Posted in Netgalley

Thirty Days in Paris by Veronica Henry.

Because Paris is always a good idea…

Years ago, Juliet left a little piece of her heart in Paris – and now, separated from her husband and with her children flying the nest, it’s time to get it back! So she puts on her best red lipstick, books a cosy attic apartment near Notre-Dame and takes the next train out of London.

Arriving at the Gare du Nord, the memories come flooding back: bustling street cafés, cheap wine in candlelit bars and a handsome boy with glittering eyes. But Juliet has also been keeping a secret for over two decades – and she begins to realise it’s impossible to move forwards without first looking back.

Something tells her that the next thirty days might just change everything…

I hadn’t read any of Veronica Henry’s novels until I did a blog tour for her novel The Impulse Purchase. I found it delightfully escapist and optimistic while exploring female relationships, especially familial ones, in an interesting way. In her new novel we’re more focused on one woman; Juliet is a middle-aged, ghost-writer who’s at a huge crossroads in life. She and her husband have taken the very brave decision to separate as their last child leaves home for university. Most of their friends think they’re crazy, because the couple still get along, they’re probably the best of friends in fact. However, they feel they’ve drifted into two different paths. As her husband has embraced all things cycling – including the Lycra and the diet – Juliet isn’t enamoured and would rather curl up with a good book or go to the theatre. They’ve each become comfortable in their own routines and as the time to sell their large family home has come around, they can’t see the point of trying to meld their differing lifestyles into another joint home. So each will take half of the house sale and do their own thing and Juliet would like to take a trip into her past. Years ago, when she was still a teenager, Juliet went to work as an au pair in Paris, but returned in shame and sadness only a few month later. She has rented an apartment for a month to reacquaint herself with the city and spend some time writing her own story. However, revisiting the past is never easy and Juliet finds there are experiences she still needs to process and come to terms with.

I found reading this book a little lie watching Sex and the City or perhaps more aptly, Emily in Paris which I binge-watched over the Christmas period. Everything about Juliet’s time in Paris is simply gorgeous from the description of the patisseries near her apartment, to the clothes worn by her friend ….. and the work Juliet starts on her book project. Thanks to the two series mentioned, along with a teenage diet of Judith Krantz novels, I find Paris ridiculously romantic and imagine it full of quirky shops, artists, vintage bookshops and incredibly elegant women. Every walk she takes I was imagining the decorative shop windows, acres of pastel coloured macarons and fairy lit trees, not to mention the incredible bridges, cathedrals and art galleries. I’m also a sucker for transformation shows like the old Gok Wan and those wedding shows where people choose their dress and I also had that vibe too. This might seem like I’m making the book sound trivial or all about appearances, but it’s far from that. This isn’t just about visual transformation. The author takes what can be a difficult period in a woman’s life: empty nest syndrome; menopause; relationship breakdown and that sense of having lost who you are. Veronica Henry takes us into that process of grieving and growth and I kept reading in the hope Juliet would come to that place of finding herself – the person she is now and the way she wants the rest of her life to be. Before she can do that she needs to face what happened all those years ago when she was such a young girl and just starting out in life.

I really felt for the younger Juliet and these sections leapt off the page. I loved how brave she was in leaving her cozy home and family to do something completely different. That sense of being a fish out of water really comes across as she tries to settle into the apartment of the French family she’ll be living with. Her French is minimal and I could feel the nerves as she tries to fit in, especially when the children’s mother is quite volatile and erratic in mood. However, the father seems kind and tries to make Juliet feel at home by taking her out for Sunday lunch with the children. Juliet comes across as a kind young girl, good with the children and concerned about their mother whose moods fluctuate between treating Juliet like a little sister and angry, tearful outbursts. I warmed to Juliet because she doesn’t become angry or resentful, but is worried that her employer is struggling as a working mum of three children and perhaps needs extra support. I had concerns about the way the children’s father acted around Juliet early on and couldn’t decide whether he was trying to make her feel like family, or whether the late nights, sharing a bottle of wine, might lead to more. Juliet’s affections are completely engaged by Luke as soon as they meet. Her friend calls it a ‘coup de foudre’ or love at first sight and it does seem to be an immediate connection, as if their souls know each other before they even speak the same language. In the present day sections, Juliet hints at a disastrous ending to her time in Paris and a separation from Luke that leaves unfinished business. I wondered whether she would feel the urge to reconnect and explain what happened all those years before.

If you’re looking for an enjoyable, escapist read this winter/spring then this is definitely the book for you. Juliet is interesting and her earlier years in Paris really help us understand her character’s choices later on. I wondered how much her stable, but safe, marriage was a response to these early romantic mistakes and terrible heartbreak. I would say that her return to Paris, especially her rekindled friendship with Nathalie, brings out her spontaneous and playful side. Nathalie takes risks, from visiting less salubrious parts of the city, to accepting random invitations and wearing some quirky outfits. Their friendship picks up where they left off and I would definitely be the demographic buying Nathalie’s memoir and cookbook. I loved the way Juliet tackled what happened in the past and it showed the difference in attitudes between then and now; where once Juliet took on a lot of the blame, she can now see other people’s part in what happened and how they took advantage of her naivety. While I wasn’t necessarily rooting for a romantic ending to the story I was rooting for Juliet to build a totally new life for herself where she’s with the people who inspire her. I enjoyed the ending and felt it worked well for the character, especially when a call from home dangles her old safe life in front of her. I wanted her to continue growing and trying new things, because just reading about it felt like taking a holiday.

Meet The Author

I was so interested in reading Veronica’s author section on Amazon because it’s so personal. So I’ve reproduced part of it below.

‘People often ask me what kind of books I write and it’s a very difficult question to answer in one sentence. Primarily, I love to take my readers somewhere they might like to be, whether a gorgeous house in the countryside or on a seaside clifftop. There, my characters go through the trials and tribulation of everyday life, embroiled in situations and dilemmas we can all relate to. Love is at the heart of it, but all kinds of love, not just romantic: the love of friends and family, or a place, or a passion for what you enjoy (food, wine and books, in my case . . .)

I have a background in writing television drama (Heartbeat, Holby City) so that has been an influence – creating lots of characters whose lives impact on each other. Working on The Archers I was taught ‘Make ’em laugh; make ’em cry; but above all, make ’em wait’!

I hope my books are beautifully written, uplifting and a little bit escapist. I’d love to know what you think, so do leave a review. Or you can contact me via Twitter @veronica_henry, or on Facebook or Instagram @veronicahenryauthor

A little bit about me: I live by the sea and head to the beach every day with my dog Zelda. I love cooking and discovering new restaurants on city breaks, with a bit of yoga to offset the calories – and I’ve just bought an e-bike. My biggest writing influences are HE Bates, Nancy Mitford, Jilly Cooper and any book that has a big rambling house and an eccentric family.’ From http://www.amazon.co.uk

Posted in Publisher Proof

The Vintage Shop of Second Chances by Libby Page

Libby Page was one of those authors that completely passed me by until I started book blogging and this is the first of her novels that I’ve reviewed. I don’t know why I hadn’t picked up one of her books before, because reading this gave me the same feel as an Adriana Trigiani or Marian Keyes novel. There were strong female characters, female friendships, achieving ambitions and fulfilling long held dreams. There are deep emotional aspects bringing flavour and depth to her story, but also enough icing and sprinkles to lift the spirits. Here the sprinkles were one of my favourite things, vintage clothing. Our heroine is Lou, who moved to a small market town to care for her mother who was terminally ill. Since her death Lou has been working hard, selling the family home and buying a shop with flat above in the town centre. With builder Pete upstairs creating her living space, Lou has opened the shop and is looking at ways to save money and boost business. Pete puts her in touch with Maggie, another lady who has gone through a big change. Maggie’s a grandmother and often provides care for her grandchildren in the house that was the family home. However, her husband has recently left Maggie for a younger woman and she is rattling round in the big house. So, when Pete suggests that she rents a room to Lou until her flat is ready it turns out to be a lifeline for both of them. Finally, we have Donna, who works at her family’s hotel in the US. In a daily uniform of jeans and hotel sweatshirt, Donna follows a routine where she does the paperwork and the books and checks in on her elderly parents, but she too has a shock in store. When her mother suffers a sudden mini-stroke, her conscience causes her to disclose a family secret – they are not Donna’s birth parents, her mother was a woman from a small market town in England.

The thing that links these disparate women is a vintage dress. 1950’s in style and a stunning buttercup yellow this dress has a full circle skirt just made for dancing. Embroidered with meadow flowers, the dress hangs above the counter in Lou’s vintage shop and is the only item that isn’t for sale. It’s flanked by a picture of her mother Dorothy, the owner of the beautiful dress. I love vintage clothes and this dress, plus the descriptions of her shop really did draw me in. I love colour and just reading Lou’s outfits and her transformation of Maggie’s wardrobe made me smile and inspired me to be more colourful again. The warm feeling I got from Maggie and her beautiful home helped as well and within a couple of chapters I had completely relaxed into their world. Each woman had her own chapters throughout so we could see things through their viewpoint. While I felt an immediate kinship with Lou and Maggie, Donna seemed less accessible. She was very intent on routine and was considered abrupt or even rude by some people. I wondered if she was neuro divergent and suffering from anxiety, so her routines and uniform might have come from an inability to change or decide when under pressure. All these women face change and have to start life anew. In between their narratives are very short chapters from the past, where a young woman is making a yellow embroidered dress for a secret assignation with a man she’s fallen in love with.

I really enjoyed the journey to understanding the owner of the stunning dress and how it ended up at Lou’s shop. There is a revelation for all concerned when Donna gets on a plane and travels to England and to Lou’s shop. A series of letters between sisters add an extra clue to the mystery. Aside from this main story there are other subplots that also caught my imagination. I loved Maggie and her journey of rediscovery is a joyous one. When Lou arrives it’s clear Maggie is trained by years of looking after someone else: her husband, her children, guests. She’s not putting any love into herself and this shows in her completely black wardrobe. A little bit of input from Lou and she’s wearing orange with combinations of colours she didn’t expect. This small change and their growing friendship means that Maggie is busy for the first time in a long time. Her children can’t rely on her for free child care because she’s not home and this is just the start of Maggie accepting her divorce and creating a new life for who she is now. That’s partly a case of reconciling with her past and a summer in 1960’s London where she was the sort of girl who wore yellow Mary Quant boots and fell in love with an artist. There is romance here, but it’s not the only story. This story is about women supporting and inspiring each other and being our best selves. I liked that there was a lot of emphasis on self- care, from the colourful vintage clothes to taking control and finding our passion in life, instead of being the care givers we’re often expected to be. I came away from this story glad that society’s moral standards have changed and that for many women their lives are no longer ruined by shame or fear of what the neighbours might think. I felt like I’d been given a warm hug and I came away from the story smiling and inspired to wear some of my more colourful clothing.

Published on 16th Feb 2023 by Orion.

Libby Page graduated from The London College of Fashion with a BA in fashion journalism before going on to work as a journalist at The Guardian. After writing, her second passion is outdoor swimming. Libby lives in London, where she enjoys finding new swimming spots and pockets of community within the city. The Lido is her first novel. Follow her on Twitter @LibbyPageWrites and Instagram @TheSwimmingSisters

Posted in Romance Rocks, Throwback Thursday

Throwback Thursday! In Five Years by Rebecca Searle for Romance Rocks.

This book surprised me, delighted me and broke my heart. It was not at all what I expected, but was all the more special for that. Cleverly, Serle wrong foots the reader into thinking this is a straight forward romance, but it really isn’t. It’s about love and just as our heroine Dannie is some times unsure what love looks like, so is the reader. We are used to certain conventions and have expectations about how a love story will unfold. It teaches us that sometimes we don’t notice or fully appreciate what we already have.

Dannie is a corporate lawyer, living in Manhattan and dating the eminently eligible David. David and Dannie live together after dating for two years. They have done everything according to an unspoken, but very correct timetable; everything about their relationship is planned and just right. In fact their relationship is so predictable that when David suggests dinner at the Rainbow Room, Dannie knows he’s going to propose. She says yes when he presents the perfect engagement ring, but they don’t plan their wedding. They continue to drift along as they are, until Dannie has the dream. This vivid dream shows a loft apartment in Dumbo with interior design details such as an art print of an optician’s chart with a witty slogan. It’s nowhere Dannie can imagine living. It’s trendy and edgy. She and David live in Gramercy Park. A perfect location for their work and fitting for where they are in life. Yet, the Dumbo apartment feels comfortable. Then a man appears. She’s never met him before but yet there is a connection, something she can’t define. As he moves closer she feels actual electricity. She has never felt this before. Like some huge force compels them to be together. When she wakes, Dannie feels strange, like she’s questioning everything around her.

Dannie has planned to see her friend Bella. They have been friends since boarding school and are still incredibly close. Bella takes more risks than Dannie and in some ways Dannie sees her as someone who doesn’t finish things, perhaps a bit of a flake. Bella loves art, she lives to travel and has a more bohemian outlook on life. Dannie has a more settled and perhaps, conventional life where work is the priority and her stable relationship with David simply ticks along. Up until now Bella hasn’t had a stable relationship in her life, but she has brought someone important to meet Dannie. When he walks in, Dannie is shocked to see the man from her dream. She panics and decides to do everything she can to stop her dream from coming true. But life can take strange turns and a series of events unfold that she never imagined. They make her rethink everything about how to live life and how to love.

I became so involved with Dannie and Bella’s story that it was hard to put the book down towards the end. The story crept up on me from something very light to an emotional tale about the strength of female friendship. These girls are life partners. Their presence sustains each other in ways that romantic relationships sometimes don’t. Bella’s mother lets slip that she purposely placed her daughter in the same school as Dannie, because she saw them together and could not part them. The very structure of the book teaches the reader something. We learn, at the same time as Dannie, that the happy ending is not always about a man, because love comes in many forms. Also, that loss and love are the same thing. When we grieve it just proves how much we loved. I found myself becoming very emotional towards the end of the book and that rarely happens. I found the writing so truthful and similar to my own experience of grief that I had a lump in my throat. I loved the ending and the fact it wasn’t predictable elevated the book above the ordinary. I will be hugging my friends a little closer and appreciating all the people in my life who love me.

Meet the Author

Rebecca Serle is an author and television writer who lives in New York and Los Angeles. Serle developed the hit TV adaptation of her YA series Famous in Love, and is also the author of The Dinner List, and YA novels The Edge of Falling and When You Were Mine. She received her MFA from the New School in NYC. Find out more at RebeccaSerle.com.

Her latest novel One Italian Summer came out in paperback last year and was a wonderful look at love, mothers and daughters, and the things we learn about ourselves through travelling.

Posted in Romance Rocks!

Valentine’s Reads – Jilly Cooper’s Rutshire Novels.

This month I’m supporting my fellow Squad Podders by highlighting writers of romance, whether that is their specific genre or just a part of their books mingled with fantasy, humour or mystery. If you want completely escapist romance with a side order of sexy, rich, characters cavorting around the English countryside then Jilly Cooper is your author. My first introduction to Jilly Cooper was finding her earlier 1970’s books on mum’s bookshelves. These weren’t the romances, but the humorous and witty digs at society found in her books on class and feminism. I remember very clearly my mum reading to me from one of them and as a working class family we found the middle classes utterly tragic so she would read descriptions of the Teale family. I’ll never forget Jen Teale who was so demure she wore six pairs of knickers. When mum was a bit low we would get a book down and I would read or act out the funnier bits and we’d all fall about laughing. It wasn’t until I was in sixth form that I encountered her handsome hero, Rupert Campbell-Black. One girl had brought Rivals into the common room and was reading out the filthy bits – ‘tit fault’ could be heard ringing round the tennis courts for weeks that summer term. I bought a copy of Riders and realised her work had so much story, as well as those famous rude bits. What I loved about Riders was the description of Penscombe and it’s jumble of treasures, dogs, books and grounds full of beautiful horses. Then as the rivalry became apparent between Rupert the school bully and his victim, the gypsy Jake Lovell I was completely caught up in the story. Her characters were well fleshed out and Rupert’s disastrous marriage to the American hunt saboteur Helen, was a fascinating clash of cultures, class and personality. I was soon utterly gripped by the world of showjumping, the bed hopping and the relationships sacrificed to ambition.

I think characters are a strength of Cooper’s even though some are almost caricatures and her rendering of Northern accents is hilariously wide of the mark. Each book tends to have a virtuous or kind woman – Taggie O’Hara, Kitty Rannaldini, Daisy or Lucy – who are perhaps not conventionally attractive, slightly shy and a bit downtrodden. It gives us someone to root for. On the other hand there are absolute horrors as well like narcissistic opera diva Hermione Harefield, the wicked but talented Roberto Rannaldini, or the chaotic and faithless Janey Lloyd-Foxe. It doesn’t matter that they’re not realistic, this is a romp through the upper classes – a part of society that Jilly Cooper knows more about than me. There’s always a lusty man to fall in love with too, someone tortured and secretive like the director Tristan de Montigny in Score, a bumbling innocent with looks to die for like Lysander Hawksley in The Man Who Made Husbands Jealous, or the gorgeous Luke Alderton in Polo, who loves the spoiled young polo player Perdita even when she chooses his brother Red. From showjumping, to television, to gigolos, polo players, orchestras, film making and horse racing Jilly takes us through each world with great knowledge and detail, often making the animals just as strong in character as the humans. I’m particularly fond of the labradors Mavis and Badger, and Taggie’s faithful little mongrel Gertrude.

Then there are the romances! There are several in every book and of course the over-arching love story of all – Rupert and Taggie. In Riders I felt so sad for Fenella whose hero worship of Billy Lloyd-Foxe becomes an unrequited crush, then a doomed love affair. In Polo I was rooting for Daisy, the mother of our heroine, who had been so focused on looking after others that she couldn’t believe the dashing polo player Ricky France-Lynch would be interested in her. I followed the fortunes of Rupert and Helen’s daughter Tabitha very closely. She’s impulsive and makes a passionate, but very difficult marriage to Isa Lovell, the eldest son of Rupert’s enemy Jake Lovell. Any chance she had of a more stable and loving relationship, through the novel Score particularly, had me keeping my fingers crossed. Of course it’s Rivals where the best and most beguiling love story begins and to see the bed-hopping Rupert Campbell-Black falling head over heels for the shy, dyslexic and unconventionally beautiful Taggie was deeply enjoyable. I was a similar age to Taggie when reading Rivals and still very romantic. Now I look at their relationship a little differently, but every few years I re-read a couple of the novels and I still feel a little starry eyed about them. They pop up in all the novels after Rivals and their relationship is probably the most successful in Cooper’s fictional Gloucestershire.

Cooper gives the reader a glimpse into a glamorous and wealthy world most of us would never know about. The hotels are 5 star, the fashion is designer, and the travel is first class. This is a world of elite sport and the game of kings – yes the Prince of Wales does pop up in Polo. There’s the world of classical music following the Rutshire orchestra in both Appassionata and Score, where the countryside becomes a backdrop for a twentieth century update to Don Giovanni. Pandora takes us into the art world and her latest Jump and Mount we’re back with horses, but in a horse-racing capacity rather than show jumping. Her only mis-steps for me are when she steps outside of this privileged world and tries to write about the working classes or a Northern character. Her book Wicked focuses on a struggling state school being mentored by the local public school where some of our usual suspects pop up, such as Rupert and Taggie Campbell Black’s children. I found her working class and city dwelling characters stereotypical and I inwardly cringed to such an extent I didn’t keep the book. Watch out for the accent of George Hungerford in Score for an example of how Northerners speak too. These are small quibbles though in a series of novels full of humour, bedroom romps, glamour, money and total escapism. The countryside is stunning and characters live in the most picturesque surroundings you’ll feel you’ve been on a holiday. Mainly though you’ll keep coming back for the love stories: hoping that the plump, bespectacled Kitty Rannaldini will escape the clutches of her evil husband with the handsome Lysander Hawksley; whether dog loving, shy, make-up artist Lucy will ever be noticed by the glamorous and mercurial Tristan de Montigny. Cooper uses all of the romantic conventions to her advantage. There are always obstacles to the couple’s love, distractions and conventions that can’t be crossed. There might be an age barrier, a man whose a confirmed bachelor, families that are locked into a bitter feud or a difficult marriage to negotiate. There are so many of these obstacles, that you’ll wait with your heart in your mouth as Taggie drives to collect Rupert Campbell-Black from his trip aboard, hoping desperately that he’ll overlook them and let her fall into his arms.

Meet the Author


Jilly Cooper is a journalist, author and media superstar. The author of many number one bestselling novels, she lives in Gloucestershire.

She has been awarded honorary doctorates by the Universities of Gloucestershire and Anglia Ruskin, and won the inaugural Comedy Women in Print lifetime achievement award in 2019. She was appointed CBE in 2018 for services to literature and charity.

Posted in Romance Rocks, Throwback Thursday

Romance Rocks: The Man Who Didn’t Call by Rosie Walsh

I read this in two long bursts – one of which started at 3am. It’s a book I couldn’t put down because all I wanted was these two people back together. The harsh realities of grief and lifelong family rifts are well drawn by the author and completely believable. All of these people are trying to move forward despite their lives missing a beat one day on a country road, where a split second decision has lifelong consequences. This book explores grief, loss, loyalty, loneliness and the eventual incredible ability the human heart has to heal.

Sarah has a 7 day whirlwind romance with Eddie. They meet by chance on a country road while Sarah is visiting her parents. She thinks Eddie just might be the one. But, Eddie goes away on holiday and she never hears from him again. Is Eddie a heartless playboy who never intended to call? Did Sarah do something wrong? Or has something terrible happened to him? Instead of listening to friends and writing this off as a one night stand, Sarah begins to obsess and is determined to find the answer. Every clue she has comes to a dead end and she is in danger of completely losing her dignity. As her time back home in the UK starts to run out, Sarah looks for clues to track Eddie down. What she hears is confusing her further. His friend doesn’t give the simple answer, that Eddie has moved on, but gives her a warning; if she knows what’s best for her, she needs to stop looking for Eddie. 

Walsh has successfully intertwined a love story with a mystery. I veered between wondering if Sarah was becoming irrational and willing her to succeed. Interspersed with the narrative are beautiful letters of love and loss addressed to the writer’s sister, affectionately nicknamed ‘Hedgehog’. The letter writer’s sister died when they were young, but we don’t know what happened or who the letter writer is. If Sarah is the author of the letters does this loss have something to do with the warning she’s been given? Is her sister the key – not just to Eddie’s disappearance, but to why Eddie was on that particular stretch of road on that day? 

I quickly became invested in Sarah and Eddie’s story. I think we’ve all been subjected to the watched phone that never rings and how crazy it can make us. It could have made me dislike Eddie early on, but for some reason I never did. I’m definitely a hopeless romantic so I seemed to accept Sarah’s hope that this could still work out. The other characters in the novel are also well-written and compelling. I’m a therapist so I was particularly interested in Eddie’s mother and her mental ill health. I think her symptoms and the way she manipulated Eddie showed a streak of narcissism. She finds it impossible to see this situation from his point of view, only how it might  her. Anything that threatens their dynamic as carer and patient is a huge threat to her and she responds with emotional blackmail and hostility. Eddie is as much a prisoner of her mental ill health as she is. I also had empathy for Sarah’s friend Jenny who is struggling to conceive and undergoes IVF treatment to the point of financial ruin. Her character probably leapt out at me because I’m also not able to have children, and know how difficult it can be to come to terms with. Her stoicism and determination to support her friend in the face of her own loss is very moving. 

I stayed up until 2am to finish the book, because I had everything crossed that the mystery would be explained and these two people could move forward together. To different degrees, all the novels characters are imprisoned by the past and losses they can’t accept. My husband died when he was 42 and I was 35. It’s like a chasm opened up and I had to choose between staying on one side forever, with the past and my feelings of loss and fear. Or I could choose to jump over that chasm into a new future. I never forget what happened or the love I have for Jerzy, but twelve years later I have a wonderful partner and two beautiful stepdaughters. Thankfully, I had the bravery to move forward knowing I can’t lose my memories of the past, but I still have a future full of possibilities I never imagined. That’s what the characters in the novel are trying to do. Grief is different for everyone and there are always tensions between those who are trying to heal and those who can’t imagine healing because it feels like a betrayal. Rosie Walsh draws these different threads together beautifully, creating a bittersweet novel that captures the incredible ability the human heart has to heal.

Meet the Author


Rosie Walsh is the internationally bestselling author of two novels, the global smash hit THE MAN WHO DIDN’T CALL, and – new for 2022 – THE LOVE OF MY LIFE, a heart-wrenching, keep-you-up-all-night emotional thriller, which was an instant New York Times bestseller and stayed in the German top ten for several weeks. 

Rosie Walsh lives on a medieval farm in Devon, UK, with her partner and two young children, after years living and travelling all over the world as a documentary producer and writer. 

The Man Who Didn’t Call (UK) / Ghosted (US) was her first book under her own name, and was published around the world in 2018, going on to be a multimillion bestseller. 

Prior to writing under her own name she wrote four romantic comedies under the pseudonym Lucy Robinson. When she isn’t parenting or writing, Rosie can be found walking on Dartmoor, growing vegetables and throwing raves for adults and children in leaking barns. 

Author photos © Anna Pumer Photography / Verity Rivers

Rosie’s new novel The Love of my Life is another heartbreaking romance, mixed with an addictive mystery you’ll be begging for one more chapter.

I have held you every night for ten years and I didn’t even know your name. We have a child together. A dog, a house.
Who are you?

Emma loves her husband Leo and their young daughter Ruby: she’d do anything for them. But almost everything she’s told them about herself is a lie. And she might just have got away with it, if it weren’t for her husband’s job. Leo is an obituary writer and Emma is a well-known marine biologist, so, when she suffers a serious illness, Leo copes by doing what he knows best – reading and writing about her life. But as he starts to unravel her past, he discovers the woman he loves doesn’t really exist. Even her name is fictitious.

When the very darkest moments of Emma’s past life finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was . . . But first, she must tell him about the love of her other life.

Available now in hardback and on Kindle, but due out in paperback in July 2023.

Posted in Fiction Preview 2023

Never Ever by Colleen Hoover and Tarryn Fisher. First Chapter Preview.

Charlie Wynwood and Silas Nash have been best friends since they could walk. They’ve been in love since the age of fourteen. But as of this morning… they are complete strangers. Their first kiss, their first fight, the moment they fell in love… every memory has vanished. Now Charlie and Silas must work together to uncover the truth about what happened to them and why. But the more they learn about the couple they used to be… the more they question why they were ever together to begin with.

Forgetting is terrifying but remembering may be worse…

The Number One Sunday Times bestselling author of It Ends with Us joins forces with the New York Times bestselling author of The Wives for a gripping, twisty, romantic mystery unlike any other.

1 Charlie


A crash. Books fall to the speckled linoleum floor. They skid a few feet, whirling in circles, and stop near feet. My feet. I don’t recognize the black sandals, or the red toenails, but they move when I tell them to, so they must be mine. Right?
A bell rings. Shrill.
I jump, my heart racing. My eyes move left to right as I scope out my environment, trying not to give myself away.
What kind of bell was that? Where am I?
Kids with backpacks walk briskly into the room, talking and laughing. A school bell. They slide into desks, their voices competing in volume. I see movement at my feet and jerk in surprise. Someone is bent over, gathering up books on the floor; a red-faced girl with glasses. Before she stands up, she looks at me with something like fear and then scurries off. People are laughing. When I look around I think they’re laughing at me, but it’s the girl with glasses they’re looking at.
“Charlie!” someone calls. “Didn’t you see that?” And then, “Charlie…what’s your problem…hello…?” My heart is beating fast, so fast.
Where is this? Why can’t I remember? “Charlie!” someone hisses. I look around. Who is Charlie? Which one is Charlie?
There are so many kids; blond hair, ratty hair, brown hair, glasses, no glasses…
A man walks in carrying a briefcase. He sets it on the desk.
The teacher. I am in a classroom, and that is the teacher. High school or college? I wonder. I stand up suddenly. I’m in the wrong place. Everyone is sitting, but I’m standing…walking.
“Where are you going, Miss Wynwood?” The teacher is looking at me over the rim of his glasses as he riffles through a pile of papers. He slaps them down hard on the desk and I jump. I must be Miss Wynwood.
“She has cramps!” someone calls out. People snicker. I feel a chill creep up my back and crawl across the tops of my arms. They’re laughing at me, except I don’t know who these people are.
I hear a girl’s voice say, “Shut up, Michael.”
“I don’t know,” I say, hearing my voice for the first time. It’s too high. I clear my throat and try again. “I don’t know. I’m not supposed to be here.”
There is more laughing. I glance around at the posters on the wall, the faces of presidents animated with dates beneath them. History class? High school.
The man—the teacher—tilts his head to the side like I’ve said the dumbest thing. “And where else are you supposed to be on test day?”
“I… I don’t know.”

“Sit down,” he says. I don’t know where I’d go if I left. I turn around to go back. The girl with the glasses glances up at me as I pass her. She looks away almost as quickly.
As soon as I’m sitting, the teacher starts handing out
papers. He walks between desks, his voice a flat drone as he tells us what percentage of our final grade the test will be. When he reaches my desk he pauses, a deep crease between his eyebrows. “I don’t know what you’re trying to pull.” He presses the tip of a fat pointer finger on my desk.
“Whatever it is, I’m sick of it. One more stunt and I’m sending you to the principal’s office.” He slaps the test down in front of me and moves down the line.
I don’t nod, I don’t do anything. I’m trying to decide what to do. Announce to the whole room that I have no idea who and where I am—or pull him aside and tell him quietly. He said no more stunts. My eyes move to the paper in front of me. People are already bent over their tests, pencils scratching.
Fourth Period History
Mr. Dulcott
There is a space for a name. I’m supposed to write my name, but I don’t know what my name is. Miss Wynwood, he called me.
Why don’t I recognize my own name? Or where I am? Or what I am?
Every head is bent over their papers except mine. So I sit and stare, straight ahead. Mr. Dulcott glares at me from his desk. The longer I sit, the redder his face becomes.
Time passes and yet my world has stopped. Eventually, Mr. Dulcott stands up, his mouth open to say something to me when the bell rings. “Put your papers on my desk on the way out,” he says, his eyes still on my face. Everyone is filing out of the door. I stand up and follow them because I don’t know what else to do. I keep my eyes on the floor, but I can feel his rage. I don’t understand why he’s so angry with me. I am in a hallway now, lined on either side by blue lockers.
“Charlie!” someone calls. “Charlie, wait up!” A second later, an arm loops through mine. I expect it to be the girl with the glasses; I don’t know why. It’s not. But, I know now that I am Charlie. Charlie Wynwood. “You forgot your bag,” she says, handing over a white backpack. I take it from her, wondering if there’s a wallet with a driver’s license inside. She keeps her arm looped through mine as we walk. She’s shorter than me, with long, dark hair and dewy brown eyes that take up half her face. She is startling and beautiful.
“Why were you acting so weird in there?” she asks. “You knocked the shrimp’s books on the floor and then spaced out.”
I can smell her perfume; it’s familiar and too sweet, like a million flowers competing for attention. I think of the girl with the glasses, the look on her face as she bent to scoop up her books. If I did that, why don’t I remember?
“I—”

“It’s lunch, why are you walking that way?” She pulls me down a different corridor, past more students. They all look at me…little glances. I wonder if they know me, and why I don’t know me. I don’t know why I don’t tell her, tell Mr. Dulcott, grab someone random and tell them that I don’t know who or where I am. By the time I’m seriously entertaining the idea, we’re through a set of double doors in the cafeteria. Noise and color; bodies that all have a unique smell, bright fluorescent lights that make everything look ugly. Oh, God. I clutch at my shirt.
The girl on my arm is babbling. Andrew this, Marcy that. She likes Andrew and hates Marcy. I don’t know who either of them is. She corrals me to the food line. We get salad and Diet Cokes. Then we are sliding our trays on a table. There are already people sitting there: four boys, two girls. I realize we are completing a group with even numbers. All the girls are matched with a guy. Everyone looks up at me expectantly, like I’m supposed to say something, do something. The only place left to sit is next to a guy with dark hair. I sit slowly, both hands flat on the table. His eyes dart toward me and then he bends over his tray of food. I can see the finest beads of sweat on his forehead, just below his hairline.
“You two are so awkward sometimes,” says a new girl, blonde, across from me. She’s looking from me to the guy I’m sitting next to. He looks up from his macaroni and I realize he’s just moving things around on his plate. He hasn’t taken a bite, despite how busy he looks. He looks at me and I look at him, then we both look back at the blonde girl.
“Did something happen that we should know about?” she asks. “No,” we say in unison.
He’s my boyfriend. I know by the way they’re treating us. He suddenly smiles at me with his brilliantly white teeth and reaches to put an arm around my shoulders.
“We’re all good,” he says, squeezing my arm. I automatically stiffen, but when I see the six sets of eyes on my face, I lean in and play along. It’s frightening not knowing who you are—even more frightening thinking you’ll get it wrong. I’m scared now, really scared. It’s gone too far. If I say something now I’ll look…crazy. His affection seems to make everyone relax. Everyone except…him. They go back to talking, but all the words blend together: football, a party, more football. The guy sitting next to me laughs and joins in with their conversation, his arm never straying from my shoulders. They call him Silas. They call me Charlie. The dark-haired girl with the big eyes is Annika. I forget everyone else’s names in the noise.
Lunch is finally over and we all get up. I walk next to Silas, or rather he walks next to me. I have no idea where I’m going. Annika flanks my free side, winding her arms through mine and chatting about cheerleading practice. She’s making me feel claustrophobic. When we reach an annex in the hallway, I lean over and speak to her so only she can hear. “Can you walk me to my next class?” Her face becomes serious. She breaks away to say something to her boyfriend, and then our arms are looped again.
I turn to Silas. “Annika is going to walk me to my next class.”
“Okay,” he says. He looks relieved. “I’ll see you…later.” He heads off in the opposite direction. Annika turns to me as soon as he’s out of sight. “Where’s he going?”
I shrug. “To class.”
She shakes her head like she’s confused. “I don’t get you guys. One day you’re all over each other, the next you’re acting like you can’t stand to be in the same room. You really need to make a decision about him, Charlie.”

She stops outside a doorway.
“This is me…” I say, to see if she’ll protest. She doesn’t. “Call me later,” she says. “I want to know about last night.”
I nod. When she disappears into the sea of faces, I step into the classroom. I don’t know where to sit, so I wander to the back row and slide into a seat by the window. I’m early, so I open my backpack. There’s a wallet wedged between a couple of notebooks and a makeup bag. I pull it out and flip it open to reveal a driver’s license with a picture of a beaming, dark-haired girl. Me.
Charlize Margaret Wynwood 2417 Holcourt Way New Orleans, LA
I’m seventeen. My birthday is March twenty-first. I live in Louisiana. I study the picture in the top left corner and I don’t recognize the face. It’s my face, but I’ve never seen it. I’m…pretty. I only have twenty-eight dollars.
The seats are filling up. The one beside me stays empty, almost like everyone is too afraid to sit there. I’m in Spanish class. The teacher is pretty and young; her name is Mrs. Cardona. She doesn’t look at me like she hates me, like so many other people are looking at me. We start with tenses.
I have no past. I have no past.
Five minutes into class the door opens. Silas walks in, his eyes downcast. I think he’s here to tell me something, or to bring me something. I brace myself, ready to pretend, but Mrs. Cardona comments jokingly about his lateness. He takes the only available seat next to me and stares straight ahead. I stare at him. I don’t stop staring at him until finally, he turns his head to look at me. A line of sweat rolls down the side of his face.
His eyes are wide. Wide…just like mine.

Published 28th February by HQ

Posted in Netgalley

The Back Up Man by Phoebe Luckhurst.

I was enticed into our heroine Anya’s world for two main reasons: Glasgow is one of my favourite cities and I too had a back up man. My best friend Elliot and I made a pact when we were moving on from sixth form. He didn’t know that I was head over heels in love with him, but he was my best friend and I didn’t want to ruin anything (we did ruin things a few years later, after university, but that’s another story). So we decided that if both of us were single at the age of 40, we’d get married. Life takes strange turns and although we were still in touch, Elliot had a long term partner and three children by then and I was a widow. We’ve all had a break up or other difficult life event and been overcome with a bout of nostalgia. Sometimes what has happened to us has been so scary and life changing, it makes more sense to lapse into the past, revisiting times and people who feel safe. We’re always doing this through rose tinted spectacles forgetting the negative aspects of the relationship or memory. So I could really understand Anya’s reasoning, especially after the shock she gets on a visit to Sunday lunch at her boyfriend’s mother’s home. In fact it’s on their way home, as they drop into a Shell garage, where Callum ends their four year relationship. Because he hadn’t wanted to upset his mum by doing it sooner. So Anya is facing a massive life change. The couple live together in Callum’s flat and while he can find somewhere to stay for a few days until she gets herself together, he will want her to move out by the end of the week. What else can go wrong?

Glasgow’s west end is a beautiful setting, giving both atmosphere and warmth to the story. I love the beautiful Victorian stone homes in the area and I have imagined myself living in one of them, but they’re pricey and only for the city’s professional classes. People like Anya’s cousin Claire. It’s her sister Georgie who suggests that Claire might want a lodger. Georgie gets on better with Claire than Anya does, because Anya finds her a bit stuck up and joyless. She also dislikes her creepy partner Richard. So once her best friend Paddy has helped her move to a single mattress in Claire’s back bedroom, Anya lies there wondering if life could get any worse? Then the next day she loses her job. As she’s going through her badly packed boxes she finds her old year book from school and a note from Euan. In her final year of school, Euan and Anya had a casual connection that could perhaps have become something more had he not been going away to university. They were never officially together, so they didn’t really break up, but they did make a pact. If they are both single when they are thirty years old they will make a go of it together. In a wave of nostalgia, borne out of feeling her life has fallen apart, Anya starts to search for Euan when she’s surprised by a message from a mutual friend. Jamie has also been looking for Euan, maybe they could join forces?

For me, this romcom worked because it is so much more than a simple boy meets girl. This period of time is transformative for Anya in so many different ways. She learns so much about herself and for me that is the most interesting part of the story. She and sister Georgie live in Glasgow with their parents living out in a suburb of the city. Anya and her mother have a spiky relationship because she has very set ideas about how life should be. Anya’s favourite pastime is cooking, in fact she finds that in the week where she’s alone in Callum’s flat, the night she cooks from scratch is when she feels most relaxed. For a little while she’s been running a page on Instagram called anyaeatstoomuch and her friend Paddy suggests that she could develop this hobby into a business. So she starts to look into turning it into a catering company, but in the meantime her mum isn’t going to let her sit around feeling sorry for herself. She finds her a job looking after the granddaughters of a woman she knows, their mother is working as a beauty influencer. These terrible twins are brilliant comic relief, being both unruly and sneaky, but subdued by Anya’s incredible food. It could be a complete waste of her time, or it could provide opportunities.

This is just one of the things that Anya has to learn. She can’t continue to drift and let life happen to her, she has to take control to get the life she wants. There was a sense of mystery too, in the search for Euan and the dead ends they find but I also wondered about Jamie. His interest legitimises Anya’s search, just when everyone else is telling her she’s behaving like a crazy person. I could understand her need to look back when everything else is falling apart, but what was Jamie’s reason for looking for Euan? I was also concerned about Claire’s fiancé Richard. He’s very furtive, lurking around corners and exercising his ability to soundlessly appear in the room. Their relationship also teaches Anya something important, just because someone’s life looks perfect it doesn’t mean it is. We all show a very edited version of life on social media and the reality is often very different. Another lesson is that having everything you want – the fiancé, the West End house, the great career – doesn’t necessarily mean you’re happy. It’s all these bits of learning and the potential growth Anya could make in her emotional life and career that really make this story. I was rooting her her to make the right choices, survive the terrible twins and forge an exciting life for herself, whether a man is involved or not.

Published 19th January 2023 by Penguin

Meet The Author

Phoebe Luckhurst is a journalist and author, who has written for publications including the Evening Standard, ES Magazine, ELLE, Grazia, Sunday Times Style, Guardian, Telegraph and Grazia. The Lock In is her first novel and this is her second.

Posted in Romance Rocks, Throwback Thursday

Throwback Thursday! Mix-Tape by Jane Sanderson for Romance Rocks!

I love this book. Perhaps it’s because I had a Dan. A musician who started as my best friend and who I fell in love with. I was 18 and he took me to my first prom. His band were playing and it was 1991 so perms were everywhere and we were just adopting grunge. I would turn up for school in jumble sale floral dresses with my ever present oxblood Doc Martens. They played some of my favourite songs that night: some that were contemporary like Blur and others were classics like Wild Thing. I most remember Waterloo Sunset. Then, like a scene in a rom-com we walked across town to his house – me in a polka dot Laura Ashley ball gown and him in his dinner suit with the bow tie undone. He had a ruffled shirt underneath that he’d bought from Oxfam. We crept into the house and into the playroom so we didn’t wake anyone, then watched When Harry Met Sally. I remember a single kiss and then we fell asleep, but the love carried on over the years.

When I think of Elliot I always think of those famous best friend couples, like Harry and Sally or later, Emma and Dex in One Day. Now I can add Dan and Ali to the list. Alison and Dan live in Sheffield in the late 1970s when the city was still a thriving steel manufacturer. Dan is from the more family friendly Nether Edge, while Alison is from the rougher Attercliffe area, in the shadow of a steel factory. They meet while still at school and Dan is transfixed with her dark hair, her edge and her love of music. Their relationship is based on music and Dan makes mix tapes for her to listen to when they’re not together such as ‘The Last Best Two’ – the last two tracks from a series of albums. What he doesn’t know is how much Alison needs that music. To be able to put it on as a wall of sound between her and her family. Dan never sees where she lives and doesn’t push her, he only knows she prefers his home whether she’s doing her homework at the kitchen table, getting her nails painted by his sister or sitting with his Dad in the pigeon loft. Catherine, Alison’s mum, is a drinker. Not even a functioning alcoholic, she comes home battered and dirty with no care for who she lets into their home. Alison’s brother, Pete, is her only consolation and protection at home. Both call their mum by her first name and try to avoid her whenever possible. Even worse is her on-off lover Martin Baxter, who has a threatening manner and his own key. Alison could never let Dan know how they have to live.

In alternate chapters we see what Alison and Dan are doing in the present. Now a music writer, Dan splits his time between a canal boat in London and home with his partner Katelin in Edinburgh. Alison has written a new novel ‘Tell the Story Sing the Song’ set in her adopted home Australia and based round an indigenous singer. It’s a worldwide hit and she finds herself in demand, having to negotiate being interviewed and getting to grips with social media. She has an affluent lifestyle with husband Michael and has two grown up daughters. She has a Twitter account that she’s terrible at using and it’s this that alerts Dan, what could be the harm in following her? The secret at the heart of this book is what happened so long ago back in Sheffield to send a girl to the other side of the world? Especially when she has found her soulmate. She and Dan are meant to be together so what could have driven them apart? Dan sends her a link via Twitter, to Elvis Costelloe’s ‘Pump It Up’, the song she was dancing to at a party when he fell in love with her. How will Alison reply and will Dan ever discover why he lost her back in the 1970s?

I believed in these characters immediately, and I know Sheffield, and loved how it was described with affectionate detail by the writer. The accent, the warmth of people like Dan’s dad, the landmarks and the troubled manufacturing industry are so familiar and captured perfectly. Even the secondary characters, like the couple’s families and friends are well drawn and endearing. Cass over in Australia, as well as Sheila and Dora, are great characters. Equally, Dan’s Edinburgh friend Duncan with his record shop and the hippy couple on the barge next door in London are real and engaging. Special mention also to his dog McCullough who I was desperate to cuddle. Both characters have great lives and happy relationships. Dan loves Katelin, in fact her only fault is that she isn’t Alison. In Australia, Alison has been enveloped by Michael’s huge family and their housekeeper Beatriz who is like a surrogate Mum. It’s easy to see why the safety and security of Michael’s family, their money and lifestyle have appealed to a young Alison, still running away from her dysfunctional upbringing. She clearly wants different for her daughters and wishes them the sort of complacency Dan had, sure his parents are always there where he left them. But is the odd dinner party and most nights sat side by side watching TV enough for her? She also has Sheila, an old friend of Catherine’s, who emigrated in the 1970s and flourished in Australia. Now married to Dora who drives a steam train, they are again like surrogate parents to Alison. So much anchors her in Australia, but are these ties stronger than first love and the sense of belonging she had with Dan all those years before?

About three quarters of the way through the book I started to read gingerly, almost as if it was a bomb that might go off. I’ve never got over the loss of Emma in One Day and I was scared. What if these two soulmates didn’t end up together? Or worse what if one of them is killed off by the author before a happy ending is reached? I won’t ruin it by telling any more of the story. The tension and trauma of Alison’s family life is terrible and I dreaded finding out what had driven her away so dramatically. I think her shame about her mother is so sad, because the support was there for her and she wouldn’t let anyone help. She’s so fragile as a teenager and on edge. Dan’s mum had reservations, she was worried about her youngest son and whether Alison would break his heart. I love the music that goes back and forth between the pair, the meaning in the lyrics and how they choose them. This book is warm, moving and real. I loved it.

And what of my Daniel? Well he’s in Sheffield strangely enough. Happily partnered with three beautiful kids. I’m also happily partnered with two lovely stepdaughters. We’re very happy where we are and with our other halves. It’s nice though, just now and again, to catch up and remember the seventeen year old I was. Laid on his bedroom door, with my head in his lap listening to his latest find on vinyl. Or wandering the streets in my ballgown, high heels in one hand and him with his guitar case. Happy memories that will always make me smile.

Meet the Author

A former BBC Radio 4 producer, Jane Sanderson’s first novel – Netherwood – was published in 2011. She drew on much of her family’s background for this historical novel, which is set in a fictional mining town in the coalfields of Yorkshire. Ravenscliffe and Eden Falls followed in the two subsequent years, then in the early summer of 2017, This Much Is True was published, marking a change in direction for the author. This book is a contemporary tale of dog walks and dark secrets and the lengths a mother will go to protect her family. 

Jane lives in Herefordshire with her husband, the journalist and author Brian Viner. They have three children.

Her book Waiting for Sunshine is published in paperback on 23rd March 2023, with my review coming soon.


‘Who would name a child Sunshine, then give her away?’

Chrissie has always wanted to be a mother. After months of trying to adopt, she and her husband Stuart finally get the news that a little girl named Sunshine is waiting for them.

Abandoned at a young age, the child comes to them without a family history, and it feels like a fresh start for all of them. But when fragments from Sunshine’s previous life start to intrude on her new one, the little girl’s mysterious past quickly becomes Chrissie’s greatest fear …

Posted in Romance Rocks

It Was Always You by Emma Cooper

On the last night in October 1999 the clocks went back, and Ella and Will’s love began. A teenage Ella sat around a bonfire drinking with her future husband and her oldest friend Cole. As Ella wandered away from the group, she found herself leaning against a derelict
archway before passing out. The next day, Ella remembered fractured images of a conversation with a woman in a green coat and red scarf but dismissed it as a drunken dream.

Twenty-three years later, with her marriage to Will in trouble, and Cole spiralling out of control, Ella opens a gift which turns her life upside down: a green coat and red scarf. When she looks in the mirror, the woman from the archway is reflected back at her. As the last Sunday in October arrives, Ella is faced with a choice.
Would she choose a different life, if she could do it again?

This was an interesting read from Emma Cooper, looking at how the course of our whole life can change from very small decisions and the effects of these changes on our long term relationships. Ella is married to Will with two children and a big birthday approaching when she has a strange sense of life coming full circle. She opens her birthday presents to find a coat, scarf and brooch combination she recognises. Twenty-three years earlier at a party, she strolled away from the fireside to avoid watching her crush Will kissing another girl and saw a woman wearing exactly these clothes. It was almost as if the woman was on the other side of a mirror, visible but unable to be heard. Even though Ella can’t hear her, she knows that whatever she’s trying to tell her is a warning. Now she knows that woman was definitely her future self and she can’t help but wonder exactly what she was trying to warn her about. Life has definitely changed suddenly, because as their youngest left the family home for university, Will suddenly dropped the bombshell that he was leaving. Ella knows they’ve been drifting, in fact it runs deeper than that, Ella knows that Will would not have chosen the life they’ve had. She can pinpoint every surprise and life event thrown their way that derailed the life Will would have chosen, travelling the world playing guitar in a rock band. Ella has always known that she loved Will more than he loved her, so perhaps he need to spend some time discovering what he wants the rest of his life to look like.

Emma Cooper’s last novel was an absolute tearjerker and I really loved it. She gets that everyday drudgery that is part of being a family and here she portrayed beautifully how romance is hard to maintain when there is illness, two children to look after, family crises and those little curveballs that life likes to throw into the mix every so often. Cooper structures her book around these moments in Will and Ella’s lives together, such as her sudden pregnancy in Paris that she feels derailed Will’s music career. What she forgets is that Will did have a choice too and it was a joint decision to get married and have their baby. The fact that Will was fired from the band as a result was a terrible thing to happen, but wasn’t Ella’s fault. The flashbacks worked well in explaining the present day, from Ella’s perspective but Ella isn’t the only one in the relationship and I wondered if these two had ever properly communicated with each other. The problem with not communicating is that Will is also labouring under a misapprehension; he knows that he’s always loved Ella more than she loved him and now, with both children gone, it’s time for her to think about her choices and perhaps right a wrong. Will has felt in competition with Ella’s best friend Cole for many years, even the first day he met Ella’s family Cole was already there and part of the furniture. When Ella was struggling with depression, Will was just starting his career as a music teacher and simply couldn’t be there as much as he would have liked. Cole was there, burping and changing both babies, bringing chocolate and endless energy and literally propping Ella up. He has loved Ella since they were kids and he’s the first person Ella calls when something’s wrong – like when Will walks out the door 23 years later. Cole knows that Ella loves Will, even in his worst moments dealing with family trauma and his own alcoholism he knows Will and Ella should be together. He knows the power of Will’s charisma, because he’s felt it himself. In fact he and Will have a difficult history; Will’s brother drowned when he was left alone by a river, Will was saving Cole who had jumped in. This past leaves an uneasy feeling between them and has Ella desperately trying to please them both.

I enjoyed the carefree period Will and Ella have in France with the band. Will is offered the chance of playing guitar with a band and the couple rent a small apartment where they can have privacy and live outside of that hotel environment. It takes several mornings of Ella throwing up for a neighbour to point out she might perhaps be pregnant. The thought has never entered her head, but the neighbour is right. They expect their idyllic interlude to carry on, but once they announce their news and intention to get married, Will is summoned by the band manager and sacked. Young girls like to fantasise about their rock stars and married with a baby isn’t the look he wants for the band. So the couple return to Britain and to a life that looks a little more conventional. The author really doesn’t sugar coat the experience of parenthood. I was there in that living room with Ella, dealing with a two year old and a baby. It felt dark, oppressive and a total contrast to the freedom she had in France. With Will having to put in the long hours to support his new family, Ella feels like she’s doing this alone. So when friend Cole steps in to help it feels like a lifeline. He notices that Ella is desperately unwell and it’s his insight into his friend and his willingness to help that did make me waver on whether Will really was the right person for her. I don’t think I ever fully bonded with Will as a character. I didn’t know him in the same way as Cole or Ella and I think this was to some extent about the author’s description of him. He was so good looking and even Cole admits he’s the archetypal romantic leading man – he’s the man the girl should get. I didn’t know whether the author was trying to subvert the genre and have Ella realise that the less than perfect Cole, with all his issues, is the right man for her. In fact I was unsure of what would happen right up to the very end. This is a romantic read with an edge of reality, but maybe that makes it a more contemporary fairytale.

Meet The Author

EMMA COOPER is the author of highly acclaimed book club fiction novels and is known for mixing humour with darker emotional themes. Her debut, The Songs of Us, was snapped up in multiple pre-empts and auctions and was short-listed for the RNA contemporary novel of the year award. Her work has since been translated into seven different languages.

Emma has always wanted to be a writer – ever since childhood, she’s been inventing characters (her favourite being her imaginary friend ‘Boot’) and is thrilled that she now gets to use this imagination to bring to life all of her creations. She is now also an editor for Jericho Writers, where she has worked with traditionally published authors, as well as new aspiring writers. Emma spends her spare time writing novels, drinking wine and watching box-sets with her partner of twenty-eight years, who still makes her smile every day.

Posted in Personal Purchase

Throwback Thursday! The Glittering Hour by Iona Grey. #RomanceRocks.

It was a privilege to have the chance to read this beautiful historical romance. Iona Grey has set her novel in the decade post WW1, where a new generation are coping with both a legacy of loss and parents that are still stuck in the hierarchical society of the Edwardian period. Selina Lennox is one of the ‘Bright Young People’, followed by the press from party to party, and determined to the live the full life that their parents, and especially older siblings, have missed out on. Her family are part of an ailing aristocracy that still has its property but is running short on money. Her elder sister is making an advantageous marriage and since the death of their brother in the war they have the pressure of producing a male heir. Selina is being steered towards the heir of a ruby mining business situated in Burma. Rupert is a war veteran, and it is possibly active service that has made him so stiff and taciturn. Selina finds him too serious and prefers the company of her friends and the social whirl of extravagant parties thrown during the season.  One night, while careering through London on a treasure hunt, the car she is travelling in hits a cat. Selina can’t leave the poor creature and is horrified to see her friends disappearing into the night, leaving her in a garden square somewhere in Bloomsbury.

Young, struggling artist Lawrence Weston chances upon Selina and offers his help. They climb into the garden and give the cat a proper burial. Selina is drawn by this dark haired young man but also knows she is taking a huge risk disappearing at night with a stranger who isn’t from within her social circle. Lawrence is transfixed by Selina’s golden beauty and feels an instant connection. He knows she is far above him and her family would be horrified. He lives in a shared house and rents a studio where he paints portraits of the aristocracy’s lost sons of war in all their military splendour. This pays the bills, but he would love to be a photographer and as yet no one sees this as art. Realistically, he has no chance with Selina but can’t seem to stay away despite receiving warnings from most of his friends.

Interspersed with this is the story of Selina’s daughter Alice in the years before WW2. Alice lives back on the family estate and is being looked after by Polly who was Selina’s maid. Alice’s grandparents are still in residence, living the values of a bygone age. Miranda has now given birth to Archie, the all important heir for the estate. Selina is in Burma with her husband and we see their journey in a series of letters she writes to Alice. They clearly have a very loving relationship, so it seems strange that Alice is hidden away in the cold nursery corridor? I kept wondering why, if she loves her daughter as much as she seems to, would Selina leave her with a family who show her no affection? Alice has been sent a treasure hunt from her mother and Polly gives her the clues to follow. Solving the clues takes her to different parts of the estate and, in her mother’s words, should tell her how she came to be. This is how Alice comes to know and love the gardens, especially the deserted Chinese House with its old gramophone. What link could they hold to Selina’s past and Alice’s future?

Iona Grey has created a beautiful novel here, filled with moments of joy and sadness. For me, the meaning of the title encompasses both the historical period and the love story at the heart of the novel. The 1920s do stand as a ‘glittering hour’ – a moment of extravagance, partying and glamour, between two world wars. The generation who were young in that period defied the death that had stalked the previous generation in the trenches and were determined to enjoy life while they could. For Lawrence, Selina is his glittering hour, a moment of pure love and beauty that burns bright but can’t burn forever. Grey shows what happens when we dare to break away from the boundaries and societal rules of our class and how the reverberations from this can last for several generations. The love may not last, but the memories can sustain us for a lifetime.

Out now from Simon & Schuster U.K.

Meet The Author

Iona Grey studied English Language and Literature at the University of Manchester, where she also met her future husband on the last night of her three years there. Throwing herself headlong into marriage and babies, she worked (inefficiently, for the most part) in a series of part time jobs before a chance meeting with bestselling novelist Penny Jordan set her back on the path to her teenage dream of writing unashamedly romantic fiction. 

She lives in Cheshire with her husband and three daughters. She is the award-winning author of Letters to the Lost, and her new book The Glittering Hour went on sale December 10, 2019. She is currently working on her third novel.