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Posted in Netgalley

The Wine Dark Sea by Victoria Hislop 

Greece, 1946. In the power vacuum remaining after the Second World War, a brutal civil war erupts between rival left- and right-wing factions. The conflict spirals as the country pays a bitter price in human lives and fighting soon erupts in the mountains, turning villages into battlefields and pulling ordinary women and children into the fray.

When the government soldiers come to Kalopetra, Fotini is nursing her newborn second child. She urges her daughter, Iliana, to hide with the older children as she and the other women are herded into trucks. Weeks later, soldiers return for the children . . . but they are not to be reunited with their mothers, a wholly different fate awaits them.

Fotini finds herself transported to a prison on the island of Chios, where she befriends Markella, whose little son, Nikos, is wise beyond his years. After months of imprisonment, when Fotini and Markella find themselves separated from one another – and from Nikos – Fotini vows to hunt not only for her own child but for Markella’s too. 

The Wine-Dark Sea tells of families flung apart across continents and of a strong, determined mother who resolves not to let war destroy hers.

This epic story from Victoria Hislop really taught me a lot about a period of history I know little about. She has taken an incredible amount of research for this novel and I imagine some of it was harrowing. She has taken the stories from women living through this time and shown some of them through one family, magnifying their power. The events happen after the end of WW2, a turbulent time that has already seen the punishment of Nazi collaborators and now many would like to see the end of their right wing government. The setting is one little village called Kalopetra where Fotini’s husband has gone to fight for government forces against the communists. This immediately causes a schism in the family because Fotini’s sister Stella has a husband who fights for the communists. The sudden divide is causing friction across the village, but the women left behind must work together if they’re to survive. When government forces come to the village they capture all the women and Fotini is allowed to bring her baby son with her. However, her older daughter Iliana is left behind along with a group of older children. How will they survive? That moment of Iliana chasing the truck with her mother unable to do anything to reassure her is burned into my memory. Although soon enough communist forces will round up the children and move them into camps where they are fed, clothed and then sent on to other countries like Yugoslavia. After having the entire burden of the other village children on her shoulders, Iliana is relieved to be fed and clothed by such kind people and so the process of brainwashing begins. All Fotini can think about is returning to her peaceful village and living the rustic existence that has survived for centuries, she doesn’t know that her way of life is already dead and nothing will be the same again. 

The author uses Fotini as her main narrator, but we also have chapters from Iliana’s perspective as she grows into adulthood and some through Nikos, the clever son of Fotini’s friend in their camp. These two narratives show how far and wide one family could be spread as Iliana thrives in the communist way of life and Nikos is chosen for a programme directly backed by the Queen of Greece. Iliana sums it up perfectly when she asks:

“Was there a single family on earth that had remained intact, or in the place they belonged or wanted to be.” 

One of the benefits of a communist system is that women are seen as equal to men and this intrigues Iliana who knows that if they’d remained in Kalopetra her fate would have been the same as her mother and grandmother. She’d be married to someone in the village and bring up babies. Here she could learn to drive or even fly a plane. She longs to be an engineer and hopes if she studies hard she will have the opportunity to go to university. It’s easy to see how a young woman like her would see communism as an improvement on what she expected from life, scratching out a living from the land and being second to a man. In the government camp Fotini is holding out against signing a confession that she was a communist. Those who do sign the waiver are set free but forever marked as traitors to the government, especially in the eyes of their fellow villagers. Fotini doesn’t want that hanging over their family when they return home. She doesn’t know whether her husband is alive or dead, but isn’t longing for his return. She makes friends within the camp, particularly with Markella who comes from an island with a leper colony where she used to work. It’s where she plans to return. As her baby Mitsos grows he plays with Markella’s interesting boy Nikos, something of a child prodigy when it comes to numbers. His fascination is with ships and he will build them out of any material he can find to hand. It’s not long before he’s noticed and singled out for a different institution backed by the Queen. From there he seems to disappear and Fotini is determined to find both her daughter and Nikos when she is released. When she is released it’s clear one thing hasn’t changed – the generosity of Greek people. As Fotini and Mitsos travel to search for the lost children people take them in, share their own dwindling food supplies and clothe them too. It restores her faith in humanity that there is still such generosity left in a people who have been tearing each other apart. There is a glimmer of hope for the future. 

I really enjoyed the later parts of the novel where we see Fotini piecing life back together in the city of Piraeus. It’s a massive change for this country girl but she can see the benefits of more job opportunities, entertainments like the cinema and eating good Greek food again at a lovely restaurant run by Demetrios. He’s such a kind man and gently reminds Fotini that she can’t spend the rest of her life wandering and looking for the children. The best thing she and Mitsos can do is stay in one place and hope the children find her, the place she was trying to get back to is gone. There was so much material to choose from in this book that it could have filled a trilogy. I had questions about all sorts of characters, such as Fotini’s relationship with her sister Stella. I also had questions about Nikos’s journey and his adoptive mother, there just seemed to be more about her that could have been explored. However, I loved Iliana’s growth and her life as an adult living under communism. The differences between Greece and Hungary were fascinating and imagine some very heavy editing of this material had to be done to get it into one novel. As always the author captures the beauty of the Greek islands, their isolation and wildness and how this conflict disrupts a way of life that existed for centuries. The book symbolically ends with a circular dance that’s life affirming and perhaps a way of capturing, just for a few moments, that lost way of being. 

Out from Headline Books September 24th 2026

Meet the Author

Victoria Hislop is the international bestselling author of The Island and The Return. In the United Kingdom, she writes travel features for The Sunday Telegraph, The Mail on Sunday, House & Garden, and Woman & Home. The Island sold over a million copies in the UK and has been translated into 24 languages. Victoria’s second novel, The Return, has been published in more than a dozen languages. She lives in Kent, with her husband Ian and their two children.

Posted in Wordpress Prompts

Dolly Moo aka Fat Bird, The Chonk, Fatty Moo Moo

Share a photo of your pet and tell us one thing that makes them uniquely them.

This is Dolly. I had to share several pictures because I’m always photographing the pets, particularly Dolly because she stays still the most. We saw her online at the RSPCA and I knew straight away. So we got in the car and called them on the way. Can we come to see Dolly? Yes, when would you like to come. Is now alright, we’re outside? Experience has taught me that when you know it’s your cat you have to go for it. She was a gregarious little cat that first day. Barely a year old and already had a litter of kittens. She came out of her enclosure and strutted up and down the walkway saying hello to all the other cats. Now she does that here. We’re a tucked away little lane of four 18th Century cottages and in the morning I hear her go out of the cat flap and visit each house in turn. Saying good morning to the neighbours as they start their day.

She’s now progressed to visiting them. Especially in summer when doors and windows are open. It’s weird enough that she sleeps in our bathroom sink, but I know the neighbour was shocked to find her sleeping in theirs when he went to the loo in the night. She pops up onto their porch and slips through the open window and sleeps with their daughter too.

She is an absolute gannet when it comes to food. We feed her twice a day, but have had to reduce it as she also eats elsewhere. Once when we returned from holiday we were greeted by an elderly man who lives just over our garden fence in another cottage. He was very anxious that we should come and collect our pregnant cat. I assured him she wasn’t pregnant, just fat and he told us he didn’t mind her being there but she’d taken over their conservatory and ‘mother’ was getting worried she might give birth. He went scurrying back to fetch her and about ten minutes later he reappeared with Dolly laid in his arms like a baby. We’ve found out since he calls her Madame La Blanc and feeds her from time to time. This is a much more flattering name than Fat Bird or Fat Girl that she gets at home. Our neighbours call her Chonk and Fatso, but if I hear them I message and say ‘stop fat shaming my cat.” They adore her and send us videos of her trying to catch pigeons with very little success.

We noticed one winter that she’d stopped sitting with us in the evening. Nights were drawing in and we had the log burner in so we were very surprised that she wasn’t warming her tummy. One Saturday night a week later the neighbours sent us a picture of her laid in front of their open fire watching Strictly. It became a habit and at the end of the show she asks to be let out again and is usually home before that week’s eliminated celebrity has finished their final dance. I wouldn’t mind but we’re watching the same thing. As soon as the series is over she’s back home again on Saturdays.

Every morning, after breakfast she comes upstairs and arranges herself on my lap in bed. My other half starts work early so he feeds them and lets Dolly upstairs when he brings my breakfast – in bed, every morning for eight years. I got a good one. She will never lie on the bed or even my left leg. It has to be the right leg or nothing at all. I’m not allowed to move. I will rub her head whether I like it or not. She will fling an iPad out of my hand if I’m not paying attention.

This is where she waits for visitors, delivery drivers, the postie. Everyone must pay the toll of a head rub before passing through.

She likes to be enclosed. I bought a wicker tray to sit on the footstool but it only took a week for Dolly to commandeer it and now it’s her bed. She will push everything out of her path to get comfy.

Every so often she has a mad burst of energy and runs up a tree or onto the garage roof. She is remarkably sprightly for a large cat, unfortunately she has a similar penchant for the Christmas tree and has to have supervised access.

Most of the time she’s my companion. She’s usually next to me when I’m reading, indoors and outdoors. When I run a bath I hear her thundering up the stairs to the bathroom and she leaps into the sink. While I read in the bath she sleeps there as if we’re two besties on a spa weekend. When it’s hot she likes me to run the tap and soak her in cool water. She’s also a fan hogger, making sure she’s at the right angle for the most benefit. She hates it when I wear slidy satin pyjamas because she slips off me in bed. She’s our little peacekeeper, trying to calm relations between our male cat Max and our new addition Minka. She is very adept at keeping the dog in check too. We don’t know what we’d do without this massive ray of sunshine in our lives. She’s such a big personality and I’m so glad we found her.

Posted in Monthly Wrap Up

Best Reads July 2026

It’s been a very busy month with a reduced time for reading and reviewing. First my mum and I went to Liverpool to see Moulin Rouge which was brilliant. Then I was back less than a week later to see my stepdaughter graduate with a first class degree in Early Childhood Education. We stayed in the philanthropic village of Port Sunlight and I soaked up the arts and craft architecture for a few days. We also visited the Redbrick Market, a labyrinth of tiny craft and antique stalls in an old brewery complex in the Baltic Quarter too. Then I needed to rest up for a few days to give my body chance to recover I did some reading and lots of sleeping. As always but I’m very behind with reviewing. My favourites have mainly been thrillers, with a beautiful Irish fiction debut too. August is quieter with just one tour, so I’m setting aside a stack of novels I’ve been dying to get to for months. I try and have a mood read month twice a year, otherwise I think I’d burn out. So here’s what I enjoyed last month ❤️📚

Sugartown was one of the Squad Pod Collective’s featured books last month. I loved it and was really surprised to learn it had so many rejections before publication so it really does pay to keep plugging away. Now it’s up for a major Irish fiction prize. Our story follows Saoirse as she returns to her Irish town after trying out living and working in London. She’s come back to lick her wounds and hoped for a little grace from mum Màire, but she’s on her almost immediately, making sure she’s up at a reasonable hour and pointedly hoovering outside her room if she doesn’t. Màire is what Saoirse has always called her mum at her instruction. She absolutely refused to be called Mammy, but now that she has three younger daughters she’s a model mum. Saoirse sees how organised she is, getting all three ready for school in the morning with identical plaits and immaculate uniforms. All she can do is wonder why she didn’t do that for her? Saoirse only hears her mother’s criticism and there is plenty of it.

She insists that Saoirse takes a job and then finds one for her, even bullying her out of bed for the interview and driving her there. She’s very insistent that her stepdad shouldn’t have to keep her. To cope with the boredom of small town life and the job at a hardware store she goes out with her best friend Doireann, drinking to excess and trying whatever drug is going. Her dreams have shattered and she can’t see the point. It’s then she meets Charlie and there’s an immediate attraction, will this prove to be the love Saoirse needs or will her excesses prove to be her undoing? I remember being this age and I felt equally uncomfortable, having missed my uni place at Liverpool by one point I had to stay in my small town and grabbed a job in a nursing home and a local pub. I felt a little lost but luckily I had god friends and family around me. I could feel Saoirse’s pain about her relationship with Mum and the on and off again relationship with Charlie doesn’t help. It’s not long before Saoirse hits rock bottom. This is a fascinating look at motherhood and how our maternal relationship is so important for self-esteem and identity. I was relieved when she starts counselling because it’s the only way to improve her life and it’s revelatory to hear she doesnt have to have a relationship wiith Mum. The author captures young adulthood perfectly and how, if we don’t know who we are, we can’t choose healthy relationships or build a life for ourselves. This is beautifully written, devastating but also hopeful.

I think I’m the last person to read this brilliant court room thriller with a killer of a twist. Leila is a barrister, working at a chambers in the north east of England. Leila has worked hard from a poor background to university and into the law, often difficult for those without family money. She is married to Julian who used to her mentor when she was just a pupil, but now a case has come in where they’ll be pitted against each other. This isn’t necessarily unusual, but she would have recused herself if the client hadn’t insisted on her especially. However, the solicitor on the case doesn’t know why he wants Leila, especially since the last time she represented him she lost. Jack has been accused of the murder of Anthony Smythe, a well respected high court judge. He informs Leila he’ll be pleading not guilty, but won’t be disclosing his defence before he takes the stand to give evidence. This makes Leila twitchy and nervous. As the trial draws near Leila finds a distance growing between her and Julian, as well as a condescension and arrogance that she’s never seen before. She also feels voices from the past might be closer, people she thought she’d outrun. This felt like one of my favourite drama series, Silk, starring Maxine Peake. I love the drama and the way everything started to shift and change around our central character. This is a belter of a thriller, fiendishly clever and although I did guess the twist it didn’t ruin my enjoyment at all.

Vikas Swarup’s heroine Devi grabs hold of you the minute she starts to tell her own story in this episodic novel set in Delhi. The opening brings Devi to the lair of an unknown assailant who tells her he has seven people on the phone line who want to bid for her destiny. This auction will take one night and seven stories, stories she thought were secrets. As Devi tells each tale her kidnapper will take a bid on her life and he hopes to reach seven figures. However, Devi’s circumstances have not been easy and the fact she is alive is down to her cunning and experience. Has the kidnapper underestimated his prisoner or are Devi’s lives finally running out?

I was hooked from the first story as Devi explains how she started in a family home in the slum area known as Rail Basti, because the train tracks ran straight through the centre of the huts. This was Devi’s early childhood and despite the poverty she has happy times. She tells us about her annoying brothers, the eldest a maths prodigy and the youngest a terrible bedwetter, the daily sequence of trains that seem to rattle the ground under their hut and depth of water that rises indoors in monsoon season. Change comes when her parents choose an unorthodox plan to make an almost life-changing sum of money and fortune seems to turn almost immediately. Devi is an intelligent, funny and excitable nine year old and sometimes it’s hard to read about her daily life, never mind the more perilous and painful circumstances she finds herself in. She learns through necessity, takes chances where she sees them, soon inured to the fact that the only constant in her life is change. There’s so much energy in this novel. It leaps off the page and its biggest achievement is its mix of addictive suspense and emotional insight. I came away from it feeling a little bit battered by the force of the story and it might take a few days to fully sink in. I liked Devi as a child, but as time and experience move her forward she becomes more morally questionable, complex and deeply conflicting. Although even if I didn’t always like her I could understand why she makes the choices she does and how she’s come to each terrible conclusion, every time wondering if this present adventure will be her last. It’s easy to forget when you’re deeply embedded in one of her stories that this is where it’s brought her, tied to a chair and listening as each person bids on her life. If you like to kept in suspense and to experience an extraordinary life lived in destitute and dangerous circumstances this is definitely for you.

Ben is living in Penzance, taking a break from his home island of Bryhir in the Scilly Isles after the events of the previous novel. He’s taking a break from police work and instead has found a job at a joiner and cabinetmakers, using the skills he learned building boats with his Uncle. It’s settled and therapeutic work as Ben slowly creates beautiful pieces of furniture and starts to deal with his grief and loss. Noah is a little confused to be away from everything he knows, but he’s enrolled at a kindergarten near Ben’s work so life has some routine and peace. He is starting to be brought into the community too, with an arts festival on the horizon he’s bound to be pulled into the planning, even just as a steward he’s happy to do his bit. Then life takes a sinister turn as he’s on the beach and sees a young mother with a baby in a pram. One moment of distraction and a black figure jumps out of the shadows and racing towards the pram it grabs the baby and throws it into the sea. Ben and Shadow are running before they’ve even thought and he dives into the sea to rescue the baby. He’s now a local hero, but the disturbing and traumatic event plays on his mind. How could someone do such a thing and will they do it again? 

The author weaves her story around the local myth of the Zennor Mermaid, a figured carved into one of the pews in Zennor church. By the time the festival arrives everyone has done all they can to keep families safe, with a security perimeter at the park that can’t be broken, of course that assumes the attacker isn’t one of the stewards. I was still suspecting the nursery nurse, the festival organiser, a police officer, a young man who is abused by his older brother and even the DCI’s nanny. The author has created short, urgent chapters here. They ramp up the tension as we flip between Ben’s inner world and the attacker’s, following them and their newest victim to the dark, wildness of the festival’s other site at Zennor. We can sense the mystical feeling of Cornwall and how it’s become warped in this person’s mind. It’s pitch black and rough terrain, plus with miles and miles of coastline can they be sure to find the right place in time. I defy anyone to put the book down at this point and I devoured it in one sitting. Ben still knows he’s missing a part of the puzzle and we have to trust that his intuition will click in before it’s too late. This is a great thriller and taking Ben out of his natural habitat does bring a different feel to the series, though I hope he does eventually return to island because he belongs there. We can see in the aftermath that he needs his found family and just like Zoe he will always return to the island and each other. 

I love it when a new Mark Edwards novel appears and this one really did grab me from the off. It’s a familiar set up. Holly seems like the perfect girlfriend. Clever, funny, beautiful – Patrick feels like he’s hit the jackpot. Until he meets her family.

Her dad has a mysterious new girlfriend. Her sister is unwelcoming. Her brother is clearly lying about something. And Patrick gets the sense all of them share a dark secret – even Holly. When he finds out about the body that was found nearby on their last family holiday, Patrick sets out to find the truth. But as skeletons tumble out of the family’s closet, Patrick realises he needs to be careful. Because in this family, loyalty is everything – and at least one of them is willing to kill to keep their secrets…

The best bit about reading this was that I didn’t really like any of Holly’s family. In fact her sister and brother-in-law are horrific human beings. Anyway, I loved the setting, a remote part of Scotland where not many people visit and the family have a holiday home. However it hasn’t always been a happy place. This is where Holly’s mother died many years before and also where something happened to a teenager from the village – the brother of their cleaner. Then there’s the added stress of Dad’s new American girlfriend. The family dynamic is toxic before she arrives and when she does it causes a meltdown! Meanwhile Patrick is trying to find out what happened at the caves when Holly was a teenager and why a young man was found dead nearby in the dead of winter in summer clothing. As snow starts to fall and the village becomes cut off the family’s behaviour becomes more extreme and Patrick makes discoveries that leave him fearing for his life. I loved the look at tech companies and their ethics, or lack of them and the tension between the locals and the family. Another great thriller from this prolific author.

Lisa Jewell really is a must buy author as I can’t remember a time when I was disappointed by one of her novels and as she mentions in the acknowledgements, this is her twenty fourth! I gelled with the main character Jane very quickly, perhaps because I related to her a little bit. I don’t have a mansion house, but I do have rescue animals, step-children and a similar turn of phrase – a couple of her lines genuinely made me laugh out loud. I never expected to hear the line “with all due respect, Stuart, I’m not sure what could actually be worse than Daisy being abused by a pervert dressed as a clown.” It’s also a good point to mention that I actually hate clowns. Hate them all. They scare me. I don’t like masks, mime artists or anything else where someone is trying to change their face. This might have led to me finding this novel incredibly creepy. Jane comes across as forthright and opinionated but I love those qualities. Basically she’s the perfect investigator because she’s quite happy to ask uncomfortable questions and to suspect the worst of people, although I don’t think she imagined returning a lost west highland terrier would lead her into the darkness of the Black family. Under her exterior she has a big heart and whether it’s her rescue dogs or her step-children she’s always there, especially for Dexter who she spends a lot of time with. When she comes across the strange disappearance of a young girl called Daisy from a local AirBnB she never imagined taking a step back into her past and a house she fled from many years ago. Told through Jane and Daisy’s stepfather Stuart this is a masterclass in generational trauma and the different traits that can run in families. When Jane glimpses an open drawer that contains white gloves, handcuffs and a clown mask I was creeped out and then Stuart finds shackles in the outhouse! This is a very dark thriller with moments of humour that made me laugh out loud. Another belter from this talented author.

August’s reading looks like this:

Posted in Personal Purchase

It Could Have Been Her by Lisa Jewell 

It was the night she almost died.

Newly divorced and feeling a little lost, Jane Trevally agrees to accompany a man she doesn’t know to his house in the darkest corner of Hampstead Heath.

She’s offered a drink. She steps inside.

And then she hears a scream.

Jane runs.

Twenty five years later, Jane finds herself outside the same house, this time to return a dog who’s been found near her home. A dog whose owner has just been reported missing.

A fleeting glimpse of a haunted looking woman through the window sends Jane on a mission to uncover the house’s secrets – secrets more terrifying than she could have ever imagined.

And she can’t stop thinking:

It could have been her . . 

Lisa Jewell really is a must buy author. I can’t remember a time when I was disappointed by one of her novels and as she mentions in the acknowledgements, this is her twenty fourth! I gelled with the main character Jane very quickly, perhaps because I related to her a little bit. I don’t have a mansion house, but I do have rescue animals, step-children and a similar turn of phrase – a couple of her lines genuinely made me laugh out loud. I never expected to hear the line “with all due respect, Stuart, I’m not sure what could actually be worse than Daisy being abused by a pervert dressed as a clown.” It’s also a good point to mention that I actually hate clowns. Hate them all. They scare me. I don’t like masks, mime artists or anything else where someone is trying to change their face. This might have been the reason I found this novel particularly creepy. Jane comes across as an independent, forthright and opinionated woman of middling age and I loved those qualities in her. Basically she’s the perfect investigator because she’s quite happy to ask uncomfortable questions and to suspect the worst of people, although I don’t think she imagined returning a lost west highland terrier would lead her into the darkness of the Black family. Under her exterior she has a big heart and whether it’s her rescue dogs or her step-children she’s always there, especially for Dexter who she spends a lot of time with. When she comes across the strange disappearance of a young girl called Daisy from a local AirBnB she didn’t imagine taking a step back into her past and the house she fled from many years ago. 

This particular house is a brilliant setting, residing in a quirky little part of London called the Vale of Health on Hampstead Heath. I had to look it up because it sounded so odd and fell in love, because it’s almost like a village within a city. The house Jane is looking for is at the far end of a lane and quite isolated, but Jane knows it as soon as she arrives and meets a man called Stuart who lives there with a woman called Jessamine Black, Daisy’s mother. She’s worried that Daisy hasn’t returned home or to the house she rented to revise for her exams. There’s Déjà vu for Jane as she sits on the same sofa she sat on years before, because nothing much has changed here. Of course our houses do tend to represent us and they often stand in for our bodies when we dream about them – the attic in particular standing in for our psychological state. This doesn’t bode well for this family because the house is untidy and unloved. Being nosey, Jane sees that Stuart has left a drawer slightly open she peers inside. There are the secateurs he was looking for, but also some handcuffs, white leather gloves and a plastic clown mask. Needless to say I’d be back on a train before that drawer was closed. From there Jane is hooked and gets the chance to house sit for a friend in London so she can follow up on Daisy and her hunch that something very dark has happened in that house and the family that live there. 

Though Jane is our main protagonist we have flashback chapters from Stuart’s perspective and we see how he meets Daisy’s mother Jessamine at his local pub. Stuart has been homeless for many years, but has been living in a coveted spot in a squat with several other people. He’s noticed Jessamine a couple of times and there’s something winsome about her big eyes and waif-like frame, but he realises very quickly that she has a drink problem. Always arriving immaculate at opening time and then slowly becoming more messy as it gets towards the end of the school day as she seems to scurry off to be at the school gates. When she becomes very unsteady on her feet one day Stuart turns Good Samaritan and helps her to get home. This is how he ends up meeting her daughter Daisy and takes Jessamine up on her offer to stay, which he does for a few days. As these flashbacks continue we see that Jessamine is not the victim Stuart originally thought she was. She has the ability to be neglectful of her daughter, prioritising alcohol and is surprisingly manipulative. Stuart is surprised that Jessamine’s mother doesn’t say anything to her daughter and he wonders if he’s imagining that something is off about her too. There’s a total lack of accountability, particularly from Jessamine who at one point tries to cut off his ear, then saying “I know I’m a handful” like she’s bought another pair of shoes or had one too many at a hen night. When Stuart comes under pressure to return to the squat or lose his space he decides to return, but will Jessamine agree to that and what might she do to ensure he stays? Jane realises he has largely been there for Daisy and while he has been a great stepfather, he has enabled Jessamine. It’s as if everyone in the house turns a blind eye to the issue and he worries she will drink herself to death. He’s also found some things disturbing. He doesn’t know who Daisy’s father is, but no one else seems to know either. In the outhouse there are metal rings attached to the walls and a chair, as if someone has been chained up there. There’s a room upstairs referred to as the au pair’s room, but there hasn’t been an au pair for some time and no one talks about Jessamine’s father or brother either. The family story is that the brother ran away to join the circus and Jane is wondering if he is the clown? Like Stuart she’s starting to wonder about this family and their generational trauma.  

This is a great plot, revealed deliciously slowly as Jane begins to realise that other women have gone missing in that part of Hampstead Heath. She and Dexter put their heads together and start to investigate in earnest, unearthing photos of the missing women and several incidents across the country involving a clown. Dealing with those allegations send to her to drink, asking Dexter to fix her anything that “will take the edge off the thought of that tiny masked clown pulling a scarf out of a woman’s ear in a car park with a hard-on.” Another laugh out loud moment. Jane relates to Daisy struggling to survive in this dysfunctional family, because she did too. Her parents neglected her and her brother until they were malnourished and practically feral. This is probably why she takes her role as a stepmother so seriously, she knows what it’s like to have no one from a very young age. I thought the twists and turns were done so well here, paced beautifully and not rushed as they sometimes are in thrillers. I read the end and felt satisfied, like every question had been answered and I wasn’t having to turn back through the pages and read it again to be sure I’d understood who’d done what.  Nevertheless I still managed to devour it in a couple of days and I’m sure you will too. This is as thriller that comes highly recommended for it’s grasp of family dynamics and psychology of trauma, but I fear I will always be on alert for tiny little clowns from now on.                                                          

Meet the Author

LISA JEWELL was born in London in 1968.

Her first novel, Ralph’s Party, was the best- selling debut novel of 1999. Since then she has written another twenty novels, most recently a number of dark psychological thrillers, including The Girls, Then She Was Gone, The Family Upstairs, The Family Remains and The Night She Disappeared, all of which were Richard & Judy Book Club picks.

Lisa is a New York Times and Sunday Times number one bestselling author who has been published worldwide in over thirty languages. She lives in north London with her husband and two daughters.

Posted in Squad Pod Collective

Under Story by Chloe Benjamin 

WHAT IF TOMORROW WAS ALREADY WRITTEN, BUT YESTERDAY WAS YOURS TO CHANGE?

At an isolated research station in Antarctica, biologist Laurel Salter washes dishes for a living ten hours a day, six days a week. She tells no one why she left her career, or why her marriage ended.

But even in this remote outpost, Laurel can’t outrun her past. When a strange light appears across the ice and draws a group of physicists to McMurdo, her former husband, Eli, won’t be far behind.

Laurel is captivated by the Arc: its surreal glow; the way it seems almost alive. And though Eli is reluctant to test her wildest theory, Laurel is convinced that the Arc leads down a rabbit hole, and into a world they can barely imagine. Can she persuade him to risk everything to fix the burden that hangs between them – to turn back the clock and live their story a second time?

And this time, live it differently.

Once read, never forgotten, Under Story is a genre-defying exploration of the promise of this life, what might lie beyond it, and how far we would go for more time with the people we love.

This is my book of the year so far and I can’t stop talking about it. I’d read it on NetGalley in the spring and I was desperate to review but it felt too early. So when I found out my fellow squadettes were reading this in August I had to join in. I was quite simply blown away by this complex and beautiful story of science, loss and second chances. I still think about it all the time. Our heroine Laurel is a scientist, studying fungus and how it grows but for some reason that isn’t clear at first, she’s on a research station in the Antarctic, away from her former husband Eli and without any fungus in sight. When she develops a fascination in the Arc that appears above the pole she thinks about its significance, but when she becomes aware there is a matching basin underneath the water, her imagination becomes fired. Could this possibly be a portal? A gateway to a different world? She knows Eli won’t be far behind her because she remembers his theory of the ‘duoverse’, the idea that at the moment of the big bang time and space was formed in two directions: our universe, the planets and the development of the world we know and in the other direction it’s complete opposite. I am not a scientist, in fact I barely have GCSE Biology, so I wasn’t aware of any background to this idea so could drift with it and enjoy two incredible minds exploring ideas. I was fascinated with Laurel’s experiments with fungus growing in a maze and whether it moved in a specific direction. She was disappointed to find it tried out all routes then doubled back on itself, but then a second batch made straight for the right route as if it had learned from the previous batch’s mistakes. It felt like a demonstration of Jung’s collective consciousness:

“Ideas spread and somehow we’re all plugged into them.”

I often feel this about ideas, like when several books come out on the same subject at once. It reminded me of something I’ve read before – that ideas are hanging in the air and if we don’t grab them someone else will. As Laurel presents her paper at conference she’s asked some particularly tough questions by one delegate who is unimpressed with her work, claiming she’s applying a human lens to interpret her results. Laurel’s retort is to ask why the delegate is assuming that all intelligence is human? Laurel knows that we like to separate ourselves from animals and plants, safely in our own superior category, but oxygen from our atmosphere is running through our veins and the word human comes from the Latin word ‘humus’ meaning soil. Thinking that we are of the earth is the only thing that comforted Laurel when her dad died. She thinks about how bronchi in our lungs branch like trees and how a ‘neural network in the brain is structured like a galaxy’. I loved reading these aspects of the book and really appreciated how cleverly the author plants these ideas in the first part of the book and they grow in the second part. 

Our characters are fascinating, Eli and Laurel are a couple who were made for each other but their relationship is real and they face tough times, particularly devastating events crash into their lives but I never doubted their love for each other. It’s fascinating to watch their characters face the concept of the duoverse, not just whether it is a portal, but if it is what will their relationship look like there and will going backwards fix whatever tore them apart. I felt both were analytical and might even appear cold at times, but in the moments of heightened emotion we really see who these characters are and the deep wells of love they hold. It was two other characters that caught my imagination though: Gloria and Mr Nakamura. I absolutely loved Gloria who is Laurel’s mentor in our universe and her house in San Francisco was so brilliant I wanted to live there: 

‘It was an old Arts and Crafts house on Prospect Avenue, dark wood with purple roses growing in the garden and ivy trailing over the windows. Inside was enchantment; half melted candles, cabinets of oddities, a Maine Coon cat the colour of midnight.’ 

Gloria is intelligent, feisty and an incredible mentor to Laurel and I had a feeling they would meet in any universe. Mr Nakamura is a character from later in the book who is an ‘overtaker’ – a thought I’ll leave with you – who’s incredibly wise and understanding, helping with the difficult parts of life’s journey with dignity. Every character springs to life and has a backstory. 

The book’s settings are incredible. First the frozen wasteland of the Antarctic and its different scientific research bases are fascinating. I had no idea how many were there, but McMurdo is like a mini town and it’s the tiny details that give it authenticity. Many of the scientists go home for the winter months when it’s impossible to go outside and cabin fever can really kick in. Some people have an ‘ice-wife’ or husband who they’re in a relationship with in the summer months, then go home to their real spouses in the winter. Bits of the real world come through, such as the disappointment in a second Trump presidency, but it feels like a different world and the perfect place to avoid reality too. Every world the author presents to us feels absolutely real even though some of it seems impossible. I was on tenterhooks wondering about the duoverse under the ice and if Lauren is right whether they’ll ever be able to return? I found myself wondering how this world would look as time scrolled backwards. I was genuinely scared for them but also full of admiration for their bravery. The mirroring is so cleverly done, showing how life always comes full circle and we’re often helpless at the end and the beginning, if we’re lucky enough to lead a full life. As someone who worked in nursing homes in my twenties this really made me think of the role of nostalgia and how often elderly people hanker after experiences from their childhood. Laurel wants her mother’s blueberry pancakes, to watch a film she’s seen a million times and disappear into a favourite book because there’s comfort in it. It might seem like science has sent them on this potential journey, but it isn’t. The totally unscientific emotion of love is what pushes them on, but also guilt, hope and desperation. Loss is a huge theme in the novel, something that always hits me in the heart, and I was deeply moved by how the author dealt with grief across the novel and how the scientific concept of a duoverse changes this experience. This novel was moving, profound, invigorating, deeply intelligent and so full of life. I kept thinking about the symbols of the cover, the circle and the tree, the same under the ground as they are over it. As Laurel observes: 

“A line implies before and after; a circle says And then, and then…” 

Out 1st September from Tinder Press

Meet the Author

Chloe Benjamin is the author of THE IMMORTALISTS, a New York Times Bestseller, and THE ANATOMY OF DREAMS. Her third novel, UNDER STORY, will be published in September 2026.

A Barnes & Noble Discover Great New Writers selection, LibraryReads favorite, and #1 Indie Next pick, THE IMMORTALISTS was named a best book of 2018 by NPR, The Washington Post, Entertainment Weekly, and others. THE ANATOMY OF DREAMS received the Edna Ferber Fiction Book Award and was long listed for the 2014 Center for Fiction First Novel Prize.

Originally from San Francisco, CA, Benjamin is a graduate of Vassar College and the M.F.A. in fiction at the University of Wisconsin. Her work has been translated into over thirty languages. She lives with her husband in the San Francisco Bay Area.

Posted in Squad Pod Collective

The Girl With Seven Lives by Vikas Swarup

Devi is a fighter. Growing up in the slums of Delhi, she has learnt that survival comes at a cost – and naturally, that means she’s made a few enemies along the way. 

Now she’s being held captive, her life up for sale in an online auction, where the highest bidder will determine her fate.

With her existence hanging in the balance, Devi proceeds to give her captor ‘a confession to beat all confessions’ – as over the course of a single night, Devi unveils the secrets of her seven extraordinary lives.

Devi is the ultimate survivor – a girl from the gutters who dares to rewrite her own destiny. But will she survive the longest night of her life?

Vikas Swarup’s heroine Devi grabs hold of you the minute she starts to tell her own story in this episodic novel set in Delhi. The opening brings Devi to the lair of an unknown assailant who tells her he has seven people on the phone line who want to bid for her destiny. This auction will take one night and seven stories, stories she thought were secrets. As Devi tells each tale her kidnapper will take a bid on her life and he hopes to reach seven figures. However, Devi’s circumstances have not been easy and the fact she is alive is down to her cunning and experience. Has the kidnapper underestimated his prisoner or are Devi’s lives finally running out?

I was hooked from the first story as Devi explains how she started in a family home in the slum area known as Rail Basti, because the train tracks ran straight through the centre of the huts. This was Devi’s early childhood and despite the poverty she has happy times. She tells us about her annoying brothers, the eldest a maths prodigy and the youngest a terrible bedwetter, the daily sequence of trains that seem to rattle the ground under their hut and depth of water that rises indoors in monsoon season. Change comes when her parents choose an unorthodox plan to make an almost life-changing sum of money and fortune seems to turn almost immediately. Devi is an intelligent, funny and excitable nine year old and sometimes it’s hard to read about her daily life, never mind the more perilous and painful circumstances she finds herself in. She learns through necessity, takes chances where she sees them, soon inured to the fact that the only constant in her life is change.

The author’s visceral descriptions of the slums, the crime and violence and particularly the treatment of young girls of her caste are a hard read. He conjures up a picture of her family home perfectly with deftly layered descriptions of their space and the surrounding crowded alley ways:

Sanitation in the slum was non-existent. The open surface drains looked like a river of green, clogged with garbage and plastic trash. For toilet the men would go with their lotas to the railway track. Mercifully for the women and girls there were a few communal latrines at the southern end of the slum that afforded a degree of privacy, though the long lines in the morning meant waits up to an hour.”

Once the family’s circumstances improve a little there are small improvements to daily life, like the arrival of a television that keeps Devi rapt for hours and helps her learn more than she ever has before. Her father decides they need to move, into a better area of the slum with the luxury of two rooms and its own toilet. It was more solid and didn’t let the rain in. However, the monthly payment was crippling financially and soon there was nothing left, they couldn’t ‘freeboot’ the electricity so television was strictly rationed and they were back living hand to mouth. Devi is the best storyteller, drawing you into their lives and then destroying you when disaster befalls them. I felt she was a very lonely person, aside from her early alliance with ‘German Sheffered’ dog Sheru. Each time she trusts someone, her parents, the police, authority figures, they all let her down. She has never known what it is to have someone absolutely in your corner.

The author captures the noise and colour of New Delhi so perfectly it’s almost a sensory overload as you read. The combination of this and the terrible ordeals that Devi faces are overwhelming sometimes and definitely left me feeling privileged in life. Devi’s narration keeps us constantly alert because that’s how she lives her life, constantly in the moment and ever alert to what’s going on around her. Her intelligence and experience mean she can sense when something’s wrong, such as noticing some girls in her dormitory at Muskan juvenile facility are more moody and unpredictable than normal. These young women are utterly powerless, so not only are they preyed upon by bullies and evil men but the system is so corrupt there is never any justice. No one is listening. I realised with surprise that the conversations she has on this one night with her kidnapper are perhaps the most intimate she has ever had. She gets to bare her soul and disclose secrets she has never told anyone. To be this vulnerable and knowing a terrible fate might await you at the end is both cathartic and terrifying.

The pacing is perfect as at the end of each story the phone call is made and the offer increases. She knows who must be on the end of the line and understands their capacity for revenge, she’s wanted it for herself enough times. It’s such a compelling read that I read this in a day, feeling like I’d visited Punjab, Goa, Kerala and finally Mumbai with Devi. The feel of each place is captured beautifully and the contrasts of her rollercoaster life kept me glued to the page. We know how red in tooth and claw the world is but what I found most hard to comprehend is how people could blind themselves from the suffering going on around them. It’s as if the British immigrants and millionaires living in Sector 1 of the city see those in the slums as ants, something they simply tread on as they get on with their vastly superior lives. We see the contrast when Devi lives with a woman who is a banker and wants to use Devi as her muse. On her daughter’s birthday there’s an orgy of gift giving with designer scarves, sunglasses, bracelets and a laptop are unwrapped, with her main present being a vintage Cartier watch. By contrast on Devi’s birthday there’s no party, just a cake and one present – a brand new Sony Handycam. Devi is overwhelmed and when the banker tells her to film the slums she does. She films people she knew, other kids dancing and play fighting, imitating famous people and having fun. Her benefactors are unsatisfied, they don’t want kids enjoying themselves they want to see the dirt and degradation, the alcohol, the drugs and the domestic violence. They want slum porn and she certainly delivers it, raw and unedited, but she knows that no film can truly capture what it’s like to live there.

There’s so much energy in this novel. It leaps off the page and its biggest achievement is its mix of addictive suspense and emotional insight. I came away from it feeling a little bit battered by the force of the story and it might take a few days to fully sink in. I liked Devi as a child, but as time and experience move her forward she becomes more morally questionable, complex and deeply conflicting. Although even if I didn’t always like her I could understand why she makes the choices she does and how she’s come to each terrible conclusion, every time wondering if this present adventure will be her last. It’s easy to forget when you’re deeply embedded in one of her stories that this is where it’s brought her, tied to a chair and listening as each person bids on her life. If you like to kept in suspense and to experience an extraordinary life lived in destitute and dangerous circumstances this is definitely for you.

Out 13th August from Head of Zeus

Posted in Random Things Tours

The Mermaid’s Cry by Kate Rhodes 

I’ve been catching up on Kate Rhodes’s series of Ben Kitto novels and I’ve jumped a couple to read this for the blog tour, now I have to go back and read frantically to work out how he and Noah have ended up in Penzance. However that didn’t ruin the novel for me because it’s jam packed full of atmospheric settings, Cornish folklore and a cast of characters that left me suspecting absolutely everyone! Ben is living in Penzance, taking a break from his home island of Bryhir in the Scilly Isles after the events of the previous novel. He’s taking a break from police work and instead has found a job at a joiner and cabinetmakers, using the skills he learned building boats with his Uncle. It’s settled and therapeutic work as Ben slowly creates beautiful pieces of furniture and starts to deal with his grief and loss. Noah is a little confused to be away from everything he knows, but he’s enrolled at a kindergarten near Ben’s work so life has some routine and peace. He is starting to be brought into the community too, with an arts festival on the horizon he’s bound to be pulled into the planning, even just as a steward he’s happy to do his bit. Then life takes a sinister turn as he’s on the beach and sees a young mother with a baby in a pram. One moment of distraction and a black figure jumps out of the shadows and racing towards the pram it grabs the baby and throws it into the sea. Ben and Shadow are running before they’ve even thought and he dives into the sea to rescue the baby. He’s now a local hero, but the disturbing and traumatic event plays on his mind. How could someone do such a thing and will they do it again? 

The author weaves her story around the local myth of the Zennor Mermaid, a figured carved into one of the pews in Zennor church. A beautiful woman called Morveren was said to attend the local church from time to time and listen to the choir. She had a wonderful singing voice and many suitors were interested in her, but she came to listen to Matthew Trewella who had the best singing voice. One day after church he decided to follow her and was never seen again. Years later a captain dropped anchor near the beach and was surprised to hear melodious singing. When he looked out he saw a mermaid sitting on the rocks nearby and she asked if he would raise his anchor as it was blocking the entrance to her house, where she lived with her husband Matthew. There are many mermaid figures in Cornwall and the upcoming festival will be based around music and singing in Penzance and then a sky-watching from the remote location of Zennor’s beach. However, the myth takes a more sinister turn when mermaid emblems and notes are sent to people with small children, warning that the mermaid is watching for those who don’t deserve them. The police are immediately involved and new DCI Carnforth approaches Ben for his take on the original crime, could this person strike again? In sinister short sections we are taken into the mind of this person who themself as a mercy killer, where parents are neglectful or harming their children, the attacker will offer them to the Zennor mermaid who waits under the sea to claim them. Ben isn’t keen on becoming involved but Carnforth is keen to have his input and suggests he works more like a consultant than actually making a return to the force. For those lucky readers who know Ben and his dog Shadow, it’s impossible to imagine him sitting back and not taking part. Both of them seem to have an innate instinct when something is wrong and when Ben finds a mermaid talisman in his own garden he knows that he must find this person before anyone else faces the devastation of losing their child. 

 It was strange to get used to Ben in a new environment because he’s always seemed so at home in the wildness of Bryhir. Penzance is a huge difference being on the mainland and being a town, although Shadow seems to get used to the geography of his new home very quickly. I enjoyed the way the author presents Cornwall, giving it a split atmosphere between the town itself and the wilder places beyond, echoed in the two sites of the festival. She also gives us a realistic view of Penzance beyond the tourist trail, as both picturesque and a working fishing port. There are hints at the port’s arty history too with the Tate being a few miles away in St Ives and the attached village of Newlyn associated with Barbara Hepworth and many other artists. There’s a mix of tourism or seasonal visitors, then the long term residents trying to survive, especially during the quieter months when seasonal work isn’t as available and every empty property is listed on Air BnB rather than let to locals who need a home. Young people are priced out of the market and have no hope of owning a home of their own where they were born. Social housing is just as poor and overcrowded as it is anywhere else and perhaps has more demand, in fact the mother of the first victim is living on an estate that miles away from our usual depictions of Cornwall and a big contrast to Ben’s usual working area. The town’s foodbank is busy showing that residents are struggling with the cost of living, but on the other hand Ben’s chosen nursery for Noah has the rather middle-class sign of being run on Steiner principles. There are definitely haves and have nots here and Ben is definitely pulled into the lives of people who’ve had very difficult upbringings in circumstances of poverty, neglect and abuse. However, recovery and rebuilding are also big themes here with Ben playing a huge part in helping those in difficult circumstances while struggling to handle his own grief. 

It’s sad to meet Ben at such a crossroads in his life and I was pleased to see how our regular characters rallied around him, very carefully while letting him think they’re close by for other reasons. He thinks his Uncle is visiting Penzance because he has a secret woman and when his best friend Zoe appears he thinks she’s just there to headline the festival. Yet they are around at a crucial time for Ben and Noah and possibly know our hero more than he realises. I was hoping he’d start to see the benefit of grieving alongside his friends and fellow islanders, rather than removing himself from the situation. His relationship with Zoe is as close as always and her support means the world. She’s also bringing music back into his and Noah’s lives, something that his nursery teacher seems very keen for Noah to pursue. She approaches Ben to tell him that Noah is very talented for his age, a skill that is probably from his mother Nina. She’s very intense and insists that not to nurture Noah’s skill would be tantamount to neglect. The author drops little clues like this one throughout the book until I had about six suspects in mind! The tension as the festival approaches is nail-biting as Ben works with the police to make plans for security so that parents can attend with their children safely. Ben is a natural investigator with an innate skill for trouble that’s almost prophetic. He knows when there’s a pattern in a criminal’s behaviour, his brain detects a clue but can’t quite get there yet. There are some uniformed officers in the local station who begrudge Ben working with them and are resistant to the changes their new female chief wants to make. I started to wonder whether our attacker could be closer than they realise, especially when the DCI also has a warning from the mermaid about leaving her child with a nanny. Crimes against children are so emotive and that’s very clear here as the inner voice of the attacker becomes even more disturbing with a strange circular logic that hard to understand – ‘I see unworthy mothers and fathers everywhere I look, they don’t deserve any more chances […] they think the world is safe and that chaos doesn’t exist. None of them understand the price their children could pay, laughing distracted or staring at their phones. Negligence is a sickness”. 

By the time the festival arrives everyone has done all they can to keep families safe, with a security perimeter at the park that can’t be broken, of course that assumes the attacker isn’t one of the stewards. I was still suspecting the nursery nurse, the festival organiser, a police officer, a young man who is abused by his older brother and even the DCI’s nanny. The author has created short, urgent chapters here. They ramp up the tension as we flip between Ben’s inner world and the attacker’s, following them and their newest victim to the dark, wildness of the festival’s other site at Zennor. We can sense the mystical feeling of Cornwall and how it’s become warped in this person’s mind. It’s pitch black and rough terrain, plus with miles and miles of coastline can they be sure to find the right place in time. I defy anyone to put the book down at this point and I devoured it in one sitting. Ben still knows he’s missing a part of the puzzle and we have to trust that his intuition will click in before it’s too late. This is a great thriller and taking Ben out of his natural habitat does bring a different feel to the series, though I hope he does eventually return to island because he belongs there. We can see in the aftermath that he needs his found family and just like Zoe he will always return to the island and each other. 

Meet the Author

Kate Rhodes is an acclaimed crime novelist and an award-winning poet, selected for Val McDermid’s New Blood panel at Theakston Old Peculier Crime Writing Festival for her debut, Crossbones Yard. She has been nominated twice for the prestigious. CWA Dagger in the Library award, and is one of the founders of the Killer Women writing group. She lives in Cambridge with her husband, the writer and film-maker Dave Pescod, and visited the Scilly Isles every year as a child, which gave her the idea for the critically acclaimed Isles of Scilly Mysteries series.

Posted in Wordpress Prompts

A Bookish Home

What’s your home decoration style?

The kitchen butcher’s block

The three words I would use to describe my home are cozy, colourful and bookish. It’s never tidy, there are always piles of things to sort out and my main concern is where we can put another book case. Currently we have seven and two book trolleys. But there are piles of books everywhere. Crime and romance live on the landing, counselling and other work related books in the office. Downstairs I have a glass fronted bookcase with my special and signed editions in the living room along with a corner of unread hardbacks. In my study is a bookcase made by my father and this holds contemporary fiction, historical fiction and spooky reads. In the same room there’s a little alcove with unread proofs and my main book trolley sits underneath with everything I need for blogging. There’s always a bag of books in this room so visitors can rummage and borrow old proofs and once a month it goes to a charity that cooks Sunday lunch for the homeless. The books seem to fly from there every time.

My textile sculptures, this is Kiko and Betty.

Every so often we go to a holiday cottage and I think ‘our house could look like this’. Everything could match and it would be restful and tasteful. It could be in fifty shades of beige or grey, which seems to be the new magnolia. The truth is I love colour and pattern too much. I’m a huge fan of William Morris and Liberty print, especially my ‘strawberry thief’ desk. If we did a declutter with Stacey Solomon I think she’d have a lot to say about my textile sculptures of hares, the amount of art on the walls and the piles of books living on the floor because I’ve run out of shelf space.

My William Morris writing bureau

My book obsession has even made its way onto the decor with bookish cushions, prints and kitchenware covered in Moomins. We have framed poems on the walls and characters like Mr Tumnus.

Even the cushions have bookish credentials

The most recent thing we did was renovate the kitchen, more in keeping with the period of the house which totally gutting the room and took three months to finish. I love the colour, the old pieces of furniture that don’t match and the blue units with brass. It’s the most I’ve ever spent on anything in one go but it makes me happy every time I go in.

The new kitchen

If we did declutter what would I do with my weird old objects, most of which end up living in the study. No one else would want a candelabra that’s a monkey in a Chinese dress or the decorative bird houses, the chesterfield armchairs that belonged to my friend Nigel and the oak kitchen table we bought from Facebook for forty quid. I have an old dresser from a previous home full of china from my previous in-laws, glasses with poodles on and a Polish pottery teapot that holds eight mugs of tea and stays warm with a tea light underneath. There are prints from seeing Monkey: The Opera in New York, my photos of Venice and my rabbit mask. Snowglobes, lanterns, orchids, antique taxidermy, stones from all the beaches I’ve been to, 17th Century dough bowls, phrenology heads and vases because there are always flowers.

Piles of books awaiting a home.

I love that my home has cozy places to read, like my chaise longue (all day long) and my chair in the study usually occupied by Max. I love that my cats have places to lounge and the dog knows she can hop up on the couch. I like the soft light from lamps and candles and the way the sunset gives the landing a peachy glow. I want people to come into my house and feel comfortable, welcome and to see who we are as a family.

On the chaise longue….

I guess I’m just a maximalist at heart, greedy for colour, pattern and soft soothing light, beautiful art and quirky collectibles. Of course most importantly a lover of books.

My study, Dolly and my reading chair from my friend

The hallway camphor wood chest and William Morris chair

My pink and blue living room.
Posted in Netgalley

The Dog Sitter by Eva Leska Natiello

When a woman whose life has gone sideways takes a 30-day dog-sitting job in New York City, despite not being a dog person, she’s pulled into Manhattan’s chaotic social orbit. This delightfully offbeat story is a heartfelt journey of messy midlife reinvention, filled with sharp humor, quirky characters, and one very judgmental dog.

Recently divorced, newly evicted, and suddenly strapped, Colleen Fitzroy is out of options. She reluctantly agrees to work for former boss, Massimo Locatelli—editor of Savor Magazine—dog sitting his precious Aldo while he’s out of town. At least no one will bother her.

That’s until an endless parade of New Yorkers arrives unannounced, pulling Colleen into their knotty orbit. As she juggles strangers, a high maintenance dog, and her unraveling plans, Massimo takes note of her grit. He offers her a role in an ambitious new venture inside Manhattan’s rarefied restaurant scene—which triggers a shameful secret.

Colleen must confront the life she’s been living—and decide if she has the courage to seize the life that’s long overdue.

My counselling work is all about hope and recovery so as soon as I saw this book on NetGalley I knew it would be for me. We follow Colleen who’s something of a character as she has a total break from her disastrous life to think about what to do next. All she must do is spend one month in her previous boss’s incredible apartment to dog sit his canine companion Aldo. This is complicated by the fact that Massimo once fired her from the magazine he edits. There’s no one else and he must fly to Italy in a hurry to help his cousin and Colleen is the only option. However, Colleen has never had a dog before so this is going to be a steep learning curve. She’s also not that keen on being woken in the middle of the night, having unexpected visitors who let themselves into the apartment with no warning, or spending long FaceTime calls with Massimo so he can spend time with Aldo. She also doesn’t have a lot of time for privileged rich people. She honestly made me laugh and struck me as someone who has been through a lot in her life and has zero fucks left to give. If this were a film I could imagine either Meg Ryan or Renee Zellwegger playing this part to perfection. She has all of her belongings, meagre as they are, with and nowhere to go when Massimo returns. She’s insightful about the position she’s in. She was married to a firefighter who survived 9/11 but contracted terminal lung cancer from the dust at Ground Zero. Having lost the man she loves and struggling with the sense of loss she throws herself into a relationship with a man she describes as a ‘party partner’ – great fun for one night but disastrous in the long term. She thought she’d left grief behind but it came back and hit her twice has hard. This is a definite crossroads, but does she know how to move forward both physically and emotionally?

The change is gradual as she learns to look after the beautiful Aldo and cope with the various visitors to Massimo’s flat. She’s woken in the middle of the night by someone entering the flat and a lot of shouting from the street below. It’s Massimo’s daughter and a boyfriend who won’t take no for an answer. Without missing a beat Colleen opens the window and lets fly with some well chosen warnings. In no uncertain terms he knows to give the apartment a wide berth. Other visitors include a woman called Gloria who appears to be a cleaner, but a very stylish and well-dressed one. There’s also the caretaker of the building, a group of gourmets who hold a supper club despite Massi not being there and various others. At times these interruptions are a little jarring, especially when we’re first trying to get to know Colleen. However, all play their part and slowly Colleen starts to see that Massi’s life might not be as picture perfect as it seems. The gourmets let slip that he may have lost his job at Savor magazine, gossiping about their absent host in a horrible way. Slowly we can see Colleen opening up to people again as she enjoys chatting with Massi’s daughter and when she sees a photo of the supper club she barely recognises herself because she looks engaged and as if she’s truly in the moment. Aldo slowly begins to bond with Colleen as only dogs can, showing he’s now depending on her for comfort. Even Massi starts to make longer phone calls where he’s actually confiding in this women he’d pretty much written off. We can see their similarities in upbringing, with poverty and scarcity of food being the source of their pleasure in food now. In fact food is very sentimental to Colleen who remembers her garden with her husband very fondly, in fact her prize possession is a carrot plan grown directly from the seeds he collected on their vegetable patch. She also does a regular stint at the food bank, making sure children don’t grow up in food poverty and hates what she calls ‘food peacocking’ something that Massi and Savor Magazine do daily. Even though Massi grew up in a poor environment he certainly doesn’t now. When he asks if Colleen has found Aldo’s dog food in the fridge she realises she’s been heating it in the microwave and eating it herself it is so delicious. 

The settings are interesting and contrast beautifully. Massi’s apartment is both aspirational and sentimental with his kitchen table covered with the carved names of people who’ve eaten there. He keeps back copies of his magazine in pristine condition, clearly very proud of his position. By contrast the home that Colleen has just left is in a New Jersey suburb, ‘neat and smells like ocean mist and sea salt in the way cheap candles do.’ This is typical of the self-deprecating way Colleen talks about her life, she’s never had the luxury that Massi and his friends take for granted. Manhattan is frenetically busy when compared to the serenity and elegance of Massi’s hotel in Italy. We can even see the difference in the pace of life with city people like little ants, busily scurrying around. Colleen’s back in that pace but struggles to cope with the busy in and out of the apartment and it does interrupt the flow a little. The plot then wanders into different territory as Massi decides to start a business importing truffles for Manhattan restaurants and asks Colleen to be his courier and saleswoman, visiting contacts in their kitchens and selling directly. This was a plot development I really didn’t expect and I suspected there was more to this venture than met the eye. 

This book could have been a simply madcap makeover story, but it does tap into deeper themes such as childhood, loss and how we process trauma. I wasn’t sure where the truffle business was going to go but it felt like a great metaphor for humans – even the most dirty and unpromising truffles are treated like gold and Colleen could be seen like that, a treasure underneath those layers of defensiveness and snarky wit. She also learns that people are not what they seem and even those who live very different lives can teach each other something. Rather than do all the cliched things such as yoga and celebrating her ‘me’ period, Colleen actually learns things she didn’t expect like not taking people at face value and of course she learns the joy that a dog like Aldo can bring into your life. The absolute gem of the story though is Colleen herself, a rather chaotic, irritable and closed off person who slowly blossoms. 

Posted in Wordpress Prompts

This Isn’t Everything You Are

What’s a song lyric that has stuck with you forever?

There’s joy not far from here, right
I know there is
This isn’t everything you are

These lyrics are so important to me that they still make me cry years later. This song isn’t the Snow Patrol song I played at Jerzy’s funeral. For that I chose Open Your Eyes, prompting my friend to tell everyone to bring their tissues because I was going to ‘Snow Patrol’ them. He listened to that album all the time in bed at home when he could no longer get up. Gary Lightbody writes songs that cut to the quick, somehow taking me deep into the emotions of a single moment.

When Jez died that morning at 5am it wasn’t a shock. We’d been sat there waiting, talking to him, telling him I’d be ok, urging him to let go. He was a stubborn man. Then suddenly he did. As I laid on the bed next to him and my brother lay in two chairs half asleep my huge, charming, intelligent, handsome husband was suddenly gone. I sat for a few moments and it felt like an intense roaring in my head. Then people were talking and I was responding but it was like fighting through static. The nurse gave me a hug and it must have been like holding an ironing board. I couldn’t relax into it. I don’t think the roaring stopped for months.

This song comes four years later. My memory is of putting it on full blast in the car and the singing the chorus at the top of my voice. Or on the stereo while I was in the bath. It was when I was at rock bottom. When I couldn’t see any way out of the deep well of sadness and despair. It was my way of reminding myself that I wouldn’t always feel like this. It was my inner voice coming to me through the music and reminding me that this was just part of my life, not all of it. That one day I would feel happy again. All the pieces of me that shattered that morning would come back together. Maybe not in exactly the same shape, but I would feel like me again. That moment might have been earth shattering, but it wasn’t everything I was.