Tag: Crime

Posted in Personal Purchase

The Drowning Place by Sarah Hilary

Posted on by thelotusreaders

Every place has its ghosts.

Edenscar, a town in the Peak District, has more than most. 17 years ago, its inhabitants were hit by tragedy when a school bus veered off the road and everyone on board drowned. Everyone, that is, except Joseph Ashe. His miraculous survival has haunted him and the town ever since.

Now a Detective Sergeant in the local police, Joe is called to the scene of a brutal and apparently inexplicable crime. The whole town is spooked, but Joe’s new boss, DI Laurie Bower, more used to inner-city police work, has no time for superstition. She just wants to find the very real killer who has left no trace and apparently had no motive.

Joining forces, Joe and Laurie work to uncover the secrets of Edenscar, both past and present.

But when you dig up the dead, expect to get your hands dirty…

Detective Laurie Bower has a new job on a very different patch from inner city Manchester. They have returned to her husband Adam’s family home at Edenscar in the Peak District, to live with his father who has been diagnosed with advanced dementia. This is a wild place and a community where every family has been hit in some way by a tragic accident from 17 years ago. Everyone including Laurie’s new DS Joseph Ashe. Joseph was the only survivor of a terrible minibus crash that plunged his primary school class, their teacher and the driver to the bottom of Lady Bower reservoir. The village is haunted by the loss of those children and so is Joseph Ashe, whose best friend Sammi is still always by his side, even though only Joe can see him. This is going to be a hard district for Laurie to get used to, not only will she be living in the family home, which means getting used to less privacy and the presence of different family members all the time, but she’s not used to the tiny roads, rough terrain and awful weather. She has to hit the ground running when they receive a call about a couple who haven’t been seen over the weekend. Joe has a terrible feeling, because he’d heard gunshots late on Friday night but put it down to poachers in the woods. He also saw car lights heading in the direction of Manchester. Joe and Laurie drive out to Chris and Odette Miles’s cottage on the edge of the woods, a place they’ve been renovating and now share with baby Eric who is almost a year old. As they enter it’s immediately obvious the couple have been dead all weekend, shot in their own kitchen. Laurie chooses to search upstairs to spare Joe from what she fears has happened, a fear that sadly comes true when she finds Eric drowned in only a few centimetres of bath water. Now they must work together, with Sammi alongside, to discover who Chris and Odette were behind the image of a happy family, and then to find their killer. 

The atmosphere of this novel is amazing with an opening section that takes us into the minibus to experience that crash as the children did, bringing home just how terrifying it must have been.

“It hit the water hard. Went under, fast. Waves of broken glass from the front to the back […] water like thunder was filling the bus, roll after roll of it, black.” 

It’s astounding that Joe survived, but he has been seen with suspicion ever since with whispers that he and Sammi were messing around on the back seat, distracting the driver. Sammi has never left his side since and appears as if he’s the same age as Joe. However, once the bereaved villagers thought Joe could see their lost children he has been something of an oddity. For some the ability to see their child with Joe can be a comfort, but for others it must be distressing and confronting. The moments when this happens lift the hairs on the back of the neck, one child’s ’little icy fingers’ were reminiscent of Cathy trying to get into the window at Wuthering Heights. They’re always visible as if conjured from under the water, dripping wet and wreathed in shattered glass, their eyes black as night. Laurie’s husband Adam is a therapist and he dismisses it as ‘emotional contagion’, a shared trauma that causes mass hallucination. However, they are usually for a set time period and then fade, but Joe’s powers never go away. The weather is also full of foreboding, with several seasons in one day and the woods near the Miles house not recommended after dark. Laurie’s home set up is also unsettling. She is bereaved, but doesn’t share with Joe that she has lost her sister to addiction. She’s also uneasy at her father-in-law’s house, because Pete’s dementia means he behaves differently, becoming agitated towards sunset in a behaviour known as sundowning. He sometimes doesn’t know Laurie, but then when he does recognise her he becomes threatening. This is a place that has secrets and Joe and Laurie need to uncover them if they are going to solve the murders. 

Neither detective is in the best place for an investigation and Laurie realises one of the main differences in policing an area where you live. In Manchester she had anonymity from who she was investigating, but here everyone is connected and has an opinion. To hear Chris’s parents talk about the murdered couple they sound like an idyllic family, with his father very proud of his son’s skill as an electrician. In fact he’s been doing so well recently that he’s been able to send his parents on holiday abroad. Odette’s mother has a slightly different perspective, wondering whether the pressure of the renovations and a new baby were taking their toll on her daughter who seemed to be providing most of the child care. Neighbour Bobby, who is an incredible bit of comic relief with habits that could earn him an ASBO and his arse constantly hanging out of his trousers, is more forthcoming. He thinks Chris was up to something to bring in the sort of money he was making. He often heard the couple arguing even though their house is some distance away. Bobby himself has has trouble with developers wanting to buy his ramshackle house, that is currently devaluing the holiday let next door. The team go through several theories – could Chris have been distributing drugs, keeping stolen goods or weapons? This is going to take a deep dive into his business records and asking more searching questions of his resentful family. 

I loved how the author has woven in the real-life concerns of a village in an area like Derbyshire within the Peak District. There’s the difficulty for young people who grow up there not being able to afford a decent home as second home owners and investors buy up the local cottages for their portfolio, some with unscrupulous business practices. Laurie feels herself an outsider in this space, the weapons are different for a start as the pair encounter a crossbow booby trap, animal traps and then shotguns in her first few days. Even the motives and suspects are different to those she encountered back in Manchester. She can also see the pressure Joe is under as a receptacle for the village’s resentment and grief. The horrors here are both manmade and supernatural. The pair peel back the layers of secrets and find a neglected kid practically living wild, a plan for hunting in the woods that could have come from the Epstein files and someone who likes to watch their fellow villagers. These twists and turns of the case are fascinating and kept me reading all day. The ghosts are both horrifying and desperately sad, with parents who long to see their child again but not in the way they appear with deep black pools for eyes and dripping with water. It culminates in a terrifying showdown from a totally unexpected direction. The survivor’s guilt is unbearable and I kept hoping that Laurie’s presence and this awful case might be a catalyst for change. Both her and Joe are outsiders in different ways and I could see that distance from the community being useful in terms of their policing but painfully lonely in private. This was a deeply atmospheric and devastating start to a series I can’t wait to dive back into. 

Out now from Harvill Publishing

Meet the Author

Sarah Hilary is the critically-acclaimed author of nine novels. Her debut, Someone Else’s Skin, won the Theakston Crime Novel of the Year 2015 and was a World Book Night selection, a Richard & Judy Book Club pick and a finalist for both the Silver Falchion and Macavity Awards in the US. No Other Darkness, the second in her DI Marnie Rome series, was shortlisted for a Barry Award.

In April 2026, The Drowning Place will introduce readers to DS Joseph Ashe at the start of a brand new series set in the Peak District.

Sarah is Programme Director for St Hilda’s Crime Fiction Weekend, and co-founder of Ledburied, a crime fiction festival in her home town. Her short stories have won the Fish Criminally Short Histories Prize, the Cheshire Prize for Literature, and the SENSE Prize.

Posted in Netgalley

A Twist in the River by Stig Abell 

Posted on by thelotusreaders

A beautiful summer day

When young nurse Claire Davidson goes missing on the riverbank, the only clues left behind are her phone and shoes.

A mystery that sweeps the nation

People disappear all the time, but this case sparks an online frenzy. Amateur investigators descend on the rural idyll. Is Claire Davidson just the story of a swim that went wrong, or could there be truth to the conspiracies?

A killer growing bolder

Then another woman is discovered dead in the river. Jake Jackson, a former detective who came to the countryside searching for peace, must investigate before more lives are lost.

It’s lovely to be back at Jake’s home Little Sky, even if it does have a worrying proximity to serial killers. Jake is drawn into the search for a woman who was last seen going for a run by the river. When a body is eventually found it turns out to be a different woman. Jake is asked to consult with DI McAllister because even though it could still be a case of nature becoming dangerous, anxiety is raised in the community who have been working in groups to find the first missing woman. The possibility of a killer brings out the true crime influencers who start to stalk the river and the village’s inhabitants, including Jake who has gained a reputation as an investigator. The author brings in aspects of the manosphere and militant feminism to the case, highlighting new residents and groups we’ve not met before. Alongside his usual team of Martha, Aletheia and partner Livia, Jake is very keen to find the answers to this case before the birth of his first child. Little Sky is a quirky place to live, with no road and total peace from the outside world, a world that did encroach on Jake and Livia a little bit this time. I felt like he was at Little Sky less than before and this distance from his peaceful haven had an effect emotionally. Has the role he’s been pulled into opened him up to more danger than before when he was a police officer? Is what he does making Livia a target? 

At heart Jake is a book fiend, something all readers relish in a character and we find him perusing the shelves of his nearest second hand bookshop for additions to the crime fiction library at Little Sky. I felt like there was a build up in the tension of this novel. Jake has hardly had a break since his last case and since he originally came to this corner of the world as a sanctuary I feel like he needs some down time. He’s also becoming more well known which is problematic and does cause some tension between him and Livia. The online world encroaches more and more into our worlds and this crime is no exception. The village becomes besieged by true crime enthusiasts, filming content and in one case trying to find their way into Jake’s investigation. The fact that this is a woman doesn’t help, because Dani is clearly flirting to get the information she wants and even uses the couple’s secret signal to get Jake to meet her. This is an intrusion too far and Livia is furious. As always, the ethical questions of using someone’s violent death as entertainment come to mind, not missing the irony that the book hinges on the very same prurient interest. However, there’s also danger for these online sleuths. They don’t have the police back up that Jake does, or the experience of his years as a detective and they’re working entirely alone. Another theme is the manosphere and misogyny, embodied by a group of men who come and join the search in its first twenty four hours. These are men who spend many hours together in the gym, with all the banter and macho competition common in men who exercise together. I didn’t like the vibe of this group, particularly when they invite Jake to join them at the gym. Jake is no stranger to exercise and is very strong, but it’s always solo and involves long walks and runs, swimming in the lake and working in the garden. I felt he was being manipulated and coerced into competition, but the conversation is eye opening and worth every pull up. They bemoan the fact that women don’t act like they used to: 

“I think women should be pretty like they used to be. Delicate you know. They should look the right way to please a man.” 

They’re angry at being seen as toxic males and their views collide strongly with a couple who run a pottery studio by the river. Livia would like to take one of their classes so she and Jake go to meet the women and take the opportunity to ask if they’ve seen anything. Both women are feminists but it’s Emma who is clearly very angry at the way men treat women and at this killer who she believes has an issue with modern women. One of the stranger aspects of this killer’s modus operandi is the time they take to paint the victim’s nails. Jake wonders if Emma is angry enough to kill to make her point. In the background Aletheia and Martha do their usual sterling work, with Aletheia liaising with her police contacts and Martha managing to gain access to a worrying amount of information online from official sources that should be unhackable. Martha is by far my favourite and I loved that the author included Jake’s preparations to have her stay at Little Sky. As a wheelchair user I get irate when books and TV series have people with disabilities seemingly able to live in houses with stairs or work independently in a way that would be impossible. Martha is brilliant because the author includes the physical barriers that leave her at a disadvantage, such as Jake’s ramps all over Little Sky showing how much he wants to include her in this space. It’s great that she’s included and the author lets us know what it takes to include her. Someone knows their social model of disability. Martha is forthright, driven and has creative ways of treating her chronic pain. Despite some limitations she’s super intelligent and often ahead of the rest of the team.

This series is always a slow burn, but the action packed final chapters are nail-bitingly tense and violent. This killer knows exactly where to hurt Jake. As usual Jake finds a way to catch them off guard – a wet hairy naked man leaping out of the darkness is always terrifying and this definitely raised a smile. I felt there was more tension between him and Livia, probably down to hormones and the very real prospect that they are bringing a child into this rather uncertain existence. Livia is usually so relaxed and brings calm to the chaos but here she seemed unsettled and insecure. However, Jake is aware and his decision about their lives moving forward will go a long way towards reassuring her and Diana. On Livia’s behalf I’d like to ask the author if this couple can have the holiday they desperately need before more adventures and a new baby comes their way. 

Meet the Author

Stig Abell believes that discovering a crime fiction series to enjoy is one of the great pleasures in life. His first novel, Death Under A Little Sky, introduced Jake Jackson and his attempt to get away from his former life in the beautiful area around Little Sky, followed by Death in a Lonely Place and The Burial Place. Stig is absolutely delighted that there are more on the way. Away from books, he presents the breakfast show on Times Radio, a station he helped to launch in 2020. Before that he was a regular presenter on Radio 4’s Front Row and was the editor and publisher of the Times Literary Supplement. He lives in London with his wife, three children and two independent-minded cats called Boo and Ninja (his children named them, obviously).

Out Now from Hemlock Press

Posted in Ten on Tuesday

Ten on Tuesday: Ten Books About Mediums and Fortune Tellers

Posted on by thelotusreaders

Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism, attending séances in the hope they might reach their departed loved ones.

William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him – seemingly from beyond the veil – placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far?

Based on the true story of Professor William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters including Sir Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunted, twisted tale of power, paranoia and one ultimate, inescapable truth… I found this atmospheric, mysterious and completely fascinating.

Paris, 1866. When Baroness Sylvie Devereux receives a house-call from Charlotte Mothe, the sister she disowned, she fears her shady past as a spirit medium has caught up with her. But with their father ill and Charlotte unable to pay his bills, Sylvie is persuaded into one last con.

Their marks are the de Jacquinots: dysfunctional aristocrats who believe they are haunted by their great aunt, brutally murdered during the French Revolution.

Sylvie and Charlotte will need to deploy every trick to terrify the family out of their gold – until they experience inexplicable horrors themselves.

The sisters start to question if they really are at the mercy of a vengeful spirit. And what other deep, dark secrets threaten to come to light…? I loved the genuinely scary scenes in this novel, the setting and the differences between these two sisters.

‘Now you know why you are drawn to me – why your flesh comes creeping to mine, and what it comes for. Let it creep.’ 

Visiting a grim London prison as part of rehabilitative charity work, upper-class suicide survivor Margaret Prior is drawn into the Victorian world of enigmatic spiritualist and inmate Selina Dawes and is persuaded to help her escape.

From the dark heart of a Victorian prison, disgraced spiritualist Selina Dawes weaves an enigmatic spell. Is she a fraud, or a prodigy? By the time it all begins to matter, you’ll find yourself desperately wanting to believe in magic. I love Sarah Waters and the way she writes LGBTQ+ characters back into history, this brought to life the reality of a women’s prison and how class determines women’s lives as much as gender. This was unsettling and like a great thriller you’re never quite sure who is being honest and who is manipulating the outcome.

In the slums of 19th-century New York.

A tattooed mystic fights for her life.

Her survival hangs on the turn of a tarot card.

Powerful, intoxicating and full of suspense. *The Knowing* is a darkly
spellbinding novel about a girl fighting for her survival in the decaying
criminal underworlds.

Whilst working as a living canvas for an abusive tattoo artist, Flora meets Minnie, an enigmatic circus performer who offers her love and refuge in an opulent townhouse, home to the menacing Mr Chester Merton. Flora earns her keep reading tarot cards for his guests whilst struggling to harness her gift, the Knowing – an ability to summon the dead. Caught in a dark love triangle between Minnie and Chester, Flora begins to unravel the secrets inside their house. Then at her first public séance, Flora hears the spirit of a murdered boy prostitute and exposes his killer, setting off a train of events which put her life at risk. This is a fabulous debut novel full of colourful historical detail and showcasing an utterly alternative 19th Century existence.

Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her – and to keep her distance from her husband. But her pictures seem to capture things invisible to the eye . . .

Henriette is a celebrated spirit medium, carrying nothing but her secrets with her as she travels the country. When she meets Viola, a powerful connection is sparked between them – but Victorian society is no place for reckless women.

Meanwhile, on the other side of the world, invisible threads join Viola and Henriette to another woman who lives in secrecy, hiding her dangerous act of rebellion in plain sight. I was incredibly moved by this story of transgressive love and the fascinating world of spirit photography. Viola has all the naivety of a daughter brought up with religion and it takes Henriette’s boldness for her to try new experiences. I loved the author/‘s use of liminal spaces as places of freedom and how found family can allow that freedom to grow.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly re-married and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction.

She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. 

When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened thirty years before… and discovers her own fate is entwined with that of Clewer Hall’s. This is the perfect book if you enjoy gothic mystery, historical detail and very spooky twists and turns.

Alison Hart, a medium by trade, tours the dormitory towns of London’s orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists…

Shortlisted for the Orange Prize, Hilary Mantel’s supremely suspenseful novel is a masterpiece of dark humour and even darker secrets. This ghostly story is full of menace but also very dark humour. It’s endlessly inventive with all the atmosphere you’d expect from this incredible writer.

How do you solve an unsolvable murder? Ask the victim…

In January 1986, newly-engaged Marnie Driscoll is found dead in her parents’ kitchen. With no witnesses, it seems as though the circumstances of her death will remain a mystery.

Six months later, high-flying Detective Inspector Andrew Joyce’s career takes an unexpected detour when he finds himself unwillingly transferred to an obscure department within Greater Manchester Police, known as the Ballroom. The Ballroom team employs unorthodox methods to crack previously unsolved cases, and Joyce, a sceptic by nature, must find a way to work with Peggy Swan, a reclusive ex-socialite with a unique talent: she can communicate with the dead.

Joyce soon discovers that Marnie’s death, initially dismissed as an opportunistic act of violence, actually seems to be a carefully orchestrated murder. It will take both Joyce’s skill as an investigator and Peggy’s connection to her new ghostly charge to navigate the web of secrets surrounding the case and bring closure to Marnie’s tragic story before the killer can strike again. I love this series, with the author recently releasing the third in the series. This has Northern wit, gritty crime and an exceptional character in Marnie. Apart from Marnie these ghostly goings on are sinister and dark in places, so when added to a new DI with family secrets it really does compel you to read on.

When the women in the Sparrow family reach thirteen, they develop a unique ability. In young Stella’s case, the gift, which is both a blessing and a curse, is the ability to see a person’s probable future. Stella foresees a gruesome murder, and tells her charming, feckless father about it, but it is too late – the murder has already been committed and suspicion falls on him. 

Hoffman unlocks the caskets of family life and the secret history of a community in this magical story about young love and old love, about making choices – usually the wrong ones – about foresight and consequences, all suffused with the haunting scent of roses and wisteria, and the hum of bees on a summer evening. I love the way Hoffman combines mundane every day life with magical events so skilfully you never question it. She draws you into these lives and her setting with all the enchantment of a fairy tale.

A grieving woman . . .
Yorkshire, 1890. Forced to exchange her childhood home for her uncle’s vicarage after a tragic loss, Olwen Malkon finds herself trapped between her aunt’s cruelty and the sinister advances of her cousin.

A troubled past . . .
When Olwen finds herself afflicted by strange dreams of a woman from a distant past, whose fate is overshadowed by menace and betrayal, those around her are determined to dismiss them as hysteria – except the local doctor, John, with whom she develops a connection.

A long-buried secret . . .
As the visions intensify, they begin to mirror reality, threatening to expose chilling secrets. What dangers lie ahead for Olwen, and does the past hold the key to her own future…?

This is the perfect mix of history and the supernatural as the character’s become connected through time. Olwen’s troubled present seems to change her into a conduit for an Anglo-Saxon woman, but her new power to see the past leads to concerns for her welfare in the present. This is really engaging and absorbed me completely.

Posted in Squad Pod

Last One Out by Jane Harper 

Posted on by thelotusreaders

Carrolan Ridge is a dying town. Ever since the Lentzer mining company decided to expand into the area everything has changed. Some people fought to keep the community together but as offers went out for homes and land surrounding the area of the new quarries, it was only a matter of time. At first they offered silly money and the people who took it were seen as traitors, then as the money dwindled more people took the hint. Now it’s a ghost town, only a few people left and a constant vibrating hum of mining activity. Ro left a while ago but she’s back for a few days, staying with her estranged husband Griff. He lives in the house they used to own while he works as Lentzer’s fire officer. It’s the annual memorial for their son Sam, who disappeared five years ago at the three houses where people held out as long as possible. The bungalow once belonged to his Uncle Warren, but Ro and Griff have no more idea why Sam was here than they did five years ago. Sam was researching the effect of industry on the town he was born in, interviewing the people who still lived there. He left his hire car half way up the drive and disappeared into thin air. It had been a tough time, Ro’s father was killed by a car and ten days later Griff’s brother Warren committed suicide in the quarry. The family were engulfed in grief and the worry over Sam, who wasn’t found. Ro only left when the medical centre closed. She was the GP for these people, now she’s an infrequent visitor, no longer able to stay in the place where they were a happy family. Griff can’t leave till he finds his son. When daughter Della arrives they’ll follow the same yearly ritual, but as ever Ro and Griff find their feet take them to where their son disappeared. Still looking for clues as to what went wrong. 

The author creates such a heavy atmosphere around this small town, driven home by the constant vibrations and the sound of trucks thundering up and down the road. When Ro visits the three houses at the quarry’s edge, a woman is there maintaining the biggest house unable to watch it become derelict. Ro observes it would have been better to demolish them all. There’s constant dust, in the houses, on their cars and in the air. It feels as if the quarry is pressing down on residents and it’s emotionally draining. There’s the claustrophobia that comes from being oppressed and the empty parts of town feel ghostly with Ro hearing a weird clanging noise when she ventures in. The longer people have stayed the worse their lifestyle has become: there’s nothing for children to do; people have to travel for medical help and essentials; the pub only opens once in a while. The author has created an atmosphere where people no longer trust each other. Those who tried to save the town are resentful of those who left early and made good money. Now their houses are worthless and there’s nothing to look forward to, as soon as they can teenagers leave for better prospects. One shrine stands to the old town and that belongs to Bernie, the father of Griff’s friend Noah. It’s a shack that he built with his son and it is full of keepsakes people have brought from places closed down. Even this is rundown and full of dust. It feels like the last gasp of a town on its knees and the repository for all its sadness. 

Ro is intelligent, resilient and a survivor. She knew she had to leave in order to live, not to forget Sam but to have a life without reminders at every turn. We can see this happen as she catches up with friends and they gather at the pub. While having a drink Ro slips into nostalgia, remembering their wedding day and dancing in this very bar. I could see why she left as the days passed, the frostiness between leavers and stayers is so evident and everyone wants to remember Sam, which is lovely but Ro almost wants to have him to herself. Everyone grieves in their own way and I could feel the tension building at the memorial which has become a public event and Ro doesn’t enjoy that part of it. Her walk with Griff, along the path where it’s believed Sam must have got into trouble, is much more private. Each of them thinking their own private thoughts and respecting each other’s need for silence. She’s a natural investigator, which possibly comes from her medical training. She looks around with suspicion, knowing that someone must know something. She reads his notebook again, looking for clues in the last interviews he did and noting anything of interest. Sam is a very real character in the book, although he isn’t present. The sunflower seeds Ro finds in the house that he carefully saved for her garden, the respectful way he treated everyone he interviewed and his emotional intelligence shine out. Sam, Darcy and Jacob were always a three, but after Sam has been away at university he realises that he’s changed and they’ve become closer to each other. He’s invested in what happened at Carrolan Ridge but he knows it’s not his future. However, I could see from his research that he’s asking dangerous questions. He may be a gentle interviewer but he’s still asking people to face their choices and question the decisions they’ve made. Some of his subjects might have found that very difficult to do. 

I felt like Ro still loved her husband. In fact they have a lot of respect for each other and make quite a formidable team. There is a section about her garden at the house, where she’d grown vegetables in containers and loved pottering at weekends. She can barely go and look at what it’s become and it’s almost become entwined in her mind with the town, something that’s broken and dying; ‘what she wanted didn’t exist anymore, she knew, and the sad, pale husk of it’s memory would only make things worse.” She’s surprised to find it flourishing and full of flowers when she goes to plant her sunflower seeds. It made me quite emotional to think of Griff doing that, almost as if he’s tending the garden since he can’t work on his marriage. Ro needs to have the realisation that just because Griff stayed doesn’t mean he loved Sam more or loved her less, it was just the only choice he could make in his grief. This is a slow burn novel but it needs to be so the author can properly explore the complexities of the town’s relationships, the different perspectives between generations and who, if anyone, wanted to harm Sam. As the pressure built towards the end I was desperate for Sam’s family to find him, and for Ro and Griff to reach an understanding too. Clues start to appear and I couldn’t put the book down till I knew. The story didn’t end how I expected but it was so good to finally have a flashback, to follow Sam on that day and discover what happened. It was a satisfying ending and made absolute sense, even though I hadn’t expected it at all. This is an excellent slow burn thriller in an incredibly atmospheric setting, exactly what I’d expected from this brilliant author. 

Out 23rd April 2026 from MacMillan

Meet the Author

Jane Harper is the author of The Dry, winner of various awards including the 2015 Victorian Premier’s Literary Award for an Unpublished Manuscript, the 2017 Indie Award Book of the Year, the 2017 Australian Book Industry Awards Book of the Year Award and the CWA Gold Dagger Award for the best crime novel of 2017. Rights have been sold in 27 territories worldwide, and film rights optioned to Reese Witherspoon and Bruna Papandrea. Jane worked as a print journalist for thirteen years both in Australia and the UK and lives in Melbourne.

Posted in Netgalley

Based On A True Story by Sarah Vaughan 

Posted on by thelotusreaders

A lavish 70th birthday party. A body found on a storm-lashed beach. And a secret that someone is dying to tell… 

Famed children’s author Dame Eleanor Kingman has summoned her family and friends to her exquisite manor house on the cliffs. They’re celebrating her birthday – and her latest number one bestseller in her series of books based on a mother fox and her cubs. But the night before the party, Eleanor receives an email: an email that threatens to expose the lie she’s kept up for over half a century.

Someone knows her secret. Is it her estranged literary agent? Is it her ex-husband, to whom she no longer speaks? Is it the nanny she fired all those years ago, who always did have a knack for storytelling? Or is it one of her three daughters, all of whom have a stake in the publishing empire she has built…

With a TV crew arriving to film a documentary of her life, Eleanor needs to find out who sent the email – and preserve her multimillion-pound career.

But when push comes to shove, and it’s time to tell the truth – will anyone actually believe her?

Eleanor Kingman is holding a huge 70th birthday party at her Cornish house that sits on the cliffs overlooking the sea. It’s a massive undertaking, even without the addition of a TV film crew who are filming the run up to the big day and interviewing Eleanor and her daughters. Her eldest two daughters have working roles alongside their mother. Gilly is her assistant, co-ordinating both the celebration and the TV crew. Rachel is her accountant, keeping track of the royalties and the spending. Her youngest, Delia will no doubt arrive early or late, she is a lifestyle influencer documenting her travels and the journey she’s taken as an addict. However, each daughter has her own secrets and the resentments between them and their mother threaten to boil over. There are hints of menace, such as the strange man who approaches Eleanor’s much loved spaniel Edith as she’s being walked by Rachel’s children. Then an older couple are seen trespassing on Eleanor’s land, claiming to have taken the wrong route while on a caravan holiday close by. There’s also the early arrival of her illustrator Ayisha, who has steeled herself to talk about her cut of the profits. Alone these things mean nothing, but Eleanor is jittery as the interview approaches and only she knows why. She has been receiving blackmail threats making it clear that they know her secret and are more than willing to expose her. Who are they coming from? What do they know? Eleanor doesn’t know if this is personal or about her work. However, she isn’t the only one in the family to have secrets. Each sister has something they’re hiding from their mother and each other. This night is really going to go off with a bang! 

Eleanor is an interesting character and has a distinct style and way she presents herself. As she’s retiring to her room on the afternoon of the party she knows she needs to rest but thinks about what she needs to do ‘to reassemble herself with hair, make-up, fine jewellery, exquisite clothes. To reconstruct Dame Eleanor Kingham.’ It’s as if she is an actress with a role or that over the years people have developed an expectation of how a popular children’s author should appear. The party will be lavish but Rachel can testify that in other ways her mother does count the cost, even making sure food is used past it’s sell by date. There’s also the fact that she pays her daughters below market rate, in fact it could be said that she’s lavish with herself but not so much with others. This could go back to years of frugality as a young woman at university, then as wife of an author whose own ambitions have taken a back seat to his genius. The author gives us flashbacks to show Eleanor’s earlier life, including her writing at the kitchen table late at night, exhausted and wondering if her writing will ever be noticed. There’s a certain ruthlessness in her and a steely determination, in fact her first book had the vixen killing and eating a weak cub for her and other cubs survival. Her agent decided it was too grim a detail for a children’s story, no matter how accurate it might be in nature. This also tells us she is willing to bend or alter a narrative, if it allows her to succeed. 

I felt particularly sorry for Gilly who is really working hard to keep things running well in the last few days, with very little credit or thanks. I was really glad there was a flirtation for her. With an attractive camera crew around and Ned the director being particularly handsome there’s certainly opportunity. Gilly is the little overlooked dormouse who scurries everywhere, quietly making everything happen. Rachel is in a world of trouble when her husband Tom finally tells her a secret he’s been keeping and she’s furious. He needs money, fast. Will Rachel be pushed into something unthinkable? I found Delia incredibly irritating! One of those influencers who always appears picture perfect, on a picturesque beach with pearls of wisdom for her thousands of followers. None of it is original and it’s borderline dishonest. She is sober at the moment, but has a gatecrasher coming for the party. Will the tension tip the balance for her? None of these people are particularly likeable, with Rachel’s husband being a candidate for a good slap at the very least – he made me furious. All of this will come crashing to a head on the big night and I was constantly second-guessing which would bring the author’s world crashing down or whether she’d manage to solve it all in her own inimitable style. This is a book that you won’t put down in those final chapters. Vaughan really is a master at drip feeding clues and reveals, keeping me hooked. It’s brilliantly paced, the characters and their dynamics are so complex. There’s also a cleverly created gap between professional personas and the real life person, whether it is a children’s author or an influencer. Honestly these characters are hard to like but there’s nothing like the schadenfreude of seeing some of them meeting their fate. 

Out on 26th March from Simon and Schuster UK

Meet the Author

Sarah Vaughan read English at Oxford and spent eleven years at the Guardian as a news reporter and political correspondent, before leaving to write fiction. Her first two novels were followed by her first psychological thriller, Anatomy of a Scandal: a Sunday Times top five bestseller, Richard & Judy pick of the decade, and global number one Netflix adaptation starring Sienna Miller, Michelle Dockery and Rupert Friend. Her fourth novel, Little Disasters, was a Waterstones thriller of the month and developed as a number one Paramount Plus show. Her fifth novel, Reputation, was a Sunday Times thriller of the month and is currently in development by the team who made Anatomy of a Scandal. Based on a True Story is her sixth novel.

A million-copy international bestselling author, her books have been published in twenty-seven countries.

Posted in Squad Pod Collective

Unreliable Narrator by Araminta Hall 

Posted on by thelotusreaders

YOUR SECRETS AREN’T SAFE.

Ten years ago, Hope left Somerset with a fatal secret and a broken heart. She has spent a decade in the shadows, living a quiet life of penance to protect the man she once loved – the world-famous author Ambrose Glencourt.

YOUR LIFE IS NOT YOUR OWN.

Then, she opens his latest bestseller. To the world, it’s a brilliant work of fiction. To Hope, it’s a betrayal. Every private moment, every dark truth, and every ‘fatal disaster’ from that summer is laid bare on the page.

YOUR TRUTH IS A LIE.

But Ambrose has changed the ending. In his version of the story, Hope isn’t the victim. She’s the villain.

Now, Hope must step out of the shadows to reclaim her narrative. But in a world of glamorous elites and whispered secrets, who will believe the word of an unreliable woman against the word of a literary icon?

Two narrators. One truth. And a secret worth killing for.

I was blown away by Araminta Hall’s last novel, because of how bold and timely it was. I wondered whether she could write something that would capture the world as it is now, crazier and more disturbing by the week. Well it turns out she can. Hope Jenkins takes a job with author Ambrose Glencourt as his personal assistant at his home, Shadowlands. Rosie, as he likes to be called, described the shadowlands as a place of imagination. However, its other meaning gave me a sense of foreboding – a thin place, the hinterland between life and the next, place filled with ghosts and spirits. It made me wonder, was this a place where the line between the real and the imaginary is blurred? The setting is the archetypal bohemian mansion, showing a lot of wear and tear, but still beautiful with idyllic grounds. The sort of place where books and art are piled everywhere, but the dishwasher is held closed with cord and a wooden spoon. Hope is stunned by her surroundings, it’s nothing like her mum’s flat and Rosie’s wife Delia is a fragile beauty who was a model for the artist Siegel when she was younger. Again though, little things stayed in the mind. The way that they call their staff by their Christian names in front of visitors, but Mrs A and B in private seemed odd. Delia seemed very keen to downplay her own artistic ambitions, always saying it’s just a hobby when she has her own studio and Hope can see she’s very talented. Then there’s a painting – in Rosie’s study, amongst the bookshelves he has a nude painting of a very young Delia with her legs wide open. It makes Hope uncomfortable and and she wondered whether that was why he kept it so public, or whether he liked to make other men desire his wife? 

I felt like Hope was dazzled by the Glencourts and the relationship seemed unequal. Whereas staff seemed to stay in the garden and kitchen, Hope and another guest at the house eat and socialise with the couple. Tom is introduced as someone who Delia has worked with when teaching pottery at an outreach for addicts. He and Hope have afternoons to spend together when Rosie has finished working for the day and it’s clear there’s chemistry. Yet I wondered why had Rosie and Delia taken Tom in and what exactly is the nature of their relationship? Is he as taken in as Hope is by this bohemian utopia? Perhaps not, as he discloses more secrets about the couple and explains: 

‘I’m not sure Rosie means everything he says, I think it’s more that he entertains himself by making people feel uncomfortable.” 

Little unexpected touches and comments made me uneasy about Rosie and there’s a very uncomfortable dinner scene that made me feel sick and awkward. Rosie’s dinner guests became horribly familiar, men who think their sex and status gives them licence to manipulate and bully others. We can feel the pressure of that summer building as the heat rises and I was utterly absorbed by it. 

Then we’re taken ten years later and Hope wants to make a statement to the police. We meet our narrator Nat, a young detective trying to get through her day and get home to her wife and kids on time. Nat is our narrator, coming into this ten year old world in our stead and trying to work out whether Hope is just a crank or a mad fan. However, there’s something about this Hope, a strange, sad lady and her journal, from a summer ten years before that catches her attention. This is an utterly different Hope, in fact she’s a woman transformed from that dreamy girl who fell in love with a lifestyle so far from her own. Now she’s working in a school office and doesn’t appear to be looking after herself. She returned home that summer in a state of delirium and shock and it looks like her life hasn’t recovered, although underneath the exterior there’s still a nurturing instinct and an ability to identify victims of abuse. She’s alerted by news of Ambrose Glencourt’s long awaited sequel to The Ruined Girl, his most famous and celebrated novel. Hope buys the first novel and as she reads she becomes more and more angry. This is Rosie’s version of that summer’s events written down for all the world to read and the character based on Hope is definitely the villain of the piece. He has taken the truth and twisted it. The only thing Hope has is her journal and as Nat reads Hope’s journal she does start to wonder whether there’s some truth in this? She’s experienced manipulation and abuse and something about this presses that trigger. She decides to visit Shadowlands for herself and meet the Glencourts, because even if Hope is mistaken about what ended her work with Rosie, something at Shadowlands feels wrong. 

The structure is so complex, playing with stories and asking questions about how they’re told and who gets to tell them. Rosie made my flesh crawl a little, with the arrogant assumption that he can feast on anything to fuel his imagination and continue the important business of making literary art – there’s no downgrading his talent, unlike Delia’s. I really felt how much easier it is to work as a writer when you have money to support you and a mansion to live in. He discards all distractions, even those he’s created himself. I didn’t like his friends either and their little games, enjoying their ability to make someone much younger uncomfortable. Hope wants to be like him, to be able to “make language work that way as if it belonged to me”. What she didn’t realise back then was that there’s no one way to write, because each unique voice is just as valid. It just that certain voices are more likely to be heard because they follow the established narrative. Hopefully, we don’t have to sound like rich, middle aged white men any more. Hope has seen through the shiny exterior of Shadowlands and knows they’ll look down on Nat with her cheap suit and London accent. But could Rosie’s assumption of superiority be his downfall? This book sits perfectly alongside the #MeToo movement and the Epstein Files in that it’s a world operating on the assumption of silence. Hope isn’t silent any longer. Incredibly tense, twisty and timely, I was utterly under its spell from the first few pages. Ambrose Glencourt claims that in fiction “it’s much easier to blow a body apart than put it back together again.” For Hope’s sake I read this voraciously, full of rage and with everything crossed that Araminta Hall could do what Ambrose Glencourt couldn’t.

Out March 5th from MacMillan

Meet the Author

Araminta Hall has worked as a writer, journalist and teacher. Her first novel, Everything & Nothing, was published in 2011 and became a Richard & Judy read that year. Her second, Dot, was published in 2013.

She teaches creative writing at New Writing South in Brighton, where she lives with her husband and three children.

Araminta Hall’s novel Imperfect Women has been adapted for television by AppleTV starring Elizabeth Moss and Kerry Washington

Posted in Random Things Tours

Reaper by Vanda Symon 

Posted on by thelotusreaders

A killer is hunting Auckland’s homeless. No one cares. No one but Max. These are his people.

Max Grimes is homeless, living on the streets of Auckland – among the forgotten, the invisible. But now someone is hunting the homeless, killing them one by one. No one cares. Except Max.

Trying to put his shattered life back together, Max is pulled into a deadly game when a face from his past reappears, reopening wounds he thought were long buried.

As whispers of a Grim Reaper spread terror through the city, Max must race against time – not only to find the killer, but to outrun the ghosts chasing him.

Because if he fails, he’ll be next.

I thoroughly enjoyed spending time with Max Grimes again, back on the streets of Auckland where he was once a detective and is now homeless, although has at least found shelter in a building under renovation. I was also utterly absorbed by this story, that goes to unexpected places as Max tries to find a killer, before the killer finds him. The plot is so well constructed, with a blend of the personal and professional aspects of Max’s life becoming dangerously interlinked as a killer stalks street sleepers in the city centre district. It immediately made me angry that someone would prey on such vulnerable people, but not a surprise in the current climate where the vulnerable seem to be easy prey for everyone to comment on and abuse. I’ve seen the rise of ableism over the last year or two, which has become toxic to any person with a disability, asylum seekers or anyone perceived to be problematic for society on social media. Working my whole life in mental health, I know the complexities that combine to leave someone where Max Grimes is. In his case a daughter addicted to crystal meth and a boyfriend who cut her throat while high on the same poison. Lives break down for a multitude of reasons, but usually loss and abuse of some sort has contributed to the mental health crises that I would deal with. Particularly long term users of the mental health team services and high up on my priorities is to keep someone in their home by helping maintain finances and hold on to their tenancy. Sadly, with all the will in the world, this does not work and people would become vulnerable, homeless and prey to anyone looking for people to manipulate and harm. So I found myself asking: is this killer simply preying on those who are vulnerable because they’re seen as easy targets or is this killer trying to make a point? 

Despite having left his job behind a long time ago, Max is still a police officer at heart. He gets up early and walks a set ‘beat’ through the streets, checking on those he knows or believes to be struggling. It’s no surprise that he’s one step ahead of the police when it comes to adding these deaths up and asking questions, approaching fellow detective Meredith when he thinks something is ‘off’. Detectives don’t necessarily have a specific patch, they work cases not streets, so the deaths of a couple of homeless people in a cold snap wouldn’t even cross their desk. By the second death Max is sure something is wrong. What he finds most troubling is that it’s someone who mentions the killer as the Reaper who is next to die. As he walks his usual path the next day he makes a note of who talks about a serial killer and plans to keep an eye on them. Meredith gets her boss to agree to treat the third death as a crime scene and if there’s anything to suggest murder, then the previous two bodies will be examined. The questions are mounting up for both Meredith and Max. People who live on the streets are suspicious and vigilant, so how is the killer getting close to their victims? How is he circumventing that natural mistrust of others that he knows the victims would have had? In between his investigations, Max’s past creeps up on him quite literally in the library where he spends the morning in the warmth reading the news and using the internet. Shane McFarlane is the last person he wants to talk to, since his son killed Max’s daughter he’s avoided him at all costs. It makes Max feel vulnerable that he finds him so easily, maybe a wake up call that his own vigilance needs to be stepped up. He asks Max if he’ll work as a private investigator for him and find the man who supplied the meth to his son. Max certainly could do this and he feels empathy for McFarlane’s anger towards the dealer, but can he work alongside this man in exacting revenge?

I love how Vanda Symon writes her characters, because whether it’s Meredith or Max we’re straight into their inner lives and how they see the world they live in. She doesn’t do superfluous description of character or appearance, she simply lets them live their lives and think their thoughts and leaves everything else up to the reader. Even when it comes to the short chapters narrated by the Reaper she sticks to this inner world, so when the clues start to add up for Meredith and she realises something about him we’re as surprised as she is. It also adds another layer of grey to this world when we realise the reasons behind the Reaper’s eventual plan. The author also weaves in the politics of the city and this time by alluding to gentrification, historic abuse and the Mayor’s plans for removing the homeless from the centre of Auckland. At a press conference he talks about homeless people as if they are vermin, suggesting that the case gives them an opportunity to remove this group of people from harm, while also stopping them from harming the city. I loved Meredith’s urge to shut his mouth for him and how her experience of his wandering hands at a party ties into worldwide events such as the Epstein files, not mentioned by name but certainly in Meredith’s experiences and thoughts. She laments that women in public life are held to different standards to men and get the lion’s share of abuse with appalling misogyny the norm on social media. She refers to ‘Teflon’ men ‘and they had all been men. Narcissists and psychopaths who believed they were untouchable, above the law.’ She also laments the keyboard warriors in local papers making comments about putting the killer on the city payroll and congratulating him for moving these bums off the streets, dehumanising the victims completely. Her relationship with Max shows she doesn’t think like this, she respects him and his investigative skills. When he’s badly beaten she’s desperately concerned and when suspicion starts to fall in his direction she has some very hard choices to make. I wondered whether this might be the end of their friendship? 

Vanda has written another brilliant thriller here, full of clever clues and reveals. However, her incredible empathy and compassion for a vulnerable section of society means the victims are not just sensationalism or a means of moving the plot forward. Max makes sure that we know about these victims and that their deaths are investigated with the same vigour as any other member of society. I felt like this case really is make or break for the trust between Max and Meredith and I hoped that even when the only choice was to bring Max in for questioning, they would find a way of working together to uncover the truth. By this point in the book I couldn’t put it down because I was so desperate for the evidence to be wrong and the tension was unbearable. This is not a black or white, right or wrong type of story either. The author brings out all the shades of grey in her characters, making sure we remember that human beings are complicated and when lives go off the rails there’s always a story behind it, whether it is a personal grief or loss, abuse or mental heath crisis. After all, whether a police officer, killer, or victim we all have a back story.

Out March 18th from Orenda Books

Meet the Author

Vanda Symon lives in Dunedin, New Zealand. As well as being a crime writer, she has a PhD in science communication and is a researcher at the Centre for Pacific Health at the University of Otago. Overkill was shortlisted for the 2019 CWA John Creasey Debut Dagger Award and she is a three-time finalist for the Ngaio Marsh Award for Best Crime Novel for her critically acclaimed Sam Shephard series. Vanda produces and hosts ‘Write On’, a monthly radio show focusing on the world of books at Otago Access Radio. When she isn’t working or writing, Vanda can be found in the garden, or on the business end of a fencing foil.

Posted in Blogger Life

The Last Ten Books I Bought

Posted on by thelotusreaders

I thought that today I’d share with you the last ten books I’ve bought. Sometimes people think that because I review books on my blog, I get given every book I review but that’s far from the case. I still buy an enormous amount of books every month. It’s my main indulgence, aside from Doc Marten boots and a weird fascination with animals in clothes (probably best left unexplored but I’m sure it has to do with Mr Tumnus). I’d do get proof copies but they are becoming more scarce these days so mainly they come from the reviewing I do through the Squad Pod Collective – a group of blogger friends who have come together to share the book love – or through blog tours. More often it’s digital copies that are available, either offered by the publisher or through NetGalley. There are many reasons I might buy a book, as discussed last week there are come authors who are must-buy and are usually pre-ordered for a discount. Another reason might be that I’ve loved a book on Netgalley or digital proof and I’d like a finished copy. Then there’s the bookshop purchases where I have a terrible love of spredges and beautiful book cover art as well as the story itself. Finally comes those I buy second-hand in charity shops, second hand bookshops like Barter Books in Alnwick or Vinted, which is a great hunting ground for special editions. I also collect various copies of old classics or my favourites – I have about six different copies of The Night Circus for example. Currently on my radar is the Folio Society copy of The Colour Purple which is stunning but will take up a whole month’s book budget! Here are my latest buys:

I love Will Dean’s Tuva Moodysson series and pre-order those always, but his stand-alone novels I tend to buy on Kindle. This has all the hallmarks of a heart-stopping thriller.

Three of them adrift on the narrowboat.
Mother, son, and wickedness.

Peggy Jenkins and her teenage son, Samson, live on a remote stretch of canal in the Midlands. She is a writer and he is a schoolboy. Together, they battle against the hardness and manipulation of the man they live with. To the outside world he is a husband and father. To them, he is a captor.

Their lives are tightly controlled; if any perceived threat appears, their mooring is moved further down the canal, further away from civilisation. Until the day when the power suddenly shifts, and nothing can be the same again.

I left the parking ticket bookmark in this one, because I bought this from my local bookshop on Saturday and then my other half went to Screwfix so I read five chapters in the car out of boredom. I wanted to read this before I watched the BBC series and as usual I’ve left it to the last minute. I recently thoroughly enjoyed Rachel Pariss’s novel about Charlotte Lucas and I’d forgotten how lovely it is to be in Austen’s worlds so I thought this would be light relief, both from other reading and the news.

In Jane Austen’s Pride and Prejudice, we know the fates of the five Bennet girls. But while her sisters are celebrated for their beauty or their wit, Mary is the “plain” middle sister, the introvert in a family of extroverts, and a constant disappointment to her mother.

Lonely and lacking connection, Mary turns to the only place she feels safe: her books. Determined to be “right” since she can never be “beautiful,” she prepares for a life of solitude at Longbourn.

One by one, the other sisters move on: Jane and Lizzy for love, and Lydia for respectability. Mary is destined to remain single, at least until her father dies and the house is bequeathed to the reviled Mr Collins.

But when that fateful day finally arrives, the life Mary expected is turned upside down. In the face of uncertainty, she slowly discovers that there is hope for the “plain” sister after all. . .

Experience the witty, life-affirming tale of a young woman finally finding her place in the world.

This book falls into the special edition category as it’s one I might normally have bought on Kindle, but couldn’t resist this beautiful signed edition complete with stunning spredges and endpapers.

It’s the summer of 1939. London is on the brink of catastrophic war. Iris Hawkins, an ambitious young woman in the stuffy world of City finance, has a chance encounter with Geoff, a technical whizz at the BBC’s nascent television unit.

What was supposed to be one night of abandon draws her instead into an adventure of otherworldly pursuit – into a reality where time bends, spirits can be summoned, and history hangs by a thread. Soon there are Nazi planes overhead. But Iris has more to contend with than the terrors of the Blitz. Over the rooftops of burning London, in the twisted passages between past and present, a fascist fanatic is travelling with a gun in her hand.

And only Iris can stop her from altering the course of history forever.

Just look at those beautiful spredges. I’m itching to dive into this but need to get my blog tour reading done first.

As you can see another ‘nostalgic’ purchase. Wuthering Heights is one of my favourite books of all time, despite the problematic middle bit where too many people die at once, so when I bought Essie Fox’s beautiful retelling through Catherine Earnshaw’s eyes I couldn’t resist this new edition of Wuthering Heights. The spredges are to die for!

With a nature as wild as the moors she loves to roam, Catherine Earnshaw grows up alongside Heathcliff, a foundling her father rescued from the streets of Liverpool. Their fierce, untamed bond deepens as they grow – until Mr Earnshaw’s death leaves Hindley, Catherine’s brutal brother, in control and Heathcliff reduced to servitude.

Desperate to protect him, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange. She believes his wealth might free Heathcliff from cruelty – but her choice is fatally misunderstood, and their lives spiral into a storm of passion, jealousy and revenge.

Now, eighteen years later, Catherine rises from her grave to tell her story – and seek redemption.

Essie Fox’s Catherine reimagines Wuthering Heights with beauty and intensity – a haunting, atmospheric retelling that brings new life to a timeless classic and lays bare the dark heart of an immortal love.

As you will know I’ve been raving about this one after reading it last month and yes I do have a proof copy but I do like to support independent publishers, authors and bookshops so I went to Lindum Books for her signing a few weeks ago. Sadly, by the time I arrived they’d run out of copies so they were waiting for new stock and Rachel kindly supplied a signed bookplate for it.

Lincolnshire, 1914. As the First World War approaches, three women are living, trapped between the unforgiving marsh, the wide, relentless river, and the isolation of the fen.

Their lives are held fast by profound grief, haunted by the spectres of the past. Trapped by the looming presence and eerie stillness of a hospital that has never admitted a single patient.  

Eleanor longs to escape. To make a life with the man she loves, leaving her sister, and all her ghosts behind. Clara’s marriage is crumbling and violent and she yearns for peace and security for both herself and her innocent children. Meanwhile, Lily, a formidable force of will, stands resolute against the relentless tide of change. She will stop at nothing, no matter the devastating cost, to ensure that life, and her family, remain frozen in an unyielding embrace of the past.

The author, Rachel Canwell, grew up with the story of this forgotten hospital. Isolated, stocked weekly and cleaned daily but never admitting a single patient. The hospital was real, tended by her family for over sixty years and set against the ethereal beauty and loneliness of the Fens, is the inspiration for her novel.

This beauty is the independent bookshop copy of Almost Life that came from Lindum Books. I always love the artwork from Kiran’s books and this is a stunner.

One chance encounter can define a lifetime

Erica and Laure meet on the steps of the Sacré-Cœur in Paris, 1978. Erica is a student, relishing her first summer abroad before beginning university at home in England. Laure is studying for her Ph.D. at the Sorbonne, drinking and smoking far too much, and sleeping with a married woman.

The moment the two women meet the spark is undeniable. But their encounter turns into far more than a summer of love. It is the beginning of a relationship that will define their lives and every decision they have yet to make. Spanning cities, decades and heartbreaks, fate brings them within touching distance again and again.

But will they be brave enough to seize the life they truly want?

My next purchases are two for the Kindle and after recently reading and reviewing her third Cal Hooper novel The Keeper, I decided I need to catch up on the first two in the series. I’d previously read her Dublin Murders series so I know I enjoy her writing and I read The Keeper through Netgalley so these are a treat for when I have a gap ?!

The Searcher covers Cal Hooper’s move to Ireland and the fixer-upper he’s bought in a remote Irish village, thinking it would be the perfect escape. After twenty-five years in the Chicago police force, and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens.

But then a local kid comes looking for his help. His brother has gone missing, and no one, least of all the police, seems to care. Cal wants nothing to do with any kind of investigation, but somehow he can’t make himself walk away.

Soon Cal will discover that even in the most idyllic small town, secrets lie hidden, people aren’t always what they seem, and trouble can come calling at his door.

The Hunter takes us back to Ardnakelty and blazing summer, when two men arrive in the village they’re coming for gold. What they bring is trouble.

Two years have passed since retired Police Detective Cal Hooper moved from Chicago to the West of Ireland looking for peace. He’s found it, more or less – in his relationship with local woman Lena, and the bond he’s formed with half-wild teenager Trey. So when two men turn up with a money-making scheme to find gold in the townland, Cal gets ready to do whatever it takes to protect Trey. Because one of the men is no stranger: he’s Trey’s father.

But Trey doesn’t want protecting. What she wants is revenge.

My final book came from the indie Northodox Press and features a place I know very well indeed. The Adelphi Hotel in Liverpool is a famous landmark I’ve known all my life, with my mum being a Liverpool girl. A former grand hotel, designed to look like the interior of an ocean liner it still has spectacular bones although its more recent furnishing choices in the original tea room have made it look more like a nursing home. Every time I go past it we say someone could make a lot of money doing that place up, it could be gorgeous. I live in hope, but currently she’s a strange mishmash of styles from art deco to faux leather BarcaLoungers. It’s a great cheap place to stay in Liverpool and my dad particularly enjoyed the prostitute’s card that was slipped under his door in the middle of the night!

Where better to work than the famous Adelphi Hotel?

Alistair Monroe is keen to make his way in Nineteenth Century Liverpool. The Adelphi is a landmark known for its grandeur, drawing many visitors, including Clemency Martin, an American psychic.

She too needs to make her way. But Alistair discovers that power and darkness lie at the heart of the hotel, and he must finally take risks to bring the truth to light. Step into the atmospheric world of the Adelphi…

So that’s all my recent purchases and buying secrets, but I’m sure there’ll be more next month, if I can resist The Folio Society that is.

Posted in Publisher Proof

The Keeper by Tana French

Posted on by thelotusreaders

On a cold night in a remote Irish village, a girl goes missing.

Sweet, loving Rachel Holohan was about to be engaged to the son of the local big shot. Instead, she’s dead in the river.

In a place like this, her death isn’t simple. It comes wrapped in generations-old grudges and power struggles, and it splits the townland in two. Retired Chicago detective Cal Hooper has friends here now and he owes them loyalty, but his fiancée Lena wants nothing to do with Ardnakelty’s tangles. As the feud becomes more vicious, their settled peace starts to crack apart. And when they uncover a scheme that casts a new light on Rachel’s death and threatens the whole village, they find themselves in the firing line.

This was a new series to me, but having read some of Tana French’s earlier novels such as In The Woods I knew it would be something I’d enjoy. I love her writing and here it is such a beautiful balancing act. This is a slow burn novel that’s beautifully atmospheric and manages to convey both moments of high humour and menacing evil. The small village of Ardnakelty is a quagmire. It’s described as gloomy, misty and wet most of the time. There’s something about the weather that’s oppressive and any walk outdoors is liable to leave you muddy and wet. It seems like a harmless place, but it’s full of pitfalls and weeds that can drag you under. The emotional quagmire is impossible to avoid if we look at it through Lena’s eyes. It is so remote, but anyone like Cal thinking they’ve come here for quiet and to avoid other people is in for a shock. He already has Trey, a teenage girl from a difficult family who is like an adopted daughter to him. How much more tied to this place might he become? Villages like this have one shop and one pub and everyone frequents them so eventually there’s a passing acquaintance with everyone. This is a place where neighbours are more like family. They’ve known each other forever, and their mothers knew your mother too. This could be seen as a bonus, but the author depicts it as spider’s web that once you’re stuck it’s impossible to escape. The only question is, who is the spider? 

“The cloud is high tonight, letting through a haze of moonlight here and there so that streaks of fields rise ghostly out of the darkness and the air has an icy bite that burrows to the bone.”

The plot reveals itself slowly and once Cal and Trey find the body of local teenager Rachel in the river, the tension starts to build in this small community, until it’s pushed to breaking point. It made me feel angry and utterly powerless in parts. Rachel had been going out with Eugene Moynihan for years and it was apparently Eugene she had been out to meet on that night. Was this a tragic accident or is something more insidious going on? Rachel’s family are devastated and Lena is shocked to find out she was the last person to see her that night. The village gossip is in overdrive with different theories, but the narrative that seems to be emerging is that Rachel might have committed suicide. Cal doesn’t think so, but most people daren’t think anything different. The Moynihans are a big deal in Ardnakelty, living in a huge house with all mod cons and Eugene’s dad Tommy has a finger in every lucrative pie. Cal is told no one is going up against the Moynihans, because Tommy has all the right friends in very high up places. There was part of me that could see this story as an allegory for what’s happening in the world – a money-hungry bully, who is always looking for the next chance and has such a hold over people he could get away with almost anything. 

Underneath this main mystery is the narrative of Cal and Lena’s relationship, in fact very early on we get a conversation about their wedding. Despite being engaged, Cal and Lena are still in two separate houses and have made no wedding plans. This suits them, but Lena’s sister Noreen who runs the shop is forever warning them. If they don’t book something round here they’ll lose the only venue. There’s Cal’s worries about Trey who is hoping to gain an apprenticeship as a joiner, has exams to get through and trouble at home where the landlord seems to want them out of their house. All of these things weave in and out of each other, seemingly unconnected but as with everything here patterns and connection exist under the surface. Tommy and Eugene pay Cal a visit, as an outsider maybe he’s the best person to investigate this? Cal refuses but is left with the feeling that will count against him. If he’s to ask any questions he’d rather do it alone, with no one controlling the narrative. What he doesn’t know is that Lena is already asking questions and because she’s from this place she knows who to ask. It’s clear sides are forming, even in the way people arrange themselves at the wake. Cal is with Trey but also his neighbour Mart, the only locals he feels any allegiance to. While Lena is drawn to a women’s table, containing everyone she went to school with and usually avoids. She doesn’t want to join sides, but with Cal increasingly pulled into Mart’s group she knows there’ll be pressure from the Moynihans. Maybe there’s a positive to being part of Ardnakelty, but she can’t see it as yet. 

I loved the build up of tension in this small village and the wonderful way the author balances that with humour. There’s a scene with Mart and a squirrel that’s comedy gold and made me laugh out loud then read it to my husband. Mostly it’s the juxtaposition of things; a gang of masked men is menacing, but has a more comical touch when some are Wolverine and other varied superheroes. As the situation escalated I felt angry and powerless to stop what was happening. It wasn’t so much the brawls, it was the quiet threats and controlling nature of what was happening, particularly to the women involved. Tommy Moynihan made my skin crawl but so did Noreen’s mother-in-law Mrs Duggan, the perfect example of someone who appears powerless but actually controls the household and watches the to and fro of the village from her armchair. This fight could knit Cal, Lena and Trey into this place’s history. They could commit to being lifelong Ardnakelty people but if they are, they must find out what’s behind Rachel’s death and end Tommy’s dominance over the place. I became so drawn into this world that I was genuinely upset by the loss and how far apart Lena and Cal become. I loved that he didn’t crowd her and gave her the space to be her own person. I also loved the way he parented Trey and responded to her new relationship. This is an intricate and carefully balanced thriller that’s perfectly grounded in its rural Irish setting. Cal learns that the villager’s allegiance to their land runs deep and they are willing to put absolutely everything on the line for it, even their lives;

“Their tie to their land is different, not in its intensity but in its nature: rooted thousands of years deep, through strata of dispossession, famine, bloody rebellion. This land has been reclaimed and that changes things.”

Out 2nd April from Penguin

Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, and The Trespasser. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.

Posted in Squad Pod Collective

Witch Trial by Harriet Tyce 

Posted on by thelotusreaders

When 18-year-old Christian Shaw is found dead in an Edinburgh park, the city reels – and the shock only deepens when police charge her best friends, Eliza Lawson and Isobel Smyth, with her murder.

As social media explodes and headlines scream for justice, rumours of bullying spiral into something darker: whispers of rituals, obsession, and a teenage pact gone wrong.

Matthew Phillips, a respected heart surgeon, is called for jury duty on the case. But as the trial unfolds – and the girls reveal a chilling defence no one saw coming – he begins to question everything: the motives, the evidence, even his own judgement.

Who’s telling the truth? Who can be trusted?

And what really happened to Christian Shaw?

Let the Witch Trial begin . . .

I finished this book and had to give my head a little shake wondering what I’d just read. Harriet’s one of those writers where I end up devouring the book in a couple of sittings and then wish I’d taken my time because it’s come to an end! This grabs you from the very start as we follow Matthew, an esteemed heart surgeon, for jury duty. He is without question the perfect juror – intelligent, used to making life and death decisions and level headed. However, due to his job he could have easily been excused from jury duty so why does he stay? His colleagues seem incredibly annoyed that he has disappeared and is uncontactable for the foreseeable, because it turns out this is a complex murder case. Although Matthew seems an upstanding character he does seem remarkably keen on having a murder case and with this one he’s truly found the most intriguing. This is one of the most complicated and unlikely cases threaded with fanciful notions of devil worship and witchery. Matthew is our eyes so we view the case at the same time he does, as each witness takes the stand for cross examination. What they must prove is this point of Scottish law: 

“Murder is constituted by any wilful act causing the destruction of life, whether wickedly intended to kill, or displaying such wicked recklessness as to imply a disposition depraved enough to be regardless of consequences.” 

Put simply, the prosecution must prove that the defendants Isobel and Eliza knew that their friend Christian had a heart condition but were reckless enough to bully and fill her with such fear it killed her. Because of the immediacy of the narrative, the reader drinks in each gasp from the gallery and every revelation from the witness box, so much so that it was halfway through the book before I stopped to wonder how such a case could have made it’s way to court? Can someone deliberately frighten someone to death? 

Matthew is observant, he has weighed up his fellow jurors and which ones might be trouble. He has checked out the defendants and wonders whether their appearance might prejudice the witnesses and jurors. Eliza is dressed well, whereas Isobel’s demeanour is surly and uncooperative. She looks down at the floor mostly and has a gothic appearance. She is being painted as the ringleader, but is she or are people being swayed by how she looks? The author adds small details that you barely notice at first such as Matthew’s own appearance. Fully suited and booted on his first few days, he is soon without a tie and then in jeans. His hygiene slips too and a rash starts to affect his hands, itching so badly during the evidence he struggles not to move. He drinks more and avoids his family, staying in his small apartment in the city. There’s also the strange journalist who catches his eye, then seems to disappear. One night she appears at his flat with a bottle and an ouija board, wishing to discuss the more gothic aspects of the case. The suggestion that the girls are practising witches is salacious enough to gain the headlines, but Matthew knows he shouldn’t be talking about the case at all. However, we as the reader are compelled to enjoy the suggestions of animal sacrifice, tarot cards and trying to summon the devil. It’s easy to forget that at the heart of this case are two young girls, who may have been unpleasant and even wicked but surely not criminal? We believe our narrator still, but should we? There are multiple layers to the books final chapters, something that this writer excels at. The occult elements are truly vivid and I found myself engrossed and even believing them in part. This is one of those books, where, like The Sixth Sense, you’ll be going back to see how you missed certain things. The final twists left me awe struck. This is a belting thriller, utterly addictive and compelling to the final page. 

Out now from Wildfire Books

Meet the Author

Harriet Tyce was born and grew up in Edinburgh. She graduated from Oxford in 1994 with a degree in English Literature before gaining legal qualifications. She worked as a criminal barrister for ten years, leaving after having children. She completed an MA in Creative Writing – Crime Fiction at UEA where she wrote Blood Orange, the Sunday Times bestselling novel, winner of a gold Nielsen Bestseller Award in 2021. It was followed by The Lies You Told and It Ends At Midnight, both also Sunday Times bestsellers. A Lesson in Cruelty was published in 2022 and met with great critical acclaim and her fifth novel Witch Trial will be published on 26 February 2026. She is a contestant on series 4 of The Traitors. Follow Harriet on Instagram @harriet_tyce and find her Facebook page @harriettyceauthor.