and is an assistant editor at the Vida Review and a bookseller at Black Bird Bookstore. She lives in San Francisco
but calls many places home. The Family is her first novel.

Posted in Back of the Shelf

Books At The Back Of My Shelf

One of my book shelves.

As I go through other blogger’s fantastic end of year book lists, it strikes me how many brilliant books I haven’t had time to read. That’s not because I’m one of life’s busy people – I don’t work, the girls are only with us part-time, I’m still semi-shielding, and I have a carer/cleaner – I’m hardly plagued with Virginia Woolf’s worries and yes, I do have a room of my own. I could be reading more, but mainly I could be making better choices. The problem is I become distracted. I’m distracted by the same things a lot of other book bloggers are: should I be on Tik-Tok? Should I be chasing this year’s hottest release? Do I have enough Twitter followers? Is a photograph better than a review? How do I stay relevant? Is anyone even reading this? It’s so easy to spend half your day on Twitter or Instagram looking at other people’s beautiful and creative content and thinking ‘should I be doing that too?’

The only answer is to do what you love. I’m never going to be a major book influencer with followers in the millions, merchandise and a whole new income stream. So I have to think, what is it I enjoy about book blogging? Well, I love the Book Twitter community, the bloggers, blog tour organisers, the publishing assistants and other writers. By talking to writers over the last few years I’ve had so much encouragement and advice about my own writing, that I could see myself actually finishing my own book. People have been generous and kind with their time and their tips on how to be a book blogger. I love reading, discovering new authors and broadening my reading choices. I love writing about characters, their stories, their psychology and really championing those books that make my heart sing. I can do all of these things without putting myself under pressure, without chasing every new book, without joining every blog tour or buying every special edition. I can do this without pressuring or challenging myself even more than last year.

My village book exchange

That’s not to say I don’t appreciate those who take stunning Insta photos, or know a flat lay from a stack, because I do. Some people are absolute artists! I also admire those who worked hard to remain up to date and relevant, but it’s not always me. It takes me a long time to understand and adopt new apps and methods of getting the book love across. So in short, I’m going to worry less and read more of the books I already have. Stress less and enjoy this more. I’m going to spend more time writing my own work, putting new books into our village book exchange, and reaching to the back of the shelf for those books I didn’t get to this year. I’m going to write about those back of the shelf books and celebrate what I have as much as the new. I can’t believe I haven’t yet read The Appeal by Janice Hallet or Still Life by Sarah Winman, but they are both tucked away on the shelf. I’m going to look forward to those books I’ve highlighted for 2022, but not worry if I don’t get to them all. I’m also including my NetGalley shelf in this, which I’m afraid to say, is cluttered with forgotten gems and new books due to be published as far away as next summer!

It’s easy to forget why we do this. I need to remember those reasons, to simply enjoy being part of this great book community. To relax and celebrate the journey, rather than stress and strain towards an unknown goal. Here’s wishing you all a deliciously bookish 2022 and I look forward to chatting and sharing with you all this coming year. ❤️📚

Posted in Random Things Tours

Before My Actual Heart Breaks by Tish Delaney.

‘If I could go back to being sixteen again, I’d do things differently.’

‘Everyone over the age of forty feels like that, you total gom,’ says my best friend Lizzie Magee.

Oh my goodness, my heart did break for the intelligent, spirited and strangely beautiful Mary Rattigan. She is a character who will stay with me, especially the childhood Mary and her battles with Mammy – a woman who I hated so strongly it was as if she was a real person! The Rattigan’s life on her parent’s farm in Ireland is at odds with her romantic and wild nature. She wants to fly. She will not be satisfied until she flies out of her dirty and dangerous surroundings, leaving ‘The Troubles’ behind her. She doesn’t care where she goes, as long as she’s free and lives happily ever after. However, life has a way of grounding us and Mary is no exception. In a life punctuated by marriage, five children, bombings, a long peace process and endless cups of tea Mary learns that a ten minute decision can change a whole life. These lessons are hard won and she’s missed a hundred chances to make a change. Can she ever find the courage to ask for the love she deserves, but has never had?

This book really did play with my emotions and there were times I felt completely wrung out by Mary’s life. It was emotionally and physically exhausting. Her Mammy is physically and psychologically abusive. Not above a slap, when hateful words aren’t having the effect she wants, Mammy is a ‘bitch’. Often turning up at the tea table with a bruised face or black eye, Mary longs for her father to intervene. However, he never opens his mouth, unless it’s to smoke his pipe. She loves him but at the same time, hates him for his silence and his cowardice. Mammy is a hypocrite, playing the perfect Catholic matriarch on the surface – always loving or feeding her sons, cooking perfect chicken roasts for her family and getting out the best china when the priest comes for tea. It broke my heart when she left Mary without tea, then next morning as the boys all line up for their lunch boxes Mary is given an empty one. I felt so emotional for this girl, who doesn’t expect any better. There are two women she can rely on for a little bit of maternal support and love, her Aunt Eileen who ruined herself and now lives with her illegitimate daughter Bernie and Bridget Johns who lives at the next farm across and is always ready with a cuppa and a shoulder to cry on. Both know what’s going on at Mary’s home and have taken her under their wing. Eileen goes as far as bringing the priest down to the farm when she feels Kathleen has gone way too far in disciplining Mary.

I was desperate for Mary’s eventual flight from the farm, following in the footsteps of her brothers. Sadly, she doesn’t get to fly as far as she expects; it seems she swaps one imprisonment for another. The emotionally gutting thing about Mary is that she always has a tiny kernel of hope. She underestimates her mother’s capacity for evil – but as long as everything looks ok to others and the parish priest, then her daughter’s happiness is Mammy’s top priority. There’s a point where Mary knows she’s done wrong, she expects to be punished and is willing to take it, but she hadn’t banked on giving up everything – her dreams, her education, her future. She doesn’t dream that her Dad would let that happen even if she does expect it from her Mammy. As a result she’s more angry with him than anyone. I don’t want you to think that this book is a drag to read. It really isn’t. There are some passages that are hilariously funny. Mary is irreverent, mischievous and has a few sayings that made me laugh out loud. I loved her description of her Mum backing out of the room so she didn’t ‘show her backside to the priest’. I went to a Roman Catholic primary school, but when we moved to a different area for my Dad’s work there wasn’t a school close enough and I went to the local school, followed by a grammar school when I passed my eleven plus. My mum was worried that I wouldn’t have the same teaching I did at primary, so I did lessons at the convent after school. Then I got to go on a Catholic kid’s retreat, in Derbyshire. We did loads of outdoor activities and had mass every evening at 6pm, with a young monk called Declan who everyone fancied and a rather bohemian priest who played guitar and had us singing every night. I remember being very proud that when the bishop came for tea, I was chosen to sit next to him. Our idea of fun was pretending to baptise each other in bed! So, Delaney’s description of Mary’s school holiday felt very familiar and made me laugh.

‘The groups would be mixed so we could hear what boys our own age, from the same religion, and the same class background for the most part, had to say about the Troubles and how they affected life in Carncloon, and what we had to say back. Fascinating stuff. Then after dinner, when we’d settled the cons and cons of people blowing ten bags of shite out of each other on a daily basis for twenty years, we were going to have a sing-song. Hymns and popular folk songs as Father Kevin, apparently, was a dab hand on the guitar’.

There’s a blasé tone to Delaney’s writing about ‘The Troubles’, but it’s clear from Mary’s narration that they have a huge impact on those that live alongside the unpredictability, hate, protests and rising violence. It comes very close to home on a couple of occasions and Delaney describes historical events that I remember vividly, particularly the murder of two undercover police officers who drove into an IRA funeral. I remember the headlines, the pictures and the descriptions of violence that no one could condone and how they caused friction in our family, between the Irish Catholic background of my Mum and the loyalty to the British Army instilled in my father. There were subjects we didn’t venture into or talk about. The hunger strikes were something I was very aware of and the conditions of the Maze Prison. I had a huge amount of admiration for Mo Mowlam who negotiated a peace process despite her cancer diagnosis. I am probably a similar age to Delaney so I felt an affinity with her and understood her. Mary’s need to be loved is so raw she can’t even articulate it. How can she understand or recognise love when she’s never felt it? She has been told she’s nothing, so nothing is what she deserves. Delaney writes about love and the realities of marriage with such wisdom and tenderness that I was rooting for Mary Rattigan till the very last page.

Meet The Author.

Tish Delaney was born and brought up in Northern Ireland at the height of the Troubles. Like a lot of people of her generation, she left the sectarian violence behind by moving to England. After graduating from Manchester University, she moved to London and worked on various magazines and broadsheets as a reporter, reviewer and sub-editor. She left the Financial Times in 2014 to live in the Channel Islands to pursue her career as a writer. Before My Actual Heart Breaks, her debut novel, will be published by Hutchinson in 2021.

Posted in Netgalley, Publisher Proof

Wish You Were Here by Jodi Picoult

This was my first full on pandemic book. Others have mentioned or touched upon the changes of the last eighteen months, but this was full immersion!

I’ve been disappointed with the last two of Jodi Picoult’s books. They were still well written, but for some reason I felt detached from everyone in A Spark of Light – maybe because in the U.K. abortion isn’t such a contentious issue? The Book of Two Ways felt almost so full of detail that I was reading a textbook and losing interest in the story itself. This was a glorious return of form that I truly loved. Diana and her boyfriend Finn live in New York City, he is a doctor and she works at an auction house for fine art, on the verge of promotion to become an Art Specialist at Sotheby’s. She’s trying to acquire a Toulouse Lautrec painting that hangs in the bedroom of a Japanese artist -loosely based on Yoko Ono. Then, everything changes. Finn and Diana have a very set life plan and part of that was an upcoming visit to the Galápagos Islands. However there are rumours flying around in the medical community of a strange new virus in Wuhan, China. It seems like SARS in that it affects breathing, because it causes pneumonia and requires huge amounts of resources to keep patients alive. Diana’s boyfriend feels torn, as a doctor he’s worried and thinks they should be preparing but the president is on TV telling everyone it’s no worse than flu. What’s the truth?

. She meets Abuela’s granddaughter Beatrice who appears to have secrets and an inner pain that brings out a maternal instinct Diana didn’t know she had. Tour guide and Beatrice’s father, Gabriel, is the perfect person to be stranded with. He knows every corner of the island and has no work, so he can show Diana some of the sights she would never have seen ordinarily. The islands sound miraculous and here Picoult really does create an incredible sense of place. The seals lazily basking on the jetty, the sea turtles and their nests buried in sand, lush vegetation and lizards lying around intertwined. I could see and taste the salt air. I loved the islanders too – their openness to Diana, the bartering market set up when the island quarantined itself from the world. Everything is vivid and almost hyper-real. Then came the twist!! Oh my goodness I did not expect that at all. This was brilliantly done and shocked me. Yet it was all too plausible.

Diana has one link to the world beyond the Galapagos and that’s the occasional email from Finn. In it we see the reality of the COVID-19 epidemic in New York City. They have so many people being admitted and not enough people recovering and moving through rehabilitation. What do you do when the resources simply run out? Finn is exhausted, has permanent bruises on his cheeks, because they have to keep their masks so tight and is struggling mentally. He describes to her the patients lost, ones he can’t forget, because there are too many to remember them all. This was tough reading and I’ll be honest, I learned things about the virus I’d never heard before such as vascular compromise, bowel necrosis and neurological deficit. There were points where I felt a bit breathless and panicky. As someone who had to shelter from the virus, it made me think twice about going out in a couple of places. Anyone who thinks it’s just a ‘bit of flu’ should be locked in a room with the audio book playing on repeat! Please don’t let this put you off though. It’s beautifully written and the insight it gives into how hard things have been for those in the medical profession is priceless. We owe it to them to read such well-researched and thoughtful accounts of the pandemic. The Galapagos sections are like paradise in comparison and this was the space where I could take a long deep breath.

This book is Picoult at her best, in that it has an interesting storyline, and characters as well as an issue she could really get her teeth into. As the book started I was prepared for it to be set within the art world and I was already curious to see her relationship with Kito – the Japanese art collector – because they seemed to be on a similar wavelength. I thought we might end up embroiled in a legal battle over ownership or whether the painting was a forgery. Then everything she’d built at the beginning became subsumed by the pandemic and it became a totally different story. The structure effectively echoes how our lives have been interrupted and changed forever. There are people who went into the pandemic with a job that no longer exists. People have lost friends, family members and partners. The pandemic has changed people, they are looking at how they live and making changes. We moved into the country, and I’m sure others have done similar, focusing on enjoying life and working to live instead of living to work. There are people like me, who were disabled, but felt like part of society still. Gradually, over the last 18 months, I have become a recluse and I’ve felt more and more separated from people. Especially those people who say the vulnerable should be kept inside, so that ‘normal people’ can have their lives back. I’ve felt like an inconvenience, and like we’re holding the rest of the country to ransom. I’m hoping these feelings change with time, but who knows? I could understand Diana’s decision at the end of the novel, it might have seemed illogical but I got it. When you’ve been through something momentous you change, and part of that is re-evaluating life and choosing what makes you happy. It’s trying to recapture hope. I don’t want things to ‘go back to the normal’; I want this pandemic to mean something and I want things to get better. Diana takes that decision for herself and I found that both brave and uplifting.

Meet The Author


Jodi Picoult is the author of twenty five internationally bestselling novels, including MY SISTER’S KEEPER, HOUSE RULES and SMALL GREAT THINGS, and has also co-written two YA books with her daughter Samantha van Leer, BETWEEN THE LINES and OFF THE PAGE. She lives in New Hampshire with her husband and three children. 

Her most recent adult novel, A SPARK OF LIGHT first published in the UK on 30th October 2018, and was a #1 Sunday Times and New York Times bestseller. 

Follow Jodi Picoult on Twitter @JodiPicoult and find out more at http://www.jodipicoult.co.uk or on Facebook/JodiPicoultUK.

Posted in Random Things Tours

On the Edge by Jane Jesmond.

I was thoroughly gripped by this tense thriller set in Cornwall and concerning Jenifry Shaw – an experienced free climber who is in rehabilitation at the start of the novel. She hasn’t finished her voluntary fortnight stay when she’s itching for an excuse to get away and she finds one when her brother Kit calls and asks her to go home. Sure that she has the addiction under control, she drives her Aston down to her home village and since she isn’t expected, chooses to stay at the hotel rather than go straight to her family home. Feeling restless, she decides to try one of her distraction activities and go for a bracing walk along the cliffs. Much later she wakes to darkness. She’s being lashed by wind and rain, seemingly hanging from somewhere on the cliff by a very fragile rope. Every gust of wind buffets her against the surface causing cuts and grazes. She gets her bearings and realises she’s hanging from the viewing platform of the lighthouse. Normally she could climb herself out of this, most natural surfaces have small imperfections and places to grab onto, but this man made structure is completely smooth. Her only chance is to use the rapidly fraying rope to climb back to the platform and pull herself over. She’s only got one go at this though, one jerk and her weight will probably snap the rope – the only thing keeping her from a certain death dashed on the rocks below. She has no choice. She has to try.

I don’t know about you, but my heart was racing and this was just the opening! I thoroughly enjoyed this intense thriller, so much in fact, I read it in one sitting. This was too good to put down. Jen can trust no one, as she tries to investigate her own attempted murder. The dark, taciturn, Nick Crawford has to be dodgy. He’s not from the village and claims to be a carpenter, but Jen has her suspicions that his business is a cover. After all, she should know, she has been dealing with drug dealers her whole life. Could it be him who drugged her, then left her for dead at the lighthouse not knowing about her past; the talent for climbing she inherited from her father and the buzz she’d get from free climbing the seemingly impossible. Even man made structures were no match for her and the rush was incredible, hanging out with other adrenaline junkies – the base jumpers, the parkour and free running enthusiasts. The way the author wrote about this world was fascinating and very beguiling. I’m fond of saying to clients in workshops that as adults we forget to play, I now fulfil that by crafting, sewing and writing stories. My early readers will know that I broke my back when I was 11 doing somersaults in the playground when I should have been high jumping. The author truly made me think of a time before my accident when I was largely free to do as I liked. My brother and I would climb a pair of willow trees, bent so far over one of rural Lincolnshire’s many drainage dykes, that a child could lie full length in them. He would be fishing. I would take a sketchbook or journal and spend the day scribbling or sketching flowers. In the descriptions of Jen’s climbing days I remembered the freedom of a body that was loose and easy to use. The body that took me up Snowdon and other mountains, or went wild swimming and could take on any challenge without fear of pain or exhaustion. Times where it’s just you and nature. Jen promised her brother Kit that she would give up free climbing after a terrible accident left one of their friends paralysed. I understood giving up something that’s such a huge part of who you are and the need to replace that adrenaline rush with something, to self-medicate.

The sense of place was incredible. The author conjured up my Cornwall almost immediately with her descriptions of the tin mine, the crashing sea on the cliffs and fog on the moors. I recognised the sea mist that seems to coat your car and your windows. The weather was hugely important, with storms amping up the tension in the opening chapters and the fog of the final chapters adding to the mystery. Will we find out who is behind the strange and dangerous events Jen has uncovered or will it remain obscured? Cornwall is the perfect place to hide criminal activity, hence the history of smuggling and piracy, so why would it be any different today? Has the cargo changed? I loved that the author wove modern events and concerns into the story, because it helped the story feel current and real. The concerns around development and tourism are all too real for a county, dependent on the money tourism brings, but trying to find a balance where it doesn’t erode the Cornish culture. Local young people are priced out of the property market and we get a sense of that here with Kelly who left to become a dancer until a knee injury forced her home to live with her brother Talan. Kit and Jen both left in order to make their way in life, setting up a climbing business that Jen managed. Yet they are in financial dire straits after Kit and his wife try to renovate the family home into a well-being centre. Jen and Kit’s home, Their house is more of a stately home, but not an attractive one – Jen refers to it as a grey block or brick with none of the embellishments expected of a historic building. Their mum says Kit has renovated the soul from the house, and since the family spend most of their time in the unrenovated kitchen I was inclined to agree. However, without the new business opening and attracting tourists they’ll be ruined. It’s a constant love hate relationship between Cornishman and incomer.

The final chapters, as Jen discovers what’s going on in her home village, is absolutely nail-biting. I was also holding my breath in parts. I won’t give anything away but the revelations are startling and no one is who they seem. I was surprised by most of the twists and it made for a fantastic conclusion. As I usually do with a author thats new to me, I didn’t read any of the promo stuff until I’d finished the book. When I’d recovered from holding my breath, I looked the author up because I was keen to read her back catalogue. Surprisingly, this is her first novel. I’d be incredibly proud of it. It’s well-paced, exciting, and has a great central character who doesn’t need a rescuer. She can save herself. I loved the way the author built atmosphere and that simmering tension that grabs you at the outset and doesn’t let up. I’m not surprised this was picked out of a pile of submissions; it stands out. If this is what Jane Jesmond is opening with, I can’t wait to see what she’s doing next.

Meet the Author

On The Edge is JANE JESMOND’s debut novel and the first in a series featuring dynamic, daredevil protagonist Jen Shaw. Although she was born in Newcastle Upon Tyne, raised in Liverpool and considers herself northern through and through, Jane’s family comes from Cornwall. Her lifelong love of the Cornish landscape and culture inspired the setting of On The Edge. Jane has spent the last thirty years living and working in France. She began writing steadily six or seven years ago and writes every morning in between staring out at the sea and making cups of tea. She also enjoys reading, walking and amateur dramatics and, unlike her daredevil protagonist, is terrified of heights!

Why not check out some more reviews from these lovely bloggers.

Posted in Random Things Tours

Bad Apples by Will Dean.

Wow! Will Dean does like to put his heroine in some terrifying situations. There is so much about this series that I love, then a good 20% that makes me feel a bit sick or unsettled. In the last book it was snakes that had me a bit on edge. This time? Well it’s saying something when a severed head is the most comfortable thing about Tuva’s investigation.

We’re back in Gavrik, deep in the northern most part of Sweden and Tuva is back at the local newspaper, but has a more senior role and a new colleague to oversee in the shape of eager young newbie Sebastian. In fact, things are pretty good in Tuva’s world. Best friend Tammy is back in her food truck dishing up the best Thai food around. Tuva is in a steady relationship with police officer Noora, which works really well although they have to keep a boundary between police work and what ends up in the paper. As part of her new role, the Gavrik newspaper will now also cover the nearby hilltop community of Visberg. With a treacherous ascent road through the forest, there’s really enough danger in this assignment, but when Tuva stops for a moment in her truck, she winds down the window and hears a terrified human scream. Never one to run away from danger, she hurries towards the noise and finds a woman covered with blood and a body, without it’s head. The man is Arne Persson: resident of Visberg; local plumber; member of the choir and the town’s chamber of commerce. Tuva’s introduction to Visberg is going to be an unpleasant one. Instead of getting to know the residents and building trust, every one of them will know she discovered Persson’s headless body and every one of them could be a possible suspect.

Dean has a wonderful way of describing these remote northern towns and their eccentric residents. I often wonder whether it is living in such an inhospitable environment breeds eccentricity or whether odd individuals are attracted to it’s remoteness. Quirky details are brought into the narrative that feel surreal and put the reader on edge. Local pizza maker Luke Kodro obliges residents with the oddest pizza toppings I’ve ever heard of – ‘fillet steak, onion, mushroom, bearnaise, peanuts and banana’. However, many view him with suspicion because he’s from Bosnia and one even names him as the ‘our local, friendly, war criminal’. There’s also Hans Wimmer who has a shop in the town square selling all sorts of timepieces, but down in the basement has rare clocks including some handmade ‘organic’ examples. We also meet old friends like the Sorlie sisters, running a pop-up shop selling their unique trolls and masks for the town’s peculiar celebration Pan Night. Tuva asks about this festival, but most residents are secretive about what it entails. Even the sisters warn Tuva that it’s a celebration for hill folk only and that outsiders aren’t welcome after dark. This piques Tuva’s curiosity and she overcomes her revulsion enough to buy an animal mask from the sisters and plans to gate crash. The Pan Night chapter is a highlight of the book for me and the way the author covers all the senses gives the reader a truly immersive experience. There a bonfires, falling apples being crushed underfoot, animal masks, people walking backwards or getting frisky under park benches and the most disgusting balloons it’s ever been my misfortune to imagine. In this town, any one of the residents might have killed Arne Persson and I was a long way from solving the case.

I love how Tuva has changed since the first novel. There was a guarded quality to her at first, a sense of keeping herself separate that might have something to do with her deafness or possibly life experiences. Here there’s a softening to her character. She’s still brave and resilient, with an intrepid sense of adventure, but her ties to people have always been minimal. Her friend Tammy has recovered well from her kidnap ordeal and they are still close, looking after each other as family. Her boss Lena also looks after Tuva in a motherly way that’s very different to the difficult relationship Tuva had with her late mother. I noticed a relationship building between Tuva and the little boy at the flat next door, who isn’t having the easiest family life and seems to trust Tuva. She agrees to baby sit him on a couple of occasions and is touched by his faith in her. I guess most importantly, the biggest change is her long term relationship with Noora. This seems to have a stabilising effect on Tuva, although the relationship terrifies her as much as it makes her happy. What is the future for the couple? Could Tuva be comfortable even sharing her living space with another person? She isn’t sure, even though she knows she loves Noora.

This book picks you up and takes you on a fascinating and thrilling ride that builds in tension to a terrifying ending that I didn’t see coming at all. I had to stop reading at one point, because I realised I was so tense I was gritting my teeth! I’m sure the author has a hotline to my fears and this ending tapped into them perfectly. Needless to say, if I was Tuva, I’d be packing up the Hilux and leaving the hill folk to murder each other! I think the way the author depicts Tuva’s deafness is interesting. Usually Tuva uses it to her own advantage – taking her hearing aids out when she’s writing a piece means she can focus and taking them out at home means she can’t hear next door. However, it can also leave her vulnerable and the author uses it to intensify the horror element of the book, particularly towards the finale. There’s something about another person touching her hearing aids that feels so personal and also like a violation, depending on who it is. Every time I know a Tuva Moodyson book is coming, the excitement starts to build. By the time it’s in my hands I’m ready to drop all my other reading to dive in. Of course when something is so anticipated there’s also a fear about whether the book will live up to expectations. Bad Apples did not disappoint and is a fabulous addition to this excellent series.

Published by Point Blank on 12th October 2021.

Why not check out the other reviews on the blog tour..

Meet The Author.

If you don’t already follow Will Dean on Twitter you’re missing out on fantastic photos, including those of his huge St Bernard and the country surrounding his cabin in the woods. He grew up in the East Midlands and had lived in nine different villages before the age of eighteen. His debut novel, Dark Pines, was selected for Zoe Ball’s Book Club, shortlisted for the Guardian Not the Booker prize and named a Daily Telegraph Book of the Year. The second Tuva Moodyson mystery, Red Snow, won Best Independent Voice at the Amazon Publishing Readers’ Awards, 2019, and was longlisted for the Theakstons Old Peculiar Crime Novel of the Year 2020. His third novel, Black River, was chosen as Observer Thriller of the Month. Will Dean lives in Sweden where the Tuva Moodyson novels are set.