Tag: Psychological

Posted in Random Things Tours

The Mermaid’s Cry by Kate Rhodes 

Posted on by thelotusreaders

I’ve been catching up on Kate Rhodes’s series of Ben Kitto novels and I’ve jumped a couple to read this for the blog tour, now I have to go back and read frantically to work out how he and Noah have ended up in Penzance. However that didn’t ruin the novel for me because it’s jam packed full of atmospheric settings, Cornish folklore and a cast of characters that left me suspecting absolutely everyone! Ben is living in Penzance, taking a break from his home island of Bryhir in the Scilly Isles after the events of the previous novel. He’s taking a break from police work and instead has found a job at a joiner and cabinetmakers, using the skills he learned building boats with his Uncle. It’s settled and therapeutic work as Ben slowly creates beautiful pieces of furniture and starts to deal with his grief and loss. Noah is a little confused to be away from everything he knows, but he’s enrolled at a kindergarten near Ben’s work so life has some routine and peace. He is starting to be brought into the community too, with an arts festival on the horizon he’s bound to be pulled into the planning, even just as a steward he’s happy to do his bit. Then life takes a sinister turn as he’s on the beach and sees a young mother with a baby in a pram. One moment of distraction and a black figure jumps out of the shadows and racing towards the pram it grabs the baby and throws it into the sea. Ben and Shadow are running before they’ve even thought and he dives into the sea to rescue the baby. He’s now a local hero, but the disturbing and traumatic event plays on his mind. How could someone do such a thing and will they do it again? 

The author weaves her story around the local myth of the Zennor Mermaid, a figured carved into one of the pews in Zennor church. A beautiful woman called Morveren was said to attend the local church from time to time and listen to the choir. She had a wonderful singing voice and many suitors were interested in her, but she came to listen to Matthew Trewella who had the best singing voice. One day after church he decided to follow her and was never seen again. Years later a captain dropped anchor near the beach and was surprised to hear melodious singing. When he looked out he saw a mermaid sitting on the rocks nearby and she asked if he would raise his anchor as it was blocking the entrance to her house, where she lived with her husband Matthew. There are many mermaid figures in Cornwall and the upcoming festival will be based around music and singing in Penzance and then a sky-watching from the remote location of Zennor’s beach. However, the myth takes a more sinister turn when mermaid emblems and notes are sent to people with small children, warning that the mermaid is watching for those who don’t deserve them. The police are immediately involved and new DCI Carnforth approaches Ben for his take on the original crime, could this person strike again? In sinister short sections we are taken into the mind of this person who themself as a mercy killer, where parents are neglectful or harming their children, the attacker will offer them to the Zennor mermaid who waits under the sea to claim them. Ben isn’t keen on becoming involved but Carnforth is keen to have his input and suggests he works more like a consultant than actually making a return to the force. For those lucky readers who know Ben and his dog Shadow, it’s impossible to imagine him sitting back and not taking part. Both of them seem to have an innate instinct when something is wrong and when Ben finds a mermaid talisman in his own garden he knows that he must find this person before anyone else faces the devastation of losing their child. 

 It was strange to get used to Ben in a new environment because he’s always seemed so at home in the wildness of Bryhir. Penzance is a huge difference being on the mainland and being a town, although Shadow seems to get used to the geography of his new home very quickly. I enjoyed the way the author presents Cornwall, giving it a split atmosphere between the town itself and the wilder places beyond, echoed in the two sites of the festival. She also gives us a realistic view of Penzance beyond the tourist trail, as both picturesque and a working fishing port. There are hints at the port’s arty history too with the Tate being a few miles away in St Ives and the attached village of Newlyn associated with Barbara Hepworth and many other artists. There’s a mix of tourism or seasonal visitors, then the long term residents trying to survive, especially during the quieter months when seasonal work isn’t as available and every empty property is listed on Air BnB rather than let to locals who need a home. Young people are priced out of the market and have no hope of owning a home of their own where they were born. Social housing is just as poor and overcrowded as it is anywhere else and perhaps has more demand, in fact the mother of the first victim is living on an estate that miles away from our usual depictions of Cornwall and a big contrast to Ben’s usual working area. The town’s foodbank is busy showing that residents are struggling with the cost of living, but on the other hand Ben’s chosen nursery for Noah has the rather middle-class sign of being run on Steiner principles. There are definitely haves and have nots here and Ben is definitely pulled into the lives of people who’ve had very difficult upbringings in circumstances of poverty, neglect and abuse. However, recovery and rebuilding are also big themes here with Ben playing a huge part in helping those in difficult circumstances while struggling to handle his own grief. 

It’s sad to meet Ben at such a crossroads in his life and I was pleased to see how our regular characters rallied around him, very carefully while letting him think they’re close by for other reasons. He thinks his Uncle is visiting Penzance because he has a secret woman and when his best friend Zoe appears he thinks she’s just there to headline the festival. Yet they are around at a crucial time for Ben and Noah and possibly know our hero more than he realises. I was hoping he’d start to see the benefit of grieving alongside his friends and fellow islanders, rather than removing himself from the situation. His relationship with Zoe is as close as always and her support means the world. She’s also bringing music back into his and Noah’s lives, something that his nursery teacher seems very keen for Noah to pursue. She approaches Ben to tell him that Noah is very talented for his age, a skill that is probably from his mother Nina. She’s very intense and insists that not to nurture Noah’s skill would be tantamount to neglect. The author drops little clues like this one throughout the book until I had about six suspects in mind! The tension as the festival approaches is nail-biting as Ben works with the police to make plans for security so that parents can attend with their children safely. Ben is a natural investigator with an innate skill for trouble that’s almost prophetic. He knows when there’s a pattern in a criminal’s behaviour, his brain detects a clue but can’t quite get there yet. There are some uniformed officers in the local station who begrudge Ben working with them and are resistant to the changes their new female chief wants to make. I started to wonder whether our attacker could be closer than they realise, especially when the DCI also has a warning from the mermaid about leaving her child with a nanny. Crimes against children are so emotive and that’s very clear here as the inner voice of the attacker becomes even more disturbing with a strange circular logic that hard to understand – ‘I see unworthy mothers and fathers everywhere I look, they don’t deserve any more chances […] they think the world is safe and that chaos doesn’t exist. None of them understand the price their children could pay, laughing distracted or staring at their phones. Negligence is a sickness”. 

By the time the festival arrives everyone has done all they can to keep families safe, with a security perimeter at the park that can’t be broken, of course that assumes the attacker isn’t one of the stewards. I was still suspecting the nursery nurse, the festival organiser, a police officer, a young man who is abused by his older brother and even the DCI’s nanny. The author has created short, urgent chapters here. They ramp up the tension as we flip between Ben’s inner world and the attacker’s, following them and their newest victim to the dark, wildness of the festival’s other site at Zennor. We can sense the mystical feeling of Cornwall and how it’s become warped in this person’s mind. It’s pitch black and rough terrain, plus with miles and miles of coastline can they be sure to find the right place in time. I defy anyone to put the book down at this point and I devoured it in one sitting. Ben still knows he’s missing a part of the puzzle and we have to trust that his intuition will click in before it’s too late. This is a great thriller and taking Ben out of his natural habitat does bring a different feel to the series, though I hope he does eventually return to island because he belongs there. We can see in the aftermath that he needs his found family and just like Zoe he will always return to the island and each other. 

Meet the Author

Kate Rhodes is an acclaimed crime novelist and an award-winning poet, selected for Val McDermid’s New Blood panel at Theakston Old Peculier Crime Writing Festival for her debut, Crossbones Yard. She has been nominated twice for the prestigious. CWA Dagger in the Library award, and is one of the founders of the Killer Women writing group. She lives in Cambridge with her husband, the writer and film-maker Dave Pescod, and visited the Scilly Isles every year as a child, which gave her the idea for the critically acclaimed Isles of Scilly Mysteries series.

Posted in Squad Pod Collective

Sugartown by Caragh Maxwell 

Posted on by thelotusreaders

What do you do when you’ve ruined your life? You go home to your mother, if you’re lucky enough still to have one. Saoirse Maher wouldn’t recommend it. 

Leaving home wasn’t supposed to be temporary. When she moved to London, Saoirse was leaving Ireland behind for good, and with it her messy, broken family. But it turns out that starting again isn’t as easy as she imagined, and when her five-year relationship goes south, Saoirse finds herself out of options. And so here she is, trudging back to her mother Máire’s house up a side road on the outskirts of Irish civilisation. 

Except the world she comes back to is nothing like the one she left behind. Her mother has a new family, and everyone else seems to be moving on. But between the drinking, drugs, and an entirely healthy, not-problematic-at-all-thanks relationship with Charlie, there’s plenty to distract her.

Don’t look too closely, and everything’s fine. Saoirse is just fine. 

This was one of those books where the narrative voice captures you straight away and you know you’ll follow wherever she takes you. Saoirse is in her early twenties, newly returned to a small town in the Irish midlands when her big life in London doesn’t go as planned. Now back under the roof of her mother, her second husband JJ and their three perfect daughters, all Saoirse can see is the difference between the mother her little sisters have and the mother she had at the same age. Back then Máire was young and struggling, with a husband who’d rather drink his wages than bring them home to his wife and child. In fact Saoirse can remember being in her mother’s car, driving from pub to pub to look for him. There was so much drama between her parents she might as well have been invisible. When she contrasts this with Lily, Grace and Emilia’s life she can see the difference but she can’t understand it; are they just more lovable than her? She notices the way her mother Máire dotes on them, puts their hair into identical plaits but stops short of identical clothes, reads to them at night and makes sure they’re cared for and these small expressions of love hit Saoirse like poison darts. Her sisters even get to call her Mammy, something that Máire was very clear about:

“I was christened Máire Lynch. Not Mammy. That is not my name. I won’t speak to you if you don’t use my name.”

Sometimes she wonders if the impression she has of their relationship is distorted but then she remembers Granny Lynch, the person who cared for her most asking her aunt to give her some leeway; ‘leave her be, you’ve met her mother.’ Granny’s is the only place she had stability and felt loved for herself, just for existing. Even now, at the age of 24, Saoirse feels her mum’s bite as she bullies her out of bed in the morning, insists she does an interview for the local hardware store and is insistent that JJ shouldn’t have to keep her. Saoirse just wanted a few days grace to gather her thoughts and adjust, but now she’s everything she didn’t want to be, living back with her mother in a small Irish town and doing a job that has no meaning and pays enough money to get by week to week. Then, with her friend Doireann she spends it on alcohol and drugs to forget the tedium and disappointment of life for a few hours. She isn’t even allowed to express her disappointments because Máire is right there, ready to tell her what it was like to be her age with a baby and an alcoholic husband. The author uses wit and humour, even within the darker themes and here Saoirse talks about the ‘overarching theme of the Annual Irish Suffering Olympics’. If you complained about a broken toe, someone else had lost their foot in a mowing accident, so you should ‘get over yourself’. This was such a familiar moment of Irish family humour that it made me smile. 

It’s easy to forget Máire’s struggles because Saoirse’s voice is so compelling. It’s no wonder her mother enjoys the routine and stability of her relationship with JJ after the turbulence of marriage to Saoirse’s father. When Saoirse hits rock bottom her dad is briefly there for her, but it’s the first time. Although we concentrate on the mother/ daughter relationship, he has been completely absent in her life. He’s one of those Irishmen who are great at stories and for the craic down at the pub, but they don’t see the state he’s in at home and the way he chooses drink over his family again and again. He seems stable enough at the moment, living with his second wife and making bodhrains in his garden workshop, but he will always let her down. I was concerned that Saoirse would end up living her mum’s life, young, pregnant and with a partner who can’t be trusted. I felt so maternal towards Saoirse throughout and I could see that her lack of parental support left her craving love and acceptance. It’s like a huge hole that can never be filled. Unfortunately it also leaves her open to damaging relationships and when she meets Charlie, through Doireann and her on again off again boyfriend Connor, she falls headlong into tumultuous and possessive feelings.

I was holding on to hope that she could get her life back on track, even when it hits rock bottom and she wakes up in hospital. In the end she turns to counselling and one of the first things they talk about is that emptiness Saoirse feels where the love and support of a parent should be. One line of dialogue in the book broke my heart more than anything and it’s when Máire is throwing all her anger and resentment at her daughter. Their fight turns physical when Saoirse reminds her that she forgot she had a fourth child. When she asks her mother what she’ll tell her little sisters Máire says ‘I’ll tell them to be anyone but you.’ It’s so harsh it stopped me short. Of course in order to heal we look for closure and Saoirse has tried drugs, alcohol, relationships and acting out to fill that hole at her centre. The counsellor asks her some searching questions. What if that closure never comes? What if she doesn’t have a relationship with her mother? Somehow she has to learn to feel that uncomfortable absence without trying to fill it with other things. I felt there was hope that she would build self esteem, because even in the throes of first love she finds Doireann’s relationship with Connor uncomfortable. When she tries to clarify whether they are together or not, Doireann says they’re not ‘together, together’ but it’s great because they both get their space and they’re not making claims on each other. Saoirse is confused and asks Doireann who else she’s seeing, but she’s only seeing Connor while he’s seeing other girls. 

“So you do all the things a couple does without the security of knowing you’re not going to get cheated on.”

Of course she could be cheated on whether in an official relationship or not, but the need to point out that only Connor benefits from their arrangement shows that Saoirse does have some expectations and standards. She knows she doesn’t want that kind of relationship. She wants boundaries, exclusivity and respect it’s just that her desperate need for love and acceptance means she settles for less. She also knows that her own capacity for love is immense, saying she would tear herself down to make sure Charlie grew because ‘it was just my way.’ Luckily at this point she moves in with Doireann and her family and sees a totally different way of parenting, a seemingly natural maternity in her mum Karen who struggled to become a parent and sees her daughter as something of a miracle. Saoirse notices that they have saved mementoes of every milestone in their daughter’s life and yet are still able to listen and support her plans to move away from home. When Karen’s had a hard shift at the hospital, Saoirse listens and makes her a cup of tea and Karen tells her she’s a ‘good girleen’ but the compliment is so alien to her she doesn’t know what to do with it. Being mothered makes her realise how complicated it is and opens up the guilt, anger, resentment and thoughts that she could ‘fuck up’ her own daughter. Yet she’s already thinking about how to stop repeating the pattern. 

This is a remarkable debut. Every single character felt completely real and the author has captured the awkward vulnerability of youth and a girl who has never had that parental safety net that allows her to experiment and work out who she is. The language is beautiful too from the viciousness of a resentful parent, to the delirium of drug addled parties and the tedium of the hardware store. She describes a silence between her and her mother as weighing on her like ‘wet wool’ and I could feel its heaviness. It all rings true and struck a chord with me about my own teenage years and not always being understood. Some of the descriptive passages are so layered they create tiny moments of stillness within the turbulence becoming passages to breathe in. I found myself responding to the book bodily, so immersed that when the author described a panic attack I realised I was holding my own breath. I felt sad, angry and deeply maternal towards Saoirse and with my counsellor head on I wanted to help. I wanted her to see that she wasn’t the sum of her parents and all the bad things that had happened, that even in the darkest moments there is a tiny spark of light. Any writer that can make a reader feel so much for her characters and their journey is special and I can’t wait to read what Caragh does next, but for now I know Saoirse will be staying with me for a while. 

Out now from OneWorld Publications

Caragh Maxwell is a writer living in Sligo town. She graduated from the Trinity College MPhil in Creative Writing in 2023, and her essays, poems and stories have been published in The Irish Times, The Cormorant and other publications. Her writing focuses on the self, memory, and womanhood. Sugartown is her debut novel, and was shortlisted for the 2025 A Post Irish Book Awards.

Posted in Squad Pod Collective

Dark Is The Morning by Rupert Thomson 

Posted on by thelotusreaders

Sometimes love isn’t where you belong

In a mountain village in the Abruzzo region of Italy, Gino, a troubled young man, realises that his childhood sweetheart Franca can give his life the happiness and stability he needs. They seem made for each other, and move to a remote house in the countryside – but there is something in Franca’s past that haunts Gino.

Descending into pathological jealousy and resentment towards a married man who had been Franca’s lover, Gino is unable to stop himself imagining the worst, and embarks on a violent path that has catastrophic consequences.

There couldn’t be a better book for a counsellor to read than this one, following the life of Gino who lives in a small Italian town on the Adriatic Sea. The setting isn’t a bucolic, sun drenched and charming little town, despite Gino’s upbringing on his father’s smallholding where he mainly grows tomatoes. This is a grittier Italy, perfectly suited to the story and Gino himself. Although there is a sense that there’s a different existence within reach, perhaps the life his father has living off the land or whatever brings his father’s friend Harry back every few months. Whatever contentment is, Gino doesn’t know how to find it or accept it once he has it. Gino was born here and makes the comment that he’ll die here if he isn’t careful. He doesn’t want to live the life his parents have, he has bigger and better things to do. However, it could also be the foreshadowing of what’s to come when he meets Franca again. Franca was at school with Gino and in some senses he feels they’re both outsiders: ‘She was a strange little stringy thing, with a thin face and brown hair’. Franca was nicknamed The Rat by other girls, but then Gino was called Dopey after the dwarf in Snow White. She’s very bold, walking up to Gino and telling him that she’s going to marry him one day something both of them were teased about for years. Now, when his father mentions her, he seems irritated but they do have something in common, an inability to live up to their heroic parents. Gino confided in her when they were thirteen, saying all he seems to do is disappoint his father. Franca seems to get this, after all Gino’s father is known for something heroic he did in WW2 and her father is the local ambulance man. Maybe, she suggests, they could be something different to each other? She’s a realist, saying her father could have wanted a beautiful daughter and she’s aware she isn’t. How can they compare to heroes? They are only human. Gino gets into trouble in his teens and spent time in a psychiatric unit and he admits he’d forgotten his old friend, but the conversation with his father lights up his memory and he questions his choices. With a new view on life he searches Franca out and asks to take her to dinner and they are married in a whirlwind and given the chance to make a home in her aunt’s house in the countryside. Is it possible that Gino has learned from his mistakes and now sees what is important in life? 

If I had a trainee who wanted to understand the Cognitive Behavioural Therapy concept of negative automatic thoughts I’d get them to read this book. Everything Gino experiences is filtered through a faulty lens. Whether this is innate or a result of constantly feeling like a disappointment is hard to tell. At the moment he has it all, but in his mind it’s already unravelling. The house needs a lot of work, but could be a secluded haven for a family. Gino hears that something strange happened to Franca’s aunt here during the war and starts to wonder about it, could an event like that leave something in the house like a mood or a feeling? Is the house unlucky in some way? To be transparent about her past Franca tells him about an affair she had with one of her father’s friends. Although outwardly he seems to accept this confession, inwardly it becomes a nagging concern he can’t shake off. He asks others about man who has a concrete business, telling them he has a friend who’s putting in a pool. He tells himself he just wants to look at him, but can he resist speaking to him or perhaps even warning him off? At the end of her working day Franca goes to a cafe in town to wait for Gino to pick her up after work. He notices that she’s chatting to a man, laughing and passing the time of day and he knows he’s been trying to pick her up. His strangest obsession comes when his son Elio is born, a beautiful baby with amazing violet eyes. Everyone who sees him comments on what a beautiful boy he is and he genuinely seems hypnotic for some people, almost holy. All Gino can see is a boy who looks nothing like him. Neither he nor Franca are beauties so how can Elio be his and inspire such reverence in complete strangers? Being in his mind is exhausting and worrying, the author leaves us unsure what he might do next. Pressure mounts with every page and Harry is the only person who seems to get through to Gino, telling him that perhaps the boy embodies the beauty inside them both. 

Everything about Gino screams of a paranoid personality disorder, his mistrust of others and ability to twist innocent encounters into personal slights and grudges are classic symptoms. He has stopped listening to others and his behaviours become more extreme, including hallucinations that his baby son is talking to him. Franca is disturbed to come home and find Elio screaming in the house alone, while Gino is zoned out in the garden. As readers we’re inside his mind and see his motivations, the wrong patterns of thinking and the way he broods and cultivates grudges that are simply not there. Instead of facing these painful thoughts he directs his anger and obsession outward. If Elio is nothing like him, then someone else must be the father. I genuinely believe that Pierozzi would have carried on his life rarely thinking of Franca and her new husband, but Gino’s places himself in harm’s way. Pierozzi is a dangerous man. He’s described as someone things happened to and that resonated with my idea of Gino. Is this something people would eventually say about him? The way the author builds this difficult inner world is so clever and I was anxious, mainly for Franca and Elio. They are living in the middle of nowhere, with a husband and father who is no longer rational. I was mentally screaming at her to make sure she had somewhere safe to go. 

Franca is very sure of her own emotions and choices. When Gino asks her if she’d still marry him she tells him calmly that her feelings have never changed. However she does have “something of the fox about her. That sudden, absolute stillness, that pricking of the ears, that readiness to flee.” Will Franca be just as resolute if she does sense danger? I felt so sad for her, because Gino’s obsession with her past harms her, even though it has nothing to do with him. Why can’t he see that she has only ever loved him? Despite him leaving and never making her any promises when they’re younger, her love never dies. That shows loyalty, but it’s never appreciated or rewarded. Even the beautiful son they have isn’t enough and I wondered if it was partly about his fears of her infidelity but mainly about his relationship with his own father. They were so different in character and distant emotionally, did he ever wonder about his own paternity? The author bookends this story with Harry as the narrator and honestly I had an emotional reaction to being back in Harry’s steady hands at the end. Being in his world felt safer and the way he frames Gino’s story gives it some closure and structure too. I found myself wondering how I’d work with a client like Gino and whether he could ever be satisfied with his life. This book has emotional depth and complexity, tension and action alongside some incredibly surreal moments too. I would definitely read this author again. 

Out now from Head of Zeus

Meet the Author

Rupert Thomson is the author of fifteen critically acclaimed novels, including ‘The Insult’, which was shortlisted for the Guardian Fiction Prize, and chosen by David Bowie as one of the 100 Must-Read Books of All Time, ‘The Book of Revelation’, which was made into a feature film by the Australian writer/director, Ana Kokkinos, and ‘Death of a Murderer’, which was shortlisted for the Costa Prize.

His latest novel, ‘Dark is the Morning’, was published on May 7th 2026. Praised in advance by the likes of Chloe Aridjis, Claire-Louise Bennet, Sarah Waters, Julie Myerson, and Philip Pullman, LoveReading subsequently made it one of their Star Books of the Year, saying “Thomson’s writing casts an almost other-worldly spell…Teeming with tension, ‘Dark is the Morning’ represents literary fiction at its most page-turningly thrilling and poignant.” According to the Financial Times, which admired Thomson’s “stunned, post-traumatic prose”, it’s “the ideal holiday read: frictionless at the level of the sentence; stealthy, romantic, and utterly unpredictable in every other way.”

Rupert Thomson is a Fellow of the Royal Society of Literature, and has contributed to the Financial Times, Granta, the Guardian, the Independent, and the London Review of Books. He has lived in many cities around the world, including Athens, Berlin, Amsterdam, New York, Sydney, Rome, and most recently Barcelona. He currently lives in London.

Posted in Personal Purchase

The Drowning Place by Sarah Hilary

Posted on by thelotusreaders

Every place has its ghosts.

Edenscar, a town in the Peak District, has more than most. 17 years ago, its inhabitants were hit by tragedy when a school bus veered off the road and everyone on board drowned. Everyone, that is, except Joseph Ashe. His miraculous survival has haunted him and the town ever since.

Now a Detective Sergeant in the local police, Joe is called to the scene of a brutal and apparently inexplicable crime. The whole town is spooked, but Joe’s new boss, DI Laurie Bower, more used to inner-city police work, has no time for superstition. She just wants to find the very real killer who has left no trace and apparently had no motive.

Joining forces, Joe and Laurie work to uncover the secrets of Edenscar, both past and present.

But when you dig up the dead, expect to get your hands dirty…

Detective Laurie Bower has a new job on a very different patch from inner city Manchester. They have returned to her husband Adam’s family home at Edenscar in the Peak District, to live with his father who has been diagnosed with advanced dementia. This is a wild place and a community where every family has been hit in some way by a tragic accident from 17 years ago. Everyone including Laurie’s new DS Joseph Ashe. Joseph was the only survivor of a terrible minibus crash that plunged his primary school class, their teacher and the driver to the bottom of Lady Bower reservoir. The village is haunted by the loss of those children and so is Joseph Ashe, whose best friend Sammi is still always by his side, even though only Joe can see him. This is going to be a hard district for Laurie to get used to, not only will she be living in the family home, which means getting used to less privacy and the presence of different family members all the time, but she’s not used to the tiny roads, rough terrain and awful weather. She has to hit the ground running when they receive a call about a couple who haven’t been seen over the weekend. Joe has a terrible feeling, because he’d heard gunshots late on Friday night but put it down to poachers in the woods. He also saw car lights heading in the direction of Manchester. Joe and Laurie drive out to Chris and Odette Miles’s cottage on the edge of the woods, a place they’ve been renovating and now share with baby Eric who is almost a year old. As they enter it’s immediately obvious the couple have been dead all weekend, shot in their own kitchen. Laurie chooses to search upstairs to spare Joe from what she fears has happened, a fear that sadly comes true when she finds Eric drowned in only a few centimetres of bath water. Now they must work together, with Sammi alongside, to discover who Chris and Odette were behind the image of a happy family, and then to find their killer. 

The atmosphere of this novel is amazing with an opening section that takes us into the minibus to experience that crash as the children did, bringing home just how terrifying it must have been.

“It hit the water hard. Went under, fast. Waves of broken glass from the front to the back […] water like thunder was filling the bus, roll after roll of it, black.” 

It’s astounding that Joe survived, but he has been seen with suspicion ever since with whispers that he and Sammi were messing around on the back seat, distracting the driver. Sammi has never left his side since and appears as if he’s the same age as Joe. However, once the bereaved villagers thought Joe could see their lost children he has been something of an oddity. For some the ability to see their child with Joe can be a comfort, but for others it must be distressing and confronting. The moments when this happens lift the hairs on the back of the neck, one child’s ’little icy fingers’ were reminiscent of Cathy trying to get into the window at Wuthering Heights. They’re always visible as if conjured from under the water, dripping wet and wreathed in shattered glass, their eyes black as night. Laurie’s husband Adam is a therapist and he dismisses it as ‘emotional contagion’, a shared trauma that causes mass hallucination. However, they are usually for a set time period and then fade, but Joe’s powers never go away. The weather is also full of foreboding, with several seasons in one day and the woods near the Miles house not recommended after dark. Laurie’s home set up is also unsettling. She is bereaved, but doesn’t share with Joe that she has lost her sister to addiction. She’s also uneasy at her father-in-law’s house, because Pete’s dementia means he behaves differently, becoming agitated towards sunset in a behaviour known as sundowning. He sometimes doesn’t know Laurie, but then when he does recognise her he becomes threatening. This is a place that has secrets and Joe and Laurie need to uncover them if they are going to solve the murders. 

Neither detective is in the best place for an investigation and Laurie realises one of the main differences in policing an area where you live. In Manchester she had anonymity from who she was investigating, but here everyone is connected and has an opinion. To hear Chris’s parents talk about the murdered couple they sound like an idyllic family, with his father very proud of his son’s skill as an electrician. In fact he’s been doing so well recently that he’s been able to send his parents on holiday abroad. Odette’s mother has a slightly different perspective, wondering whether the pressure of the renovations and a new baby were taking their toll on her daughter who seemed to be providing most of the child care. Neighbour Bobby, who is an incredible bit of comic relief with habits that could earn him an ASBO and his arse constantly hanging out of his trousers, is more forthcoming. He thinks Chris was up to something to bring in the sort of money he was making. He often heard the couple arguing even though their house is some distance away. Bobby himself has has trouble with developers wanting to buy his ramshackle house, that is currently devaluing the holiday let next door. The team go through several theories – could Chris have been distributing drugs, keeping stolen goods or weapons? This is going to take a deep dive into his business records and asking more searching questions of his resentful family. 

I loved how the author has woven in the real-life concerns of a village in an area like Derbyshire within the Peak District. There’s the difficulty for young people who grow up there not being able to afford a decent home as second home owners and investors buy up the local cottages for their portfolio, some with unscrupulous business practices. Laurie feels herself an outsider in this space, the weapons are different for a start as the pair encounter a crossbow booby trap, animal traps and then shotguns in her first few days. Even the motives and suspects are different to those she encountered back in Manchester. She can also see the pressure Joe is under as a receptacle for the village’s resentment and grief. The horrors here are both manmade and supernatural. The pair peel back the layers of secrets and find a neglected kid practically living wild, a plan for hunting in the woods that could have come from the Epstein files and someone who likes to watch their fellow villagers. These twists and turns of the case are fascinating and kept me reading all day. The ghosts are both horrifying and desperately sad, with parents who long to see their child again but not in the way they appear with deep black pools for eyes and dripping with water. It culminates in a terrifying showdown from a totally unexpected direction. The survivor’s guilt is unbearable and I kept hoping that Laurie’s presence and this awful case might be a catalyst for change. Both her and Joe are outsiders in different ways and I could see that distance from the community being useful in terms of their policing but painfully lonely in private. This was a deeply atmospheric and devastating start to a series I can’t wait to dive back into. 

Out now from Harvill Publishing

Meet the Author

Sarah Hilary is the critically-acclaimed author of nine novels. Her debut, Someone Else’s Skin, won the Theakston Crime Novel of the Year 2015 and was a World Book Night selection, a Richard & Judy Book Club pick and a finalist for both the Silver Falchion and Macavity Awards in the US. No Other Darkness, the second in her DI Marnie Rome series, was shortlisted for a Barry Award.

In April 2026, The Drowning Place will introduce readers to DS Joseph Ashe at the start of a brand new series set in the Peak District.

Sarah is Programme Director for St Hilda’s Crime Fiction Weekend, and co-founder of Ledburied, a crime fiction festival in her home town. Her short stories have won the Fish Criminally Short Histories Prize, the Cheshire Prize for Literature, and the SENSE Prize.

Posted in Ten on Tuesday

Ten on Tuesday: Ten Books About Mediums and Fortune Tellers

Posted on by thelotusreaders

Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism, attending séances in the hope they might reach their departed loved ones.

William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him – seemingly from beyond the veil – placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far?

Based on the true story of Professor William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters including Sir Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunted, twisted tale of power, paranoia and one ultimate, inescapable truth… I found this atmospheric, mysterious and completely fascinating.

Paris, 1866. When Baroness Sylvie Devereux receives a house-call from Charlotte Mothe, the sister she disowned, she fears her shady past as a spirit medium has caught up with her. But with their father ill and Charlotte unable to pay his bills, Sylvie is persuaded into one last con.

Their marks are the de Jacquinots: dysfunctional aristocrats who believe they are haunted by their great aunt, brutally murdered during the French Revolution.

Sylvie and Charlotte will need to deploy every trick to terrify the family out of their gold – until they experience inexplicable horrors themselves.

The sisters start to question if they really are at the mercy of a vengeful spirit. And what other deep, dark secrets threaten to come to light…? I loved the genuinely scary scenes in this novel, the setting and the differences between these two sisters.

‘Now you know why you are drawn to me – why your flesh comes creeping to mine, and what it comes for. Let it creep.’ 

Visiting a grim London prison as part of rehabilitative charity work, upper-class suicide survivor Margaret Prior is drawn into the Victorian world of enigmatic spiritualist and inmate Selina Dawes and is persuaded to help her escape.

From the dark heart of a Victorian prison, disgraced spiritualist Selina Dawes weaves an enigmatic spell. Is she a fraud, or a prodigy? By the time it all begins to matter, you’ll find yourself desperately wanting to believe in magic. I love Sarah Waters and the way she writes LGBTQ+ characters back into history, this brought to life the reality of a women’s prison and how class determines women’s lives as much as gender. This was unsettling and like a great thriller you’re never quite sure who is being honest and who is manipulating the outcome.

In the slums of 19th-century New York.

A tattooed mystic fights for her life.

Her survival hangs on the turn of a tarot card.

Powerful, intoxicating and full of suspense. *The Knowing* is a darkly
spellbinding novel about a girl fighting for her survival in the decaying
criminal underworlds.

Whilst working as a living canvas for an abusive tattoo artist, Flora meets Minnie, an enigmatic circus performer who offers her love and refuge in an opulent townhouse, home to the menacing Mr Chester Merton. Flora earns her keep reading tarot cards for his guests whilst struggling to harness her gift, the Knowing – an ability to summon the dead. Caught in a dark love triangle between Minnie and Chester, Flora begins to unravel the secrets inside their house. Then at her first public séance, Flora hears the spirit of a murdered boy prostitute and exposes his killer, setting off a train of events which put her life at risk. This is a fabulous debut novel full of colourful historical detail and showcasing an utterly alternative 19th Century existence.

Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her – and to keep her distance from her husband. But her pictures seem to capture things invisible to the eye . . .

Henriette is a celebrated spirit medium, carrying nothing but her secrets with her as she travels the country. When she meets Viola, a powerful connection is sparked between them – but Victorian society is no place for reckless women.

Meanwhile, on the other side of the world, invisible threads join Viola and Henriette to another woman who lives in secrecy, hiding her dangerous act of rebellion in plain sight. I was incredibly moved by this story of transgressive love and the fascinating world of spirit photography. Viola has all the naivety of a daughter brought up with religion and it takes Henriette’s boldness for her to try new experiences. I loved the author/‘s use of liminal spaces as places of freedom and how found family can allow that freedom to grow.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly re-married and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction.

She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. 

When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened thirty years before… and discovers her own fate is entwined with that of Clewer Hall’s. This is the perfect book if you enjoy gothic mystery, historical detail and very spooky twists and turns.

Alison Hart, a medium by trade, tours the dormitory towns of London’s orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists…

Shortlisted for the Orange Prize, Hilary Mantel’s supremely suspenseful novel is a masterpiece of dark humour and even darker secrets. This ghostly story is full of menace but also very dark humour. It’s endlessly inventive with all the atmosphere you’d expect from this incredible writer.

How do you solve an unsolvable murder? Ask the victim…

In January 1986, newly-engaged Marnie Driscoll is found dead in her parents’ kitchen. With no witnesses, it seems as though the circumstances of her death will remain a mystery.

Six months later, high-flying Detective Inspector Andrew Joyce’s career takes an unexpected detour when he finds himself unwillingly transferred to an obscure department within Greater Manchester Police, known as the Ballroom. The Ballroom team employs unorthodox methods to crack previously unsolved cases, and Joyce, a sceptic by nature, must find a way to work with Peggy Swan, a reclusive ex-socialite with a unique talent: she can communicate with the dead.

Joyce soon discovers that Marnie’s death, initially dismissed as an opportunistic act of violence, actually seems to be a carefully orchestrated murder. It will take both Joyce’s skill as an investigator and Peggy’s connection to her new ghostly charge to navigate the web of secrets surrounding the case and bring closure to Marnie’s tragic story before the killer can strike again. I love this series, with the author recently releasing the third in the series. This has Northern wit, gritty crime and an exceptional character in Marnie. Apart from Marnie these ghostly goings on are sinister and dark in places, so when added to a new DI with family secrets it really does compel you to read on.

When the women in the Sparrow family reach thirteen, they develop a unique ability. In young Stella’s case, the gift, which is both a blessing and a curse, is the ability to see a person’s probable future. Stella foresees a gruesome murder, and tells her charming, feckless father about it, but it is too late – the murder has already been committed and suspicion falls on him. 

Hoffman unlocks the caskets of family life and the secret history of a community in this magical story about young love and old love, about making choices – usually the wrong ones – about foresight and consequences, all suffused with the haunting scent of roses and wisteria, and the hum of bees on a summer evening. I love the way Hoffman combines mundane every day life with magical events so skilfully you never question it. She draws you into these lives and her setting with all the enchantment of a fairy tale.

A grieving woman . . .
Yorkshire, 1890. Forced to exchange her childhood home for her uncle’s vicarage after a tragic loss, Olwen Malkon finds herself trapped between her aunt’s cruelty and the sinister advances of her cousin.

A troubled past . . .
When Olwen finds herself afflicted by strange dreams of a woman from a distant past, whose fate is overshadowed by menace and betrayal, those around her are determined to dismiss them as hysteria – except the local doctor, John, with whom she develops a connection.

A long-buried secret . . .
As the visions intensify, they begin to mirror reality, threatening to expose chilling secrets. What dangers lie ahead for Olwen, and does the past hold the key to her own future…?

This is the perfect mix of history and the supernatural as the character’s become connected through time. Olwen’s troubled present seems to change her into a conduit for an Anglo-Saxon woman, but her new power to see the past leads to concerns for her welfare in the present. This is really engaging and absorbed me completely.

Posted in Monthly Wrap Up, Uncategorized

Best Reads March 2026

Posted on by thelotusreaders

So it turns out that March is the month of mysteries and thrillers, suspense, plot twists and secrets aplenty! These are my favourites from the month and although I haven’t managed full reviews for some of them, these are my favourites. Wishing you all a Happy Easter weekend, hope you get some good reading and relaxation time with some treats. ❤️📚 🐇

St Monans, Fife, Scotland 1790. Two women are forced to publicly repent in church, one for adultery the other for breaching the sabbath. Wealthy housewife, Florrie, and salt serf, Eliza, form a quick and unusual bond over their mutual humiliation. So when Florrie’s husband decides she must accompany him on a trade venture to Iceland, she insists Eliza comes as her maid.

Far from home, isolated and fearful, the two women grow ever closer. Then Florrie’s husband reveals his sinister plan: he will leave her in Iceland, banished for the shame she has cast upon him. Florrie must escape, but when she turns to Eliza for help she realizes nothing is quite as it seems . . .

Based on the true story of the British Empire trying to annex Iceland as a penal colony, this books tells us about subjugation and control of women by husbands, serf owners, and ministers. Kate Foster always has strong female characters and Florrie, Eliza and Hallgerd are no exception. This was a historical thriller, full of suspense and with a few plot twists too. It’s about what happens when women reject the shame men and society say they should feel and embrace their transgressions, using them as a stepping stone to true freedom. My full review is coming up soon.

Twelve years ago, Carrie married Johan on a beach in Thailand. But as the sun set on their perfect day, armed men swarmed the island and her husband was taken, never to be seen again.

Carrie is now happily remarried; a mother of two. The past is firmly behind her – until she stumbles across Johan by accident online. He is alive and well.

As the memories of their passionate relationship flood back, Carrie is compelled to find out what happened on that beach, and why Johan never got in contact.

The man who promised her a lifetime of love is now a mystery she must solve. But are the answers worth risking her marriage, her family, and the life she fought so hard to rebuild?

The truth, it turns out, is more shocking than any lie . . .

I read this novel on my weekend away and became absolutely absorbed in the story, a love story that’s also a mystery. It’s heartbreaking, romantic but also sinister and unsettling. Our main character, Carrie Cole, has been a brilliant surgeon but gave up when she had very premature twins and felt the need to be at home with them. She lives with her husband Robin in an old cottage with a holiday let in the old piggery next door that they let through the Roof app. It’s there that she sees Johan again for the first time since his arrest in Thailand. Her urge to see him is part emotional but also a desperate need to know what happened and how he ended up back home in Sweden when he should still be in prison. I loved how the author played with our expectations of who to trust and whether Carrie should think with her heart or head. She’s safe, she’s happily married, she’s a mother about to return to work so we know the right choice to make. Right? Full review coming later in the month.

Famed children’s author Dame Eleanor Kingman has summoned her family and friends to her exquisite manor house on the cliffs. They’re celebrating her birthday – and her latest number one bestseller in her series of books based on a mother fox and her cubs.

But the night before the party, Eleanor receives an email: an email that threatens to expose the lie she’s kept up for over half a century.

Someone knows her secret. Is it her estranged literary agent? Is it her ex-husband, to whom she no longer speaks? Is it the nanny she fired all those years ago, who always did have a knack for storytelling? Or is it one of her three daughters, all of whom have a stake in the publishing empire she has built…

With a TV crew arriving to film a documentary of her life, Eleanor needs to find out who sent the email – and preserve her multimillion-pound career.

But when push comes to shove, and it’s time to tell the truth – will anyone actually believe her?

This was a brilliant thriller from Sarah Vaughan, based around a wealthy and respected children’s author and her birthday party. There’s enough tension in the air already with an event so big, but Eleanor’s three daughters each have secrets, her illustrator has turned up early for a confrontation about her percentage, there’s an odd man hanging around the grounds who approached her grandchildren and dog, plus an old couple who have apparently lost their way from their caravan park into the gardens. Told in the tense two days before the celebrations, we also get flashbacks to key moments in Eleanor’s past that might give us the answers. You’ll absolutely devour this book like I did.

When 18-year-old Christian Shaw is found dead in an Edinburgh park, the city reels – and the shock only deepens when police charge her best friends, Eliza Lawson and Isobel Smyth, with her murder.

As their trial begins and headlines scream for justice, rumours of bullying spiral into something darker: whispers of rituals, obsession, and a teenage pact gone wrong.

But then the girls take the stand – revealing a chilling defence no one saw coming – and the jury must question everything: the motives, the evidence, even their own judgement.

Who’s telling the truth? Who can be trusted?
And what really happened to Christian Shaw?

Let the Witch Trial begin . . .

Harriet Tyce’s brain works differently to other people’s! We follow the trial of two teenage girls through the eyes of a juror called Matthew who is a surgeon. He’s everything a good juror should be – reliable, intelligent, rational, objective, pillar of the community – but he seems strangely excited about this trial, having been told several times he could have been excused because of his job. As the trial moves on he seems to deteriorate: he stops wearing a shirt and tie, has a rash that spreads and irritates him, starts to drink and eat junk food. The story of witchcraft and teenage girls is intriguing, but does it constitute murder? Who is the blonde woman that catches Matthew’s eye and seems to follow him to the flat? There are so many layers to this story that your mind will be blown in the final chapters!

Ten years ago, Hope left Somerset with a fatal secret and a broken heart. She has spent a decade in the shadows, living a quiet life of penance to protect the man she once loved – the world-famous author Ambrose Glencourt.

YOUR LIFE IS NOT YOUR OWN.

Then, she opens his latest bestseller. To the world, it’s a brilliant work of fiction. To Hope, it’s a betrayal. Every private moment, every dark truth, and every ‘fatal disaster’ from that summer is laid bare on the page.

YOUR TRUTH IS A LIE.

But Ambrose has changed the ending. In his version of the story, Hope isn’t the victim. She’s the villain.

Now, Hope must step out of the shadows to reclaim her narrative. But in a world of glamorous elites and whispered secrets, who will believe the word of an unreliable woman against the word of a literary icon?

Two narrators. One truth. And a secret worth killing for.

This novel is another triumph for this incredible writer, with so many layers and very timely themes around rich white men and their assumption of their own genius and their right to exploit those around them. Hope is a compelling character whose one summer with Ambrose and his wife Delia sets her life on a different course. To find the events of that summer in a book, prompts her to go to the police and tell her story to detective Nat. Is this the ramblings of a mad, middle aged woman or is something very wrong at Shadowlands, the Glencourt’s mansion. Hall beautifully shows us young love and how a girl who loves books can be manipulated by someone who believes young, naive lower class girls who worship writers are theirs for the taking. I love how Hall weaves in the concept of playing with reality, how we construct stories and who has the right to tell them.

There’s something out there in the darkness.
By morning, bones lie in the snow, picked clean.

Zach knows the moods of the mountains – his mother taught him before she was gone. His father and the other men on the ski weekend think they know better though.

Drinking and boasting, they laugh in the face of the icy conditions.

But Zach understands what danger looks like. Can he survive the wilderness, and all the monsters within it?

This is a stunning new novel from Tracy Sierra, whose debut novel NightWatching was one of my favourite books of 2024. This is just as good as that thrilling debut, if not better. Set in one weekend in the mountains, this is no ordinary trip or boy’s own adventure. Everyone who is coming is there to be impressed by Zach’s dad and his latest business venture. Everything has to go right. Everything is told through Zach’s eyes and we can see him slowly lose his innocence as he notices that his dad doesn’t have half the knowledge about the outdoors that his mother had, everyone else can see that all his gear is new, flash and not what a regular skier or hiker would use. Zach can also see they dislike him. Russ is the only other kid on the trip and he knows that these men are going to lead them into danger, simply because they’re selfish and full of bravado. They must get to do exactly what they want and damn the consequences. Tracy Sierra gets inside this little boy’s mind perfectly and I was desperate for him to survive, but with a strange monster on the prowl outside and the terrible weather it’s hard to know what he can do to escape. Unless the real danger is on the inside. This author shows shades of Stephen King and The Shining in this brilliant story, bristling with menace and childhood fears.

Here are a few of next months reads:

Posted in Netgalley

Based On A True Story by Sarah Vaughan 

Posted on by thelotusreaders

A lavish 70th birthday party. A body found on a storm-lashed beach. And a secret that someone is dying to tell… 

Famed children’s author Dame Eleanor Kingman has summoned her family and friends to her exquisite manor house on the cliffs. They’re celebrating her birthday – and her latest number one bestseller in her series of books based on a mother fox and her cubs. But the night before the party, Eleanor receives an email: an email that threatens to expose the lie she’s kept up for over half a century.

Someone knows her secret. Is it her estranged literary agent? Is it her ex-husband, to whom she no longer speaks? Is it the nanny she fired all those years ago, who always did have a knack for storytelling? Or is it one of her three daughters, all of whom have a stake in the publishing empire she has built…

With a TV crew arriving to film a documentary of her life, Eleanor needs to find out who sent the email – and preserve her multimillion-pound career.

But when push comes to shove, and it’s time to tell the truth – will anyone actually believe her?

Eleanor Kingman is holding a huge 70th birthday party at her Cornish house that sits on the cliffs overlooking the sea. It’s a massive undertaking, even without the addition of a TV film crew who are filming the run up to the big day and interviewing Eleanor and her daughters. Her eldest two daughters have working roles alongside their mother. Gilly is her assistant, co-ordinating both the celebration and the TV crew. Rachel is her accountant, keeping track of the royalties and the spending. Her youngest, Delia will no doubt arrive early or late, she is a lifestyle influencer documenting her travels and the journey she’s taken as an addict. However, each daughter has her own secrets and the resentments between them and their mother threaten to boil over. There are hints of menace, such as the strange man who approaches Eleanor’s much loved spaniel Edith as she’s being walked by Rachel’s children. Then an older couple are seen trespassing on Eleanor’s land, claiming to have taken the wrong route while on a caravan holiday close by. There’s also the early arrival of her illustrator Ayisha, who has steeled herself to talk about her cut of the profits. Alone these things mean nothing, but Eleanor is jittery as the interview approaches and only she knows why. She has been receiving blackmail threats making it clear that they know her secret and are more than willing to expose her. Who are they coming from? What do they know? Eleanor doesn’t know if this is personal or about her work. However, she isn’t the only one in the family to have secrets. Each sister has something they’re hiding from their mother and each other. This night is really going to go off with a bang! 

Eleanor is an interesting character and has a distinct style and way she presents herself. As she’s retiring to her room on the afternoon of the party she knows she needs to rest but thinks about what she needs to do ‘to reassemble herself with hair, make-up, fine jewellery, exquisite clothes. To reconstruct Dame Eleanor Kingham.’ It’s as if she is an actress with a role or that over the years people have developed an expectation of how a popular children’s author should appear. The party will be lavish but Rachel can testify that in other ways her mother does count the cost, even making sure food is used past it’s sell by date. There’s also the fact that she pays her daughters below market rate, in fact it could be said that she’s lavish with herself but not so much with others. This could go back to years of frugality as a young woman at university, then as wife of an author whose own ambitions have taken a back seat to his genius. The author gives us flashbacks to show Eleanor’s earlier life, including her writing at the kitchen table late at night, exhausted and wondering if her writing will ever be noticed. There’s a certain ruthlessness in her and a steely determination, in fact her first book had the vixen killing and eating a weak cub for her and other cubs survival. Her agent decided it was too grim a detail for a children’s story, no matter how accurate it might be in nature. This also tells us she is willing to bend or alter a narrative, if it allows her to succeed. 

I felt particularly sorry for Gilly who is really working hard to keep things running well in the last few days, with very little credit or thanks. I was really glad there was a flirtation for her. With an attractive camera crew around and Ned the director being particularly handsome there’s certainly opportunity. Gilly is the little overlooked dormouse who scurries everywhere, quietly making everything happen. Rachel is in a world of trouble when her husband Tom finally tells her a secret he’s been keeping and she’s furious. He needs money, fast. Will Rachel be pushed into something unthinkable? I found Delia incredibly irritating! One of those influencers who always appears picture perfect, on a picturesque beach with pearls of wisdom for her thousands of followers. None of it is original and it’s borderline dishonest. She is sober at the moment, but has a gatecrasher coming for the party. Will the tension tip the balance for her? None of these people are particularly likeable, with Rachel’s husband being a candidate for a good slap at the very least – he made me furious. All of this will come crashing to a head on the big night and I was constantly second-guessing which would bring the author’s world crashing down or whether she’d manage to solve it all in her own inimitable style. This is a book that you won’t put down in those final chapters. Vaughan really is a master at drip feeding clues and reveals, keeping me hooked. It’s brilliantly paced, the characters and their dynamics are so complex. There’s also a cleverly created gap between professional personas and the real life person, whether it is a children’s author or an influencer. Honestly these characters are hard to like but there’s nothing like the schadenfreude of seeing some of them meeting their fate. 

Out on 26th March from Simon and Schuster UK

Meet the Author

Sarah Vaughan read English at Oxford and spent eleven years at the Guardian as a news reporter and political correspondent, before leaving to write fiction. Her first two novels were followed by her first psychological thriller, Anatomy of a Scandal: a Sunday Times top five bestseller, Richard & Judy pick of the decade, and global number one Netflix adaptation starring Sienna Miller, Michelle Dockery and Rupert Friend. Her fourth novel, Little Disasters, was a Waterstones thriller of the month and developed as a number one Paramount Plus show. Her fifth novel, Reputation, was a Sunday Times thriller of the month and is currently in development by the team who made Anatomy of a Scandal. Based on a True Story is her sixth novel.

A million-copy international bestselling author, her books have been published in twenty-seven countries.

Posted in Squad Pod Collective

Unreliable Narrator by Araminta Hall 

Posted on by thelotusreaders

YOUR SECRETS AREN’T SAFE.

Ten years ago, Hope left Somerset with a fatal secret and a broken heart. She has spent a decade in the shadows, living a quiet life of penance to protect the man she once loved – the world-famous author Ambrose Glencourt.

YOUR LIFE IS NOT YOUR OWN.

Then, she opens his latest bestseller. To the world, it’s a brilliant work of fiction. To Hope, it’s a betrayal. Every private moment, every dark truth, and every ‘fatal disaster’ from that summer is laid bare on the page.

YOUR TRUTH IS A LIE.

But Ambrose has changed the ending. In his version of the story, Hope isn’t the victim. She’s the villain.

Now, Hope must step out of the shadows to reclaim her narrative. But in a world of glamorous elites and whispered secrets, who will believe the word of an unreliable woman against the word of a literary icon?

Two narrators. One truth. And a secret worth killing for.

I was blown away by Araminta Hall’s last novel, because of how bold and timely it was. I wondered whether she could write something that would capture the world as it is now, crazier and more disturbing by the week. Well it turns out she can. Hope Jenkins takes a job with author Ambrose Glencourt as his personal assistant at his home, Shadowlands. Rosie, as he likes to be called, described the shadowlands as a place of imagination. However, its other meaning gave me a sense of foreboding – a thin place, the hinterland between life and the next, place filled with ghosts and spirits. It made me wonder, was this a place where the line between the real and the imaginary is blurred? The setting is the archetypal bohemian mansion, showing a lot of wear and tear, but still beautiful with idyllic grounds. The sort of place where books and art are piled everywhere, but the dishwasher is held closed with cord and a wooden spoon. Hope is stunned by her surroundings, it’s nothing like her mum’s flat and Rosie’s wife Delia is a fragile beauty who was a model for the artist Siegel when she was younger. Again though, little things stayed in the mind. The way that they call their staff by their Christian names in front of visitors, but Mrs A and B in private seemed odd. Delia seemed very keen to downplay her own artistic ambitions, always saying it’s just a hobby when she has her own studio and Hope can see she’s very talented. Then there’s a painting – in Rosie’s study, amongst the bookshelves he has a nude painting of a very young Delia with her legs wide open. It makes Hope uncomfortable and and she wondered whether that was why he kept it so public, or whether he liked to make other men desire his wife? 

I felt like Hope was dazzled by the Glencourts and the relationship seemed unequal. Whereas staff seemed to stay in the garden and kitchen, Hope and another guest at the house eat and socialise with the couple. Tom is introduced as someone who Delia has worked with when teaching pottery at an outreach for addicts. He and Hope have afternoons to spend together when Rosie has finished working for the day and it’s clear there’s chemistry. Yet I wondered why had Rosie and Delia taken Tom in and what exactly is the nature of their relationship? Is he as taken in as Hope is by this bohemian utopia? Perhaps not, as he discloses more secrets about the couple and explains: 

‘I’m not sure Rosie means everything he says, I think it’s more that he entertains himself by making people feel uncomfortable.” 

Little unexpected touches and comments made me uneasy about Rosie and there’s a very uncomfortable dinner scene that made me feel sick and awkward. Rosie’s dinner guests became horribly familiar, men who think their sex and status gives them licence to manipulate and bully others. We can feel the pressure of that summer building as the heat rises and I was utterly absorbed by it. 

Then we’re taken ten years later and Hope wants to make a statement to the police. We meet our narrator Nat, a young detective trying to get through her day and get home to her wife and kids on time. Nat is our narrator, coming into this ten year old world in our stead and trying to work out whether Hope is just a crank or a mad fan. However, there’s something about this Hope, a strange, sad lady and her journal, from a summer ten years before that catches her attention. This is an utterly different Hope, in fact she’s a woman transformed from that dreamy girl who fell in love with a lifestyle so far from her own. Now she’s working in a school office and doesn’t appear to be looking after herself. She returned home that summer in a state of delirium and shock and it looks like her life hasn’t recovered, although underneath the exterior there’s still a nurturing instinct and an ability to identify victims of abuse. She’s alerted by news of Ambrose Glencourt’s long awaited sequel to The Ruined Girl, his most famous and celebrated novel. Hope buys the first novel and as she reads she becomes more and more angry. This is Rosie’s version of that summer’s events written down for all the world to read and the character based on Hope is definitely the villain of the piece. He has taken the truth and twisted it. The only thing Hope has is her journal and as Nat reads Hope’s journal she does start to wonder whether there’s some truth in this? She’s experienced manipulation and abuse and something about this presses that trigger. She decides to visit Shadowlands for herself and meet the Glencourts, because even if Hope is mistaken about what ended her work with Rosie, something at Shadowlands feels wrong. 

The structure is so complex, playing with stories and asking questions about how they’re told and who gets to tell them. Rosie made my flesh crawl a little, with the arrogant assumption that he can feast on anything to fuel his imagination and continue the important business of making literary art – there’s no downgrading his talent, unlike Delia’s. I really felt how much easier it is to work as a writer when you have money to support you and a mansion to live in. He discards all distractions, even those he’s created himself. I didn’t like his friends either and their little games, enjoying their ability to make someone much younger uncomfortable. Hope wants to be like him, to be able to “make language work that way as if it belonged to me”. What she didn’t realise back then was that there’s no one way to write, because each unique voice is just as valid. It just that certain voices are more likely to be heard because they follow the established narrative. Hopefully, we don’t have to sound like rich, middle aged white men any more. Hope has seen through the shiny exterior of Shadowlands and knows they’ll look down on Nat with her cheap suit and London accent. But could Rosie’s assumption of superiority be his downfall? This book sits perfectly alongside the #MeToo movement and the Epstein Files in that it’s a world operating on the assumption of silence. Hope isn’t silent any longer. Incredibly tense, twisty and timely, I was utterly under its spell from the first few pages. Ambrose Glencourt claims that in fiction “it’s much easier to blow a body apart than put it back together again.” For Hope’s sake I read this voraciously, full of rage and with everything crossed that Araminta Hall could do what Ambrose Glencourt couldn’t.

Out March 5th from MacMillan

Meet the Author

Araminta Hall has worked as a writer, journalist and teacher. Her first novel, Everything & Nothing, was published in 2011 and became a Richard & Judy read that year. Her second, Dot, was published in 2013.

She teaches creative writing at New Writing South in Brighton, where she lives with her husband and three children.

Araminta Hall’s novel Imperfect Women has been adapted for television by AppleTV starring Elizabeth Moss and Kerry Washington

Posted in Publisher Proof

The Keeper by Tana French

Posted on by thelotusreaders

On a cold night in a remote Irish village, a girl goes missing.

Sweet, loving Rachel Holohan was about to be engaged to the son of the local big shot. Instead, she’s dead in the river.

In a place like this, her death isn’t simple. It comes wrapped in generations-old grudges and power struggles, and it splits the townland in two. Retired Chicago detective Cal Hooper has friends here now and he owes them loyalty, but his fiancée Lena wants nothing to do with Ardnakelty’s tangles. As the feud becomes more vicious, their settled peace starts to crack apart. And when they uncover a scheme that casts a new light on Rachel’s death and threatens the whole village, they find themselves in the firing line.

This was a new series to me, but having read some of Tana French’s earlier novels such as In The Woods I knew it would be something I’d enjoy. I love her writing and here it is such a beautiful balancing act. This is a slow burn novel that’s beautifully atmospheric and manages to convey both moments of high humour and menacing evil. The small village of Ardnakelty is a quagmire. It’s described as gloomy, misty and wet most of the time. There’s something about the weather that’s oppressive and any walk outdoors is liable to leave you muddy and wet. It seems like a harmless place, but it’s full of pitfalls and weeds that can drag you under. The emotional quagmire is impossible to avoid if we look at it through Lena’s eyes. It is so remote, but anyone like Cal thinking they’ve come here for quiet and to avoid other people is in for a shock. He already has Trey, a teenage girl from a difficult family who is like an adopted daughter to him. How much more tied to this place might he become? Villages like this have one shop and one pub and everyone frequents them so eventually there’s a passing acquaintance with everyone. This is a place where neighbours are more like family. They’ve known each other forever, and their mothers knew your mother too. This could be seen as a bonus, but the author depicts it as spider’s web that once you’re stuck it’s impossible to escape. The only question is, who is the spider? 

“The cloud is high tonight, letting through a haze of moonlight here and there so that streaks of fields rise ghostly out of the darkness and the air has an icy bite that burrows to the bone.”

The plot reveals itself slowly and once Cal and Trey find the body of local teenager Rachel in the river, the tension starts to build in this small community, until it’s pushed to breaking point. It made me feel angry and utterly powerless in parts. Rachel had been going out with Eugene Moynihan for years and it was apparently Eugene she had been out to meet on that night. Was this a tragic accident or is something more insidious going on? Rachel’s family are devastated and Lena is shocked to find out she was the last person to see her that night. The village gossip is in overdrive with different theories, but the narrative that seems to be emerging is that Rachel might have committed suicide. Cal doesn’t think so, but most people daren’t think anything different. The Moynihans are a big deal in Ardnakelty, living in a huge house with all mod cons and Eugene’s dad Tommy has a finger in every lucrative pie. Cal is told no one is going up against the Moynihans, because Tommy has all the right friends in very high up places. There was part of me that could see this story as an allegory for what’s happening in the world – a money-hungry bully, who is always looking for the next chance and has such a hold over people he could get away with almost anything. 

Underneath this main mystery is the narrative of Cal and Lena’s relationship, in fact very early on we get a conversation about their wedding. Despite being engaged, Cal and Lena are still in two separate houses and have made no wedding plans. This suits them, but Lena’s sister Noreen who runs the shop is forever warning them. If they don’t book something round here they’ll lose the only venue. There’s Cal’s worries about Trey who is hoping to gain an apprenticeship as a joiner, has exams to get through and trouble at home where the landlord seems to want them out of their house. All of these things weave in and out of each other, seemingly unconnected but as with everything here patterns and connection exist under the surface. Tommy and Eugene pay Cal a visit, as an outsider maybe he’s the best person to investigate this? Cal refuses but is left with the feeling that will count against him. If he’s to ask any questions he’d rather do it alone, with no one controlling the narrative. What he doesn’t know is that Lena is already asking questions and because she’s from this place she knows who to ask. It’s clear sides are forming, even in the way people arrange themselves at the wake. Cal is with Trey but also his neighbour Mart, the only locals he feels any allegiance to. While Lena is drawn to a women’s table, containing everyone she went to school with and usually avoids. She doesn’t want to join sides, but with Cal increasingly pulled into Mart’s group she knows there’ll be pressure from the Moynihans. Maybe there’s a positive to being part of Ardnakelty, but she can’t see it as yet. 

I loved the build up of tension in this small village and the wonderful way the author balances that with humour. There’s a scene with Mart and a squirrel that’s comedy gold and made me laugh out loud then read it to my husband. Mostly it’s the juxtaposition of things; a gang of masked men is menacing, but has a more comical touch when some are Wolverine and other varied superheroes. As the situation escalated I felt angry and powerless to stop what was happening. It wasn’t so much the brawls, it was the quiet threats and controlling nature of what was happening, particularly to the women involved. Tommy Moynihan made my skin crawl but so did Noreen’s mother-in-law Mrs Duggan, the perfect example of someone who appears powerless but actually controls the household and watches the to and fro of the village from her armchair. This fight could knit Cal, Lena and Trey into this place’s history. They could commit to being lifelong Ardnakelty people but if they are, they must find out what’s behind Rachel’s death and end Tommy’s dominance over the place. I became so drawn into this world that I was genuinely upset by the loss and how far apart Lena and Cal become. I loved that he didn’t crowd her and gave her the space to be her own person. I also loved the way he parented Trey and responded to her new relationship. This is an intricate and carefully balanced thriller that’s perfectly grounded in its rural Irish setting. Cal learns that the villager’s allegiance to their land runs deep and they are willing to put absolutely everything on the line for it, even their lives;

“Their tie to their land is different, not in its intensity but in its nature: rooted thousands of years deep, through strata of dispossession, famine, bloody rebellion. This land has been reclaimed and that changes things.”

Out 2nd April from Penguin

Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, and The Trespasser. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.

Posted in Publisher Proof

Warning Signs by Tracy Sierra

Posted on by thelotusreaders

I couldn’t stop talking about Tracy Sierra’s debut novel Night Watching. I inhaled it and I have been lending and buying it for everyone around me since. So I approached her second novel with trepidation, would it be as good as the first? Well I can set your mind at rest. This novel is incredible. The ‘stayed in bed almost all day to keep reading it’ type of incredible. The plot is simple enough. A young boy named Zach is taken by his father on a ‘boy’s trip’ to the wilderness with people he hopes will invest in his business. This is a part of the country he visited often with his mother who taught him everything he knows about skiing these mountains and survival. As they settle into their cabin and make it ready for guests it’s clear that Zach is an innocent boy, easily ordered around by his dad who’s angry that his secretary Ginny hasn’t been up to prepare the cabin as she promised. As they settle in for their first night, Zach is convinced something is lurking around especially when he has the visit the outside toilet alone and in the dark. The noises and shadows are like nothing he’s heard before. Could a monster be up here with them in the mountains? Possibly. But sometimes, monsters aren’t always what we expect. 

This author is fast becoming a master of complex and painful family dynamics with an edge of horror. This monster in the snow brought back memories of the first time I read The Shining and there are parallels in the isolated mountain setting, the pressure cooker of people forced together and the young, innocent boy at the centre of the tale. This wilderness is somewhere Zach knows very well, having come up here regularly with his mum and sister and this was one of my first questions. Where are the women in this story? We know Zach came up here with groups of women and their kids, but his mum, sister and even the expected Ginny are nowhere. In a small vignette at the beginning we see a previous trip and Zach’s mum explaining how to check the snow for the likelihood of an avalanche. She impresses upon him the importance of turning back, even if the risk is small it’s not worth taking. It’s clear very early on that Bram, his father, doesn’t have the same attitude to risk. He’s the sort of guy who thinks men take risks and would rather show bravado to his guests than follow the advice of his wife through Zach or the guide that comes with the cabin. 

Zach is a beautiful narrator and he’s written with such care, everything he thinks or tells us maintains that innocent, slightly anxious voice. I desperately wanted to protect him and get him out of this situation. As adults we wear masks – the one we wear for our job for example or the ‘telephone voice’ many of us use without really intending to. Children don’t and that creates a tension, especially in an environment where the whole purpose is to impress and sell yourself. Bram makes it clear that these men expect a winner and he has to act like one. Heartbreakingly, Zach has a soft toy he’s smuggled up there but knows it must remain hidden or risk it disappearing. Bram can’t have a weak son. This idea of wearing different masks is beautifully depicted as Zach takes us back to an evening at home where his mother has returned home late and a little drunk. He listens in silence to their argument and curses his mother because she knows the rules. Why does she set out to make him angry? Zach describes his father’s other side as his ‘underself.’

“For Christmas two years ago, someone had given his sister a stuffed octopus that could be flicked inside out. Flip one way, pink, fuzzy and smiling. Flip the other way, green, slick and glowering […] switching outerself to underself.”

He also has this horrible realisation, that we all have at some point in our childhood, that other people might dislike your parent or think they’re an idiot. As they set out and he watches his interactions with the other men he notes that they can see through Bram. The guide sees he knows nothing and Bram’s need to own the best of everything means his mountain gear is flashy, it looks too new. The only other kid on the trip is Russ and he makes it clear that he knows exactly what type of Bram is because his dad is exactly the same: 

“My dad, yours? They’re selfish. They nearly got us killed. And for what? Steve said you and me shouldn’t have skied it and they ignored him, because god forbid they don’t get to do exactly what they want.” 

How scary must it be as a child to learn that your parent is willing to take huge risks with your life for money? Even worse, Zach finds something that makes him wonder; if his dad has an underself, does everyone else? Coming at this from a psychological viewpoint I loved the way Zach describes his concerns about the men he’s with and his father in particular. The environment brings its own dangers with further snowfall and too many risks taken. Survival becomes a question between which is safest – taking the chance with the environment or staying indoors which is undoubtedly warmer and locks out whatever it is that Zach saw the night he ventured to the outside toilet. There’s always a tipping point and the pressure the author builds is almost unbearable. My heart was in my throat during those final chapters because I felt so protective of this incredible little boy. Tracy Sierra is able to evoke that heart thumping fear we feel as children, sometimes when we’re doing nothing more dangerous than lying in bed in the dark. With Zach she explores the difference between a manageable fear that’s no more than a calculated risk with the right understanding and techniques, the fear that simply comes from encountering something we’ve never seen before and the fear we don’t want to acknowledge because it makes us face a terrible truth. 

Out Now From Viking Books

Meet the Author


Tracy Sierra was born and raised in the Colorado mountains. She currently lives in New England in an antique colonial-era home complete with its own secret room. When not writing, she works as an attorney and spends time with her husband, two children, and flock of chickens