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Posted in Books of the Year 2021

My Top 21 of 2021! Part Two.

The Stranding by Kate Sawyer.

If I had to choose just one book that blew me away this year then it would be The Stranding. I was bewitched by it. It’s just so good it’s hard to believe it’s a debut novel. I know that a book is extraordinary when I finish it and feel changed in some way. I’m never sure what has happened, but there’s a tiny, imperceptible change, to the air around me, how I feel and even the way I perceive the world. The Stranding left me feeling calm, thoughtful and as if a lot of the small things worrying me didn’t really matter in the big scheme of things. I cared deeply for the characters and their grief, and strangely proud of them for what they managed to achieve. The author created an incredible sense of New Zealand and the whale that becomes Ruth’s saviour, and mother – birthing her and Nik into their new world and sustaining them. Her detailed descriptions left me fully immersed in this world, so much so that when I finished reading, it took a while to adjust back to being in Ruth’s ‘before’ and my 21st Century world. It has a unique narrative structure of two timelines: one represents ‘before’ and finishes where Ruth finds the whale; the second is ‘after’ and starts at the whale moving forwards. We don’t know what the apocalyptic event is, but it divides Ruth’s world into before and after. Nik is literally the last man on earth and their teamwork is vital if they are to survive. The Stranding might sound depressing, but it isn’t. It’s a post-apocalyptic landscape but the book celebrates the human spirit, our capacity for change, resilience and even love. It’s an incredible achievement.

The Shape of Darkness by Laura Purcell.

I was so excited to receive a proof of this latest novel from one of my favourite authors. I love the mix of gothic horror and historical fiction that she excels in. So I came to it full of anticipation. I was hooked by the end of the first chapter and didn’t put it down. Our narrator is Miss Agnes Darken, living in Bath with her invalid mother and nephew Cedric. Agnes earns her money cutting silhouettes or ‘shades’ for people, but her art is put under threat not just by newer inventions, but by a mysterious killer stalking the people who have sat for her. Desperate for answers, Agnes visits a spirit medium – an albino child named Pearl who lives with her sister Miss Myrtle West, and an invalid father. Agnes and Pearl try to conjure the spirit of one of her murdered sitters, so they can find the killer. Unfortunately, they have underestimated the power of what they have unleashed. This is an excellent gothic mystery, that grabbed me from the start and didn’t let go. I thought the characters were well developed and fascinating – even the ones who are no longer there! I liked that were transgressive females who had their own agency and independence. I enjoyed the author’s sense of place, the evil portents like the magpies and the build up of tension. I also liked the contrast between those living in poverty and those with a more middle class lifestyle. The supernatural elements are always spooky with Purcell, so the seances and visitations are unsettling, but so are the real life people. As the mystery deepens you won’t be able to stop reading, because you’ll have to know what’s going on. There’s a saying we use about timid people – afraid of your own shadow – and that’s what this book does, it makes us afraid of what others might see in us, and who we can become in the dark. An utterly brilliant addition to Laura Purcell’s work.

The Lost Apothecary by Sarah Penner.

Nearing her ten-year anniversary, Caroline stumbles on a secret that takes her to London on holiday and to explore. She stumbles across a man who takes tourists out mud larking and joins them, finding wandering the shoreline looking for objects in the mud, strangely relaxing. She follows their guide’s advice that she shouldn’t look for an object, but look at patterns in the mud for an absence of something. Not long after she finds a bottle, an apothecary bottle, with a crude etching of a bear. Our second narrative takes us to the depths of eighteenth-century London, where a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary’s fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo forward through the centuries to Caroline. I thought the author conveyed both 18th and 21st Century London really well. I could imagine myself there with all the sights and smells she conjured up. I loved the description of the apothecary shop, back in its heyday and as it was when Caroline rediscovered it. The ending of Nella and Eliza’s story was unexpected, but showed the strength of female friendship and solidarity. I found myself hoping that Caroline would do the same – choose an unexpected and unknown future of her own making. This was a brilliant read, historical fiction at its best and an incredible debut from an author I’ll be watching in the future.

Cold as Hell by Lilja Sigurdardóttir.

I’ve had the pleasure of reading Lilja Sigurdardóttir before and this novel grabbed my attention very early on with it’s reluctant protagonist, quirky characters, and an almost lunar landscape lit up by twenty four hour daylight. Āróra is being pestered by her mother. She hasn’t heard from Āróra’s sister Īsafold for over two weeks now and she’s very worried. She wants Āróra to fly out to Iceland and find out what’s going on from Īsafold’s partner Björn and their family who are still based there. Āróra lives in the north east of England and rarely goes back to Iceland, despite being born there. She mainly travels there when Īsafold needs rescuing from Björn. The whole family have known for some time that she is suffering domestic violence, but despite several attempts to help and convince her to leave, Īsafold always returns to Björn. Āróra has given up trying to help her sister; you can’t help someone who doesn’t want to be helped. I loved the depiction of the relationship between these two sisters: the sibling rivalries; the roles of eldest and youngest; that push and pull between loving and resenting each other. Īsafold is continuously putting herself in the role of victim and even though it’s positive encouragement and support from Āróra, she will still say she’s being pushed and persecuted into leaving. I actually wondered whether this behaviour had lead to her death? Had someone become so tired of helping, only to hear her being beaten again the following week, that they’d snapped? Āróra remembers the last time Īsafold called her and she chose not to come. What if she’d said the right thing this time and her sister chose to return to England, safe and sound? In fearing her loss, Āróra stops seeing a problem and starts seeing her sister. The barrier between them melts away as she lists her regrets and acknowledges she hasn’t been the perfect sister either. But is it too late? This was a fascinating tale, from a clever author whose words can manipulate us into racing through the thrilling twists and turns, then stop us in our tracks with a moving tribute from one sister to another.

A Ghost in the Throat by Doireann Ní Ghríofa

This novel is exceptional. It’s beautiful, moving and speaks about women’s experience in such a unique, but brutally honest way. It’s an incredible piece of auto-fiction, which is half memoir and half novel but all poetry. Our narrator is a mother of three small children and she has a fascination with the Irish poem ‘Caoineadh Airt Ui Laoghaire’ where an Irish noblewoman laments the death of the her murdered husband. Such is her passionate grief, that on finding his body, she drinks handfuls of his blood and then composes the extraordinary poem. For our narrator, the poem has echoed down the centuries and is her constant companion. As she reads it aloud the poet’s voice comes to life. The author writes her own life to its rhythms and wants to discover the truth of the poem’s story. I loved how her recording of 21st Century motherhood is treated as an epic. I loved consciousness running through the book. As if her words join hundreds and thousands of others in a never ending stream of female consciousness. This isn’t just about putting your experience into the world, it’s about having a source of female wisdom to draw from whenever you need it. This is a female text and in it’s search for the meaning of women’s lives it is reassuring, it lets us know we’re not alone, but it also inspires us all to create meaning. To add our voice to the women’s wisdom, expanding that collective consciousness and making our mark.

Bad Apples by Will Dean.

Wow! Will Dean does like to put his heroine in some terrifying situations. There is so much about this series that I love, then a good 20% that makes me feel a bit sick or unsettled. In the last book it was snakes that had me a bit on edge. This time? Well it’s saying something when a severed head is the most comfortable thing about one of Tuva’s investigations.We’re back in Gavrik, deep in the northern most part of Sweden and Tuva is back at the local newspaper, but has a more senior role and a new colleague to oversee in the shape of eager young newbie Sebastian. In fact, things are pretty good in Tuva’s world. This book picks you up and takes you on a fascinating and thrilling ride that builds in tension to a terrifying ending that I didn’t see coming at all. I had to stop reading at one point, because I realised I was so tense I was gritting my teeth! I’m sure the author has a hotline to my fears and this ending tapped into them perfectly. Needless to say, if I was Tuva, I’d be packing up the Hilux and leaving the hill folk to murder each other! I think the way the author depicts Tuva’s deafness is interesting. Usually Tuva uses it to her own advantage – taking her hearing aids out when she’s writing a piece means she can focus and taking them out at home means she can’t hear next door. However, it can also leave her vulnerable and the author uses it to intensify the horror element of the book, particularly towards the finale. There’s something about another person touching her hearing aids that feels so personal and also like a violation, depending on who it is. Every time I know a Tuva Moodyson book is coming, the excitement starts to build. By the time it’s in my hands I’m ready to drop all my other reading to dive in. Of course when something is so anticipated there’s also a fear about whether the book will live up to expectations. Bad Apples did not disappoint and is a fabulous addition to this excellent series.

The Return by Anita Frank.

This beautiful historical love story just made it under the wire as I was compiling my Top 21 Books for 2021 and it truly deserves it’s place next to the others on the list. I was gripped by the story of Jack, who makes a very different promise to his new bride Gwen on the eve of WW2. Most soldiers are promising to see them again, to return, but Jack is quite clear. If he should survive the war, he won’t be back this way again. Gwen prays he keeps to his promise, but as they celebrate VE Day she does keep looking over her shoulder. What if he reneges on his promise? War has changed Jack and he is no longer the man who made that bargain. He wants to return and claim Gwen as his bride again, but little does he know that this could set in motion a chain of events that will leave he and Gwen fighting for what they love most. We go back and forth in time throughout the book, but begin with Jack fleeing his Newcastle on the night train, shielded by a friend who works on this south bound train. Jack is a riveter in the shipyards and lives in a terrace house with his Mum and sister Jenny, when a terrible twist of fate leads to a violent act of revenge. Stowing away on the night train, Jack plans to hop off somewhere where he can find work. So, as he walks down a country lane next morning, he finds a young woman who has fallen from her horse, but has her foot trapped in the stirrup. He hurries to help Gwen and takes her home to her family farm where she lives with her father. Jack is in luck, because it’s a busy time on the farm, and when he’s invited to stay for a home cooked meal he meets Gwen’s dad Jim. Jim asks if he would like to stay and work and Jack accepts. As Gwen talks about their daily routine and shows him his bed in the tack room, Jack thinks he may have fallen on his feet for the summer. What he doesn’t know is that Gwen is about to put him in a very difficult position and he won’t want to miss another opportunity to rescue a woman in distress. This book captures early 20th Century farming beautifully and you will be rooting for Jack all the way.

My final seven books of the year are coming on Sunday 19th December.

Posted in Books of the Year 2021, Uncategorized

My Top 21 of 2021! Part One.

It’s been a fantastic reading year, my second full year as a blogger and lots of milestones met. This year I’ve cracked my goals of 3000 followers, 200 subscribers to The Lotus Readers blog and I’ve smashed my Goodreads reading goal of 120 books. Aside from these rather trivial goals, I’ve read some fabulous books this year. Although being a blogger means I’m all too aware of the ones I’ve missed or not had time for yet. Even more important than this are the wonderful friends I continue to make on BookTwitter and Bookstagram. Becoming part of the #SquadPod, a collective of book bloggers, has been a wonderful experience. Since I’m an ‘at risk’ person thanks to my multiple sclerosis and breathing issues, I’m home a lot but even when I don’t see anyone that day, I still have some wonderful, kind and supportive friends to listen to. I love them all. So this is the start of my favourite reads list for 2021. I had to go with 21 because I would have struggled to reduce them any further. If I did star ratings, all of them would be five stars so it’s not a countdown. It’s just a chance to reminisce and a recommend ahead of the January sales.

Circus of Wonders by Elizabeth MacNeal.

I had read Elizabeth’s MacNeal’s first novel The Doll Factory, so I knew I would love this one. The story of a young girl with birthmarks on her face and body, catches the eye of a passing showman. Jasper Jupiter has seen her dancing round the camp fire with her brother. She has the sort of wild abandon that’s rare in one so shy and reserved. He can see her now, in his circus, perhaps even performing before the Queen if she could be tempted away from mourning Prince Albert. The book flits between the circus and back to Jasper and his brother Toby’s time in the Crimea. We follow Nell as she leaves her village behind to become Queen of the Moon and Stars. However, could Jasper’s eagerness to expand and show in London be their undoing? There are some very interesting disability issues here, including a look at the ethical concerns around freak shows. The beautifully vivid descriptions of the acts and their costumes are wonderful too.

The Great Silence by Doug Johnstone.

It’s no secret how much I love Doug Johnstone’s Skelf series, since I outed myself as a #Skelfaholic on Twitter. I was lucky enough to be sent an early copy of this book, the third and potentially last one in the series. I had to dive on it immediately and find out what came next. As usual the book began with a strange event. Dorothy takes her dog Einstein for a walk in the park and he fetches a human foot, even more strange is that it appears to be embalmed. This embroils Dorothy in a very unusual case that could be deadly. Jenny is dealing with the aftermath of her ex-husband’s actions in the last book, she’s still healing emotionally and potentially regretting the end of her relationship with painter, Liam. She misses him, and wonders if perhaps they could rekindle something. Then the other daughter of her ex-husband disappears. Jenny wonders if her life will ever be free of this man, as she joins forces with the other woman in Craig’s life to find her daughter. Finally, Hannah is facing massive changes in her academic and personal life. In a sense she’s being pulled between past and future. Her graduation becomes a double celebration when Indy proposes, but then she’s pulled into the past when their flat is broken into and someone makes it clear they still want to be part of her life. Her academic supervisor José asks her if she’ll look into one of the central questions of astrophysics, if there is extraterrestrial life, why haven’t they replied to our messages? He has had a reply, but doesn’t know where it’s come from. Is it really from another life form or is someone playing game with him? Doug Johnstone is a poet, philosopher and incredible observer of human nature and I can only hope for another instalment of this much loved series.

The Last House on Needless Street by Catriona Ward.

This was one of the first books I read in 2021 and for a while I didn’t know what on earth was going on for a while, I was drawn into this very strange mystery. I finished it in a sort of shell-shocked silence. I felt like I needed to go straight back to the beginning and start again. It is extraordinary and unlike anything I’ve ever read before. It’s also very difficult to review without spoiling other reader’s experience of it, but I had to give it a go. Multiple narrators were introduced, including a cat, and I was sometimes thoroughly confused, but never contemplated putting the book down. The beauty of the language and cleverness of the structure kept me going, determined to work out what exactly was going on. I was starting to be unsure which sections were real and what was illusion. The author is clearly hugely skilled at creating that sense of the uncanny – when everything seems normal and recognisable, but there is just that sense that something is off-kilter and sinister. The writing is so involving that I was inside a character’s head and at times I had an uneasy feeling I would never be able to get out. I guessed some of what was going on, but not the whole and I love the ambition and audacity. This is a unique, original and deeply creative piece of work that enthralled and stunned in equal measure. Ward is a writer of immense imagination and talent and I felt so privileged to have been given the chance to read this before it hit the shelves and became a phenomenon.

This Is How We Are Human by Louise Beech.

I absolutely loved this incredible book about love, disability, sex and the secrets we keep from each other. Veronica and her son Sebastian live together in Hull. Veronica wants the best for her son and just like all parents, she wants him to grow up and have a full life. However, Veronica isn’t like other parents, because despite Sebastian being twenty years, six months and two days old, he’s struggling with the love and relationships part of his life. Seb is autistic and he is lonely. Seb loves swimming, his fish, fried eggs and Billy Ocean, he’d also love to have sex but no one will have sex with him. He’s already been in trouble after the girl next door convinced him to write an explicit letter to her underage sister. When their lives collide with Violetta, Veronica thinks she can see a way forward. She’s thought of paying someone before, but has stopped herself. Here though, is someone they’ve met before and who was natural with Seb. Veronica couldn’t have known she was leading a double life as a high class escort, in order to earn enough money to keep her seriously ill father at home. These three lives come together and change each other in unexpected ways. This was an incredibly funny book as Seb’s straightforward way of interacting with the world butts up against nuanced and sometimes dishonest way humans deal with each other. This felt so real. So moving. It’s also wonderfully unexpected and such a fresh perspective. I loved it.

The Unheard by Nicci French.

I read this novel on the four hour drive to North Wales and spent most of the first day of my holiday absolutely enthralled with the story. I was hooked immediately, intrigued by the mystery of what exactly Tess’s daughter Poppy had seen or heard. Tess is starting a new life in a garden flat with her daughter, after a divorce from husband Jason. Having a background as a child of divorce, Tess was determined that Poppy should be their number one priority. No matter how much animosity and hurt they feel, their interaction with each other must be civil and they prioritise time with both parents. Jason is already remarried to Emily, a much younger woman who seems very sweet and tries hard to have a relationship with Poppy. One Saturday, Poppy returns from an overnight at her father’s and displays signs of distress. These were classic symptoms, that any counsellor like me, would be concerned by. She’s clingy, she wets the bed and seems to be having nightmares. Over a week these symptoms worsen: she bites a girl at school, uses foul language to her teacher, and her mother is terrified for her. She has her attention drawn to a picture Poppy has drawn, all in black crayon which is a huge contrast from her normal rainbow creations. The picture shows a tower and a woman falling from the top to the ground below. ‘He killed her’ she tells her Mum ‘and killed and killed and killed’. I read a lot of thrillers, but this one had me gripped. Had Poppy seen something? Who should we suspect? Or is Tess manipulating her daughter into such psychological distress? I was greedily hoovering up the chapters till the early hours!

The Metal Heart by Caroline Lea.

This was a simply stunning piece of historical fiction set on Orkney 1940. Five hundred Italian prisoners-of-war arrive to fortify these remote and windswept islands. Resentful islanders are fearful of the enemy in their midst, but not orphaned twin sisters Dorothy and Constance. Already outcasts, they volunteer to nurse all prisoners who are injured or fall sick. Soon Dorothy befriends Cesare, an artist swept up by the machine of war and almost broken by the horrors he has witnessed. She is entranced by his plan to build an Italian chapel from war scrap and sea debris, and something beautiful begins to blossom. But Con, scarred from a betrayal in her past, is afraid for her sister; she knows that people are not always what they seem. This book is stunningly beautiful, so much so that I had to sit and think in the quiet when I’d finished it. It’s so rich in folklore, historical detail, the trauma of war and bereavement that I know I could pick it up to read again and still find something new. I immediately ordered a signed copy for my forever shelf, because it is so special. What did I love about it? The Scottish folklore, the incredible landscape, the community, the dignity of people facing the hardest times of their lives. Then amidst the chaos, violence and confinement, beauty emerges in the shape of a deep, immediate, connection and growing love between two people who can’t even speak the same language. The counterpart to this human story is the Italian Chapel, built out of the scraps of metal huts and concrete the prisoners are allowed. Yet from these humble materials a building of true beauty emerges, that still stands today. It made me emotional to think about the lovers, but also the patience and faith of these incredible men who needed a place to worship, a piece of home.

The Lamplighters by Emma Stonex.

I loved this book so much that I went to bed early two nights running so I could finish it uninterrupted. I was so drawn in by the isolation of this lighthouse, that it was just standing directly in the sea and no one could come on or off until the relief boat came. Inspired by true events, the story is set in two time frames. In one we learn that a writer is researching a book on a famous disappearance of three lighthouse keepers. While in 1972, miles off the coast of Cornwall a relief boat arrives at the Maiden, to find the door locked from the inside, the clocks stopped and no sign of the Principle Keeper or his two assistants. The writer contacts the women left behind by these men: Helen, wife of the Principle Keeper, Arthur; Jenny, wife of Bill his deputy; Michelle, girlfriend of the new recruit Vince. They have all received money from Trident, the company who employ the keepers, but with that came a directive, not to talk about the events surrounding the mystery. At the time, Vince came under the most suspicion. New to the area and with a criminal past, he seems the likely candidate to have harmed the others. Yet, why would Arthur write of a huge storm in the log, when seas had been calm all week? What became of the small boat rumoured to have sailed near the Maiden? There were also whispers about a mechanic sent to carry out repairs at the Principle Keeper’s request. It’s hard, years later, to distinguish between rumour and truth. Will any of the women speak to the writer and will they finally solve the mystery of what happened to the men? This was a fascinating mix of mystery, love story and the hint of the supernatural. The atmosphere created by the writer was incredible and I knew straight away this would be a book of 2021.

That’s my first seven books of the year, so watch out for parts 2 and 3 coming up in the next ten days.

Posted in Random Things Tours

The Visitors by Caroline Scott.

I’ve been a huge fan of Caroline Scott’s last two novels and share an interest with her in the historical period following WW1. This novel touches upon some of the most important issues of the period, while telling a story that touches the heart strings and holds some surprises for the reader. It shows just how chaotic relationships can become during and post wartime, as well as how much people change when faced with terrible and traumatic experiences. We follow one young war widow called Esme whose whole life changed after she received news that her husband Alec had been killed. No longer able to afford to live in their marital home and needing to find work, Esme finds herself in the employment of Mrs Pickering as companion and helper, while also writing nature columns for her local newspaper. As the summer of 1923 approaches Esme is packing her employer’s clothes for a trip down to Cornwall. Mrs Pickering’s brother Gilbert, has established an artist’s residence in his large country house, and the artists have all served together in the war. As Esme meets Gilbert, Rory and the others she hopes to get an insight into what Alec might have experienced and maybe feel closer to him. What she finds there is certainly transformative, but in a very different way.

Esme is a very likeable character. She’s intelligent, resourceful and has really struggled to pick herself up again from nothing. She’s had no support system to help in her grief or her financial difficulties, in fact this is something she and Alec had in common, they were each other’s family. The author tells us this story in three separate narratives and each gives us a new perspective on the characters. Alongside the main narrative in which we follow Esme to Cornwall, we read the nature column she writes and it’s sublime in its descriptions of this place she’s visiting for the first time. We can see what a talented writer Esme is and how much nature means to her. I kept thinking how lovely these passages will sound on audiobook, almost like poetry. The observations she makes made me feel Cornwall again and in quite an emotional way considering I first visited there almost fifteen years ago when I was newly widowed. I felt like Esme’s Cornwall and mine were the same. I remember consciously walking round thinking that this was the first new memory I was making without my husband and Cornwall’s beauty seemed to make that even more poignant. The third narrative is a book written by Rory, one of Gilbert’s residents and close friend, in which he describes his experience of fighting in France. I was interested in the way he also describes nature as a blighted landscape, ruined by the ravages of warfare. There are vivid descriptions that will stay with me, such as the corruption of the very soil from constantly being churned up, contaminated by mustard gas and almost viscous in it’s consistency. Rory ponders whether this land would recover and how long it would take nature to return. It shows us the utter destruction caused and creates a link between the land the war was fought on and the men who fought it; how long might it take them to recover from the terrible things they have seen and done?

The author depicts PTSD in all of the men who live together in Cornwall, they are each affected by their experiences, but show that in different ways. There’s a vulnerability to them and a need to be with others who have shared their experiences. How else can they be understood and allowed to heal without the pressures of having to find work and cope with the demands of returning to a family? They are each very lucky to have Gilbert and this idyllic setting to slowly recover in. Although each must have another life, one that they belonged to pre-war, potentially leaving behind people who needed or might have asked something of them. It places them in a slightly privileged position over those who had returned straight into full-time work or job seeking by necessity, either because they belong to a different class or have a family to support. The excerpts of Rory’s book are also beautifully written, but don’t hold back from the horrors these men have seen. His descriptions are both vivid and visceral, and through reading his book Esme gains more understanding of these men than perhaps a lot of women would have at the time. How many times do we hear of war veterans who have kept all of this bottled-up inside with family member’s noting they didn’t like to talk about it much? At least here the men have a therapeutic outlet, whether by painting or writing, through which to understand or process these memories, but also communicate them to others without having to say them outright.

All of this would have been enough for a great novel, but the author also places a huge surprise part way through that I hadn’t expected. Through this we see the strength and restraint of Esme, the way she thinks things through before acting and never puts her own needs first. She needs a therapeutic outlet too, showing how the initial effect of war on the person who served ripples outwards to effect their loved ones and even future generations. Just as the land needs time to recover from the physical effects of warfare, there is a shockwave created that blasts through society as a whole. We are shown: how rigid Edwardian class structures are broken down; how marriage as an institution and way of constructing society is outdated and broken; how gender roles become more fluid allowing women more freedom and choice. I really did enjoy seeing how Esme negotiates this new world and makes bold choices for her life moving forwards. This book is another triumph for the author, because it’s a beautiful piece of historical fiction that tries to capture a moment in time where everything’s in flux. These constantly shifting sands of time show us the formation of our 20th Century and the resilience of the human spirit. It gave this reader hope that, just as nature found a way and those battlefields are now meadows and farmland, humans do have the capacity to heal and be reborn.

Meet The Author.

Caroline completed a PhD in History at the University of Durham. She developed a particular interest in the impact of the First World War on thelandscape of Belgium and France, and in the experience of women during the conflict – fascinations that she was able to pursue while she spent several years working as a researcher for a Belgian company. Caroline is originally from Lancashire, but now lives in southwest France. The Photographer of the Lost was a BBC Radio 2 Book Club pick.

Posted in Sunday Spotlight

The Box of Delights by John Masefield.

“Christmas ought to be brought up to date, Maria said. It ought to have gangsters, and aeroplanes and a lot of automatic pistols.”
John Masefield, The Box Of Delights

My Christmas fascination with this particular book may owe more to the BBC adaptation, broadcast in the run up to Christmas in the Sunday teatime slot, than it does to the book. Although I do still have a copy, one I bought with a gift token I’d won at school for trying hard, sometime in the mid 1980s. I read the book after the series aired and was captivated by this strange tale of wolves, clergymen, gangsters and Herne the Hunter. I think it captured my imagination because this was Christmas, but not the Christian version of events. This tale owes more to pagan winter festivals, fairy folk and ancient magic. I have always felt there’s something magical and transformative about Christmas Eve. I’ve never celebrated Halloween, we belonged to a restrictive church that frowned upon any sort of occult meddling, so we had to go to ‘Light Night’ instead. Instead of the magical witching hour, I felt that anything could happen on Christmas Eve. Before our swap to a ‘happy clappy church’ I’d been brought up Catholic. For me there was nothing like the excitement of being woken up late at night, bundled into the car and travelling to Midnight Mass in the frosty cold when others were in bed. I felt like a nocturnal creature, up and about just as rabbits and badgers were popping up from their burrows and sniffing the night air. My brother and I would press our faces up against our windows, looking up into the sky as far up as we could, just in case we saw Father Christmas. Miraculously, he would always have been when we arrived home again. We loved seeing everyone’s Christmas lights on and landscapes turned a glittery white with frost. I had a sense that the veil between this world and others was very thin at this time of year. That there was still magic afoot in the world and I might see something mystical and strange, much like Kay does in this novel as he travels home by train for the holidays.

The magic box

In fact Kay’s adventure starts as soon as he sets out on his homeward journey by steam train. Kay thinks he hears wolves, but that’s impossible. He does meet an old Punch and Judy man though, who inevitably draws him into an adventure.

“And now, Master Harker, of Seekings,’ the old man said, ‘now that the Wolves are Running, as you will have seen, perhaps you would do something to stop their Bite?”

The BBC adaptation

The wolves he speaks of are not the howling ones outside. The wolves are Abner Brown and his dastardly crew of henchmen. They’re after a magic box that the old man uses to go small (shrink) or go swift (travel), and which he now gives to Kay so he can keep it safe. This box sets Kay off on marvellous adventures and although I don’t remember it all, there are parts that have stuck with me. I remembered a mouse who enters Kay’s room via tiny archway in the skirting board. As Kay shrinks to avoid Brown’s henchmen, he finds himself having to navigate the ‘rapids’ in a paper boat and then disappears for a while after finding a fairy door. He’s welcomed into a fairy gathering, attended by the King and Queen of the fairies. He’s not completely alone in his adventures either and new friend Maria is a plucky little character who wants the exciting Christmas quoted above. She’s incredibly posh, cut from the same cloth as the ‘boy’s own’ heroes and has an excellent line in slang.

‘They know better than to try that game on me. I’ve been expelled from three and the headmistresses still swoon when they hear my name breathed. I’m Maria Jones, I am: somewhat talked of in school circles, if you take the trouble to enquire.’

Such intrepid characters are needed to foil the plans of Abner Brown and his men, who seemed truly evil when I first saw them. What I loved though was that sense of ancient magic – ‘I do date from pagan times’ – mixed with the public school language and sensibility. There’s a sense of Kay’s quest turning him into a man or at least trying it on for size. It’s hilarious when he adopts an important tone and asks the family servant if she knows how to make him a posset. There’s also the wonderful vocabulary that sounds like it’s come from a Roald Dahl novel, with words like splendiferous, scrobbled and purple pim. This truly is a little magic box of a novel, with richly painted scenes of nature and fairies as well as unnerving moments like the boy trapped behind a waterfall. The best thing is that every time I think about this book a huge wave of Christmassy nostalgia washes over me.

Kay meeting Herne the Hunter
Posted in Netgalley, Publisher Proof

The Return by Anita Frank.

This beautiful story has just made it under the wire as I was compiling my Top 21 Books for 2021 and it truly deserves it’s place next to the others on the list. I was gripped by the story of Jack, who makes a very different promise to his new bride Gwen on the eve of WW2. Most soldiers are promising to see them again, to return, but Jack is quite clear. If he should survive the war, he won’t be back this way again. Gwen prays he keeps to his promise, but as they celebrate VE Day she does keep looking over her shoulder. What if he reneges on his promise? War has changed Jack and he is no longer the man who made that bargain. He wants to return and claim Gwen as his bride again, but little does he know that this could set in motion a chain of events that will leave he and Gwen fighting for what they love most.

We go back and forth in time throughout the book, but begins with Jack fleeing his home city on the night train, shielded by a friend who’s working on this nightly service down south from Newcastle. Jack is like many other young men in Newcastle, he’s a riveter in the shipyards and lives in a terrace house with his Mum and sister Jenny. One moment life is trundling along as normal, then the next a terrible twist of fate leads to a violent act of revenge. Stowing away on the night train, Jack plans to hop off somewhere far away where he can find work. So, as if from nowhere, he appears round the bend of a country lane to find a young woman who has fallen from her horse, but has her foot trapped in the stirrup. He hurries to help Gwen as her skittish horse takes off in the direction of the village. He takes her home to her family farm, where she helps her Dad with the dairy cattle and any other jobs that need doing. Lucky for Jack he’s arrived at a busy time on the farm, so while he stays for a home cooked meal to thank him for his service, Gwen’s dad Jim asked if he would like to stay and work. Jack accepts and as Gwen shows him his bed in the tack room, he thinks he may have fallen on his feet for the summer. What he doesn’t know is that Gwen is about to put him in a very difficult position. As he investigates a noise in the stack yard at night, he finds Gwen trying (and failing miserably) to quietly retrieve a ladder. She can’t pass her father’s door because the floor boards squeak. Reluctantly, he helps her climb up into her room, knowing that she must be meeting someone secretly and is surprised by how that bothers him.

I grew to like Jack, who is a young man of principles, only resorting to violence when someone he loves is hurt. He has an inbuilt moral compass, especially in his dealings with women and is very critical of anyone who doesn’t meet those standards of behaviour. He knows that in circumstances where young men lead women on and make false promises, it is the woman’s life and reputation that is ruined while the man just carries onto the next victim. He is a gentleman in his behaviour, even if he isn’t in position. I loved how he doesn’t have that family structure at home, but finds it with Jim and Gwen, and even housekeeper eventually. I didn’t always understand Gwen, although she is very young at the start of the novel and thanks to Jim’s overprotective nature, she’s quite naive. Something I did understand was her loyalty to the land and farm, it’s a way of life that’s in her blood and she isn’t afraid of hard work. She takes a very active part in the farm, from early morning milking, to driving tractors and locking the livestock up late at night. I thought the differences between gender and class were very pronounced in the novel. The women were far from passive in this rural community, with Gwen and Norah as great examples. It was interesting to see how the women from the hall were very separate from this industriousness – something that works against Gwen when it comes to being a mother.

The author creates a beautiful link between Gwen’s wholesomeness and the countryside – she’s miles away from the girls Jack has encountered in the city. She’s a young girl between places in society, she’s not in the lower classes but she’s not good enough for the landed gentry to consort with. At least not in public anyway. In the wartime sections of the book she’s well contrasted with land girl Norah, who has a cynical and knowing way about her. If they go the pub or an event, she soon disappears into a crowd of enthusiastic young men and seems completely at home flirting and telling stories that make them roar with laughter. Gwen is quieter, worried about how the farm will keep going with just her and Norah, wanting desperately to hold on to her father’s legacy. Besides, she knows the lies young men tell and the damage they can do. In those wartime sections, I felt the land and the countryside around it contrasted with the imagined battlefield far from here and the changes that farming had to come. Land was commandeered by the Ministry of Agriculture and fallow fields ploughed up for crops to feed the country. It was the beginning of the end for that quiet time when two ponies pulled the plough and two workers would weed the crop using a hoe. These passages of man working quietly within the countryside soon gives way to more modern farming methods which feel at odds with nature, rather than being harmonious. The author’s descriptions of animal and bird life are like a hymn to the old ways. I understood Jack’s need to return to this life, to feel at peace within it and allow the noise of battle, lodged in his head, to die down. However, I couldn’t see how he could stay either. I wondered constantly when the past would catch up with him and whether Gwen’s secrets could possibly remain hidden. This was a different slant on WW2, full of beautiful pastoral scenes and a relationship I was wishing would turn to love. A simply gorgeous read.

Meet the Author

Born in Shropshire, Anita studied English and American History at the University of East Anglia. She now lives in Berkshire with her husband and three children.

Posted in Sunday Spotlight

Sunday Spotlight. Sue Townsend and the Christmas Exploits of Adrian Mole.

Maybe Adrian Mole isn’t the first thought most readers might have when thinking about Christmas books. For me they are right up there with the funniest and most realistic Christmas Days in literature. Every diary, starting with The Secret Diary of Adrian Mole Aged 13 3/4, contains a Christmas and each one is disastrous, but also laugh out loud funny. We’ve all had such Christmas disasters, perhaps not with such alarming regularity, and while a lot of us run ourselves ragged in December to ensure everyone has the perfect day, it’s good to read something like this to remind us that Christmas still happens whether your napkins match your tree decorations or not. The true joy of the Moles is that they are a (fairly) normal family, but their Christmas Days are always fraught. When they’re all together, Grandma Mole can always find fault with something her daughter-in-law has done, usually there’s something wrong with the food or her darling son George is being hen-pecked. In the later years, as his parent’s complicated sex life can mean some extra bodies at the table, there is a tug of war over the gravy. The Mole family gravy is made with stock from giblets and was his grandmother’s recipe. His mum Pauline would fight to the death over her right to make the gravy. Here, if anything can go wrong, it will, whether it’s a culinary mishap, an ill thought out present, or natural disaster. Christmas 1981 was our first with the Moles, but it sets a precedent.

Friday December 25th (1981)

‘I went up to the bathroom and found my mother crying and running the turkey under the hot tap. She said, “The bloody thing won’t thaw out, Adrian. What am I going to do?” I said, “Just bung it in the oven.” So she did.

‘We went down to eat Christmas dinner four hours late. By then my father was too drunk to eat anything.’

Adrian is one of life’s innocents, even in adulthood, and it’s delightful to read his completely oblivious observations of others. His friend Nigel receives presents that might indicate to most people that he’s thinking about his sexuality. He’s also oblivious during the years that both his father and mother are pursuing affairs, most notably with ‘Stick Insect’ Doreen Slater. His head is often so full of his attempts to be an intellectual, his love for Pandora Braithwaite and his various anxieties that he misses what’s going on under his nose. One year Adrian invites Bert Baxter and his girlfriend Queenie for Christmas but hasn’t informed his Mum and Dad. It’s Christmas morning when he wakes his hungover parents to say they have to pick them up. Bert usually spends the day in his bungalow with Alsatian Sabre, eating pickled beetroot in his underpants, so this is definitely a step up.

Whoever the guests are, they bring their own drama with them. His parents seem inclined to come on the same day, but bring a new lover whether it’s ‘Rat-Faced Lucas’, Pandora’s father Ivan or ‘Stick Insect’ with Adrian’s step-brother in tow. I find Adrian’s maternal grandparents hilarious. Used to living in a potato field in Norfolk, and not used to company, the pair are very Biblical and disapprove of drinking and fornicating. Their glum faces at the dinner table make everyone feel guilty for having a good time. At Christmas 1982 it’s the turn of Adrian’s Aunty Susan. She is a prison warden and has leave to join them for Christmas Day, along with her glamorous friend Gloria. Adrian is so flustered by Gloria’s impressive cleavage he can’t even tell his Dad what part of the turkey he wants.

Saturday December 25th (1982)

‘When my mother asked me which part of the turkey I wanted, I said, ‘A wing please!” I really wanted breast, leg or thigh. But wing was the only part of the bird without sexual connotations.

‘I was given a glass of Bull’s Blood wine and felt dead sensual I talked brilliantly and with consummate wit for an hour, but then my mother told me to leave the table saying, “One whiff of the barmaid’s apron and his mouth runs away with him.”

1982 is the first year that Adrian has to think about gifts for his family. With typical tact he buys his mother a cookery book, but Pandora’s gift is more difficult. As outsiders we know what Pandora will think of her Woolworth’s locket (2 days later it has turned her neck green) but Adrian has a budget. I loved this description of Christmas Eve panic because we’ve all done it. Sucked in by the Christmas music and the knowledge it’s his last chance to buy before the big day, he goes ‘off list’ convinced he needs something extra.

Friday December 24th 1982

‘At 5.25 I had a panic attack and left the queue and rushed into Marks and Spencer’s to buy something. I was temporarily deranged. A voice inside my head kept saying: “Only five minutes before the shops shut. Buy! Buy!

As the years go by and Christmas becomes Adrian’s responsibility, he has to face providing for his expectant and excited son with very little cash coming in. As we tip into the 21st Century, I found this poignant note. Trying to lower his son’s expectations while desperately trying to keep the magic of Christmas intact he writes the following note from Santa.

Thursday December 14th 2000

I had to forge the following note from Santa tonight. I laid it on William’s pillow before I put him to bed.

Dear William Mole

I have been watching you all year, and have been pleased with your behaviour. However, I’m sorry to have to tell you that my elves have failed to manufacture enough PlayStation 2s, therefore you will not find this item on the sofa on December 25th.

P.S. 2000 elves have received redundancy notices

Yours,

Santa Claus, Greenland

These later Christmas entries are full of drama. Two years later, joining his parents in their new country abode, the Mole Christmas is overshadowed by the events of the previous year. The weather is bleak, the fields are muddy and they are in the middle of nowhere, not to mention that Adrian killed the ‘new dog.’

Wednesday December 25th 2002

‘The atmosphere in my parent’s living room was more Pinter than Dickens. There was a Christmas tree in the corner of the room but it was a scraggy affair and looked as though it was apologising for it’s almost bare branches. My mother had done her best with three sets of Christmas lights, baubles and tinsel. My mother said ‘it’s the anniversary of the new dog’s death. ‘Christmas Day will never be the same again. I will never forget the sight of that poor dog choking to death on a turkey bone.’

My original copy of Adrian Moles first diary.

Our final Christmas with Adrian takes us up to 2007, where we find Adrian and his family are living next door to his parents at ‘The Piggeries’. It’s a pretty bleak outlook for Adrian, whose kindness means he is overloaded with worries, at a time when he needs some support. Adrian is having treatment for prostate cancer daily and feels unwell, but he’s looking after daughter Gracie, while his wife Daisy is working as PA at Fairfax Hall for the new heir, Hugh Fairfax-Lycett. Adrian’s usual inability to see the elephant in the room means he hasn’t noticed her weight loss, her Gucci dress or the fact that she works late several times a week. Their Christmas is hijacked by the accident prone Bernard, Adrian’s colleague at the bookshop where he’s been working till it’s recent closure. Wonder son Brett Mole is back, having lost all of his money, his home and his car. On Christmas Eve Adrian and Daisy are having a problem familiar to most parents.

Christmas Eve 2007

Gracie’s main present was a mini trampoline. When we opened the box from Toys ‘R’ Us we discovered that it contained eighty separate components and that it lacked the special tool with which to build the soddin’ thing and which was vital to the trampoline’s successful self-assembly. So the boast on the outside of the box that ‘Within minutes your child will be having healthy, happy, bouncy fun!’ was a lie. At one thirty in the morning, when we were practically weeping with tiredness and realized that we had connected the springs upside down, Daisy gave me a look of pure hatred and said, ‘A proper man would have realized that the springs were on upside down,’ and stomped off to bed.

It’s clear to the reader what’s going on between Daisy and her boss, but the ever sharp and blunt Pandora – now their local MP – picks up on it straight away. She asks if Daisy is still buying matching underwear and draws her own conclusion. This could be really bleak, but in Townsend’s hands this Christmas is both funny and poignant. I loved Bernard’s nocturnal disaster as he gets up to visit the toilet, steps on the trampoline, bounces off the ceiling light and is found naked except for a strategically placed cushion with his ankle still trapped between the springs of the trampoline. The New Year party at Fairfax Hall is a turning point. Adrian finally notices his wife’s dress, is puzzled that all Hugh’s London friends seem to have met her and sees Daisy and Hugh photographed together in a society magazine. Then Pandora walks in, sees everything in a glance and is the first person to notice that Adrian looks very unwell. After a call from his Dad to collect Gracie, Adrian is forced to walk home, but Pandora leaves with him and her kindness is touching.

When we went next door, Pandora ordered me to put some dry clothes on. While I was changing into my pyjamas and dressing gown she cooked bacon and eggs and made a pot of coffee.

I won’t ruin the ending of the book because some people might be tempted to go and read these later books that they might have missed. You won’t be disappointed if you do. I felt it was a fitting end to the series, even if Townsend didn’t know it was to be her last. It was sad to leave behind such a human, intelligent and loveable character. Adrian is the embodiment of that quote attributed to John Lennon, from his song Beautiful Boy (Darling Boy); ‘Life is what happens to you while you’re busy making other plans’. We’re just happy he allows us to come along for the ride:

The Mole Family

Posted in Throwback Thursday

Festive Throwback Thursday! Little Women by Louisa May Alcott

Little Women is one of my all time favourite books and the films, whether the old version Katherine Hepburn or the latest one with Saiorse Ronan, are essential viewing for me and my girls at Christmas. For my throwback posts this month I’m focusing on older books that truly give me those Christmas ‘feels’. That could be because they’re set at Christmas or they might have a special meaning associated with Christmas, such as something we would watch as a family or that I just happened to read at that time of year. As soon as it gets close to Christmas I think of Little Women, and it’s not just that first line of Jo’s; ‘Christmas won’t be Christmas without any presents’. The book begins and ends at Christmas and it highlights the way the family has changed in that time, who is lost and who has joined the March family. I think the fact that most of the film adaptations have that snowy New England appeal and the contrasting warmth of the March family’s home with it’s handmade decorations and open fire. It’s also the way the family celebrate and their values that really shine out to me. They have traditions, like the play they all prepare for in the evening, having so much fun that the lonely boy living next door with only an old Uncle for company yearns to join them. I see so many parallels with my own family in the Marches, even the love and support they offer to people who are struggling reminds me of the values my parents have instilled in me and my brother.

The recent adaptation of Little Women starring Saoirse Ronan and Timothy Chalumet.

Our family traditions are smaller, but important and poignant to us, especially as the years pass and people are missing from those celebrations or new members of the family have come along. Back in the late 1970’s when I was around seven years old, my Mum had a beautiful set of nativity figures and my dad made her a tiny stable complete with wood shavings for straw and a single light over the roof to represent the star. Every year we loved to put the crib up and it was the tradition that the youngest member of the family would place baby Jesus in the manger on Christmas Eve. That was my younger brother Terry and I remember him having to be lifted to reach the crib and my mum would steady his small hand to place him in safely. Now my brother is in his forties and is a grandad too, so his grandson Harvey places Jesus in the crib and soon it might be his younger brother Oakley who helps him. To have so many generations in one family is so lucky, but it’s also poignant when I notice that my dad can’t pick up his great-grandson and his hand isn’t so steady. Similarly, for the Marches there’s that bittersweet feeling within the celebration, the acknowledgement that someone is missing from the table. It’s a feeling I share when we have our Polish Christmas Eve tradition that remembers my late husband’s family, something we do alongside my sister-in-law and nephews over in New Zealand, now that she too is a widow. It gives us an opportunity to raise a glass and talk about our loved ones, to have that Christmas phone call and remember them together.

The March girl’s Christmas Supper from Mr Lawrence.

Charles Dickens set the standard for the typical Victorian Christmas, setting in stone some of the traditions we still keep today. In the same way, Louisa May Alcott defines the ideal New England Christmas of the 1800’s. The Civil War rumbles on quietly in the background, but Marmee and Hannah keep the home fires burning despite having little money, but what little they have they are willing to share. There is a glow of nostalgia around their plans that makes me feel welcomed into their world, but also inspires me to have a more simple Christmas where we make the presents and the emphasis is on time together, rather than money spent. In the end it’s the feelings that make the Christmases of the Little Women so appealing. It’s their simplicity when we look at them against the current onslaught of adverts, consumption and pressure to have the perfect Christmas- especially this year, when we had such a quiet one in 2020. There’s an urge to really overspend that’s all about rescuing the economy rather than true Christmas spirit. We could really learn from the March girls’s generosity in using the one dollar they each receive from Aunt March to make Marmee’s Christmas better. There’s a thoughtfulness in the gifts they give, even Amy who has a last minute change of heart and uses her whole dollar for Marmee’s cologne rather than buying the smaller bottle to save money for some drawing pencils. I like to think about the gifts I send, and I do make when I’m able – I’ve made my step-daughters zombie dolls in the past and this year I’m embroidering denim jackets. I also make Christmas Cakes and biscuits for neighbours, sloe gin and jams, because it feels good to put myself into he gifts and it’s lovely to make them with a friend, listening to Christmas music and enjoying the moment. This year we’re having a biscuit and truffle making day together with my carer’s children. It’s this effort to spend time with people that makes Christmas, because it creates memories. This is no different from the March girls practicing their Christmas play together or singing carols at Beth’s piano. My immediate family are not buying presents this year, because we can’t all afford to do it, so instead we’re having a meal together which we’ll enjoy so much more than stuff. To have a March Christmas we need to adopt a simpler approach, guided by values of generosity, kindness, thankfulness and love.

The March girls listen to a letter from their Father on Christmas Eve.

A poor, bare, miserable room it was, with broken windows, no fire, ragged bedclothes, a sick mother, wailing baby, and a group of pale, hungry children cuddled under one old quilt, trying to keep warm. How the big eyes stared and the blue lips smiled as the girls went in. “Ach, mein Gott! It is good angels come to us!” said the poor woman, crying for joy. “Funny angels in hoods and mittens,” said Jo, and set them to laughing. In a few minutes it really did seem as if kind spirits had been at work there. Hannah, who had carried wood, made a fire, and stopped up the broken panes with old hats and her own cloak. Mrs. March gave the mother the children round the fire, and fed them like so many hungry birds, laughing, talking, and trying to understand the funny broken English. “Das ist gut!” “Die Engel-kinder!” cried the poor things as they ate and warmed their purple hands at the comfortable blaze. The girls had never been called angel children before, and thought it very agreeable, especially Jo, who had been considered a “Sancho” ever since she was born. That was a very happy breakfast, though they didn’t get any of it. And when they went away, leaving comfort behind, I think there were not in all the city four merrier people than the hungry little girls who gave away their breakfasts and contented themselves with bread and milk on Christmas morning. “That’s loving our neighbor better than ourselves, and I like it,” said Meg, as they set out their presents while their mother was upstairs collecting clothes for the poor Hummels. Not a very splendid show, but there was a great deal of love done up in the few little bundles, and the tall vase of red roses, white chrysanthemums, and trailing vines, which stood in the middle, gave quite an elegant air to the table. “She’s coming! Strike up, Beth! Open the door, Amy! Three cheers for Marmee!” cried Jo, prancing about while Meg went to conduct Mother to the seat of honor.

Beth played her gayest march, Amy threw open the door, and Meg enacted escort with great dignity. Mrs. March was both surprised and touched, and smiled with her eyes full as she examined her presents and read the little notes which accompanied them. The slippers went on at once, a new handkerchief was slipped into her pocket, well scented with Amy’s cologne, the rose was fastened in her bosom, and the nice gloves were pronounced a perfect fit. There was a good deal of laughing and kissing and explaining, in the simple, loving fashion which makes these home festivals so pleasant at the time, so sweet to remember long afterward.

Little Women. Louisa May Alcott. Amazon Classics. 29th August 2017.

Posted in Monthly Wrap Up

Books of the Month! November 2021

This has been a difficult reading month and I haven’t read as much as usual, but these were my favourite reads. Two members of the family have had surgery this month so a lot of the usual routine has been a bit upside down. The last week, while winter has started to bite a little, I’ve had a lot more pain and stiffness, as well as being plagued by MS symptoms of vertigo and fatigue. Some days I’ve felt like I only open my eyes when someone wakes me to have a meal. The countdown to Christmas also started in earnest, so I’ve been ordering early to avoid disappointment. I do the majority of my shopping online these days so it’s really a pleasure rather than feeling sweaty and unwell in a shop packed with other people. I did venture out with my stepdaughter last weekend to buy new decorations for our Christmas tree. It’s a tradition I set up to get to know them better and now it’s annual mission. Since it’s our first Christmas in the new house and our living room colour scheme has changed we decided to go pink and blue. We did well and how have an eccentric collection of tigers, monkeys, tiny pink Minis and VW Beetles with Christmas trees on the roof, slices of cake and topless unicorns wearing just a tutu! Mainly though, with my lowered immune system I’m trying to avoid large groups of people. Thankfully my booster is now booked, but it’s not until the end of December so I’m keeping to my strict bubble again until we know more about the new variant. So, that’s me. Out of the books I’ve read there have been some brilliant reads and don’t forget to check last Sunday’s Spotlight post which featured the books I’m buying as gifts this year.

The Ladies of the Secret Circus by Constance Sayers

We open in Kerrigan Falls with Lara on the eve of her wedding as she starts to enchant her wedding dress to make it perfect. However, in the morning the groom has disappeared, mysteriously leaving his car behind at the scene where another young man disappeared thirty years before. Both men have links to Lara and her family. In her search for answers, Lara finds her great- grandmother’s diaries and reads the tale of a circus so secret it can’t be seen. The circus is the perfect antidote to the sweetness of Kerrigan Falls. I won’t ruin your discovery of this world, but it is truly fascinating, macabre, beautiful, magical and horrifying all at the same time. I was hooked by the scene the author was describing and fascinated by Lara’s family history. The small details, such as the circus only appearing to those with a personal invitation which bled if it was torn, were quite disturbing. The magic practiced there had parallels with Lara’s skills – simple tabby cats turned into ferocious big cats. There were surprises I hadn’t expected and Cecile’s final diaries are the vital first hand account of the circus’s history, as well as her own love story. I was immersed in this magical tale and didn’t really want it to end.

Before My Actual Heart Breaks by Tish Delaney

Oh my goodness, my heart did break for the intelligent, spirited and strangely beautiful Mary Rattigan. She is a character who will stay with me, especially the childhood Mary and her battles with Mammy – a woman who I hated so strongly it was as if she was a real person! The Rattigan’s life on her parent’s farm is at odds with her romantic and wild nature. She wants to fly. She will not be satisfied until she flies out of her dirty and dangerous surroundings, leaving ‘The Troubles’ behind her. She doesn’t care where she goes, as long as she’s free and lives happily ever after. However, life has a way of grounding us and Mary is no exception. In a life punctuated by marriage, five children, bombings, a long peace process and endless cups of tea Mary learns that a ten minute decision can change a whole life. These lessons are hard won and she’s missed a hundred chances to make a change. Can she ever find the courage to ask for the love she deserves, but has never had? I am probably a similar age to Delaney so I felt an affinity with Mary and understood her. Mary’s need to be loved is so raw she can’t even articulate it. How can she understand or recognise love when she’s never felt it? She has been told she’s nothing, so nothing is what she deserves. Delaney writes about love and the realities of marriage with such wisdom and tenderness that I was rooting for Mary Rattigan till the very last page.

Wish You Were Here by Jodi Picoult

Diana and her boyfriend Finn live in New York City, he is a doctor and she works at an auction house for fine art, on the verge of promotion to become an Art Specialist at Sotheby’s. She’s trying to acquire a Toulouse Lautrec painting that hangs in the bedroom of a Japanese artist -loosely based on Yoko Ono. Then, everything changes. Finn and Diana have a very set life plan and part of that was an upcoming visit to the Galápagos Islands. However there are rumours flying around in the medical community of a strange new virus in Wuhan, China. It seems like SARS in that it affects breathing, because it causes pneumonia and requires huge amounts of resources to keep patients alive. Diana’s boyfriend feels torn, as a doctor he’s worried and thinks they should be preparing but the president is on TV telling everyone it’s no worse than flu. What’s the truth? When Finn’s hospital announces all leave is cancelled they know the virus is coming. Diana asks what they should do with the Galapagos holiday and he tells her to go without him. So she arrives on the last boat just as everything shuts down and she has to take the kind offer of an apartment from a cleaner at the hotel called Abuela. This is just the start of an amazing and uplifting adventure for Diana, in a paradise separate from the COVID-19 nightmare happening in New York. The joy of this book is that it takes the reader in several different directions, some of them very surprising indeed. This is my first full on pandemic novel and it was tough but surprisingly uplifting too. A real return to form from Picoult who I absolutely love.

On the Edge by Jane Jesmond

I was thoroughly gripped by this tense thriller set in Cornwall and concerning Jenifry Shaw – an experienced free climber who is in rehabilitation at the start of the novel. She hasn’t finished her voluntary fortnight stay when she’s itching for an excuse to get away and she finds one when her brother Kit calls and asks her to go home. Sure that she has the addiction under control, she drives her Aston down to her home village and since she isn’t expected, chooses to stay at the hotel rather than go straight to her family home. Feeling restless, she decides to try one of her distraction activities and go for a bracing walk along the cliffs. Much later she wakes to darkness. She’s being lashed by wind and rain, seemingly hanging from somewhere on the cliff by a very fragile rope. Every gust of wind buffets her against the surface causing cuts and grazes. She gets her bearings and realises she’s hanging from the viewing platform of the lighthouse. Normally she could climb herself out of this, most natural surfaces have small imperfections and places to grab onto, but this man made structure is completely smooth. Her only chance is to use the rapidly fraying rope to climb back to the platform and pull herself over. She’s only got one go at this though, one jerk and her weight will probably snap the rope – the only thing keeping her from a certain death dashed on the rocks below. She has no choice. She has to try. I was already breathless and this was just the opening! What follows is a thrilling debut that is so incredibly addictive you’ll want to read it in one go.

The Watchers by A.M. Shine

This is a disturbing and beautifully written horror novel about Mina, a young woman living alone in urban Ireland. She is largely a loner, except for her friend Peter who is a collectibles dealer and often pays Mina cash to travel and deliver his client’s purchases. On this occasion she’s to take a golden parrot to a remote part of Galway, but the day trip becomes something she lives to regret. Having broken down on the edge of a forest, Mina realises that the likelihood of anyone passing by and helping are probably minimal. So, with the parrot in tow, she sets off walking in the hope of finding a remote farmhouse. She feels unnerved, although she can’t say why, then she hears a scream that isn’t human, but isn’t like any animal she’s ever heard either. As the shadows gather she is beginning to panic, but sees a woman with a lamp standing by a concrete bunker and although that seems odd they hurry inside. As the door slams behind them, the screams grow in intensity and volume, almost as if they were right on her heels. As her eyes adjust to the light she finds herself in a room with a bright overhead light. One wall is made entirely of glass, but Mina can’t see beyond it and into the forest because it is now pitch dark. Yet she has the creeping sensation of being watched through the glass, almost like she is the parrot in a glass cage. A younger man and woman are huddled together in one space, so there are now four people in this room, captive and watched by many eyes. Their keepers are the Watchers, dreadful creatures that live in burrows by day, but come out at night to hunt and to watch these captive humans. If caught out after dark, the door will be locked, and you will be the Watcher’s unlucky prey. Who are these creatures and why do they keep watching? This really is terrifying and you won’t be able to stop reading until the very unnerving end.

Insomnia by Sarah Pinborough

This is a sneak preview of a release for next year and one I couldn’t resist reading on NetGalley as soon as I was approved. This book hooked me straight away, which isn’t surprising considering this author’s talent in creating nerve-tingling domestic noir. Emma has survived childhood trauma to make a success of her life and is now a well-respected solicitor with a lovely family and beautiful home. The only thing is she can’t sleep. As her fortieth approaches her insomnia gets worse and she is terrified, what if this is just the start of the breakdown her mother suffered at the same age? She always said that Emma had the ‘bad blood’ and as her symptoms increase Emma is coming apart. I read this in two sittings, engrossed by Emma’s story and trying to work out whether she is being set up and if so, who by? Look out for this one at the end of March 2022.

Posted in Throwback Thursday

Throwback Thursday! Like Water for Chocolate by Laura Esquivel.

Recently I’ve begun to realise that one of the literary devices I love most is magic realism. For those who’ve never come across it before, or didn’t know they had, magic realism is a 20th Century style or genre where a novel’s story is mostly realistic but with magical elements that can sometimes feel out of place in the narrative. I think I became interested in this style of writing, from my favourite teenage author Fay Weldon. The Life and Loves of a She-Devil was dramatised at this point and was widely talked about in the media and at school – where any chance to see clips that would titillate were applauded. How innocent we were that, without the internet, we were reduced to TV dramas for our fix of nudity – now we can see six naked people being visually assessed in their pods at any time of day. Back in the 1990s we had to commit to storyline for a whole episode, just for a glimpse of side boob! I read all Fay Weldon’s back catalogue and became fascinated with the skilful way she mixed realistic settings with sudden supernatural, astrological or magical elements. There was an audacity to it that I loved. So, when I came to reading Like Water for Chocolate I was charmed straight away by the love story and the magical powers that Tita has, especially her ability to bake her emotions into her food.

Movie poster for the 1992 adaptation of the novel

Set in early 20th Century Mexico, we meet Tita, the youngest daughter of the family who is hopelessly in love with Pedro. Sadly, Mexican tradition dictates that older siblings marry to carry on the family name, make connections and ensure their financial future. Younger siblings are destined to be the caregiver in the family, remaining single and close to home to help their parents in their old age. Tita and Pedro are in love and Tita’s mother knows this, so what happens next seems unusually cruel. She leaves older sister Rosauro open to marriage and then schemes behind the scenes, as a result and feeling like he has no realistic chance with Tita, he marries Rosauro because then at least he will be able to stay close to his real love. It is their wedding day where we see the full structure of the novel unfold. Tita’s mother forces her to bake the wedding cake, but as she does Tita begins to cry and somehow her sadness leaches into the cake batter. As they serve the cake at the wedding, much to Tita’s surprise, the guests start to experience their own memories of lost loves. Soon the whole room is reminiscing and weeping. From the extraordinary event onwards the novel is split so that a recipe forms each chapter. We are always waiting to see what emotion will get baked or fried into each incredible Mexican recipe as Pedro and Tita circle each other, forever in unrequited love. Would they ever get a chance to be together?

Cover for the movie tie-in edition

I first read this novel when I was an impressionable twenty year old, still in love with the idea of romantic love. Now if I was asked to give advice to Tita, I’d probably say that life is way too short to spend it in such a torturous situation. Pack a bag and get a bus out of there. Build your own life. It’s not just the idea of her sister marrying Pedro, it’s watching the milestones of their life together. If Rosauro had children with him, Tita would be hurt all over again. Every day there would be a new reason to mourn what she could have had. Her reward for this sacrifice? Looking after a mother who’s becoming more infirm by the day knowing that she was the one who took away Tita’s chance of happiness and gave it to her sister. I remember reading and hoping that Pedro’s love for Tita would remain. I couldn’t bear the thought that Pedro might grow to love Rosauro over the years. I won’t ruin the ending for those who haven’t read this extraordinary book, but I will say that it’s one of the most unusual endings I have ever read. I have been known to recreate a recipe from a book, especially where recipes are an important part of the story. I’ve often done it for my book club, where we’ve eaten: chocolate cream pie while reading Kathryn Stockett’s The Help and honesty cake while reading Alice Hoffman’s The Story Sisters. Yet, I’ve never attempted one of Tita’s family recipes – perhaps because they seem so uniquely hers and enchanted by her particular brand of magic. This is a beautiful novel for those hopeless romantics or if you love to be immersed in the culture of the characters from old customs, to celebrations and their chosen foods for those occasions. This has been a book that has endured for me and still feels uniquely magical.

Lumi Cavazos as Tita in the 1992 film

Meet The Author.

Laura Esquivel is the award-winning author of Like Water for Chocolate, which has sold over four and a half million copies around the world in 35 languages, The Law of Love, and most recently, Between Two Fires. She lives in Mexico City.

Posted in Netgalley, Publisher Proof

The Ladies of the Secret Circus by Constance Sayers.

The opening of this book, where Lara enchants her own wedding dress so it’s more to her liking, showed promise for the rest of the novel. Her marriage to Todd is the next morning, but as she’s waiting for her groom some bad news arrives. His best man is local law enforcement officer Ben and he tells her that Todd can’t be found. His car is found abandoned at a bend in the road where thirty years earlier another young man disappeared without a trace. Pete was in a band with Lara’s father, who has always been affected by the loss of his friend. Surely there’s a connection? Lara’s search for answers leads them to a journal written by her great-grandmother and the tale of a secret circus, where they perform using real magic. In Belle Èpoque Paris we follow the story of Cecile Cabot, Lara’s great grandmother, the subject of one in a series of three paintings by artist Émile Giroux. Cecile’s life is bound to the circus as is her sister Esme’s, but why are they cursed in this way and is it a price that the women in the family are still paying to this day?

From Lara’s wedding day onwards, the first section of the book set in idyllic Kerrigan Falls didn’t quite have the spark of that first scene. I worried that the book might be a bit saccharine sweet for my taste. It was typical small town America, but with barely any crime or unpleasantness. Residents seemed to get along easily and everyone cared about the town’s history, it’s beautiful period buildings and stunning setting. Lara bought the local radio station, her love of music coming from her famous musician father. I didn’t quite believe how lovely the place and it’s people were and I suspected there was a darker underbelly. This was hinted at in the the disappearances of these young men, but also the strange happenings in Lara’s life that started when she was a young girl and saw an unusual looking man and woman in their field who disappeared into thin air. Schooled by mum Audrey to keep her powers under wraps, Lara is sad about how her premonitions affect people. When she hears a vaguely familiar song, lurking underneath a track on one of her dad’s albums, she plays it on her guitar. The refrain is like a nagging tooth ache, but when her father hears it he goes white. It was one of Pete’s songs and they never recorded it.

I found it sad that these powerful women were having to hide their real selves to be accepted, especially when it came to love. Audrey’s marriage to Lara’s dad was blighted by Peter’s disappearance and now Todd was gone too. I really enjoyed Lara’s relationship with Ben, who was Todd’s friend and is just as invested in knowing what happened as Lara is. They’ve grown close trying to solve the mystery, but their relationship is full of unspoken feelings and guilt. When Audrey gifts Lara with a painting of her great-grandmother, to put up in her new home, the framer recognises it as a lost painting of Giroux. They then travel to Paris to meet an expert on the painter and have it’s provenance confirmed. It’s here that the story really took off for me, because the sense of place is wonderful and there’s a real momentum in their search for answers. The circus is the perfect antidote to the sweetness of Kerrigan Falls. I won’t ruin your discovery of this world, but it is truly fascinating, macabre, beautiful, magical and horrifying all at the same time. I was hooked by the scene the author was describing and fascinated by Lara’s family history. The small details, such as the circus only appearing to those with a personal invitation which bled if it was torn, were quite disturbing. The magic practiced there had parallels with Lara’s skills – simple tabby cats turned into ferocious big cats. There were surprises I hadn’t expected and Cecile’s final diaries are the vital first hand account of the circus’s history, as well as her own love story. I was immersed in this magical tale and didn’t really want it to end.

Published on 9th November 2021 by Redhook.

Meet The Author.

Constance Sayers is the author of A Witch in Time. A finalist for Alternating Current‘s 2016 Luminaire Award for Best Prose, her short stories have appeared in Souvenir and Amazing Graces: Yet Another Collection of Fiction by Washington Area Women as well as The Sky is a Free Country. Her short fiction has been nominated for the Pushcart Prize and Best of the Net. She received an MA in English from George Mason University. She lives outside of Washington D.C. Like her character in The Ladies of the Secret Circus, for many years, she was the host of a radio show from midnight to six.