Harmony and Will have been together for a long time and live in a garden flat in London. They are the couple that most of their friends and family would say are meant to be together. Harmony’s closest friend, Amanda and her husband, throw a party where Harmony bumps into a man she feels an instant chemistry with. They talk for a while and when he suggests they just get into the car and leave together, she’s shocked to find that part of her responds to his suggestion. Harmony goes to find Will and imagines she will never see this man again. It’s only a few days later, that the couple go to lunch with Amanda who explains that they are also entertaining one of her husband Ian’s clients. Client Luke isn’t new to Harmony, he’s the man from the party, but much to her surprise, Luke isn’t new to Will either.
In fact Will’s reaction goes far beyond his explanation that he knew Luke at School. I knew immediately there was something much worse. Harmony has always wondered why Will is so cagey about his past, especially because he’s very stubborn in his outlook about becoming a parent himself. His childhood was so bad, he can’t imagine being a good parent. He is great with Amanda’s kids, but adamant he and Harmony should remain childless. So when Harmony became pregnant a few months ago he wasn’t going to be overjoyed. In fact when she tragically lost their baby, Harmony was devastated and Will’s first emotion was relief, not that he’s told her this. She has now realised how much she wants a child, but isn’t hopeful of changing his mind. It was while they were slightly at odds with each other, that Luke had bumped into a confused and vulnerable Harmony. Luke continues to be charming, intelligent and very forthright about his attraction to Harmony, including turning up at her work. Her head is turned, but despite that she knows she loves Luke. She wants to be his wife, but what if they don’t want the same things any more? When Ian introduced Luke has such a charismatic way about him. She could see though, that Will was horrified to see Luke again. His explanation that they were at boarding school together seems plausible, but she knows there’s more and so do we.
Amanda Jennings has a clever way of introducing you to characters and they don’t grab you immediately, because you’re taking in the world they’re in and the clues about the story. Then suddenly, by about the fifth page, she’s got you caught in a vice like grip. That was certainly the case here, as the sophisticated city lives these characters live is a world away from a country mouse like me. Yet as soon as Luke met Harmony, I knew there was something off and that he had an agenda. He intervenes between the couple at the perfect time too, not that he could have know that – or could he? Luke has a strange magnetism around him even when he’s at school. Will’s early life is sad and his father is abusive. I could understand why he didn’t want to relive it, but when we don’t talk about things they gain an importance they often don’t warrant. We know that whatever is at the root of the animosity between Luke and Will, it’s something humiliating, shameful and life changing. Jennings beautiful times her chapters so we get a bit of the present day and then a snippet of Will’s story. They way it’s eked out keeps you reading and it’s a story that’s horrifying and devastating for these young boys. I won’t say any more, but when we meet a classmate of theirs later on in the novel I wanted to push him under a bus! The fact that things like this happen at boarding school isn’t surprising, but creating or turning a blind eye to an environment like this should be criminal.
Harmony is an interesting character because she almost acted as if she had no choices. I think she’s still in that numb stage of grief and in this vulnerable state people make bad decisions. She seemed to have low self-esteem and really struggled to create boundaries. When Luke starts to encroach on her workplace and not take no for an answer, I was mentally screaming at her to say no and walk away. I wanted her to make a scene and call the police. Especially at first, because she’s done nothing wrong in chatting to a man at a party. I also wanted her and Will to communicate. The key to everything are those secrets that Will has been keeping, things that have happened that make him sure he’s unloveable and unfit to be a parent. It’s Harmony’s fear of encroaching on those boundaries that leads to her keeping her own secrets in turn. The author slowly turns the screw and the tensions rise, making it impossible to put the book down. I was glued to the story, hoping for the couple to break their silence and come together. This had all the ingredients of a great thriller and has real psychological insight into bullying and trauma. It was also brilliant to read a thriller where psychological healing is such an important part of the equation, as well as the thrilling twists and turns.
Meet The Author
As opposed to this latest novel, Amanda’s previous novels The Storm, In Her Wake and The Cliff House, are all set in Cornwall, in Newlyn, St Ives, and Sennen respectively. Cornwall is where her heart truly lies! Her mother’s side of the family is from Penzance and she holds many blissful memories of long summers spent there. She is never happier than when she’s beside the sea, though she’s also fond of a mountain, especially when it’s got snow on it. When she’s not beside the sea or up a mountain or sitting at my desk, you can usually find her chatting on the radio as a regular guest on BBC Berkshire’s weekly Book Club, or loitering on Twitter (@mandajjennings), Facebook and Instagram (@amandajennings1). She loves meeting and engaging with readers, whether that’s on social media, or at libraries, book clubs and literary festivals. If you see her out and about at an event do say hello! You can find more information on her webpage: http://www.amandajennings.co.uk
‘In movies the monsters are always zombies, vampires, or some weird kind of mutant, but in this moment his eleven year old brain tells him he was wrong all this time. What he’s looking at now are monsters. Real monsters.’
I loved the central premise of this novel from Paul Cleave, the idea that there are pain tourists – people who gain satisfaction from soaking up the pain and misery of others. I’ve always used the term ‘emotional vampires’ to describe something similar and it has levels, from those who revel in reading lurid tabloid coverage of a celebrity break-up to something much more disturbing. We all know those people who have a tendency to insert themselves into other people’s life dramas and grief or who get a kick out of watching true crime or the accounts of serial killers, such as the page after page of obscene detail that filled the pages of tabloids following the discoveries at Cromwell Street, the home of Fred and Rose West. It seems lately as if everyone is watching serial killer documentaries and actors from Dominic West to David Tennant are queueing up to play them. I think here, by imagining the more disturbing lengths someone might go to in order to feel part of that crime or tragedy, the author really made me think about this trend.
The novel opens as a tense and violent crime is being committed. An eleven year old named James is watching his parents being threatened at gunpoint by three masked men who have broken into the family home in the night. As the intruders try to obtain the whereabouts of a safe from his parents, using whatever means to make them talk, James is trying to set up an escape plan for his sister Hazel. As both James and his mother’s lives were threatened, my heart was racing wondering why his parents don’t tell the gunmen! James’s quick thinking saves his sister, in a heart-stopping escape she gets to a neighbouring house, but it earns him a bullet to the head after watching both his parents killed. The terrible tragedy is compounded by the fact James’s family did not have a safe. However, one had been recently fitted a few doors away where a diamond dealer had just moved in with his family.
Cleverly, Cleave then splits the narrative in two directions, in an almost ‘sliding doors’ type story. James’s life continues into the future with his family intact or James comes out of a nine year coma, convinced he’s been living a life way beyond the four walls of his hospital room. For the cops who worked the case, a lot has happened in the last nine years since they failed to solve the murder of Hazel and James’s parents. Theo Tate left the force and is now a private investigator after a terrible tragedy touched his own family. Rebecca Kent is still a police officer, but is marked by tragedy in a more physical way, every reaction from strangers reminds her she now has a scar running down her face. The pair come together to revisit the case, when Kent is informed that James has woken up. Now, despite her relentless hunt for a serial killer nicknamed Copy Joe, Kent is tasked with reopening the cold case. Feeling hopeful that James may remember some new detail to add to existing evidence she also wonders if he could become a target for the killers, who are still at large? James can’t speak, but can communicate with pen and paper. The investigators are shocked by the detail packed into James’s story as he starts to write more. His ‘ComaWorld’ diary seems to flow out of him with very little thought or res. Nine notebooks, one per year, document a life unlived by anyone but James. Familiar names and events start to become apparent to his sister, such as his accuracy on each day’s weather or the book she was reading to him slipping into the narrative. What nobody expected him to reveal is that Kent has more than one serial killer on her hands.
This was such an original and complex thriller. As you might expect, considering I’m a writing therapist, the ‘Coma World’ stories were fascinating to me. The aspects of real life that Hazel notices are brilliant plot devices, but also play with the idea that the unconscious mind is still very much alive and picking up on what’s going on around it. From a therapy angle, James’s narrative could be seen as the mind’s way of healing itself while his body is asleep. One therapy technique I’ve seen involves the client writing a different narrative ending to something that’s happened. It helps the client discuss how a different ending might feel – would they feel more closure about the event for example? By exploring this, we can then discover and discuss why the real ending caused so many problems. The way James writes, in longhand and over a period of days fascinated me too. Is he scared if he doesn’t write it down it will be lost to the truth? The complex level of detail is incredible, as if he’s still seeing it running like a movie in his mind’s eye. I wondered how he kept it so rigidly to one year per book, suggesting there was a lot of detail he chose not to record. What we choose to edit out of a narrative is sometimes as important as what we leave in. When it becomes clear he’s been aware of other patients in the room, we can see how his mind is weaving their names and other facts into his narrative – he’s heard all their conversations too.
Tate and Kent were great characters to guide us through these complex interwoven cases. Kent is driven, but slightly less idealistic than Tate. She’s made peace with the fact that some cases don’t get solved in a way he hasn’t. It’s clear why she’s stayed inside the police force and he’s preferred to forge his own path. He’s an incredible investigator but perhaps not so good at office politics and coping with an imperfect system. Kent is desperately trying to solve the case of Copy Joe, a serial killer who copies the methods of previous serial killers, like the Christchurch Carver. Whoever he copies, he likes to leave the crime scene exactly the same way, almost like an homage to the murderers, showing his admiration. Are they looking for a fan of the ‘True Crime’ genre? Someone who perhaps started with the odd book, the podcasts, and the documentaries until he’s had to experience the same thrill. It’s an uncomfortable concept and made me question our enjoyment of such narratives, especially when true crime documentaries are constantly in the daily top ten on Netflix or other streaming service. When it comes to curiosity, how far is too far? When does an interest become an urge, an action. Tate’s private life was so devastatingly sad and I was moved by his visit with his wife. He loves her still and they sit and talk like any other married couple, the difference being, that as soon as Tate walks out of the room she will forget everything all over again. He chooses to bear a terrible loss alone. This showed another, devastating, side of brain injury -a patient who is physically capable, but with a brain that erases every interaction leaving a blank slate. She is happy in the moment, but that present moment is all she has.
From the explosive opening, which really gets the adrenaline flowing the tension ebbs and flows depending on the narrative or case we’re following that chapter. Towards the end, as all these cases come together in one terrible night, the heart really started pounding again. I did get a bit confused between locations and who was where towards the end. So I had to keep going back, desperately trying not to miss a moment as the twists and turns came thick and fast. I found it was Tate and Kent I was rooting for, not just that they would solve their cases, but that they would survive! I found the way James was constantly moved around in these final chapters a bit concerning. My experience in occupational health and care needs had me asking all sorts of questions. If James couldn’t walk how was he managing in these different spaces, using various different surfaces to sleep on from beds to couches? I kept wondering how he was getting to the loo – I’m laughing at myself as I write this, because honestly the way my brain works! This says so much about my inner life. I just kept thinking ‘how has he been discharged from hospital without an occupational therapy assessment and a multi-disciplinary meeting?’ Of course these facts are like the days James edits out of his narrative, not very interesting or helpful to the plot. The details of a character’s loo habits tend to dissipate the tension and excitement. This was an incredibly fast read, giving you some idea of the pace and that addictive pull you want in a thriller. Each character is cleverly written to draw you in, but you’re always left on edge and unsure. The multiple endings are brilliant, I just thought it was solved and I could breathe, then the author pulled the rug out from under me. Yet I loved that we get to have multiple endings, as James’s doctor suggests they write a book together, framing the narrative in yet another way.
Meet The Author
Paul is an award-winning author who often divides his time between his home city of Christchurch, New Zealand, where his novels are set, and Europe, where none of his novels are set. His books have been translated into over twenty languages. He’s won the won the Ngaio Marsh Award three times, the Saint-Maur Crime Novel of the Year Award, and Foreword Reviews Thriller of the Year, and has bee shortlisted for the Ned Kelly, Edgar and Barry Awards. He’s thrown his Frisbee in over forty countries, plays tennis badly, golf even worse, and has two cats – which is often two too many. The Pain Tourist is his (lucky) thirteenth novel
When thinking about reads for Halloween I started thinking about books that genuinely scared me. The ones I couldn’t stop thinking about and made me look over my shoulder as I popped to the loo in the middle of the night. I blame the Brontë’s for my love of the gothic, from the terrible creature who visits Jane Eyre’s room in the night and tears her wedding veil, to the icy cold hand of a child that reaches into Mr Lockwood’s bedroom window in Wuthering Heights. I even studied gothic literature at university, that’s how much I love the genre. What scares us doesn’t always mean the traditional ghosts, vampires and witches we’re used to. It can be a really tense thriller, a mystery or even novels that defy genre. Here are a few books that genuinely gave me the creeps!
A.M.Shine was a completely new writer to me when I picked up this novel, so I had no expectations. Since reading this I’ve been so creeped out by his second novel, The Creeper, I had to stop reading it! The Watchers was an incredible read and such an unnatural situation for the characters to be in. Lost in a deep forest in rural Ireland, Mina feels unnerved, when she hears a scream that isn’t human, but isn’t like any animal she’s ever heard either. As the shadows gather she is beginning to panic, when suddenly she sees a woman beckoning her and urging her to hurry. Mina decides it’s better than staying out here to be found by whatever made that terrible noise. As the door slams shut behind them, the screams grow in intensity and volume, almost as if they were right on her heels. They’re in a concrete bunker and as Mina’s eyes adjust to the light, she finds herself in a room with a bright overhead light. One wall is made entirely of glass, but Mina can’t see beyond it and into the forest because it is now pitch dark. Yet she has the creeping sensation of being watched through the glass. A younger man and woman are huddled together, so there are now four people in this room, captive and watched by many eyes. Their keepers are the Watchers, dreadful creatures that live in burrows by day, but come out at night to hunt and to watch these captive humans. If caught out after dark, the door will be locked, and you will be the Watcher’s unlucky prey. Who are these creatures and why do they keep watching? I have to say that just when I thought my nerves were calm, this author found a way to leave me with a creeping sense of dread.
The Beresford is my favourite Will Carver novel, because it really does get under your skin without a single ghost in sight!
Abe Schwartz lives in a one-bed furnished flat. An apartment building called The Beresford. The bell rings and he’s the one opening the front door to a stranger. Before that, he’s dragging a dead body into his room, mopping up blood and asking himself, What the hell just happened?
The Beresford is an apartment building with a difference. It has a certain atmosphere and it’s not long before you dread the door bell ringing. Mrs May is the landlady, an incredibly sweet old lady who has a daily routine from her eggs and cold coffee first thing, to her rose pruning every afternoon. As anyone who has watched The Ladykillers knows, little old ladies should not be underestimated. Does she know more about what’s going on in her building than we think? Even worse, this is only one side of the building, and what’s going on next door is even more unsettling. I’ve been waiting for Carver to elaborate on the other side of the Beresford and I’m told I will only have to wait till next summer. I know one thing for sure – I’m definitely going to be reading it in the daylight.
This is the copy of William Blatty’s book that I would sneak off the bookshelves when my parents went out. I would read as much as possible, then as soon as I heard the gravel crunching on the drive, I’d pop it back and wonder how I was going to sleep that night. When I was about 13, this book had the combination of being both terrifying and taboo – a teenage bibliophile’s holy grail. My parents had joined an evangelical church and became very restrictive in my teens, so the fact this book was even on our shelves felt transgressive. The book works because of atmosphere and tension the author creates. This is a child, so that innocence contrasts sharply with the creature Regan becomes. At first her mother Chris thinks Regan is ill. While Chris has been shooting a movie in Georgetown, there has been poltergeist activity in their rented house, but as time goes on Regan has been refusing to eat, unable to sleep and aggressive in her behaviour. Could it be psychological? The deterioration in Regan is horrific and the sense of horror that starts to come over Chris as she prepares to enter her daughter’s room can be felt. The icy cold, the smell and the violent expletives really hit home and when even a priest is struggling to contain the evil inside the girl, it’s power is still terrifying over fifty years later.
When people ask me if I believe in ghosts I always say no, not in the traditional sense of apparitions, but I do believe in energy and how a building’s past can be felt within it’s walls. Events leave an imprint behind, the emotional equivalent of muscle memory, and perhaps sensitive people can tap into those emotions. That’s the feel of this novel from Diane Setterfield and for me it conjures up dark winter afternoons and the warm fireside but outside of that cozy circle there may be something lurking and waiting to surprise you with it’s presence. Angelfield House stands abandoned and forgotten, but is full of atmosphere. It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart…
Now Margaret Lea is investigating Angelfield’s past, and its mysterious connection to the enigmatic writer Vida Winter. Vida’s history is mesmering – a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power of her storytelling, two parallel stories begin to unfold…What has Angelfield been hiding? What is the secret that strikes at the heart of Margaret’s own, troubled life? And can both women ever confront the ghosts that haunt them…? Prepare to read this with a sense of unease, but a need to unravel the story.
Laura Purcell’s debut was so good it made her my ‘go to’ author immediately! It taps directly into those Brontë themes of atmospheric houses with creepy nighttime visitations. It builds beautifully, from a young woman who is bereaved and pregnant to the huge ancestral home, this is one of those tales that slowly and imperceptibly creates unease in the reader. When newly married Elsie Bainbridge finds herself a widow. and pregnant she is dependent on the kindness of his family. Once she reaches her husband’s family estate, she is disappointed, because far from being awed by the house, the villagers fear it and believe the Bainbridge family are cursed. Elsie pays no mind to servants talk, but maid Sarah seems intent on scouring the creepy house. in order to learn more of her family history. Then strange sounds disturb their sleep, leading Elsie and Sarah to discover a life size wooden figure. It’s like the prop for a play, but yet it has an uncanny similarity to Elsie. They decide to move it to the Great Hall, rather than leaving it hidden in the attic. They’ve also found two notebooks which turn out to be the diaries of Anne Bainbridge beginning in 1635.
Anne has written about her hope to charm King Charles I and his Queen on a forthcoming visit and support her husband, Josiah who wants to make connections. The royal couple’s daughter Henrietta Maria was supposedly conceived using white magic. Anne writes about a shop of curiosities and the Dutch heritage of the ‘silent companions’ she purchased ahead of their visit, subsequently discovered in the attic by Sarah. The figures slowly started to resemble their real life counterparts. Elsie starts to fear she is losing her mind as more figures appear and the mystifying question of what’s going starts to consumer her. This is such an original idea and much like Jessie Burton’s The Miniaturist, anything that starts to magically resemble it’s owner is downright creepy! I love Purcell’s ability to create an eerie atmosphere and a very uneasy reader.
Melmoth the Witness is a figure from mythology, or is she? Known as one of the woman who witnessed the tomb on the morning that Christ resurrected, she is now an eternal traveller. Wandering the centuries she lures people into following her, whereupon they too become damned to an eternity of itinerant, solitary wandering. Set in the beautifully, atmospheric city of Prague we meet a woman called Helen and her friend Karel on the street. Agitated and enthralled, he tells her he has come into possession of a mysterious old manuscript, filled with personal testimonies taken from 17th-century England to wartime Czechoslovakia, the tropical streets of Manila, and 1920s Turkey. All of them tell of being followed by a tall, silent woman in black, bearing an unforgettable message. Helen reads its contents with intrigue and some scepticism, but everything in her life is about to change. We follow Helen’s story, but within it are all the other stories and lives, creating a Russian doll style tale, but where each incarnation has the same sense of menace and impending doom.
I think what scared me would have scared any ‘listener’. It’s the toll witnessing takes on a person. This book takes in the breadth of the horrors experienced in Prague throughout the 20th Century. It made me imagine being present to witness the trenches of WW1, the Holocaust, and so many other atrocities and personal tragedies. I’ve worked in mental health for twenty years and I’m taking a break at the moment to study. I know the emotional toll that listening to people’s stories can take on the listener or observer. For Melmoth, this would be so much worse because she has to sit back and witness all of humanity’s horrors. Even worse, she has no power to change anything, but is doomed merely to witness. No wonder she wants other souls to witness with her, she must feel the weight of the horrors yet to come. By the end of this novel so did I.
I have loved the characters of Cormoran Strike and his business partner Robin Ellacott for a long time, after seeing one of Robert Galbraith’s books in a charity shop and deciding to give it a go. I’ve bought every book in the series since and Strike has become one of my literary crushes – the troubled, wounded, war hero with a rescuer complex and rugged good looks is right up my street. Then there’s Robin, the country girl from Yorkshire who has bags of Northern common sense and is also brave, intelligent and caring. Their friendship works due to respect; he respects her intelligence and investigative abilities, whereas she respects his experience and never pushes beyond his boundaries. Their ‘will they/won’t they’ romance has had me on tenterhooks. I had heard this might be their last outing, so I was expecting their relationship to be resolved in some way. I also expected the main case to grab me immediately, just as their previous investigations did. This combination that has always kept the Strike books instantly readable, no matter if they do weigh the same as a house brick. The leading character’s issues aside, the cases have always been complex and multi-layered, with enough drama to keep me on the edge of my seat as I move towards the conclusion.
This time the agency is delving into two different worlds – the art world and the world of online gaming. Edie Ledwell and Josh Blay are artists who met while training and created a cult cartoon called The Ink Black Heart, set in Highfield Cemetery and peopled by odd little characters such as a talking human heart and a pale wispy ghost. The fans of this cartoon are real super fans, with two of them creating an online game for players to create a character and complete challenges around the graveyard. There was also a facility to meet other fans and talk on private channels during the game. However, fame is never straightforward and when Edie and Josh are found in Highfield Cemetery, attacked with a knife, rumours abound. With Edie dead at the scene and Josh paralysed in hospital, Strike and Robin are tasked to find out who had a grudge against the pair. Edie particularly, was bombarded with online abuse from misogynistic trolls, but it’s a character from the online game that Robin and Strike need to unmask. Anomie is a cloaked, faceless character, j one of the moderators and possibly even the creator of the game. The question is, how do they find someone, whose presence in the real and virtual world is a mystery?
It felt to me as if Robin really stepped up in this novel and took the primary role. Strike struggles physically this time, because years of not looking after himself have started to take their toll. His stump becomes inflamed and unable to take his prosthetic leg or bear his weight. Despite this Strike continues as long as he can, until even he has to accept medical help and enforced rest. So Robin’s detective skills come to the fore, as she infiltrates the art centre and commune, as well as the online game. I really enjoyed her undercover work on this case, firstly becoming Jessica a young woman who works in marketing and finance, but always wanted to explore her artistic side. She signs up to an art class at the centre to improve her skills and meet those who rubbed shoulders with Edie and Josh. She then visits comic-con as a journalist to interview someone they believe is very active in the game – Strike’s disguise amused me greatly here. I’ve always enjoyed Robin’s inner world and here I loved how much confidence her investigative role gives her. Her personal life has given her confidence a battering, especially now that her husband and the woman he was cheating with have a baby together. She has avoided her home town for a while, knowing they’ll be parading their offspring. Robin has worked out that it was the rape she went through at university that led to her settling with ex-husband Matthew. He was there and knew what had happened, it was infinitely easier than having to share this part of her past with someone new.Her feelings for Strike became more obvious when he turned up at her wedding and she left the celebrations to speak to him, much to husband Matthew’s disgust.
Strike is her best friend and she doesn’t want to lose that, but in this story other concerns also come to the fore. She feels inexperienced and unsophisticated in comparison to other woman she has seen with Strike, such as his ex-girlfriend Charlotte and his current girl Madeleine. Robin has no idea how beautiful she is, but Strike is very aware of the effect she has on men when she enters a room. What she doesn’t know is that Strike is currently comparing her with Madeleine, and his girlfriend is not doing well by comparison. Madeleine is well-groomed and always fully made up, plus she’s part of the same sophisticated London set as Charlotte. Strike has noticed the clean smell of Robin’s just washed hair and admires her simplicity. There are no games with Robin, she is always honest and says what she feels. Yet when Strike does weaken and try to kiss her when they go for birthday drinks, she looks so surprised that he interprets it as revulsion, but I think it’s fear. They are both frustrating, but the tension has to continue. The alternative is unthinkable, because people of my vintage remember Bruce Willis and Cybil Shepherd in Moonlighting and the disaster it became when their characters consummated years of flirting. If Strike and Robin ever did get together, I have no doubt it would have to be the end of the series.
It was within the case that I started to have some issues with the book. This is a long novel and the case concerned a wide range of people both real and virtual. Trying to remember where each character fit in the story was one thing, but when I realised they were possibly in the game with a user name too, it became much more complicated. I found it hard to follow the clues that pointed towards who Anomie was. There were also long sections written in private channels within the game. This felt awkward, although it wasn’t so bad when just two people were chatting, it became impenetrable to me when several channels were open at once with the same characters talking to different people at the same time. Although it gave an insight into how these characters communicated and talked behind each other’s backs, it was hard to keep track. The issues of misogyny and trolling felt like they’d come from the writer’s personal life and the type of trolling she’s been experiencing lately. Studies show that women who game online are exposed to misogynistic abuse and often use male avatars to avoid this type of trolling. So it was true to the story, but often felt she was trying to make a point, especially when we started skirting around subjects like trigger warnings and cancel culture. The sections that bothered me most were those around disability, particularly invisible disabilities and chronic illness. Strike is a hero, because of the war injury he sustained. He’s in that section of ‘acceptable’ disability that includes those who’ve acquired a disability in combat or try to ‘overcome’ their disability such as a Paralympian or other disability athlete. However, there are two characters in the book who have chronic illness, most notably ME or come under scrutiny from Strike and Robin as possible suspects in the case. Inigo uses a wheelchair and has an adapted home, character wise he is shown to have little patience, yelling at his children and wanting his environment just so. There’s an inference that his disability shouldn’t rule him out as the killer, as he could be playing on his symptoms. The second ME sufferer is a young girl who Strike goes to interview, but as he arrives at the house, she has fled out of the back door. This sudden movement immediately has him wondering whether she is also putting on her symptoms. However, Strike himself uses a flash of his disability to get into the family home – who would refuse a chair to a man with a prosthetic leg?
In the same breath the author does include articles about the Ink Black cartoon being ‘ableist’, showing an awareness of how problematic representations of disability can be. She also quotes the ‘spoonies’ blog, which refers to limited units of energy as spoons and exploring the difficulty of using more spoons than you have. I have always praised Galbraith’s depictions of Strike’s disability. Yes, he’s portrayed as a hero, but he’s not invincible as this novel’s physical difficulties shows. Where representation does become problematic here is that Strike is portrayed as wounded, but also a ‘hero’. He comes under the disability theory heading of a ‘supercripple’ – always able to perform beyond his abilities particularly when tasked with rescuing Robin. He’s also depicted as a sexual being, desirable to women still and clearly able to perform in the bedroom. Yet the character of Inigo, an ME patient, is not seen as sexual. In fact, again he’s under suspicion – aspersions are cast on his marriage, their sex life, and his character. I think this is possibly an attempt to show the reader how suspicious people are of those with invisible disabilities. It’s something I’ve experienced in my own life. However, there’s just something I’m uneasy about in these depictions. I was reminded of Ricky Gervais’s clever depictions of disability in The Office, where David Brent tries, in his own inimitable way, to educate his workers on how to approach a co-worker in a wheelchair. We’re supposed to be laughing at Brent, who’s so tone deaf he never asks how his colleague feels about being the subject of this impromptu lecture on disability awareness. He insults her as he tries his best not to, and that is the joke. Uneasily though, I wondered how many tone deaf people were laughing at what they complain is political correctness or at the wheelchair user who looks uncomfortable and embarrassed. This knife edge type of writing can go either way and I wondered how many people with ME would be comfortable with Galbraith’s representations of their disability. Since coming under scrutiny in the previous Strike novel for the depiction of a notorious serial killer dressing as a woman to lull the women he approached into a false sense of security. I would have thought it best to avoid controversial representations altogether. I have to take into account my own invisible disability, which may have prejudiced my feelings on the subject.
In all, this is another solid read from Galbraith, in terms of storyline and character development. It’s both entertaining and dramatic, with some complex and eccentric characters along the way. I love that we saw an even more vulnerable side to both characters, especially Strike. It was also great to see his dealings with ex-girlfriend, and trouble-maker, Charlotte taking a more realistic line. Maybe this clears the way for a different approach to matters of the heart for Strike and it’s this hope that will keep me looking out for the next instalment.
Meet The Author.
Robert Galbraith’s Cormoran Strike series is classic contemporary crime fiction from a master story-teller, rich in plot, characterisation and detail. Galbraith’s debut into crime fiction garnered acclaim amongst critics and crime fans alike. The first three novels The Cuckoo’s Calling (2013), The Silkworm (2014) and Career of Evil (2015) all topped the national and international bestseller lists and have been adapted for television, produced by Brontë Film and Television. The fourth in the series, Lethal White (2018), is out now.
Robert Galbraith is a pseudonym of J.K. Rowling, bestselling author of the Harry Potter series and The Casual Vacancy, a novel for adults. After Harry Potter, the author chose crime fiction for her next books, a genre she has always loved as a reader. She wanted to write a contemporary whodunit, with a credible back story.
J.K. Rowling’s original intention for writing as Robert Galbraith was for the books to be judged on their own merit, and to establish Galbraith as a well-regarded name in crime in its own right.
Now Robert Galbraith’s true identity is widely known, J.K. Rowling continues to write the crime series under the Galbraith pseudonym to keep the distinction from her other writing and so people will know what to expect from a Cormoran Strike novel.
After a couple of years of book blogging, I’m coming to the conclusion that Orenda Books are infallible when it comes to choosing what to publish; I’ve not come across a bad book yet. Of course there are some I like more than others, but that’s just personal taste. I read the first in this series based around financial investigator Āróra and it set the scene well. Āróra has returned to Iceland in order to look for her sister, who went missing while living in a volatile relationship. It was an enjoyable beginning, but this book was absolutely, unputdownably, brilliant. It had me reading at 3am, chewing my fingernails with tension and unable to get up the next morning until I’d read the final page.
Our heroine is still in Iceland and even has a new home, but hasn’t yet broken it to her mother that she’s staying put. The truth is she can’t leave, not until she’s found her sister Īsafold or at least her body. She’s bought a drone and when she has time, can be found driving the endless tracks formed between lava floes with her drone covering the ground either side of the car. She’s also still working and has picked up an interesting case from businessman Flosi, whose wife Guaron has been abducted from their home while cooking their evening meal. She was halfway through cooking langoustines with lemon and garlic butter and in the kitchen theres an overturned chair and bread burning in the oven. All that’s been left is a printed letter on standard paper warning that Flosi shouldn’t involve the police and they will be in touch with a ransom demand. Āróra isn’t the police, so Flosi is hoping that she can help him find the money for the ransom and manage the situation, but Āróra is thinking of the best way to bring the police into the situation without the kidnappers knowing. Daniel is the best police officer for this kind of complex situation. The team move in slowly, disguising themselves as family members and friends supporting Flosi, but in the meantime looking into all the circumstances surrounding Guaron’s disappearance. What Flosi doesn’t seem to realise is that, by it’s nature, an investigation like this looks closely at everybody, including those closest to home.
I’m interested in Āróra as a character. She’s driven, both at work and in her quest to find her sister. I love her inner world, particularly the pull she has between the UK and Iceland. Her drive and resilience seem largely nurtured by her father who was a professional strongman and believed in training his daughters in the same way he would a son. It is his voice she hears when she’s finding things difficult or when she’s in a really tight spot and fighting off those who might harm her. It’s as if he’s the voice of the logical side of the brain, the side that she tries to kick into at times of stress. She’s also very logical and methodical with her work, able to find subtle clues and complex patterns within financial information that others might miss. She soon realises that Flosi isn’t necessarily the mild mannered local businessman he appears to be. This makes her wonder, if he’s willing to withhold information on his business dealings what else is he omitting from his testimony? However, where personal feelings for others are concerned, Āróra’s calm and methodical nature does become overwhelmed. Many people have gently reminded her that she might never find Īsafold, but she can’t let the search go because she’s consumed by guilt that this last time her sister called her for help, she didn’t come. Daniel also overwhelms her sensible side and we see that more here as the pair are drawn to each other, but will she allow herself to explore those feelings?
We are also allowed into the lives of Daniel and his team, showing the toll that their job takes on their personal lives. Helena is a brilliant investigator, but doesn’t allow herself to get too close to people. She has a system for her personal life, a small number of women whose company she enjoys who are also comfortable with a no-strings arrangement. When she wants company she calls them in order of preference to see who is free for the evening. Yet she never lets herself share a meal, a movie or anything about how she feels with them. Daniel finds his job a huge hindrance to a personal life, especially like this case where he has to drop everything at a moment’s notice and disappear for a few days or weeks with no explanation or contact. He is consumed by his job too, but there are hints of a softer side to him,not just in the way he feels about Āróra, but in the way cares for Lady G a trans woman who lives in his garden office.
The case is fascinating, with hints of dodgy money dealings and possible involvement with the Russian mafia. Flosi has a more complex life than at first appears. He has a daughter called Sarah who works with him, but doesn’t like to live with him due to tensions with Guaron. Guaron is his second wife and it’s as if Flosi hasn’t grown up and realised that long term relationships are not as exciting as those first thrilling months when we fall in love. It is all sharing meals, watching tv at night, and the gentle domestic routine. He already rejected this way of life when he left his first wife, but at the first sign of trouble she is still willing to come over with Sarah and cook for the team and offer Flosi support. There are signs his relationship with Guaron has reached that comfortable stage, but he isn’t forthcoming with the team about his doubts or his solutions to the boredom he’s felt in his marriage. Every little piece of information has to be dragged out of him, but is he being deliberately obstructive? Sometimes he seems genuinely clueless about the importance of being honest in finding his wife. I wasn’t sure he even wanted her found, and with a resentful daughter, over-involved ex-wife and other distractions my suspicions were pulled in one direction then another. The author paced these revelations beautifully, raising the tension and sending me racing through the pages. This really is an intelligent thriller that will not only keep your attention but will keep you guessing all the way to the end.
Meet the Author
Icelandic crime-writer Lilja Sigurdardóttir was born in the town of Akranes in 1972 and raised in Mexico, Sweden, Spain and Iceland. An award- winning playwright, Lilja has written four crime novels, with Snare, the first in a new series and Lilja’s English debut shortlisting for the CWA International Dagger and hitting bestseller lists worldwide. Trap soon followed suit, with the third in the trilogy Cage winning the Best Icelandic Crime Novel of the Year, and was a Guardian Book of the Year. Lilja’s standalone Betrayal, was shortlisted for the Glass Key Award for Best Nordic Crime Novel. In 2021, Cold as Hell, the first in the An Áróra Investigation series was published, with Red as Blood to follow in 2022. The film rights have been bought by Palomar Pictures in California. Lilja is also an award-winning screenwriter in her native Iceland. She lives in Reykjavík with her partner.
There are so many great books this autumn, but I’ve narrowed it down to those I have and I’m looking forward to reading the most. It’s all here, from spooky Halloween reads to feel-good fiction, thrillers to historical fiction and a splash of horror. Here’s a little preview of these great books.
In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore – old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed.
Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds – and together they begin to unpick the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew – and risk what she holds most dear. I loved this author’s previous book The Lighthouse Witches and I can’t wait to get stuck into this one.
Published on 13th October 2022 by HarperCollins
I loved Caroline’s first two novels, both set in the aftermath of WW1 and full of historical detail, characters to empathise with and that chaos that seems to thrive in war’s aftermath. Between the two World Wars the country was in a state of flux, with huge changes in class structure, gender and the finances, both public and personal. This book is set in England, 1932, when the country was in the grip of the Great Depression. To lift the spirits of the nation, Stella Douglas is tasked with writing a history of food in England. It’s to be quintessentially English and will remind English housewives of the old ways, and English men of the glory of their country. The only problem is –much of English food is really from, well, elsewhere and can one cookbook really manoeuvre people back into those pre-war roles?
Stella sets about unearthing recipes from all corners of the country, in the hope of finding a hidden culinary gem. But what she discovers is rissoles, gravy, stewed prunes and lots of oatcakes. Longing for something more thrilling, she heads off to speak to the nation’s housewives. But when her car breaks down and the dashing and charismatic Freddie springs to her rescue, she is led in a very different direction . . . Full of wit and vim, Good Taste is a story of discovery, of English nostalgia, change and challenge, and one woman’s desire to make her own way as a modern woman.
Published on 13th October 2022 by Simon and Schuster U.K.
Rachel Joyce is one of those authors I’ve had lick to meet twice, at book signings, where I’ve been one of the last people to queue with my old books under my arm and her latest in my hand. Her last book Miss Benson’s Beetle was an incredible read about extraordinary women. Now she reverts to a series of books that have celebrated very ordinary people doing extraordinary things and Mrs Fry is no exception. Ten years ago, Harold Fry set off on his epic journey on foot to save a friend. But the story doesn’t end there. Now his wife, Maureen, has her own pilgrimage to make.
Maureen Fry has settled into the quiet life she now shares with her husband Harold after his iconic walk across England. Now, ten years later, an unexpected message from the North disturbs her equilibrium again, and this time it is Maureen’s turn to make her own journey. But Maureen is not like Harold. She struggles to bond with strangers, and the landscape she crosses has changed radically. She has little sense of what she’ll find at the end of the road. All she knows is that she must get there. Maureen Fry and the Angel of the North is a deeply felt, lyrical and powerful novel, full of warmth and kindness, about love, loss, and how we come to terms with the past in order to understand ourselves and our lives a little better. Short, exquisite, while it stands in its own right, it is also the moving finale to a trilogy that began with the phenomenal bestseller The Unlikely Pilgrimage of Harold Fry and continued with The Love Song of Miss Queenie Hennessy.
This is a slender book but it has all the power and weight of a classic.
Published by Doubleday 20th Oct 2022. Kindle Edition available from 5th October.
I have already started this book and had a nightmare of epic proportions the very first night. I’m suggestible and have a wild imagination, but I think the opening to this book is strangely unsettling. I felt uneasy, even though the chapters I read didn’t have any particularly terrifying events. It’s the strangeness that creeps up on you.
Superstitions only survive if people believe in them… Renowned academic Dr Sparling seeks help with his project on a remote Irish village. Historical researchers Ben and Chloe are thrilled to be chosen – until they arrive. The village is isolated and forgotten. There is no record of its history, its stories. There is no friendliness from the locals, only wary looks and whispers. The villagers lock down their homes at sundown. It seems a nameless fear stalks the streets, but nobody will talk – nobody except one little girl. Her words strike dread into the hearts of the newcomers. Three times you see him. Each night he comes closer… That night, Ben and Chloe see a sinister figure watching them. He is the Creeper. He is the nameless fear in the night. Stories keep him alive. And nothing will keep him away..
Published by Head of Zeus/ Aries 15th September 2022.
I’m a sucker for historical fiction with a gothic edge, so this really captured my imagination as soon as I read the blurb. Obviously my counsellor brain is always ready for tales of supposed madness and hysteria too.
I must pull myself together. I had to find Dr Rastrick and demand my immediate release. My stomach knotted at the prospect, but I knew I was perfectly sane and that he must see reason.
In 1886, a respectable young woman must acquire a husband. But Violet Pring does not want to marry. She longs to be a professional artist and live on her own terms. When her scheming mother secures a desirable marriage proposal from an eligible Brighton gentleman for her, Violet protests. Her family believes she is deranged and deluded, so she is locked away in Hillwood Grange Lunatic Asylum against her will.In her new cage, Violet faces an even greater challenge: she must escape the clutches of a sinister and formidable doctor and set herself free. This tantalizing Gothic novel from Noel O’Reilly tells a thrilling story of duty and desire, madness and sanity, truth and delusion from within a Victorian asylum.
Published by HQ 8th December 2022
Spring 1937: Teresa is evacuated to London in the wake of the Guernica bombing. She thinks she’s found safety in the soothing arms of Mary Davidson and the lofty halls of Rochester Place, but trouble pursues her wherever she goes.
Autumn 2020: Corrine, an emergency dispatcher, receives a call from a distressed woman named Mary. But when the ambulance arrives at the address, Mary is nowhere to be found. Intrigued, Corinne investigates and, in doing so, disturbs secrets that have long-dwelt in Rochester Place’s crumbling walls. Secrets that, once revealed, will change her life for ever . . .
Who is Mary Davidson? And what happened at Rochester Place all those years ago? Set between the dusty halls of Rochester Place and the bustling streets of modern-day Tooting, this emotive, intricately layered mystery tells the spellbinding story of two people, separated by time, yet mysteriously connected through an enchanting Georgian house and the secrets within its walls.
Published by Penguin 8th Dec 2022
I always look forward to an Orenda book, because I know I’m going to great a fantastic and often thought provoking read. I’m on the blog tour for this in November and I’m looking forward to this one. James Garrett was critically injured when he was shot following his parents’ execution, and no one expected him to waken from a deep, traumatic coma. When he does, nine years later, Detective Inspector Rebecca Kent is tasked with closing the case that her now retired colleague, Theodore Tate, failed to solve all those years ago.
But between that, and hunting for Copy Joe – a murderer on a spree, who’s imitating Christchurch’s most notorious serial killer – she’s going to need Tate’s help … especially when they learn that James has lived out another life in his nine-year coma, and there are things he couldn’t possibly know, including the fact that Copy Joe isn’t the only serial killer in town…
Published by Orenda Books Nov 10th 2022
In between the serial killers, ghostly apparitions and terrifying ‘creepers’ I need some light relief. I was looking for something warm and uplifting and this could be it. Newly installed at All Souls Lutheran, Mallory “Pastor Pete” Peterson soon realizes that her church isn’t merely going through turbulent waters, but is a sinking ship. With the help of five loyal members of the Naomi Circle, the young, bold minister brainstorms fundraising ideas. They all agree that the usual recipe book won’t add much to the parish coffers, but maybe one with all the ingredients on how to heat up relationships rather than casseroles will…
Pastor Pete has her doubts about the project, but it turns out the group of postmenopausal women has a lot to say on the subject of romance. While Charlene, the youngest member at fifty-two, struggles with the assignment, baker-extraordinaire Marlys, elegantly bohemian Bunny, I’m-always-right Velda, and ebullient Edie take up their contributions enthusiastically. After all, their book is really about cooking up love in all its forms. But not everyone in the congregation is on board with this “scandalous” project. As the voices of opposition grow louder, Pastor Pete and these intrepid women will have to decide how hard they’re willing to fight for this book and the powerful stories within—stories of discovery, softened hearts, and changed lives.
Published by Lake Union 6th December 2022
Although this book is already out I’m saving it for the autumn, because it’s one of my Squad Pod’s Book Club reads. I loved Quinn’s debut novel The Smallest Man so I’ve had my eye on this for a while. I also love unusually named heroines, ever since Mary Webb’s Precious Bane, and Endurance Proudfoot is a brilliant invention. It’s usual, they say, for a young person coming to London for the first time to arrive with a head full of dreams. Well, Endurance Proudfoot did not. When she stepped off the coach from Sussex, on a warm and sticky afternoon in the summer of 1757, it never occurred to her that the city would be the place where she’d make her fortune; she was just very annoyed to be arriving there at all.
Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, with a tactless tongue and a face she’s sure only a mother could love. Durie only wants one thing in life – to follow her father and grandfather into the family business of bonesetting. It’s a physically demanding job, requiring strength, nerves of steel and discretion – and not the job for a woman. But Durie isn’t like other women. She’s strong and stubborn and determined to get her own way. And she finds that she has a talent at bonesetting – her big hands and lack of grace have finally found their natural calling. So, when she is banished to London with her sister, who is pretty, delicate and exactly the opposite to Durie in every way, Durie will not let it stop her realising her dreams. And while her sister will become one of the first ever Georgian celebrities, Durie will become England’s first and most celebrated female bonesetter. But what goes up must come down, and Durie’s elevated status may well become her undoing…
Published by Simon and Schuster 21st July 2022.
There are a few formidable women in my autumn reading and this is another brilliant historical fiction novel for the list. This is billed as a ‘rich and atmospheric’ new novel from prize-winning author Sally Gardner, set in the 18th century between the two great Frost Fairs. Neva Friezland is born into a world of trickery and illusion, where fortunes can be won and lost on the turn of a card. She is also born with an extraordinary gift. She can predict the weather. In Regency England, where the proper goal for a gentlewoman is marriage and only God knows the weather, this is dangerous. It is also potentially very lucrative.
In order to debate with the men of science and move about freely, Neva adopts a sophisticated male disguise. She foretells the weather from inside an automaton created by her brilliant clockmaker father. But what will happen when the disguised Neva falls in love with a charismatic young man?
It can be very dangerous to be ahead of your time. Especially as a woman.
Published by Apollo 10th November 2022.
Will Carver is an incredible writer and his imagination knows no bounds. His books are always so completely original.
Eli Hagin can’t finish anything. He hates his job, but can’t seem to quit. He doesn’t want to be with his girlfriend, but doesn’t know how end things with her, either. Eli wants to write a novel, but he’s never taken a story beyond the first chapter. Eli also has trouble separating reality from fiction.
When his best friend kills himself, Eli is motivated, for the first time in his life, to finally end something himself, just as Mike did… Except sessions with his therapist suggest that Eli’s most recent ‘first chapters’ are not as fictitious as he had intended … and a series of text messages that Mike received before his death point to something much, much darker…
Published by Orenda Books 24th November 2022.
This book sounds like a very dark fairy tale and aren’t they the best ones? An ancient, mercurial spirit is trapped inside Elspeth Spindle’s head – she calls him the Nightmare. He protects her. He keeps her secrets. But nothing comes for free, especially magic.
When Elspeth meets a mysterious highwayman on the forest road, she is thrust into a world of shadow and deception. Together, they embark on a dangerous quest to cure the town of Blunder from the dark magic infecting it. As the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to fight it. This is a gothic fantasy romance about a maiden who must unleash the monster within to save her kingdom.
Published by Orbit 29th September
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird’s mother, Margaret, a Chinese American poet who left the family when he was nine years old.
Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is pulled into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
Our Missing Hearts is an old story made new, of the ways supposedly civilized communities can ignore the most searing injustice. It’s a story about the power—and limitations—of art to create change, the lessons and legacies we pass on to our children, and how any of us can survive a broken world with our hearts intact. This sounds absolutely epic and I’m so excited to have been granted a copy on NetGalley, so I’ll keep you all informed.
Published 4th October 2022 by Penguin Press
1643: A small group of Parliamentarian soldiers are ambushed in an isolated part of Northern England. Their only hope for survival is to flee into the nearby Moresby Wood… unwise though that may seem. For Moresby Wood is known to be an unnatural place, the realm of witchcraft and shadows, where the devil is said to go walking by moonlight. Seventeen men enter the wood. Only two are ever seen again, and the stories they tell of what happened make no sense. Stories of shifting landscapes, of trees that appear and disappear at will… and of something else. Something dark. Something hungry.
Today, five women are headed into Moresby Wood to discover, once and for all, what happened to that unfortunate group of soldiers. Led by Dr Alice Christopher, an historian who has devoted her entire academic career to uncovering the secrets of Moresby Wood. Armed with metal detectors, GPS units, mobile phones and the most recent map of the area (which is nearly 50 years old), Dr Christopher’s group enters the wood ready for anything. Or so they think. I love the mix of historical fiction and a touch of the supernatural so this one is a definite title for the TBR.
Published on 13th October by S
If someone says gothic, paranormal, romance to me, I’m there with bells on! As a lifelong fan of Wuthering Heights it’s very much my sort of thing. 1813. Lizzie’s beloved older sister Esme is sold in marriage to the aging Lord Blountford to settle their father’s debts. One year later, Esme is dead, and Lizzie is sent to take her place as Lord Blountford’s next wife.
Arriving at Ambletye Manor, Lizzie uncovers a twisted web of secrets, not least that she is to be the fifth mistress of this house. Marisa. Anne. Pansy. Esme. What happened to the four wives who came before her? In possession of a unique gift, only Lizzie can hear their stories, and try to find a way to save herself from sharing the same fate. This sounds to me like a Bluebeard type tale and perfect for a cozy autumn afternoon in front of the log burner.
Published 24th November 2022 by Penguin.
Three women Three eras One extraordinary mystery…
1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them.
1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable.
2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation.
Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love. I’m so excited about this one I’ve ordered a special copy from Goldsboro Books it’s simply stunning and I’m dying to read it.
Published by Orenda Book on 15th September 2022
Bleeding Heart Yard by Elly Griffiths
Another stunning cover here. From the author of the Ruth Galloway crime series this is a propulsive new thriller set in London featuring Detective Harbinder Kaur. A murderer hides in plain sight – in the police. DS Cassie Fitzherbert has a secret – but it’s one she’s deleted from her memory. In the 1990s when she was at school, she and her friends killed a fellow pupil. Thirty years later, Cassie is happily married and loves her job as a police officer.
One day her husband persuades her to go to a school reunion and another ex-pupil, Garfield Rice, is found dead, supposedly from a drug overdose. As Garfield was an eminent MP and the investigation is high profile, it’s headed by Cassie’s new boss, DI Harbinder Kaur. The trouble is, Cassie can’t shake the feeling that one of her old friends has killed again. Is Cassie right, or was Garfield murdered by one of his political cronies? It’s in Cassie’s interest to skew the investigation so that it looks like the latter and she seems to be succeeding.
Until someone else is killed…
Published on 29th September 2022 by Quercus
And I can’t believe I forgot…..
I possibly forgot this one because I’ve already read and reviewed it for NetGalley and it really is a cracker. After going in a slightly different direction with her last two novels, Jodi Picoult is back in her usual territory here. After teaming up with author Jennifer Finney Boylan, from a Twitter conversation, Picoult is back to tackling a controversial issue with a tense legal case at the centre of the drama.
Olivia fled her abusive marriage to return to her hometown and take over the family beekeeping business when her son Asher was six. Now, impossibly, her baby is six feet tall and in his last year of high school, a kind, good-looking, popular ice hockey star with a tiny sprite of a new girlfriend. Lily also knows what it feels like to start over – when she and her mother relocated to New Hampshire it was all about a fresh start. She and Asher couldn’t help falling for each other, and Lily feels happy for the first time. But can she trust him completely? Then Olivia gets a phone call – Lily is dead, and Asher is arrested on a charge of murder. As the case against him unfolds, she realises he has hidden more than he’s shared with her. And Olivia knows firsthand that the secrets we keep reflect the past we want to leave behind - and that we rarely know the people we love well as we think we do. Each author has written the story from a different character’s perspective, sometimes taking us back in time to understand their experiences. I don’t want to ruin your enjoyment so I won’t give you any more of the plot, but I will say it’s a belter of a novel that will make you question your own prejudices.
Published on 15th November 2022 by Hodder & Stoughton
What an excellent reading month it’s been and a good mix of independent publishers as well as the majors. As part of the Squad Pod Collective, this month we’ve been reading Sandstone Press novels as part of our Sandtember feature. Next month will be Orentober – a celebration of Orenda Books, two of which feature here. I’ve been a lot busier and had so much more clarity this month, possibly something to do with us moving into the cooler months of autumn which are my favourite of the year, possibly due to it being Halloween, my birthday, Bonfire Night and the run up to Christmas. Plus Strictly is back on the telly. Here we have mainly thrillers and crime fiction, but very different from each other. I think some of this month’s books may easily reach my Books of the Year list in December. Hope you all have a great October!
This is an October review, but I read it as soon as it was delivered to my Kindle. I loved her first in the series so I was eager to see what Āróra was up to now. I won’t tell you too much, just a quick outline of what to expect from this excellent thriller. When entrepreneur Flosi arrives home for dinner one night, he discovers that his house has been ransacked, and his wife Gudrun missing. A letter on the kitchen table confirms that she has been kidnapped. If Flosi doesn’t agree to pay an enormous ransom, Gudrun will be killed. Forbidden from contacting the police, he gets in touch with Áróra, who specialises in finding hidden assets, and she, alongside her detective friend Daniel, try to get to the bottom of the case without anyone catching on.
Meanwhile, Áróra and Daniel continue the puzzling, devastating search for Áróra’s sister Ísafold, who disappeared without trace. As fog descends, in a cold and rainy Icelandic autumn, the investigation becomes increasingly dangerous, and confusing. Chilling, twisty and unbearably tense, Red as Blood is the second instalment in the riveting, addictive An Áróra Investigation series, and everything is at stake…
Out 13th October from Orenda Books
I thoroughly enjoyed this twisty thriller from an author I read automatically these days, knowing I’m going to get a quality thriller. Here we’re brought into the arty, bohemian world of the Churcher and Lally families and their adjoining houses on the edge of the heath. Frank Churcher and his friend Lal have been friends since the 1970s when they shared drugs, alcohol, women and ideas. Frank has called everyone together to celebrate the 50th Anniversary edition of his book The Golden Bones. This could be one reunion that tears the family apart…
Nell has come home at her family’s insistence to celebrate an anniversary. Fifty years ago, her father wrote The Golden Bones. Part picture book, part treasure hunt, Sir Frank Churcher created a fairy story about Elinore, a murdered woman whose skeleton was scattered all over England. Clues and puzzles in the pages of The Golden Bones led readers to seven sites where jewels were buried – gold and precious stones, each a different part of a skeleton. One by one, the tiny golden bones were dug up until only Elinore’s pelvis remained hidden. The book was a sensation. A community of treasure hunters called the Bonehunters formed, in frenzied competition, obsessed to a dangerous degree. People sold their homes to travel to England and search for Elinore. Marriages broke down as the quest consumed people. A man died. The book made Frank a rich man. Stalked by fans who could not tell fantasy from reality, his daughter, Nell, became a recluse. But now the Churchers must be reunited. The book is being reissued along with a new treasure hunt and a documentary crew are charting everything that follows. Nell is appalled, and terrified. During the filming, Frank is set to reveal the whereabouts of the missing golden bone, but as one of his grandchildren climbs the tree for the treasure all hell is going to break loose. This was an addictive thriller, with complicated family dynamics and a brilliant final chapter.
Orenda Books must get so fed up with me banging on about the genius of Doug Johnstone and his wonderful creations; the Skelf women. Set in Edinburgh, Grandmother Dorothy, daughter Jenny and granddaughter Hannah live in the shadow of death every day. Jenny and Dorothy live literally above a morgue, as the family’s funeral business is run from the ground floor. They also run a private investigation business from their kitchen table. But now their own grief interwines with that of their clients, as they are left reeling by shocking past events. As usual there’s a shocking opening, with a fist-fight by an open grave. This leads Dorothy to investigate the possibility of a faked death, while a young woman’s obsession with Hannah threatens her relationship with Indy and puts them both in mortal danger. An elderly man claims he’s being abused by the ghost of his late wife, while ghosts of another kind come back to haunt Jenny from the grave … pushing her to breaking point.
As the Skelfs struggle with increasingly unnerving cases and chilling danger lurks close to home, it becomes clear that grief, in all its forms, can be deadly… you can look for my full review of this in my Sept 2022 archive, but it really is a cracker.
This was one of those blog tours I was asked to do and I went in blind. I knew nothing about the author or the book, but straight away I was intrigued. You are invited to cast your eye over the comfortable north London home of a family of high ideals, radical politics and compassionate feelings. Julia, Paul and their two daughters, Olivia and Sophie, look to a better society, one they can effect through ORGAN:EYES, the campaigning group they fundraise for and march with, supporting various good causes. But is it all too good to be true? When the surface has been scratched and Paul’s identity comes under the scrutiny of the press, a journey into the heart of the family begins. Who are these characters really? Are any of them the ‘real’ them at all? Every Trick in the Book is a genre-deconstructing novel that explodes the police procedural and undercover-cop story with nouveau romanish glee. Hood overturns the stone of our surveillance society to show what really lies beneath. Be prepared to never take anything at face value again.
Now I’d been waiting all year for this one. It’s been up there with Jessie Burtons House of Fortune as the ones I’ve most been looking forward to this year. I wasn’t disappointed. Kate Atkinson has written a crime novel that lays bare a decade in flux, a London that’s drowning in decadence and a generation determined to leave loss and grief behind them.
1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. At the heart of this glittering world is notorious Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie’s empire faces threats from without and within. For beneath the dazzle of Soho’s gaiety, there is a dark underbelly, a world in which it is all too easy to become lost.With her unique Dickensian flair, Kate Atkinson brings together a glittering cast of characters in a truly mesmeric novel that captures the uncertainty and mutability of life; of a world in which nothing is quite as it seems. I loved the historical background to this fascinating story and my only complaint was that I wanted to spend more time with some of her characters. See my September archive for the full review, but I was dazzled and drawn deeply into Atkinson’s world.
Tuva Moodyson is another character I’m always banging on about on Twitter. I think she’s an incredible woman and I love the representation of her disability too. Here Tuva is back at work after the shooting of her girlfriend, police officer Noora. Noora survived but now exists in a persistent vegetative state, in bed and cared for round the clock by her mother. In the circumstances, Noora’s parents understood that Tuva needed to go back to work. Dean takes us straight into the action, as Tuva finds an armoured hunting dog wounded by the side of the road. In the course of taking the dog to the vet, Tuva leans of a farm further down the road where a group of survivalists live. It’s not long before she hears that a girl’s gone missing from Rose Farm, and while the police will be investigating, Tuva wants to find her story. There are two businesses on the farm, a café and spa, so Tuva visits to get to know a couple of the residents up there. Andreas, who patrols the compound with his dogs, shows Tuva the security system and training they have in place for their members, including underground bunkers if necessary. Are these people simply ‘preppers’, getting ready for the end of the world, or is something more sinister going on? Who is the mysterious Abraham? What was missing girl Elsa Nyberg to do with the preppers and is she still alive? As usual, Tuva throws herself in and soon her own life is in danger.
This was an interesting and addictive book from Lucy Banks and I loved it. The public think Ava is a monster. Ava doesn’t think she’s to blame. She’s spent twenty five years in prison and now it’s time to start a new life. With a changed identity, her name is now Robin, she has a roof over her head and she hopes for the quiet life she’s always wanted. However, her idea of quiet is an uninhabited island off the coast of Scotland, just her and the seabirds. This reminds her of the places they lived when she was small, when her father was working for a bird protection charity. He would teach her to catch and tag the puffins. There’s no hope for a quiet life, as probation officer Margot pops in unexpectedly pushing her to apply for jobs because ‘the state can’t keep you forever’. There’s Bill next door, who likes a chat and flirt over the garden hedge, not to mention his daughter Amber who really isn’t sure of their new neighbour. Finally there’s her unwanted visitor; the strange person in black who lurks and watches; the person who sent the poison pen letter; the person who throws a brick through the window. We see everything through Robin’s mind and a slow unease starts to creep in here and there. Is she the murderer she’s been painted as or is she misunderstood? I went from feeling sorry for Robin, to being terrified of her. Absolutely brilliant!
So that’s this month. I’m having a week’s break from blog tours to read Robert Galbraith’s The Ink Black Heart, which has been staring at me from the TBR shelf for past fortnight. Here are some of next month’s reads.
There are so many cliches we use in the world of book blogging but it’s hard not to use them when all of them applied to this original and unusual novel. This was an unputdownable, page turning, keep me up all night, edge of your seat thriller with intriguing characters and exotic settings.
It was refreshing to read a thriller with a female protagonist who steals all of the limelight. Added to that she has a feisty female travel partner. In a genre where women are often prey and merely a catalyst for the real action, these women more than hold their own. Violet has tired of Thailand and her boyfriend wants to stay put. Far from being the island paradise she expected Thailand has become about the same scene, people and drugs. Violet decides to follow their itinerary without him and she does it in style. She makes her way to China but feels strangely alone and dislocated. When trying to organise a ticket for the Trans-Siberian railway Violet overhears a girl talking to the travel agent about her spare ticket. Her friend has had an accident and can’t travel, but the travel agent is no help and the girl has a spare ticket on her hands. Violet follows her to a bar and engineers a meeting that turns into dinner and many drinks. By the next day Violet has scored a ticket and a new travel companion in Carrie. By this time we have a few doubts about our narrator and I worried for Carrie and whether she knew what she was taking on board.
The rest of the novel is told in sections through Violet’s eyes and the emails that Carrie sends back to her injured friend back home. The girls have a stop off in Mongolia where they experience Nomadic life, sheep’s milk tea and a shamanic experience that threatens to put their friendship on a very different footing. Violet reads like someone with borderline personality disorder; despite her narration I don’t feel a coherent sense of self. I don’t think Violet knows who she is. Carrie starts to have her own doubts on the train and tries to create some space by befriending other passengers. Violet starts to panic. What if Carrie decides to go her separate ways? Violet’s friendship has become obsessive and potentially dangerous. However, when we reach Russia we start to see what both girls are really capable of.
The brilliance of Holliday’s writing is that we never really know what the girls are going to do next. This is not helped by the copious amounts of drink and drugs the girls partake in. It’s like being on a rollercoaster ride blindfolded. Just when you think you’ve worked Violet out, something else happens and your opinion changes. I loved the travel detail as well. It isn’t romanticised. It’s scuzzy and grimy. It dispels the backpacker myth of Thailand being a paradise better than The Beach did. Mongolia was at least an authentic experience, but the thought of ewe’s milk tea was grim. I loved the gritty realism and and the psychological manipulation. Living for a while in Violet’s head shows us how dark, obsessional jealousy manifests and left me feeling very uneasy. How much do we really know about what’s going on in someone else’s head? After all this, Holliday still surprised me with a final twist I didn’t see coming that turned everything I thought I knew on its head. It was like seeing The Sixth Sense for the first time, you want to pop back to the beginning and see it all over again with fresh eyes and try to pick up the clues. I read the end of this novel at 2am and was so blown away I had to wake up my other half and tell him all about it. This is definitely one of my books of the year.
Published 14th September 2019 by Orenda Books
Meet the Author
Susi (S.J.I.) Holliday is the bestselling Scottish author of 10 novels, a novella and many short stories. By day she works in pharmaceuticals. She lives in London (except when she’s in Edinburgh) and she loves to travel the world.
Oh my goodness this book packs a punch! The author has created an incredibly complex character and took me from slight unease to wide-eyed horror at what was happening. Robin is trying to live a quiet life these days. She wishes she could live where there’s nobody else, just miles of wilderness, a rugged coastline and hundreds of sea birds. Yet she’s grateful for the roof over her head and the benefits she has to start her new life with. She’s grateful to be able to eat what she wants, when she wants and to have a hot shower without a queue and no fighting for the shampoo and conditioner. She doesn’t feel like ‘Robin’ though, such an insignificant and ordinary bird. In prison she was called ‘Butcher Bird’ and the public hate her, so even now twenty-five years later she can’t be Ava any more. As Robin settles into her new home and new identity, she becomes aware that someone knows who she is. Can she stay under the radar and stick to all the conditions of her release? Or will she be flushed out and shown to be the monster people think she is?
I loved the way Banks writes Ava, we see everything from her perspective and her mind is such a complicated place to be. I found myself in the strange position of being in her head, but feeling strangely detached and unsure of her. It becomes clear early on that Ava was convicted of murder and has served her full twenty-five year tariff, so there are things about the modern world she doesn’t fully understand. Social media seems ridiculous (in fact, when I try to explain Facebook it sounds ridiculous) and she’s baffled by the little rectangular boxes people carry everywhere, even paying attention to that more than the people they’re with. It’s unusual to see our society this way, with the things we take for granted shown as alien. She’s trying to fit in with her parole conditions, but they break into her peaceful world when she doesn’t want it. There are weekly appointments with the psychiatrist and home visits from Margot her probation officer. Everyone is telling her how lucky she is to be looked after by the state like this, but given the choice Ava would prefer to fend for herself. She goes to pointless interviews, where her crime means she will never be hired, but they fulfil a condition of receiving benefits. There are obligations and places to be at certain times, something she has never been used to.
I had the impression that Ava has always lived inside her own head, rather than being present in the world. We learn that her childhood was spent on a remote Scottish island where there was a huge seabird colony. With no mother, Ava is kept out of school and taken to work with the birds, helping her father, identify, check and ring them for identification. He removed any meaningless junk from the house, including Ava’s toys and her late mother’s armchair, assuring her she wouldn’t need them because she’d be outside. There are other figures that loom in Ava’s past too; Henry who she’s had a relationship of sorts with; Ditz, a fragile young woman from prison who hanged herself; then someone she addresses as ‘you’. The importance of these people and their place in Ava’s life is slowly unveiled as Ava either reminisces or becomes paranoid about them. Another catalyst is Bill next door, or more importantly, his daughter Amber. Bill has been friendly and welcoming, chatting over the fence and eventually asking whether she’d like to go for a walk. However, his daughter is more suspicious, or is it just Ava’s paranoia? Their relationship is very uneasy and Ava is sure that Amber wants to expose her, she’s just waiting for an opportunity. A poison pen letter and a brick through the window add even more pressure to the mix.
Ava strikes this reader as someone with a personality disorder. The isolated childhood and lack of schooling have left her lonely, naive and unable to form boundaries with others, as she’s never had anyone to form a relationship with. She’s grown up as easy prey for those who seem able to sense someone vulnerable and manipulate or use them. Unable to deal with rejection in the usual way someone her age might by reflecting on the experience, feeling sad and angry, maybe seeing a counsellor. She doesn’t even go get drunk, eat ice cream, and malign him to her friends, because she doesn’t have any. Her response is immature, because she is immature emotionally, but perhaps no one could have predicted the events that followed. Lucy Banks brings the past into the narrative as Ava ruminates on what happened. She’s triggered by what she sees as another rejection, so her rage and anger are disproportionate to the situation. She becomes that young girl again. At this point I started to be scared for anyone who came into her orbit. I think the way the writer slowly allows this unease to develop between reader and narrator is brilliant. I noticed that her sleep pattern changed, her paranoia starts to build, she starts to link past and present events in a way that isn’t logical, and acting on emotions rather than fact. Another clue is her inability to take responsibility for anything that has happened, she veers around it or presents it as something that just happened. I wasn’t sure whether I was in the mind of a murderer or the mind of someone who is simply struggling with their mental health, distorting the facts and hallucinating the more violent aspects of her story. I won’t tell you which it is, because slowly finding out is so satisfying and such an enjoyable read. The writer has created a highly original narrative voice and a reveal that I hadn’t worked out. I veered between being scared for Ava and scared of her. This really stands out as one of the best books I’ve read this year and I recommend you read it too.
Published by Sandstone Press 15th September 2022
Meet The Author
Lucy Banks is the author of The Case of the Green-Dressed Ghost, described by Publisher’s Weekly as ‘Ghostbusters with a British accent’. It’s the first in the series, exploring the strange, sinister (and often slightly silly) world of Dr Ribero’s Agency of the Supernatural.
In 2016, Lucy also won Amazon’s A New Night Before Christmas writing competition with her entry about a slug living under a family’s floorboards, who assumes Christmas is not for him, until he comes face to face with Father Christmas.
As you might guess (being all too familiar with slugs and ghosts), Lucy hails from South-West England – an area rife with spectral tales and plenty of bugs. She lives in Devon with her husband and two children, and in addition to writing, is an avid reader – less of a bookworm, and more of a book-python!
I’ve been reading Erin Kelly since her debut The Burning Air and she’s pretty much unbeatable in her ability to grip the reader and immerse them in her world of domestic noir. This was read in a very enjoyable weekend with Alice Feeney’s Daisy Darker so I was knee deep in my favourite territory – arty, bohemian families, with big rambling houses, full of eccentricities and dark secrets. I was ready for skeletons to start tumbling out of closets and that was almost literally the case here. The Churcher’s and the Lally’s have a history that goes back decades and now they live in each other’s pockets, in two adjoining houses on Hampstead Heath, smelling of oil paint and weed. Back in the the 1970’s, when their friendships and marriages began, artist Frank used some old folk verses to create a picture book full of clues to hidden treasure. The story is macabre, as a young woman named Elinore is suspected of infidelity and murdered by her husband. He then scatters her bones in sites across the British Isles. The verses in the book, The Golden Bones, contain clues to the whereabouts of hidden treasure – a one off, tiny gold skeleton with a jewel set in it’s pelvis. When the book caught the public imagination, a group calling themselves The Bonehunters emerged and with the birth of the internet hunters and enthusiasts could solve clues together, pass on information and stoke rumours. Unfortunately, for some it became an obsession and twenty years later, Frank’s daughter – also named Eleanor- is attacked outside her school by a knife-wielding woman who is certain the final piece of treasure – the pelvis – resides within her actual body.
It’s no surprise that as the book reaches it’s fiftieth anniversary, speculation and concern from some parts of the family, has reached fever pitch. With the help of son Dom, the book has been re-issued in a Golden Anniversary edition, complete with locations for people to check in online. The families come together at the houses on the heath, to film for a television special about the book, including a secret unveiling that Frank’s been planning. As he gives a speech, under a tree on the heath, to everyone assembled and on camera, it’s clear he’s planned a publicity stunt. Could this be the final piece of treasure? However, even Frank is shocked when one of his grandchildren climbs the tree and instead of treasure pulls free a woman’s pelvis. The book follows the aftermath of this gruesome discovery, how it affects both families and starts a police investigation. Everyone is under suspicion. The author takes us back into the past, shows us events from different characters point of view, and turns the reader into a Bonehunter of sorts, trying to work out who this woman was and how her pelvis ended up buried in a tree on the heath.
We meet Eleanor again, but this time as a woman and she prefers it when people call her Nell. She weirdly had my dress sense, although I might draw the line at dungarees from now on having read the criticisms about them on middle-aged women! Anything to do with the book raises Nell’s blood pressure and it’s hardly surprising. It has influenced how she lives, as anonymously as possible on a narrow boat that she moves every so often on the London waterways. She claims this is to avoid mooring rates, but it also feels part of her PTSD, the need to keep moving and be hyper-vigilant. She has more than one reason to stay safe these days, because her step-daughter from a previous relationship is living with her. Unbeknown to social services her father left a long time ago. Nell hasn’t had much luck with friends or relationships and she blames the book for this too. She feels she can’t trust anyone since she fell in love with Richard when she was a teenager and he turned out to be an investigator, hunting the final bone on behalf of a rich Bonehunter. His protestations that he loved her anyway fell on deaf ears and she was left heartbroken. Now she’s more paranoid than ever and terrified that the police investigation will bring social services back into their lives.
I was fascinated with the dynamics of these two families living on top of each other in a way that was almost like a commune. The children would flit between houses, gravitating towards the parent who seemed most able to give that parental attention that they needed. Their friendship starts in the 1970’s as they shared ideas, drugs and a desire to create art. The families are so close that when Frank’s son Dom and Lal’s daughter Rose are found kissing it almost feels incestuous. Now there are shared grandchildren, linking them through blood. Where once there was equality, even if they were so poor there was nothing to share, now it seems like everyone functions for Frank. He is the successful artist and his whims should be accommodated. He felt like a law unto himself to me: working when he wants; neglecting his family; indulging his sexual appetites wherever he can. His mercurial temperament is excused because of his talent, but some family members already find him unbearable. Lal’s drinking seems to distract everyone from Frank’s bad behaviour and his decline has been very useful. It eliminates him as artistic competition too. We travel back to one particular night several times from different viewpoints. Wanting to break away from The Golden Bones Frank has created a collection of beautiful nude paintings. However, unable to let them show on their own merits, Frank has let it be known that every model in the show is one of his conquests. The tongues start to wag and by opening night it’s at fever pitch. I can’t work out whether he underestimates the family, or whether it’s a deliberate attempt to humiliate and dominate, but one of the models seems familiar. If Frank’s suggestion is true, he has betrayed everyone close to him. To make things worse he’s openly flirting with a waitress, in front of his wife and children. Luckily, Lal gets predictably drunk, drawing the attention and concern elsewhere.
In the present day both Lal and Frank are arrested, leaving the family scrabbling for the truth. Will it pull them all together or apart? The psychological interplay between family members is brilliantly done. Nell and Dom mean everything to each other, working as each other’s stability since both parents are absent when consumed by their work or drink and drugs. Dom and Rose’s relationship is borne out of the same impulse, desperately seeking stability and being steadfast in providing it for their own children. Nell has to decide whether this family is healthy for her and her daughter. The dynamic between Frank and his family becomes clearer as the novel goes on, with a wife seemingly dependent on medication to cope and Dom desperately trying to protect her. Frank is like a puppet master, in a strange echo of his role in the book, he’s choreographing events and controlling how they act, using distraction to hide what he doesn’t want them to see. He uses friend Lal as a whipping boy, in a terribly destructive dynamic. Frank can do what he wants as long as Lal is drinking and flying into rages, alienating his family. I felt there was a rivalry there and even a contempt for Lal, whose use is to be the comparison point – as long as Lal’s life and work is worse, then Frank is okay. Lal is, quite simply, a scapegoat. Even so, it is Nell’s character arc that I loved because she has to confront a lot of her past and start to build a better future as a family of two. Her strength is shown in the real quest of the book, not for golden bones, but for the truth. However messy, unexpected and inconvenient that might be.
Published 1st September 2022 by Hodder and Stoughton.
Meet The Author
Erin Kelly is perhaps best know for her novel He Said/She Said, about a young couple who witness a rape and, after the trial, begin to wonder if they believed the right person. Her first novel, The Poison Tree, was a Richard and Judy bestseller and a major ITV drama starring Myanna Buring, Ophelia Lovibond and Matthew Goode. She’s written four more original psychological thrillers – The Sick Rose, The Burning Air, The Ties That Bind.
She read scores of psychological thrillers before she heard the term: the books that inspired me to write my own included Endless Night by Agatha Christie, Rebecca by Daphne du Maurier and A Fatal Inversion by Barbara Vine. Her books are atmospheric thrillers, always about people trying to atone for, escape, or uncover a past crime. She says she’s more interested in what happens before the police arrive – if arrive they ever do – than how murder is solved.