The first daughter is for the throne. The second is for the Wolf.
Every so often I venture into reading fantasy and have been enchanted by some of the books I’ve stumbled upon, often because of their stunning covers in the first instance. When I think of my favourite books – The Night Circus, Ten Thousand Doors of January, Alice Hoffman’s Practical Magic series and Jonathon Strange and Mr Norrell – all come up very high on the list. Yet I certainly don’t think of myself as solely a fantasy blogger, I don’t have enough knowledge of the genre. I love that sense of total escape and I often read with a smile on my face because I’m so charmed by the audacity of these writers and how they bend the rules of our world with some magic realism or create a beautiful wild new world for the reader to explore. I was drawn to this book by a very beautiful cover and the thought that someone would be playing with the boundaries of a well known fairy tale.
Redarys has always known her fate. As the kingdom’s second daughter, she is doomed to become a sacrifice to the wolf who keeps Wilderwood’s gods captive in the forest. Red seems to have acquiesced to this fate and her mother’s cool and distant attitude tells Red that she too has prepared herself for this moment, by never becoming close with her daughter. Red’s sister Neve wants to rage against the kingdom and tempts Red to run away that night, as far as she can. She has even spoken to the man who loves Red and sets up a secret moment where he can declare his plans to help her run away. He is promised to Neve, but vows to help Red escape her fate. But does she want to? Red has a hidden power deep within that scares her, and she never wants to hurt someone she loves again. She feels the woods luring her and her power is exactly what they need. The stories she’s been told from childhood are not the full truth. The spirits have weakened. The wolf is just a man, as pushed into his fate as she is. Can Red use her power for good and set them all free?
From the very first pages I was drawn into this other world by the author’s use of detailed imagery. She builds an incredible new world, from words: the sumptuous clothing and the meaning behind their colours, the rooms of the castle and even the dark woods beyond are all rendered beautifully. As guests gather for a celebration on the eve of the sacrifice, Red has chosen a blood red dress contrasting strongly with her mother and sister’s choices and making it very clear who she is. There’s a certain pride in her, of who she is and the role she’s decided to accept. I enjoyed the sisterly love between Red and Neve. We do have sections narrated by Neve to give some contrast from Red’s point of view. Although they’re quite different Neve and Red are incredibly close, they have each other’s backs and in a difficult situation I have no doubt each would fight for the other. I liked both characters, but Red is definitely the more dominant sister despite their opposing fates. Her bravery in accepting her fate and her sense of duty to the kingdom were very admirable. She has some attitude too and I loved that feistiness in her. She’s also a voracious reader and the magnificent library was like something out of my dreams.
There is romance too, a slow burning attraction between Red and her unusual beau. I liked that it wasn’t overdone or flowery, and that Red didn’t lose any of her feistiness in the relationship. She wants to be loved for the person she is, not to change. I won’t reveal her love interest, but it’s their feeling of being trapped into a life they didn’t choose that brings them together. They are bound by blood and sacrifice. He’s a proper Gothic hero too, just as strong and fierce as Red but with an edge. He’s definitely the boyfriend you wouldn’t take home to Mum. It’s a complete awakening once Red enters the wood and she learns that the myths she’s been told about the world are far from the truth. I really enjoyed my foray into the world of fantasy. We all need a brooding love interest, with dark woods and crumbling castles. This isn’t all romance though, it’s more reminiscent of the original blood thirsty fairy tales where women are willing to saw off their own toes to fit a glass slipper or where an enchantment forces them to dance every night till their feet are bleeding. There is blood, so if you’re thinking of sweet, fluffy, fairy tales it might be better to imagine Disney meets Game of Thrones. This is a well written Gothic fairy tale, with a heroine who can not only save herself, but the world as well.
Meet The Author
Hannah Whitten has been writing to amuse herself since she could hold a pen, and sometime in high school, she figured out that what amused her might also amuse others. When she’s not writing, she’s reading, making music, or attempting to bake. She lives in Tennessee with her husband and children in a house ruled by a temperamental cat.
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