Posted in Back of the Shelf

Back of the Bookshelf! The Woman in the Window by A.J. Finn

I reached to the back of the shelf for this 2018 paperback copy of The Woman in the Window. There’s a strong Rear Window vibe to this thriller, as our lead character Anna Fox, is trapped within her house, only living through the lives of her neighbours, who she watches through her binoculars. Instead Rear Window’s physical disability, she is restricted by her mental health, which has suffered a response to extreme trauma. Some unknown traumatic incident has resulted in agoraphobia and she has spent ten months inside her large New York house, like a ghost. Before this, Anna was a successful psychologist and the fact that her affliction is a mental health issue really muddies the waters here. How far can we trust what she sees and experiences? Does her training mean we trust her more, or less?

No longer living with her own husband and daughter, she becomes obsessed with the Russell family across the road. A mother, father and teenage son. She is especially interested in the son, and his mother who she meets and names Jane Russell because of her likeness to the beautiful movie star. Her world is filtered through binoculars and her only interest seems to be the black and white movies she watches religiously most evenings. Then one night, as she surveys the neighbourhood, she sees something horrifying at the Russell’s. A scream rips through the evening air and alerts Anna to the Russell’s windows and all she can do is watch in horror. She can’t go out, so rings the police. What follows has everyone questioning Anna’s judgement, including herself. As she starts to suspect someone is getting into her house, her fears increase and she continually talks to her husband and daughter to assuage her anxiety. As she does we start to wonder, where exactly are her family? Why did they leave and will they ever return?

This is one of those thrillers that I can devour in one sitting. It has an elegance and old-fashioned feel that Hitchcock would have optioned on the spot. Incidentally, there is a Netflix series that I’m now dying to watch. Anna is intriguing. I wanted to trust her, but my head was constantly full of questions. I was instantly suspicious of her charming and handsome downstairs lodger too, as well as Mr. Russell. The depiction of Anna’s panic attacks was so realistic and had me holding my breath. The severity of her symptoms, on the few occasions she does try to go beyond the front door, had me fearing the revelations about her past. The pacing was perfect, the tension never let up and I found myself taking it everywhere so I could squeeze in a few more pages whenever I got the chance. I was so impressed when I found out this was a debut, because it feels like a classic. I also made the assumption it was written by a woman, which showed up my reading prejudice about men writing women characters. In all this was an enjoyable and enthralling tale, with a nod to film noir that was very satisfying for this black and white movie lover. I can’t believe that this has been at the back of my shelf until now and I’m glad I decided to give it a go.

Meet The Author

A.J.Finn

THE WOMAN IN THE WINDOW has been sold in 43 territories around the globe. The film adaptation, starring Amy Adams, Gary Oldman, and Julianne Moore, will be released worldwide in autumn 2019. The movie directed by Joe Wright, written by Tracy Letts, and produced by Scott Rudin.

I spent a decade working in publishing in both New York and London, with a particular emphasis on thrillers and mysteries. Now I write full-time, to the relief of my former colleagues. THE WOMAN IN THE WINDOW was inspired by a range of experiences: my lifelong love affair with suspense fiction, from the Sherlock Holmes stories I devoured as a kid to the work of Patricia Highsmith, whom I studied at the graduate level at Oxford; my passion for classic cinema, especially the films of Alfred Hitchcock; and my struggles with depression and mental health. The result, I hope, is a psychological thriller in the vein of Gillian Flynn, Tana French, and Kate Atkinson, among others.

Stuff I love: reading; swimming; cooking; dogs; ice cream; travel. (Note that third semicolon. It’s crucial. I do not love cooking dogs.) I collect first-edition books and enjoy spending time with my French bulldog, Ike.

From A.J. Finn’s Amazon Author Page 21/01/22

Posted in Netgalley, Publisher Proof

The Unravelling by Polly Crosby

When Tartelin Brown accepts a job with the reclusive Marianne Stourbridge, she finds herself on a wild island with a mysterious history. Tartelin is tasked with hunting butterflies for Marianne’s research. But she quickly uncovers something far more intriguing than the curious creatures that inhabit the landscape. Because the island and Marianne share a remarkable history, and what happened all those years ago has left its scars, and some terrible secrets. As Tartelin pieces together Marianne’s connection to the island, she must confront her own reasons for being there. Can the two women finally face up to the painful memories that bind them so tightly to the past?

I found the last chapter of this new novel incredibly moving and I was smiling through tears as I closed the book.

Polly Crosby you ruined me for other books, for at least a couple of days!

Marianne’s memories of the island take us back to the years between WW1 and WW2, when she lived in the same family home with her mother and father. The Stourbridges were the guardians of the island, through her mother’s side of the family. However, it was Marianne’s father who had taken control of the island and it’s resources. Her family were rich, relying on herrings and pearls to keep their fortunes buoyant and providing work for the islanders. Under Mr Stourbridge’s control the businesses were losing money so he needed to diversify, and settled on silk-making as a way out of difficulty. Mulberry trees and silkworms arrived on the island and Marianne was researching to find out how to produce the best silk thread, but didn’t know that her father had hired a silk girl to come and start things. Nan came to live in their house and although the girls built a friendship, Marianne missed time with her father which was now being sacrificed for Nan and the silk worms. I had so many thoughts and questions in my head by this point. How had the family’s fortunes changed so drastically? How sad it must be for Marianne’s mother to watch her family businesses taken from her and mismanaged simply because she was a woman. Who was Nan and why was she dominating so much of Mr Stourbridge’s time? The author drip feeds these memories into the present day story, answering some questions but leaving others so I was always waiting for the next memory to know what happened next. There was a growing tension in the house that led me to believe an explosion was coming, something that would change Marianne”s life forever. Each section shed light on something in the present day, but I wanted the whole story of why Marianne was so alone in her old age, when did her family leave the island but most of all why was the island requisitioned?

I loved the sense of the uncanny that the author created; a feeling that life on the island was like real life, but not quite. There are strange, unfinished or half destroyed buildings, eroded cliffs and houses that have been literally swallowed up by the sea. Tartelin’s island has a feel of dilapidated grandeur in it’s buildings. They must have once been extravagant and beautiful, like the pavilion where Tartelin meets the peacock, but slowly being broken down and reclaimed by the sea. This is a strong theme throughout the novel, the idea that nature will always find a way, like a flower growing from a tiny crack in the pavement. I found Marianne a fascinating character with the manner of someone very intelligent and far too busy to be bothered with trifles. Her exterior as this grumpy old woman probably brushes most people off, but Tartelin is more persistent than most. Watching these two women slowly learning to trust and understand one another was a joy. Marianne’s story, as it is revealed, moved me beyond words. Even though there’s a fantastical, dream-like quality to her recollections the emotions ring true and are devastating to witness. However, I also felt an incredible sense of joy over the ending too. This novel is evocative and bittersweet, full of rich detail and interesting women. I have no hesitation in recommending all of Polly Crosby’s writing, but this is extraordinary and will stay with me forever.

Published by HQ on 6th Jan 2022

Meet The Author

Polly Crosby grew up on the Suffolk coast, and now lives with her husband and son in the heart of Norfolk. Her debut novel, The Illustrated Child (The Book of Hidden Wonders in the US and Australia) is out now. Polly’s second novel, The Unravelling will be published in January ‘22.

In 2018, Polly won Curtis Brown Creative’s Yesterday Scholarship, which enabled her to finish her novel. Later the same year, The Illustrated Child was awarded runner-up in the Bridport Prize’s Peggy Chapman Andrews Award for a First Novel. Polly received the Annabel Abbs Creative Writing Scholarship at the University of East Anglia, and is currently working on her third novel.

Twitter: @WriterPolly

Instagram: @polly_crosby

Website: pollycrosby.com

Posted in Random Things Tours

Bitter Flowers by Gunnar Staalesen

PI Varg Veum has returned to duty following a stint in rehab, but his new composure and resolution are soon threatened when a challenging assignment arrives on his desk. He is offered a job by his physical therapist Lisbeth, with whom he has built a friendship during treatment. She has a friend who needs a house sitter and she drives Varg out there to look around, only to find a man dead, floating in the elite swimming pool. As Varg leaps in to check for signs of life, Lisbeth goes missing. Most chillingly, Varg Veum is asked to investigate the ‘Camilla Case’: an eight-year-old cold case involving the disappearance of a little girl, who was never found. As the threads of these apparently unrelated crimes come together, against the backdrop of a series of shocking environmental crimes, Varg Veum faces the most challenging, traumatic investigation of his career.

This is one of those slow burn thrillers and we find Veum at a pivotal moment in his life, just out of rehab and fighting a reliance on Aquavit. Whilst not fully back to his investigative peak, Lisbeth’s idea of a simple house sitting would have suited him perfectly, with no pressure. The circumstances he then finds himself in are really not going to help his recovery, it’s enough to find himself embroiled in a murder investigation, but even worse, could he actually be a suspect? Instinct takes over though and Varg can’t help looking into the victim’s life, once he is identified as Tor Aslaksen. He is also very concerned about the disappearance of Lisbeth, as he battled to save the dead man’s life. Needless to say he faces some very awkward questions from Inspector Hamre about how he ended up there, alone in a strange house with a dead man. His digging reveals a connection to a case from some years before, that of a missing child. As if that wasn’t enough, when he looks into the victim’s employer, his company is under suspicion for environmental crimes, namely the alleged improper disposal of toxic waste. There are noisy protestors demonstrating on site and within the conflict there are two brothers, who were childhood friends of Aslaksen and stand on opposing sides of the demonstration. These strands seem so disparate, but the author cleverly threads them back to the murder victim with so much care, taking his time to unwind the truth. Yet, he also keeps a steady tension and occasionally surprises the reader as Varg’s curiosity takes him into dangerous and threatening places. is enough to heighten Veum’s interest. Nobody’s fool and uncompromisingly persistent, Veum is intrigued enough to take a closer look, thereby uncovering a connection to the unsolved disappearance of a seven-year-old girl nearly a decade earlier in the dead of night. Casting his net wider and following the threads back to their fruition, Veum tries to make sense of the past and it’s significance on current events, specifically the murder of Tor Aslaksen and all that follows.

Gunnar Staalesen

I gradually started to bond with Varg, possibly due to the first person narrative; we’re with him all the way because we make discoveries at exactly the same time he does. His narrative can be abrupt at times, but always questioning and challenging those around him. As we experience his inner voice, unedited and raw, we can feel his struggles and the way his personal demons affect his life and his investigations. Yes, he has weaknesses, but his intelligence and determination are undimmed. I felt that, despite these struggles, I was safe with him as a narrator. I was firmly on his side throughout and didn’t doubt his innocence once. I didn’t work out the reasons for the murder, nor the tragic events which followed, but I did feel a constant sense of foreboding even from the first chapter. The author has a good grasp of human nature and how trauma affects people in very different ways. The psychology of addiction was also well observed and I enjoyed seeing Varg’s progress as he tries to recover while investigating a complex and emotional case. His developing relationship with Karen and friendship with Siv are handled with care and a gentleness I didn’t expect.

The case itself is emotive, allowing the reader to learn about Varg’s fragility, as he faces the horror of a child missing for eight years. By taking us back into Varg’s past, we can really see progression in his character; how did he get from there to his current stint in rehab? His previous career in child welfare has left him cynical, but he isn’t completely jaded yet. Everything he has experienced makes him more humane with an automatic reflex to fight for the underdog. I loved his underlying thirst for social justice too, something that could remain hidden from others, behind that calm and focused exterior. Staalesen provides the reader with a steady drip feed of Varg’s discoveries and this pace helps us understand the key characters better, especially where he becomes a nuisance by popping up to question certain people time and again. Even threats and constant police pressure can’t stop him from interfering and he is dogged in his determination to discover the truth. This is not a high octane thriller, but it’s more thorough and compelling because of that. Varg is not one of those showy, ‘on the edge’ investigators either, but the gradual opening up of his character allows us to trust him and truly know him. This felt like to me like a real PI might have worked back in the 1980’s, investing the time and noting the small details that crack a case. We never get the sense, as with other, flashier, P.I. characters, that he is more important than the case. There’s only a hint of fast action and real danger, but it has more impact and authenticity because of that restraint. This is complex, intelligent and authentic storytelling with a hero I enjoyed getting to know.

Posted in Random Things Tours

The Family by Naomi Krupitsky

A captivating debut novel about the tangled fates of two best friends and daughters of the Italian mafia, and a coming-of-age story of twentieth-century Brooklyn itself.

Two daughters. Two families. One inescapable fate.

Sofia Colicchio is a free spirit, loud and untamed. Antonia Russo is thoughtful, ever observing the world around her. Best friends since birth, they live in the shadow of their fathers’ unspoken community: the Family. Sunday dinners gather them each week to feast, discuss business, and renew the intoxicating bond borne of blood and love. But the disappearance of Antonia’s father drives a whisper-thin wedge between the girls as they grow into women, wives, mothers, and leaders. And as they push against the boundaries of society’s expectations and fight to preserve their complex but life-sustaining friendship, one fateful night their loyalty to each other and the Family will be tested.

I loved the way Naomi Krupitsky embedded me emotionally into the heart of Sofia and Antonia’s world, two little girls belonging to two Italian immigrant families. However, the term ‘family’ has two meanings in this community: your immediate family, or that you are a family with connections. Sofia Colicchio and Antonia Russo, live in side by side apartments and are best friends. Of course it was pre-ordained that they’d be best friends, because their fathers work together and their mothers were pregnant together. We join them at an innocent time in their lives and they’re both oblivious about what their fathers do, even if they do notice their mother’s tension and even tears when their fathers work late. Sofia and Antonia are focused on playing together, making each other laugh by making up silly games. By bringing the reader into their lives at this age we feel their innocence, and I found myself thinking about my girls and other young family members. I felt bonded to these girls and immediately felt a strong sense of foreboding. What fate might their parents have wrought on these girls?

They have been enough for each other and haven’t needed a wider group of friends, but when they start school that they notice that they are treated differently. On the first day they make friends with two other little girls from the neighbourhood and run towards their mothers at the school gates holding hands with their new playmates. Next day they’re excited to see their new friends again and are surprised when they don’t reciprocate, pointedly joining different girls at lunchtime. It seems that mothers will warn their sons and daughters to stay away from Antonia and Sofia and gossip about their fathers. However, the girls are mostly innocent to the to the world they live in. They don’t know that in 1920s New York City ‘The Family’ and their influence spreads far and wide. They know that on Sundays they have to join other families for lunch with their father’s boss in his huge Manhattan apartment. These children play with them and they’re told to call the men ‘Uncle’, but these people are not blood family, no matter what they call them. The truth shatters their lives one day when Antonia’s father goes missing and his body is never found. Of course the girls don’t understand what the adults know; the reason for the sudden fracture between the Russos and the Colicchios. Of course the truth does come out over the following years, but will the two girls struggle to keep that friendship?

As she turns into a woman, Antonia becomes reserved and sees a different life for herself. She can’t live with the people she knows were responsible for her father’s death. Her mother doesn’t recover from the trauma and as a result Antonia lives a very lonely life. This absence of parental support allows Antonia to slip away from reality into the worlds of her books. She wants to go to university and be someone other than herself. However, not even the loss of her father and the warnings of her mother can stop her heart being won by a Family man. It is love that takes her back to where she comes from. As for Sofia, she never left. She is in awe of The Family and has grown up bold and ambitious. Sofia seems fated to make dangerous, reckless, decisions. Their friendship is distant at times, eroded by the past, but it never seems to break. Underneath the trauma and complicated history, inside these women are two little girls who swore friendship and loyalty to each other. What they have is like a marriage, a promise to always be there even when life’s at it’s toughest. Perhaps it’s an even stronger bond than that. I love how this is a family drama, with the tensions all families have, but the author concentrates on that very specific tension between mother and daughter. Then there’s that outer layer of family, applying yet more pressure and creating a massive fissure between these girls born into something they never asked for. The Mafia is not open to everyone, but once you’re in that’s it. This is family with extra power and benefits, but with a sense of fear that always keeps you looking over your shoulder. With power comes terrifying risks and the knowledge there’s only one way to leave.

This is unlike any other Mafia story I’ve ever read because it concentrates on what it’s like to be female in this most macho of worlds. Here the gender roles are predetermined due to the time period and the set rules of the organisation. It’s a coming-of-age novel where these two girls are always going to be chafing against the confines of the roles the Family will allow. As the story moves from the 1920’s into 1940’s and WW2, we can see how Antonia and Sofia change from young girls to women, but also how society’s expectations of women change in that time period. Krupitsky also writes a realistic portrait of how the Mafia changed during the war. This historical detail and the character of Saul made me think about people fleeing Europe who bring with them their own strong sense of identity. Can they identity survive in a new place, where the opportunities may not always be the escape they were looking for? This made me think of my late husband’s family who ended up displaced separately, affected by their loss and wanting to grow up honouring their heritage, but finding themselves shaped by the society they’ve joined too. I felt so involved in these girl’s lives and the organisation they’ve grown up in, schooled in the essentials of staying loyal and keeping secrets. It was strange to leave their world and I wonder if there will be more from Antonia and Sofia in the future. This is a great Mafia novel, one that sets the organisation in social and historical context, but also gives us a rare female perspective on growing up as a mob daughter.

Meet The Author

Naomi Krupitsky attended NYU’s Gallatin School of Individualized Study and is an assistant editor at the Vida Review and a bookseller at Black Bird Bookstore. She lives in San Francisco
but calls many places home. The Family is her first novel.

Posted in Rachels Random Resources

Daughter of the Sea by Elizabeth J. Hobbes

On a windswept British coastline the tide bestows an unexpected gift…

It was the cry that she first noticed, the plaintive wail that called to her over the crash of winter waves. Wrapped only in a sealskin, the baby girl looks up at Effie and instantly captures her heart.

Effie has always been an outcast in her village, the only granddaughter of a woman people whisper is a witch, so she’s used to a solitary existence. But when Midsummer arrives so too does a man claiming to be the child’s father. Effie is surprised when he asks her to continue looking after his daughter, mysteriously refusing to explain why. When he returns six months hence she pushes him for answers. And Lachlan tells a story she never anticipated … one of selkies, legend, and the power of the sea…

I’ll be honest up front and say I don’t often read romance novels. I enjoy novels that look at relationships or contain a love story, but I often find novels categorised as ‘romance’ to be far too light or saccharin for my taste. However, this wonderfully romantic story drew me in thanks to the interesting female characters, historical detail and Scottish folklore. For those who do not know their Celtic and Nordic mythology, a Selkie is a seal which when it sheds its skin transforms into a human. For some reason, it’s a piece of folklore that’s always caught my attention, rather like mermaids. I love to imagine the freedom of the endless ocean and having a body that can swim gracefully and effortlessly through the waves. I’ve also thought of the two legs we see as essential for day to day life, being such a restriction to someone used to a powerful, streamlined tail.

I really loved how independent Effie is and the strength she has to stick to her principles, even when they go against those of the rest of her village. She’s very independent and modern in her thinking. She rejects the local church and only goes at Christmas. Her grandmother Alice provides herbal remedies for the people of the village, and this has kept Effie separate from others who think of Alice as a ‘wise woman’. In fact some of the most respectable women in the village rely on Alice for remedies that help with menopause or other hormonal symptoms, but only in private. In public they would deny all knowledge. Effie’s marriage to John, her son Jack’s father, seemed to happen rather quickly and caused gossip in the village too. Her friendship with Walter, who is from a very respectable family, raises the odd eyebrow, but has also helped her in many ways. Without him she might not have gained parish financial support for Morna – the child she finds floating in a wicker basket. It’s possible he expects more than friendship, but would he tolerate Effie’s wilder ways and allow her the freedom she craves? In a world that’s very restrictive for women, Effie’s widowhood and ability to support her children without a man leaves her in quite a lowly place in society, but free to live her own life, at least in the short term.

I was absorbed into this woman’s relationship with her children. Widowed on the same night she finds a baby girl floating in the sea, Effie raises the girl with Jack. She can’t find a name to suit her, but doesn’t worry about that. Jack is not the easiest child, with symptoms that in more modern times might have labelled him with an autistic spectrum disorder. The children get along well and seem to find ways of communicating together, despite Jack’s difficulties with speech. Effie loves both of them fiercely and is haunted by the worry that one day she may have to give up the little girl she rescued as a baby. So, when a mysterious man turns up and claims her, Effie is wary, but finds it hard to deny their likeness especially when they have exactly the same eyes. Lachlan calls his girl Morna and explains something that most women would find hard to accept. He and Morna carry seal skins, but they’re not just to keep them warm. The skin is as much a part of them as their dark, impenetrable eyes. Morna and her father Lachlan are Selkies. They are part human and part seal, from a tribe in Scotland. Effie is relieved to find he isn’t there to take Morna, because he recognises that she and Effie have a bond, but he leaves a perfect pearl to pay for her upkeep and promises to return in six months. However, can this arrangement continue indefinitely?

Even more complicated, is the fascination that Effie starts to feel about this dark eyed, handsome man. As for Lachlan, every time Effie touches seal skin, he feels a corresponding pull in his human body. I must admit I was rather enchanted by this wild, but noble and honourable man. I felt he would accept Effie as she was, rather than try to mould her into a respectability that would leave her so unhappy. To strengthen this romantic tale and give it historical context, there were other strong female characters such as Alice and Effie’s friend Mary. Alice is wise, funny and open to the more magical side of life. Effie is shocked that the very respectable Mary would have her as a friend. In fact she asks if Effie will help her set up a school for some of the poorer girls in the village. She gives Effie solid advice, based on the sensibilities of the time which gives us a contrast to Effie’s life choices – some of which would be seen as scandalous! It’s interesting to think that both Effie’s friends, Walter and Mary, are progressives in their time, whereas now their ideas can seem patronising or even horrifying. I felt that Mary shows us what Effie’s life could be should she decide to choose the life Walter might offer her.

The setting is exceptionally well drawn, capturing a rugged Yorkshire coastline so perfectly that I could imagine standing on a windswept cliff watching Lachlan and Morna slipping through the waves. I found myself browsing for holiday cottages as soon as I’d finished reading, because the author’s description of the sea was so evocative. Her romantic descriptions of eating freshly caught and fried mackerel on the beach, or sailing to a private cove in the sunset enchanted me just as much as any of the relationships. I was hankering after a sunshine stroll through the waves and I would look up from my book and be surprised to find myself in my bedroom looking out at Christmas lights. If you enjoy historical fiction, I highly recommend this book and it’s definitely worth a read if you have an interest in folklore or magic realism. I found myself taking long baths or having a lie-in so I could shut the world out and really relax into the story. I would definitely look at this author’s other work on the basis of this novel and it’s made me have a rethink about the romance genre as a whole. Thank you so much to HarperCollins UK-One More Chapter and Rachel’s Random Resources for giving me the chance to read the book. It’s been a pleasure.

Purchase Link – https://getbook.at/DaughteroftheSea

Meet The Author

Author Bio – Elisabeth’s writing career began when she finished in third place in Harlequin’s So You Think You Can Write contest in 2013. She was offered a two-book contract and consequently had to admit secret writing was why the house was such a tip. She is the author of numerous historical romances with Harlequin Mills & Boon covering the Medieval period to Victorian England, and a Second World War romantic historical with One More Chapter. She lives in Cheshire because the car broke down there in 1999 and she never left.

https://www.bookbub.com/profile/elisabeth-hobbes?follow=true

Daughter of the Sea Giveaway

Giveaway – Win a signed copy of Daughter of the Sea (UK Only)

*Terms and Conditions –UK entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.

http://www.rafflecopter.com/rafl/display/33c69494465/?

Posted in Netgalley, Publisher Proof

Cut Out by Michèle Roberts.

This is an interesting book, focused on the later years of Henri Matisse and those who cared for him. This was the period where Matisse was creating his famous ‘cut out’ works, works that are linked inextricably to the body that’s failing the artist and the structure of this novel. I visited Tate Modern for the Matisse exhibition a few years ago, and because I’ve studied disability theory and life writing I could see that these cut out pieces were a metaphor for a body that was failing, piece by piece. By taking a whole piece of paper, cutting out these shapes, and rearranging them to make a piece of art, I felt the artist was trying to communicate what it is like to have all the pieces, but no longer in the order that makes up a whole. When we become sick or disabled our body doesn’t work as a cohesive whole any more. The pieces are different, rearranged and not necessarily working together harmoniously anymore. In my writing therapy groups, often for people with disabilities, I encouraged journal work that experimented with structure. I wanted to encourage writing that was the embodiment of the writer’s illness or disability. The writing produced is often fragmentary, moving between long lyrical sentences and short, snappy statements. In my own work there are gaps where I don’t have the language to express how my multiple sclerosis feels or how my emotions process the change from day to day. Often fragmentary paragraphs don’t seem related at all – representing the nerve damage that occurs in this disease, preventing the signals that keep a body coherent and working in harmony with itself. As a group we talk to our illness, we give it a name and a body of its own, then chat to it and record what comes back.

I believe all of this is what Matisse was representing within a cut out piece and I’m sure that Michèle Roberts is doing something equally clever in the structure of this novel, that can seem a bit bewildering at first. Sentences are very free form, there are fragments from different unnamed characters, there is speech without punctuation and time differences that are not obvious straight away. Might this lack of structure alienate some readers? Quite possibly, but I don’t think Roberts is thinking about clarity, she’s making a work of art. The best thing to do is just go with it and let the writing flow over you, until the meaning becomes clearer. Sometimes, when we visit a gallery, we need time to engage with some pieces. We simply have to stop and look for a while with no expectations. In the same way, I did find myself having to go back and reread sections of this book, so it isn’t a quick read, and it won’t be for everyone.

In his final years, Matisse is living at the Hotel Regina in Nice, where he has a studio and is making his famous cut outs with the assistance of Lydia (Delectorskaya ). Eventually he cannot get out of bed and needs nursing care, for day to day living. One is named Monique and one voice of the novel is Clémence, a friend of another of his nurses. There’s also Clémence’s friend Camille, who is pregnant to another artist. In a later time we meet Denis, a man in his sixties who was adopted when he was a baby by friends of Clémence. Denis is attracted to a man called Maurice who he allows to sublet his flat while he’s away in Paris trying to uncover the secrets of his birth. All of these character’s stories come in ‘cut outs’ and the reader has to make sense of it. What we do get is an incredible sense of place, from Roberts’s long, lyrical and descriptive passages. We move from character’s memories, back in time to the actual events. The past explains the present day in parts, but not in others. While I didn’t feel I was fully engaged with the story, I did love the sensual descriptions of art and food, and my senses were fully engaged with these parts, The ending, when it came, was sudden and rather abrupt. It felt jarring after such a slow, meandering narrative. However it was a book that left me thinking and that’s never a bad thing.

Published by Sandstone Press 12th August 2021.

Meet The Author

Michèle Roberts is the author of fourteen critically acclaimed novels, including Daughters of the House, which won the WHSmith Literary Award and was shortlisted for the Booker Prize, and, most recently Ignorance, which was longlisted for the Women’s Prize for Fiction, 2013 and the Impac Award. Her memoir Paper Houses was a BBC Radio 4 Book of the Week.

Posted in Netgalley

The Secret by Debbie Howells.

The village of Abingworth is a rather exclusive area to live, with large houses placed in countryside gardens, surrounded with wooded areas and plenty of privacy. This is a village where the residents don’t have a huge sense of community or honest, real friendships. This is one of those areas where keeping up appearances is everything and for those with a social standing, it’s most important of all. Of course there’s so much more going on than anyone would admit too. Troubled teen Hollie has gone missing. Just beforehand, she briefly visits her friend Niamh and tells her a secret. Niamh swears to keep it safe. However, as detectives arrive and start to ask difficult questions, can Niamh tell this is thuja secret to help find her friend? Or is it something so terrible that only by keeping quiet, can she keep her friend and herself safe?

This was an entertaining domestic thriller with some fairly dark themes too. The story is told through two narrators, Elise who is Niamh’s mum and Jo who is the detective on the missing person’s case. Elise is a flight attendant, working unusual hours on mainly short haul flights. In the first few pages as Elise drives a short distance home from the airport she has a lot on her mind. She is quite matter of fact in about her husband Andrew’s serial infidelity and muses on who it could be this time. Early on, the author takes us on a night out with Elise and Andrew, who is the local GP. This is not so much a relaxed evening out, as it is a show. They must present their most united front in the local, so that everyone they meet must be sure of their relationship and their respectability. The truth is much different.

This book brilliantly portrays coercion and how domestic abuse develops, slow and insidious, until you almost don’t recognise yourself. There are plenty of twists and turns here that keep you guessing, but one revelation jarred a bit and it felt weird that it hadn’t been mentioned sooner. It turns out that this picturesque village has some terrible secrets, all centring on a mansion where Hollie liked to trespass and explore. Elise wants to find out what happened to her, but also protect her daughter Niamh – the last person to talk to Hollie. Does she know more than she’s letting on? I was hooked till the end, as I usually am with this author. I hate false situations where people are putting on a front constantly, the question here is are they doing this to fit in or do they have something to hide? This is another entertaining thriller from this author and will keep you guessing.

Published by Avon 6th Jan 2022

Meet The Author

Having previously worked as cabin crew, a flying instructor and a wedding florist, Debbie turned to writing during her busiest summer of weddings. After self-publishing three women’s commercial fiction novels, she wrote The Bones of You, her first psychological thriller. It was a Sunday Times bestseller and picked for the Richard and Judy book club. Three more have been published by Pan Macmillan: The Beauty of The End, The Death of Her and Her Sister’s Lie. Her fifth, The Vow, was published by Avon in 2020 and was a #1 ebook bestseller. It will be followed by The Secret, out in January 2022. Alongside her thrillers, Debbie has returned to writing women’s fiction novels and The Life You Left Behind will be published in February 2022 by Boldwood. Debbie writes full time, inspired by the peacefulness of the countryside she lives in with her partner Martin and Bean the rescued cat.

You can visit her website at http://www.debbiehowells.co.uk or blog at http://www.howellshenson.com. 

Follow her on Instagram @_debbiehowells, on Facebook @debbiehowellswriter or on Twitter @debbie__howells.

Posted in Domestic Thriller, Publisher Proof

The Second Woman by Louise Mey.

I was truly gripped and unsettled by this domestic thriller, and it’s themes of control and coercion. The author truly understands this type of relationship and the psychological trauma that slowly trickles down to the rest of the family. Sandrine is our main character, a discreet, gentle and loving woman who doesn’t want much. She just wants a loving husband, someone who wants to go to bed with her every night and wake up with her every morning. She wants someone who shows his affection and holds her hand in front of others. She’s so concentrated in looking for this, that when Mr Langois appears on the horizon, he is going to be her ‘one’. Mr Langois does offer her some of what she wants. She now has a beautiful place to live and is close to his son, which does show an element of trust. Yet, she can’t forget that this is a house where a woman went missing. His first wife was there and then she disappeared. In fact, she is presumed dead, and Sandrine, who is discreet, loving and oh so grateful, slips into the void left behind. She has been doing her best to bring back a smile to the grieving husband and little Mathias. However, he will never really be her son, and Mr Langois is not really her man. In the back of her mind, she feels the woman who was there before, the one who made this house a home and belonged here in this family, Then suddenly the woman who’s been haunting Sandrine reappears. Alive. Sandrine’s world crumbles and falls apart.

This book is both compelling to read, but also intelligent and profoundly disturbing. Whereas the first half is largely setting the scene, the second part becomes more and more chilling. We are treated to all the twists and turns related to the disappearance of the first wife while she infiltrates Sandrine’s life; what follows is so insidious and feels evil. It’s very well written, with a brilliant depiction of Sandrine’s personality change, from a woman who only wanted to have her own man to love and feel loved back, to an obsessive. The obsession is borne of her low self-esteem and could lead her from jealousy into being a full-blown monster. The story is written with waves of the worst tension, and this never lets up, especially once Mr Langois’ first wife returns and begins manipulating. The author manages to scare us without a need for physical violence, something which doesn’t surprise me as I am a survivor of coercive control. By the time I’d found the strength to leave, I didn’t really know who I was anymore. It took so long to try and put myself back together. This book has that strange quality of being fascinating yet repulsive at the same tune. I sort of felt the way I do when watching nature documentaries. It’s incredible to watch the ability of the beautiful creature at the top of the food chain, but also dreadful to watch the pain and fear of the animal being hunted. It’s horrible, but you can’t turn away. This is such an immersive read, you’ll look up from the page and wonder where you are.

Published 2nd September 2021 by Pushkin Vertigo

LOUISE MEY is a Paris-based author of contemporary noir novels dealing with themes of domestic and sexual violence, and harassment, often with a feminist slant. The Second Woman is her fourth novel, and the first to be translated into English. LOUISE ROGERS LALAURIE is a writer and translator from French, including Frederic Dard’s The King of Fools and The Inspector of Strange and Unexplained Deaths by Olivier Barde-Cabucon, both published by Pushkin Vertigo. Her work has been shortlisted for the Best Translated Book Award, the Jan Michalski Prize for Literature and the Crime Writers Association International Dagger.

Posted in Netgalley, Publisher Proof

The Book Of Magic by Alice Hoffman

This has been one of my most anticipated novels for this year, then it’s publication date was changed to January 2022 and I was going to have to wait a bit longer. I finally snagged a copy on NetGalley last week, and its no surprise that I started to read it straightaway. Was it worth the wait?

This is the fourth and final book in Hoffman’s Practical Magic series and it really does come full circle. We have three generations of Owen’s sisters in this tale: Franny and Jet, Gillian and Sally, and finally Sally’s daughters Kylie and Antonia. In fact this really does take us full circle, rather like the symbol of the Ourobos, a snake swallowing its own tail which is, rather aptly, the symbol of dark magic. So, here we have those Owenses who have dabbled as practitioners of the dark arts, such as Franny and Jet’s brother Vincent. Could one of the younger members of the family be heading down that dark route and what would call them there?

Regular readers will know that the curse of the Owens family is lodged in the love part of their lives. This was a curse placed by Maria Owens who knew the truth of how women might become undone by men. The various family members have found their own ways of circumventing the worst of the curse, after Jet lost her true love as a teenager. Gillian is married, but she doesn’t live with Ben or wear a wedding ring. Sally has lived with a man but lost him very young and the heartache has closed her to that part of life. Now all she cares for are books. Antonia is married to her work as a doctor, but is having a baby with her gay best friend. However, for their youngest, Kylie, love has been part of her life for a long time. She is inseparable from her best friend Gideon but they have never spoken of their love for each other. Till now. Two losses happen to Kylie at once. The death watch beetle is clacking in the walls of the house on Magnolia Street where Sally, Kylie and both elderly aunts reside still. They have barely said their goodbyes, when Kylie’s Gideon is in a terrible accident and is so badly injured he is in a coma.

Kylie takes matters into her own hands and is drawn to a hidden Grimoire in the Owens Library. A Grimoire is a witches personal journal and book of magic. Kylie believes this book has the answer to ending the Owen’s curse, but the final pages are stuck together and she can’t enact the spell. Kylie returns to where the Owens story starts, in the original Essex county in England. Here she hopes to find the secret to opening the last pages of the book, but there are two warnings attached to her quest. She mustn’t trust the wrong person and if she is the one to overturn the curse, she must be prepared to lose everything. However, when Kylie is in danger, it will take Franny, Sally and her uncle Vincent to join the quest. Which one of them is the key to end the curse? And what price will they need to pay?

I struggled with the first few chapters of the book, but that might have more to do with me trying to read it Christmas week, when having a prolonged time to sit and read is impossible. Once I could spend some time with the story I really started to enjoy it. I welcomed the cross generational aspect to the story, and those reminders of everything that had gone before. From Levi Willard’s teenage love for Jet, Vincent’s years in NYC as a musician and all the way back to Maria Owens and her difficulties accepting the love of Samuel several centuries earlier. There are seeds of hope, as new life comes into the family, as Antonia’s love for Ariel takes her by surprise and new familiars seek out their human counterparts. Sally has always been interesting to me and her continued tightrope walk between the magic that is her birth right and her need to stay under the radar and keep her girl’s safe. The women are always treading a line between the future they are born with, shown on the right palm and the future they choose, shown on the left. I loved how her story ended, it felt satisfying and even full of hope, given the heartache that went before.

What stood out loud and clear was, that despite being cursed in love, the love the women have for each other is a blessing. In particular, Franny and Jet’s love for Sally and Gillian. Brought to the crooked house as small orphans, the aunts loved their nieces as their own and taught them everything they needed to be safe and understand the magic they were born with. Any trouble or danger brought both aunts running to help and protect them, even into their old age and especially in this story. This love stands out stronger than any other in all four books and never dies. Everything I love about Hoffman is there, her wonderful descriptions of nature and the women’s links to the natural world. Her descriptions of spells and their effects are fantastical and so vivid, especially the menacing red rain poisoning a whole community. I love that the books celebrate strong women, who support each other and their right to be individuals. This is a fitting end to a series that begins chronologically with persecution, betrayal and death. It ends with a sense of the Owens family being part of a community, playing a bigger part in the world and learning how to utilise their magic in harmony with the world.

Published by Scribner U.K. 6th Jan 2022.

Meet The Author.

Alice Hoffman is the author of thirty works of fiction, including Practical Magic, The Red Garden, The Dovekeepers and, most recently,The Museum of Extraordinary Things. She lives in Boston. Visit her website: http://www.alicehoffman.com

Posted in Fiction Preview 2022

New Books 2022! Part Three.

This is the penultimate list of books I’m looking forward to in 2022. This is by no means an exhaustive list because even as I’m writing publicists are posting new reads on social media and NetGalley shelves are groaning with possibilities. Making life even more difficult I’ve injured my wrist and I’m struggling to spend any time writing, with at least half the day now spent in a wrist splint. So this final post has taken days, but I hope it whets your appetite for more books in the coming year.

The Physician’s Daughter by Martha Conway.

A compelling novel of female perseverance and the role of women in society set in the aftermath of the American Civil War. For readers of Tracey Chevalier and The Second Mrs Thistlewood

In a world made for men, can one pioneering woman break freefrom tradition and walk a new path?

It is 1865, the American Civil War has just ended, and 18-year old Vita Tenney is determined to pursue her lifelong dream of becoming a country doctor like her father. But when her father tells her she must get married instead, Vita explores every means of escape – and finds one in the person of war veteran Jacob Culhane. Damaged by what he’s seen in battle and with all his family gone, Jacob is seeking investors for a fledgling business. Then he meets Vita – and together they hatch a plan that should satisfy both their desires. Months later, Vita seemingly has everything she ever wanted. But alone in a big city and haunted by the mistakes of her past, she wonders if the life she always thought she wanted was too good to be true. When love starts to compete with ambition, what will come out on top? I’ve just taken part in the cover reveal for this fascinating book and I have everything crossed for a review copy!

Published by Zaffre 3rd March 2022

Ghost Lover by Lisa Taddeo.

Lisa Taddeo’s Three Women was an incredible success and this is something new from this talented writer. Ghost Lover is an electrifying collection of masterful and fearless short stories.

Behind anonymous screens, an army of cool and beautiful girls manage the dating service Ghost Lover, a forwarding system for text messages that promises to spare you the anguish of trying to stay composed while communicating with your crush. At a star-studded political fundraiser in a Los Angeles mansion, a trio of women compete to win the heart of the slick guest of honor. An inseparable pair of hard-partying friends crash into life’s responsibilities, but the magic of their glory days comes alive again at the moment they least expect it. In these nine riveting stories, two of which have been awarded the Pushcart Prize, Lisa Taddeo brings to life the fever of obsession, the blindness of love, and the mania of grief. Featuring Taddeo’s arresting prose that continues to thrill her legions of fans, Ghost Lover dares you to look away.

Published by Simon and Schuster U.K/ Avid Reader Press 14th June 2022.

Something Wicked by Laura Purcell.

From the Sunday Times bestselling author comes a gripping tale of obsession, superstition and ambition, set against the atmospheric backdrop of Victorian London. Be careful what you wish for… it may just come true.

By the pricking of my thumbs…

At The Mercury Theatre in London’s West End, rumours are circulating of a curse. It is said that the lead actress Lilith has made a pact with Melpomene, the tragic muse of Greek mythology, to become the greatest actress to ever grace the stage. Suspicious of Lilith, the jealous wife of the theatre owner sends dresser Jenny to spy on her, and desperate for the money to help her family, Jenny agrees. What Jenny finds is a woman as astonishing in her performance as she is provocative in nature. On stage, it’s as though Lilith is possessed by the characters she plays, yet off stage she is as tragic as the Muse who inspires her, and Jenny, sorry for her, befriends the troubled actress. But when strange events begin to take place around the theatre, Jenny wonders if the rumours are true, and fears that when the Muse comes calling for payment, the cost will be too high. …Something Wicked this way comes. I love Purcell’s work, it has that perfect mix of historical setting and gothic storyline. This one sounds amazing and I’ll be haunting NetGalley for an ARC next year.

Published Raven Books 22nd Aug 2022.

A Tidy Ending by Joanne Cannon.

A NICE, NORMAL HOUSE

Linda has lived around here ever since she fled the dark events of her childhood in Wales. Now she sits in her kitchen, wondering if this is all there is – pushing the Hoover round and cooking fish fingers for tea is a far cry from the glamorous lifestyle she sees in the glossy catalogues coming through the door for the house’s previous occupant.

A NICE, NORMAL HUSBAND

Terry isn’t perfect – he picks his teeth, tracks dirt through the house and spends most of his time in front of the TV. But that seems fairly standard – until he starts keeping odd hours at work, at around the same time young women start to go missing in the neighbourhood.

A NICE, NORMAL LIFE…

If Linda could just track down Rebecca, who lived in the house before them, maybe some of that perfection would rub off on her. But the grass isn’t always greener: you can’t change who you really are, and there’s something nasty lurking behind the net curtains on Cavendish Avenue… I love Joanna Cannon’s writing so I’m really looking forward to this and I expect to be reading it soon.

Published by The Borough Press 28th April 2022.

Idol by Louise O’Neill.

This novel has great early reviews from Marian Keyes and Sarah Perry and came to my notice because I read her powerful novel After the Silence last year. I love the premise of this, the idea of memory being subjective and whose version of events is the truth in this confessional society. We may take the advice ‘Follow your heart and speak your truth’, but are we prepared to hear other people’s truth about us? For Samantha Miller’s young fans – her ‘girls’ – she’s everything they want to be. She’s an oracle, telling them how to live their lives, how to be happy, how to find and honour their ‘truth’. And her career is booming: she’s just hit three million followers, her new book Chaste has gone straight to the top of the bestseller lists and she’s appearing at sell-out events. Determined to speak her truth and bare all to her adoring fans, she’s written an essay about her sexual awakening as a teenager, with her female best friend, Lisa. She’s never told a soul but now she’s telling the world. The essay goes viral. But then – years since they last spoke – Lisa gets in touch to say that she doesn’t remember it that way at all. Her memory of that night is far darker. It’s Sam’s word against Lisa’s – so who gets to tell the story? Whose ‘truth’ is really a lie?

‘You put yourself on that pedestal, Samantha. You only have yourself to blame.’

Riveting, compulsive and bold, IDOL interrogates our relationship with our heroes and explores the world of online influencers, asking how well we can ever really know those whose carefully curated profiles we follow online. And it asks us to consider how two memories of the same event can differ, and how effortlessly we choose which stories to believe.

Published by Bantam Press 12th May 2022.

The Maid by Nita Prose.

I can’t tell you how much I love this novel! It’s an incredible debut from the author with an absolutely compelling narrator.

I am your maid.
I know about your secrets. Your dirty laundry.
But what do you know about me?

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid – why should anyone take notice?
But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up. And as Molly becomes embroiled in the hunt for the truth, following the clues whispering in the hallways of the Regency Grand, she discovers a power she never knew was there. She’s just a maid – but what can she see that others overlook? Escapist, charming and introducing a truly original heroine, The Maid is a story about how everyone deserves to be seen. And how the truth isn’t always black and white – it’s found in the dirtier, grey areas in between. This was one of those novels you can’t put down and I stayed up late to finish it. I can see this being one of my favourite books of the year.

Published by Harper Collins 20th Jan 2022.

Theatre of Marvels by Lianne Dillsworth.

I tend to gravitate towards any book that has a sniff of the circus, theatre or magic, so this caught my eye months ago and I love this beautiful cover. Unruly crowds descend on Crillick’s Variety Theatre. Young actress, Zillah, is headlining tonight. An orphan from the slums of St Giles, her rise to stardom is her ticket out – to be gawped and gazed at is a price she’s willing to pay.Rising up the echelons of society is everything Zillah has ever dreamed of. But when a new stage act disappears, Zillah is haunted by a feeling that something is amiss. Is the woman in danger?Her pursuit of the truth takes her into the underbelly of the city – from gas-lit streets to the sumptuous parlours of Mayfair – as she seeks the help of notorious criminals from her past and finds herself torn between two powerful admirers. Caught in a labyrinth of dangerous truths, will Zillah face ruin – or will she be the maker of her fate?

A deliciously immersive tale, Theatre of Marvels whisks you on an unforgettable journey across Victorian London in this bold exploration of gothic spectacle.

Published by Penguin 28th April 2022.

Devotion by Hannah Kent.

Hannah Kent’s novel Burial Rites was incredible and since then she’s been one of those authors whose books I would buy without reading a review or recommendation first. So this is already on pre-order and I snagged it on NetGalley too.

1836, Prussia. Hanne is nearly fifteen and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls and friendship doesn’t come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance. Hanne’s family are Old Lutherans, and in her small village hushed worship is done secretly – this is a community under threat. But when they are granted safe passage to Australia, the community rejoices: at last a place they can pray without fear, a permanent home. Freedom. It’s a promise of freedom that will have devastating consequences for Hanne and Thea, but, on that long and brutal journey, their bond proves too strong for even nature to break . . .

From the bestselling author of Burial Rites and The Good People, Devotion is a stunning story of girlhood and friendship, faith and suspicion, and the impossible lengths we go to for the ones we love.

Published by Picador 3rd Feb 2022.

The Marsh House by Zoe Somerville.

Zoe Somerville’s last novel The Night of the Flood was extraordinary and very highly regarded by my fellow bloggers and particularly my fellow ‘Squadettes’ whose opinion I value most. I love her mix of historical detail, complex relationships and the tense thriller aspect to the story. Part ghost story, part novel of suspense The Marsh House is the haunting second novel from the author of The Night of the Floodwhere two women, separated by decades, are drawn together by one, mysterious house on the North Norfolk coast.

December, 1962. Desperate to create a happy Christmas for her young daughter, Franny, after a disastrous year, Malorie rents a remote house on the Norfolk coast. But once there, the strained silence between them feels louder than ever. As Malorie digs for decorations in the attic, she comes across the notebooks of the teenaged Rosemary, who lived in the house thirty years before. Trapped inside by a blizzard, and with long days and nights ahead of her, Malorie begins to read. Though she knows she needs to focus on the present, she finds herself inexorably drawn into the past…

July, 1931. Rosemary lives in the Marsh House with her austere father, surrounded by unspoken truths and rumours. So when the glamorous Lafferty family move to the village, she succumbs easily to their charm. Dazzled by the beautiful Hilda and her dashing brother, Franklin, Rosemary fails to see the danger that lurks beneath their bright façades… As Malorie reads Rosemary’s diary, past and present begin to merge in this moving story of mothers and daughters, family obligation and deeply buried secrets.

Published by Apollo 3rd March 2022.

The Twyford Code by Janice Hallett.

This author had a smash hit on her hands in 2021 with The Appeal. It was one of those books that, for some strange reason, I didn’t get time to read. I think I missed the blog tour and then got caught up with so many other books. It’s been there on the pile waiting for a moment and I hope to read it over the Christmas break. Then I can read this new novel, which sounds fascinating.

It’s time to solve the murder of the century…

Forty years ago, Steven Smith found a copy of a famous children’s book by disgraced author Edith Twyford, its margins full of strange markings and annotations. Wanting to know more, he took it to his English teacher Miss Iles, not realising the chain of events that he was setting in motion. Miss Iles became convinced that the book was the key to solving a puzzle, and that a message in secret code ran through all Twyford’s novels. Then Miss Iles disappeared on a class field trip, and Steven has no memory of what happened to her. Now, out of prison after a long stretch, Steven decides to investigate the mystery that has haunted him for decades. Was Miss Iles murdered? Was she deluded? Or was she right about the code? And is it still in use today? Desperate to recover his memories and find out what really happened to Miss Iles, Steven revisits the people and places of his childhood. But it soon becomes clear that Edith Twyford wasn’t just a writer of forgotten children’s stories. The Twyford Code has great power, and he isn’t the only one trying to solve it…

Published by Viper 13th Jan 2022.

That’s it for the third part of my 2022 preview. Amazingly I have another ten books that I’m looking forward to and I’ll be sharing those with you at the end of the week.