Posted in Squad Pod Collective

Appointment In Paris by Jane Thynne 

Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.

1938. Stella Fry is walking home from her job at the film institute and surprised to find a crowd gathered near her home. It’s clear there’s been an accident, but when Stella enquires she’s shocked at the reply. ‘It’s someone called Stella Fry’ a woman whispers and with great presence of mind she doesn’t identify herself. She simply turns and walks away, thinking that Harry Fox is involved. After a night on the sofa at her friend’s flat she’s deciding what to do next when she’s called in for an assignment with Harry Fox, who she’s worked with before. This is a very sensitive case, looking into the death of a man at the POW camp at Trent Park. A man wearing Luftwaffe uniform was found dead in the grounds with a gunshot wound. It’s vital to know what’s happened because Trent Park isn’t just a POW camp, it’s a huge intelligence gathering centre and one of their listeners has gone missing. Stella is enrolled in the ATS to become a ‘listener’ at Trent Park. She will join other German speakers, listening to cellmates through state of the art microphones. The women are recording and transcribing anything of interest and sending it up the chain. It’s an important tool to learn about Nazi positions, their plans to invade Western Europe and their treatment of Jewish communities. However, Stella must also listen to her colleagues, because they have no idea where the murder weapon came from and there is a possibility that the missing operative has been turned. There’s also intelligence about three German spies living within the immigrant community close by. Harry will be on the trail of the spies which brings Lieselotte Edelman into his path, a beautiful young Jewish woman who fled her own country before war broke out. Could she be a spy and could Harry’s desire for her cloud his judgement about her true purpose? 

This is an interesting thriller based on true events and the second to feature Harry and Stella as a team, although this time they’ll be working different lines of enquiry on the same case. Stella comes across as the ideal operative, she blends in well and seems to secure people’s confidences very easily. She’s competent and able to keep secrets, even from those closest to her. As for her own feelings, they’re a little more complicated. She has feelings for her best friend’s brother but he’s become engaged to an American he met through the Kennedy family. Harry also has complex feelings. I wondered how he felt about Stella, but would he ever be able to admit to it? He seems to enjoy his bachelor lifestyle and never gets caught up with one woman. Both take comfort from people they meet in the course of their investigation, but these are war time affairs belonging to people who pass in the night never to be seen again. 

I found the psychological dynamics at Trent Park really interesting. The POWs are treated very well, but that’s designed to lull them into a false sense of security. If they’re treated well and have some freedoms they’ll never imagine that their every word is being scrutinised. One man observes that Stella’s job reminds him of the Nietzsche quote that’s the book’s preface – when we look into the abyss the abyss also looks into us. It’s easy to think their inmates are just ordinary men forced into fighting for their country and some are, but others are sadists and enjoy exerting their power over civilians. The stories of beatings, rapes, casual slaughter and the mistreatment of Jews is horrifying. It shows how people’s basest instincts are woken up and distorted by power. Listening to this everyday must chip away at the transcribers as they process these horrors from German into English. I was utterly drawn into this because it’s a very heightened version of working with in the mental health sector, listening to the worst things that have happened to people takes its toll and it’s vital to take breaks and even extended leave in order to do the job well. I wondered how people coped with the roles they were forced to take during the war and whether we would be equally selfless. My grandad missed the war but did his National Service in Germany in the aftermath and I know what he saw affected him. I can’t imagine how a country heals after such horrific events. Those ordinary people who turned on their Jewish neighbours must suffer from terrible guilt when the full truth emerges, whether they believed the propaganda or participated to save their own skin. I was sure that the truth lay somewhere in this sea of human suffering and I was sure Stella would find it. 

I found Stella’s narrative more compelling than Harry’s, possibly because the historical detail and background were so brilliant. Harry js delving into the criminal underworld on the trail of a gun as well as the spies but Stella’s narrative takes us to Paris as the Nazis are on the verge of invading and taking control. The author really captures the sense of fear and disbelief combined, there’s a sense of unreality as if it could never happen to them. It’s something I feel personally with the rise in far-right politics. We always think it couldn’t happen again or it couldn’t happen here, but it can. It’s very tense as Stella gets closer to the man she needs to bring in, but also make sure she gets out of Paris in time. Another feeling the author captured beautifully was the nostalgia for a time before the war, for Stella it’s a party she attended at Trent Park as she is falling in love with her friend’s brother. Since then they’ve both had roles to fulfil and perhaps sacrificed happiness for duty, it’s the story of many people who missed their chance or passed only briefly, never to see each other again. When Harry and Stella are together they’re a formidable team and there is just a tiny hint of chemistry. This was a great historical mystery and I’m very curious to know where this team go next. 

Meet the Author

Jayne has a passion for historical fiction and loves the research that involves. The first in her Clara Vine series, Black Roses, became a number One Kindle Bestseller. In the UK the series is published by Simon & Schuster. Outside Britain, my novels have been translated into French, German, Greek, Russian, Polish, Romanian, Turkish and Italian. In France the series is published by J.C Lattes and in Greece by Kedros. In the US and Canada the series is published by Random House. The TV rights have been optioned by Hillbilly Films who are producing the pilot for an eight part series.

The Words I Never Wrote is published in the US by Ballantine and in the UK by Sharpe Books.

I have also written two alternative history novels under the pen name C.J. Carey, Widowland and Queen High (published in the US by Sourcebooks as The American Queen). I chose that pseudonym because it’s a reversal of my own initials, coupled with my mother’s maiden name. In the UK, the novels are published by Quercus and in France by J C Lattès.

My most recent novels, the Fox and Fry series, feature Harry Fox, a suspended MI5 surveillance operative, and Stella Fry, a former tutor, who are thrown together to solve mysterious murders on the eve of WW2. Midnight in Vienna and Appointment in Paris are both published by Quercus.

As well as writing books I freelance as a journalist, writing regularly for numerous British magazines and newspapers, and also appear as a broadcaster on Radio 4 and Sky. I have been a guest reader at the Arvon Foundation and sat on the broadcasting committee of the Society of Authors. I’m a patron of the Wimbledon Bookfest and live in London.

Posted in Random Things Tours

Black as Death by Lilja Sigurdardóttir  

The haunting final chapter to an award-winning series…

And a final reckoning…

With the fate of her missing sister, Ísafold, finally uncovered, Áróra feels a fragile relief as the search that consumed her life draws to a close. But when Ísafold’s boyfriend – the prime suspect in her disappearance – is found dead at the same site where Ísafold’s body was discovered, Áróra’s grip on reality starts to unravel … and the mystery remains far from solved. To distract herself, she dives headfirst into a money-laundering case that her friend Daníel is investigating. But she soon finds that there is more than meets the eye and, once again, all leads point towards Engihjalli, the street where Ísafold lived and died, and a series of shocking secrets that could both explain and endanger everything…

I’ve been hooked on the story of Áróra and the case of her missing sister Ísafold for a few years now and the tension has slowly gripped me ever tighter as each novel has brought its revelations. With her disappearance being the reason Àrora is in Iceland, it’s always been the over-arching narrative, with other cases running alongside. The combination of Áróra’s skills as a financial investigator plus the skills and powers of Daniel and Helena who are detectives, means complex cases are profiled and attacked from different directions, making them a formidable team. We’re back with everyone after the discovery of Ísafold’s body in a suitcase deep within a fissure in a lava field. They were directed to it by an unusual little girl who claimed to be the reincarnation of Ísafold, something that was difficult for Daniel to accept. As Áróra’s boyfriend, his hackles were raised particularly with her parents who he suspected of feeding ideas and information to their daughter with the aim of deceiving them. But what possible motive could they have? As we meet our characters again, Áróra occasionally has the urge to go back and visit the family, but there’s been nothing new from her reincarnated sister for some time as if the thread that bound them has broken or the little girl’s age means the channel that was open between this life and the next has now closed. With Bjorn found in the same fissure as Ísafold many new questions are thrown up. Not least the one aspect of Ísafold’s death has remained a secret up till now. Daniel doesn’t know how to tell Áróra that her sister’s body was found without a heart. 

There’s so much to understand here and we get the narrative through different viewpoints, not just from Áróra, Daniel and his colleague Helena. One narrator named Felix has fallen into working for a local dealer and we see his fear as the bag he was sent to collect disappears from the car while he’s getting some food. This theft draws his ties to this man ever closer, with no real chance of escape. There are also flashbacks to the last few months Ìsafold was alive and we finally hear the story in her own voice, which I loved. There’s a lot of crossover between these two narratives in terms of control and manipulation. The means used to tie Felix to the drugs gang are diabolical, making sure he ‘owes’ the boss and keeping him firmly onside. On one hand the boss demands total loyalty from its operatives but on the other he uses treachery to keep everyone in their place. Bjorn’s treatment of Ísafold feels even worse, because this is someone is supposed to love her. We have always known that Ísafold’s partner was violent, in fact Áróra’s guilt about her sister is based around their last phone call when for the first time Áróra decided not to run to her sister’s aid. The downstairs neighbour Grimur had also testified to the violence his neighbour suffered, but hearing it from the victim adds another layer to the narrative. We can feel how vulnerable Ísafold is and the tenderness Bjorn treats her with from time to time, that glimmer of a meaningful connection he drip feeds to her guarantees her forgiveness again and again. Almost more than the violence I hated that he took away her only bit of independence by making her leave the job she loved, to work with elderly people. At first it’s a suggestion, then he flatters her by saying how good she would be in a caring role, but the truth is he wants to coerce her into stealing their drugs. There’s a realisation that Bjorn is a low level dealer, just doing enough to get by but slowly coming to the attention of the bigger players who feel their territory has been encroached upon. Could this be the beginning of the end for the couple?

The tense and twisty parts narrative also follows Daniel’s investigation into a local coffee chain, where every barista seems to tell customers that their other sites are busier. What he finds is a company with a large turnover but no real evidence of where that money is coming from. None of their shops are in tourist areas and they seem to take a large amount in cash, an unusual thing these days. He also finds a couple of complaints from the director’s home of criminal damage, that they later chose not to pursue. This seems like a case where Áróra’s financial skills could be utilised and she throws herself into it, with dangerous consequences. This is where the couple work so well together, although there’s a recklessness to Áróra that Daniel finds difficult. He would never get in her way, she’s tough and quite capable of looking after herself physically but it’s in his nature to worry about those he cares for. He knows that her weight training and work are her ways of sublimating her frustration that she still doesn’t have all the answers about her sister. With Helena currently working the case he has a choice to make, if answers come does he let Helena break the truth to her, or does he choose to do that himself? Although he could have the chance to comfort and support her as he’s wanted, will she let him? Or will he always be the man who told her the harshest and most painful truth she will ever hear? 

We’ve always had suspicions but have never known who killed Ísafold. The novel is gripping and of course we want this mystery resolved, but I didn’t feel any of that racing tension or triumph that I often get from thrillers when the killer’s revealed. This was just so desperately sad. I found myself taking a moment for this under confident woman who was so far out of her depth. A woman whose emotions dictated her life decisions. I was horrified and had that strange empty feeling of loss. A loss I knew Áróra would feel. The question is, if she does get all the answers she needs, what will Áróra do next? Unlike her sister Áróra has a clear sense of what she wants and needs in order to be happy and fulfilled. She makes decisions based on self-knowledge and it remains to be seen whether Daniel is a part of that eventual happiness. This has been an incredible series from the author, combining a good mystery with real intelligence and depth of emotion played out on a bleak and forbidding landscape.

Out now from Orenda Books

Meet the Author

Icelandic crime writer Lilja Sigurðardóttir was born in the town of Akranes in 1972 and raised in Mexico, Sweden, Spain and Iceland. An award-winning playwright, Lilja has written eleven crime novels, including Snare, Trap and Cage, making up the Reykjavík Noir trilogy, and her standalone thriller Betrayal, all of which have hit bestseller lists worldwide. Snare was longlisted for the CWA International Dagger, Cage won Best Icelandic Crime Novel of the Year and was a Guardian Book of the Year, and Betrayal was shortlisted for the prestigious Glass Key Award and won Icelandic Crime Novel of the Year. The film rights for the Reykjavík Noir trilogy have been bought by Glassriver. Cold as Hell, the first book in the An Áróra Investigation series, was published in the UK in 2021 and was followed by Red as Blood, White as Snow and Dark as Night. TV rights to theseries have been bought by Studio Zentral in Germany. Lilja lives in Reykjavík with her partner and a brood of chickens.

Posted in Publisher Proof

The Scene of the Crime by Lynda La Plante 

Jane Tennison was one of my tv heroines growing up. I was asked on my first ever counselling course to write down three characters who I admired and why – so I choose Linda from Press Gang (Julia Sawhala), Dana Sculley (Gillian Anderson) and Jane Tennison (Helen Mirren). They are characters and actresses I still admire today. I think it was their resolve, their competence and passion for their work and their intelligence. I wanted to have that belief in who I was and what I wanted to do. Jessica Russell is another strong character for the author, although outwardly she feels a little softer than La Plante’s other heroines. However, she has great confidence in her abilities and intellect as a forensic psychologist and head of the Met’s new MSCAN team. Jess, Diane and Taff have a lot of experience in working together and are hired to create this fast-track forensic team reserved for the most serious of the MET’s cases and they have to hit the ground running. A wine dealer has experienced a home invasion while he was sleeping upstairs. Johan de Clerk is a young South African man who has settled in London after marrying his wife Michelle and started a branch of his family’s wine company that supples their products direct to restaurants across the capital. The intruder disturbed him and when he came down to confront him there was a fight and the intruder fled, leaving Johan with serious stab wounds and a head injury. His sixty-thousand pound Rolex watch was taken along with money from a safe. While Johan fights for his life in hospital, Jess and her team make a start forensically examining the scene. This means working alongside DCI ?? Who seems almost personally affronted by the MSCAN team and is very brusque in his manner. Luckily they have his deputy DS Dave ?? Who seems very happy to work with the team and gels straight away. This is the case that will define whether the cost of their department is worth it’s while and whether Jess’s much talked about abilities are up to scratch. DCI Woods was on the interviewing panel for her job and didn’t want to appoint her, but was outvoted. This case is not going to be as straightforward as it seems because once you’ve thrown in a mystery late night visitor drinking in the cinema room, a furious and forensically aware spouse and Jess’s own personal link to the case there are a lot of variables. Oh, and the team have a leak too. Will Jess manage to bring this offender to justice?

I always look forward to a new Lynda La Plante character and Jess is going to be an interesting woman to get to know. She’s whip smart and confident when it comes to her job but rather more hesitant when it comes to her private life. She’s currently living with brother in their mother’s bungalow, an arrangement that works because although they’re quite different, they do understand one another. They have an interesting dynamic, having recently lost their mother they’re both grieving and Jess’s response to trauma is trying to control other parts of her life, such as her home environment. Chris has to intervene over the matter of hoovering first thing in the morning before work, when he’s trying to stay asleep. She’s wiping down surfaces as soon as something has touched them and insists on rinsing everything before it is stacked in the dishwasher, something Chris is more than happy to leave to the dishwasher. Although it’s possibly this need for correct procedure that makes her so good at her job and this one is creating more anxiety than most since it is the team’s first, but also because Jess is going to meet someone she hoped never to see again. Despite her rather fragile pre-raphaelite exterior (I see Kelly Reilly here) Jess has a core of steel and a willingness to place herself in very uncomfortable situations if it’s going to get the right result. This is especially important when she has an SIO who lacks experience, Woods was fast-tracked as a graduate and quickly promoted, but has no experience in uniform or with the minutiae of forensics, he relies very heavily on his deputy Dave who does most of the liaising with MSCAN. On Dave’s part that might have a lot more to do with Jess than his work ethic. Jess is loyal to her team, even to Guy who she doesn’t know well yet. She doesn’t hover over what they’re doing, she simply trusts them to do their jobs well and report in. Her mix of skills from the psychology of human behaviour to managing a crime scene are formidable. I think, if I’d been Dave I’d have been a little bit in awe of her. 

I found the case fascinating, solving only a small part of it before the end. I felt sure there was more to this married couple than met the eye. Nobody is known as ‘that bitch Belsham’ without a reason and I wondered if the victim’s wife’s reputation was built on more than her court appearances as a KC. She will certainly know criminal law as well as, if not better than, the police. She would be a formidable rival to them in court, although she can’t represent her husband, they would certainly talk about the best strategy together. This suspect can’t stop talking though, even overriding his solicitor’s advice. Even worse he’s known to a member of the team. Yet listening to his evidence they wonder whether this man could ever have been the dark shadow that invaded their nights and left them changed. Although he’s clearly been involved in criminal behaviour could he really have planned and executed that break in or overpowered a huge man like Johan de Clerk?                                                                                                                         

It was clever that the case kept moving in two different directions, drip feeding us a little about the investigation into their suspect and following the forensic evidence, but also investigating Johan de Clerk and even his family back in South Africa along with their wine business. The pacing is pitch perfect, just enough revelations to keep you reading but not so much that you’re running ahead of the team. Then there are the sections where there would be a CSI type montage of scientific testing and nerdy types delving into the devices like phones and tablets. It showed that every breakthrough in a case must be backed up by evidence – can they prove someone was where they claim to be? Can they prove a suspect’s alibi? Can they prove a connection between subjects? Everything has to be proved beyond reasonable doubt. I must admit there were places where I found the evidence overwhelming to keep track of and even though the characters are constantly in touch by phone I couldn’t imagine how they keep hold of all this information in their heads! Taff and Diane have bags and bags of things to test for DNA, Guy must have an inbox a mile deep because he is finding evidence to lock down the case against a suspect and also having the follow up theories and hunches the team might have. I had to let go sometimes and accept that I wasn’t going to understand or lock down every detail, just as long as it sounded plausible. I was reading a book, not running a forensic unit – a job I was more than happy to leave for Jessica. I was surprised by how much Jess actually did in terms of investigating and I could understand that she and DS Dave were coming a bit close to having the investigation blow up in their face. She questions people alongside Dave and offers profiling insights during interviews. I wasn’t sure whether the manager of a forensic team would be so involved with that side of a case, but I have the same criticism of Silent Witness and it’s still entertaining regardless and this is too. 

I think the author has achieved her goal of setting up a new series and a central character with a lot more to give. We’ve spent a lot of time with Jess, there was a fascinating case to get lost in and there are also clear hints where this might go next. There were whispers of a possible course with the FBI in Quantico for Jess, some hints of potential romance and I was sure there was a lot more to Guy who’s had a fascinating working life before MSCAN. There were also interesting aspects of her personal life I’d love to explore more such as Jess and her brother’s family background. Her brother is diagnosed with a life limiting disease that will affect them all in future books. We don’t learn much about Taff and Diane’s lives yet. All of which shows there is definitely room to grow here, which isn’t surprising given the author’s track record at plotting a series. I can see this being an addictive reading experience and I look forward to seeing where this series goes next. 

Meet the Author

Lynda La Plante was born in Liverpool. She trained for the stage at RADA and worked with the National Theatre and RDC before becoming a television actress. She then turned to writing – and made her breakthrough with the phenomenally successful TV series WIDOWS.

Her novels have all been international bestsellers. Her original script for the much-acclaimed PRIME SUSPECT won awards from BAFTA, Emmys, British Broadcasting and Royal Television Society as well as the 1993 Edgar Allan Poe Writer’s Award. 

Since 1993 Lynda has spearheaded La Plante Productions. In that time the company has produced a stunning slate of innovative dramas with proven success and enduring international appeal. 

Based on Lynda’s best selling series of Anna Travis novels, Above Suspicion, Silent Scream, Deadly Intent and Silent Scream have all adapted into TV scripts and received impressive viewing figures.

Lynda has been made honorary fellow of the British Film Institute and was awarded the BAFTA Dennis Potter Writer’s Award 2000.

On 14th June 2008 Lynda was awarded a CBE in the Queen’s Birthday Honours List (Writer and Producer for services to Literature, Drama and to Charity).

On 3rd October 2009, Lynda was honoured at the Cologne Conference International Film and Television Festival with the prestigious TV Spielfilm Award for her television adaptation of her novel, Above Suspicion.

Books penned by Lynda La Plante include: The Legacy, The Talisman, Bella Mafia, Entwined, Cold Shoulder, Cold Blood, Cold Heart, Sleeping Cruelty, Royal Flush, Above Suspicion, The Red Dahlia, Clean Cut, Deadly Intent and Silent Scream, Blind Fury (this entered the UK Sunday Times Bestsellers List at number 1 having sold 9,500 copies in its first two weeks), Blood Line, Backlash, Wrongful Death, and Twisted, which have all been international best-sellers. 

In Feb 2012 Lynda’s chilling tale of THE LITTLE ONE was published in conjunction with Quick Reads through Simon & Schuster UK.

Lynda’s latest book, Tennison, was published on 24th September 2015 and is the prequel the highly acclaimed Prime Suspect. The story charts Jane Tennison’s entry into the police force as a 22 year old Probationary Officer at Hackney Police Station in 1973.

Lynda La Plante is published in the UK by Simon & Schuster.

Lynda La Plante is published in the US by HarperCollins Publishers.

Please visit http://www.lyndalaplante.com for further information. You can also follow Lynda on Facebook and Twitter.

Posted in Random Things Tours

The Howling by Michael Malone 

There was such an atmospheric opening to this last novel in the Annie Jackson series, setting up the link between the incredible scenery and Scottish folklore. Then we see Annie in her safe place, the little cottage she calls home nestled in the middle of nowhere. The only place where she gets some respite from the ‘murmurs’, the terrible portents of death she suffers when she meets someone who is going to die. They are a curse, not just because of the painfully loud noise in her head but because if she tells someone they rarely listen and if she doesn’t she’s left racked with guilt. She is taking in some fresh air outside, when she falls into the stream that runs at the front of the cottage. It’s freezing cold and reminds us that whenever Annie starts to feel safe, something comes along to challenge that sense of peace. This time it’s her brother Lewis and his girlfriend Clare with some brilliant news, they’re having a baby. Annie is so excited for them, but there is a downside. Even though it’s very early days, Annie is worried that this child will inherit the family curse of the murmurs. Maybe there’s a chance she can put the curse to bed? The woman who tried to kill her wants Annie to visit her in prison. Sylvia Lowry-Law was pulled into the dark arts by a professor at her university and believed that sacrificing Annie would raise an ancient demon to do her bidding. Now she needs Annie’s help in tracing the son she had adopted 17 years ago. Could this boy be the key to a future where she’s not waiting for the next murmurs to hit? That would be life-changing for Annie, not to mention Claire and Lewis’s baby. 

This is a complicated story that Michael Malone tells with multiple narrators and different time frames, slowly bringing them all together to solve the mystery. Linking with the opening section, there’s a boy called Drew who feels bonded with a wolf cub more than the family around him. 

“I was a wolf. And I was a boy. It was a long time ago. They wore funny clothes […] I would run away from my mother and be a wolf. And we were killed. They said we were witches”. 

It’s been quite a year for witches and books that hark back to King James VI of Scotland and all of them have been incredible reads. Here Malone alludes to the dangerous atmosphere in that time, where even the remotest villages were aware the King had given licence for witchfinders to root out anyone seen as different or troublesome. They would be tested against the king’s book Daemonologie then strangled and burned at the stake. Drew clearly has a similar ancestry to Annie and perhaps a long line of ancestors fighting against lycanthropy. His family are emigrating and as usual the author takes us deep inside the character. Drew’s childhood narrative is so emotive because I understood his feeling overwhelmed in an airport full of people and having to feel all the layers of their anxiety. All he wants to do is curl up quietly with his fellow wolf cubs and when he’s pushed, his shout sounds more like a wolf howl – a definite cold feeling down the spine moment. Then there’s Annie and Lewis who are a great investigative pairing, Annie has bags of empathy and insight even without the murmurs and Lewis is well versed in the technology side of investigation, but one thing they both have is a stubbornness that means once they’ve started looking they can’t stop until it’s done, even when the costs for Lewis become very high. They both go to Ashmoor Hospital, the psychological facility where Sylvia is being treated, but she wants to see Annie alone. What she asks for is help finding her son and puts them on to her lawyer Bernard Peters, a timid soul who has worked for her several years as his grandfather did before him. They were helping trace her family and a rather familiar and colourful tale emerges: 

“Witches and curses and twin sisters who fought over a man, leading to one of them being burned at the stake”. 

There is a sense here of history repeating itself through generations. It blends with Scottish folklore and it being a ‘thin place’, the term for places where the veil between this and the spirit world is almost transparent – those that believe and can tune into it of course. Bernard is astounded by the prominent people who are caught up in this strange ancient order that Sylvia belongs to. She tells him she owned his grandfather and that there are secret records that must be protected. Bernard’s grandfather dying suddenly, leaves some of this dark and dangerous business undone. Even as they try to help him they can’t wait to get into the secret room he’s been searching in. There are secrets in here that could bring down very powerful people, but why would the order keep them? Again it brings to mind current news, the Epstein Files and the buzz around having them released, bringing into the spotlight people we could never have imagined to be involved. I felt for Bernard because everyone else has some understanding of the background to this, but he’s blindsided. Also everyone else is here by choice, whereas he is thrust into the middle of it by birth and the death of someone he loved and looked up to. Now he’s implicated in a widespread network of influence and blackmail. The author balances all these narrative viewpoints so well and each section brings a little more information, with sudden little discoveries that fill in gaps and definitely drip feed tension to the story. 

This series has always been an unusual mix of thriller, family saga, horror, magic, folklore and crime. It defies being placed in a genre and I often find that’s where the best and most surprising reads are. It was lovely to have Sister Theresa make a cameo, with her sketchy grasp of data protection she’s a real asset in finding out about the past and nuns are often very quirky and unusual individuals I’ve always found. I left this novel less worried about Annie, I had always wondered if the isolation and loneliness of life with her gift would overwhelm her. Here I felt like Annie’s murmurs took a bit of a back seat, but she gets stronger with each book; a more resilient heroine who still has an otherworldly and mysterious air about her. I always imagine her rather like Kate Bush, which is always a compliment. The more she finds out about her family, the more settled she seems to be and is still working in the local café despite previous incidents with customers whose deaths she could see. However, as we raced towards the ending with tension in bucketloads I couldn’t be sure she’d be safe. The order is a many tentacled monster and I wondered if they would really be able to sever and destroy all its parts. As Sylvia says, they have ‘fingers in a lot of very interesting pies’. There is no depth they won’t stoop to and they operate very quickly indeed as Lewis finds out. I can’t ever imagine that Lewis and Annie will give up investigating and trying to help others, it doesn’t seem in their nature to kick back and enjoy the quiet life. Not for long anyway. 

Meet the Author

Michael Malone is a prize-winning poet and author who was born and brought up in the heart of Burns’ country. He has published over 200 poems in literary magazines throughout the UK, including New Writing Scotland, Poetry Scotland and Markings. Blood Tears, his bestselling debut novel won the Pitlochry Prize from the Scottish Association of Writers. His dark psychological thriller, A Suitable Lie, was a number-one bestseller, and is currently in production for the screen, and five powerful standalone thrillers followed suit. The Murmurs and The Torments, first in the Annie Jackson Mysteries series, were published to critical acclaim in 2023. A former Regional Sales Manager (Faber) he has also worked as an IFA and a bookseller. Michael lives in Ayr, where he also works as a hypnotherapist.

Posted in Personal Purchase

The Bride Stone by Sally Gardner 

According to our narrator, a ‘bride stone’ is a precious stone given to the groom’s family as a dowry. Sometimes though, a beautifully made fake stone was used, one they could only have valued when it was too late. It’s an apt title for a book where women are traded in many different ways and in the human sense the most unprepossessing stones may turn out to be priceless. It is set just after the French Revolution where Marie Antoinette, who would have had no choice in marrying Louis VII, was condemned to the guillotine as his Queen. Many aristocrats left France for British shores at this time and were often welcomed in high society. Edmée has somehow made her way to Britain, despite seemingly being an ordinary citizen and she is being offered at a ‘wife sale’, something I had no idea existed until I read Thomas Hardy’s Mayor of Casterbridge where Michael Trenchard sells both his wife and daughter as chattels he can no longer afford. When I first read it at 14, I felt how degrading it must be and was automatically revolted but now, I’m even more aware of the implications of being sold to the highest bidder. The thought of being owned by a man, a complete stranger, to be treated as he wishes is horrifying. Yet for Edmée this chapter surely can’t be worse than the last? For Duval Harlington it’s something he would never usually countenance, but his circumstances are uniquely desperate. Having been captured by the French while fighting and treating wounded soldiers, he is met by one of the family servants who bears bad news. Duval Harlington so now Lord Harlington because his father has recently died. Although he now has the title, his right to the ancestral home of Muchmore and his father’s wealth is rather more complex. Duval had a tough relationship with his father who didn’t see the point of him training as a doctor. Once he departed for France, Duval’s father installed a distant relative, Mr Carson and his wife, to manage the day to day running of the estate. So his will has an interesting stipulation, in order to claim his inheritance Duval must be married and now he has only two days to achieve this aim. Otherwise the estate becomes Mr Carson’s. When his servant points out the wife sale it seems like a means to an end. Duval notices a young woman being led around the room by a scarf round her neck. Her hair has been shorn away like a boy’s and she has a veil covering her face, but the buyers call out for it to be removed and he’s shocked to see that one side of her face is swollen and covered in bruises. Someone has recently beaten her very badly. On impulse he puts up his hand and bids for her, his intention being to marry her quickly and claim his inheritance. Then he could seek an annulment. However he does find Edmée fascinating and with Mr and Mrs Carson ready for a fight this marriage might not be as easy to shrug off as he thinks. 

This is a fascinating period of history and I didn’t know as much about it as I thought. I knew bits about Versailles, the French Revolution, Marie Antoinette and the guillotine but my understanding was very vague. I hadn’t realised how many aristocrats fled here to escape the Reign of Terror and their fate at the guillotine. Edmée is interesting because she is French but claims not to be an aristocrat, so how else did she end up here? Could she be a Jacobin or a spy? The fear that something similar to the overthrow of the ancién regime could spread here was a real one, because it would remove the power held by the Royal Family and other aristocrats, instead creating a republic where all people would share natural rights of liberty, property, security, and resistance to oppression. Yet a book is always the product of its time and I could definitely see parallels with today’s politics. A dinner guest, Sir Wilfred Fairley MP talks about the influx of French emigrés saying he was asked if he thought ‘we’d been too lenient with the number of emigrés we have allowed into the country and my answer is yes’. However, a Marquis replies very strongly that no one wants to be in that position: 

“To be forced to leave their lands, their houses, to start again in a country that doesn’t possess their humour or their language and is frightened of their religion […] to cross La Manche in a small unseaworthy boat to discover they have paid a fortune to be at the mercy of sailors threatening to throw them overboard if they do not pay double.” 

It felt like it could have been two people arguing on social media today. 

It’s evident Edmée has gone through a terrible ordeal at the hands of her previous husband, the Reverend Hughes. At first she must fear a similar fate from this stranger and Duval doesn’t help by abandoning her as soon as they reach Muchmore to go and sleep with a long term mistress. I was fascinated with Edmée because she’s such an unusual character and like me she keeps a journal and writes daily. The author lets us into that diary and we get to know how unsure she feels and that she has secrets. Duval’s aunt notices Edmée’s vulnerability and really takes a shine to her as they dine together and she takes her to buy gowns from the local dressmaker, a fellow French woman called Madame DuPont. Now that she’s Lady Harlington, she must look like a lady. It’s hard to know who she really is because she could just be fitting into each person’s expectations. Maybe this is something she’s used to doing in order to survive. When she falls ill and Duval returns to Muchmore, using his knowledge as a doctor to treat her, he shows great care and tenderness. As he waits for her to recover he reads her journal and learns so much about this woman he’s married to. With Duval she seems to blossom a little. Something unlocks in her and it’s like watching a mistreated animal learning to trust a human. Until now she’s been a blank space for others to write on, but it seems like Duval might be the person who brings out the real her. It is hard not to like this woman, who is described by her previous husband’s natural son as courageous: 

“There was hardly anything of her but she had a will of steel. I don’t say that lightly. Some soldiers profess bravery and talk about courage, but that’s a woman who says nothing and has survived a Revolution and a violent bastard of a husband […] she would be a hard candle to blow out.” 

This isn’t just a love story though, it’s a thriller. Just as Duval starts to settle in to being home, the unthinkable happens. The couple are talked into holding a ball to introduce the new Lady Harlington to society. Their guests come from the local area, but also from London and some are French emigrés. Mr and Mrs Carson are even invited and unbelievably accept. Edmée is a great success as the host in her new role as mistress of Muchmore, but the next morning she has vanished. Did she leave of her own accord – perhaps spooked by someone she saw the previous night. Or has something more sinister happened? It could be the work of someone closer to home – a disgruntled lover of Duval’s or someone determined that their marriage won’t succeed. I was drawn so deeply into the story of these unlikely partners. Duval and Edmée have both had difficult starts in life. The relationship between Duval and his father is typified by the ridiculous terms of his inheritance. The only thing he has to guide his search is her journal and the book that came with her, seemingly an ordinary history book but beautifully bound.

The theme of domestic violence and sexual assault is distressing and hard to read, but what shocked me most was other people’s ability to ignore what was happening even when they witnessed it with their own eyes. It brought home to me how dependent women were, in fact the only women in control of their own destiny are those who have a skill or their own business such as Madame DuPont the dressmaker or the brothel madam where Duval was a loyal customer in his youth. This is absolutely in line with social history of the 18th and 19th Century, but so much literature adapted for television focuses on the upper and middle classes where marriage is the only means of improving a woman’s status. I love when writers go back and write people back into a history they’ve been erased from due to race, disability or sexuality or when characters are more complicated figures in society. Duval isn’t your average privileged heir and Edmée would never normally be his wife. During dinner discussion on the revolution, Sir Wifred points out that its biggest folly was that all people should be equal, meaning men and women. Duval surprises him by stating that in his view “it was one of the most exciting things to have come out of the revolution.” I love that he is starting to see women as equals. Edmée is surviving the only way she knows how and by the skin of her teeth, so why would she choose to move on again? Duval has no choice but to retrace his steps, go back to where he bought his wife and find the clues. I was hoping for Edmée to have a happy ending, but it was clear this might not be the case making for a tense read in those final chapters. The book has a mix of hardship, adventure and mystery interlaced with the romantic possibility of an unlikely match being perfect. If only Duval can find her again. The author has created a fascinating mystery and an extraordinarily modern hero and heroine that I desperately wanted to find each other again.

Meet the Author

Sally Gardner gained a first class degree at a leading London art college and became a successful theatre costume designer before illustrating and writing books. Her debut novel, I, Coriander won the Nestle Gold Award and she is also a Costa and Carnegie prize-winner. Her books have been translated all over the world and have sold over two million copies. Find Sally online at sallygardner.co.uk, or on Twitter @TheSallyGardner.

Posted in Personal Purchase

Don’t Let Him In by Lisa Jewell

There was a pivotal moment in this book that made me go cold. It sent me back twelve years when I was trying to understand how someone could treat others so badly, in what seemed like a deliberately cruel way. I remembered something my counsellor said at the time; I was spending all my time trying to work out someone’s motivation and what had happened in life to make them behave that way, instead of considering the impact on me and how unacceptable the behaviour was. Some people just don’t think like others. Nick is a tall silver fox with a lot of charm and a knack with the ladies. He seems to know exactly what will please someone. Exactly the right gift to soften someone. To get under their defences. It’s almost as if he has empathy,  but don’t be fooled. He’s just wearing a human suit. 

Nina and her daughter Ash live in the bougie seaside town of Whitstable in Kent. They are grieving for husband and father Paddy, who was killed when a man having a mental health crisis pushed him into an oncoming train. Ash has been living at home since her own mental health deteriorated. She was living in a house in London with two other girls but she developed a crush on her boss, that turned into an obsession. She claimed to have letters from him, but it turned out she’d written them herself and she was eventually diagnosed with borderline personality disorder. She’d just come home to recover when Paddy was killed. When her mum receives a parcel in the post Ash is intrigued. It’s beautifully wrapped, with a note inside from a man who has heard about Paddy’s death. He used to work with him in the 1990s when Paddy was just starting out. The gift wrapped box contains a Zippo lighter he borrowed but never returned. Since then Paddy has built a restaurant empire, with his flagship restaurant in Whitstable and two others down the coast. He benefitted greatly from the area’s development into the weekend getaway spot for Londoners. Nick’s note explains he is now a troubleshooter, brought into eateries and hotels to assess what’s not working and put it right. There is of course a number, should Nina wish to thank him for his thoughtfulness. Over the next few months Nick and Nina start to WhatsApp each other and then go out for a drink. Ash is glad to see her mum with a glow, but there’s something about Nick that’s just ‘off’. She can’t be sure and maybe she’s viewing this situation through her own grief or her personality disorder, but something isn’t right. She needs to find out more about him before he becomes a permanent fixture. 

It’s so hard to review Lisa’s books without letting things slip, but I’ll try my best. Most authors might have written a thriller based purely on the scenario above – is it the mentally ill daughter or the mum’s new boyfriend that’s the problem? Slowly drawing out the tension of whether she’s right or so unwell that she’s dreadfully mistaken. Lisa Jewell isn’t most authors so she takes that premise and builds an absolutely labyrinthine mystery that’s absolutely spellbinding. In multiple narratives and timelines we meet various women who are struggling in their relationships, all of which are linked by strange or abusive behaviour. There are different behaviours: gaslighting, manipulation, financial embezzlement and even disappearances. In some cases these women are married and have children, in others they’re older and widowed. There were so many conundrums, not least how these men are affording the lifestyle they’re living. Meanwhile, Ash has decided to take help from ‘Mad’ Jane Trevally, her dad’s old girlfriend from the 1990s. Surely if Nick was around for a while, Jane would remember him. Jane did have some obsessive qualities of her own back in the day, so maybe she’s not the best person for Ash to be hanging out with. She knows her mum would be furious. However, when they do meet, Jane tells Ash that Paddy categorically did not have a lighter. He was always taking the matches from the kitchen or cadging a light from other people, so much so that it was an ‘in’ joke with friends and customers. So whose lighter was in that parcel and why did he send it? 

I galloped through this book as we went backwards and forwards in time, every time learning a little more and inching towards the truth. I loved the fragile Ash who is at that stage of recovery where she doesn’t fully trust her own mind. Is she making too much of this? Is she just paranoid? Worst of all, if she finds something questionable, will her Mum even believe her? She’s so lonely at this point, she doesn’t have many friends to talk to and feels bad she’s had to bounce back home at her age. Her mum deserves to be happy and she might ruin it all. Just when you think you have all the answers, the author takes it to the next level! There were twists here that I wasn’t expecting and I felt very relieved that I got away from my own situation relatively easily, if not unscathed. This book is like a twisted knot in a necklace. It takes a long time to loosen it, but suddenly the whole thing unravels before your eyes. This is masterful thriller that absolutely begs to be devoured in a couple of sittings, from an author who gets better and better. 

Meet the Author

LISA JEWELL was born in London in 1968.

Her first novel, Ralph’s Party, was the best- selling debut novel of 1999. Since then she has written another twenty novels, most recently a number of dark psychological thrillers, including The Girls, Then She Was Gone, The Family Upstairs, The Family Remains and The Night She Disappeared, all of which were Richard & Judy Book Club picks.

Lisa is a New York Times and Sunday Times number one bestselling author who has been published worldwide in over thirty languages. She lives in north London with her husband and two daughters.

Posted in Random Things Tours

The Transcendent Tide by Doug Johnstone 

The Enceladons are back! We left them on the up, having destroyed the American facility that captured and tortured them with a tsunami wave. Lennox, Heather as well as Ava and her daughter Chloe were recovering from the torture they suffered and had to make a big decision, to leave for the Arctic as part of the Enceladon community or stay on land. Heather chose to leave with them. Now the remaining friends have established new lives. Lennox and his girlfriend Vonnie are studying together at university. Ava and Chloe are settled with Ava’s sister, but they all miss the group especially Heather, Sandy and Xander. It’s hard not to miss the extraordinary experiences they had, such as Lennox becoming part of Xander and flying off into space. It is Ava who brings everyone back together after Chloe appears to suffer a stroke, only to return back to normal, just as the friends did after first meeting Sandy. A follow-up MRI shows a brain tumour and Ava has a difficult decision to make: does she stay put and follow the medical route or does she try to find the Enceladons? She wonders whether the torture Chloe endured or her communications with the creatures could have caused this illness? She also remembers how Sandy cured Heather’s cancer and decides to take her daughter to Greenland. At the same time, Lennox and Vonnie are approached by an Norwegian tech billionaire who wants to meet the enceladons. Even the logo of his new company is a moon being held in giant tentacles. The couple are very unsure and inside I was screaming at them not to work with him, but when Ava contacts them about Chloe they both agree to work with him under certain conditions. Will those conditions be met and is this man as trustworthy as he seems? 

Niviaaq is our first new character, an Inuit woman who has lived in her small community on Greenland her whole life. The community still live like their ancestors with the principals of working with nature, not against it and they are feeling the effects of climate change. Glaciers are melting and species like polar bears are unable to hunt for food. Out on her boat, Niviaaq encounters another vessel, upturned and badly damaged. She also finds a man floating upside down in the water, hypothermic and barely alive. His coat has a symbol of a moon and octopus with the word ‘Sedna’, the name of an Inuit sea monster. She drags the man into her boat and takes him for medical help. The Inuit people have several legends of strange monsters  but lately the Northern Lights have been very active and people have seen strange glowing objects on the ice. Are these signals that something is going to happen? I loved this character throughout the book, mainly because she is so wholly and unselfconsciously her self. She is a strong woman, mentally and physically. She can take care of herself, taught from a young age how to use a rifle, to sail boats and fish on the ice floes. She doesn’t show off about this strength, it is simply part of her that can be used whenever it’s needed. She is used to long spells of time alone so she comes across as self-contained and very grounded. She is calm and gentle, not chatty but only speaking when necessary. I loved that she and Ava had an instant affinity and I could see how cozy and safe Ava would feel when with her, something she needs after her experiences with her violent husband. 

As always with Doug there are politics behind the actual story and setting it in Greenland, when it has been a constant topic in the media since Donald Trump came back into power had to be deliberate. It brought back to me how brash and ignorant the US Vice-President JD Vance appeared when he visited earlier this year. His first comment, that nobody had warned him how cold it was, just made me groan with embarrasment. It was no surprise that he was only welcome at the US Airforce Base. Their blatant and greedy desire for Greenland and parts of the Ukraine is all about mineral mining, taking what they need and further damaging the fragile ecosystem for its human and animal inhabitants. There are only two reasons a multi-billion dollar organisation would build a base there, either to exploit Greenland or the Enceladons. Probably both. Even though the business owner Karl Jensen initially impresses Lennox with his reaction to meeting the enceladons, while I was still very wary. He calls Sandy and Xander ‘they’ without prompting, because they don’t see themselves as individuals but as a collective. I loved this because it shows how easy it is to shift your perception and take care with other people’s feelings – it reminded me of the series of Taskmaster where I pointed out to my husband that Greg Davies had been using ‘they’ as Mae Martin’s pronoun for the whole series and he hadn’t even noticed. 

He seems to have a deep and profound experience on their first dive and when Sandy connects with him telepathically he suddenly understands everything that is wrong with the world. It’s the capitalism, the greed and simply exploiting every resource the earth has to give, without once considering whether it is ours to take. We don’t treat our fellow creatures as equals but as something we have dominion over and the right to kill for resources or for pleasure. We kill for yet more, when we already have so much. It’s an absolute tour de force of a speech and for a moment life is hopeful. However, as is pointed out by Vonnie, no one becomes a billionaire through philanthropy. Human nature intervenes suddenly and with finality, because it’s just so much easier to carry on as we are instead of making those personal and political changes. This is where Niviaaq is a brilliant contrast to mankind in general. When she and Ava have to take shelter in the hunting hut – one of several up and down the glacier, always ready for anyone to use – it made me realise how much the Inuit people have in common with the Enceladons. As she’s offered whale blubber to eat, Ava refuses it with a shudder. Niviaaq explains that the whale is suited to the environment they both live in and if they do hunt a whale, every single part of it is used. Eating two tiny chunks of it will give them the calories they need to survive the cold and the exertions of the journey ahead. To kill it, then refuse to use it for the purpose of staying alive is an insult. It made me realise that if people had stayed in their tribes and clans and used their original principles in this way – just like the Aboriginal and Māori people, and the Native Americans – we would have always lived in harmony with the earth. It’s possible certain animals wouldn’t be extinct and we might not have faced climate change. Their creation myths are so different too, not giving us dominion over the animals but being a harmonious whole. Or is human nature always determined to chase money and progress until we wipe ourselves out? 

I won’t divulge any more of the plot because that would ruin it for you. I get so excited about reading Doug’s books because reading them is a little like connecting with one of Sandy’s tentacles for a second. Ideas and light bulb moments appear in my brain and I have to write down all these weird notes and things to look up before I can review. Then I rabbit on about them to anyone who will listen for months to come! You can read these books on a surface level and they are still brilliant. The characters are full of heart and love for each other and their Enceladon friends. It’s also full of heart racing action sequences that would be amazing on screen – especially when all of the animals come along. You become so absorbed that you forget it’s all a bit weird, then you read a sentence like ‘Chloe was playing ball inside Sandy’ and it blows your mind. However, if you do delve under the surface it’s a profound comment on our times, our politics and capitalist lifestyles. Read the whole series and you’ll see how the author balances profundity, action, romance, sci-fi and humour like a magician. You’ll finish them, as I did, with a tear in your eye for these extraordinary creatures and a world with so much more variety and beauty than we’ll ever deserve. The Enceladons wake people up – yes I’m using that word ‘woke’ often thrown about as an insult these days, but why wouldn’t you want to shake an alien octopus’s tentacle and become enlightened, compassionate, open and perhaps your very best self? 

Out Now from Orenda Books

Meet the Author

Doug Johnstone is the author of 18 previous novels, most recently Living Is a Problem (2024) and The Collapsing Wave (2024). The Big Chill (2020) was longlisted for Theakston Crime Novel of the Year, and Black Hearts was shortlisted for the same award. Three of his books, A Dark Matter (2020), Breakers (2019) and The Jump (2015), have been shortlisted for the McIlvanney Prize for Scottish Crime Novel of the Year.

He’s taught creative writing and been writer in residence at various institutions over the last decade, and has been an arts journalist for over twenty years. Doug is a songwriter and musician with six albums and three EPs released, and he plays drums for the Fun Lovin’ Crime Writers. He’s also co-founder of the Scotland Writers Football Club, and has a PhD in nuclear physics. He lives in Edinburgh.

Posted in Squad Pod Collective

Watching You by Helen Fields

A few of Helen Field’s characters come together in this gripping novel that starts with someone being stalked in Jupiter Artland, the park where Laura Ford’s ‘Weeping Girls’ statues are situated. They become the only witnesses to an unspeakable act. It’s a great setting for a murder with five sculptures, each one of a little girl weeping in different poses. I’m a lover of public art but these are genuinely creepy and have an uncanny quality to them. I can’t think of a more fitting place to be hit with a shovel and buried alive – one of my worst ever fears. It’s a bold beginning and we get three more murders like this, each with a narrator who sounds almost bored and melancholy. It’s as if they’re present, able to recount every detail, but detached at the same time. They’re the literary equivalent of the archetypal TV pathologist weighing a pair of lungs one moment and eating a sandwich the next. It’s clear that Lively, Salter and the MIT have a serial killer on their hands but with each murder so different, how will they build a case? Superintendent Overbeck engages Dr Connie Woolwine to profile the killer and run the investigation, but it does seem to the team that the crimes and potential suspect don’t fully fit. 

The story has several threads, each focusing on different characters. We go back a few years to a young artist named Molly who is being stalked and harassed with even parcels of rotting fruit and maggots turning up on her doorstep. She feels watched when outside and inside she is harassed by parcels and online rumours, or even worse deep fake videos. There’s the usual porn, but stranger and more sinister scenarios like her hurting an animal. It’s taken a toll on her mental health and her career. With the police unable to help she sinks further. We also have a character called Karl Smith, a carer for his father who had a stroke not long after his wife had a cardiac arrest. While surgeon Beth Waterfall tries everything to save her she dies on the operating table. So when his complaint against the hospital isn’t upheld Karl starts to see his mother. It’s mainly at home and she’s very unsettling. She’s clearly never been a nice woman to her son. She is a grotesque figure who Karl finds repellent. Not only is she unkempt and smelly, she likes to unsettle Karl by sitting very close and wafting her rotten breath into his face. She is cruel and determined that he keep up his campaign against Beth Waterfall. DI Sam Lively watches Beth try to save one of the victims, a homeless man with multiple stab wounds, and they strike up a friendship and a fledgling relationship. So when Sam receives a wound to his neck and it’s Beth that treats him, she takes him home afterwards to recover. It’s a gentle romance that works really well and he finds out Beth had a daughter, who took her own life after a campaign of stalking and harassment. The puzzle pieces are coming together, but I knew there would still be some surprises in store and I was gripped, waiting to find out if my suspicions were right. Desperately hoping they weren’t. 

Dr Connie Woolwine is an acquired taste, but is always fascinating. Here I could see how she could really get under the skin of both suspects and colleagues. Brodie accuses her of snobbery, but it’s not that simple. Connie seems to relish having her suspicions about someone, then having them confirmed. She often tells people what she thinks without considering their reaction and it’s this compulsion to see what makes someone tick that might come across as thinking she knows better. It’s not a class snobbery, it’s an intellectual snobbery. I just love working people out, because the complexities of our brains are simply amazing. I’ve recently been reading up on Functional Neurological Disorder where neurological symptoms are present in the patient, without any disease activity. It’s as if the brain simply forgets how to send and receive messages from certain parts of body but without any of the disease activity common to neurological diseases like MS or Parkinson’s Disease. Symptoms range from functional weakness in a limb, to dramatic paralysis and seizures. It’s amazing how powerful the brain is and how it can be doing something so disabling in the background without knowing why, although it’s thought that the brain processes might mental stress or trauma as physical pain. However, this is nothing compared to Connie’s findings about the brain producing a brilliant twist at the end. I’m always pulled in two directions with Connie, she’s utterly brilliant but more than a little odd (talking to corpses) and manipulative, particularly where Brodie is concerned. She knows the power she has over him, but isn’t honest about it. She seems to fully relax and be herself when she visits Midnight, who is living a bucolic existence in Devon with her sister Dawn who has CP. With Dawn, ‘Wooly’ can drop her ‘therapist’s demeanour’ and just be in the moment. Dawn has no guile and has never learned to hide her emotions.

There’s some heart-stopping action here, especially in the finale which is brilliant. Salter and Connie are quite the team, with Salter able to jump in and secure a suspect while Connie has them otherwise engaged. I love that Helen’s female characters are mothers, carers and wives, whilst also competent at work, even formidable. Overbeck is brilliant, always holding MIT to a high standard, ready with a stern talking to and wears three inch heels all day! She tells Connie she’ll give her the name of the her nail technician because her nails are disgusting and it did make me smile. It’s a novelty to see Connie on the back foot for a change. The murder scenes are genuinely scary or moving. I was especially affected by the murder of Mrs Singh who is a lonely older lady, the victim of her own success. She made the huge move from India to Scotland in the hope of her children having a better life and he does, but that means they’re usually far away from you. She describes a boy who grew up with a Scottish accent, as if he was already moving away from her. The many pictures of her grandchildren attest to the distant between them. Her death is brutal and desperately sad. I loved how Helen brought all the puzzle parts together, despite such disparate victims who had nothing in common, not even their deaths. I could see Karl Smith had a rage in him but it mainly seemed to be for his own parents, could he be murdering complete strangers? I became more addicted as the novel went on until last night when I couldn’t leave the last few chapters and stayed up till 2am. Now I keep falling asleep. This is such a psychologically fascinating thriller that’s given me lots of side reading to keep up with Connie’s final verdicts. I can’t wait to see where she and Brodie end up next. 

Out now from Avon Books

Meet the Author

A Sunday Times and million copy best-selling author, Helen is a former criminal and family law barrister. Every book in the Callanach series has claimed an Amazon #1 bestseller flag. ‘Perfect Kill’ was longlisted for the Crime Writers Association Ian Fleming Steel Dagger in 2020, and others have been longlisted for the McIlvanney Prize, Scottish crime novel of the year. Helen also writes as HS Chandler, and has released legal thriller ‘Degrees of Guilt’. In 2020 Perfect Remains was shortlisted for the Bronze Bat, Dutch debut crime novel of the year. In 2022, Helen was nominated for Best Crime Novel and Best Author in the Netherlands. Now translated into more than 20 languages, and also selling in the USA, Canada & Australasia, Helen’s books have won global recognition. She has written standalone novels, The Institution, The Last Girl To Die, These Lost & Broken Things and The Shadow Man. She regularly commutes between West Sussex, USA and Scotland. Helen can be found on X @Helen_Fields

Posted in Netgalley

The Wasp Trap by Mark Edwards 

It’s been so enjoyable to read two of Mark Edwards’s novels back to back. I found myself completely engrossed and The Wasp Trap was definitely an interesting premise. Will is travelling to his friends Theo and Georgina’s house for a reunion dinner. Years ago, at their elite university in the 1990’s, Will and his group of friends were selected by their professor to spend the summer at his house in the countryside and work with him on a project he’s developed. He wants to create the first online dating site, one that truly works by using psychology. He wants the group to create an algorithm based on personality types – such as the Myers-Briggs scale, often used in business more than psychology. He recruits a mix of coders, web designers, psychology graduates and creatives like Will, who has an ambition to write a book. Here, he is tasked by finding a name for the site and Sebastian wants it to be poetic. That shouldn’t be difficult for a man who’s falling in love, with fellow student Sophie and after seeing an unusual butterfly he chooses “butterfly.net”. A little creepy when we consider what happened to those butterflies once they were caught. Lily is definitely the lynchpin intellectually, the person trying to create an algorithm that works, but even she’s distracted. Within the research are papers on using certain tests to determine whether someone is a psychopath. Since the team are being used as guinea pigs for the dating questionnaires why not use them for this? No one’s going to turn out to be a psychopath are they? This side research becomes named as “The Wasp Trap”. Decades later, as the group converge for dinner, it’s clear there’s so much to talk about, not least the disappearance of Georgina and Theo’s daughter Olivia. Why are they still holding the reunion? Who are the strange couple doing the cooking for the night? As secrets begin to unravel about that summer it’s clear this isn’t going to your average reunion. 

I have to get it out first and foremost. I didn’t like any of these people, but Theo and Georgina are one of those couples I love to hate. The perfect home, perfect careers and plenty of money to throw around, not to mention those lovely teenage daughters too. How much was this reunion about rubbing other people’s noses into their success, especially Will who gets plenty of comments about his never finished book? They don’t seem like parents whose daughter is missing, because I’d be beside myself if it was one of my stepdaughters. I certainly wouldn’t be able to concentrate on a dinner for people I hadn’t seen for years. Make no mistake, these are the people who make me avoid school reunions like the plague. There’s so much nostalgia here and that element I did enjoy. I was a sixth former in the early nineties and I loved all that Manchester scene music and played my Stone Roses album so much it drove my mum and dad crazy. I was also a massive Pulp and Blur fan and still love those films of that decade from Tarantino and Danny Boyle through to Four Weddings and a Funeral. So I do reminisce, but I kept the most important friends and still see them, I don’t need to see the others thanks very much. My ‘now’ is much more interesting than my yesterday. Professor Sebastian certainly chose his students well because there are some incredibly intelligent people here, but I’m not sure about their emotional intelligence or morality. Will seems to have the most emotional intelligence but is hampered by his fear of failure when it comes to his career and love. In the past he’s clearly in love with Sophie, but fears telling her so much that he misses his chance. Will he do so again? It’s no surprise then that it’s Will who senses a weird atmosphere with the catering couple. I was so caught up with the emotional drama between these people that it was a shock when the chef and his assistant burst into the room with guns and give an ultimatum. They have a set amount of time to tell a secret they’ve been holding since that summer. When they come back into the room time is up; they either tell the secret or someone will be killed. Even though this is what they promise to do, I’m not sure I quite believed it. So when they come back in and the shooting starts it definitely concentrates the mind a bit, but the problem is they all have secrets. How do they know which secret the couple want to know? 

As usual with Mark Edwards, the tension is almost painful. Especially those last few minutes of time before Callum returns with his gun and he’s definitely not bluffing. There’s a body in the hall to prove his intent. Of course, being the people they are, they start wondering if they can somehow outwit their captors by causing a distraction and one of them getting out of the house. Will does wonder if there’s a third conspirator hidden upstairs though. Despite the tension, there’s also that incredibly awkward sense of having to expose your darkest secrets in front of people you were at college or university with. I’ve spent most of my life embarrassed by something, so I could feel their reluctance to be shamed in this way. It’s as if the tables have been turned and the unpopular or bullied kids have decided to get their revenge but Callum certainly wasn’t at university with them so how could he know their secrets? He definitely seems to be getting a kick out of terrifying people he sees as better off in life, they certainly don’t have the upper hand now. There is one person though who knows something terrible happened that weekend and who was involved in covering it up. They’ve kept it to themselves all these years. Was it linked to the psychopath tests Lily was running on her friends without them knowing? Maybe one of them did turn out to be a psychopath and if they did, are they in the room?

I was on tenterhooks as the body count started to rise and I found myself rooting for Sophie and Will against the odds. I loved the appearances of the family’s fat cat here and there throughout the action and that he’s the only one who knows someone is definitely upstairs. There are two people from that summer who aren’t here tonight. Local girl Eve was their age, employed by the Professor to clean and cook for everyone over the summer but often around in the group’s leisure time too. There was also Sebastian’s nephew, an extra when it came to socialising and chilling out at weekends that summer, but not really one of them. He was usually running errands for his uncle but when he did join them he was a divisive figure, in fact some found him a bit creepy. Will had conversations with Sophie about how strange it was for him to still be driving the classic car that his parents had been killed in. Their outsider status shows in the fact that neither of them are there tonight, but could they be the key to a secret? I was absolutely gripped in the final chapters and couldn’t wait to find out which secret Callum wanted and what was his link to the group? I was also interested in where Theo and Georgina’s daughter was. We do know by this point who is upstairs but would they intervene or remain hidden? One thing is for sure, as the secrets come out it’s quite clear that no one is going to come out of this well. This is definitely one reunion they’ll wish they lost the invitation to. Brilliantly twisty, full of complex and unpleasant characters and so tense my teeth hurt. 

Out now from Michael Joseph

Meet the Author

I write books in which scary things happen to ordinary people, the best known of which are Follow You Home, The Magpies, and Here To Stay. My novels have sold over 5 million copies and topped the bestseller lists numerous times. I pride myself on writing fast-paced page-turners with lots of twists and turns, relatable characters and dark humour. My next novel is The Wasp Trap, which will be published in July in the UK/Australia and September in the US/Canada. 

I live in the West Midlands, England, with my wife, our three children, two cats and a golden retriever.

Posted in Netgalley

The Mourning Necklace by Kate Foster

Inspired by an infamous real-life case, The Mourning Necklace is the unforgettable feminist historical novel from the Women’s Prize-longlisted author of The Maiden, Kate Foster.

They said I would swing for the crime, and I did . . .

1724. In a tavern just outside Edinburgh, Maggie Dickson’s family drown their sorrows, mourning her death yet relieved she is gone. Shame haunts them. Hanged for the murder of her newborn child, passers-by avert their eyes from her cheap coffin on its rickety cart.

But as her family pray her soul rests in peace, a figure appears at the door.

It is Maggie. She is alive.

Bruised and dazed, Maggie has little time for her family’s questions. All that matters to her is answering this one: will they hang her twice?

What a brilliant advocate Kate Foster is for these women she finds in historical documents, often in dire situations in their time for ‘crimes’ it’s hard to comprehend today. Although, in our heroine Maggie’s case, this has novel does have some relevance to modern day America where politicians seemingly wish to revert to the Puritan values last seen when the first settlers arrived and James VI of Scotland was on the throne. In some states we have recently seen women arrested after stillbirths or miscarriages, something I find disturbing and is deeply traumatic for a bereaved woman in her most vulnerable state. This is the fate that awaits Maggie, but first Kate takes us back to how Maggie ended up in this terrible situation. Maggie and her younger sister Joan have grown up in a coastal village known for its fishing and the strong, hardworking women that mend the nets and clean the fish ready for market. It’s a hard life and not one that Maggie wants forever. She dreams of living in London and making her own life there. So, when Patrick Spencer walks into their cottage one evening, with his sparkling eyes and easy charm Maggie sees someone like her, who wants to make their own luck. He has come to ask father if he could store some items in their safe – something the family do from time to time for tea merchants. These are altogether different ingredients, they are ingredients for perfume. Patrick wants to open his own perfume shop and will occasionally be passing through with expensive ingredients, could they agree a price to store them? Maggie knows she isn’t the beauty of the family because anyone can see that’s Joan. She isn’t even the favourite, but she does know that if Patrick is looking for a wife to support and help him in business that she’s the best choice. When he takes her out walking one evening she hopes that perhaps he’s seen someone as ambitious and hardworking as he is. Their courtship and marriage are a whirlwind and they’re soon living in a bungalow closer to the centre of the village. Married life is not what Maggie expected, after all her only example is her mother and father and they’ve always come in third place after his drinking and his temper, but she’s in thrall to Patrick. So, it’s a terrible shock when she hears the news that a press gang has visited the hotel bar in town and they’ve taken Patrick into the navy. 

Maggie doesn’t have many choices. She’ll need income in a short while or she must return to her family. Maybe this is the only chance she has of getting herself to London and as the days go by she’s ever more sure that she’s having a baby, it must be now. Her mind is made up by a terrible betrayal and she sets off, reaching a a quiet market town where she picks up some work in the inn, concealing her pregnancy and living in an upstairs room. However, the truth always finds a way out and it’s not long before she finds herself standing in front of the justices to answer charges of concealing a pregnancy and infanticide. 

I was fascinated by Maggie’s story immediately, desperate to find out how she survived the gallows and whether she could advocate well enough for herself to avoid a second hanging. She’s a dreamer, but she’s also determined and incredibly intelligent. It’s this combination of qualities that Patrick sees in her and why he thinks she will be a good partner to him. Although his wandering libido destroys their chances all too quickly. Maggie’s ambition to carry on her plans after his disappearance has all the impetuosity and ignorance of youth. She would never be able to hide her pregnancy for long, if she’d been honest about being pregnant and her husband deserting her I had a feeling that the innkeeper might just have given her a chance anyway. There is curiosity about her though and an attempt at friendship teaches her that there are far worse ways to live than being a fishwife. It also puts her in the path of a local doctor who is so unpleasant that I wanted to wash my hands just reading about him. However, it’s the early arrival and sudden death of her daughter that has her transported to Edinburgh. This is a capital case and must be heard by the best justices in the land, although it’s common knowledge they drink at lunchtime. What’s amazing about Maggie is her ability to adapt and keep going. Despite being dealt a terrible hand, her will to survive and to appreciate the humble life she once had is admirable. She is a match for any man, whether it’s a hangman, the justices, her husband or even her violent and drunken father. She will make sure she has her dues from Patrick Spencer and that she will remove her mother and sister from the cottage where they’ve spent their lives fearing payday and her father’s visit to the inn. She is a better woman than me because I’d have left my sister there. Joan is one of those characters you want to slap, but I think that Maggie can see she was just another starry eyed girl being manipulated by a man used to getting his way. 

As always Kate’s novels are rich with description, placing us very firmly in Scotland and in very different establishments. Maggie’s family live in a one room cottage and all of them work incredibly hard, but they need the extra money they make from holding onto goods for those avoiding the law or the tax office. Despite a poor existence the family have a rich community around them and a long tradition of fishwives. When she’s in Kelso Maggie learns that the women of Fisherrrow are well thought of and known for their hard work. It’s the heritage she wants to escape that gets her first job. The cottage where she lives with Patrick is a step up but still a world away from the women who would buy his perfumes. The doctor in Kelso has a grand house, but once Maggie knows what takes place within its walls she could never envy it. All of is thrown into stark relief by the squalor of where she’s held awaiting trial. It’s filthy, filled with vermin and women willing to exchange sexual favors with the guards for extra privileges. Maggie would rather go hungry. Each of these worlds is beautifully rendered and I could see it all very clearly in my mind’s eye. 

I am amazed by the talent of Kate Foster that she is able to find these cases from Scottish history and breathe life into them. She takes them from a simple story in a news sheet of the time and like many of us who aspire to write she thinks ‘this would make a good novel’ and actually fleshes out these characters and places with what must be endless research. She creates women who feel like they could be one of us. Instead of being a distant newspaper headline they become real, with hopes and dreams and make incredibly relatable mistakes. Having lost my own babies I felt so much for Maggie at that moment and understood completely her need to say her own goodbye. For a long time it has been just the two of them and I could see that it would feel strange to involve others, they’d never known her anyway. I flew through the rest of the novel to find out how Maggie would move on from her moment on the gallows, should she be successful in arguing for her life first. Would she go back to her fishing village and the shared room with her parents? Would she make bold choices in order to remain independent? Or would she look for the man who set all this in motion and look for revenge or reparations? I loved the idea of the scar round her neck as a mourning necklace. There’s something about setting making inner wounds visible that resonates very strongly with humans. How many of us go on to have a tattoo after a traumatic or memorable event? Anyone who has gone through a profound experience has a sense of being stationary as the rest of the world keeps turning. When recently bereaved I wondered why people couldn’t see just how changed I was and I was frustrated by my inability to explain. Losing a baby is so hard because you are a mother, but because you don’t have a child no one ever sees you that way. Maggie could see her scar as a mark of shame, to be covered. However, she chooses to wear it with pride because it is proof that her little girl lived. I felt proud of Maggie, which might be a strange thing to say about a fictional character, but I was so happy that she took the path she did. Hardened by experience, she thinks of her fellow women first, but doesn’t allow that experience to completely rob her of a future. This is the best of her novels so far and that’s a high accolade considering how good they were. 

Meet the Author

Kate Foster worked as a national newspaper journalist for more than twenty years before becoming an author. Growing up in Edinburgh, she became fascinated by its history and often uses it as inspiration for her stories. Her previous novels include The Maiden, which won the Bloody Scotland Crime Debut of the Year and was longlisted for the Women’s Prize for Fiction, and The King’s Witches. The Mourning Necklace is her third novel. She lives in Edinburgh with her two children.