
Cole is the perfect husband: a romantic, supportive of his wife, Mel’s career, keen to be a hands-on dad, not a big drinker. A good guy.
So when Mel leaves him, he’s floored. She was lucky to be with a man like him.
Craving solitude, he accepts a job on the coast and quickly settles into his new life where he meets reclusive artist Lennie.
Lennie has made the same move for similar reasons. She is living in a crumbling cottage on the edge of a nearby cliff. It’s an undeniably scary location, but sometimes you have to face your fears to get past them.
As their relationship develops, two young women go missing while on a walk protesting gendered violence, right by where Cole and Lennie live. Finding themselves at the heart of a police investigation and media frenzy, it soon becomes clear that they don’t know each other very well at all.
This is what happens when women have had enough.

Wow! This blows your eyes wide open. I warn you not to start reading at night, unless like me you have a total disregard for tomorrow. Even if I wasn’t actively reading it, I was thinking about it. Cole has moved to a remote part of the coast for a total life change after the collapse of his marriage. Cole considers himself one of the good guys. In fact he would probably call himself a feminist. So the marriage breakdown and Mel’s reasons are inexplicable to him. He was proud of Mel, who was launching her own business, but as they crept towards their late thirties he was starting to wonder if they were leaving it a bit late to start the family they both wanted. After trying for a while, they’d decided on IVF which he knows was more gruelling for Mel than him, but was she really giving their embryos their best chance? Always working late, not eating properly and popping back to work after implantation were all endangering their chances of a viable pregnancy. Despite cooking and caring for her, and supporting her business dreams, Cole is now facing a pile of legal papers on the kitchen table – divorce papers, financial settlements and perhaps most hurtful, a form agreeing to destruction of their final three embryos. What can he have done to deserve this?
As he slowly heals he notices someone is living in the old coastguard’s cottage, a woman he can’t stop watching. She seems so feminine, but yet grounded enough to put her wellies on with her dress while she’s gardening. She is an artist and when they meet a party she introduces herself as Lennie. When he asks what it’s short for she tells him it’s Leonora. No one calls her that but Cole insists. It suits her better he tells her, softer and more feminine. Could the two of them strike up a friendship, or even more? In the background, getting air time on radio and television, are two young women in their twenties who have decided to take on a challenge – a fitting continuation of the work done by women’s movement in the 1970’s. They want to highlight the daily misogyny and violence against women that’s endemic in society. So they plan to walk over 300 miles of the coastal path, camping out each night in a tent. They know that this is dangerous but they want to support a domestic violence charity and raise as much awareness as possible for those women and girls living in daily fear of violence. However as the girls go missing one night it seems they may have fallen victim to their own cause. Could they have become lost and died from exposure? Could they have misjudged their steps and fallen from the cliffs? Or has something far more sinister happened – one of their online trolls following through on comments like ‘you deserve to be raped’.
I loved the way the author put her story together, using fragments from lots of different stories and different narrators. Just when we get used to one and start to see their point of view, the perspective shifts. I thought this added to the immediacy of the novel, but also reflected life and the constant bombardment of information and misinformation we sift through every day. As well as Cole we have narration from Lennie and Mel interspersed with transcripts of radio shows and podcasts, Twitter threads and TV interviews. All give their perspective or commentary on the casual misogyny and violence against women that almost seems like the norm these days. Just like real life the book sometimes felt like a merry-go-ground of opinion, counter argument and trolling. Sometimes I was left so twisted around I wasn’t sure what I thought any more. The only thing I was sure about was much I disliked every single character, but I couldn’t stop reading them either. I would believe one narrator, but then later revelations would blow what I thought right out of the water. As the missing person’s case continues, everyone is weighed up then torn apart on social media and in the press. It made me ask questions: about the nature of art and it’s ethics; about whether all men truly hate women; to what lengths do we go to protest; when is enough, enough? It’s been over a week since I finished this extraordinarily controversial story and I still can’t stop thinking about it. Is it too early to predict a book of the year? I don’t think so.
Thanks to Macmillan and The Squad Pod Collective for my proof copy of this amazing novel.
Meet The Author

Hello, I’m a writer of thrillers and a lover of stories.
My latest book, ONE OF THE GOOD GUYS, was inspired by a groundswell of anger I’ve been feeling myself and amongst the women I know. Because if we don’t feel safe in the world, then it’s still a very unequal world. This is my answer to what happens when women have had enough of being scared.
I hope you enjoy this tense story set in a remote seaside location. I’d love to know if you guess the twist – I’m on instagram and X @aramintahall
And, if you do enjoy this one, I’ve published five other novels, EVERYTHING & NOTHING (2011), DOT (2013), OUR KIND OF CRUELTY (2017), IMPERFECT WOMEN/PERFECT STRANGERS (2019) & HIDDEN DEPTHS (2021