Posted in Ten on Tuesday

Ten On Tuesday: Ten Books Set Over One Day

It’s amazing what can happen in a single day and these books can certainly attest to that. The beauty of every one of them is how much they can tell us about the world of their narrators in only 24 hours. Whether it’s a mother close to emotional collapse or a young woman who finds out it only takes one thing to go wrong and the whole city is against her. From startling events that happen once in a lifetime to the everyday and humdrum, lives can be changed in an instant.

Is this the best worst day of her life?
Once, Grace Adams was poised for great things. Now, she barely attracts a second glance as she strides down the street carrying her daughter’s sixteenth birthday cake. But behind the scenes, Grace’s life is in freefall. Her husband is divorcing her. Her daughter has banned her from her birthday party. And Grace has just abandoned her car in bumper-to-bumper traffic. Because Grace Adams has finally had enough. She’s sick of being overlooked and underappreciated, and she’s particularly tired of being polite. She’s about to set off on a journey to rediscover who she is, and confront the secret that has torn her family apart.What is that secret? You’re about to find out. ..

As Grace closes in on Lotte’s party, sweaty, dirty and brandishing her tiny squashed cake, it doesn’t seem enough to overturn everything that’s happened, but of course it isn’t about the cake. This is about everything Grace has done to be here, including the illegal bits. In a day that’s highlighted to Grace how much she has changed, physically and emotionally, her determination to get to Lotte has shown those who love her best that she is still the same kick-ass woman who threw caution to the wind and waded into the sea to save a man she didn’t know from drowning. That tiny glimpse of how amazing Grace Adams is, might just save everything.

Another book about a meltdown here – can you tell I’m peri-menopausal from my bookshelves?

Eleanor Flood knows she’s a mess. But today will be different. Today she will shower and put on real clothes. She will attend her yoga class after dropping her son, Timby, off at school. She’ll see an old friend for lunch. She won’t swear. She will initiate sex with her husband, Joe. But before she can put her modest plan into action – life happens. For today is the day Timby has decided to pretend to be ill to weasel his way into his mother’s company. It’s also the day surgeon Joe has chosen to tell his receptionist – but not Eleanor – that he’s on vacation. And just when it seems that things can’t go more awry, a former colleague produces a relic from the past – a graphic memoir with pages telling of family secrets long buried and a sister to whom Eleanor never speaks. This novel has bags full of empathy, humour and is just so smart too! It manages to tread the line of being entertaining, but also has something profound to say about life.

A landmark work of literary modernism, the novel is set in London and unfolds over the course of a single day as Clarissa Dalloway prepares to host an evening gathering. Through Woolf’s distinctive use of stream-of-consciousness narration, the story moves between the inner lives of multiple characters, including Clarissa and the troubled war veteran Septimus Warren Smith. Their experiences reveal themes of memory, identity, time, and the lingering effects of the First World War on British society. With its innovative narrative structure and psychological depth, Mrs. Dalloway remains a central work in twentieth-century literature. The novel continues to be widely studied for its exploration of consciousness, social life, and the rhythms of modern urban experience. I first read this book at university and I’m always astonished by how slight it seems, but it’s always stayed with me. In one day Woolf captures all the changes wrought by WW1, not just through Septimus but in the mix of people on the omnibus and the neurotic inner life of our main character.

The existence of this book confirms the genius of Mrs Dalloway. Inspired by the novel and told in three sections to reveal each woman’s day, this book won a Pulitzer and was made into an Oscar-winning film. The Hours. In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel. A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of `Mrs Dalloway’. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the stories of three unforgettable women. It has such atmosphere, deeply melancholic but also creating moments of beauty that can make life worth living.

Come of age in the credit crunch. Be civil in a hostile environment. Step out into a world of Go Home vans. Go to Oxbridge, get an education, start a career. Do all the right things. Buy a flat. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going. The narrator of Assembly is a Black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart? This novel is a brilliant debut and could be seen as an interesting companion piece to the last two novels, just in a post-modern world. The author shows us the micro-aggressions young, black women encounter every day and how averse to feminism our white male culture is years before Louis Theroux and the manosphere.

Wow! This is a searingly raw story, simmering with righteous anger and injustice, and I’ve never forgotten it. Set on a boiling hot summer’s day, you can almost smell the tarmac and diesel fumes. You can hear the traffic noise and feel the agitation and impatience of people trying to get to work without exchanging a word with anyone else. It’s too hot to breathe let alone exchange a friendly word. I had the unnerving experience of reading our heroine’s thoughts  and hearing my own words. During the day from hell that Em was experiencing, it felt like some of my own thoughts and frustrations were running round her head. They just need awakening. My age is more in line with the Amazing Grace Adams – who had her own walk of rage, fuelled by love. However, Em’s voice is a millennial war cry that becomes a national phenomenon in the space of a day. As she leaves her landlord’s bed that morning she expects to look smart for work, especially since she has a HR meeting and expects to be offered a permanent role after completing three months maternity cover with great results. Finally she’s catching an evening flight back home to Spain for her little sister wedding. Her actual day is a complete clusterfuck! 

I loved how the author wrote about the othering of women’s bodies and its natural bodily functions. There’s a disgust conveyed by men that women buy into and internalise. The shame of being caught out by a period in a public place must be a lot of women’s worst nightmare. When I read it I physically cringed on Em’s behalf. It was interesting that this was the point she meets Rose, who simply accepts this woman she’s just seen cleaning herself up and having to pee outdoors without judgement. Em is also trying to avoid – sweat, sore armpits and foot blisters – they’re all unladylike and shouldn’t be seen. It feels like society is keen to erase so much of us, it’s a wonder we don’t disappear. Rose is the furious feminist voice in the novel and she’s like a mentor to Em, listening and giving frank advice where needed plus the odd political rant here and there. She is her own woman and lives life on her terms. Could Em ever be like that? Brutally honest and horribly tense this is an incredible feminist thriller not to be missed.

I read this when it was first released in the early 2000s and I couldn’t stop going back to the opening page because it’s a beautifully lyrical opening to a novel about the humdrum of everyday life on one street in the North of England. Ordinary people are going through the motions of their everyday existence – street cricket, barbecues, painting windows… A young man is in love with a neighbour who does not even know his name. An old couple make their way up to the nearby bus stop. But then a terrible event shatters the quiet of the early summer evening. That this remarkable and horrific event is only poignant to those who saw it, not even meriting a mention on the local news, means that those who witness it will be altered for ever. This is an incredible first novel that evokes the histories and lives of the people in the street to build up an unforgettable human panorama. It has such resonance and does something I absolutely love, recognising that the extraordinary is in the ordinary.

I love this character’s name so much it went in my little book of names. I give them to pets or the textile sculptures I collect, most of them are hares. So far there’s Irving Finkelstein – a very dapper owl, Razzle-Dazzle Rita who’s a hare, trapeze artist and burlesque performer alongside Sweet Suzie the squirrel. There’s Amish Jeffrey (strange beard), Hips McGee, Fern Fitzsimmons, Maud Buckle and more. My Lillian Boxfish hasn’t arrived yet.

Lillian Boxfish is no ordinary 85-year-old. On her arrival to New York in the 1930s she took the city by storm, working her way up from writing copy for Macy’s department store to become the world’s highest paid advertising woman. Now, alone on New Year’s Eve, her usual holiday ritual in ruins, Lillian decides to take a walk. After all, it might be her last chance. Armed with only her mink coat and quick-witted charm, Lillian walks, and begins to reveal the story of her remarkable life. On a walk that takes her over 10 miles around the city, Lillian meets bartenders, shopkeepers, children, and criminals, while recalling a life of excitement and adversity, passion and heartbreak. Based on a true story, Lillian Boxfish Takes a Walk paints a portrait of an extraordinary woman walking through the Jazz Age, the Great Depression, the Mad Men era, the AIDS epidemic and even further. It reinforces how much one life contains and the value of other people’s stories.

Saturday, February 15, 2003. 

Henry Perowne, a successful neurosurgeon, stands at his bedroom window before dawn and watches a plane – ablaze with fire like a meteor – arcing across the London sky. Over the course of the following day, unease gathers about Perowne, as he moves amongst hundreds of thousands of anti-war protestors in the post-9/11 streets. A minor car accident brings him into confrontation with Baxter, a fidgety, aggressive man, who to Perowne’s professional eye appears to be profoundly unwell. But it is not until Baxter makes a sudden appearance at the Perowne family home that Henry’s earlier fears seem about to be realised…

This book held me in suspense till the very last page. Through each character’s narrative we come to know them and their place in this story as precisely as if they were cogs in a machine. Its portrayal of how we collide with each other in our daily lives shows what a small part of the world we are and conversely how important to each other.

This is an utterly charming book from Persephone Press, dedicated to finding forgotten works by women writers and publishing with end papers of the era. In this whimsical story Miss Pettigrew a governess sent by an employment agency to the wrong address, where she encounters a glamorous night-club singer, Miss LaFosse who is the sort of woman Miss Pettigrew has only seen in Hollywood films. Over the course of 24 hours she is surprised to find that, when given the freedom to find her own opinion, she is as strait laced as her religious father would have hoped. This revelation will change her life.

‘The sheer fun, the light-heartedness’ in this wonderful 1938 book ‘feels closer to a Fred Astaire film than anything else’ comments the Preface-writer Henrietta Twycross-Martin, who found Miss Pettigrew for Persephone Books. The Guardian asked: ‘Why has it taken more than half a century for this wonderful flight of humour to be rediscovered?’ while the Daily Mail liked the book’s message – ‘that everyone, no matter how poor or prim or neglected, has a second chance to blossom in the world.’ Maureen Lipman wrote in ‘Books of the Year’ in the Guardian: ‘Perhaps the most pleasure has come from Persephone’s enchanting reprints, particularly Miss Pettigrew, a fairy story set in 1930s London’; and she herself entertained R4 listeners with her five-part reading. India Knight called Miss Pettigrew ‘the sweetest grown-up book in the world’. This is a delightful escape read of a woman blossoming through a chance encounter.

Posted in Monthly Wrap Up

Best Reads April 2026

Hello all. This has been a bumper reading month but I’m horribly behind with reviews. I’ve been unwell with a relapse of my autoimmune disorder and a sinus infection so I’ve been exhausted, had neuralgia, all my arthritis flared and I’ve been wearing wrist supports so I’ve struggled to type. I’ve got so many reviews languishing in my book journal so this month you’re going to be inundated! This means some of my favourites this month don’t have full reviews out yet. I’ve had to be on the sofa resting so I’m burning through my TBR quickly. Hopefully I’ll get caught up this month. One other beautiful little addition to my recovery was the BBC series The Other Bennett Sister, which was based on the novel by Janice Hadlow. Mary Bennett, who is the insufferable and rather studious middle sister in Pride and Prejudice becomes the centre of attention in her own right. If you haven’t caught this series, or the book, both come highly recommended and really cheered up my fortnight of feeling grotty. In other news my lovely other half has been taking advantage of the better weather to build a pergola and seating in the garden out of reclaimed wood so I can read outside this summer in comfort. I’m really excited about this and below is our new rescue cat Minka inspecting the works. See you next month. ❤️📚

This first book in a new crime series from Sarah Hilary is an absolutely brilliant mix of murder case, collective trauma and moments of unsettling horror. Laurie has taken a job as DI in the Peak District area of Edenscar, living in her husband’s childhood home to support his dad who’s been diagnosed with dementia. Her sergeant is Joe Ashe, known throughout the area as the only survivor from his primary school class after a trip ended with their bus at the bottom of Ladybower Reservoir. Joe carries scars from that tragedy, the frequent dislocation of his shoulder joint and an ability to see every child lost that awful day. His constant companion is still his best friend Sammi, who gives Joe his reputation for spooky foresight. When Joe hears a shotgun discharge late on the Friday night he thinks nothing of it, but makes a note of a car lights making their way from the woods to the road towards Manchester. It’s not till Monday morning when they discover the bodies of a young couple shot in the kitchen of their partially renovated house, and their baby drowned in the bath upstairs. They will need all of their skills and experience to solve this while a close knit community is both highly charged and devastated at the same time. With dodgy businessmen, a tearaway for a witness, second home owners and developers with bully boy tactics this is a real labyrinth of a case. Full of dark atmosphere, emotional trauma and some real bone chilling moments, I’m looking forward to more.

This fabulous historical novel from Sara Sheridan has a foundation in Scottish history, a kick- ass nun and a heroine who finds her place in a family she didn’t know she had. When newly married Araminta Moore is contacted about the death of her aunt in Scotland and a bequest, she doesn’t expect a beautiful Georgian house in Edinburgh or her place in an ancestral treasure hunt that goes all the way back to Mary Queen of Scots. I loved that Araminta really grows during the novel, during the quest for the Queen’s crown she starts to trust her own judgement and is incredibly resourceful, it’s noticed that when she escapes from her unlawful custody she uses a method no prisoner has thought of before. When she’s not dangling from rooftops or being pursued by a shadowy organisation called the Hermits, her powers of deduction are really put to the test. She also has to choose who she trusts, particularly the servants on whom she relies. Luckily for her, aunt Saiorse is definitely up to the task, despite being a nun and now called Sister Winifred. Sheridan brings in attitudes and themes that are still causing headlines today, such as the terrible misogyny that all women face. This is a tense, page turning historical mystery, with great characters and a few surprises towards the end. A great read.

I was thrilled when I found out that Patrick Gale had written a sequel to his brilliant novel A Place Called Winter, a novel that’s up there with my favourites of all time. After many years pioneering in Canada, Harry Cane is left in a tough position, when a young woman and her son come looking for a work. He suggests that homestead of his friend and lover Paul, whose sister he once married. Soon the new pair are really at home in Paul’s cabin and it doesn’t take long for Paul to announce their engagement and even worse, Paul stops coming to Harry at night. Only a few years later, after Paul’s sudden death, Harry finds himself blackmailed by Paul’s stepson into selling the farm after he finds a letter Paul wrote to Harry where he’s candid about their feelings. Harry also receives a letter from the daughter he has never seen she was a toddler. She lets him know that she’s married, living in Liverpool with her prison governor husband Terry and they have two daughters, Pip and Whistle by nickname. Would he like to come and meet them? On this visit, for the first time, we will see other people’s reactions to Harry and through each family members narration we see what effect this long-lost member of the family has on each of them. In his usual perceptive way, Harry sees things others don’t and proves a great source of comfort for hyper-anxious granddaughter Whistle, especially when there’s the build up to an execution at the prison. As usual with Gale this is an intelligent, heartfelt and incredibly humane novel and a fitting companion to its prequel.

As this is publishing later in the year I don’t want to say too much this early. However, it is an astonishing, compassionate and empathic novel. This could be Chloe Benjamin’s masterpiece!

At an isolated research station in Antarctica, biologist Laurel Salter washes dishes for a living ten hours a day, six days a week. She tells no one why she left her career, or why her marriage ended. But even in this remote outpost, Laurel can’t outrun her past. When a strange light appears across the ice and draws a group of physicists to McMurdo, her former husband, Eli, won’t be far behind.

Laurel is captivated by the Arc: its surreal glow; the way it seems almost alive. And though Eli is reluctant to test her wildest theory, Laurel is convinced that the Arc leads down a rabbit hole, and into a world they can barely imagine. Can she persuade him to risk everything to fix the burden that hangs between them – to turn back the clock and live their story a second time?

And this time, live it differently.

It’s always great to be back in the company of Jake at his remote home Little Sky. However, it’s not long before murdered pays yet another visit to the area. This time a woman has gone missing after setting off for a jog by the river. Search parties are set up to look for her, but when a body is found in the river it turns out to be a different woman. When the jogger is also found in the river a few days later it starts a panic and what the police must determine is whether both deaths were freak accidents or whether there’s a killer in the area? It’s not longer before they’re calling on Jake’s team and he brings in Alethiea and Martha to try to determine cause of death. The author weaves in the online phenomenons of the manosphere and true crime podcasts into the story, along with a militant feminist potter. There’s so much tension here, possibly more so with his partner Livia being pregnant and very sensitive to issues of safety and a certain true crime influencer’s interest in Jake. Martha is my favourite and she’s her usual blunt speaking and weed smoking self. My only caveat for this one is there’s less of Little Sky which I love, although Jake does install an outdoor bath tub that I’m desperate to be trying out, probably alongside one of the novels from his library.

Finally this month, comes our Squad Pod read of Jane Harper’s Last One Out, a brilliant thriller set in the remote Aussie town of Carrolan Ridge. Carrolan is a dying town. Ever since the Lentzer mining company decided to expand here everything has changed. Some people fought to keep the community together but as offers went out for homes and land surrounding the area of the new quarries it was only a matter of time. At first they offered silly money and the people who took it were seen as traitors, then as the money dwindled more people took the hint. Now it’s a ghost town, only a few people left and a constant vibrating hum of mining activity. Ro left a while ago now but she’s back for a few days, staying with her estranged husband Griff who lives in the house they used to own while he is Lentzer’s fire officer. It’s the annual memorial for their son Sam, who disappeared five years ago at the three houses who held out as long as possible. The bungalow once belonged to his Uncle Warren, but Ro and Griff have no more idea why he was here than they did five years ago. Sam was researching the effect of the industry on the town he was born in, interviewing people who still lived here. He left his hire car half way up the drive and disappeared into thin air. It had been a tough time, Ro’s father was killed by a car and ten day’s later Warren committed suicide in the quarry. Ro only left when the medical centre closed. She was the GP for these people, now she’s an infrequent visitor, no longer able to stay in the place where they were a happy family. Griff can’t leave till he finds his son. When daughter Della arrives they’ll follow the same yearly ritual, but as ever Ro and Griff find their feet take them to where their son disappeared. Still looking for clues as to what went wrong. 

This is a slow burn novel but it needs to be so the author can properly explore the complexities of the town’s relationships, the different perspectives between generations and who, if anyone, wanted to harm Sam. As the pressure built I was desperate for Sam’s family to find him, and for Ro and Griff to reach an understanding too. Clues start to appear and I couldn’t put the book down till I knew. The story didn’t end how I expected but it was so good to finally have a flashback and follow Sam on that day and discover what happened. It was a really satisfying ending and made absolute sense, even though I hadn’t expected it at all. This is an excellent slow burn thriller in an incredibly atmospheric setting, exactly what I’d expected from this brilliant author. 

So that’s all for April. I hope you have a great reading May, here’s my reading list.

Posted in Netgalley

The Jewel Keepers by Sara Sheridan

Men would kill for this treasure.

The McKenzie women will guard it with their lives.

London, 1837. When 25-year-old Araminta McKenzie-Moore is summoned from Richmond to her great aunt’s deathbed in Edinburgh, it’s the first time she’s met her extended family. The McKenzie women, however, have been keeping a close eye on her. For they have a long, secret and dangerous history as Jewel Keepers to the Scottish Crown and they need Araminta to play her part to solve a puzzle which stretches back generations.

But the McKenzies are not alone in this high-stakes treasure hunt though history. They’re being pursued. The last of her line, if Araminta succeeds, she will uncover something more valuable than mere jewels – a secret that will change the lives of all women living on this, the cusp of the Queen Victoria’s rule.

The plot of this novel is extraordinary, taking historical facts and weaving in the story of a long line of McKenzie women who have fought for the Crown Jewels of the Scottish Royal family, most specifically the Stuart queens. The last Stuart queen was Queen Anne, who died without a direct heir in 1714, to be followed by the Hanoverians. If found, the jewels are meant to be kept safe until a ‘worthy Queen’ sits on the throne and they can be returned to her. The book is set just before the reign of Queen Victoria so this is an important time for their quest. Could she possibly be the worthy Queen they’ve been hoping for? Araminta has had no knowledge of the family history or her role in history until she’s summoned to Edinburgh by her aunt Eilidh McKenzie who lives in a beautiful Georgian house. In the course of one evening, Eilidh hints at the quest ahead, explaining Araminta’s ancestors were Jacobites and clearly also early feminists. A family tree shows that McKenzie women kept their own surname even when married, with a diamond marking out those chosen to safeguard the Queen’s Crown, down the maternal line. Unfortunately Aunt Eilidh dies before she can give Araminta any more clues meaning she faces a complicated task, solving the final clues in a strange city. Added to this quest are a shady male organisation called The Hermits, treacherous servants, dangerous missions and a very feisty nun. 

There are great female characters in this story, especially Araminta who blooms as the story progresses, achieving so much more than she thought possible. She grasps this challenge and runs with it, despite not knowing Scotland and meeting with violence, kidnap and false imprisonment – not to mention a very precarious church roof! It’s great to see that transition where she starts to think for herself: 

‘For years she’s been restrained by teachers, by her position, by other people’s expectations. Now, here, perhaps for the first time in her life she’s free to follow her own judgement.” 

It’s not surprising that she finds this freedom in Edinburgh where she’s informed that even the Bishop was a supporter of women becoming more than wives and mothers. Araminta finds that her powers of deduction are sound and starts to trust herself. She recognises this mission as her chance to grow and test out her capabilities, free from the burden of society’s rules. It’s not a surprise when we learn about her ancestors and especially when she meets with a feisty nun called Sister Winifred, a very intelligent woman who carries a ‘muff gun’ and is quite willing to fight. Even when imprisoned, Araminta finds an ingenious way of escaping her cell that even has a police officer surprised! Apparently no one else has ever thought to try it.

Brodie the butler (and so much more) captured my heart as well. He’s so noble and I loved how even with these smaller characters the author gives so much attention to detail. Brodie doesn’t just have a romantic back story, his night visits to a make shift boxing gym also give his character dimension. Our villain of the piece, Harry Thom, is a vile character. Today he’d be a fully paid up member of the manosphere for sure. He’s got issues with women, but particularly Catholics and the McKenzie women specifically. He’s violent, crafty and will stop at nothing to make sure he beats them in their quest. I loathed him and I was turning the pages desperate for him to have some sort of comeuppance. This is a pacy and tense novel with lots of action scenes and some moments of real danger where you’ll be biting your nails. It has great historical detail too and is bolstered by a fascinating afterword. The quest made me think of Queen Victoria in a different light, she may have been a powerful Queen but was she ever a feminist? Would she be the worthy Queen or was she too wrapped up in portraying the Victorian ‘Angel in the House’ ideal? It seems quite a tame way of ruling when we think back to the Tudor Queens or Mary Queen of Scots and possibly still influences the image cultivated by the Royal Family we have today. I thoroughly enjoyed every minute of this story and as Araminta raced towards the treasure with Thom in pursuit, I wondered whether it would be what either of them were expecting? 

Out on 14th May from Hodder and Stoughton

Meet the Author

“History is a treasure chest of stories. I love them.”

Sara Sheridan works in a wide range of media and genres but mostly historical and especially the stories of women. She loves exploring where our culture comes from. In 2018 she remapped Scotland according to women’s history. Tipped in Company and GQ magazines, she was nominated for a Young Achiever Award. She has received a Scottish Library Award and has been shortlisted for the Saltire Book Prize and the Wilbur Smith Prize. Her work was included in the David Hume Institute’s Summer Reading list 2019. She has sat on the committee for the Society of Authors in Scotland (where she lives) and on the board of ’26’ the campaign for the importance of words. She took part in 3 ’26 Treasures’ exhibitions at the V&A, London, The National Museum of Scotland and the Museum of Childhood in Bethnal Green. She occasionally blogs for the Guardian about her writing life, the Huffington Post about her activism as a writer and a feminist and puts her hand up to being a ‘twitter evangelist’. From time to time she appears on radio, and has reported for BBC Radio 4’s From Our Own Correspondent from both Tallin and Sharjah. Sara is a member of the Society of Authors and the Historical Writers Association. A self-confessed ‘word nerd’ her favourite book is ‘Water Music’ by TC Boyle. In 2016 she cofounded feminist perfume brand, REEK: artefacts from the project are now held at the National Museums of Scotland and the Glasgow Women’s Library.

Posted in Ten on Tuesday

Ten on Tuesday: Ten Of My Favourite Opening Lines 

Openings are tricky things. They can make or break a book. As we browse bookshops and pick up unknown titles they have three chances to grab my attentions: the cover, the blurb and the opening lines. More often than not it’s the opener that grabs me, if I read a few lines and want to keep reading then I know it’s for me. It can be a showy first line, something that punches you in the gut or enticing, giving you a glimpse of what’s coming but not too much. Here I’ve gathered just a few of my favourites, old classics and up to date lines that simply won’t let go.

“Several years after the war, during the mid-afternoon hour I generally put aside to fantasize about setting fire to my manuscript and disappearing into the countryside to raise goats, I received a book in the post.”

I’ve enjoyed all Alix Harrow’s work since Ten Thousand Doors of January but I love this opener from her latest novel. She manages to summon up a feeling that’s perhaps common to all writers, but I’ve definitely felt it. She captures that self doubt we feel when the words just don’t come out right, or in my case when they come but aren’t perfect every time. We’ve all had human moments of wondering whether to just leave everything behind and start a smallholding in Wales. I have one every time I watch the news! This is a narrator of with a sense of humour and when I read this I was happy to join them in their journey.

“I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.”

This is an incredible opening line. I read this while at university when my tutor recommended it, knowing I was interested in bodies that were ‘othered’. It had sat on the shelves for years, but this time I opened it and I was grabbed from the outset. This is a narrator who has gone through something life changing and I wanted to know their story. The way it’s written as a basic fact, with dates and places gives us the medical viewpoint but I knew there’d be much more beneath the surface. I wanted to read about how they’d come to this decision, what difference it made in their life and how it was received by family and friends. What we get is several generations of background history that moulds this family alongside the narrator’s journey.

“The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not.”

I love this opening. It has intrigue and magic and a sense that this circus isn’t for everyone, it’s for those who happen to find it. It’s ‘appearance’ suggests all sorts of possibilities – time travel, other dimensions, hallucinations.. There’s also a hint of danger and darkness. What happens when you enter? What if it disappears with you in it? The stage is set for adventure.

‘The week I shot a man clean through the head began like any other . . .’

Wow! This is quite the opening. Close the book and buy it immediately. My head is already full of questions – why and who is shot? What made the narrator pull the trigger? What’s a normal week for this person and what could have possibly happened in that week to get to this point? It also tells us something about the narrator, the way they state a violent act as if it’s almost incidental to the story – we’ll get to the shooting, but first let me tell you about my week. Brilliant.

“I write this sitting in the kitchen sink. That is my feet are in it; the rest of me is on the draining board, which I have padded with our dog’s blanket and the tea-cosy.”

One of the most famous opening lines in literature and often quoted in articles like this but I just couldn’t leave this out. I love this so much I have it on a tote bag. I love its immediacy and charm. Cassandra Mortmain’s view of the world is captured in these few words. We know she loves to write and is doing this directly to us. It also tells us something about the chaos of the household if the only place to write is to sit on the draining board with your feet in the sink. She’s trying to create in the chaotic, bohemian and busy family household, something all women writers can identify with. I want to spend time with this narrator immediately.

“Watch your step. Keep your wits about you; you will need them. This city I am bringing you to is vast and intricate, and you have not been here before.”

This is one of my favourite novels of all time and this opening is both intriguing but tempered with a warning. In one sentence we know that this isn’t the London we think we know – in a literary or historical sense. It’s saying this book won’t tell the usual Victorian society story, you’re going to journey into those hidden areas rarely seen or written about. This is a place to be aware, it’s gritty, dangerous and you might easily get lost. Even though there’s danger, you still want to follow this narrator into their world. It also hints that our narrator is wise to the pitfalls of this place, this is their kingdom and there’s pride in their ability to survive there.

 

“The play—for which Briony had designed the posters, programs, and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crêpe paper—was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch.”

This incredible opening from Ian McEwan tells us everything we need to know about Briony, the crux of this heartbreaking story. It tells us that Briony is clever and multi-talented – she hasn’t just written a play she has single handedly designed promotional material, a ticket office and the tickets. Then she sits down for two days and writes a whole play, becoming so engrossed in her project she forgets to eat. It tells us Briony is determined, obsessional and perhaps a little bossy. She likes to tell stories, but she also likes to control how they’re told.

“Things started to fall apart at home when my brother, Jaja, did not go to communion and Papa flung his heavy missal across the room and broke the figurines on the étagère.”

In her debut novel, the super talented Chimimanda Ngozie Adichie references the novel Things Fall Apart by Chinua Achebe, firmly setting herself into the tradition of Nigerian literature. Achebe’s account of colonialism in a Nigerian community shows how white men used the Christian religion to destabilise a village, until eventually greed dismantled their home, their culture and their traditions. It’s an important comparison to this modern family in a 20th Century Nigeria, where our narrator’s father is determined to uphold Christian values in his family and remain head of the household. Jaja’s small act of rebellion shows that their father has a temper, but the breaking of the figurines foreshadows the destruction of their family unit. This is just the beginning act in their family’s breakdown and is the tip of the iceberg when it comes to their abusive father, but instead of showing his power it hints at how fragile his regime actually is.

“Where’s Papa going with that ax?” said Fern to her mother as they were setting the table for breakfast.”

This was one of the first books I loaned from the public library and that first line set me up for a lifetime of twists and cliffhangers. I’m listening to the voice of a girl who was potentially my own age and from the cover I assumed she lived on a farm like I had. This opening question suggests Fern’s father was doing something outside his normal routine, something that didn’t make sense to her. It brings in a terrible sense of foreboding – having lived on a farm I was aware of eating animals, but you didn’t need an axe to kill a chicken or a goose. I was scared and a bit confused by it, but I had to know.

‘What’s it going to be then, eh?’

That was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening, a flip dark chill winter bastard though dry.”

When my friend Elliot loaned me this book at secondary school these first lines blew me away. What language were they speaking? This was English but not as I knew it. The words were all in the wrong order and felt stilted. I wondered if I’d be able to understand what was going on. He advised me to just keep reading and let the language wash over me and he was right, in a few pages it simply clicked. These lines tell us we’re possibly somewhere in the future and Alex is merely setting the scene, introducing his friends and telling us about the weather. This is a typical introduction, done in a totally atypical way and it’s brilliant.

Posted in Publisher Proof

Elizabeth and Marilyn by Julie Owen Moylan

London, October, 1956. A glittering Royal Film Premiere. The whole world is watching . . . 

Tonight, Elizabeth II will formally greet an array of stars. Though she was not born to be Queen, this young mother and wife has embraced her patriotic duty and its unforgiving demands.

A limousine pulls up. Out steps a vision in dazzling gold: Marilyn Monroe. A money-making machine for Hollywood, with curves that drive men wild and a smile that lets women know she’s in on the joke. 

As the two most famous women in the world come face to face, they look to be worlds apart. Yet beneath the glamorous costumes, both are fighting to keep the men they love, while trying to do their work in a man’s world. And they have spent the summer of 1956 battling secret demons the public could never imagine. 

Now, Marilyn steps forward. These photographs will be on the front page of every newspaper in the morning. 

But this isn’t their first meeting. And the story behind the headlines is even more sensational . . .

As soon as I knew that Julie’s next novel was going to feature these two women I was intrigued, because until now the comparison between Hollywood stars and our royal family has been Marilyn and Diana, Princess of Wales. Both were globally famous, incredibly beautiful, hounded by the press and died far too young. This comparison was compounded when Elton John rewrote Candle in the Wind, formerly about Marilyn Monroe, for the late Princess of Wales and played it at her funeral. I was around eight years old when Diana came into public view and I was obsessed for a couple of years with her beautiful dresses and how glamorous it all was, but of course as I grew older her story became more complex and tragic. I think my initial intrigue was due to my age, because to me Queen Elizabeth had always seemed old. This was partly to do with her style I think, but she was in her early fifties (as I am now) when I was taken to the bridge that crosses the River Trent in Keadby, North Lincolnshire to see her car pass by in the silver jubilee year of 1977. I was three and being around for 50 years seemed a million miles away. However, this book focuses on 1956 when the Queen was still a young woman in her twenties and experiencing a very turbulent year. She hadn’t had time to fully settle into her role, she’d had to advise her own sister that she couldn’t marry the man she loved if she wished to remain a princess and her relationship with Prince Phillip had it’s problems. Marilyn was in London to film The Prince and the Showgirl opposite one of our most acclaimed actors, Laurence Olivier. She too was coming into a turbulent phase of her life, after spending some time living in Manhattan and studying the acting ‘method’ theorised by Stanislavski and taught by Strasberg. The idea was to act in a natural way, experiencing what the character is going through, to bring personal emotion and past trauma into the scene, or even stay in character between scenes to keep the intensity in your performance. This was going to prove entirely at odds with Olivier’s way of working. She was also recently married to playwright Arthur Miller, making headlines around the world as the ‘egghead and the hourglass’. The couple came to London in lieu of a honeymoon and were living in a house situated next to the Windsor Castle estate so for a while, the two women were neighbours. The author has taken this background and created a fascinating story about stratospheric levels of fame, how women are treated in the media, and the difficulty of negotiating the line between public and private. 

Each woman has their own narrative and we’re taken inside their deepest fears and emotions. This is incredibly difficult to do with such famous subjects because both women are so iconic and we all have an idea in our heads of what they were like and who they were. I found I couldn’t come to them as new characters straight away, but I did find each woman’s inner voice convincing and engaging. This approach means we get to experience each woman in three different ways: the public face; the private face; and their innermost thoughts. Each has an insecurity about their relationship. Marilyn feels that Arthur does see the real her underneath the persona but fears that he will find the press, the attention from other men and her role as Marilyn Monroe too taxing. Where they would have liked a cute little cottage away from it all to spend their honeymoon alone, they have a huge house with staff and constant requests for photo opportunities. Will Arthur always accept that his wife frequently has to switch Marilyn on? The Queen has had two children with Prince Phillip and now has a very busy public role, while his own is largely undefined. This has left him racketing around town with his Private Secretary Michael, attended a gentleman’s club which has a whiff of scandal about it. The Prince seems very aware of the duality of his wife, but being the Queen means playing that role even within her own family at times. There’s the recent unhappiness with Princess Margaret where Elizabeth the sister wanted to grant her wish to marry Group Captain Pete Townsend, but Elizabeth the Queen couldn’t. Prince Phillip refers to her “Queen Face” and she employs it as a shield so nobody knows what she’s thinking or for when she has to deliver news that family members might dislike. When scandal rears it’s head, the Queen has to think every carefully about how she handles her husband but first and foremost she must protect the crown. Will her relationship suffer because of this? 

Marilyn’s excitement about her new film is tempered by the tone as soon as she arrives to meet Laurence Olivier and his wife, Vivien Leigh. It seems Leigh has played this role on stage and perhaps hoped to be in the film? It’s hard to read how eager Marilyn is to be with these revered British actors who she sees as the real deal. There’s an incident with Dame Sybil Thorndike at the read through that really does reinforce Marilyn’s ability to switch her star power on and off. It’s a defence mechanism to cover her natural shyness, but also a response to her childhood experiences. It’s clear when she’s bullied on set, her response comes from trauma – the muteness, the stammering and getting her lines wrong. Her past experiences are devastating and we can see them playing out in her work and her relationship with Miller, who she calls ‘Pa’ in private. The author poses the dilemma of each woman being much more famous than their husband and worrying about how to negotiate that imbalance. Marilyn is constantly placed in the middle by the press and her commitments to the film, meaning she’s forced to switch Marilyn on even in private events like a party. Can Miller accept this duality and the constant demands on her time while still seeing the real her? If the Queen makes the decision to act in the way her courtiers advise will Phillip forgive her? If only these women could have known what the other was going through – how impossible it is to be a wife, or a sister and also be a global icon. It made me think of the Queen in a new light and I wondered whether she ever thought of her younger experiences when Diana was globally famous. This is a really interesting read, shedding light on a fascinating time and showing how impossible it is to please everyone, something most women find particularly hard. I was moved by something attributed to the Queen: 

“I want to be something constant to people – beaming out a little ray of light that provides a sort of normality. A kind of ‘if she’s still there doing her duty, then all will be well

I think she achieved this because her death felt seismic and I think as a country we’ve been all at sea since she died. While politics were in turmoil the Queen was a constant for every generation since my mum who was born in 1953 and also has pictures of Marilyn in her bedroom. Both women have a legacy but only one got to live out her life in full, both publicly and privately. This is a beautifully judged piece of modern historical fiction, getting underneath the skin of women we feel like we knew well but perhaps didn’t know at all. The book goes beyond the facts and lets us wonder how these women could have had insights into each other’s lives. With all the research and sensitivity I’ve come to expect from this author, she has once again captured the mid-20th Century perfectly while also showing us that our modern preoccupations with image and celebrity are perhaps not as new as we thought.

Out Now from Penguin

Meet the Author

Julie Owen Moylan is the author of three novels: That Green Eyed Girl, 73 Dove Street and Circus of Mirrors.

Her debut novel That Green Eyed Girl was a Waterstones’ Welsh Book of the Month and the official runner up for the prestigious Paul Torday Memorial Prize. It was also shortlisted for Best Debut at the Fingerprint Awards and featured at the Hay Festival as one of its TEN AT TEN debuts.

73 Dove Street was recently named as a Waterstones’ Book of the Year and Daily Mail Historical Fiction Book of the Year with the paperback a Waterstones Welsh Book of the month in 2024.

Her writing and short stories have appeared in a variety of publications including Sunday Express, The Independent, New Welsh Review and Good Housekeeping.

Elizabeth and Marilyn will be released in April 2026.

Posted in Netgalley

The Repentants by Kate Foster 

St Monans, Fife, Scotland 1790. Two women are forced to publicly repent in church, one for adultery the other for breaching the sabbath. Wealthy housewife, Florrie, and salt serf, Eliza, form a quick and unusual bond over their mutual humiliation. So when Florrie’s husband decides she must accompany him on a trade venture to Iceland, she insists Eliza comes as her maid.

Far from home, isolated and fearful, the two women grow ever closer. Then Florrie’s husband reveals his sinister plan: he will leave her in Iceland, banished for the shame she has cast upon him. Florrie must escape, but when she turns to Eliza for help she realizes nothing is quite as it seems . . .

Inspired by an attempt by Scottish merchants to annex Iceland as a remote prison for the British Empire, The Repentants is a chilling tale of betrayal, exile and survival

Florrie feels neglected. She has a lovely home, a husband who has inherited a salt works run by several generations of his family and an inheritance of her own as soon as she turns 21. Her husband Jonny has been struggling the burns he incurred by running into fire at work to make sure the building was clear. Florrie knows there is more to marriage than she and Jonny share even before the injury, particularly in the bedroom where he takes no care for her pleasure at all. This restlessness has drives her to back door of the Mermaid Inn in her most alluring dress. Inside and up the back stairs is a room where an Icelandic sailor is waiting for her. For a blissful moment Florrie is finally experiencing something, when the door is flung open and she is discovered. While there’s no criminal punishment for adultery, religion is important in this Scottish community and the minister at the kirk is keen on shaming his penitents. Florrie becomes one of the repentants, wearing sack cloth and standing in front of the congregation facing her neighbours and everything they think about her. It’s humiliating for her and for her husband, so when Jonny lets her know about his plan to spend some months in Iceland she sees it as an escape. With the Icelandic contacts he was introduced to at his gentleman’s club he plans to set up another salt works. However, instead of the serfs he owns in Scotland, the plan is for a ship full of local convicts to serve their hard labour sentences in the salt works. Florrie is determined to go and requests the company of a salt serf called Eliza who was a repentant on the same day. She asks Eliza to be her lady’s maid, but in truth Eliza has no choice since she was signed up as a serf to Jonny’s family as soon as she was born. Underneath the surface though she has spirit and is fiercely independent. With two restless women and a man determined to indenture others for monetary gain, this trip may bring more than any of them expect. 

The story is told from the perspective of three women: Florrie, Eliza and Hallgerd – a woman who is their neighbour in Iceland. Florrie’s narration comes from her journal and there are letters here and there too. What these women share is their experience of misogyny from men who think they have the right to control women through marriage, religion, slavery or just because they believe they have the right to do whatever they want, when they want. Eliza has largely avoided men back home, she lived alone and her repentance was for missing kirk two Sundays in a row. She doesn’t care much what the congregation think of her, because she’s well aware of the hypocrisy of church people. She can’t really be lower in their estimation anyway. As the story unfolds we realise what she’s been doing to survive and who is willing to exploit that knowledge. She was my favourite character because of her inner strength and determination to survive. At the kirk, when she’s asked if she’s scared of the devil she shows her defiance and understanding of her situation: “the devil does not frighten me minister. but men do”. Once she has a plan, she will never tolerate being manipulated, restricted or punished again. Florrie realises as soon as they reach Iceland that this is not going to be an easy way of life and definitely not the standard she had back home. In her journal she reminisces about that morning at the inn where for a brief time she felt desired: 

“The most vivid memory, the one where I am astride him and we are going at it for the second time, pure bliss, I was right.” 

However, her journal isn’t the safe space she thinks it is, her mother read it when she lived at home, Jonny reads it now and he makes sure that others do too. Florrie remembers that beautiful pink dress too, the one that the dressmaker’s assistant said was “whorish”, and its matching wrapper that got lost at the inn. The third repentant that Sunday was a lady called Auld Beatrice and she was there for being a nag. She recognises something in Florrie and warns her to develop her inner life and skills: 

“I hope you are not too reliant on those looks of yours. A woman needs to be resourceful. Or years from now, when you are my age and miserable at how your looks have slid, you will regret not having any other skills.” 

Between Eliza and Beatrice, Florrie gets the message to shrug off shame and realise that she’s only being treated like this because men like to assert their power over women. Deep down Florrie is furious with herself, she’s angry with Jonny for professing such love for her before their marriage then withdrawing it afterwards, but she’s angrier with herself for believing it. Now their home is a small cottage, the weather is bitter and there’s literally nothing – no shops, church, clubs for entertainment. Reykjavik is a busier place but still has only one two storey house that Jonny’s contacts have commandeered as the headquarters of their operation. It was originally the home of Hallgerd their neighbour. She has so many memories of her childhood in that home and hates seeing it used by a man who wants to show his power by having the best house in town. She is surviving alone, while her husband takes jobs on sailing ships and chooses where he sleeps. I loved the blunt and honest way these women talked to each other, fully aware they are the equal of men but having to find ways around their assumed power. It felt like the women and Iceland had many things in common. After stopping over in Copenhagen which is a bustling port, Iceland is a shock to the system. It feels vast and unknowable, but men still think they can use it, tame it and exploit it for profit. Hallgerd is part of the land, she knows it and the power it holds underneath the surface, she can even feel it in her body when a volcano is ready to erupt. The sailors align women with strange abilities, they are scared to have Eliza and Florrie on their ship and give them a bleeding cure in case their menstrual blood attracts sea serpents. It made my blood boil that it was the men who were terrified of a natural process, but it was the women who had to bear the responsibility for that fear. I was reminded so strongly of the Coventry Patmore poem The Angel in the House: 

“A woman is a foreign land

Of which though there he settle young, 

A man will ne’er quite understand 

The custom, politics and tongue.” 

It also reminded me of a recent conversation on X where a man said ‘ I don’t trust something that bleeds for seven days and doesn’t die’. Men still fear us and policy is being made on the basis of that fear and the urge to control us. I was hoping that all the women, especially Eliza, would see that the men’s suspicion and fear is the female superpower and she could use it to escape and flourish. Kate Foster has become a must-buy author for me over her four novels because her female characters are so layered and there’s a firm feminist stance as she writes these fascinating characters back into history. She doesn’t just concentrate on one class either, giving us both working and wealthy women and the difference that makes to their journey through life. Most of all her stories grab hold of the reader and are absolutely full of atmosphere. I’ve no doubt she has another hit on her hands with this novel. 

Out 28th May from Mantle Books

Posted in Ten on Tuesday

Ten on Tuesday: Ten Books About Mediums and Fortune Tellers

Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism, attending séances in the hope they might reach their departed loved ones.

William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him – seemingly from beyond the veil – placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far?

Based on the true story of Professor William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters including Sir Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunted, twisted tale of power, paranoia and one ultimate, inescapable truth… I found this atmospheric, mysterious and completely fascinating.

Paris, 1866. When Baroness Sylvie Devereux receives a house-call from Charlotte Mothe, the sister she disowned, she fears her shady past as a spirit medium has caught up with her. But with their father ill and Charlotte unable to pay his bills, Sylvie is persuaded into one last con.

Their marks are the de Jacquinots: dysfunctional aristocrats who believe they are haunted by their great aunt, brutally murdered during the French Revolution.

Sylvie and Charlotte will need to deploy every trick to terrify the family out of their gold – until they experience inexplicable horrors themselves.

The sisters start to question if they really are at the mercy of a vengeful spirit. And what other deep, dark secrets threaten to come to light…? I loved the genuinely scary scenes in this novel, the setting and the differences between these two sisters.

‘Now you know why you are drawn to me – why your flesh comes creeping to mine, and what it comes for. Let it creep.’ 

Visiting a grim London prison as part of rehabilitative charity work, upper-class suicide survivor Margaret Prior is drawn into the Victorian world of enigmatic spiritualist and inmate Selina Dawes and is persuaded to help her escape.

From the dark heart of a Victorian prison, disgraced spiritualist Selina Dawes weaves an enigmatic spell. Is she a fraud, or a prodigy? By the time it all begins to matter, you’ll find yourself desperately wanting to believe in magic. I love Sarah Waters and the way she writes LGBTQ+ characters back into history, this brought to life the reality of a women’s prison and how class determines women’s lives as much as gender. This was unsettling and like a great thriller you’re never quite sure who is being honest and who is manipulating the outcome.

In the slums of 19th-century New York.

A tattooed mystic fights for her life.

Her survival hangs on the turn of a tarot card.

Powerful, intoxicating and full of suspense. *The Knowing* is a darkly
spellbinding novel about a girl fighting for her survival in the decaying
criminal underworlds.

Whilst working as a living canvas for an abusive tattoo artist, Flora meets Minnie, an enigmatic circus performer who offers her love and refuge in an opulent townhouse, home to the menacing Mr Chester Merton. Flora earns her keep reading tarot cards for his guests whilst struggling to harness her gift, the Knowing – an ability to summon the dead. Caught in a dark love triangle between Minnie and Chester, Flora begins to unravel the secrets inside their house. Then at her first public séance, Flora hears the spirit of a murdered boy prostitute and exposes his killer, setting off a train of events which put her life at risk. This is a fabulous debut novel full of colourful historical detail and showcasing an utterly alternative 19th Century existence.

Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her – and to keep her distance from her husband. But her pictures seem to capture things invisible to the eye . . .

Henriette is a celebrated spirit medium, carrying nothing but her secrets with her as she travels the country. When she meets Viola, a powerful connection is sparked between them – but Victorian society is no place for reckless women.

Meanwhile, on the other side of the world, invisible threads join Viola and Henriette to another woman who lives in secrecy, hiding her dangerous act of rebellion in plain sight. I was incredibly moved by this story of transgressive love and the fascinating world of spirit photography. Viola has all the naivety of a daughter brought up with religion and it takes Henriette’s boldness for her to try new experiences. I loved the author/‘s use of liminal spaces as places of freedom and how found family can allow that freedom to grow.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly re-married and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction.

She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. 

When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened thirty years before… and discovers her own fate is entwined with that of Clewer Hall’s. This is the perfect book if you enjoy gothic mystery, historical detail and very spooky twists and turns.

Alison Hart, a medium by trade, tours the dormitory towns of London’s orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists…

Shortlisted for the Orange Prize, Hilary Mantel’s supremely suspenseful novel is a masterpiece of dark humour and even darker secrets. This ghostly story is full of menace but also very dark humour. It’s endlessly inventive with all the atmosphere you’d expect from this incredible writer.

How do you solve an unsolvable murder? Ask the victim…

In January 1986, newly-engaged Marnie Driscoll is found dead in her parents’ kitchen. With no witnesses, it seems as though the circumstances of her death will remain a mystery.

Six months later, high-flying Detective Inspector Andrew Joyce’s career takes an unexpected detour when he finds himself unwillingly transferred to an obscure department within Greater Manchester Police, known as the Ballroom. The Ballroom team employs unorthodox methods to crack previously unsolved cases, and Joyce, a sceptic by nature, must find a way to work with Peggy Swan, a reclusive ex-socialite with a unique talent: she can communicate with the dead.

Joyce soon discovers that Marnie’s death, initially dismissed as an opportunistic act of violence, actually seems to be a carefully orchestrated murder. It will take both Joyce’s skill as an investigator and Peggy’s connection to her new ghostly charge to navigate the web of secrets surrounding the case and bring closure to Marnie’s tragic story before the killer can strike again. I love this series, with the author recently releasing the third in the series. This has Northern wit, gritty crime and an exceptional character in Marnie. Apart from Marnie these ghostly goings on are sinister and dark in places, so when added to a new DI with family secrets it really does compel you to read on.

When the women in the Sparrow family reach thirteen, they develop a unique ability. In young Stella’s case, the gift, which is both a blessing and a curse, is the ability to see a person’s probable future. Stella foresees a gruesome murder, and tells her charming, feckless father about it, but it is too late – the murder has already been committed and suspicion falls on him. 

Hoffman unlocks the caskets of family life and the secret history of a community in this magical story about young love and old love, about making choices – usually the wrong ones – about foresight and consequences, all suffused with the haunting scent of roses and wisteria, and the hum of bees on a summer evening. I love the way Hoffman combines mundane every day life with magical events so skilfully you never question it. She draws you into these lives and her setting with all the enchantment of a fairy tale.

A grieving woman . . .
Yorkshire, 1890. Forced to exchange her childhood home for her uncle’s vicarage after a tragic loss, Olwen Malkon finds herself trapped between her aunt’s cruelty and the sinister advances of her cousin.

A troubled past . . .
When Olwen finds herself afflicted by strange dreams of a woman from a distant past, whose fate is overshadowed by menace and betrayal, those around her are determined to dismiss them as hysteria – except the local doctor, John, with whom she develops a connection.

A long-buried secret . . .
As the visions intensify, they begin to mirror reality, threatening to expose chilling secrets. What dangers lie ahead for Olwen, and does the past hold the key to her own future…?

This is the perfect mix of history and the supernatural as the character’s become connected through time. Olwen’s troubled present seems to change her into a conduit for an Anglo-Saxon woman, but her new power to see the past leads to concerns for her welfare in the present. This is really engaging and absorbed me completely.

Posted in Netgalley

The Secret Thread by Eve Chase 

I think Eve Chase’s books get better every time and I absolutely adored her last one, The Midnight Hour. There are elements of the same nostalgia in this book too as we’re introduced to Mimi Mott, interior designer and fashion icon who is in London preparing for an exhibition and auction of some of her oldest belongings. Jo is a journalist, desperate for a break and responds to an advert for an assistant to help Mimi with her exhibition artefacts. Once Mimi has chosen an object, Jo will note down her memories and then write some copy for the exhibit. She and Jo click immediately and she’s set to work straight away. However, Jo had her reasons for wanting this job and if Mimi finds out what they are and who Jo is she could be in a lot of trouble. She would also be in trouble with her grandmother who has no idea what her new job entails or who it’s with. As she treads this tightrope we’re taken back into the 1960s and Mimi Mott’s past. 

We know what we’re getting with Eve Chase, usually an ancestral home or a family with big secrets and here we get both. The story is told in a dual timeline, the present shows us Mimi and Jo working on the exhibits and a little bit about Jo’s life. The past takes us back to the 1960s when Mimi was plain Miriam Bramley and came from a family of gardeners working at Rushwood for the Caswell family. Over the summer, the Caswells are having a huge party and the younger members of the family, Nancy and Lawrence, are back for the summer. Miriam is the youngest in her family with the twins, Pamela and Alfred being nearer to the Caswell’s age. The old hierarchy of master and servant has been diluted a bit, but Miriam’s father is old school. He doesn’t want his children confusing things by mixing with the Caswells. It’s partly that they should know their place, but also that they can only be disappointed by moving in those upper class circles. However, Mrs Caswell is American and less constrained by class and these are teenagers who have their own ideas about things. Swimming down in the river on a hot evening, Miriam feels a spark with Lawrence and Alfred is absolutely besotted by Nancy who is beautiful and always taking photographs. Things become even more tense when Miriam becomes interested in the work being done to get the house staged for the party and meets Whipple, a London based interiors specialist who needs an assistant. It might as well be Miriam who has a good eye and can use a sewing machine. Her father isn’t keen but Miriam knows this could be her big break into the business. After that summer everything changes for both the Bramley and the Caswell family, but the author keeps us guessing as to what tragedy could still be affecting the family sixty years on? 

I enjoyed the changing class constraints of the 1960s with Mr Bramley’s upstairs/ downstairs approach to his work. The change really is led by Nancy who thinks the class barriers are wrong and ends up inviting the Bramley siblings to the party. I felt for the young Mimi who is so ambitious because there was a time I was the same. I could see women of my mum’s generation stuck after giving up work when they got married. I didn’t want to be dependent on another person and I wanted to explore who I could be. Mimi knows that eventually she will have to leave because she’s not like her sister Pam who seems happy with her fate of keeping her hands in the soil, marrying someone like her dad and producing another generation of hard working Bramleys. Their dad doesn’t want them to mix with the Caswells because no good will come of it. He doesn’t want Mimi to work with Whipple because the Bramleys have always been gardeners. I was rooting for Mimi’s big break and cheered her on when she breaks away from tradition. Would she get her dream career and the man though? As we see the older Mimi we have some of the answers and she’s certainly a huge success, exuding quiet luxury and incredible taste. She is a household name. I felt like she got what she wanted because she dared to reach for it. Jo is similar because she’s willing to work hard for what she wants. However she feels terrible for deceiving Mimi and starts to question how much she’s strayed from the good person she thought she was. What happens when the final piece of copy is written? 

I struggled a little with Mimi’s sister Pamela because of the way she punishes Mimi for her ambitions, whether they’re for a career or for a man who’s out of their reach. Just because working the soil and marrying a man like her father is perfect for Pamela, doesn’t mean it’s right for her sister. She also gets to keep her family because she’s seen as the ‘good sister.’ I felt for her losses deeply, but Mimi loses everyone and has to rebuild in a bedsit on her own at first. There are visits but they’re few and far between and only when her father isn’t around. Jo is enjoying her work and finding Mimi’s version of the past intriguing and enlightening. She hates lying to her and dreads being discovered, not just because of their growing closeness, but because of Mimi’s driver Woody. He takes her home on nights she works late and she feels completely safe with him, as well as having the hint of a spark. As we countdown towards the auction the tension becomes impossible to manage. Her grandmother has brought Jo up, after the death of her parents, and she hates keeping secrets from her too. Although Pamela’s not been behaving like herself either, even making an impromptu trip to London which confuses Jo because she usually hates leaving home. 

Eve Chase knows how to create characters we care about and exactly when to reveal the secrets of the past for the reader to feel the full impact. It’s like dropping a bomb into these character’s lives and we know nothing can be the same again. There’s also the secondary impact in the present because of course Jo’s secrets must come to light too. When Mimi picks an object for the auction, and she and Jo talk about it, it’s easy to see how much it affects Mimi and conjures up memories of the past. She has always known how much power there is in objects from the moment she picks up a piece of crystal from a chandelier at Rushwood and Whipple encourages her to hold it up to the light and take it in: 

“a kaleidoscopic rainbow, every colour of Rushwood – stone, grass, willow, rose – caught in it’s mineral heart.” 

Each of Mimi’s fabric or wallpaper patterns has its genesis there, from the plants tended by her family to the objects at Rushwood and even her trip to the seaside with Lawrence. This is why we keep objects and I understand this so deeply because my house has the chesterfield leather chairs I used to sit in at my friend Nigel’s house, the first antique ginger jar my late husband and I bought to start a collection, a snow globe of New York from my 40th birthday trip and a little stone bird by my bed, part of a matching pair I shared with my friend Kathryn before she died. Mimi gets this human connection with the items we use to decorate our homes. Her auction will show the thread linking each piece to its place in her memory, no less powerful than Pamela’s continuation of the family’s tradition as a gardener. Even though everyone thinks Mimi has forgotten her family, I felt that she never forgot what happened that summer and has immortalised it through her life’s work. 

Out May 28th from Michael Joseph

Meet the Author

Eve Chase is million-copy bestselling novelist writing rich suspenseful novels. New novel, The Secret Thread. Also, The Midnight Hour, The Birdcage, The Glass House/The Daughters of Foxcote Manor (US), The Vanishing of Audrey Wilde/The Wildling Sisters (US) and Black Rabbit Hall.

Say hello @evepollychase on Instagram and Facebook

Posted in Squad Pod

Last One Out by Jane Harper 

Carrolan Ridge is a dying town. Ever since the Lentzer mining company decided to expand into the area everything has changed. Some people fought to keep the community together but as offers went out for homes and land surrounding the area of the new quarries, it was only a matter of time. At first they offered silly money and the people who took it were seen as traitors, then as the money dwindled more people took the hint. Now it’s a ghost town, only a few people left and a constant vibrating hum of mining activity. Ro left a while ago but she’s back for a few days, staying with her estranged husband Griff. He lives in the house they used to own while he works as Lentzer’s fire officer. It’s the annual memorial for their son Sam, who disappeared five years ago at the three houses where people held out as long as possible. The bungalow once belonged to his Uncle Warren, but Ro and Griff have no more idea why Sam was here than they did five years ago. Sam was researching the effect of industry on the town he was born in, interviewing the people who still lived there. He left his hire car half way up the drive and disappeared into thin air. It had been a tough time, Ro’s father was killed by a car and ten days later Griff’s brother Warren committed suicide in the quarry. The family were engulfed in grief and the worry over Sam, who wasn’t found. Ro only left when the medical centre closed. She was the GP for these people, now she’s an infrequent visitor, no longer able to stay in the place where they were a happy family. Griff can’t leave till he finds his son. When daughter Della arrives they’ll follow the same yearly ritual, but as ever Ro and Griff find their feet take them to where their son disappeared. Still looking for clues as to what went wrong. 

The author creates such a heavy atmosphere around this small town, driven home by the constant vibrations and the sound of trucks thundering up and down the road. When Ro visits the three houses at the quarry’s edge, a woman is there maintaining the biggest house unable to watch it become derelict. Ro observes it would have been better to demolish them all. There’s constant dust, in the houses, on their cars and in the air. It feels as if the quarry is pressing down on residents and it’s emotionally draining. There’s the claustrophobia that comes from being oppressed and the empty parts of town feel ghostly with Ro hearing a weird clanging noise when she ventures in. The longer people have stayed the worse their lifestyle has become: there’s nothing for children to do; people have to travel for medical help and essentials; the pub only opens once in a while. The author has created an atmosphere where people no longer trust each other. Those who tried to save the town are resentful of those who left early and made good money. Now their houses are worthless and there’s nothing to look forward to, as soon as they can teenagers leave for better prospects. One shrine stands to the old town and that belongs to Bernie, the father of Griff’s friend Noah. It’s a shack that he built with his son and it is full of keepsakes people have brought from places closed down. Even this is rundown and full of dust. It feels like the last gasp of a town on its knees and the repository for all its sadness. 

Ro is intelligent, resilient and a survivor. She knew she had to leave in order to live, not to forget Sam but to have a life without reminders at every turn. We can see this happen as she catches up with friends and they gather at the pub. While having a drink Ro slips into nostalgia, remembering their wedding day and dancing in this very bar. I could see why she left as the days passed, the frostiness between leavers and stayers is so evident and everyone wants to remember Sam, which is lovely but Ro almost wants to have him to herself. Everyone grieves in their own way and I could feel the tension building at the memorial which has become a public event and Ro doesn’t enjoy that part of it. Her walk with Griff, along the path where it’s believed Sam must have got into trouble, is much more private. Each of them thinking their own private thoughts and respecting each other’s need for silence. She’s a natural investigator, which possibly comes from her medical training. She looks around with suspicion, knowing that someone must know something. She reads his notebook again, looking for clues in the last interviews he did and noting anything of interest. Sam is a very real character in the book, although he isn’t present. The sunflower seeds Ro finds in the house that he carefully saved for her garden, the respectful way he treated everyone he interviewed and his emotional intelligence shine out. Sam, Darcy and Jacob were always a three, but after Sam has been away at university he realises that he’s changed and they’ve become closer to each other. He’s invested in what happened at Carrolan Ridge but he knows it’s not his future. However, I could see from his research that he’s asking dangerous questions. He may be a gentle interviewer but he’s still asking people to face their choices and question the decisions they’ve made. Some of his subjects might have found that very difficult to do. 

I felt like Ro still loved her husband. In fact they have a lot of respect for each other and make quite a formidable team. There is a section about her garden at the house, where she’d grown vegetables in containers and loved pottering at weekends. She can barely go and look at what it’s become and it’s almost become entwined in her mind with the town, something that’s broken and dying; ‘what she wanted didn’t exist anymore, she knew, and the sad, pale husk of it’s memory would only make things worse.” She’s surprised to find it flourishing and full of flowers when she goes to plant her sunflower seeds. It made me quite emotional to think of Griff doing that, almost as if he’s tending the garden since he can’t work on his marriage. Ro needs to have the realisation that just because Griff stayed doesn’t mean he loved Sam more or loved her less, it was just the only choice he could make in his grief. This is a slow burn novel but it needs to be so the author can properly explore the complexities of the town’s relationships, the different perspectives between generations and who, if anyone, wanted to harm Sam. As the pressure built towards the end I was desperate for Sam’s family to find him, and for Ro and Griff to reach an understanding too. Clues start to appear and I couldn’t put the book down till I knew. The story didn’t end how I expected but it was so good to finally have a flashback, to follow Sam on that day and discover what happened. It was a satisfying ending and made absolute sense, even though I hadn’t expected it at all. This is an excellent slow burn thriller in an incredibly atmospheric setting, exactly what I’d expected from this brilliant author. 

Out 23rd April 2026 from MacMillan

Meet the Author

Jane Harper is the author of The Dry, winner of various awards including the 2015 Victorian Premier’s Literary Award for an Unpublished Manuscript, the 2017 Indie Award Book of the Year, the 2017 Australian Book Industry Awards Book of the Year Award and the CWA Gold Dagger Award for the best crime novel of 2017. Rights have been sold in 27 territories worldwide, and film rights optioned to Reese Witherspoon and Bruna Papandrea. Jane worked as a print journalist for thirteen years both in Australia and the UK and lives in Melbourne.

Posted in Ten on Tuesday

Ten on Tuesday: Ten Feel Good Books for Stress Awareness Month. 

When it feels as if the world has gone to hell in a handcart we need books that absorb us into another world, that distract us, or teach us how to cope. We want something gentle maybe? A feel good novel or something that makes us laugh out loud. So I’ve compiled a list of books that have helped me over the years from those that have given me inspiration or suggestions on how to cope – the best one? Get a small dog. Often we need something nostalgic or an old favourite to sustain us, or perhaps something with a hint of magic. I think we all need just a tiny sprinkling of hope. 

This is a lovely, heartwarming read. It’s about being broken and trying to put ourselves back together. Sometimes we need another person to help us, a spark of friendship and a chance to learn from each other. Here’s the blurb…

Two people. 

Simon Sparks hides in plain sight – his astonishing gifts locked deep inside himself, as he dreams of lost potential and extraordinary tomorrows.

Jodie Brook hides behind what you think of her – a single mum who can barely make ends meet. But her dreams are filled with the education she always wanted and discovering a better life for her and her son.

One life.

When Simon and Jodie’s lonely worlds collide, it upends everything. But as it becomes clear they have so much to learn from each other – Jodie can show Simon how to rejoin the world, and Simon can help Jodie prepare for her greatest challenge yet – they begin to realise that life could be so much more.

One ordinary day at a time…

Sometimes the old ones really are the best and I’m always instantly soothed by one of these books, mainly for me the first two that focus on the March sisters as they grow up and choose their way forward in life. Yes, I know exactly how they’re going to turn out but that means there are no nasty surprises and I can just luxuriate in the sisters, their hobbies and passions, the warmth of their home and their generosity as a family. The March family are not without their trials, with their father away at war, sickness and loss and heartache but these are character building and the girls always look forward with hope. I can’t believe there’s a reader out there who hasn’t seen one of the films or read these books when they were younger so I won’t do the blurb. All you need to know is these books are funny, hopeful, romantic and everyone has a favourite sister. Beware of doing those quizzes that tell you which March sister you are. I wanted Jo but got Amy and that put a real dampener on my day! 😂😂

I’ve been following Dr Brené Brown’s work for around 12 years now and often used it in my counselling practice. I could have taken any of the books because they’re all helpful, but this is the one I started with. One of the biggest barriers to success and connection in my life has always been perfectionism. I’ve failed at things before I’ve even started because I wanted my work to be perfect. I even went to university with the aim of getting a first, because anything less would have felt like a failure. A chronic illness and disability has taught me that I can’t work in the way I want to. I have to work in short bursts and sometimes it I have to accept it’s a day to rest and work, chores and everything have to take a back seat. It’s a hard lesson. Reading this book helped me to accept my imperfections and realise admitting them to friends and family would bring us closer. Brené Brown tells us about her own struggles with perfectionism and it’s like reading the words of a close friend. Under this chatty style is a serious academic, with many years of research behind her. I never felt lectured but I did learn. I came away feeling like we’d had an honest, in-depth conversation where she showed her own vulnerability. I would advise reading it through, then go back to it with a notebook and pen, working through the tasks and applying them to your life. This really did create change in my life and allowed me to relax about being a messy, imperfect human.

Many of you have probably read Cheryl Strayed’s book Wild or watched the Reece Witherspoon film of the same name. It chronicled her decision to walk eleven hundred miles up the West Coast of America from the Mojave Desert, through California and into Washington State. This wasn’t something she normally did, but life’s circumstances had brought her to breaking point. Her mother died suddenly, her family seemed to fall apart and her own relationship totally broke down. She knew she needed to do something drastic, otherwise addiction could completely take over her life. This one of those survival stories where just getting up every day and walking and the nature around her began the healing process. This is a later book, compiled from the online anonymous agony aunt Cheryl became afterwards. Using the name Sugar, she tackled so many different problems with empathy but also a deep understanding of how it feels to be at rock bottom. Having down to earth advice from someone who’s been on the same journey is so powerful. Somehow it comes across as down to earth, genuine and caring, while also avoiding bullshit. This is a great book to dip in and out of when you’re feeling a bit low. In fact I recommend creating a pile of books by the bed for this very reason, books where you can read one section, a poem or a letter for those mornings when you need that boost.

This book is an absolute beauty and was a total surprise too! I picked it up in a second hand bookshop because it had an octopus on the cover and I read these lines:

Who am I, you ask? My name is Marcellus, but most humans do not call me that. Typically, they call me that guy. For example: Look at that guy—there he is—you can just see his tentacles behind the rock. I am a giant Pacific octopus. I know this from the plaque on the wall beside my enclosure.

It went from a maybe to a must buy in a couple of sentences. Our main character is Tova Sullivan whose husband died and ever since she’s worked as the night cleaner at the Sowell Bay Aquarium. Ever since her eighteen-year-old son, Erik, mysteriously vanished on a boat over thirty years ago keeping busy has helped her cope. One night she meets Marcellus, a giant Pacific octopus living at the aquarium who sees everything, but wouldn’t dream of lifting one of his eight arms for his human captors – until he forms a remarkable friendship with Tova.

Ever the detective, Marcellus deduces what happened the night Tova’s son disappeared. And now Marcellus must use every trick his old body can muster to unearth the truth for her before it’s too late… This book is heartwarming, original and so clever. Being inside the mind of Marcellus just made me smile and still does whenever I have a re-read. This book stays by my bed because I know it will always bring me joy.

I may be cheating here because this is more of a genre than an individual book, but I simply had to add it to this collection. There’s a reason streaming channels fill their schedules with Jane Austen adaptations, with a new Pride and Prejudice and Sense and Sensibility on their way soon, and it’s because they’re a joy to watch. Especially if they put one on opposite the endless football. These are gentle, witty and romantic stories with the hope of a happy ending. Of course you’ve probably already read Austen, so what next? Reach for an Austen inspired book. My three choices are inspired by Pride and Prejudice and involve all of the characters we are so familiar with. Eligible relocates P&P to a wealthy New York neighbourhood and the present day. The Other Bennett Sister tells a familiar story from the perspective of the middle Bennett sister Mary, something of a joke in the original, here Mary starts to enjoy life and it’s glorious. Finally there’s last year’s take from Rachel Parris, which keeps all the wit and romance of the original but our heroine is Lizzy’s best friend Charlotte Lucas, last seen accepting the proposal of the seemingly dreadful and ridiculous Mr Collins. What’s great about these books are the new plots, different perspectives on characters you know well, witty interesting women and yes, a touch of romance too. There’s the comforting feeling of knowing this world but also the unexpected joy of seeing it anew.

This book was a gift from my mum, after my husband died. Having been his carer for the final year of his life I hadn’t just lost the person I loved but I’d lost my purpose, the thing that occupied almost all of my time. Before he died I was ‘on’ day and night, except for the two nights we received nurses paid for by the NHS. Occasionally Marie Curie had a cancellation and I was offered care for the night and I jumped at it. He couldn’t move, eat or swallow so had a feeding tube in his stomach. He had primary progressive MS and it even affected his breathing, so he needed someone awake at all times.

This is a really honest and powerful memoir from Bel Mooney, mixing personal stories with literature, history, and inspiration. This book tells the story of her rescue dog, Bonnie, and how she rescued Bel when her world fell apart. She writes about the very public break-up of her 35-year marriage to Jonathon Dimbleby who fell in love with an opera singer. Not long afterwards the other woman was diagnosed with terminal cancer, leaving Bel’s ex- husband devastated and needing support. Bel covers six turbulent years from when she first acquired Bonnie from a rescue home, through this personal heartbreak and disappointment. It also shows the joy and companionship a dog can bring at a very difficult time. It inspired me to get my dog Rafferty who lived through some very difficult times with me and only died around four years ago. I can honestly say if I hadn’t picked him up on New Years Eve 2007 I might not even be here. Bel has now found happiness in a new life, with her Maltese at her side all the way. She writes about transformation, about healing then picking yourself up and attacking life. It’s also about celebrating the good parts of life, much as a dog always celebrate your return, even from the shortest trip. This is such an engaging story and I suppose my dog and this small book saved my life.

In my teenage years, our holidays were always spent in North Wales at a holiday let owned by an elderly gentleman called Ted. It was a large secluded farmhouse not far from the coast and we’d originally found it in a brochure. But Ted liked us and knew my parents had no money, she he’d let us stay for a whole week for £50. We’d stay in the front of the house and Ted would live in the small living space at the back that had probably been a piggery at one point. There was an adjoining door and at breakfast he would appear like a magic trick from the pantry. He was ever the gentleman, full of stories from the RAF and looked like the BFG, just smaller. Every year I would aim for the bookshelves and grab a compilation of James Herriot stories. I would read them laid on the lawn or by the river while my brother fished. I still find them some of the funniest and most uplifting stories I’ve ever read. I defy you not to laugh out loud when reading the ghostly monk who wanted a particular lonely road, perfect for terrifying a vet who’d had a call out at 3am. Or the angry cat Tristan and James are conned into collecting from an elderly lady, only for it to escape from its box on the return trip. As James tries to concentrate on the road while this black streak whirls around the car, causing Tristan to shout:

“The bloody thing’s shitting Jim. It’s shitting everywhere”.

Or the disastrous night he first takes Helen out to a dance, and tries to drive through a flood. They return to her farm with James soaked from the knees down and with ruined shoes. He then has to attend a dance with crinkled trousers and her father’s old dancing slippers that have bows on! The animals are amazing and I love reading about the bond between animals and their owners, even some of the farmers are more attached to their livestock than we might think. This is another one that’s great for keeping next to the bed when some cozy humour is needed.

This lovely novel from indie publisher Orenda Books has all those feel good words attached to it – heartfelt, life-affirming, hopeful. I can honestly say it is all of those things. Our hero, Robin Edmund Blake is halfway through his life.
Born in 1986, when Halley’s Comet crossed the sky, he is destined to go out with it, when it returns in 2061. Until that day, he can’t die. He has proof.

With his future mapped out in minute detail, a lucrative but increasingly dull job in the City of London, and Gemma to share his life with, Robin has a plan to be remembered forever. But when Robin’s sick father has one accident too many, the plan starts to unravel. Robin must return home to the tiny seaside town of Eastgate, learn to care for the man who never really cared for him, and face the childhood ghosts he fled decades ago. Desperate to get his life back on schedule, he connects with fellow outsider Astrid. Brutally direct, sharp-witted and a professor at a nearby university, she’s unlike anyone he’s ever met. But Astrid is hiding something and someone from Robin.
And he’s hiding even more from her. I loved this book because I could relate to Robin, hit by one of those life circumstances that come out of the blue. He and his dad are awkward and don’t really know how to talk to one another. Robin is equally awkward with the characters, avoiding them if he can manage it. He’s dealing with a huge life change and seeing the person who brought you up becoming helpless is a difficult thing. An old friend gets Robin out of the house and out on a bike, taking in the scenery he remembers from being a child. Then there’s Astrid who is like no one he has ever met. When I finished this book I had a huge smile on my face and I’d read it again tomorrow.

My final choice is not a novel or a self-help book, in fact it’s more pictures than words. My mum’s copy of this book was kept on a recipe stand in the living room and was turned to each month as if it was a calendar. There was no point keeping a book this beautiful on a shelf, it needed to be seen. I fell in love with it and tried to convince myself I was an Edwardian lady in a floaty frock, flitting around the forest drawing ferns and butterflies. I copied her illustrations and did my own, even taking the book into school to do a project on it when I was around ten. Edith Holden’s original diary is filled with a masterful paintings and observations chronicling the English countryside throughout 1906. It’s one of the few true records of the time in print, the handwritten thoughts and paintings contained in The Country Diary of an Edwardian Lady transport readers to a more refined, romantic, and simpler time. Her poetry and illustrations bring the reader back to a time in which propriety, civility, and an appreciation for the natural world reigned. It feels like a souvenir of a bygone era but it’s also a calming touchstone. I grew up surrounded by land, in a very agricultural county and I loved recording the plants and insects or birds I had seen, although my illustrations of butterflies and flowers were probably the most successful. It’s a charming book and even now a copy sits on the sideboard in my hall, open to the right month. It’s the perfect book to flick through, or read the quotations she has placed next to her sketches and lines of poetry. I feel completely in a different world when I look through this book, because it’s a powerful reminder of a gentler time, my own childhood and nature combined.