Posted in Throwback Thursday

Again Rachel by Marian Keyes

Over the last couple of weeks I’ve had the brilliant experience of buddy reading with my eldest stepdaughter. I bought her Rachel’s Holiday and this sequel Again, Rachel for Christmas and she decided to read them in her down time from revising for her A’Levels. I realised it would be a great opportunity to share the reading experience together. I finished this on my weekend away and I genuinely found it hard to look up from the story. For the author, the anxiety of revisiting a much loved character must be huge, because I felt it too. I’d kept it on one side for this long because of that anxiety. I loved Rachel and the whole Walsh family and I wasn’t sure I wanted to know what happened next. We’re twenty years on from the end of the last book and Rachel is settled, with a job she loves and a happy home. She works as a senior counsellor at The Cloisters – the place where she started her own recovery journey. She owns a beautiful little house and a garden that’s become an unexpected part of her ongoing recovery and mental well-being. She also has a little dog, Crunchie. There’s also a man, Nick Quinliven (known as Quin) who has a penchant for trying new and exciting things from from the latest restaurant to wild swimming and escape rooms. They haven’t said they love each other yet, but he is an important part of her life. Life is great until Rachel hears that Rose Costello has died. Rose was her mother-in-law and although she hasn’t seen her since she and Luke divorced, she does feel an obligation. Should she go to the funeral or not?

Rachel and Luke have never spoken since he left their Brooklyn flat several years ago and cut all contact. I kept thinking what on earth could have separated these two people who really loved each other? Skilfully taking us back and forth in time, Marian Keyes constructs the intervening years as Rachel copes with the unexpected present and the painful past. Rachel’s whole life is upended as she sees Luke for the first time and tries to cope with the emotions of their reunion. However, she’s also plunged deeply into the past and the reasons she and Luke ended. Rachel is emotionally intelligent and knows all about buried trauma, but is surprised when she experiences all of those emotions afresh as if it only happened yesterday. It upsets her equilibrium, but has that sense of calm recovery merely been a front? Rachel hasn’t wilfully deceived others. She’s deceived herself. Is her version of what happened back then even the truth? If given the chance to connect with Luke and unpick their past, should she take it?

Marian Keyes really knows her stuff when it comes to addiction and mental health. It’s always a joy to read her books because they’re so emotionally intelligent. This framework provides so much depth to the characters and their story. Here she shows us a wounded healer, as Rachel struggles through addiction and loss, but still supports clients to achieve psychological change. I love her courage, because anyone who uses their own pain to help others is an incredible human being. I love how Keyes describes group sessions, as Rachel keeps her boundaries and sticks to her script, no matter how strongly she might be identifying with the client or feeling deeply moved by their story. We get to see that conflict in her; as a human being she might want to comfort that person, but as a therapist she must hold back to effect change. She knows that sometimes it’s important to sit with the feelings, to truly feel negative emotions without distractions or outside comfort. They always pass. I loved the wisdom she’s acquired over the years and how she rides to cope with her own trauma the same way.

I was deeply moved by Luke and Rachel’s experience because I’ve been through something similar. It made some parts hard to read, but it was written beautifully and with an accuracy I really appreciated. Keyes offsets the sadness with the usual comic touches, with Walsh family conferences being a great source of humour. All the sisters have their own idiosyncratic characters, causing conflict at times but we know that love is always present. Mrs Walsh is typically overbearing and contrary and her upcoming ‘surprise’ birthday party is an extra source of stress, especially when she decides to invite her ex-son-in-law. Luckily, the meticulously organised Claire has everything in hand, despite also trying to negotiate a session of swinging for her and her husband. Husband Adam is reluctant, but once convinced he becomes so enthusiastic that Claire is furious with him! The love stories are convincing and both Rachel’s current beau Quin and ex-husband Luke have their strengths. I held out hope for Quin and Rachel because I thought they suited each other. However, once Luke is on the scene the chemistry and unfinished business between him and Rachel is undeniable. Quin isn’t the only obstacle either, Luke’s partner Callie is with him in Ireland and seems very determined to keep Rachel close. I didn’t know if Rachel and Luke would be able to move past their history and connect again, as the people they are now. I loved how they tried their hardest to work through what happened, despite the pain it’s clearly causing. Could they possibly remain friends and share their loss, after all only the two of them can fully understand what they went through. Despite knowing that that Rachel didn’t need either man to build a happy life, I knew where my loyalties as we approached the end. Oh what an ending!! I was snap chatting my stepdaughter and we’d both cried buckets at the ending. I was so glad that Marian Keyes had been brave enough to revisit Rachel again.

Published by Penguin 13th April 2023

Marian Keyes is the international bestselling author of Watermelon, Lucy Sullivan is Getting Married, Rachel’s Holiday, Last Chance Saloon, Sushi for Beginners, Angels, The Other Side of the Story, Anybody Out There, This Charming Man, The Brightest Star in the Sky , The Mystery of Mercy Close, The Woman Who Stole My Life, The Break and her latest Number One bestseller, Grown Ups. Her two collections of journalism, Making it up as I Go Along and Under the Duvet: Deluxe Edition are also available from Penguin.

Posted in Throwback Thursday

Our Little Cruelties by Liz Nugent

In the famous words of Phillip Larkin, ‘they fuck you up your Mum and Dad’. Reading this book was a very interesting experience and patience definitely paid off. Had I given in to my impulses and thrown the book down in frustration during the first part, I would have missed out on a great read. The story of three brothers over their lifetimes is compelling, interesting and a great study in how mental health difficulties can be passed on from one generation to the next.

The structure of the novel is what I had difficulty with at first. The first section was narrated by the eldest brother, Will. Written in short chapters, slipping between decades, we see aspects of his childhood through to the present day where he is a successful movie producer. He meets his wife Kate through his brother Brian,when she’s brought to a family dinner. They have a little girl called Daisy, but Will is much more focused on work than he is his family. We get the sense that Kate is a long suffering woman who gets more support from Brian, who is now Daisy godfather. Brian is there for the birthdays and school concerts and Daisy has a great rapport with her Uncle. Will is dismissive of Brian and his lack of ambition. He is also dismissive of Luke, despite Luke’s success as a pop star in his late teens. He is close to his Mum and through flashbacks we see she favours him, quite openly.

Luke, by contrast, really gets the brunt of their mother’s moods. He is the youngest, the weakest but soon finds success as a pop star. However, in the later fragments of his life he has times of struggle, where his mental health is poor and he turns to drink or experiments with drugs. He is an unusual child with a religious fixation to the extent where the family priest thinks he has a vocation! The other boys use his goodness against him, it gets them extra food and attention, especially from their father. There are moments where it seems his life is on track and he could be happy, but others where I wondered if he was just not meant for this world. Finally, there’s Brian the middle brother. If Will is his Mum’s favourite and Luke is doted on by his Dad, it leaves nobody for Brian. He does seem fatally dragged between the two of them. Will is very dismissive of him, even though Brian does so much for his niece. He’s not grateful that Brian stands in for him or that he looks after Luke when his mental health deteriorates. In fact their relationship becomes so destructive that other family members get caught in the crossfire.

The genius of this book is its structure. During the first part, narrated by Will, I was ready to put the book down. I couldn’t stand him. He was arrogant, self-centred and treats women appallingly. If the whole book had been his viewpoint I might have thrown it out of the window. Just when I was at the point of giving up, I saw Luke’s name across the next section and it was such a relief. As the tale goes back and forth in time and perspective we see a tiny bit more of the whole. At a Bob Dylan concert at a local castle, Will ends up in a fight and is taken to hospital with Dad, leaving Luke to follow behind. Mum is also left behind at the castle and doesn’t arrive at the hospital till late. However, through Luke’s story we learn that something terrible happened to her, something that explains so much about how she behaves. When we finally get Brian’s section we see what a lifetime of being in the middle feels like. Overlooked, unconsidered and brushed aside. We find out things we already suspected and other things that surprise and enlighten us. Every single strand of this novel teaches us that we are only ever a small part of the picture and we must step back to see the whole.

This brings me to the second line of Larkin’s poem, which is the best; ‘they do not mean to but they do’. There are parts of this novel, particularly the way Dad behaves, where genuine mistakes are made and misunderstandings occur in the same way they do with any family. However there are other situations where the damage seems deliberate, especially in their mother’s attitude to Luke, Will’s intervention in Luke’s relationship, and in the treatment of Will’s daughter Daisy towards the end of the novel. These acts are more than little cruelties. They are deliberate, potentially causing lifelong psychological disturbance. This is a complex and interesting novel that moves from one narrow perspective to give us all the pieces of the emotional jigsaw puzzle that makes up this family. Liz Nugent is such an emotionally literate writer that I can’t wait to read her next work.

Meet The Author

Liz Nugent lives and writes in Dublin, Ireland. She is an award winning writer of radio drama, children’s animation soap opera and television plays. Her second novel, Lying in Wait, is to be published in July 2016. Unusually for a writer, Liz likes neither cats nor coffee and does not own a Breton top.

Liz Nugent’s new novel Strange Sally Diamond is out on March 2nd from Sandycove.

Posted in Romance Rocks, Throwback Thursday

Throwback Thursday! In Five Years by Rebecca Searle for Romance Rocks.

This book surprised me, delighted me and broke my heart. It was not at all what I expected, but was all the more special for that. Cleverly, Serle wrong foots the reader into thinking this is a straight forward romance, but it really isn’t. It’s about love and just as our heroine Dannie is some times unsure what love looks like, so is the reader. We are used to certain conventions and have expectations about how a love story will unfold. It teaches us that sometimes we don’t notice or fully appreciate what we already have.

Dannie is a corporate lawyer, living in Manhattan and dating the eminently eligible David. David and Dannie live together after dating for two years. They have done everything according to an unspoken, but very correct timetable; everything about their relationship is planned and just right. In fact their relationship is so predictable that when David suggests dinner at the Rainbow Room, Dannie knows he’s going to propose. She says yes when he presents the perfect engagement ring, but they don’t plan their wedding. They continue to drift along as they are, until Dannie has the dream. This vivid dream shows a loft apartment in Dumbo with interior design details such as an art print of an optician’s chart with a witty slogan. It’s nowhere Dannie can imagine living. It’s trendy and edgy. She and David live in Gramercy Park. A perfect location for their work and fitting for where they are in life. Yet, the Dumbo apartment feels comfortable. Then a man appears. She’s never met him before but yet there is a connection, something she can’t define. As he moves closer she feels actual electricity. She has never felt this before. Like some huge force compels them to be together. When she wakes, Dannie feels strange, like she’s questioning everything around her.

Dannie has planned to see her friend Bella. They have been friends since boarding school and are still incredibly close. Bella takes more risks than Dannie and in some ways Dannie sees her as someone who doesn’t finish things, perhaps a bit of a flake. Bella loves art, she lives to travel and has a more bohemian outlook on life. Dannie has a more settled and perhaps, conventional life where work is the priority and her stable relationship with David simply ticks along. Up until now Bella hasn’t had a stable relationship in her life, but she has brought someone important to meet Dannie. When he walks in, Dannie is shocked to see the man from her dream. She panics and decides to do everything she can to stop her dream from coming true. But life can take strange turns and a series of events unfold that she never imagined. They make her rethink everything about how to live life and how to love.

I became so involved with Dannie and Bella’s story that it was hard to put the book down towards the end. The story crept up on me from something very light to an emotional tale about the strength of female friendship. These girls are life partners. Their presence sustains each other in ways that romantic relationships sometimes don’t. Bella’s mother lets slip that she purposely placed her daughter in the same school as Dannie, because she saw them together and could not part them. The very structure of the book teaches the reader something. We learn, at the same time as Dannie, that the happy ending is not always about a man, because love comes in many forms. Also, that loss and love are the same thing. When we grieve it just proves how much we loved. I found myself becoming very emotional towards the end of the book and that rarely happens. I found the writing so truthful and similar to my own experience of grief that I had a lump in my throat. I loved the ending and the fact it wasn’t predictable elevated the book above the ordinary. I will be hugging my friends a little closer and appreciating all the people in my life who love me.

Meet the Author

Rebecca Serle is an author and television writer who lives in New York and Los Angeles. Serle developed the hit TV adaptation of her YA series Famous in Love, and is also the author of The Dinner List, and YA novels The Edge of Falling and When You Were Mine. She received her MFA from the New School in NYC. Find out more at RebeccaSerle.com.

Her latest novel One Italian Summer came out in paperback last year and was a wonderful look at love, mothers and daughters, and the things we learn about ourselves through travelling.

Posted in Romance Rocks, Throwback Thursday

Romance Rocks: The Man Who Didn’t Call by Rosie Walsh

I read this in two long bursts – one of which started at 3am. It’s a book I couldn’t put down because all I wanted was these two people back together. The harsh realities of grief and lifelong family rifts are well drawn by the author and completely believable. All of these people are trying to move forward despite their lives missing a beat one day on a country road, where a split second decision has lifelong consequences. This book explores grief, loss, loyalty, loneliness and the eventual incredible ability the human heart has to heal.

Sarah has a 7 day whirlwind romance with Eddie. They meet by chance on a country road while Sarah is visiting her parents. She thinks Eddie just might be the one. But, Eddie goes away on holiday and she never hears from him again. Is Eddie a heartless playboy who never intended to call? Did Sarah do something wrong? Or has something terrible happened to him? Instead of listening to friends and writing this off as a one night stand, Sarah begins to obsess and is determined to find the answer. Every clue she has comes to a dead end and she is in danger of completely losing her dignity. As her time back home in the UK starts to run out, Sarah looks for clues to track Eddie down. What she hears is confusing her further. His friend doesn’t give the simple answer, that Eddie has moved on, but gives her a warning; if she knows what’s best for her, she needs to stop looking for Eddie. 

Walsh has successfully intertwined a love story with a mystery. I veered between wondering if Sarah was becoming irrational and willing her to succeed. Interspersed with the narrative are beautiful letters of love and loss addressed to the writer’s sister, affectionately nicknamed ‘Hedgehog’. The letter writer’s sister died when they were young, but we don’t know what happened or who the letter writer is. If Sarah is the author of the letters does this loss have something to do with the warning she’s been given? Is her sister the key – not just to Eddie’s disappearance, but to why Eddie was on that particular stretch of road on that day? 

I quickly became invested in Sarah and Eddie’s story. I think we’ve all been subjected to the watched phone that never rings and how crazy it can make us. It could have made me dislike Eddie early on, but for some reason I never did. I’m definitely a hopeless romantic so I seemed to accept Sarah’s hope that this could still work out. The other characters in the novel are also well-written and compelling. I’m a therapist so I was particularly interested in Eddie’s mother and her mental ill health. I think her symptoms and the way she manipulated Eddie showed a streak of narcissism. She finds it impossible to see this situation from his point of view, only how it might  her. Anything that threatens their dynamic as carer and patient is a huge threat to her and she responds with emotional blackmail and hostility. Eddie is as much a prisoner of her mental ill health as she is. I also had empathy for Sarah’s friend Jenny who is struggling to conceive and undergoes IVF treatment to the point of financial ruin. Her character probably leapt out at me because I’m also not able to have children, and know how difficult it can be to come to terms with. Her stoicism and determination to support her friend in the face of her own loss is very moving. 

I stayed up until 2am to finish the book, because I had everything crossed that the mystery would be explained and these two people could move forward together. To different degrees, all the novels characters are imprisoned by the past and losses they can’t accept. My husband died when he was 42 and I was 35. It’s like a chasm opened up and I had to choose between staying on one side forever, with the past and my feelings of loss and fear. Or I could choose to jump over that chasm into a new future. I never forget what happened or the love I have for Jerzy, but twelve years later I have a wonderful partner and two beautiful stepdaughters. Thankfully, I had the bravery to move forward knowing I can’t lose my memories of the past, but I still have a future full of possibilities I never imagined. That’s what the characters in the novel are trying to do. Grief is different for everyone and there are always tensions between those who are trying to heal and those who can’t imagine healing because it feels like a betrayal. Rosie Walsh draws these different threads together beautifully, creating a bittersweet novel that captures the incredible ability the human heart has to heal.

Meet the Author


Rosie Walsh is the internationally bestselling author of two novels, the global smash hit THE MAN WHO DIDN’T CALL, and – new for 2022 – THE LOVE OF MY LIFE, a heart-wrenching, keep-you-up-all-night emotional thriller, which was an instant New York Times bestseller and stayed in the German top ten for several weeks. 

Rosie Walsh lives on a medieval farm in Devon, UK, with her partner and two young children, after years living and travelling all over the world as a documentary producer and writer. 

The Man Who Didn’t Call (UK) / Ghosted (US) was her first book under her own name, and was published around the world in 2018, going on to be a multimillion bestseller. 

Prior to writing under her own name she wrote four romantic comedies under the pseudonym Lucy Robinson. When she isn’t parenting or writing, Rosie can be found walking on Dartmoor, growing vegetables and throwing raves for adults and children in leaking barns. 

Author photos © Anna Pumer Photography / Verity Rivers

Rosie’s new novel The Love of my Life is another heartbreaking romance, mixed with an addictive mystery you’ll be begging for one more chapter.

I have held you every night for ten years and I didn’t even know your name. We have a child together. A dog, a house.
Who are you?

Emma loves her husband Leo and their young daughter Ruby: she’d do anything for them. But almost everything she’s told them about herself is a lie. And she might just have got away with it, if it weren’t for her husband’s job. Leo is an obituary writer and Emma is a well-known marine biologist, so, when she suffers a serious illness, Leo copes by doing what he knows best – reading and writing about her life. But as he starts to unravel her past, he discovers the woman he loves doesn’t really exist. Even her name is fictitious.

When the very darkest moments of Emma’s past life finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was . . . But first, she must tell him about the love of her other life.

Available now in hardback and on Kindle, but due out in paperback in July 2023.

Posted in Romance Rocks, Throwback Thursday

Throwback Thursday! Mix-Tape by Jane Sanderson for Romance Rocks!

I love this book. Perhaps it’s because I had a Dan. A musician who started as my best friend and who I fell in love with. I was 18 and he took me to my first prom. His band were playing and it was 1991 so perms were everywhere and we were just adopting grunge. I would turn up for school in jumble sale floral dresses with my ever present oxblood Doc Martens. They played some of my favourite songs that night: some that were contemporary like Blur and others were classics like Wild Thing. I most remember Waterloo Sunset. Then, like a scene in a rom-com we walked across town to his house – me in a polka dot Laura Ashley ball gown and him in his dinner suit with the bow tie undone. He had a ruffled shirt underneath that he’d bought from Oxfam. We crept into the house and into the playroom so we didn’t wake anyone, then watched When Harry Met Sally. I remember a single kiss and then we fell asleep, but the love carried on over the years.

When I think of Elliot I always think of those famous best friend couples, like Harry and Sally or later, Emma and Dex in One Day. Now I can add Dan and Ali to the list. Alison and Dan live in Sheffield in the late 1970s when the city was still a thriving steel manufacturer. Dan is from the more family friendly Nether Edge, while Alison is from the rougher Attercliffe area, in the shadow of a steel factory. They meet while still at school and Dan is transfixed with her dark hair, her edge and her love of music. Their relationship is based on music and Dan makes mix tapes for her to listen to when they’re not together such as ‘The Last Best Two’ – the last two tracks from a series of albums. What he doesn’t know is how much Alison needs that music. To be able to put it on as a wall of sound between her and her family. Dan never sees where she lives and doesn’t push her, he only knows she prefers his home whether she’s doing her homework at the kitchen table, getting her nails painted by his sister or sitting with his Dad in the pigeon loft. Catherine, Alison’s mum, is a drinker. Not even a functioning alcoholic, she comes home battered and dirty with no care for who she lets into their home. Alison’s brother, Pete, is her only consolation and protection at home. Both call their mum by her first name and try to avoid her whenever possible. Even worse is her on-off lover Martin Baxter, who has a threatening manner and his own key. Alison could never let Dan know how they have to live.

In alternate chapters we see what Alison and Dan are doing in the present. Now a music writer, Dan splits his time between a canal boat in London and home with his partner Katelin in Edinburgh. Alison has written a new novel ‘Tell the Story Sing the Song’ set in her adopted home Australia and based round an indigenous singer. It’s a worldwide hit and she finds herself in demand, having to negotiate being interviewed and getting to grips with social media. She has an affluent lifestyle with husband Michael and has two grown up daughters. She has a Twitter account that she’s terrible at using and it’s this that alerts Dan, what could be the harm in following her? The secret at the heart of this book is what happened so long ago back in Sheffield to send a girl to the other side of the world? Especially when she has found her soulmate. She and Dan are meant to be together so what could have driven them apart? Dan sends her a link via Twitter, to Elvis Costelloe’s ‘Pump It Up’, the song she was dancing to at a party when he fell in love with her. How will Alison reply and will Dan ever discover why he lost her back in the 1970s?

I believed in these characters immediately, and I know Sheffield, and loved how it was described with affectionate detail by the writer. The accent, the warmth of people like Dan’s dad, the landmarks and the troubled manufacturing industry are so familiar and captured perfectly. Even the secondary characters, like the couple’s families and friends are well drawn and endearing. Cass over in Australia, as well as Sheila and Dora, are great characters. Equally, Dan’s Edinburgh friend Duncan with his record shop and the hippy couple on the barge next door in London are real and engaging. Special mention also to his dog McCullough who I was desperate to cuddle. Both characters have great lives and happy relationships. Dan loves Katelin, in fact her only fault is that she isn’t Alison. In Australia, Alison has been enveloped by Michael’s huge family and their housekeeper Beatriz who is like a surrogate Mum. It’s easy to see why the safety and security of Michael’s family, their money and lifestyle have appealed to a young Alison, still running away from her dysfunctional upbringing. She clearly wants different for her daughters and wishes them the sort of complacency Dan had, sure his parents are always there where he left them. But is the odd dinner party and most nights sat side by side watching TV enough for her? She also has Sheila, an old friend of Catherine’s, who emigrated in the 1970s and flourished in Australia. Now married to Dora who drives a steam train, they are again like surrogate parents to Alison. So much anchors her in Australia, but are these ties stronger than first love and the sense of belonging she had with Dan all those years before?

About three quarters of the way through the book I started to read gingerly, almost as if it was a bomb that might go off. I’ve never got over the loss of Emma in One Day and I was scared. What if these two soulmates didn’t end up together? Or worse what if one of them is killed off by the author before a happy ending is reached? I won’t ruin it by telling any more of the story. The tension and trauma of Alison’s family life is terrible and I dreaded finding out what had driven her away so dramatically. I think her shame about her mother is so sad, because the support was there for her and she wouldn’t let anyone help. She’s so fragile as a teenager and on edge. Dan’s mum had reservations, she was worried about her youngest son and whether Alison would break his heart. I love the music that goes back and forth between the pair, the meaning in the lyrics and how they choose them. This book is warm, moving and real. I loved it.

And what of my Daniel? Well he’s in Sheffield strangely enough. Happily partnered with three beautiful kids. I’m also happily partnered with two lovely stepdaughters. We’re very happy where we are and with our other halves. It’s nice though, just now and again, to catch up and remember the seventeen year old I was. Laid on his bedroom door, with my head in his lap listening to his latest find on vinyl. Or wandering the streets in my ballgown, high heels in one hand and him with his guitar case. Happy memories that will always make me smile.

Meet the Author

A former BBC Radio 4 producer, Jane Sanderson’s first novel – Netherwood – was published in 2011. She drew on much of her family’s background for this historical novel, which is set in a fictional mining town in the coalfields of Yorkshire. Ravenscliffe and Eden Falls followed in the two subsequent years, then in the early summer of 2017, This Much Is True was published, marking a change in direction for the author. This book is a contemporary tale of dog walks and dark secrets and the lengths a mother will go to protect her family. 

Jane lives in Herefordshire with her husband, the journalist and author Brian Viner. They have three children.

Her book Waiting for Sunshine is published in paperback on 23rd March 2023, with my review coming soon.


‘Who would name a child Sunshine, then give her away?’

Chrissie has always wanted to be a mother. After months of trying to adopt, she and her husband Stuart finally get the news that a little girl named Sunshine is waiting for them.

Abandoned at a young age, the child comes to them without a family history, and it feels like a fresh start for all of them. But when fragments from Sunshine’s previous life start to intrude on her new one, the little girl’s mysterious past quickly becomes Chrissie’s greatest fear …

Posted in Throwback Thursday

Throwback Thursday! The Dressmaker’s Gift by Fiona Valpy.

This book is a real hidden gem. I love fashion, so the idea of a dress that calls down through the years – the midnight blue satin, made of many pieces but with such tiny stitches it appears as if one piece of fabric – really appealed to me. Added to this, my in-laws history of escaping the Warsaw ghetto – at 8 years old in one case, and being sent to Siberia in the other – means I am interested in the threads of family history at a time of turmoil. My late husband’s  family has its own incredible story with repercussions that echo down the generation , so I understand that lives can be displaced and changed beyond recognition, with the results of that still being felt two generations later,

It is Harriet’s love for fashion and an old photograph that leads her to the door of a Paris fashion PR for a year long internship. She is loaned a room in the apartment above the office alongside another girl. Harriet knows this is the very apartment where her grandmother Clare lived in the 1940s. She has left behind a difficult situation!. Having finished university Harriet has been living with her father and stepmother, where she has never felt welcome. Her father sent Harriet to boarding school when he first lived with her stepmom, following her mums death. Her father seemed to find it difficult to cope with a grieving daughter and a burgeoning relationship. One of Harriet’s most treasured possessions is the photo she has of her grandmother Claire and her two best friends in Paris, Mirreile and Vivi. She also has a charm bracelet given by her grandmother and it’s charms show Harriet a story of who her grandmother was. When we are taken back into the past we learn more about these three women. All work in an atelier for the Paris fashion houses. We find out that Claire and Mirreille lived upstairs first, but are later joined by Vivi. All three are great seamstresses and are quick to become friends.

When the Germans arrive in Paris at first is it easy to carry on as normal. Yes, there are more German voices in the cafes and bars, more German vehicles in the streets, but people still order couture clothes. However, as the war really starts to bite things begin to change. The girls friendship survives Claire’s disastrous dalliance with a German officer, but afterwards she notices a difference in her friends. What mysterious work is Vivi doing in the atelier after hours? Who is the gentleman Mirreille is seen with and why is she often missing after curfew? The girls are about to be involved in the war in ways they didn’t imagined; ways that’s could mean paying the ultimate price.

Just like the stitches in a beautiful garments the threads of history are so beautifully intertwined with the fictional story of the girls. I read Alice Hoffman’s new novel in the last few weeks and it is also set in 1940s Paris so it was interesting to see the same historic events from a different viewpoint. I could see how much research the author had done and her skill in mentioning actual events without them feeling tacked on to the girls story was brilliant, I slowly came to care about each of the girls and although Vivi seems less accessible than the other two at first, it was interesting to see how central to Harriet’s history she becomes.

The detail is often harrowing to read and the idea that trauma can be passed through generations is one I’m familiar with because I’m a therapist and have read the same research as the author. She uses this beautifully in the novel, illustrating that the German’s horrendous acts of cruelty were on such a scale that it echoes down to the next generation. It is only when someone identifies the trauma in their family and gets professional help to let go of it’s effects, that someone can start to heal. I think I expected this book to be lighter and more focused on fashion from the blurb, but what I got was far superior: an incredible story of friendship and survival.

Meet The Author

Fiona is an acclaimed number 1 bestselling author, whose books have been translated into more than twenty different languages worldwide. She draws inspiration from the stories of strong women, especially during the years of World War II. Her meticulous historical research enriches her writing with an evocative sense of time and place.

She spent seven years living in France, having moved there from the UK in 2007, before returning to live in Scotland. Her love for both of these countries, their people and their histories, has found its way into the books she’s written.

Posted in Throwback Thursday

Throwback Thursday! Little White Lies by Philippa East.

Since our Squad Pod January book club choice is Philippa East’s I’ll Never Tell I thought this week I’d take you back to her debut novel.

This is an addictive and intelligent debut novel from author and therapist Philippa East. It’s a tale of a family coping with the aftermath of an abduction. Abigail White has been missing for seven years, after becoming separated from her mum, Anne, on a trip to London. Now aged 15, Abigail walks into a police station along with a younger girl. The novel flits between Anne’s viewpoint and that of Abigail’s cousin Jess. Jess and Abigail were born only four months apart and were more like twins than cousins. They had a special connection, and even after seven years apart Jess still feels she knows Abigail better than anyone. Her friend Lena warns Jess that Abigail has gone through a significant trauma and will have changed in ways they can’t see. Soon after her arrival at the police station, detectives discover that Abigail was taken from outside the tube station by a stranger. It seems that he was in the right place at the right time, just as Abigail became separated from her Mum and twin brothers. Anne had been trying to manage Abigail, the twins, a buggy and the train doors. Detective McCarthy has experience with abduction cases and uses his expertise to ask some probing questions: how did Abigail manage to wander off the platform and up to the street above, is this just a crime of opportunity or is there any chance at all that the family know this man?

Anne and her sister Lillian are close, but they are different. Lillian is the older sister and the ‘fixer’ who is organised, sensible and it seems to Anne as if she never makes mistakes. Anne’s life has been more complicated. Abigail’s birth father became an addict, causing difficulties with finances and the safety of their new family. With Lillian’s help, Anne left and despite trying to maintain contact with Abigail he has largely been absent. Anne then met Robert who has always considered Abigail his own daughter, creating a stable family unit for the first time. It is hard to imagine that Abigail could simply slot back into her family as if she never left. Anne is beset by doubts and concerns. Will Abigail expect her bedroom to be as if she never left? Can they let Jess back into her life at once or will she need time to adjust? Have the years of captivity and sexual abuse left her daughter so damaged she won’t recover? There is also the hint of a secret surrounding the moments before Abigail’s disappearance that day. Anne wonders what Abigail remembers and whether they should talk about that day. Lillian advises her to leave it alone. The tension between them and Anne’s concerns kept me hooked. To me, Abigail feels like a ticking time bomb and I found myself waiting for her to explode.

I felt that the author understood the psychology of trauma and she depicted beautifully the way a crime like this affects everyone around the victim. The trauma ripples outwards into the family like a drop of water on the surface of a pond. I really liked the insidious way that secrets are shown to damage trust and erode relationships. The depiction of Abigail is very cleverly written because it delves into the complexity of the relationship between the captor and the child. For example, Anne is startled by the findings of an educational psychologist who concludes that Abigail must have been home schooled. It seems strange that a man who has emotionally and sexually abused a child for seven years, would be concerned about their education. It made me think about the relationship between the child and the abductor. We can accept the negative aspects, but it is harder to accept that Abigail might have positive feelings toward her captor. It is as if, in order to survive mentally, she has had accepted captivity as her reality; when Cassingham abducts a younger girl it prompts her to act, but it still takes her a long time to find her voice again and be angry about her experience. The concern I had was whether Abigail would ever accept her new reality at home with her family.

I enjoyed the character of Jess and her struggle to understand the cousin who was once as close as her shadow. Can she trust that the same Abigail even exists any more? Can they jump back into easy familiarity or will Jess have to get to know this new Abigail who is the sum of her experiences? I truly empathised with her internal struggle between supporting her cousin and keeping the friends she has made since Abigail disappeared. Abigail might find it hard to fit when she has missed out on seven years of music and other popular culture. She is awkward, not knowing what to wear, how to do her hair or even how to speak. There is a gulf between her and other 15 year olds that might be too wide to bridge. It might be embarrassing for Jess, but for Abigail the frustration could be too much to cope with. She can’t find anyone who shares or truly understands her experience.

This was a great read, with believable characters facing a parent’s worst fear; their child has gone missing. I enjoyed the different perspective, focussing not on the abduction and police operation but on the issues faced when the child returns. It explores the family’s happiness and relief, only to find a relative stranger in their midst. Alongside this central narrative, East also explores the complexity of modern family relationships, and poses the question of whether we truly know the people we love and live alongside. Within the relationship of Jess and Abigail, we see the pains of growing up and fitting in, particularly the realisations that our elders are fallible and the World might not be as safe as we imagine.

I would like to thank NetGalley for this ARC in exchange for an honest review.

Posted in Throwback Thursday

Grown-Ups by Marian Keyes.

Years ago, when I was a book snob after my English lit degree, I wouldn’t have read Marian Keyes. It was firmly in the category of chick-lit and that meant it would be ‘easy-reading’. The literary equivalent of easy listening music, pleasant but no depth, just tinkling on in the background when I wanted my reads to grab me, make me think and blow me away. It was reading Jojo Moyes ‘Me Before You’ that put me onto Rachel’s Holiday and the Walsh family. Before I knew it I was racing through her back catalogue and loving every minute of it. It helps that she’s also an incredible woman, mad as a box of frogs and funny, enthusiastic about what she loves and chatters on ten to the dozen. She’d fit right in with my family and is one of the first people I’d invite to a fantasy dinner party. If I had to pick one thing about her writing that makes it so good, amply demonstrated in this novel, it’s that she provided a family tree to keep track of the characters and how they were related to each other, but I didn’t need it once. Each and every character was so real and so distinct that I felt I knew them all personally.

Ed, Johnny and Liam are brothers and enjoy a large extended family. Their background isn’t great, in fact their parents are awful people – demonstrated at their golden wedding anniversary when their father’s speech manipulated and put down each of his sons in turn. Ed has never had that feeling of being grounded, of belonging somewhere, until he met his wife Cara. She makes him feel safe. Cara has a head receptionist role at the Ardglass Hotel in Dublin and they have two children. Cara has always had problems with her body image and has been yo-yo dieting ever since Ed met her. She can’t seem to resist bingeing on chocolate and then hates herself for having no will-power, but is this cycle of overeating just a blip or is she heading for something more serious? Jonny and Jessie are the successful pair in the family, running their own chain of specialist food shops and a cookery school. Jessie had the original idea, with Jonny and his best friend Rory Kinsella going to work for her several years later. However, it was Rory who won Jessie’s heart and they were married with two children when he died suddenly. The Kinsella family were like a second family for Jonny, especially Rory’s dad Michael who had been a surrogate father since his own was so lacking. They all grieved together, until two years later when Jonny and Jessie found themselves drawn to each other. Surely the Kinsellas would be happy for them? Now years on, with three more children, and despite being a good husband and stepfather to Ferdia and Saoirse, the Kinsellas had cut themselves off from their former daughter-in-law. It was probably for this reason that Jessie focussed so much time on their family spending time together, all three brothers and their respective families spent Easter and many other holidays together, with Jessie even footing the bill to make it happen. Yet neither had ever really given up hope that everyone would be reunited in time, but time runs out and so does money.

Liam is the youngest brother, an ardent runner in his prime he now had to cycle thanks to a difficult knee injury. Handsome and charming, it never took very long for him to get what he wanted in life. Most would say he had a charmed life, despite his split with wife Paige and her relocation to the US with his two daughters, who are missed terribly by their cousins. In an incredible financial settlement, Liam lives in an apartment in Dublin paid for by Paige. When he meets Nell, a young set designer full of idealism and principles, he has to have her. Nell is beautiful, with cascades of pink hair and a quirky dress sense that comes from never buying anything new. She’s so passionate about art and conveying the message of a play through her set, plus she’s passionate about so many causes. The family love her and she brings her outlook on life to everyone, especially Liam’s nephew Ferdia who has similar opinions but never does anything to back them up. The family are surprised when the couple get married in an ice hotel on the arctic circle. Since the wedding though, despite Nell throwing herself into the family and their rather claustrophobic way of doing everything together, Liam hasn’t seemed the same. He starts to drop out of things she’s planned, branding them boring, and then chips away at her confidence. When she has a good review saying she’s the most exciting new designer in the country – he points out that Ireland is a very small place. He’s also very creepy, ogling his young niece’s friends and his nephew’s girlfriend. Nell is drawn to Ferdia, young, ethical and concerned with social justice, but can they be friends?

I loved how Marian Keyes presents the image of a perfect family that others must see, when they gather for an Easter Egg Hunt at a luxury hotel or holiday together in a Tuscan villa. Then she undermines it by showing that none of these people, or their relationships, are perfect. Her depiction of Cara’s eating problems were familiar to me because I’ve also had that urge to eat my feelings from time to time. I thought the way Cara down played the seriousness of her bulimia was realistic and the resistance to treating it as an addiction also rang true. Her counsellor was also brilliant, firm and not pulling her punches about the road ahead for Cara as a patient. If there was anyone I was rooting for it was Cara and husband Ed. Getting married again when you’re a widow is also something I know about and the relationship dynamics are so fragile. Luckily for me my lat husband’s family were very understanding and I treated them with respect, being up front and letting them know everything early on. I really felt for Jessie, but in the early chapters I really didn’t understand her desperate need for the whole family to get together constantly. There was a moment where she’s laid on a pool lounger with all the kids (bunnies) piled on top of her and she’s supremely happy. Then I got it. The friendship she had with Rory’s sisters Izzy and Keeva was the first real friendship she had and being part of the Kinsella tribe was just as important to her as it was to Jonny. She needed to belong. Strangely I also felt for Nell. I liked her as a person and thought she had been love-bombed by Liam into a marriage without truly knowing who he was. I really loathed him and that’s rare for me. He was lazy, living entirely off his ex-wife and not making any effort to see or maintain his relationship with his children. The way he commented on her talent and gaslighted her made me furious. I wanted Nell to have the romantic happy ending. In this book Marian Keyes has punctured that Instagram perfection many families seem to project these days. It’s also a welcome reminder that we never know what another person is going through, even the person lying next to us. I also found the message that we have to work on ourselves, take responsibility and live authentically, very empowering. I truly enjoyed my time as a fly on the wall with this family and laughed out loud so much that my other half commented on how much I seemed to be enjoying it.

Meet The Author

Marian Keyes is the international bestselling author of Watermelon, Lucy Sullivan is Getting Married, Rachel’s Holiday, Last Chance Saloon, Sushi for Beginners, Angels, The Other Side of the Story, Anybody Out There, This Charming Man, The Brightest Star in the Sky , The Mystery of Mercy Close, The Woman Who Stole My Life, The Break and her latest Number One bestseller, Grown Ups. Her two collections of journalism, Making it up as I Go Along and Under the Duvet: Deluxe Edition are also available from Penguin.

Posted in Throwback Thursday

Throwback Thursday: Romance Rocks! The Fortune Hunter by Daisy Goodwin

I was lucky enough to be sent a pre-publication copy of The Fortune Hunter via Twitter. I had never read Daisy Goodwin’s novels just her collections of poetry so this was a first for me and I was pleasantly surprised.

I like historical fiction and love the Victorian period particularly so what caught my imagination first were the historical details. I love clothes so the intricate descriptions of the layers in women’s Victorian clothing were very enjoyable. The details of fashion etiquette were interesting too; when and where certain clothing was worn and how those rules were affected by class were all fascinating too. In a world where the only detailed protocol we still use is probably at our weddings it is amazing to think that this is how the upper and middle classes lived their everyday lives. Having studied Victorian art as well as literature I was drawn in by the details of the heroine Charlotte Baird’s hobby of photography but then gradually I fell in love with Charlotte herself.

Charlotte is an heiress to the Lennox fortune and is a target for fortune hunters everywhere. Far from being the usual simpering Victorian heroine Charlotte is more of a bluestocking girl; educated and very intelligent. Instead of being caught up in a social whirlwind, as favoured by her brother and sister-in-law, Charlotte does not care for clothes, parties or the famous Lennox diamonds she owns, but does care passionately for her hobby of photography. Meanwhile her brother and his wife engage wholeheartedly in the social life she dislikes, because as the guardians of her fortune they live from the interest until Charlotte marries and takes the reins for herself (or more likely her husband does). At a party Charlotte meets the handsome and infamous Bay Middleton who is a horseman, hunter and famous playboy in his social set. They seem an unlikely match but Bay is drawn to Charlotte’s quiet manner and intelligence. She is not a great beauty, so those around her assume the worst and are very keen to protect her from fortune hunting. Yet Bay seems sincere about his fondness for Charlotte, that is until a rival appears on the scene and it’s not easy when your rival is the Empress of Austria.

Elizabeth (known as Sisi to close friends) was married when she was 16 to the Emperor of Austria. They had nothing in common but Eizabeth soon became known as one of the most beautiful and fashionable woman in 19th Century Europe. Her passion in life is riding and she arrives in England for the hunting season with a string of ponies and huge household. She cannot be rivalled in the hunting field but in England she does not know the terrain. Worried that she will lose her way or at worst, take a bad fall, it is suggested she should have a ‘pilot’. A pilot is a guardian who hunts alongside her, making sure she knows the way and getting her home safely. Bay Middleton is in a rest period before attempting his life’s ambition to win the Grand National and he is suggested for the role with the Empress. On the day of the hunt and for their first glimpse of the royal visitor Charlotte has set up her camera. She aims to capture the hunt in all their glory and is also tempted to take a photo of the Empress who is renowned for her hatred of photographs. Sisi knows she is not the unmarked beauty she was ten years ago and is at great pains to salvage her complexion by swathing her face in veal during the night. Charlotte takes a shot which the Empress deflects by holding up her fan, but the photo shows something else; Bay’s face shows his immediate and total enchantment with Sisi. The photograph has the potential to break Charlotte’s heart.

This book has the ability to grab you and then keep you reading. I started one day and read right through to finish the following night. I missed sleep to find out what would happen to Charlotte. The book has just enough detail to anchor you totally in upper class Victorian circles without bogging the reader down in swathes of description. It moved quickly and had me rooting for Charlotte all the way through because I felt a kinship with her; not quite beautiful, but patient, kind and modestly talented it is hard not to like her. By contrast Sisi is exposed as a frightened and spoiled woman who is used to getting what she wants without having to fight for it. She is worried about losing her looks and this is her main frailty. Sisi needs Bay in a way Charlotte does not; Sisi is fragile, melancholic and needs something to break the suffocating formality of her role. Whereas Charlotte, though heartbroken, has a plan to survive and live life her own way. I would say that the character of Bay really loses out to the women in the novel. He is not as vividly drawn as the Empress and I didn’t feel anything for him. I started to feel sorry for the Empress as the book went on, even as I disliked her. Charlotte infuriated me because of the passive way she was dealing with Bay’s very obvious affair with the royal visitor. Despite being shamed publicly by Bay’s behaviour she keeps her cool right up to the point of the exhibition at the academy and the displaying of that photograph. I won’t reveal the end, only to say that I half wished to read about Charlotte’s adventures as a photographer and pioneer, wherever in the world her talent and determination would take her.

Meet the Author

When Daisy Goodwin went to Cambridge University to study history her first assignment was on Queen Victoria and the media. She went to the library to consult her diaries. Queen Victoria wrote sixty two million words in her life time and when she pulled out the first leather bound volume she was overwhelmed by its size and weight. It fell open at the entry for 3rd Nov 1839, ” I saw my dearest Albert who was all wet in his white cashmere breeches with nothing on underneath.” She laughed out loud and the other readers looked at her with disapproval. This gave her a different perspective on Queen Victoria, as more than the boot faced old bag with a bonnet she had imagined, but as a woman after her own heart.

All Daisy Goodwin’s novels have been set in the Victorian era: the first is about a ‘dollar princess’ called Cora Cash who marries an English duke. The Fortune Hunter is the story of Sisi, the beautiful Austrian Empress who came to England to hunt – in the novel Sisi meets Queen Victoria. Daisy enjoyed writing this encounter so much – ‘Victoria’s voice came so easily to me, that I decided that my next next novel would be about the young Victoria. But as I started writing it, I thought it would make a great tv drama, which is how I ended up writing the PBS Masterpiece series Victoria, as well as my novel Victoria, a novel of a young Queen.’

When Daisy is not immersed in the nineteenth century, she lives in London with three dogs, two daughters and a husband.

You might also like…

My Last Duchess

Cora Cash has grown up in a world in which money unlocks every door. Her coming-out ball promises to be the most opulent of the gilded 1890s, a fitting debut for New York’s ‘princess’. Yet her fortune cannot buy her the one thing she craves — the freedom to choose her own destiny. For Cora’s mother has her heart on a title for her daughter, and in England — where they are bound, to find Cora a husband. 

When Cora loses her heart to a man she barely knows, she soon realises that she is playing a game she does not fully understand — and that her future happiness is the prize.

Posted in Throwback Thursday

Throwback Thursday! Spirited by Julie Cohen

This week I’ve been writing a Sunday Spotlight post about the Victorian novels of Sarah Waters and while I was thinking about some of the themes of Affinity this book popped into my mind. So I decided to make it this week’s Throwback Thursday. At the time I’d never read Julie Cohen’s work, so I didn’t know what to expect from her writing. Only a few weeks before, on Twitter, I was discussing when a new Sarah Waters novel would be appearing. Spirited by Julie Cohen has definitely filled that gap. It’s also made an impact on me that’s all it’s own. Viola Worth has grown up cared for by her clergyman Father, as well as his ward, a little boy called Jonah. Viola and Jonah are the best of friends, spending their childhoods largely inseparable. As we meet them in adulthood, they are getting married, but in mourning. A lot has happened during the period of their engagement. Jonah had been out to India, staying at his family’s haveli and checking on his financial interests. For Viola, it’s been a tough time nursing, then losing, her father. He encouraged her in his own profession as a photographer and she has become accomplished in her own right. Viola’s father wanted her to marry Jonah, and they are still the best of friends, but the time apart has changed them and neither knows the full extent of the other’s transformation. As they try to settle into married life on the Isle of Wight, Jonah spends his time sketching fossil and bone finds with his scientific a friend. Viola feels cut adrift and without purpose, as we find out later she doesn’t even feel she is fulfilling her role as Jonah’s wife. Through new friends the couple meet a visiting spirit medium, although as daughter of a clergyman, Viola would never normally enjoy this type of entertainment. Little do they know, this woman will change their lives.

The author slips back and forth in time to tell us about Henriette, who worked her way in life from being a servant to a respected spirit medium. She is a woman who started with no advantage in life, and as a young servant models herself on the governess in the house, a French woman known as Madame to the family. Henriette diligently listens to the children’s French lesson and nurses a hope of a future where she doesn’t clean up after other people or have to wish for a roommate so she isn’t sexually assaulted in the night. Her attacker labels her a whore and one early morning, after there’s been a house party, she stumbles on a group of men in the stables betting. They are playing cards for money, but once they see Henriette they become intent on a different sport. It is Madame who interrupts the attackers and she gives Henriette advice from one woman surviving alone in the world to another. The author also takes us back to Jonah’s time in India. We discover that in social circles Jonah is a hero, because during a massacre he rescued a young girl who lived in his haveli after all her family are killed. Viola wonders if it is this experience that has changed Jonah. They live as if they are brother and sister, Jonah spends less time with her than before and at bedtime they still go to their separate bedrooms and sleep apart. Viola knows there is more between husband and wife but doesn’t really know what and has no idea who to talk to. Through Henriette, Viola is asked to take a photograph of a child who has died so the parents have an image to keep. No one is more stunned than Viola when she develops the image and sees a blurred figure standing next to the bed, the likeness to their child shocks and comforts the parents; they feel reassured that their child lives on in spirit. This experience, and her experience of her first proper female friendship, is like a floodgate opening for Viola. She starts to question the limits of her faith, whether there is more in life she would like to try and as time goes on, whether the burgeoning feelings she has for Henriette are friendship or something else.

I loved the feminist threads running through this novel. The central women in the novel are each in liminal spaces, different from the conventional Victorian women we see like Mrs Newham. Henriette is a self-made woman, unmarried and travelling from space to space offering her spiritualist services for enough to survive on. She has moved from bar girl, to servant, to nursing and losing her elderly husband, and now into a semi-respected occupation. She gets to visit the homes of those she might have once waited upon, but isn’t tied by their social rules and conventions. In India we meet Pavan, who has made the exceptional choice within her societal rules to become educated and has made huge sacrifices in order to achieve that. Love was not on her agenda, and when it comes she experiences a painful separation between her intellectual choice and her emotions. Viola may seem the most conventional of these women, but her relationship with her father has set her apart from others of her class. He believed in educating Viola the same way as Jonah, then teaches her the art of photography too, usually considered a male pastime. Viola is respectful of many conventions, but finds herself emboldened by Henriette and the new experiences she brings to her life. She tries bathing in the sea and is bold enough to start accepting her ‘gift’ of capturing spirits. Behind them all is the french governess Madame. The role of Victorian governess is the very definition of a liminal space: she works in the home but is not a servant, educated and unmarried, respectable, but not on the same level as the family she works for. She has power in that she works for herself, has and controls her own money and can choose to leave her position and join another family, in a different place. Her acknowledgment of Henriette’s fate, as a pretty face in the power of men, inspires Henriette to be more. It gives her aspiration, although she may never be a gentlewoman, with careful decision making she could be more like Madame.

It is within the physical liminal spaces where there are beautiful passages of writing from the author. The scene where Henriette and Viola go bathing is absolutely exquisite because I could feel everything. The strangeness of undressing in a darkened box on wheels, the feel of the swimming dress, the rough and tumble of being pulled into the sea by a horse, then opening the door to see nothing but the ocean in front of you. This is a play on conventional baptism for Viola. She fully immerses herself in the water, supported by Henriette, and feels a rebirth. The heaviness in the uncoiling of her hair and letting it float free signifies a freeing from the constraints of Victorian fashion, as is the unlacing of the corsets. As they trundle back up to the sand after their swim, Viola wishes they could stay in this space in the dark for the intimacy with Henriette, and the knowledge of the freedom she will feel as she opens the door and sees nothing but ocean. When the women share Viola’s room the writing is so tender. Viola worries what the servants might think, but Henriette frees her thinking again. Love between women does not exist, she tells her, there are laws and conventions regarding love between a man and a woman, and even the love between men. What they are to each other is beyond the thoughts of most people, the servants will see two friends staying together and nothing more. Pavan and Jonah, don’t meet in the main haveli but in an ancient old temple in its grounds, a space no longer used for its purpose and outside the family structure inside the house. They meet as two people of different cultures and beliefs, but find a connection so powerful that each would put their lives on the line for the other. Jonah wonders whether he could live a different life to the one laid out for him back in England. He’s seen other English men here who have married Indian women and had children. They’re neither totally respectable, but are not shunned either. This is a novel of people, particularly women, learning to live in the spaces between; the places that promise more freedom.

This was an original, emotional and beautifully written novel that weaves a powerful story from a combination of painstaking historical research and imagination. Each character is fully fleshed out and has a rich inner life. Where real events such as the 1857 Siege of Delhi are used in the novel, they are deeply powerful and the author treats them with respect. The elements of spiritualism and spirit photography are well researched and based on a real fascination for the paranormal in Victorian society. Cohen acknowledges that this is a novel about faith: religious faith, faith in the paranormal and that the ties to those we love don’t end in death; faith in romantic love and the promises we make to each other; even the faith she has in herself. In the acknowledgements to this novel Julie Cohen says ‘I wrote the first draft of this book when I thought my writing career was over’. Judging by this book, it’s far from over. However, by allowing herself to think of that possibility, she gave herself the space to write something truly extraordinary.

Meet The Author

Julie Cohen grew up in the western mountains of Maine and studied English at Brown University and Cambridge University before pursuing a research degree in nineteenth century fairies. After a career as a secondary school English teacher, she became a novelist. Her award-winning novels have sold over a million copies worldwide. DEAR THING and TOGETHER were both selected for the Richard and Judy Book Club. Julie runs an oversubscribed literary consultancy which has helped many writers go on to be published. She is a Vice President of the Romantic Novelists’ Association, founder of the RNA Rainbow Chapter for LGBTQ+ authors, and a Patron of literacy charity ABC To Read. You can find Julie on Twitter: @julie_cohen or you can visit her website: http://www.julie-cohen.com

Latest Novel from Julie Cohen

‘Marriages end with a whisper, not a bang. Not an argument, which is after all about passion, waves crashing on a shore, but with the small pockets of coldness that an argument creates. It’s like islands. They don’t sink like Atlantis. They wear away, little by little, until all you’ve got left is a single rock and a light. A warning to safer travellers to stay away’.

Sitting on my TBR is this latest novel from Julie Cohen, a very different novel to Spirited in that it’s contemporary, but still about love and relationships. The last time Vee left the shores of Unity Island, she thought she’d left forever. But this summer, she’s returning with her charming husband, Mike. Vee’s unexpected arrival, this time as one of the wealthy ‘summer people’, sets the small island community alight with gossip. What’s more, her childhood best friend, Sterling, is furious that she’s come back – Vee abandoned him when he needed her most.

And then Vee meets Rachel, Sterling’s wife, and a spark is ignited within her that she can’t extinguish. And as summer turns to autumn, long-buried secrets emerge that will cause a storm greater than any of them could ever have imagined.

But when autumn comes, who will sail away with the tide and who will choose to stay behind on the island…?

Published by Orion 4th August 2022