Tag: Crime

Posted in Personal Purchase

Killer in the Family by Gytha Lodge

Posted on by thelotusreaders

Aisling would do anything for her family – but can she protect a killer?

I had about three false starts with this book. Having read all her other books in the series when I won them in a competition on Twitter, I was intrigued to see what was next. I would read a bit, then a blog tour would come along or an urgent bit of bookpost would fall through the door and I would have to set it aside. I was so glad to finally get going with it again on holiday and it didn’t take me long to race through to the finish. The story gained both momentum and tension from about chapter four onwards. We’re back with Detective Chief Inspector Jonah Sheen’s team as the uncertainty of his private life is overshadowed by a terrible case and a man nicknamed the Bonfire Killer. He has killed two women already and the police have very little to go on. Then single mum and game developer Aisling, puts her DNA on an ancestry site. She’s thrilled to find a match, but that piece of her she felt was missing might come with some serious baggage – starting with an interview with CID. Aisling’s DNA is a match to the crime scene and possibly the Bonfire Killer himself, so the police have their eye on her two sons, Ethan and Finn, as well as her long lost father. There are secrets in this family, not limited to her missing parent. Will she be willing to unearth a painful past to prevent someone else suffering a painful future?

Aisling is an interesting and unexpected central character, with a life that isn’t everything it seems. She has gone to great lengths to avoid her past and she isn’t the only one in the family. Her father, Dara Cooley, went missing years before. As the team try to crack the case, they break into smaller working groups to find Dara Cooley, chase up the DNA and interview suspects that arise, and investigate a stud farm where a horse has been taken and killed, then burned on a pyre. Could it be linked to the case? The detectives spend time with the farmer and his two sons, trying to establish who would want to hurt their mare, Merivel. There are so many blind alleys and red herrings, but they have to be followed just in case one of them leads to a breakthrough. I loved the complications around an Irishwoman named Anneka Foley and her potential relationship to the case. One of Aisling’s sons is in a band, that one of the killer’s victims had a fascination with and that’s before we get to the exploration of Aisling’s own teenage years. I was suspicious, but loved Aisling’s loyalty to her sons. Her ‘first love’ story was so relatable and digging into the past can stir up a lot of feelings, especially when an unexpected visitor turns up. She’s unusual, a gamer who likes to play at home with her sons, but is also quietly very successful as a developer in her own right. She’s been tough and dedicated to her boys. Can she come to terms with her past and open herself up to a different future?

The team are on form, but I particularly loved the subplot around Juliette who is receiving unwanted attention from an old boyfriend. At a couple of crime scenes there have been markers that he might be around again: her favourite hot coffee and a waterproof jacket left on the bonnet of her car on a cold wet night. We see the strain she’s under, but she still does her job. It’s a subplot that seemed to have petered out but now returns with deadly consequences. This was a story I’ll love to see concluded in the next book. Then there’ Jonah’s private life, where trying to do the right thing seems to have backfired spectacularly. How does he extricate himself from this without causing further harm? Will the right path still be open to him when he does? With a fascinating background of Ireland’s poverty and the ways in which people struggled with a restrictive religious society, this is a fascinating thriller with so many different aspects to it. Gytha Lodge brings all these seemingly disparate strands together and successfully resolves most of them, only leaving us with one cliffhanger. But it is a humdinger of a cliffhanger! All of this as well as a atmosphere and tension you could cut with a knife, this is another brilliant read from a consummate crime writer.

Meet the Author

Gytha Lodge is a multi-award-winning playwright, novelist and writer for video games and screen. She is also a single parent who blogs about the ridiculousness of bringing up a mega-nerd small boy.

She has a profound addiction to tea, crosswords and awful puns. She studied English at Cambridge, where she became known quite quickly for her brand of twisty, dark yet entertaining drama. She later took the Creative Writing MA at UEA. 

Her debut crime novel, She Lies in Wait, has been published by Penguin Random House in the US and UK, and has also been translated into 12 other languages. It became an international bestseller in 2019, and was a Richard and Judy book club pick, as well as a Sunday Times and New York Times crime pick.

Posted in Sunday Spotlight

Changeling by Matt Wesolowski

Posted on by thelotusreaders

I spent some of my recent holiday going back to the earlier books in a series I picked up half way through. I often review for Orenda books blog tours and this has meant picking up on some fabulous authors who are on the fourth or fifth book in a series. I then slowly buy the previous novels in the series and take them on holiday so I can wallow in them for a couple of days. So, it was with no idea of the subject matter, except it would be a mystery and was being revisited by a podcast called Six Stories where Scott King interviews six people connected to the case. It’s not that he expects or aims to solve the case, although that’s a possibility, it’s about hearing different voices, perhaps ones that haven’t been heard or have something to add to their original evidence. I had no idea of the geographical location in The Changeling, nor could I have predicted reading it when I did. The case begins on Christmas Eve 1988 when Sorrel Marsden is travelling along the Wentshire Forest Pass, a road between Chester and Wrexham in North Wales. He hears a knocking sound in the car and decides to pull over in a lay-by to investigate. As he gets out he glances back to check on his son Alfie who is fast asleep in his booster seat in the back. Sorrel checks under the bonnet of the car, but not seeing anything obvious he decides to continue his journey. However, as he drops the bonnet he notices the rear passenger door is open and Alfie’s booster seat is empty. He looks for his son on the edges of the forest, but with no clue where Alfie has gone he goes to the phone box and calls the police.

We holidayed on the welsh borders, with the River Wye running through the garden of the cottage. We were travelling back from Chester Zoo when I started to read The Changeling and I’d passed navigation duties to my stepdaughter so I could put my feet up in the back. So I read Sorrel Marsden’s account of his son’s disappearance as we drove from Chester into Wales! Wesolowski is skilled at creating a setting that slowly unnerves the reader and I felt this as I read about the history of the forest and the interview King does with a contractor working on the construction of a holiday park. He was working in the forest at the time of Alfie’s disappearance and tried to help with the search for the boy. Not that searching was easy, as floodlights that worked earlier that day completely malfunctioned when needed. It was also impossible to move vehicles from the area of the search, the very embodiment of a ghost in the machine or gremlins in the works. The builder claimed that strange events started happening when they tried to remove ancient trees from the woodland. With normal tools not working, they were reduced to hacking at the trunks of the trees with little success except for a few blood injuries. They were sleeping onsite in temporary buildings when the knocking started, insistent and gaining in volume despite having no visible source. Most fanciful were his stories of seeing an animal out the corner of his eye, possibly a goat or wild boar. What i found most chilling though were the voices, whispery and urgent little voices that were indecipherable but angry in tone. Sorrel Marsden has made a point of walking the pass every year on the anniversary of Alfie’s disappearance. He never claims to hear or see anything on his treks, but they do serve a purpose. They set him up as the victim, the hero of the piece, especially then compared with Alfie’s mother Sonia who has never taken part in the search or been interviewed about her son. Until now.

The character’s in the novel are open to interpretation and our impression of them might change, depending on whose account we are listening to. Part of Sorrel’s story of that night is as damning for Sonia as her absence at memorials and other events. He claims to have suggested to spend Christmas with his estranged wife and son, but as Sonia’s drinking worsened he decided to remove Alfie from his mother’s care and return with him to his own home in Wrexham. This would have given people a terrible impression of Sonia and as an uncaring and unfit mother. Yet we haven’t heard her or anyone else’s opinion, only Sorrel’s. People tend not to question or accuse the bereaved and with Sorrel being found by police curled up in the phone box in a foetal position, it’s hard to blame those in attendance for treating him with care and compassion. Yet Sonia does consent to meeting King and talks for the first time about that awful Christmas. She doesn’t deny drinking, but has some explanations for her actions. She claims that Sorrel is an unusual man, with an ability to draw people to him that goes beyond his looks or personality. She recalls being belittled and controlled. Yes she struggled as a very young and isolated mum, but no help came. Despite claiming she was a bad mother, Sorrel left her alone with Alfie and rarely visited. I loved the women who contacted Scott King to tell their story of encounters with Sorrel. Like a mini ‘Me Too’ movement these women come together to talk about coercive control, psychological abuse, strange knocking sounds keeping them awake and leaving them unnerved. These women have incredible strength and having experienced a relationship like this I had my suspicions about Sorrel Marsden.

Sorrel is controlled, especially in his work as a chef. Other kitchen workers comment on his admiration for the military way of running a kitchen, a system of rules and regulations he also expects in his kitchen at home. Women refer to an unusual feeling they’d experience, as if he had them in an enchantment. It made me think of the word ‘glamour’ in the way it’s applied to witches – folk tales tell of a witch’s ability to ‘glamour’ people, to only show those sides of themselves they wish to be seen, often appearing as a beautiful young woman when they are in fact a shrivelled old woman. If we look at it realistically, Sorrel is a master manipulator and serial abuser able to charm and convince women to trust him. He then slowly isolates them, breaks down their confidence, gaslights them and convinces them they are worthless. When his story is picked apart there are holes everywhere, including a past link to the forest. When Alfie is a toddler he suggests a family camping holiday to the forest, with a friend of his called Wendy to help with the childcare. On this trip Alfie ‘disappeared’ into the forest for the first time, found by Sorrel who walks back into the clearing with his son in his arms. Both Sonia and Wendy claim that Alfie was never the same after this trip. I could only wonder why Sorrel would have taken them to a wood with no facilities and such a haunted reputation. Did Sorrel know what was in the woods? Was Alfie some sort of sacrifice? From then on Sonia would hear strange voices and knocking when no one was there.

The section that genuinely lifted up the hairs on the back my neck seemed a bit tenuous at first. King interviews a man whose mother has recently died. She was a teacher back in the 1980’s and as part of her training she was gathering research on pupils who had behavioural issues. When she died her son found the research in the attic and was intrigued by her notes on Child A, because Child A was Alfie Marsden. Delyth recorded his behaviour on several occasions and the more she saw, the more scared she was. Alfie would turn his back on other pupils, deliberately not participating in what everyone else is doing. Alone with him, Delyth heard muttering and although he wasn’t moving, she could hear a strange knocking. There were times where she was scared to look him in the face. Yes, other teachers warned her that he might bite or lash out, but with her he was unnaturally still as if he was listening somewhere else or to something else. Did Alfie just have behavioural issues or was there something more sinister at play? Were the knockings and strange voices similar to those mentioned by the building contractors or by the women who knew Sorrel?

By the final stages of the book I was wondering exactly who is The Changeling of the story? Was Alfie’s sudden change after visiting the forest on the camping trip a sign that he was possessed or changed in some way? Or was Sorrel’s affinity with the forest a sign that he’d been there before? A Changeling is a child swapped in it’s infancy by the fairy folk, either because something wrong or because fairies want to strengthen their fairy blood. The behaviour of a Changeling is ‘unresponsiveness, resistance to physical affection, obstreperousness, inability to express emotion, and unexplained crying and physical changes such as rigidity and deformity.’ Some are unable to speak at all. I was also a little unnerved by the psychic who was brought in after Alfie’s disappearance, then stalled proceedings by saying Alfie was ‘in a Royal Court.’ It has never made sense and it never changed. As she corresponds with Scott I was unnerved by her, what does she know and how? There are a couple of utterly brilliant twists towards the end, neither of which I’d expected and one made me rethink everything I’d read up to that point, in a Sixth Sense way. I wanted to go back and reread with that knowledge, to see how I’d missed it. This was a brilliant and disturbing novel, a clever mix of psychological and supernatural elements that’s very addictive and will stay with you long after the book is finished.

Out now from Orenda Books

Meet the Author

Matt Wesolowski is an author from Newcastle-upon-Tyne in the UK. He is an English tutor for young people in care. Matt started his writing career in horror, and his short horror fiction has been published in numerous UK- and US-based anthologies, such as Midnight Movie Creature, Selfies from the End of the World, Cold Iron and many more. His novella, The Black Land, a horror set on the Northumberland coast, was published in 2013. Matt was a winner of the Pitch Perfect competition at the Bloody Scotland Crime Writing Festival in 2015. His debut thriller, Six Stories, was an Amazon bestseller in the USA, Canada, the UK and Australia, and a WHSmith Fresh Talent pick, and film rights were sold to a major Hollywood studio. A prequel, Hydra, was published in 2018 and became an international bestseller. Changeling, the third book in the series, was published in 2019 and was longlisted for the Theakston’s Old Peculier Crime Novel of the Year. His fourth book, Beast, won the Amazon Publishing Readers’ Independent Voice Book of the Year award in 2020. Matt lives in Newcastle with his partner and young son, and is currently working on the sixth book in the Six Stories series. Chat to him on Twitter @ConcreteKraken.

Posted in Squad Pod

Lowbridge by Lucy Campbell

Posted on by thelotusreaders

This story really crept up and took hold of me. It’s a slow burn, dual timeline mystery set in small town Australia. Katherine has moved to her husband James’s hometown of Lowbridge, a town with a very clear line between ‘the haves and have-nots’. Katherine is struggling with her mood and self-medicating with drink. James is hoping that the move will help her and has made it clear that they can’t continue as they are. He encourages her to get dressed and leave the house or go for a run like she used to. It’s clear something momentous has happened and their lives have imploded, but they are each dealing with it in different ways. In fact their teenage daughter Maggie was killed in a car accident, where the designated driver had been drinking. When Katherine does leave the house she accidentally stumbles across the town’s historical society and shows an interest in the exhibition they’re putting together. It’s something she can potentially help with and it’s enough to get her motivated. However, when she comes across a thirty year old mystery, problems start to arise. The disappearance of a young girl called Tess during the summer of 1987 has remained unsolved and Katherine thinks it may be time to highlight the case and perhaps jog people’s memories. She knows she must involve Tess’s family in the decision, but she doesn’t expect opposition from anyone else. It’s James’s opposition that surprises her most. He tells her to leave the mystery alone, that it will stir up trouble and it’s would be unhealthy for her to become wrapped up in another family’s grief. Katherine is determined though and with Tess’s family on board she starts to research what happened in 1987.

From the beginning, the author really gives us the sense of what it’s like to live in a small town where everyone knows each other. Having grown up in a small market town I know it’s rare for me to run errands without seeing someone I know. I still have friends that I had when I was thirteen and when I was sixteen a friend of mine was murdered, a few days before Christmas. A death like that sends a shockwave through the whole town and I could clearly imagine the collective grief and anger that Katherine would unearth as she investigates what happened. In the summer of 1987 the town was already at odds over a women’s clinic being proposed by a local doctor. This has enraged the anti-abortion lobby leading to protests and appeals to the locals authorities to stop the development. Three teenagers from the ‘right side’ of town are reaching an age where they’re asserting their independence and finishing their leaving certificates at school. Tess and Sim are friends with the slightly younger Luisa who is from an Italian family. The girls try to keep the clinic out of their conversation because it is Sim’s mother fighting to get the clinic open and Luisa parents are Roman Catholics, utterly opposed to abortion. Because they’re from the more middle class part of town they tend to keep separate from the ‘Pitsville’ kids, the area mainly inhabited by miners and their families. The author has really captured what it’s like to be a teenage girl on the cusp of womanhood. In the girl’s conversations there are all those insecurities about how they look and what they wear, their popularity and how boys view them. All three acknowledge that one girl at school really does capture the boy’s attention.

Jac is thought of as ‘easy’ by other girls, mainly because of the attention she receives from boys but also because of her sexy clothes. A lot of the derision also comes from the fact she’s a miner’s daughter from Pitsville, but they rarely think about what her life is actually like. The author takes us into her home, with a father who works and drinks heavily, often bringing other miners back to the house to continue drinking late into the night. Unbeknownst to anyone it’s on one of these nights that something terrible happens to Jac, setting in motion a sequence of events that will change her life. As Tess disappears off the face of the earth, Jac also goes missing but no one notices. I enjoyed this angle on the story very much, because it injects a element of social injustice into the mystery. We know that when girls go missing, even now, there are all sorts of social factors that play into the way the police investigate and the media report on the story. Often girls from black british and other minority communities go missing and don’t even make the evening news. Sim and Tess take Luisa to a house party after drinking a lot of home made ‘punch’. When they lose sight of their friend they go searching and find a brawl going on in an upstairs bedroom. Luisa is on the bed and two boys are fighting, each one claiming to be the knight in shining armour who’s found Luisa being attacked. It’s such a big story that everyone at school knows by Monday morning. It’s a big story because it’s Luisa. If it was a Pitsville girl would the popular kids get to know? Would they even care?

Katherine is a complicated heroine. She’s trying to avoid grief by drinking and I had a huge amount of empathy for her. Yet in a vicious argument with husband Jamie, he tells her a few home truths that made me think about it a different way. She wants him to grieve the same way she does, but he points out that he’s never been able to. It’s not that he doesn’t want to cry and shut the world out, it’s that he’s never had the luxury of falling apart. When their daughter Maggie was killed Katherine was able to keep her wonderful memories. She can imagine their daughter’s beautiful face when she thinks of her, but only because he had to see her broken and bleeding. He identified Maggie so that Katherine could keep her memories intact. He went to the inquest, so she didn’t have to hear the horrific details. She has felt alone, but so has he. I found this really powerful and I could understand why he thought involving herself in another family’s grief was unwise. Yet that’s not the full story, because Jamie has been keeping something from Katherine. That last summer when Tess disappeared, Jamie was secretly in a relationship with her. Maybe it’s in Jamie’s interest to stop Katherine from digging up the past. Could it be that he knows more than he’s letting on? The story dragged me in different ways, as each revelation came to light. I loved that the more we found out about Tess, the more special she became. It was wonderful to see her offer support and practical help to others, even to people others might have overlooked. She’s aware of the popular crowd’s opinion, but doesn’t let it sway her. She makes her own decisions and sets aside judgement. I had to have an early night to finish the book in one go, because I didn’t want to miss anything. This is a fascinating mystery, with a powerful theme running throughout about women’s rights over their lives and their own bodies.

Thank you to the Squad Pod Collective and Ultimo Press for my copy of this book.

Posted in Random Things Tours

You Can’t See Me by Eva Björg Ægisdottir

Posted on by thelotusreaders

Translation by Victoria Cribb.

Evil creatures here abound. We must speak in voices low. All night long I’ve heard the sound. Of breath upon the window.

Sixteenth-century verse by Þórður Magnússon á Strjúgi

The wealthy, powerful Snæberg clan has gathered for a family reunion at a futuristic hotel set amongst the dark lava flows of Iceland’s remote Snæfellsnes peninsula.

Petra Snæberg, a successful interior designer, is anxious about the event, and her troubled teenage daughter, Lea, whose social- media presence has attracted the wrong kind of followers. Ageing carpenter Tryggvi is an outsider, only tolerated because he’s the boyfriend of Petra’s aunt, but he’s struggling to avoid alcohol because he knows what happens when he drinks … Humble hotel employee, Irma, is excited to meet this rich and famous family and observe them at close quarters … perhaps too close…
As the weather deteriorates and the alcohol flows, one of the guests disappears, and it becomes clear that there is a prowler lurking in the dark.
But is the real danger inside … within the family itself?

I LOVED the first two books in the Forbidden Iceland series, featuring detective Elma, recently returned to her home town of Akranes after several years working in Reykjavik. This story is a prequel and we meet her eventual partner Sæver as he looks into some very strange events surrounding a family reunion. This is not your average family though and I don’t think I’ve ever wanted to be at a party less! My sympathies were largely with hotel employee Irma who views the Snæberg family as if they are a totally different species. In a way they are, set apart by their successes and their wealth from the everyday hotel employee. So wealthy in fact that they’ve hired this entire luxury hotel for the weekend, with a full itinerary of activities and boozy dinners at night. It isn’t long before tensions and differences come to light: judgements and opinions on each other’s partners; family members who’ve lost touch and resent each other; teenagers who’d rather be elsewhere; parents who can’t connect with their children. All cooped up together for a whole weekend. As the author moved our point of view from one character to another we realise this family has so many secrets.

The setting is isolated and bleak. No amount of candlelight could ever convince me that concrete looks anything but brutally uncomfortable. However, thanks particularly to interior designer Petra Snæberg who can’t stop snapping for her Insta followers, the hotel’s phone is ringing and bookings are going through the roof. Set on a remote peninsula there is nowhere to go, except the equally bleak outdoors and with a set itinerary in place there’s no escape from each other. The atmosphere the author creates is incredible and had me veering from suspicious to unsettled to really creeped out. The uncovered windows leave guests feeling exposed, realising that if a light goes on they are lit up like a theatre stage. Not helped by the fact that an app controls heating and lighting, so easy to plunge another guest into darkness or into light by accident or just when they least expect it. We realise that certain people are watching others, but we’re not exactly sure why, whose stare is benign and whose stare means danger is lurking? Some narrators send icy cold shivers down the spine. Petra’s daughter Lea receives a message from an unknown number:

The video is dark, taken outside at night. Instinctively I bring the phone closer to my face, to see better. I turn up the volume. The sound crackles with the wind, then I hear a crunching of gravel. Footsteps. Someone is walking outside, along a gravel path. The video ends with the sound of a throat being cleared and a cough. I turn to the window, feeling the sweat break out all over my body. Isn’t there a gravel path leading to the hotel? Again I hear a rustling sound outside the door, then more knocking. Two taps, like before. Tap, tap.

Some of the scariest moments happen to Petra too. There’s a tension between her and her cousin Stefania who grew apart years ago when they were teenagers. An awkward drink with the two women and Stefania’s brother Viktor starts to open up old wounds. Petra is haunted by a misunderstanding that had tragic consequences, but does she even know the full story? Why does she find her hotel room door open when she’s been inside, showering and sleeping? Then there’s the creepy notes under the door. It’s enough to make the hair stand up on the back of your neck.

Then there’s Irma, who seems intrigued by this glamorous family who are so ‘together’. They’re Insta-perfect and seem so far outside her experience. She mocks Petra’s overuse of the word ‘sanctuary’ which is what your home is supposed to be, a place that reflects who you are. When Irma thinks of her flat it’s merely a box and her shelves are merely a place to keep stuff. It’s boring, functional and sparse – does that reflect who she is?

Mum always said I had an overactive imagination. As a child I lived in a world that no one else could see. One that was much brighter and better than the real one, like a fairy tale or story, because as I turned the pages of books I became the characters. […] But the older I got, the more difficult it became. I started comparing myself to other people. I realised that the flat Mum and I lived in probably wasn’t that tasteful, and the life we lived wasn’t actually that exciting. Perhaps it wasn’t so desirable after all to be constantly moving from place to place, constantly changing schools and spending most of my evenings alone at home.“

She imagines living like the family do, envious of the freedom to walk around the supermarket and pick up whatever they want, with no fear of their bank card being rejected. Irma’s not completely taken in by appearances though, while she scrolls she reminds herself of the gap between the selves we are on social media and the reality. She looks forward to people watching, spotting where the cracks are. Those tiny resentments. The things they keep from each other. After all, no family is perfect.

However it’s Lea who I’m most scared for because she’s just so vulnerable. Lea is a confused teenager and she is never without her phone. A lack of friends and support at home has left her so open to exploitation. She has a friend called Birger who might be staying nearby, maybe they might finally meet? Lea seems to get validation from his messages on her photos. In fact it’s that very validation and a need to be seen that convince her to do something dangerous. She realises how exposed she is too late and the signs that she’s struggling are being missed, until she walks out into the sea in all her clothes. All the ‘what ifs’ begin to race through her mind, but not once does she wonder whether Birger might not be who he claims to be. Then there’s Gulli, an older man who’s very appreciative of her posts and so easy to talk to, but the unease sets in when he too turns out to be nearby. There’s the old man she saw wandering the corridors, even though her family are the only guests. Is it her aunt Oddny’s unusual boyfriend Tryggvi, an outsider thanks to his job as a joiner and his unique dress sense? Could he be watching? Lea begins With her mum embroiled in secrets and lies of her own, will anybody notice that Lea is standing on a knife edge. Lea is being watched of course, but is that enemy looking in through the windows or are they closer? Inside the building?

The suspense builds beautifully and reaches fever pitch on the last night. Tryggvi falls drastically off the wagon on an important anniversary. Petra has made a bloodstained find in one of the bedrooms. Victor’s much younger, pregnant girlfriend has left the hotel in the night despite being unable to drive. Lea is also drinking heavily, scared about who is stalking her. While Petra has a long overdue conversation about the past, but can she trust her version of events? As a storm begins to roll in, cutting the hotel off from civilisation, horrifying truths bubble to the surface. Someone who has been waiting a long time for their moment makes their move in this complicated chess game. We don’t always see those who hide in plain sight and those we think we know could be monsters in disguise. I love this author’s ability to get inside the heads of her characters and pull the reader along with her. Here she builds a labyrinth of clues, red herrings and suspicious characters that I found absolutely impossible to resist. That’s why I was awake at 3am, with my attention split between the page in front of me and my ears attuned to even the slightest creak downstairs. After all you never know who might be watching.

Published by Orenda Books Thursday July 6th.

Meet the Author

Born in Akranes in 1988, Eva Björg Ægisdóttir studied for an MSc in globalisation in Norway before no one can be trusted, as the dark secrets
returning to Iceland to write her first novel. Combining writing with work as a stewardess and caring for her children, Eva finished her debut thriller The SCnreæakboenrgthfeaSmtaiilrys,awrheicuhnwcaosvpeurbelidsh…edaind the 2018. It became a bestseller in Iceland, going on to win the Blackbird Award. Published in English by Orenda Books in 2020, it became a digital number-one betseller in three countries, was shortlisted for the Capital Crime/Amazon Publishing Awards in two categories and won the CWA John Creasey Dagger in 2021. Girls Who Lie, the second book in the Forbidden Iceland series was shortlisted for the Petrona Award and the CWA Crime in Translation Dagger, and Night Shadows followed suit. With over 200,000 copies sold in English alone, Eva has become one of Iceland’s – and crime- fiction’s – most highly regarded authors. She lives in Reyjavik with her husband and three children.

Thanks to Anne Cater at Random Things Tours and Orenda Books for having me on the blog tour, to see more reviews and giveaways follow the rest of the tour.

Posted in Publisher Proof

The Dog Sitter Detective by Antony Johnston

Posted on by thelotusreaders

Meet Gwinny, an unlikely bloodhound, and her four-legged friends determined to dig up the truth.

Penniless Gwinny Tuffel is delighted to attend her good friend Tina’s upmarket wedding. But when the big day ends with a dead body and not a happily-ever-after, Gwinny is left with a situation as crooked as a dog’s hind leg.

When her friend is accused of murder, Gwinny takes it upon herself to sniff out the true culprit. With a collection of larger-than-life suspects and two pedigree salukis in tow, she is set to have a ruff time of it.

When I was offered a chance to review this novel I jumped at it because it sounded so quirky and charming. I was pulled into the novel quickly because it was a book that was perfect for the time – a cozy crime novel in the middle of some dark Scandi Noir – but also due to the author’s vivid characters. It was like putting on a cozy blanket and escaping into an Agatha Christie novel with added dogs. It had all the expected ingredients of a cozy crime novel; a country house, a wedding and the worst present of all – a body in the library. Especially when that body is one of the wedding party! At first it seems like an open and shut case, because the person stood over the body must be the main suspect. It’s not as simple as it looks though, the author has the odd red herring and revelation up her sleeve sending the police and the reader scurrying off in the wrong direction. Gwinny lives in an affluent part of town and from the outside it’s not exaggerating to say she lives with a certain amount of luxury. However, she is asset rich and money poor, with a bank balance that could do with a cash injection. Quickly! Since her father became ill she has been his sole carer and her acting career has paused indefinitely. She knows she can’t keep herself in the black if nothing changes.

A posh country wedding offers the perfect chance to pause and enjoy herself. So making promises to address the situation on her return, she plans to enjoy watching her best friend Tina walk down the aisle. Once the body is found the wedding grinds to a halt and for some reason Gwinny is volunteered to look after Spera and Fede, two beautiful Saluki dogs. With the dogs in tow she gets to work on the murder mystery, with her intuition and talent for deduction she knows straight away that something is ‘off’. I really enjoyed Gwinny’s character because she is so formidable, rather like that eccentric spinster aunt who has no time for idiots and won’t take any nonsense, from anyone. She can be rash and jump in with both feet, but she’s kind and incredibly loyal too. Even though she’s only just acquired the dogs she really does put herself out to protect them especially when other people don’t want them around. Her companion is Alan Birch, a retired police detective however, they blend perfectly together as an investigating team. The plot twists and turns in quite a modern thriller style, but then the author brings in that classic final scene when all the characters are brought together to unmask a murderer. It felt like the author loved this genre and although he updates it slightly, I think he really did give an elegant nod to classic cozy crime through his main character and the setting. Meanwhile keeping the story quite modern and crafting an ending that satisfies the reader. This was an enjoyable escape from everyday life and I would recommend it to anyone who enjoys classic crime novels with a dash of humour and a sprinkle of clever deduction.

Published by Allison and Busby 18th May 2023

Meet the Author

Photo Credit: Sarah Walton Photography

ANTONY JOHNSTON is a New York Times bestselling writer and podcaster. For more than twenty years he’s written books, graphic novels, non-fiction, videogames, film, and more. Much of it has been done with a snoozing hound curled up in his study.

Antony’s crime and thriller titles include the Brigitte Sharp spy thriller novels (The Exphoria Code, The Tempus Project and The Patrios
Network) currently being developed for TV by Red Planet; The Fuse, a series of sci-fi murder mystery graphic novels (starring an older female police detective); adapting Anthony Horowitz’s Alex Rider books to graphic novels; and the Charlize Theron movie Atomic Blonde, which was adapted from Antony’s graphic novel. He also wrote Stealing Life, an SFF crime caper novel, and Blood on the Streets, a ‘superhero crime noir’ for Marvel comics.

His productivity guide The Organised Writer has helped authors all over the world take control of their workload, and he interviews fellow writers on his podcast Writing and Breathing. Antony is joint vice chair of the Crime Writers’ Association, a member of the International Thriller Writers group, a Shore Scripts screenwriting judge, and formerly sat on the Writers’ Guild of Great Britain’s videogames committee. Born in Birmingham, Antony grew up in nearby Redditch before moving to London for work. He now lives and works close to Pendle Hill in Lancashire.


Find out more about Antony’s other work at AntonyJohnston.com, and follow him on Twitter at @AntonyJohnston.

Visit https://dogsitterdetective.com/

Posted in Orenda, Random Things Tours

Thirty Days of Darkness by Jenny Lund Madsen

Posted on by thelotusreaders

The first thing I loved about this book was that stunning cover. I hadn’t fully taken it in when I received the book, but once I’d found my reading glasses I couldn’t stop looking at it. That tiny lit up window, a little orange glow of creativity in the darkness really fired up my imagination. I’d love Orenda to create some book posters to accompany their author’s work. The blurb drew me in with it’s conflict between genre authors and their supposedly high brow literary fiction colleagues. Hannah writes literary fiction and is dismayed at a book festival to see the crowds attending a Q and A with Jørn Jenson, the darling of Scandi Noir, who churns out a formulaic book every year. Yet he’s filling a tent with fans and she’s in a lonely booth waiting for someone to drop by. I loved that she launched a book at his head! In the ensuing row, Jensen goads Hannah into saying she could write a crime novel in a month. Her agent uses the incident as a great marketing strategy and pours fuel on the fire, talking to the press about the wager and even putting Hannah on a plane to Iceland as a writing retreat. There she will live with a lady called Ella and hopefully, within thirty days, complete a commercial success. Yet within days of Hannah’s arrival there’s a real life crime, as Ella’s nephew Thor is found drowned in the waters of the harbour. Can Hannah use the case to write her crime masterpiece? As she starts to ask questions about this small town community will she find inspiration, or will she be in more danger than she ever imagined?

Hannah is an interesting heroine in that she isn’t all that likeable at first. She’s prickly, arrogant and a definite book snob.

“Hannah Krause-Bendix has never received a bad review. Not once has anyone had a negative thing to say in any of the reviews of her four novels. A literary superstar, twice nominated for the Nordic Council Literature Prize. Didn’t win, but that doesn’t matter; anyway, she doesn’t believe the mark of good literature is how many awards it’s won. She’s actually refused the numerous other prizes she’s won over the years. No – Hannah sees herself as a forty-five year old living embodiment of integrity and will always maintain that it is beneath her to seek commercial success.”

I was starting to feel sorry for her editor and publisher. Her disgust for the current literary scene is obvious. She hates festivals and signings, prizes, social media and is dismissive of bloggers (how dare she – *swoon*). As she picks up Jensen’s latest book as if it is ‘a pair of homeless man’s lost pants’ she notes that most of the reviews are from obscure bloggers she’s never heard of. She’s no better as she arrives in Iceland, annoyed that her new landlady is late, that her jeep looks and sounds like it’s five miles off it’s new home at the scrap yard, plus she drives with her steamed up glasses so close to the windscreen that Hannah wonders whether she can drive, or even see. Then she makes the terrible faux pas of calling her friend and publisher Bastian to get her a flight back to Copenhagen, assuming Ella can’t understand her. Of course she can. I was cringing about her behaviour. Yet I didn’t dislike her. Despite these failings, plus the alcoholism, infidelity, snooping and complete conviction she’s in the right, there’s something rather freeing about her impulsiveness. We all have those thoughts, those imps of the perverse, that pop into our mind and encourage us to poke that person who’s bending over to reach a low shelf in the supermarket. We don’t do it of course, but Hannah does. In the course of the novel she randomly feels a homeless man’s head, buys the town teenagers alcohol, starts an affair with someone she’s barely met and as we know, tries to hit a man in the head with a book. She seems disconnected from others in the sense that we don’t know her family, she has few obligations and she thinks nothing of asking very personal questions in entirely inappropriate circumstances. I sort of loved that.

There is definitely a blackly comic element to this story and a satirical eye for both the book world and crime fiction in general. There’s a meta element to the story too, as Hannah makes observations and discoveries about crime fiction that then seem to bleed into the actual case. She observes that her investigations are suggesting the case is actually quite simple to solve, Jørn, who has followed her to Iceland, advises that in crime fiction the killer is never the most obvious suspect. Subsequently, her enquiries move from the her current suspect and start to take a darker turn, towards the last people she’s suspected. Jørn tells her:

“ a good crime novel has three crucial components. One: a spectacular and violent opening, preferably a murder. Two: false leads and false suspects. […] Point three is surprises.’

He also rather amusingly points out that the protagonist shouldn’t be likeable, because no one enjoys a likeable protagonist in crime. In fact during a violent clash with her first, rather boringly obvious suspect, she even doubts her own credentials as a protagonist. As she fights for her life, she berates herself for her stupid plan of luring him to a window, because she’s now in front of an open window with a possible murderer.

Of course, he isn’t the murderer after all. In the end the crime is complex and rather like the book of Icelandic sagas that Ella gives her to read. The roots of this murder lie way in the past with the last people Hannah suspected. In fact in the echo of the saga, someone takes something that is highly prized and didn’t belong to them, setting in motion years of secrets, lies and denial. Yes, there’s a lot of the clever stuff going on that us ‘weirdo’ readers like, as one teenager describes Hannah’s fan base, but there’s also a solid thriller as well. It’s a bleak and claustrophobic atmosphere as soon as Hannah reaches the island where she knows no one and feels alien. The remoteness of the town and it’s isolation when the bad weather comes just add to that sense of being completely alone. This is not a place to be injured or to be a victim of crime; there is only one police officer in town, with back up over an hour away on a good day. Jørn may preen and prance around like the archetypal action hero, but he is surprisingly very useful to have around in a sticky situation and despite his woeful writing, is possibly a good friend to have, especially where he’s the only familiar and friendly face. Alongside Hannah I suspected three or four different people and the author kept me guessing, just leaving tiny clues along the way. At first there was a little bit of scepticism -I remember watching Murder She Wrote with my parents when I was younger and my dad wondering why nobody told Jessica Fletcher to ‘bugger off and mind her own business’. However, once the action started to heat up I forgot that Hannah had no business interrogating suspects and just kept reading. She’s no Jessica and this is definitely not cozy crime. It’s dark, disorientating and scary as hell, but you’ll not be able to put it down. This is an incredible debut and I’d love to see where Hannah ends up next. Now back to that cover – I think it would make a lovely tote bag ……

Meet The Author

Jenny Lund Madsen is one of Denmark’s most acclaimed scriptwriters (including the international hits Rita and Follow the Money) and is known as an advocate for better representation for sexual and ethnic minorities in Danish TV and film. She recently made her debut as a playwright with the critically acclaimed Audition (Aarhus Teater) and her debut literary thriller, Thirty Days of Darkness, first in an addictive new series, won the Harald Mogensen Prize for Best Danish Crime Novel of the year and was shortlisted for the coveted Glass Key Award. She lives in Denmark with her young family.

Posted in Random Things Tours

When We Fall by Aoife Clifford

Posted on by thelotusreaders

I’m slowly becoming a fan of ‘Outback Noir’ so I guess I picked up Aoife Clifford’s new novel with certain expectations. I was pleasantly surprised to find a few differences in this crime novel and a labyrinthine story that really pulls the reader into small town Australia with its complicated relationships. As one Merritt resident says:

“People here are a bit like trees, with roots deep in the earth, far more tangled than what’s visible on the surface.”

Criminal barrister Alex has returned to her home town to spend some time with her mother Denny and have one of those difficult conversations. Denny is struggling with dementia, but is stubborn and in denial. She had a distant relationship with her own parents and had Alex as a young Mum. Alex has bad memories of her grandparents so Merritt isn’t her favourite place, but Denny is getting worse, no matter how much she tries to cover it up and Alex must talk to her about sheltered accommodation. It’s on a beach walk trying to broach the subject that they find a dismembered leg with a distinctive black feather tattoo. It turns out that the leg belongs to art gallery owner Maxine MacFarlane and local police chief Kingsley ‘King’ Kelly dismisses it as a boating accident when the rest of her body is found further up the coast. But Alex’s barrister’s instincts tell her there might be more to this than meets the eye and she starts to snoop. King Kelly warns her off very early on and comes across as the archetypal small town cop – lazy, prejudiced and jaded, not to mention a misogynist. He holds court in his local cafe and seems well connected in the town, especially with people who matter. Alex wants to question a possible link between Maxine’s death and the disappearance of artist and activist Bella Gregg two years before. Not only did Bella exhibit at Maxine’s gallery, but as an activist she often protested wearing black feather wings that went missing at the same time she did. There’s also a strange symmetry about their autopsy results – Maxine was washed up on the sea shore but didn’t have saltwater in her lungs whereas Bella did have saltwater in her lungs but was found inland. There was also an upcoming exhibition at Maxine’s gallery, linked to Bella’s death. Could this have laid the blame for Bella’s death at a local’s door?

The plot is intriguing, full of different avenues that are never obvious. Some keep you reading ferociously but turn out to be red herrings, while truths lurk underneath like a riptide. One minute I suspected someone, then someone completely different, although that’s not surprising in a town where male suspects are plentiful. My eye was on King Kelly throughout because he’s a thoroughly unpleasant character, but there are strangers in town; a new doctor who’s just arrived, as well as a visiting investor in a potential eco-friendly extension of the town. Locally there’s the rep for the town extension who seems keen to do anything for a better future than the local fishermen he went to school with. Bella’s own stepfather is known to be dealing drugs and there’s even a link to Alex’s family, with one thread involving a GP who was the partner of her grandfather. The past definitely has a role here, both in the crime and in the questions Alex has about her childhood. I was nervous for her in a town where outspoken women seem to get silenced. Alex is just as stubborn as her mother once she has an idea in her head and she’s been without cases to distract her of late.

Aside from the crime, Alex has a lot to contend with: her husband Tom is pushing for their divorce to move a bit quicker; her career seems to have taken a nosedive since their separation; then there’s her formidable mother to contend with. I loved the snappish and often humorous dialogue between Alex and Denny. There was a lot of truth in their exchanges, but that humorous edge offered a bit of light in the shade of a terrible crime. Alex’s instincts are strong, she’s perceptive and intelligent but seems to have a blind spot when it comes to danger. She places herself in potentially life threatening situations without seeing the danger looming over her. I didn’t always understand why, but felt it might have had something to do with her childhood in Merritt. Clifford surprised me with Alex’s home town, because I didn’t get the dry outback setting I expected. Despite wanting to develop as a holiday destination, it didn’t feel very welcoming and it seems to be raining constantly. Everyone is in raincoats. This is a small seaside town and has a claustrophobic feel without the outback heat. She shows it through the people, like the local cop with a finger in every pie and suspicious residents who are reluctant to talk. She gave me an Australia I hadn’t seen before and it gave this read a unique feel. This was such a well-written book, sinister and complicated with an ending that felt just right. I’m now looking for a gap to read her earlier novels, because I’ve already ordered them.

Meet the Author

Aoife Clifford is the author of All These Perfect Strangers, which was long-listed for both
the Australian Industry General Fiction Book of the Year and the Voss Literary Prize, and Second Sight, a Publishers Weekly (starred review) and PW Pick for Book of the Week. Aoife’s short stories have been published in Australia, United Kingdom and the United States, winning premier prizes such as the Scarlet Stiletto and the S.D. Harvey Ned Kelly Award.

Posted in Netgalley

The Institution by Helen Fields.

Posted on by thelotusreaders

I was eager to read this having loved her previous novel The Last Girl To Die, so I’ve felt very lucky to be granted early access to it on NetGalley. Our heroine is Dr. Connie Woolwine, a behaviourist and profiler rather than a psychiatrist, she works privately alongside her investigator Brodie. She has access to The Institution to look for a killer within the high security wing. Housed in one of the towers, the wing is known as ‘heaven’ and has six inmates, all of whom are either serial or spree killers. Her cover story is an unusual one. Brodie will go deep undercover as a potential inmate, with Connie as his current therapist. Brodie has been in the millitary and suffers from PTSD amongst other issues, so Connie is there to assess the ward, meet the inmates and decide whether it’s the best place for Brodie to be treated. The truth is a lot more gruesome. A nurse from the ward has been found dead on one of it’s treatment rooms. Tara was restrained and had a rudimentary caesarean performed on her, but was then left to bleed to death. The baby has not been found and the killer could only have been on the unit. With a grieving family waiting for a ransom demand, staff and inmates at the unit have been given a different story about this well-liked member of staff. They are told that Tara will be resting at home for the final stages of her pregnancy. Now Connie is on the clock, desperately trying to find baby Aurora and which one of the killers could have murdered the ward’s most popular nurse in such a brutal way.

Connie seems maverick, with strange methods such as talking to, sniffing and touching Tara’s body. She’s an unusual narrator because I didn’t always feel sure of her. We find out that when she was a young woman she was admitted to a mental health unit after an accident left her mute and doctors couldn’t find a physical cause. She was given ECT and treated by psychiatrists until a new doctor decided to re-scan her brain and found a previously hidden blood clot. Once removed, Connie could speak again. This experience has left it’s mark and it seems very important to her, even when self-disclosing to a patient, that they know she wasn’t really mentally unwell. We’re mainly in Connie’s world with interspersed short chapters on an assessment session, each subject’s name as the title. These sections read like session notes and give us Connie’s views of each inmate. Rubio for example, acts like a baby and wants to be cuddled and nursed. He gave me the creeps, especially when he’s wearing a nappy. The Professor is more on Connie’s level intellectually, but acts very superior. I didn’t feel that the sessions were helping me understand who might have done this. In fact I think I learned more about Connie than the patients. In the meantime, poor Brodie is living with these inmates and has gone through being sedated and restrained by staff. The staff are incredibly suspicious, with orderlies who enjoy their power too much, nurses who seem to resent Connie’s presence and a male doctor who makes a pass at her almost immediately. I kept wondering who would choose to work here, in such a dangerous and bleak place?

I felt it was clever to keep the reader questioning Connie and it wasn’t just her inner world that worried me. There were points in the story where her instincts really concerned me, such as going off alone to very remote places in the building and on the grounds. There was also a major flaw in the plan, in that her investigator is so confined by his role as a patient he can only observe. This really does leave Connie to take on the more dangerous part of physically investigating, but as she’s untrained for this role and potentially more easily overpowered, it left me feeling on edge. Also someone who is thinking ahead of her could use her seemingly erratic behaviour and appearance to make her worst fears comes true. The tension is unrelenting and nowhere is safe, including rooms that have a lock! The claustrophobia is intense and works like a set of Chinese boxes: from the location and the effects of the storm, the compound, the locked building, the high security tower within the whole institution, all the way down to the treatment room and it’s restraints. These layers of confinement did make me uncomfortable and when a character is further confined with drugs or the threat of ECT, it brings it home how powerless patients and the murder victim were. These layers also emphasise the brutality about drugging someone and stealing a baby from the ultimate place of safety, their mother’s womb.

There is a strange fascination in hearing about the inmate’s crimes, mainly because they seem so at odds with the men we encounter through Connie. Her sessions feel slightly strange from a therapy perspective, but of course Connie is not really there to engage in a therapeutic relationship. Unknown to them and the staff, she’s using the session to assess whether they’re behind the crime and I was interested in the ethics of this approach. As disaster strikes and the ward has to be evacuated, the tension jumps up a level with men who are usually in their cells now roaming free. For those left on the ward it becomes a fight for survival, with only a basic knowledge of the inmates to inform them about which ones can be trusted and those who must be avoided. This was an exciting end to the novel and really did keep me gripped to the bitter end, waiting for the perpetrator to admit their role in the murder and kidnap plot. I was biting my nails, worried that Connie wouldn’t find baby Aurora before it was too late. This was an intelligent thriller, full of tension and unexpected twists and turns. It’s cemented my suspicion that Helen Fields really is a must-buy author.

Meet the Author

An international and Amazon #1 best-selling author, Helen is a former criminal and family law barrister. Every book in the Callanach series has claimed an Amazon #1 bestseller flag. ‘Perfect Kill’ was longlisted for the Crime Writers Association Ian Fleming Steel Dagger in 2020, and others have been longlisted for the McIlvanney Prize, Scottish crime novel of the year. Helen also writes as HS Chandler, and has released legal thriller ‘Degrees of Guilt’. In 2020 Perfect Remains was shortlisted for the Bronze Bat, Dutch debut crime novel of the year. In 2022, Helen was nominated for Best Crime Novel and Best Author in the Netherlands. Now translated into more than 20 languages, and also selling in the USA, Canada & Australasia, Helen’s books have won global recognition. She has written standalone novels, The Last Girl To Die, These Lost & Broken Things and The Shadow Man. Her first UK hardback, The Institution, comes out in March 2022. She regularly commutes between West Sussex, USA and Scotland. She lives with her husband and three children. Helen can be found on Twitter @Helen_Fields for up to date news and information or at http://www.helenfields.co.uk.

Posted in Netgalley

The Close by Jane Casey. A Maeve Kerrigan Mystery.

Posted on by thelotusreaders

I absolutely loved being back in the world of Maeve Kerrigan. So much so I read this straight through in one day. The set up was brilliant – a modern slavery racket is suspected and Maeve must get close to one of the conspirators, an unlikely criminal. The mayor of London’s assistant has brought a sad case to their attention. A young man called Davey who died after suffering neglect, starvation and physical abuse. He was the perfect target for slavery, an easily influenced man with learning disabilities but physically strong and capable. Strangely, there have been other young men go missing from the system after using the same address, that of an elderly lady in a normal suburban close. There needs to be close surveillance so Una Burt puts her best officers on it, Maeve must move into the close with Josh Derwent as her boyfriend, pretending to dog sit for the usual occupant. Josh thinks Maeve needs a break from her normal routine, because after the court case convicting her partner of domestic abuse Maeve has been drifting and not herself at all. Similarly, Maeve thinks Josh could do with a break away from his live in girlfriend Melissa. How will they fare as a couple on the close and will they be able to flush out the conspirators in the slavery case?

I loved the tension between Derwent and Maeve in this story, close together in the house and away from all their usual distractions it brings their chemistry into focus. Every time they behaved like a couple it felt completely natural, until it was imagining them going back to colleagues was unthinkable. They have had so many obstacles in their time as friends, always something preventing them from becoming more, so could this be the perfect timing? At times the tension in their house was more unbearable than the tension in the case! There are parts of Derwent that I don’t like, but I can see ways in which he’d be good for Maeve and vice versa. They ingratiate themselves with the neighbours easily because they sense this chemistry, they seem like a real couple. The elderly lady in question is tricky, seemingly an innocent and kindly woman but if she is involved with mistreating these men, her kindness is all a front. She reveals that she does provide a bed for young men with disabilities from time to time, but doesn’t elaborate on whether it’s an official arrangement. When Maeve discovers there’s a oreviously unknown son, whose wife runs a care home, the chain starts to come together. However this isn’t the only crime lurking under the respectability of suburbia. The author uses short chapters narrated by a man who is very unpleasant and possibly dangerous. He lurks after dark watching through the windows of those who don’t close their curtains, even Josh and Maeve. He has a very incel vibe, so could he be a lone male with little female attention and experience, or is he hiding his feelings about women under the veneer of a happy family man?

I enjoyed watching these people through Maeve’s eyes as her instincts are usually spot on and her insight seems to be coming back to her as the novel continues. This break is exactly what she needed. Her interactions with a lady with dementia in the close are brilliant because Maeve doesn’t dismiss what she claims to have seen just because of her illness. Maeve knows there are moments of lucidity and keeps thinking about what she’s said and trying to interpret it. When she goes missing in the dark Maeve is desperate to find her, but so is our unknown man and it’s a real heart pounding part of the book, hoping against hope that Maeve gets to her first. It’s clear that this seemingly happy and respectable close is anything but, with the men hiding all sorts from irritating foibles to murder. Towards the end I was powering through the pages to find out who was hurting girls in the close, whether Maeve’s fire and copper’s instinct was returning, but also whether Josh and aMaeve were going to confront their feelings for each other. This was an addictive thriller, focusing on one of my favourite fictional police duos and I loved seeing them in a different environment, but still flushing out crime.

Published by Harper Collins 2nd March

Meet The Author

Jane Casey is a bestselling crime writer who was born and brought up in Dublin. A former editor, she has written twelve crime novels for adults (including ten in the Maeve Kerrigan series) and three for teenagers (the Jess Tennant series). Her books have been international bestsellers, critically acclaimed for their realism and accuracy. The Maeve Kerrigan series has been nominated for many awards: in 2015 Jane won the Mary Higgins Clark Award for The Stranger You Know and Irish Crime Novel of the Year for After the Fire. In 2019, Cruel Acts was chosen as Irish Crime Novel of the Year at the Irish Book Awards. It was a Sunday Times bestseller. Stand-alone novel The Killing Kind was a Richard and Judy Book Club pick in 2021, and is currently being filmed for television. Jane lives in southwest London with her husband, who is a criminal barrister, and their two children.

Posted in Personal Purchase

Other Women by Emma Flint

Posted on by thelotusreaders

It is 1923 and a country is in mourning. Thousands of husbands, fathers, sons and sweethearts were lost in the war, millions more returned home wounded and forever changed.

Beatrice Cade is an orphan, unmarried and childless. London is full of invisible women who struggle to find somewhere to work through their grief. But Bea is determined to make a new life for herself. She takes a room in a Bloomsbury ladies’ club and a job in the City. Just when her new world is taking shape, a fleeting encounter threatens to ruin everything.

Kate Ryan is an ordinary wife and mother. Following the end of the war, she has managed to build an enviable life with her husband and young daughter. To anyone looking in from the outside, they seem like a normal, happy family. But when two policemen knock on her door one morning and threaten to destroy the facade Kate has created, she knows what she has to do to protect the people she loves. And suddenly, two women who never should have met are connected for ever . . .

I can’t say enough great things about this incredible novel, but I’m going to try and do it justice. It’s a historical mystery, extraordinarily clever psychologically and made me think about feminism, sisterhood and the difference between what society expects women’s lives to look like and the life decisions we make for ourselves. Flint has told her story through the eyes of the Kate and Bea, two women who are strangers, but connected by one man. Bea was an orphan and is now an unmarried woman in her late thirties. She’s the book-keeper for a firm in London who has pretty much resigned herself to being a career girl and living in a woman’s hostel. All this changes when she meets the handsome and charming Tom Ryan, a salesman at her firm. Bea struggles to believe that this man, with his movie star looks, would be interested in a woman like her. She expects him to chat up the young women, who have noticed him and are giggling, but he makes a point of stopping at her desk. He comments on her name, telling her that Beatrice was the great love of a poet. Bea is smitten and agrees to meet him, despite the fact that he is married. She is mentally aware of his wife’s presence, the third person always standing between them. Despite this, will Bea allow herself to succumb to Tom’s advances and can it end any other way but heartbreak or disaster?

Flint’s setting is vitally important to this story. We can draw parallels between contemporary women and these two characters, but they are also very much products of their time. This is a post-war Britain and everything has been changed by a war so terrible it is known as the Great War. Men have come home destroyed by what they’ve experienced physically and mentally.

‘There were empty sleeves and eye patches that one must not stare at or draw attention to; there were crutches and bandages and dreadful ridges of thick pink skin; and sometimes there was simply an absence in a face where a man had left a part of himself – the brightest and most vital part – in a muddy foreign field.’

Whereas women could be said to have flourished. Yes, there’s the ever present weight of grief and loss, but some of the changes in women’s lives had been positive. Both Kate and Bea are working women, and represent the many women who became wage earners during the Great War, plugging the gap in the employment market as more men joined up to fight. This was liberating for many women, who were then reluctant to move back to the domestic sphere after the war. There were also a shortage of men in the marriage market, some women had lost their fiancé or husband but there were others who came of age just after WW1 for whom eligible men were scarce. Having the option of throwing themselves into an absorbing career instead proved very fulfilling for some, like Morley’s office manager who clearly expected Bea to be left on the shelf and had marked her out as a potential replacement. Women being outside the domestic sphere meant that the pre-war rigid barriers of social class started to be breached. Different classes of people mingled in work places and matches that would have been impossible a few years before became more common. Bea still longs for love, but as her personal life becomes complicated and painful she does muse on what she has lost. As a single working woman she had women friends and lived in a vibrant city where she could take herself to the theatre, to a museum or for tea with friends. Now that she can see the reality of a relationship, she wonders was she better off before?

Bea knows there is a difference between herself and the girls who have young men to wait for. These are carefree girls, full of life, ‘neat and slender – sleek hair, dainty ankles, flickering glances and quicksilver laughter.’ She’s of a different sort, in looks and class. Where her married sister Jane looks on career girls as modern, smart and fashionable Bea looks a little closer and sees

‘frizzed modern hairstyles that they’d seen in advertisements and that didn’t suit them; women with lines around their eyes that no amount of cream or powder would cover. And women who, despite the well-cut clothes, had red rough hands and nails cut to the quick.’

Bea is well aware she is plain and there are references to Jane Eyre in the way she sees herself. After talking to Tom, she sees herself in the bathroom mirror and is shocked at the difference between her tumultuous, rich inner life and this pale, plain outside. She feels such overwhelming emotions that she disassociates from her rather normal body; ‘how can all these feelings come out of this plain face and body?’ It immediately took me to the conversation between Jane and Rochester when she challenges him for underestimating her:

‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart!…’

In fact Tom uses the comparison to flatter her, praising her strength and courage in living such a lonely life. Patronised by her sister too, she is full of anger inside and expresses the creeping fear that not only is she without a husband, she’s noticed younger, smarter girls starting to come into the workplace. Bright, young things who might be better at her job and quicker. She admits to being afraid of the day when the axe falls, her clothes become shabbier and she gets more desperate. Yet is it any better to be at the mercy of a man? As Kate’s story unfolds we can see that the state of being a wife, is just as unstable and scary, because where Bea has all the responsibility and makes decisions for herself Kate is powerless, entirely dependent on the whims of her husband. A husband who is capable of terrible things. The more Kate starts to learn about her husband, tiny jigsaw pieces start to slot together in her head. She has to admit to herself that she has always known there was something hidden underneath:

‘Hadn’t I known – hadn’t I always known – that he had something terrible inside him, something that lay rotting under the smooth surface of our normal life? I saw glimpses of it sometimes. I thought of his face as he persuaded me, sweet-talked me, into doing things I did not want to do. I thought of how dirty, how shamed, I felt afterwards.’

Set in the 1920’s, this story is based on the true case of Emily Kaye and her married lover Herbert Mahon. The novel’s aim was to give voice to Mahon’s wife and so Kate’s voice came to life, creating a brilliant interplay between her narration and Bea’s. I loved how well the pace was controlled, from relatively slow at the beginning to a breakneck pace towards the end as Kate makes sense of what has happened and holds the key to solve the mystery. I loved how the author showed us the truth of contemporary attitudes to women, that a man can do something terrible, but it will always be the woman’s fault. How Bea is simply disregarded as shameless, getting old and desperate, brazen and responsible for enticing Tom, despite him being married. It’s quite shocking, but then when I thought about our tabloid’s attitudes to women, I realised that women are judged every day for their appearance, their sexuality, their life choices and if ever there is a marital affair in the papers the ‘other woman’ is always blamed. It’s scary to think how little some people’s attitudes have changed, but thank goodness we can earn for ourselves, own property and have bank accounts. I loved the sense of sisterhood the author brings into the story and it made me think about how it’s the women in my life who have held me up when I couldn’t manage alone. I was on tenterhooks wondering whether Kate would realise that to choose the sisterhood is to change things for her own daughter. To make a decision towards a better world for women. This book was a brilliant piece of historical fiction, an addictive mystery that stirred up the emotions and had me completely hooked. As soon as I’d finished, I wanted to read it again.

Published by Picador 23rd February 2023

Meet The Author

Emma Flint was born and grew up in Newcastle upon Tyne. She graduated from the University of St Andrews with an MA in English Language and Literature, and later completed a novel-writing course at the Faber Academy. She lives and works in London.

Since childhood, she has been drawn to true-crime stories, developing an encyclopaedic knowledge of real-life murder cases from the early 20th century. Her first novel, Little Deaths, was longlisted for the Women’s Prize for Fiction, for the Desmond Elliott Prize, for the Crime Writers’ Association Gold Dagger Award, and for The Guardian’s Not the Booker Prize.

Other Women is her second novel.