Posted in Publisher Proof

The Burial Place by Stig Abell

I was so lucky to be sent a copy of this new book in the Jake Jackson series, based on a conversation about my love of Martha – an abrupt but super intelligent analyst and crime writer. I love a no nonsense woman and Martha is one of the best bits of this series. After Jake and his ‘team’ tangled with an international criminal gang in the last book, this is more of a home grown mystery but just as dangerous. There has been an archaeological dig close to Little Sky and a recent hoard of treasure found close by. The ownership of this treasure is in dispute because it’s unclear who owns the land it was found in. Meanwhile, work carries on for the archaeologists, academics and local enthusiasts who have been working on the site, but when a body is found it must shut down. It’s hard for new DCI McAllister to understand the motive and being new to the area he enlists Jake’s help, both for his investigative skills and his local knowledge. The community are aware that several nuisance letters have been sent to the dig office and various people who’ve worked on the site. They’re a strange mix of threats, Bible verses and ancient prophecies signed off by Wulfnoth – an ancient Briton purportedly from the area. The writer promises a terrible end for the dig and whoever benefits from the treasure found. Can Jake find the killer before anyone else is hurt? 

Again it’s mainly the brilliant characters that attract me in this novel. Although it’s also interesting to see Jake working with his team, I noticed that Livia is fully committed this time and has definitely earned a chair at the table with Jake, Martha and Aletheia. They are definitely growing closer, since the finale of the last case ended with Livia driving through the wall of her own front room to save their lives. She and her daughter have relocated to Little Sky while the house is being repaired. I must admit I didn’t fully take on board all the dig characters, but the dig itself and the history behind it was really interesting. I’ve often wondered how digs are run and they’re every bit as complex as I thought, with a real mix of motivations and different pressures. Some people have their jobs and reputations on the line, while others seem to have more personal reasons for taking part. What’s difficult for Jake to understand is the gap between letters written when the first dig started and those that came when the second dig site and treasure were discovered. It’s as if Wulfnoth comes out of retirement for some reason, possibly the treasure or could it be more complex than that?

One of the other interesting aspects of the story is the importance of belonging and the sacredness of land. The fact that the burial place of the title holds both ancient and recent burials shows an interesting continuation of the land’s purpose. Jake hears one of the academics talking about different layers or strata of soil, but it all looks like mud to him. The same can be said of the ancient remains, having newly buried bodies on top, as if years of history is mimicking the layers of soil. We live upon years and years of history, something I think about regularly having never moved far away from the River Trent. I have ancestors who are Dutch and arrived in the area with engineer Vermuyden in the 14th Century, designing and creating a system of drainage that would create much of Lincolnshire’s farmland. The fact that my father has spent more than thirty years of his life working as a land drainage engineer, without knowing this history, feels like an echo but also a sense of belonging to that particular land. If I’m ever feeling a bit lost I go the river, take off my shoes and stand barefoot on the bank. Then I know I’m home and on the bank of the same river where I took my first steps. Jake talks about how human spirituality is linked to water, from sacred springs to floating lanterns and wishing wells. Humans have cast their prayers and wishes on water for generations. Livia brings up belonging in one of their case discussions. She doesn’t understand how anyone could feel so connected to ‘patches of ground’. Aletheia points out that Livia has a rare ability to belong, to fit exactly where she is. Her own family roots are in Ghana, but points out that she is now where she is because her ancestors were uprooted. People who are removed or separated from land that belonged to their ancestors for generations can struggle to belong. It’s Livia’s ability to belong, as another woman of colour that she’s really commenting on, because Aletheia does understand that if someone is cheated out of their birthright it can become an obsession. 

Across the book, new relationships are being built and I love that, in what could have been a very lonely place, Jake’s has a healthy support system around him. I did worry a little for Martha though, even though the author writes her with great affection I did feel her ‘aloneness’ in this novel, something I’m describing carefully because there’s a difference between alone and lonely. I feel he writes about her disability with great understanding. Martha lost both her legs in a shoot out when working as a detective and he describes her as suffering constant pain. I’ve suffered chronic pain for many years, particularly nerve pain so I know how strange and maddening it can be. I have had referred pain, very similar to phantom limb pain, where the site of pain bears no relation to the actual problem. Without my medication I have constant burning sensation outside my body – for those of you who are a certain age I often describe this as my ‘Ready Brek’ feeling. The author refers to Martha’ ability to function on drugs that are prescription and those that aren’t. Her skill is a sad one, known to most pain patients, where she copes with a certain level of pain and can still function but there are also days where functioning is impossible. There’s a real sense of sadness that while she can numb the pain it is ever present. I found this portrayal so authentic and possibly researched through lived experience. 

Jake is already an introspective man but he has a lot to think about in this book. He and Livia have decided to start a family together, much to Diana’s disgust. It almost seems like fate when his ex-wife Faye needs to see him. He’s just starting to have concerns about infertility, because he and Faye split up after a traumatic time trying to have a family. He’s worried that it’s taking a while for him and Livia. What if he’s the problem? It’s immediately obvious when they meet that Faye is pregnant and they have a lovely heart to heart in the park. It’s clear that Faye is in a good place and Jake is so happy for her, but nagging doubts are creeping in. If Faye can get pregnant without him, what does it mean for him and Livia’s chances? I still find many male detectives and investigators who don’t have this complex inner life and I love that Jake does. He might seem like a moody loner at times, someone who keeps his feelings hidden even from himself, but he’s just a deep thinker and so empathic. Even when he finds a body, his response is different. He is appalled by the body of one murdered woman who has been left exposed and was potentially murdered during sex. He feels for her dignity and has an urge to cover her up, even though he knows he can’t and must preserve the crime scene as is. It’s as if he takes on the shame this woman might have felt at being left exposed and perhaps taken for a fool by her lover. He has such a strongly developed feminine side and this helps enormously when dealing with Diana. She is clashing with Livia about potentially having a new baby around. Jake is the one who manages to calm her down and show her the positives. I’m so glad Jake has Little Sky and all it offers to balance out these tumultuous feelings. I think his Uncle Arthur knew him very well. 

Posted in The Book Folks

Body on the Shore by Diane M. Dickson

I jumped at the chance to read crime fiction set in my favourite city, Liverpool. I’m half Liverpudlian and half Lincolnshire Yellow Belly. It’s my mum’s home city and now it’s where my step-daughter lives while she’s at university. One of the first things I took my husband and step-daughters to see was Antony Gormley’s Another Place on Crosby Beach. 100 Iron Men stare out to sea, some submerge and reappear as the tide turns and I’ve always found them eerie but moving at the same time. Here they’re the backdrop to a body being found by a dog-walker (it’s always dog walkers bless them). The body is wrapped in a bin bag, caught on one of the sculptures, else they might never have found her. The author has really captured the other-worldly feel of the place and it’s bleakness on a cold day, especially as a place to end up discarded like waste. This is DI Jordan Carr’s new case and he’s joined by a new DC, Terry Venn, who just makes it through his first post-mortem without disgracing himself. To be honest I had to swallow a couple of times as the author described peeling the face down! 

The victim is a young woman by the name of Beatrice Sharp, a secretary for a printing company. She comes from Northumberland and moved to Liverpool quite recently so Jordan and his team need to understand why she’d made such a huge life change and how she’s ended up with such a terrible end, killed by blows from a hammer. The characters are slightly different from a lot of detective fiction where the main character is often old, washed up, and exhausted, with marriage or drink problems on the side. Jordan is stretched and he does work late, but his wife Penny is supportive and understanding about the pressures of his job. They have a baby boy called Harry, who Jordan absolutely dotes on. He stops and watches his son’s bedroom routine on FaceTime if he’s stuck at work and can’t be there. In his working life he comes across as thorough and by the book, keeping the over exuberant and frustrated DC Venn in check when he wants to jump the gun. 

As for the setting, I don’t think you can beat Liverpool because it ranges from the tourist trail and glitzy hotels of the city centre, to the industrial Baltic Quarter and the Wirral just a tunnel away, not to mention the poorer areas – I remember Toxteth in the 1980s. The police station itself is beautifully non-descript, serves absolutely shocking coffee and often gets buried under late night takeaway containers. There are no glass boards and panoramic views here. We concentrate mostly on the case and the author sets the scene by starting with the victim. Her final moments will stay with you as the story unfolds, reminding us that this isn’t just about twists and turns and tension. This is about a young woman’s life being taken away. There’s also a narrative from a character called Ben, cleaning his van and  lamenting over the sheer amount of blood. Having watched forensic programmes he’s aware he might have to torch the van because no matter how vigorously he cleans, will it really be spotless? He’d hoped just to scare her off, but it went too far. He’s also blackmailing someone, considering asking for more money and leaving his victim to stress a while. What is his connection to Beatrice and who is he blackmailing? 

The case is relatively speedy, despite it’s complexity and is very tense in parts with police chases, more victims and one very agitated pregnant woman. It was a really quick read for me, because it was such a great story that shows our past can and often does catch up with us. I really did enjoy Terry Venn on his first case. He’s quite the character and could just have easily turned out to be an absolute scally. Luckily, he’s more ‘poacher turned gamekeeper’, slipping into Scouse slang when the conversation demands, great for witnesses who are reluctant to talk. I’d happily read the rest of DI Carr’s cases. I hadn’t realised at first that this is just one of his many adventures, so I’m really going to enjoy seeing his character develop from book one. This reads well as a stand alone novel and I definitely recommend this to other readers who enjoy crime fiction. 

Posted in Sunday Spotlight

Sunday Spotlight: Uplifting and Comforting Recent and Upcoming Reads

Today I’m talking about the recent reads that I found uplifting or comforting, followed by a reminder of some reads I’m looking forward to this year. These are books I couldn’t put down, not because they were twisty or thrillers but because I loved the characters so much I had to know if they were going to change, to overcome their obstacles or have that breakthrough they needed to make life better.These are books of friendship, life changes, finding ourselves, romance, getting older and communicating with an octopus. I promise you’ll be getting all the feels.

Grace is one of those characters that you fantasise about having cocktails with and you already know you’d have the best time. Grace is stuck in traffic, it’s a boiling hot day and she’s melting. All she wants to do is get to the bakery and pick up the cake for her daughter’s birthday. This is one hell of a birthday cake, not only is it a Love Island cake; it has to say that Grace cares, that she’s sorry, that will show Lotte she loves her and hasn’t given up on their relationship. It’s shaping up to be the day from hell and as Grace sits in a tin can on boiling hot tarmac, something snaps. She decides to get out of the car and walk, leaving her vehicle stranded and pissing off everyone now blocked by a car parked in the middle of a busy road. So, despite the fact her trainers aren’t broken in, she sets off walking towards the bakery and a reunion with Lotte. There are just a few obstacles in the way, but Grace can see the cake and Lotte’s face when she opens the box. As she walks she recounts everything that has happened to bring her to where she is now. 

As Grace closes in on Lotte’s party, sweaty, dirty and brandishing her tiny squashed cake, it doesn’t seem enough to overturn everything that’s happened, but of course it isn’t about the cake. This is about everything Grace has done to be here, including the illegal bits. In a day that’s highlighted to Grace how much she has changed, physically and emotionally, her determination to get to Lotte has shown those who love her best that she is still the same kick-ass woman who threw caution to the wind and waded into the sea to save a man she didn’t know from drowning. That tiny glimpse of how amazing Grace Adams is, might just save everything. 

 

Our heroine is Lou, who moved to a small market town to care for her mother who was terminally ill. Since her death Lou has worked hard, selling the family home and buying a shop with flat above in the town centre. With builder Pete upstairs creating her living space, Lou has opened the shop and is looking at ways to save money and boost business. Pete puts her in touch with Maggie, another lady who has gone through a big change. Maggie’s a grandmother and often looks after her grandchildren in the house that was the family home. Maggie’s husband recently left her for a younger woman and she is rattling round in the big house. So, when Pete suggests that she rents a room to Lou until her flat is ready it turns out to be a lifeline for both of them. Finally, we have Donna, who works at her family’s hotel in the US. When her mother suffers a sudden mini-stroke, her conscience causes her to disclose a family secret – they are not Donna’s birth parents, her mother was a woman from a small market town in England. The thing that links these disparate women is a vintage dress. 1950’s in style and a stunning buttercup yellow this dress has a full circle skirt just made for dancing. Embroidered with meadow flowers, the dress hangs above the counter in Lou’s vintage shop and is the only item that isn’t for sale. It’s flanked by a picture of her mother Dorothy, the owner of the beautiful dress. I love vintage clothes and the descriptions of her shop really did draw me in. This story is about women supporting and inspiring each other and being their best selves. I liked the emphasis on self- care, from the clothing to taking control and finding our passion in life, instead of being the care givers we’re often expected to be. I felt like I’d been given a warm hug and I came away from the story smiling. There were strong female characters, forging friendships and achieving long held dreams. There are deep emotional aspects bringing flavour and depth to her story, but also enough icing and sprinkles to lift the spirits. Here the sprinkles were one of my favourite things, vintage clothing.

Allegra Bird’s arms are scattered with freckles, a gift from her beloved father. But despite her nickname, Freckles has never been able to join all the dots. So when a stranger tells her that everyone is the average of the five people they spend the most time with, it opens up something deep inside. The trouble is, Freckles doesn’t know if she has five people. And if not, what does that say about her? She’s left her unconventional father and her friends behind for a bold new life in Dublin, but she’s still an outsider. Now, in a quest to understand, she must find not one but five people who shape her – and who will determine her future.

Told in Allegra’s unique and vivid voice, this book is so heartwarming and full of humour. It’s about finding your own authentic self and being proud of where you’re from. The author contrasts genuine, warm and accepting people with the false, Instagram brigade who are more interested in how life looks than how it is. I loved the contrast between the city streets of Dublin and the wild Atlantic island Allegra calls home. She has to make a decision about where her home is, which place truly suits the person she is instead of the woman she thought she had to be. All through the novel I found myself smiling and that was exactly what I needed at this moment.

This was one of those books where it only took a couple of pages for me to be ‘in’ the author’s world and completely convinced by her main character. Meredith hasn’t left her house for more than a thousand days, but her inner world is so rich and full. She was absolutely real to me and I could easily imagine having a coffee and a catch up with her. We meet her at a crossroads in life. She’s trying to make changes. Her daily life is quite full, she works from home as a writer and between work she bakes, exercises by running up and down the stairs, reads and fills in jigsaws of amazing places from all over the world. The jigsaws are the key. Meredith doesn’t stay inside from choice, just standing outside her front door gives her a wave of rising panic. Meredith feels a terrible fear, her heart starts hammering out of her chest, her throat begins to close and she feels like she’s going to die. However, as she looks at yet another jigsaw of something she’d love to travel and see in person, she becomes determined to live a fuller life. Meredith has sessions with an online counsellor and a new addition to her weekly calendar is a visit from Tom, who is a volunteer with a befriending society. With this support and that of her long time best friend Sadie, can Meredith overcome her fear and come to terms with the events behind her phobia?

The gradual upsurge of positivity in Meredith’s life is exhilarating to read, but it’s also necessary because I knew that I was also getting closer to finding out what had brought Meredith home one day, close her door and not go out again. Claire Alexander balances this beautifully and where many authors might have gone for the schmaltzy ending, she doesn’t. She keeps it realistic and in doing so made me aware of everything that Meredith has had going for her all along. She’s so self-aware, independent and knows who she is. Above all, even as she starts to overcome her demons she’s determined to do it on her own two feet. She appreciates support, but gives it as well. She doesn’t want to become dependent on an emotional crutch. Meredith is perfectly ok. Alone. 

This book was a joy. That’s going to seem odd when I explain what it’s about, but it is joyful and full of life. Even though at it’s centre there’s a death. Ash and Edi have been friends forever, since childhood in fact. They’ve gone through adolescence together: survived school; other girls; discovering boys and even that awkward phase of starting adult life, when one went to college and the other stayed behind. They’ve both married and been each other’s maids of honour and become mothers. Instead of any of these things pulling them apart they’ve remained platonic partners in life. However, now Edi is unwell and decisions need to be made. After years of struggle with being, treatment, remission and recurrence, Edi now has to decide how she’ll be dying. With all the hospices locally being full, Ash makes an offer – if Edi comes to a hospice near Ash, she can devote time to being with her and Edi’s husband can get on with every day life for her son Dash. There’s a hospice near Ash that’s like a home from home, with everything that’s needed medically, but the informality and personal touch of a family. Now Ash and Edi have to negotiate that strange contradiction; learning how to live, while dying.

This is just the sort of book I enjoy, full of deep emotion but also humour, eccentric characters and situations. It takes us through a process of how someone’s life and death changes those around them, with unexpected behaviours and consequences all round. Before you think this sounds schmaltzy and sentimental I can assure you that these characters are not perfect. The author provides us with this loving picture but then undermines it slightly, so it isn’t perfect. We are imperfect beings and no one knows how they will react in a time like this, until we’re there. Catherine Newman shows this with realism, charm, humour and buckets of compassion.

I bought a second hand copy of this book with absolutely no knowledge of what I was getting, but when the first page is narrated by an octopus I’m there. After Tova Sullivan’s husband died, she began working the night cleaner shift at the Sowell Bay Aquarium. Ever since her eighteen-year-old son, Erik, mysteriously vanished on a boat over thirty years ago keeping busy has helped her cope. One night she meets Marcellus, a giant Pacific octopus living at the aquarium who sees everything, but wouldn’t dream of lifting one of his eight arms for his human captors – until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova’s son disappeared. And now Marcellus must use every trick his old body can muster to unearth the truth for her before it’s too late…

This is a thoroughly charming and unusual story that I happily spent a weekend reading. Our central characters Tova and a man called Cameron are so believable with interesting quirks. There’s a lovely humour to the story and it’s highly original, especially Marcellus who I’ll admit, I did fall in love with. His presence is surreal but adds so much to the story. Backed up by a cast of family and friends who really care for our characters, Cameron and Tova take us through grief, loss and regret towards new opportunities. This is a thoughtful story and Marcellus is worth the read alone.

Upcoming Novels For Your Wishlist

The Women at Ocean’s End by Faith Hogan 5th June 2025 Aria

The Light a Candle Society by Ruth Hogan 26th June 2025 Corvus

The Forest Hideaway by Sharon Gosling 28th August 2025 Simon & Schuster

The View from Lake Como by Adriana Trigiani 17th July 2025 Penguin

Dear Mrs Lake by AJ Pearce 3rd July 2025 Picador

Births Deaths & Marriages Laura Barnett 3rd June 2025 Doubleday

Table for One by Emma Gannon 24th April Harper Collins

One Night at the Chateau by Veronica Henry Out Now Orion

Posted in Sunday Spotlight

Sunday Spotlight: Uplifting and Comforting Reads. Veronica Henry.

I was totally new to Veronica Henry when I was invited onto a blog tour a couple of years ago. I was desperately in need of an uplifting read after a lot of dystopian and crime fiction. I read The Impulse Purchase and found a series of warm, charming and uplifting reads that are so light but full of strong and capable women trying to change their lives. The settings are gorgeous, romantic and so well described it’s like having a little holiday.

I spent an escapist couple of days reading about this interesting family of women all at a crossroads in life. Julia, great-grandmother and owner of the beautiful Wisteria House in the village of Rushbrook, has died and left behind four generations of women. There’s grandmother Cherry who was a model in the 1960’s; mother Maggie, the redoubtable owner of a food PR company; daughter Rose who is a new mum and volunteers at the local homeless charity; and Gertie, three years old and the apple of everyone’s eye. Aside from great-grandmother Julia’s death and Gertie’s birth, this is a family facing a lot of change. Maggie is still mourning the death of the love of her life, husband Frank. Maggie also faces change at work, as her apprentice has absconded taking some of the business with her. Rose has struggled with grief, but her job is giving her more confidence. Cherry organises a party to celebrate her husband’s retirement, Mike is an artist and photographer, retiring from teaching and looking forward to spending more time travelling with Cherry. They just need to finish the sale of Wisteria House, but Cherry sees something at the party that changes her mind and sets in place a new plan for all the women of the family. The Swan is Rushbrook’s public house and has been a family haunt for as long as they can remember. If Cherry does the unthinkable and use her inheritance to buy The Swan, could the women come together and turn it into something really special. This is uplifting and inspiring, as well as incredibly cozy.

Years ago, Juliet left a little piece of her heart in Paris – and now, separated from her husband and with her children flying the nest, it’s time to get it back! So she puts on her best red lipstick, books a cosy attic apartment near Notre-Dame and takes the next train out of London. Arriving at the Gare du Nord, the memories come flooding back: bustling street cafés, cheap wine in candlelit bars and a handsome boy with glittering eyes. But Juliet has also been keeping a secret for over two decades – and she begins to realise it’s impossible to move forwards without first looking back.

Something tells her that the next thirty days might just change everything…

Juliet is now a middle-aged, ghost-writer who’s at a huge crossroads in life. She and her husband have taken the very brave decision to separate as their last child leaves home for university. Most of their friends think they’re crazy, because the couple still get along, they’re probably the best of friends in fact. However, they feel they’ve drifted into two different paths. As her husband has embraced all things cycling – including the Lycra and the diet – Juliet isn’t enamoured and would rather curl up with a good book or go to the theatre. As the time to sell their large family home has come around, they can’t see the point of trying to meld their differing lifestyles into another joint home. So each will take half of the house sale and do their own thing and Juliet would like to take a trip into her past. Years ago, when she was still a teenager, Juliet went to work as an au pair in Paris, but returned in shame and sadness only a few month later. She has rented an apartment for a month to reacquaint herself with the city and spend some time writing her own story. However, revisiting the past is never easy and Juliet finds there are experiences she still needs to process and come to terms with. 

I found reading this book a little lie watching Sex and the City or perhaps more aptly, Emily in Paris which I binge-watched over the Christmas period. Everything about Juliet’s time in Paris is simply gorgeous from the description of the patisseries near her apartment, to the clothes worn by her friend ….. and the work Juliet starts on her book project. It’s romantic and simply gorgeous.

There are a couple of her novels that I’ve gathered up from charity shops and are on the the throwback pile. In A Night on the Orient Express one group of passengers are settling in to their seats and taking their first sips of champagne, the journey from London to Venice is more than the trip of a lifetime. From a mysterious errand; a promise made to a dying friend; an unexpected proposal; a secret reaching back a lifetime…there are so many reasons to be there… As the train sweeps on, revelations, confessions and assignations unfold against the most romantic and infamous setting in the world.

One night to fall in love.
One summer to change everything…

Over the last few months, Connie’s whole world has fallen apart. Her husband’s run off with an older woman, the magazine she works for has gone bust and she’s having to sell the family home. So when her beloved godmother, Lismay, begs her to help run the beautiful Château Villette, it couldn’t come at a better time…

No one knows the château quite like Connie. She spent a blissful summer there in her twenties, learning to cook delicious French food for the guests, ironing the lavender-scented sheets – and trying to resist the very handsome neighbour, Remy.

As soon as she arrives, it’s clear that the château is close to crumbling and Connie knows she’s going to have her work cut out. Could it be the fresh start she didn’t even know she needed – and will she find a way to save the château, before it’s too late?

Coming June 2025 from Orion

Meet the Author


I’m Veronica – otherwise known as Ronnie – and I’m delighted you’ve found your way here!

I love to take my readers somewhere they might like to be, whether a gorgeous house in the countryside or a seaside clifftop; a trip to Paris or on board the Orient Express. There, my characters go through the trials and tribulations of everyday life, embroiled in situations and dilemmas we can all relate to. And of course at the heart of my writing is love. All kinds of love, not just romantic: the love of friends and family, or a place, or a passion (food, wine and books, in my case . . .)

I also live by the sea and head to the beach every day with my dog Zelda. I love discovering new restaurants, and do a bit of sea swimming to offset the calories. I love a bit of upcycling too – never happier than when painting a set of bookshelves with a tin of Farrow and Ball.

My biggest writing influences are HE Bates, Nancy Mitford, Jilly Cooper and any book that has a big rambling house and an eccentric family.

You can find out more about me and my books by following me on Instagram and Facebook @veronicahenryauthor or on twitter @veronica_henry

Posted in Netgalley

The Princess by Wendy Holden 

It was all she ever wanted. Until her dreams came true…

The moving new novel about the young Diana.

Diana believes in love. Growing up amid the fallout of her parents’ bitter divorce, she takes refuge in romantic novels. She dreams of being rescued by a handsome prince.

Prince Charles loves his freedom. He’s in no rush to wed, but his family have other ideas. Charles must marry for the future of the Crown.

The right girl needs to be found, and fast. She must be young, aristocratic and free of past liaisons.

The teenage Diana Spencer is just about the only candidate. Her desperation to be loved dovetails with royal desperation for a bride.

But the route to the altar is full of hidden obstacles and people with their own agendas.

When she steps from the golden carriage on her wedding day, has Diana’s romantic dream come true?

Or is it already over?

Princess Diana hit the headlines when I was nine years old, perfect timing for me to buy into the fairytale and fall in love with her. I had my hair cut into Diana’s short style and I had one of her jumpers, well an Asda version, covered in sheep with one little black sheep in the bottom corner. When we look back at her life in retrospect, it could be that she was trying to tell us something. This book focuses on Diana’s earlier years, from her schooldays until that fairytale of a wedding which seemed to cement her into the consciousness of everyone, across the world. It was interesting to read more about her single life before dating Charles, a period that struck me as interesting when it was dramatised in The Crown. She had a busy, fun lifestyle sharing a flat with three friends and working in a nursery. Then as soon as the engagement was announced she was taken into apartments at Buckingham Palace, totally closed off from outside, but also from other members of the royal family. It was quiet, almost like a church, with no one reachable by phone and Charles on a tour abroad. His only thought in terms of company was to introduce her to Camilla Parker Bowles. 

The book did well when describing the dysfunctional way the Royals live. It’s an almost surreal existence with very specific rules to live by. When I read how much time each member spends alone I started to understand why they all have dogs. They don’t eat together daily, non-royals don’t come to the palace unless invited and each royal has their own quirks. For a 18-19 year old wandering round empty rooms and not being able to talk to friends must have been totally isolating. It was for her security of course, but it also meant she could be trained to fit the role she would play. She must have been so lonely. I’ve clearly read a lot of the same books as the author, because I knew about King Charles’s very odd boiled egg habits and the Queen Mother’s exploits in her home at Clarence House, but there were some things that were new to me. 

It was clear that Diana was a young girl full of life and romantic ideas about men and marriage. Wendy Holden tells the story through the eyes of Diana, her best friend at boarding school Sandy and Stephen Barry who was the Prince of Wales’s valet. The girls read paperback romances, the type of story written by Diana’s relative Barbara Cartland. When the girls imagine love at the age of 13, they imagine it being: ‘like a particularly delicious bath, deep and warm, with lots of bubbles.’ It conjures up a sense of comfort and pampering that I do actually feel sometimes with my other half, but a man who doesn’t know what love means isn’t equipped to love like that. The only people who pampered him were his servants, how can you provide what you’ve never had? I think Holden has captured the essence of a girl in adolescence, dreaming what her life might be. She’s a lively, bubbly girl who loves music and the company of others. She has a shy charm that’s so endearing, but her parents divorce has left a mark and I wondered whether it instilled in her a determination to get it right, which left me feeling a little sad for her.  

The second section of the novel definitely has a a melancholy feel, that shows us how well the author has brought the fun, young Diana to life. This is such a contrast. It also makes us realise how young she was to get married anyway, never mind becoming a future Queen of England. It is only six years since that journey with Sandy to boarding school. So, when she becomes engaged to the then Prince of Wales she was probably still expecting the comfort and care of a warm bath. She must have been disappointed at this moment. I always feel that Diana married the people on that day, rather than Charles. When she has some late doubts her sister Sarah warns her that her face is already on the tea towels. It’s too late. The pressure must have been immense. She has spent months hounded by the press and the famous moment where photographers captured her with a see through skirt is just one incidence of naivety on her part. She’s been getting thinner and her wedding dress needed taking in constantly. This isn’t the fairy tale love she’s dreamed about, more the matchmaking of two grandmothers living in the past and desperately trying to break off Charles’s adulterous relationship with Camilla.

I think the author attempted something very difficult here, to create a unique view of a story that’s a modern parable. Everyone knows a version of what happened. So, to create something that captures the voice of the most well known woman in the world, while bringing something new to her story, is near impossible. I think she partly succeeds. I didn’t learn anything new, but I did feel that I was listening to Diana in this story. It doesn’t have that compelling quality, because we already know about the divorce in 1996 and her death only a year later. I felt there was a bit of fire in this girl, despite her naivety. The rude awakening that she was simply a brood mare fuelled a fightback – the Andrew Morton book, the interview with Bashir and that last poignant summer are her pushing back against a system she felt used and abandoned by. A desperate need to be heard. I thought it was interesting to know she spent time with Princess Margaret, another young, royal woman who learned early on that her happiness came very low on the list of priorities. The royals never tried to be her family, missing that warmth and heart Diana was known for. I think this warmth, plus her fight and desire to buck the system is perhaps inherited by her son Harry. This was a well-researched book that really captured the spirit and personality of the most famous woman in the world. 

Out Now from Mountain Leopard Press

Posted in Netgalley

Clear by Carys Davies 

1843. On a remote Scottish island, Ivar, the sole occupant, leads a life of quiet isolation until the day he finds a man unconscious on the beach below the cliffs. The newcomer is John Ferguson, an impoverished church minister sent to evict Ivar and turn the island into grazing land for sheep. Unaware of the stranger’s intentions, Ivar takes him into his home, and in spite of the two men having no common language, a fragile bond begins to form between them. Meanwhile, on the mainland, John’s wife, Mary, anxiously awaits news of his mission.

Against the rugged backdrop of this faraway spot beyond Shetland, Carys Davies’s intimate drama unfolds with tension and tenderness: a touching and crystalline study of ordinary people buffeted by history and a powerful exploration of the distances and connections between us.

Clear is so beautifully set within some very significant events. In the 19th Century evangelical worshippers moved away from the Church of Scotland to form the Free Church of Scotland. Also, there was a second wave of Scottish landowners driving their tenants from the land, choosing to make a better profit grazing sheep, know as the Highland Clearances. Our characters are deeply involved with these events. John Ferguson has been a minister in the Church of Scotland, but his conscience draws him away towards the Free Church. This leaves him without an income since the new church isn’t yet established. John’s wife Mary may be the answer, because her brother-in-law asks a landowner if he could offer John a job. The job has one purpose, travelling to a remote island in the North Sea close to Norway. There he has to evict the landowner’s last remaining tenant, a man named Ivar who is barely scratching a living with a handful of livestock. However, Ivar doesn’t speak English, but an old dialect that’s a mix of Norwegian and Gaelic. John has just one month till the boat returns to take both of them back to Shetland. How will he convince Ivar to leave? 

The story is focused on the relationship these two men have to develop with each other and it starts in a way neither expect. The bailie’s house is empty as he’s already left the island so John plans to make it his base, but needs to find somewhere locally that he can wash. He finds a spring and decides to bathe, but he slips and falls down a cliff. Ivar finds the unconscious man and takes him to his own hut. As John slowly regains consciousness and begins his recovery, the two man have to work out a way of speaking to each other and eventually John has to explain what he’s there for. As we watch their relationship grow and how they work on communication, Mary has grown worried about John. She thinks he may have taken on the task without enough preparation and she decides to travel out there and join him. The narrative felt like being a fly on the wall to to these events. Once the three are together I had the strange feeling that this was really happening and I was simply watching history, bearing witness to the emotions flowing between them. 

This is such a gentle story that contains so much. Instead of pushing an agenda or viewpoint, the author just lets it play out naturally. Nature is so much more than just a setting, it’s life itself. The island is mercurial, with it’s changeable weather creating the mood. Ivar lives entirely off this land, his life a routine of hard work and at home he spins wool or knits. Even the regular agent who collects rent for the landowner is paid in wool, feathers or wrack. Ivar is part of this island, a bear of a man with only his animals for company. There’s a purity to his life that’s almost spiritual, an interesting contrast to John’s organised religion. There’s so much going on under the surface of the story, told in the tiny details of everyday life: their gestures, the intimacies they share and how those connections change as a language is formed between them. It’s interesting to see the established dynamic of John and Ivar affecting how Mary settles into the cottage. The men’s connection brings the three of them into a unit, so that they don’t feel like a married couple and a lone man any more. Each of them forms a strong connection with each other and the landscape. I found reading this an almost meditative experience, because it’s so slow and calm. The ending came suddenly and was a shock. 

Published by Granta 7th March 2025

Meet the Author

Carys Davies’s debut novel West (2018) was shortlisted for the Rathbones Folio Prize, runner up for the Society of Authors’ McKitterick Prize, and winner of the Wales Book of the Year for Fiction. Her second novel The Mission House was first published in the UK in 2020 where it was The Sunday Times 2020 Novel of the Year.

She is also the author of two collections of short stories, Some New Ambush and The Redemption of Galen Pike, which won the 2015 Frank O’Connor International Short Story Award and the 2015 Jerwood Fiction Uncovered Prize. She is the recipient of the Royal Society of Literature’s V.S. Pritchett Prize, the Society of Authors’ Olive Cook Short Story Award, a Northern Writers’ Award, a Cullman Fellowship at the New York Public Library, and is a member of the Folio Academy. Her fiction has been translated into nine languages.

Born in Wales, she grew up there and in the Midlands, lived and worked for twelve years in New York and Chicago, and now lives in Edinburgh.

Posted in Netgalley

Garden of her Heart by Zoe Richards

I was immediately attracted to this book because of it’s themes of trauma and recovery, something I have personal and professional experience with. This is an ultimately uplifting story of healing that was the perfect antidote to the current news cycle and being pretty much housebound due to illness. The story is set on a well-being retreat and follows one loner, two secrets and three weeks at Pinewoods Retreat. When Holly Bush (yes, that’s her name ) is made redundant with gardening leave, after suffering a brutal attack. She decides to visit a retreat not far from home, finding friendship and a garden in need of love. She ends up doing literal gardening leave and journals her way through the holiday, working on both her mental and physical scars as well as discovering an inner strength and resilience.

I’d been looking forward to reading this, but the TBR and my health got in the way. Although, perhaps this was the perfect time to read it. Zoe is open about her own journey with mental health and it’s something that will resonate with a lot of people. I bonded with Holly very quickly and was rooting for immediately. I thought all of the characters were very real and the owners of the retreat, Dee and Lorraine, were incredibly authentic and seemed to truly care about their residents. They reminded me of people I’ve worked with and thank goodness for people like this! The other residents were an interesting mix and I loved watching Holly’s relationship with Bex, Ruth and San grow into friendship and mutual support. They all felt honest and real. Hunter, the odd-job guy, was a bit of a fox and almost made me want to pick up a trowel and get planting. I loved the journaling aspects of the retreat, because it’s something I’ve taught for some time in mental health settings and for people with acquired disabilities. It makes such a difference to people’s wellbeing and their acceptance of a huge life change. I loved facilitating these sessions and being unable to work at the moment it was lovely to be back in that atmosphere.

The story is moving and there are sad parts, these are people who are healing and they need to process their trauma in order to move on. There are characters who don’t behave very well, but they’re on their own healing journey and it really isn’t easy. I found it moving as people let go of all the fear, anger and frustration they were feeling. There’s something so beautiful about seeing someone blossom this way and the garden was obviously a great metaphor for that. It’s why I chose the lotus flower as my logo for counselling because of the quote about it growing from a muddy pod; beautiful and strong. There was just so much hope for the future, not to mention the enduring friendships that are made. I think Zoe captured the sense of peace that comes from being your authentic self. While there is a hint of romance, I loved the way it was kept in the background, with the friendship and trust between Holly and the new allies being the most important part. This is a great debut, creating a place of healing that readers could easily be inspired by. It’s not just a enjoyable story, I think a lot of people will identify with it and perhaps start their own recovery journey. It’s a book that will stay in my uplifting reads for those grey days when I need comfort from what I’m reading. 

Out now from UCLan Publishing

Meet the Author

Zoë Richards was inspired to write Garden of Her Heart by being a suicide survivor from which she learned the healing that worked best for her, which is not the same for everyone. Dog walks around the Formby pinewoods, not far from her home, gave her the location, in an area known locally as The Lost Resort, a town that never came into existence, close to the sea. In the woods there is a sole Victorian house, standing alone on a cinder track, and this is the inspiration for the location of Pinewoods Retreat. She lives in Southport, near Liverpool, has been married to Rob for 34 years, and they have a grown-up daughter and a cockapoo who will never grow up. She worked for the NHS as an improvement programme manager, reforming how children and young people with special educational needs and disabilities are supported in healthcare. Writing gives her an escape from the intensity of work and from caring for her elderly mother.

Zoë is an author and host of the podcast, Write, Damn It!. She has written for national magazines for many years. She is represented by Clare Coombes of The Liverpool Literary Agency and her debut novel, Garden of Her Heart, a novel about recovery, community and purpose, was published by UCLan Publishing in June 2024. Her second novel, Tell It To The Bees is a standalone sequel, and is out in August 2025.

With over 30 years of experience of working on mindset, and a teacher of coaching for over 25 years, Zoë hosts the Write, Damn It! podcast, where she has weekly conversations with authors, and offers doses of support to writers. She also coaches writers to overcome their demons and blocks, and helps them get the writing done. Much of what she uses on mindset comes from lived experience, as she is a suicide survivor who learned how to get through the darkest times using mindset and wellbeing support. 

Zoë lives on the Merseyside coast with her husband and MillyMoo the cockapoo. She has an adult daughter and a granddaughter – and best not forget Peanut the grandpup too.

Posted in Throwback Thursday

The Giver of Stars by Jojo Moyes.

When I first read The Giver of Stars I felt it was a totally different type of Jojo Moyes novel. Using the historical setting of the Great Depression, she takes us to a town in rural Kentucky., where most people work in the Van Cleeve family’s mines and levels of rural poverty are high. In Kentucky, African-Americans are still subject to segregation and middle class women are expected to stay home and know their place. Women in poorer families are working hard while trying their best to feed and look after ever-growing families. Into this setting comes Alice, the English bride of the heir to the mining fortune, Bennet Van Cleeve. Bennet is handsome and considerate, and their marriage seems to start well but once they reach the family home things change. Bennet has lived with his father, following the death of his mother and the house is still being run to her exacting standards. Alice finds she has little to do, with a house is full of her late mother-in-laws ornaments and china dolls, especially since Mr Van Cleeve doesn’t like anything to be out of it’s normal place. More worrying is the change in Bennet now they are home. Despite showing some desire at the beginning, the proximity to his father is affecting their sex life. Several months down the line their marriage is still unconsummated and Mr Van Cleeve keeps hinting about grandchildren, adding to the pressure.

When a town meeting is called to discuss President Roosevelt’s initiative to get the rural poor reading, Alice senses an outlet for her energy. Margery O’Hare will head up the initiative, a wonderfully outspoken and self-sufficient women who doesn’t listen to the opinion of anyone else, particularly men. She opens a door for Alice, out of the claustrophobic Van Cleeve household and into the wild forests of Kentucky. Alice learns to ride a mule, and along with Margery and two other local women she sets out as a librarian for the Packhorse Library. At first, rural locals are suspicious of an Englishwoman coming to the door offering them books, but soon Alice finds a way in and starts to be trusted. She also finds she likes the open air, the smells of the forest and singing of the birds. There is also the freedom to be in more casual dress and the camaraderie she is building up with her fellow librarians. She is close to Margery and when she confides about her marriage, Margery loans her a book she has been sneaking out with the novels and recipes. It is an instruction book on married love and Margery has been loaning it to poor women on her rounds who are inundated with children and need educating about sex. Alice takes the book home and a series of events are set in motion that will change not only the Van Cleeve household, but the whole town.

Mr Van Cleeve is determined to deal with Margery O’Hare once and for all, as he vows to destroy the Packhorse Library altogether. Margery is sure that a devastating flood had more behind it than high rainfall and suspects the mines. She has left herself vulnerable though, with what Van Cleeve sees as transgressive behaviour: she is exposed as having a relationship out of wedlock, she has hired an African-American woman who used to run the coloured library and she is encouraging townswomen to take control of their own lives. She seems impervious to other people’s disapproval so what lengths will he have to go to in order to stop her?

This was a beautifully written book and was on holiday when reading. I encouraged my other half to go fishing so I could stay in the holiday cottage to read it. It is so well researched, with real and authentic characters I fell in love with. Moyes manages to capture the tensions and societal changes of the Depression, depicting rural poverty, domestic abuse, and the rise of feminine power. We can see new attitudes towards race and feminism particularly where marriage and sex are concerned. Progressive attitudes come up against old money and old values in a tragic way. It was interesting to re-read it with the backdrop of Trump’s America where such traditional values are being forced on women in many states. I found myself desperate for the progressive characters and attitudes to prevail and it was this that built the tension and kept me reading till 2am! This was real, romantic and simply great storytelling. It’s an absolute must read and one of her best novels to date.

Posted in Random Things Tours

Madame Matisse by Sophie Haydock 

This is the story of three women – one an orphan and refugee who finds a place in the studio of a famous French artist, the other a wife and mother who has stood by her husband for nearly forty years. The third is his daughter, caught in the crossfire between her mother and a father she adores.

Amelie is first drawn to Henri Matisse as a way of escaping the conventional life expected of her. A free spirit, she sees in this budding young artist a glorious future for them both. Ambitious and driven, she gives everything for her husband’s art, ploughing her own desires, her time, her money into sustaining them both, even through years of struggle and disappointment.

Lydia Delectorskaya is a young Russian emigree, who fled her homeland following the death of her mother. After a fractured childhood, she is trying to make a place for herself on France’s golden Riviera, amid the artists, film stars and dazzling elite. Eventually she finds employment with the Matisse family. From this point on, their lives are set on a collision course….

Marguerite is Matisse’s eldest daughter. When the life of her family implodes, she must find her own way to make her mark and to navigate divided loyalties.

Based on a true story, Madame Matisse is a stunning novel about drama and betrayal; emotion and sex; glamour and tragedy, all set in the hotbed of the 1930s art movement in France. In art, as in life, this a time when the rules were made to be broken…

Almost eleven years ago my lovely arty friend Mandy wanted to visit the Matisse exhibit at Tate Britain. I really hope I didn’t ruin it for her. I probably did. I confess I’m not a lover of modernist art. We went to the Guggenheim in New York and I proclaimed it disappointing. We had to go across to the MET and see their collection of Impressionists to cheer me up. My loves are the Pre-Raphaelites and the Art Nouveau/ Arts and Crafts period so we’re a long way away from each other in preference. Art is her subject so I’m happy to own that she certainly knows a lot more than me. I was interested to read in her afterword that the author has always had an interest in Matisse, with a black and white postcard of him on her notice board for several years. I have one of Gustav Klimt wearing an artist’s smock and clutching a cat, with a look of devilment on his face. It makes me smile whenever I see it so I understand how a particular artist can inspire your imagination. Sophie’s first novel, The Flames, was about a protégé of Klimt. It was narrated by the women in the life of Egon Schiele, the subjects of four of his paintings. Here she takes a similar look at the women who surrounded Henri Matisse, showing how they advised, supported and sustained him in his endeavours, but remained completely in the background to his talent. 

The story starts with Amélie, an incredibly brave young woman who takes a chance on marrying an artist rather than a more conventionally acceptable partner. She sees something in Matisse’s paintings, recognising the way his work could be at the forefront of modernism. Previously his colourful style has been rejected for exhibition in Paris, but Amélie knows that innovative artists often take a while to break through. In fact it is a painting of Amélie that is the catalyst for Henri’s career to take off. Woman in a Hat is exhibited in Paris and bought by siblings Gertrude and Leo Stein, a bohemian pair central to the art world throughout the early 20th Century. This is where Amélie makes the bravest and most important decision of her husband’s career. The Stein’s offered only two thirds of the asking price. Eager to make a sale to the influential pair, Henri is willing to give the discount but Amélie advises him to wait and hold out for the asking price. He takes her counsel and they go and meet the Steins, convincing them that Henri is central to the next great artistic movement. The Steins pay the full price. The couple are a great team with Amélie making all the household and business decisions, freeing Henri to paint and become a famous member of the Fauvist Movement. She also brings Henri’s daughter Marguerite into their growing family, when her own mother is struggling to care for her. Yet, not everything about their relationship runs smoothly. Once they are able to afford a family home with a garden and studio for Henri, Amélie’s help is no longer needed. Henri takes on a series of young assistants and Amélie has the more traditional wife’s role which doesn’t suit her. It’s fascinating to read about the changes, once their joint struggle is over they cease to become a team and the problems begin. 

Woman in a Hat

Another section of the novel is devoted to Marguerite, Henri’s illegitimate daughter. Once Amélie has brought her to live within their family, Marguerite seems to blossom under the care of her stepmother. She also makes herself useful to her father, tidying his studio and anticipating his needs. It is interesting to hear about Amélie and Henri’s relationship from her perspective and her anxieties that the family she’s been brought into, stays together. She shares a lot of Amélie’s suspicions about some of the assistants who breeze in and out of their lives. She’s also a strong advocate for her stepmother, even into her parent’s old age. Yet there were times when I felt she was taken advantage of by Amélie and her father. There’s a sense in which, despite seeming kind, loyal and trustworthy, Matisse does use the women around him. The household was entirely groomed to anticipate his needs and the women are sacrifices for his artistic genius. 

Most interesting to me was Lydia Delektorskaya, born in Tomsk, Russia, in the tumultuous period after the revolution. After the murders of the Royal family, Lydia has just lost her mother when her father decides she must leave the country. He gives her a gun with three bullets left in their chambers and sends her to China on the Trans-Siberian Express with her Aunt Berthe. After building a life there Lydia must make a choice between the Sorbonne in Paris or to marry her lifelong friend and stay. Lydia takes neither choice and instead aims for the South of France, a place that couldn’t be more different to the place she was born. She spends time working in a bar but when she sees a job with the Matisse family she decides to apply. The job is to look after Henri’s wife Amélie who has a chronic illness and is confined to their apartment. Lydia has experience of working with her mum and her aunt and felt fulfilled by her caring role. Once she starts work though, some of her duties are to assist Henri in his studio, eventually sitting for portraits and sketches. Amélie eyes their relationship with suspicion despite there being no evidence of impropriety. This is more than an affair, it’s a meeting of souls and when ultimatums are made they have terrible consequences. 

Marguerite Asleep

I loved reading about these fascinating women, all of which step outside the traditional role of most women of the time. Sophie beautifully situates Matisse within his peer group, especially his great rival Picasso. She situates each woman perfectly within their history, the most in depth being Lydia’s Russian background and Marguerite’s incredible bravery in WW2. Both are fascinating to read and show us the extreme cruelty and playbook of totalitarian regimes. She also shows us how incredibly brave and resourceful each woman is, more involved in the world and bigger risk takers than Matisse. Lydia’s realisation of what her father truly sacrificed to stay in Russia happens when she is older. First they came for the royal family and aristocracy, then those with intelligence and  the ability to challenge them, just as the Nazis did in Poland. This perhaps has more resonance thanks to current world events. I thoroughly enjoyed looking up the paintings mentioned and seeing Matisse’s representation of the three women who were closest to him and I found myself reading articles about him and Picasso. It left me with a sense of anger and empathy for how much women sacrifice so that men can excel at what they do, realising their ambitions while their wive’s ambitions are forgotten or buried under a suffocating mental load – still the thing women in my group talk about most. These women never take the limelight away from Matisse, even while stripped bare for people to view. The focus is always on the painter, their brush strokes, choice of colour and artistic decisions. I love that in this novel they are more than body parts, they’re shown as the vital, brave, complex and generous women they clearly were.  

Lydia Delectorskaya

Meet the Author


Sophie Haydock is an author, editor and journalist (Sunday Times, Financial Times, Guardian), based in Folkestone, Kent, where she is curator of Folkestone Book Festival. Her debut, The Flames – about the women who posed for the scandalous artist Egon Schiele in Vienna a century ago – was named by the Times as one of the Best Historical Fiction Books of 2022. It was longlisted for the HWA Debut Crown Award, and the Italian translation, Le Fiamme, won the Premio Letterario Edoardo Kihlgren for debut novels. She worked for the Sunday Times Short Story Award and is associate director of the Word Factory. Her Instagram @egonschieleswomen has 110,000 followers. Visit: sophie-haydock.com

Posted in Throwback Thursday

Throwback Thursday! City of Girls by Elizabeth Gilbert.

When one of my favourite authors writes a new book I always experience a confusing mix of emotions. Excitement and anticipation mix with fear; will I love it as much as I love their last book? I don’t want to be disappointed. Since there’s a new Liz Gilbert out this year I thought I’d share my review of her last novel, City of Girls. Like a lot of readers my first encounter with Gilbert’s writing was Eat, Pray, Love; a book that was nothing short of a cultural phenomenon, not to mention the following hit film. For me, it was her novel The Signature of All Things that caught the imagination. The combination of a sparky and intelligent heroine, the feminist theme and the historical detail came together in a beautifully woven story. So as the publication date approached for this new novel I desperately wanted it to live up to her first.

I shouldn’t have worried. City of Girls is a joyous, exhilarating riot of a book. Our narrator, Vivian, plunges us into 1940s Manhattan where she is sent by her parents after expulsion from Vassar. There she is placed in the care of her Aunt Peg who runs the, slightly ramshackle, Lily Theatre. I was suddenly immersed in the bohemian world of theatre people where Vivian soon finds her niche. At Vassar she made friends by creating outfits for the other girls on her trusty sewing machine. So, in her new rooms above the theatre she is soon surrounded by showgirls wanting costumes. I have an interest in fashion and sewing, so I really enjoyed the descriptions of Vivian’s creations, made on a shoestring with a lot of help from Lowtsky’s vintage clothing store downtown. Yet not everything is as it seems on the surface. Is her friendship with showgirl Celia as mutual as it appears? What influence does the matronly and doom laden Olive have over Aunt Peg? Where is Uncle Billy, whose rooms Vivian has been using since her arrival?

 Some of these questions are answered during the production of the brand new play City of Girls. Aunt Peg’s friend Edna Parker Watson comes to stay after losing her London home during the Blitz. Edna is a talented theatre actress who is petite, beautiful and impeccably dressed. She arrives at the Lily with her huge wardrobe and her very famous and much younger husband, Arthur. Every member of the theatre company does their very best to get this musical off the ground and make it a success. Vivian works hard on her costume designs, but also finds herself becoming an unofficial PA and friend to Edna. Determined to put on the best show they can to turn the Lily Theatre’s fortunes around, Aunt Peg agrees to audition for new actors. When Vivian meets Anthony, the new leading man, she falls in love for the very first time. But alongside the awakening of first love, Vivian will also have her eyes opened to how cruel showbiz and the wider world can be. Several revelations teach her that not everyone can be trusted, the most unexpected people can come to your aid, and Vivian realises she has been walking around with her eyes closed. As the Second World War moves ever closer to their shores Vivian is left with a reckoning of her own. Does she want the respectable, quiet life her family expects or does she want to make her own way in a city and a career that is anything but quiet?  

You will fall in love with Vivian as she takes you into her past and candidly shares her exploits in 1940s NYC. She takes you from theatre, to nightclub to a dingy apartment in Hell’s Kitchen where she conducts her first love affair. She holds nothing back and I felt her delight at encountering the bohemian characters of the theatre, her passion and ingenuity for costume work and her discovery of a city laid out before her like a playground. She allows us to experience her growing up with every triumph and mistake she makes along the way. Such an engaging central character is well matched with other beautifully drawn female characters from the dowdy killjoy Olive who has surprising depths, the enigmatic Edna Parker Watson, the brisk and sometimes foolhardy Aunt Peg to the glamorous showgirl Celia who leads our narrator into a world of nightclubs, make-up and disposable men. The women in this novel are strong, surprising and all teach Vivian something about the kind of woman she wants to be. The novel emphasises the importance of strong female role models or mentors in both our personal and working life. I found myself torn between bingeing on this book or savouring it slowly: I wanted to know what happened next but I didn’t want my adventures with Vivian to come to an end. 

Meet the Author


Elizabeth Gilbert is an award-winning writer of both fiction and non-fiction. Her short story collection Pilgrims was a finalist for the PEN/Hemingway award, and her novel Stern Men was a New York Times notable book. In 2002, she published The Last American Man, which was a finalist for both the National Book Award and the National Book Critics’ Circle Award. She is best known for her 2006 memoir Eat, Pray, Love, which was published in over thirty languages and sold more than seven million copies worldwide. The film, released in 2010, stars Julia Roberts and Javier Bardem. Committed: A Sceptic Makes Peace with Marriage, a follow-up to Eat, Pray, Love, was published in 2010. Elizabeth Gilbert lives in New Jersey, USA.