Posted in Back of the Shelf

Back of the Shelf! The Taxidermist’s Lover by Polly Hall.

A modern Gothic tale of a woman obsessed with her lover’s taxidermy creatures and haunted by her past.

One stormy Christmas, Scarlett recalls the ebb and flow of a yearlong love affair with Henry, a renowned taxidermist. Obsessed with his taxidermy creatures, she pushes him to outdo his colleague and world-famous rival in a crescendo of species-blending creativity. Scarlett will not be able to avoid a reckoning with her own past as Henry’s inventions creep into her own thoughts, dreams, and desires.

Drenched in the torrential rains of the Somerset moorland and the sensual pleasures of the characters, The Taxidermist’s Lover lures you ever deeper into Scarlett’s delightfully eerie world.

Bram Stoker Award Shortlist for Superior Achievement in a First Novel • IPPY Awards 2021 Gold Medal Winner

Anyone who knows me well is aware that I have a weird penchant for antique taxidermy, so I jumped at the chance to read this. This was an eerie story of obsession from a writer I’ve not come across before, but will look out for in the future. I expected the feel of a historical novel, with something a little spooky about it and I wasn’t disappointed. Dipping in and out of the past, Scarlett addresses her lover Henry, who is hoping to my find a foothold in this niche world of taxidermy. I loved these forays into the past, as it allows us to witness a developing tale of obsession and the macabre, in the tradition of gothic fiction – one of my favourite genres. There’s a strange sensation that you are reading a Victorian novel instead of a contemporary story. Hall’s writing is haunting and sensual, and sets a dark, forbidding tone. Although it’s a second person narration it feels very personal.There’s a sense of foreboding and I kept wondering about the veracity of Scarlett’s story. Would Henry tell us a different tale? Despite it’s potential unreliability, I felt drawn in and I simply couldn’t guess how all this would play out. I think it is so compelling because of that personal feel; writer is echoing that feel of obsession by deliberately keeping her focus narrow.

Scarlett and Henry’s relationship was very fast moving, with them moving in almost immediately and getting married very soon after. She becomes involved in his career and suggests he try something different; chopping and changing animal parts to create totally new creatures, rather like the jackalope. To say Scarlett is obsessed would be an understatement really, not with Henry, but with his taxidermy. It seems very unhealthy, but when we hear about Scarlett’s twin brother Rhett and the death of her parents, this obsession with body parts starts to make sense. However, it’s sense of a very disturbed kind. There’s a Frankenstein element to the tale, both in the jumbled creatures and the sense we get that the process of making them might be more satisfying than the finished product. It’s become more about the ability of the creator than the actual creature. Some readers might feel sorry for Scarlett and I did understand how life events might have overwhelmed and damaged her psyche. I found it satisfying to delve so deeply under a character’s skin, because we don’t often get the chance to really analyse someone this way in fiction.

This is a slow story so if you’re looking for fast thrill rides this isn’t the book for you, but that said it’s strangely satisfying. If you like character, quirkiness and having all your senses engaged, then this is your book. The menace builds inexorably until you’re desperate for the worst to happen, just for it to be over. The twists come thick and fast, until you’re finally faced with the horror ending. This is dark, twisted and very unique, with an atmosphere that will stay with you long after the final page is turned.

Published by Camcat Books 8th December 2020.

Meet The Author

Hall’s writing is lush, filled with startling conclusions about the nature of art and love and death. . . [A] shudder-inducing debut.” ~ The New York Times

Polly Hall is author of The Taxidermist’s Lover, conceived while studying for an MA in Creative Writing at Bath Spa University.

Her flash fiction, poetry and stories have been included in national and international anthologies and collaborative arts projects. 

You can find her @PollyHallWriter on Instagram, Facebook and Twitter.

Praise for The Taxidermist’s Lover:

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Posted in Back of the Shelf

Back of the Shelf! The Dressmaker’s Secret by Lorna Cook.

1941, Nazi-occupied Paris: In the glamorous Ritz hotel there is a woman with a dangerous secret…

As Coco Chanel’s assistant, Adèle lives side by side with German officers in the splendour of The Ritz hotel. But Adèle has a secret. She is working for the resistance, right under the Germans’ noses. As occupied Paris becomes more and more dangerous, Adèle will have to decide if she can risk everything to save innocent lives and protect the man she loves…

Present day: Chloé’s grandmother has never spoken about the war and avoids questions about the legendary designer she once worked for. Now Chloé has come to Paris, to uncover the truth about Adèle’s life. But is she prepared for what she will find? And for the power of her grandmother’s secrets to change her family forever…

Chloé has travelled to Paris after the breakdown of her marriage in order to help a friend with their vintage shop. She knows her grandmother worked for Chanel in the 1940’s so when she hears about an auction taking place at the Ritz she decides to have a look. The Ritz is selling some wartime items which grab her interest and when she meets Etienne, who is an art dealer and war historian, he is a great source of knowledge. He tells her about recently unearthed information that Chanel was sympathetic to Hitler’s cause and had visited Berlin several times. Like many people who survived the war, her grandma has been very reticent about sharing her experiences for that? As Chloé starts to look in the archives, she begins to worry. What will she feel if she finds out her grandmother collaborated.

The historical research undertaken for this novel is undeniable and before reading this I had no idea of Coco Chanel’s stance in WW2 or the stories of her collaboration with the Nazis. I think now that history has shown us the full extent of the Holocaust and Hitler’s belief in a master race, we can’t conceive of anyone who doesn’t see him and his actions as unremittingly evil. However, it’s clear that during the war, for both Germans and occupied citizens the distinction wasn’t so clear. With our own aristocracy hiding many who were enthralled by Hitler’s planned genocide, it shouldn’t be a surprise that in France, Greece and Italy allegiances and the reasons for them were very complicated. If you had a bakery in the occupied Greek islands would you rather see bread go to waste or would you sell to the occupying force? For Chanel, living in the Paris Ritz alongside German soldiers it must have been hard to live next door and keep up a secret campaign of hatred. This is where Adèle’s story shines a light, as Chanel’s PA she can come very close to them, but still want them dead and gone from France. So with great bravery she resists under their very noses.

Adèle’s wartime story is so engrossing, that I think it makes the book a little lopsided. The dual timeline, as in the present Adèle’s granddaughter Chloé researches her family history, is definitely the weaker end of the story. It’s almost there as a device and although it gives present day interest, I think the book would be just as strong without it. It’s possibly just that the tension and drama need to be high for the WW2 setting, so anything would have seemed quiet in comparison. Prior to the war, Adèle grew up in an orphanage, taught by nuns. She had worked for Chanel before war broke out and is lucky to be chosen as her personal secretary when the atelier is closed, because all the other staff are let go. Adéle is in charge of her correspondence, packing her luggage when she travels and organises any meetings she has. However, she does not enjoy living at the Ritz, especially when the German soldiers move in and Chanel starts to socialise with them, dating a much younger man at the same time. It’s the guilt that’s so hard to deal with, especially when Adèle sees other people going hungry. When she first sees a Jewish woman being arrested, she’s stunned and feels sick that this is happening in her country. As she goes for her routine blood donation to the Red Cross she meets Theo, a doctor who is a member of the resistance. Can Adèle continue to watch others suffer or will she have to help?

I think that this writer takes a piece of history and weaves a great story, full of intrigue and drama especially in the WW2 sections. Chloé needs to move forward from her divorce and find her confidence again and there is something about filling in the gaps of her family history that does this. Learning the truth about her grandmother is nerve-wracking considering her employer’s history, but if it shows she was a hero then Chloé will filled buoyed up by it. Knowing you’re from a line of strong women, can help you find your own strength and I think that’s the essence of Chloé’s journey. Adèle is a courageous woman in a very tough situation and I thoroughly enjoyed getting to know her and the full history of one of France’s most famous collaborators.

Published on 22nd January 2022 by Avon Books.

Meet The Author

Lorna Cook is the author of the The Girl From the Island, The Forbidden Promise and the Kindle Number 1 Bestseller ‘The Forgotten Village’, which was her debut novel, staying in the Kindle Top 100 for four months. It has sold over 150,000 copies, has eleven overseas/foreign language editions, won the Romantic Novelists’ Association Katie Fforde Debut Romantic Novel of the Year Award and the RNA Joan Hessayon Award for New Writers. Keep up with all her news and bookish chat at:www.lornacookauthor.com www.facebook.com/LornaCookWriterwww.instagram.com/lornacookauthorwww.twitter.com/LornaCookAuthor

Posted in Back of the Shelf

Back of the Bookshelf! The Woman in the Window by A.J. Finn

I reached to the back of the shelf for this 2018 paperback copy of The Woman in the Window. There’s a strong Rear Window vibe to this thriller, as our lead character Anna Fox, is trapped within her house, only living through the lives of her neighbours, who she watches through her binoculars. Instead Rear Window’s physical disability, she is restricted by her mental health, which has suffered a response to extreme trauma. Some unknown traumatic incident has resulted in agoraphobia and she has spent ten months inside her large New York house, like a ghost. Before this, Anna was a successful psychologist and the fact that her affliction is a mental health issue really muddies the waters here. How far can we trust what she sees and experiences? Does her training mean we trust her more, or less?

No longer living with her own husband and daughter, she becomes obsessed with the Russell family across the road. A mother, father and teenage son. She is especially interested in the son, and his mother who she meets and names Jane Russell because of her likeness to the beautiful movie star. Her world is filtered through binoculars and her only interest seems to be the black and white movies she watches religiously most evenings. Then one night, as she surveys the neighbourhood, she sees something horrifying at the Russell’s. A scream rips through the evening air and alerts Anna to the Russell’s windows and all she can do is watch in horror. She can’t go out, so rings the police. What follows has everyone questioning Anna’s judgement, including herself. As she starts to suspect someone is getting into her house, her fears increase and she continually talks to her husband and daughter to assuage her anxiety. As she does we start to wonder, where exactly are her family? Why did they leave and will they ever return?

This is one of those thrillers that I can devour in one sitting. It has an elegance and old-fashioned feel that Hitchcock would have optioned on the spot. Incidentally, there is a Netflix series that I’m now dying to watch. Anna is intriguing. I wanted to trust her, but my head was constantly full of questions. I was instantly suspicious of her charming and handsome downstairs lodger too, as well as Mr. Russell. The depiction of Anna’s panic attacks was so realistic and had me holding my breath. The severity of her symptoms, on the few occasions she does try to go beyond the front door, had me fearing the revelations about her past. The pacing was perfect, the tension never let up and I found myself taking it everywhere so I could squeeze in a few more pages whenever I got the chance. I was so impressed when I found out this was a debut, because it feels like a classic. I also made the assumption it was written by a woman, which showed up my reading prejudice about men writing women characters. In all this was an enjoyable and enthralling tale, with a nod to film noir that was very satisfying for this black and white movie lover. I can’t believe that this has been at the back of my shelf until now and I’m glad I decided to give it a go.

Meet The Author

A.J.Finn

THE WOMAN IN THE WINDOW has been sold in 43 territories around the globe. The film adaptation, starring Amy Adams, Gary Oldman, and Julianne Moore, will be released worldwide in autumn 2019. The movie directed by Joe Wright, written by Tracy Letts, and produced by Scott Rudin.

I spent a decade working in publishing in both New York and London, with a particular emphasis on thrillers and mysteries. Now I write full-time, to the relief of my former colleagues. THE WOMAN IN THE WINDOW was inspired by a range of experiences: my lifelong love affair with suspense fiction, from the Sherlock Holmes stories I devoured as a kid to the work of Patricia Highsmith, whom I studied at the graduate level at Oxford; my passion for classic cinema, especially the films of Alfred Hitchcock; and my struggles with depression and mental health. The result, I hope, is a psychological thriller in the vein of Gillian Flynn, Tana French, and Kate Atkinson, among others.

Stuff I love: reading; swimming; cooking; dogs; ice cream; travel. (Note that third semicolon. It’s crucial. I do not love cooking dogs.) I collect first-edition books and enjoy spending time with my French bulldog, Ike.

From A.J. Finn’s Amazon Author Page 21/01/22

Posted in Back of the Shelf

Books At The Back Of My Shelf

One of my book shelves.

As I go through other blogger’s fantastic end of year book lists, it strikes me how many brilliant books I haven’t had time to read. That’s not because I’m one of life’s busy people – I don’t work, the girls are only with us part-time, I’m still semi-shielding, and I have a carer/cleaner – I’m hardly plagued with Virginia Woolf’s worries and yes, I do have a room of my own. I could be reading more, but mainly I could be making better choices. The problem is I become distracted. I’m distracted by the same things a lot of other book bloggers are: should I be on Tik-Tok? Should I be chasing this year’s hottest release? Do I have enough Twitter followers? Is a photograph better than a review? How do I stay relevant? Is anyone even reading this? It’s so easy to spend half your day on Twitter or Instagram looking at other people’s beautiful and creative content and thinking ‘should I be doing that too?’

The only answer is to do what you love. I’m never going to be a major book influencer with followers in the millions, merchandise and a whole new income stream. So I have to think, what is it I enjoy about book blogging? Well, I love the Book Twitter community, the bloggers, blog tour organisers, the publishing assistants and other writers. By talking to writers over the last few years I’ve had so much encouragement and advice about my own writing, that I could see myself actually finishing my own book. People have been generous and kind with their time and their tips on how to be a book blogger. I love reading, discovering new authors and broadening my reading choices. I love writing about characters, their stories, their psychology and really championing those books that make my heart sing. I can do all of these things without putting myself under pressure, without chasing every new book, without joining every blog tour or buying every special edition. I can do this without pressuring or challenging myself even more than last year.

My village book exchange

That’s not to say I don’t appreciate those who take stunning Insta photos, or know a flat lay from a stack, because I do. Some people are absolute artists! I also admire those who worked hard to remain up to date and relevant, but it’s not always me. It takes me a long time to understand and adopt new apps and methods of getting the book love across. So in short, I’m going to worry less and read more of the books I already have. Stress less and enjoy this more. I’m going to spend more time writing my own work, putting new books into our village book exchange, and reaching to the back of the shelf for those books I didn’t get to this year. I’m going to write about those back of the shelf books and celebrate what I have as much as the new. I can’t believe I haven’t yet read The Appeal by Janice Hallet or Still Life by Sarah Winman, but they are both tucked away on the shelf. I’m going to look forward to those books I’ve highlighted for 2022, but not worry if I don’t get to them all. I’m also including my NetGalley shelf in this, which I’m afraid to say, is cluttered with forgotten gems and new books due to be published as far away as next summer!

It’s easy to forget why we do this. I need to remember those reasons, to simply enjoy being part of this great book community. To relax and celebrate the journey, rather than stress and strain towards an unknown goal. Here’s wishing you all a deliciously bookish 2022 and I look forward to chatting and sharing with you all this coming year. ❤️📚