Maud’s sister Constance is on a ship sailing to the Northern Passage, on a mission to find Franklin’s expedition ship. She has always craved adventure and climbed out of her bedroom window, taking the disguise of a cabin boy called Jack Aldridge. Does she really comprehend the dangers that could befall her should the men on board discover a woman on their vessel? On the same voyage is the rather strange and macabre Edison Stowe who has managed to get aboard as a scientific officer – mainly involving the killing and gathering of animals, as bone specimens or in jars. When Constance is lost on the voyage, the rather quiet and timid Maud is determined to find out what has happened to her sister. She devises a plan to get close to and expose Edison Stowe. Telling her grandfather she’s on a trip to the country, she embarks on a rather ghoulish steam train journey. Stowe has a money making scheme to turn various public hangings into a tourist attraction and Maud becomes one of his tourists. The author uses three different narrative voices to tell her story. A diary written by Constance on the voyage was returned to her family and gives us a front row seat for the horrors but also the wonders of the voyage complete with edible arctic creatures, ‘esquimaux’ women and the northern lights playing overhead. Then in the present day there’s Edison Stowe’s narrative of his day to day life, living in Mr Inchbold’s bone shop and dodging debt collectors. His debts being the reason behind his execution tourism. Finally, there’s Maud, whose narrative hangs everything together and provides context with memories of the sister’s lives and her own relentless quest for the truth.
Maud and Constance are fascinating characters, both sisters with the hearts of lions and nerves of steel. It just takes Maud longer to realise she is every bit as adventurous and brave as her sister. Maud has the disarming advantage of beauty and a composed, modest manner that makes her seem the ideal ‘Angel in the House’. Her knowledge of pharmacy and toxicology is honed by years of helping her grandfather in his shop. She is proud of her sister and has never believed the official version of her death, but we never realise the extent of her plotting and planning until the final few chapters. What an opponent she has in the villainous Edison Stowe! Not since Uriah Heep have I felt so uncomfortable while reading about a character. He constantly made me want to wash my hands. He’s a strange contradiction in all sorts of ways: dressed like a gentleman but absolutely penniless; seemingly genteel but capable of moments of extreme violence against those weaker than himself, people or animals. He seems oddly unmoved by inflicting violence, but has strange fits of illness, where he appears to pass out as well as seeing and hearing things, including people long dead.
I was absolutely fascinated by this novel from start to finish. I love books that subvert what we think about the supposedly straight laced Victorians, especially women. She doesn’t downplay the dangers women faced, especially those that try and move outside of their boundaries. It was interesting that it was far more successful for Maud to use her strengths as a woman, than to try and be like a man like Constance. I enjoyed the more macabre and decadent tastes of the Victorians such as Mr Inchbold having a shop full of animal skeletons and a bear welcoming people at the door, the popularity of the gruesome murder room at Madame Tussaud’s and the fascination with collecting such ghoulish souvenirs as Staffordshire figures of the people they’ve just watch hang. Lizzie always creates such a fabulous sense of place and I was feeling the arctic cold and really smelling the crowds, both at the hangings and in the pub at the quay where sailors come unwashed and straight off the boats and monkeys are racing round the tables. These little extra details keep you immersed in her worlds. We even get an unexpected love story that further breaks the image people have of the Victorians. This is such an incredible story and a must for people who love their historical fiction to surprise and compel them.
Published by Picador, Hardback and Kindle Editions 1st Feb 2024.
Meet the Author
Lizzie is an award-winning writer and journalist. She is the author of Moonlight and the Pearler’s Daughter, a STYLIST and WOMAN & HOME ‘Best Books of 2022’ pick.
Lizzie began her career in women’s magazines, covering everything from feminist motorcycle gangs to conspiracy theorists, before moving into travel writing, contributing to publications including Condé Nast Traveller, Lonely Planet and the Sunday Times.
Her assignments have taken her to some of the most remote parts of the world, from the uninhabited east coast of Greenland in search of polar bears, to the trans-Himalayas to track snow leopards. She was inspired to write Moonlight and the Pearler’s Daughter, her debut, after taking a road trip through Australia with her twin sister after the death of their father. A chance visit to the Maritime Museum in Fremantle led her to an exhibition about a family of British settlers involved in the early pearl diving industry. Thus began an obsession and a research journey that would take Lizzie from the corridors of the British Library to isolated pearl farms in the farthest reaches of northwest Australia.
She lives in London.
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