When I first read The Giver of Stars I felt it was a totally different type of Jojo Moyes novel. Using the historical setting of the Great Depression, she takes us to a town in rural Kentucky., where most people work in the Van Cleeve family’s mines and levels of rural poverty are high. In Kentucky, African-Americans are still subject to segregation and middle class women are expected to stay home and know their place. Women in poorer families are working hard while trying their best to feed and look after ever-growing families. Into this setting comes Alice, the English bride of the heir to the mining fortune, Bennet Van Cleeve. Bennet is handsome and considerate, and their marriage seems to start well but once they reach the family home things change. Bennet has lived with his father, following the death of his mother and the house is still being run to her exacting standards. Alice finds she has little to do, with a house is full of her late mother-in-laws ornaments and china dolls, especially since Mr Van Cleeve doesn’t like anything to be out of it’s normal place. More worrying is the change in Bennet now they are home. Despite showing some desire at the beginning, the proximity to his father is affecting their sex life. Several months down the line their marriage is still unconsummated and Mr Van Cleeve keeps hinting about grandchildren, adding to the pressure.
When a town meeting is called to discuss President Roosevelt’s initiative to get the rural poor reading, Alice senses an outlet for her energy. Margery O’Hare will head up the initiative, a wonderfully outspoken and self-sufficient women who doesn’t listen to the opinion of anyone else, particularly men. She opens a door for Alice, out of the claustrophobic Van Cleeve household and into the wild forests of Kentucky. Alice learns to ride a mule, and along with Margery and two other local women she sets out as a librarian for the Packhorse Library. At first, rural locals are suspicious of an Englishwoman coming to the door offering them books, but soon Alice finds a way in and starts to be trusted. She also finds she likes the open air, the smells of the forest and singing of the birds. There is also the freedom to be in more casual dress and the camaraderie she is building up with her fellow librarians. She is close to Margery and when she confides about her marriage, Margery loans her a book she has been sneaking out with the novels and recipes. It is an instruction book on married love and Margery has been loaning it to poor women on her rounds who are inundated with children and need educating about sex. Alice takes the book home and a series of events are set in motion that will change not only the Van Cleeve household, but the whole town.
Mr Van Cleeve is determined to deal with Margery O’Hare once and for all, as he vows to destroy the Packhorse Library altogether. Margery is sure that a devastating flood had more behind it than high rainfall and suspects the mines. She has left herself vulnerable though, with what Van Cleeve sees as transgressive behaviour: she is exposed as having a relationship out of wedlock, she has hired an African-American woman who used to run the coloured library and she is encouraging townswomen to take control of their own lives. She seems impervious to other people’s disapproval so what lengths will he have to go to in order to stop her?
This was a beautifully written book and was on holiday when reading. I encouraged my other half to go fishing so I could stay in the holiday cottage to read it. It is so well researched, with real and authentic characters I fell in love with. Moyes manages to capture the tensions and societal changes of the Depression, depicting rural poverty, domestic abuse, and the rise of feminine power. We can see new attitudes towards race and feminism particularly where marriage and sex are concerned. Progressive attitudes come up against old money and old values in a tragic way. It was interesting to re-read it with the backdrop of Trump’s America where such traditional values are being forced on women in many states. I found myself desperate for the progressive characters and attitudes to prevail and it was this that built the tension and kept me reading till 2am! This was real, romantic and simply great storytelling. It’s an absolute must read and one of her best novels to date.
This is the story of three women – one an orphan and refugee who finds a place in the studio of a famous French artist, the other a wife and mother who has stood by her husband for nearly forty years. The third is his daughter, caught in the crossfire between her mother and a father she adores.
Amelie is first drawn to Henri Matisse as a way of escaping the conventional life expected of her. A free spirit, she sees in this budding young artist a glorious future for them both. Ambitious and driven, she gives everything for her husband’s art, ploughing her own desires, her time, her money into sustaining them both, even through years of struggle and disappointment.
Lydia Delectorskaya is a young Russian emigree, who fled her homeland following the death of her mother. After a fractured childhood, she is trying to make a place for herself on France’s golden Riviera, amid the artists, film stars and dazzling elite. Eventually she finds employment with the Matisse family. From this point on, their lives are set on a collision course….
Marguerite is Matisse’s eldest daughter. When the life of her family implodes, she must find her own way to make her mark and to navigate divided loyalties.
Based on a true story, Madame Matisse is a stunning novel about drama and betrayal; emotion and sex; glamour and tragedy, all set in the hotbed of the 1930s art movement in France. In art, as in life, this a time when the rules were made to be broken…
Almost eleven years ago my lovely arty friend Mandy wanted to visit the Matisse exhibit at Tate Britain. I really hope I didn’t ruin it for her. I probably did. I confess I’m not a lover of modernist art. We went to the Guggenheim in New York and I proclaimed it disappointing. We had to go across to the MET and see their collection of Impressionists to cheer me up. My loves are the Pre-Raphaelites and the Art Nouveau/ Arts and Crafts period so we’re a long way away from each other in preference. Art is her subject so I’m happy to own that she certainly knows a lot more than me. I was interested to read in her afterword that the author has always had an interest in Matisse, with a black and white postcard of him on her notice board for several years. I have one of Gustav Klimt wearing an artist’s smock and clutching a cat, with a look of devilment on his face. It makes me smile whenever I see it so I understand how a particular artist can inspire your imagination. Sophie’s first novel, The Flames, was about a protégé of Klimt. It was narrated by the women in the life of Egon Schiele, the subjects of four of his paintings. Here she takes a similar look at the women who surrounded Henri Matisse, showing how they advised, supported and sustained him in his endeavours, but remained completely in the background to his talent.
The story starts with Amélie, an incredibly brave young woman who takes a chance on marrying an artist rather than a more conventionally acceptable partner. She sees something in Matisse’s paintings, recognising the way his work could be at the forefront of modernism. Previously his colourful style has been rejected for exhibition in Paris, but Amélie knows that innovative artists often take a while to break through. In fact it is a painting of Amélie that is the catalyst for Henri’s career to take off. Woman in a Hat is exhibited in Paris and bought by siblings Gertrude and Leo Stein, a bohemian pair central to the art world throughout the early 20th Century. This is where Amélie makes the bravest and most important decision of her husband’s career. The Stein’s offered only two thirds of the asking price. Eager to make a sale to the influential pair, Henri is willing to give the discount but Amélie advises him to wait and hold out for the asking price. He takes her counsel and they go and meet the Steins, convincing them that Henri is central to the next great artistic movement. The Steins pay the full price. The couple are a great team with Amélie making all the household and business decisions, freeing Henri to paint and become a famous member of the Fauvist Movement. She also brings Henri’s daughter Marguerite into their growing family, when her own mother is struggling to care for her. Yet, not everything about their relationship runs smoothly. Once they are able to afford a family home with a garden and studio for Henri, Amélie’s help is no longer needed. Henri takes on a series of young assistants and Amélie has the more traditional wife’s role which doesn’t suit her. It’s fascinating to read about the changes, once their joint struggle is over they cease to become a team and the problems begin.
Woman in a Hat
Another section of the novel is devoted to Marguerite, Henri’s illegitimate daughter. Once Amélie has brought her to live within their family, Marguerite seems to blossom under the care of her stepmother. She also makes herself useful to her father, tidying his studio and anticipating his needs. It is interesting to hear about Amélie and Henri’s relationship from her perspective and her anxieties that the family she’s been brought into, stays together. She shares a lot of Amélie’s suspicions about some of the assistants who breeze in and out of their lives. She’s also a strong advocate for her stepmother, even into her parent’s old age. Yet there were times when I felt she was taken advantage of by Amélie and her father. There’s a sense in which, despite seeming kind, loyal and trustworthy, Matisse does use the women around him. The household was entirely groomed to anticipate his needs and the women are sacrifices for his artistic genius.
Most interesting to me was Lydia Delektorskaya, born in Tomsk, Russia, in the tumultuous period after the revolution. After the murders of the Royal family, Lydia has just lost her mother when her father decides she must leave the country. He gives her a gun with three bullets left in their chambers and sends her to China on the Trans-Siberian Express with her Aunt Berthe. After building a life there Lydia must make a choice between the Sorbonne in Paris or to marry her lifelong friend and stay. Lydia takes neither choice and instead aims for the South of France, a place that couldn’t be more different to the place she was born. She spends time working in a bar but when she sees a job with the Matisse family she decides to apply. The job is to look after Henri’s wife Amélie who has a chronic illness and is confined to their apartment. Lydia has experience of working with her mum and her aunt and felt fulfilled by her caring role. Once she starts work though, some of her duties are to assist Henri in his studio, eventually sitting for portraits and sketches. Amélie eyes their relationship with suspicion despite there being no evidence of impropriety. This is more than an affair, it’s a meeting of souls and when ultimatums are made they have terrible consequences.
Marguerite Asleep
I loved reading about these fascinating women, all of which step outside the traditional role of most women of the time. Sophie beautifully situates Matisse within his peer group, especially his great rival Picasso. She situates each woman perfectly within their history, the most in depth being Lydia’s Russian background and Marguerite’s incredible bravery in WW2. Both are fascinating to read and show us the extreme cruelty and playbook of totalitarian regimes. She also shows us how incredibly brave and resourceful each woman is, more involved in the world and bigger risk takers than Matisse. Lydia’s realisation of what her father truly sacrificed to stay in Russia happens when she is older. First they came for the royal family and aristocracy, then those with intelligence and the ability to challenge them, just as the Nazis did in Poland. This perhaps has more resonance thanks to current world events. I thoroughly enjoyed looking up the paintings mentioned and seeing Matisse’s representation of the three women who were closest to him and I found myself reading articles about him and Picasso. It left me with a sense of anger and empathy for how much women sacrifice so that men can excel at what they do, realising their ambitions while their wive’s ambitions are forgotten or buried under a suffocating mental load – still the thing women in my group talk about most. These women never take the limelight away from Matisse, even while stripped bare for people to view. The focus is always on the painter, their brush strokes, choice of colour and artistic decisions. I love that in this novel they are more than body parts, they’re shown as the vital, brave, complex and generous women they clearly were.
Lydia Delectorskaya
Meet the Author
Sophie Haydock is an author, editor and journalist (Sunday Times, Financial Times, Guardian), based in Folkestone, Kent, where she is curator of Folkestone Book Festival. Her debut, The Flames – about the women who posed for the scandalous artist Egon Schiele in Vienna a century ago – was named by the Times as one of the Best Historical Fiction Books of 2022. It was longlisted for the HWA Debut Crown Award, and the Italian translation, Le Fiamme, won the Premio Letterario Edoardo Kihlgren for debut novels. She worked for the Sunday Times Short Story Award and is associate director of the Word Factory. Her Instagram @egonschieleswomen has 110,000 followers. Visit: sophie-haydock.com
When one of my favourite authors writes a new book I always experience a confusing mix of emotions. Excitement and anticipation mix with fear; will I love it as much as I love their last book? I don’t want to be disappointed. Since there’s a new Liz Gilbert out this year I thought I’d share my review of her last novel, City of Girls. Like a lot of readers my first encounter with Gilbert’s writing was Eat, Pray, Love; a book that was nothing short of a cultural phenomenon, not to mention the following hit film. For me, it was her novel The Signature of All Things that caught the imagination. The combination of a sparky and intelligent heroine, the feminist theme and the historical detail came together in a beautifully woven story. So as the publication date approached for this new novel I desperately wanted it to live up to her first.
I shouldn’t have worried. City of Girls is a joyous, exhilarating riot of a book. Our narrator, Vivian, plunges us into 1940s Manhattan where she is sent by her parents after expulsion from Vassar. There she is placed in the care of her Aunt Peg who runs the, slightly ramshackle, Lily Theatre. I was suddenly immersed in the bohemian world of theatre people where Vivian soon finds her niche. At Vassar she made friends by creating outfits for the other girls on her trusty sewing machine. So, in her new rooms above the theatre she is soon surrounded by showgirls wanting costumes. I have an interest in fashion and sewing, so I really enjoyed the descriptions of Vivian’s creations, made on a shoestring with a lot of help from Lowtsky’s vintage clothing store downtown. Yet not everything is as it seems on the surface. Is her friendship with showgirl Celia as mutual as it appears? What influence does the matronly and doom laden Olive have over Aunt Peg? Where is Uncle Billy, whose rooms Vivian has been using since her arrival?
Some of these questions are answered during the production of the brand new play City of Girls. Aunt Peg’s friend Edna Parker Watson comes to stay after losing her London home during the Blitz. Edna is a talented theatre actress who is petite, beautiful and impeccably dressed. She arrives at the Lily with her huge wardrobe and her very famous and much younger husband, Arthur. Every member of the theatre company does their very best to get this musical off the ground and make it a success. Vivian works hard on her costume designs, but also finds herself becoming an unofficial PA and friend to Edna. Determined to put on the best show they can to turn the Lily Theatre’s fortunes around, Aunt Peg agrees to audition for new actors. When Vivian meets Anthony, the new leading man, she falls in love for the very first time. But alongside the awakening of first love, Vivian will also have her eyes opened to how cruel showbiz and the wider world can be. Several revelations teach her that not everyone can be trusted, the most unexpected people can come to your aid, and Vivian realises she has been walking around with her eyes closed. As the Second World War moves ever closer to their shores Vivian is left with a reckoning of her own. Does she want the respectable, quiet life her family expects or does she want to make her own way in a city and a career that is anything but quiet?
You will fall in love with Vivian as she takes you into her past and candidly shares her exploits in 1940s NYC. She takes you from theatre, to nightclub to a dingy apartment in Hell’s Kitchen where she conducts her first love affair. She holds nothing back and I felt her delight at encountering the bohemian characters of the theatre, her passion and ingenuity for costume work and her discovery of a city laid out before her like a playground. She allows us to experience her growing up with every triumph and mistake she makes along the way. Such an engaging central character is well matched with other beautifully drawn female characters from the dowdy killjoy Olive who has surprising depths, the enigmatic Edna Parker Watson, the brisk and sometimes foolhardy Aunt Peg to the glamorous showgirl Celia who leads our narrator into a world of nightclubs, make-up and disposable men. The women in this novel are strong, surprising and all teach Vivian something about the kind of woman she wants to be. The novel emphasises the importance of strong female role models or mentors in both our personal and working life. I found myself torn between bingeing on this book or savouring it slowly: I wanted to know what happened next but I didn’t want my adventures with Vivian to come to an end.
Meet the Author
Elizabeth Gilbert is an award-winning writer of both fiction and non-fiction. Her short story collection Pilgrims was a finalist for the PEN/Hemingway award, and her novel Stern Men was a New York Times notable book. In 2002, she published The Last American Man, which was a finalist for both the National Book Award and the National Book Critics’ Circle Award. She is best known for her 2006 memoir Eat, Pray, Love, which was published in over thirty languages and sold more than seven million copies worldwide. The film, released in 2010, stars Julia Roberts and Javier Bardem. Committed: A Sceptic Makes Peace with Marriage, a follow-up to Eat, Pray, Love, was published in 2010. Elizabeth Gilbert lives in New Jersey, USA.
Ever since they first met at university, Beth and Nick have circled in and out of one another’s lives: supporting each other through grief, marriage, divorce, career crises and family dramas.
Fourteen years ago, when they were on the cusp of adulthood, they both survived a devastating fire that sent their lives in different directions. And they’ve been running ever since: from the pain, from the memories, and most devastatingly of all, from the guilt.
But no matter how hard they try, there’s something else they can’t run from. The inescapable, terrifying truth: they’re in love with each other.
But how can they move forward, when neither of them can stop looking back?
I always say I don’t like romance, then a book like this comes along and I’m all in. Maybe it’s being over 50, but stories of first love grab me in the feels. Especially tragic first love. The thing is we’ve all had the experience of love that’s come at the wrong place or the wrong time, so reading a love story like Beth and Nick’s brings up memories and feelings of nostalgia. Our first love experiences are so intense and when feeling are unrequited or interrupted they can stay with us for the rest of our lives. Beth and Nick have a brilliant first meeting. They’re placed in the same flat at university and Beth walks into the shared bathroom and gets an eyeful! Beth is the last person to join the flat because she’s been ill so relationships have already been established. The other two girls, Rosa and Anna, were best friends before university and Nick is already in a relationship with Anna. Beth senses some chemistry between her and Nick, but she tries hard to ignore it. Nobody wants to be the girl who steals their flatmate’s boyfriend in the first weeks of the first term. When he turns up to watch her in drama club she thinks he must feel the same.
It’s Nick who takes action. He breaks up with Anna and invites Beth on a late night walk. As they walk there’s just so much anticipation. The author builds to their first kiss with all that yearning and tension around who will make the first move. When they spot the fire in their building it’s already well ablaze and Anna is killed.
Wracked with survivor’s guilt, Nick leaves university. Beth struggles to cope, feeling like Nick has abandoned her. She decides to stay and finish her drama course. Lives move on. Yet feelings for each other and about the tragic start to their time at university, still linger. The author tells the story through both characters and over 15 years as they build careers and relationships. They both think of each other. They try to keep in touch as friends and their paths do meet from time to time, but they’re always held back by the past. They do try to support each other, so when Beth’s long-term relationship breaks down, she finds herself wanting to talk to Nick. I really felt their longing for that first love and their thoughts that maybe it could have worked. Then reality crashes in and those feelings of guilt cloud their hopes. Yet the novel isn’t schmaltzy. There are meaty issues here like domestic violence and mental health, not to mention those trauma related feelings they’ve never really shared with each other.
If there was ever a book to emphasise the importance of counselling or simply talking to each other, it’s this one. Until Nick and Beth talk through what happened and how it’s affected them since, they will always be haunted by Anna’s death. When trauma is left unresolved people find unhealthy ways to deal with those hidden emotions. Nick has a rescuer personality, developed because he never again wants to feel like he did back then as the cause of Anna’s sadness in her final hours. I love that Beth writes about what happened and her feelings for Nick because at least she’s processing the trauma, because the more we talk about it the less power it has. The tension in the novel comes from wondering if this pair will ever come together at the right time and place. Will they get the chance to put things right? Can they ever find their way back to each other? I was deeply invested and filled with hope for them. The author has written a beautiful love story, but it has impact because it isn’t a fairy tale and these two characters feel absolutely real. At the end I felt like comparisons to One Day, the archetypal friends to lovers classic, are entirely justified.
Out now in paperback from Aria.
Meet the Author
Charlotte Rixon is the pen name of Charlotte Duckworth, USA Today-bestselling author of suspense fiction published by Quercus. Charlotte studied Classics at Leeds University and went on to gain a PGDip in Screenwriting. She worked for many years as a magazine journalist, and is a graduate of the Faber Academy ‘Writing A Novel’ course. You can find out more about her on her website: charlotterixon.com.
“Now are the woods all black, but still the sky is blue. May you always see a blue sky overhead.” Proust.
I was utterly mesmerised by this unusual grown-up fairy tale. Having read the author’s work before I was expecting a certain strangeness and this story definitely delivered. It’s hard to write about without revealing anything and you need to go into this book without spoilers. The story is told through the eyes of Birdie and her little girl Emmaleen. Birdie is a young, single mum. She’s living in a cabin out behind the bar where she works for Della. Birdie is just getting by. She has a wild spirit and although she loves Emmaleen, she’s not the most consistent parent. We meet her on a beautiful morning where she has woken up from the night before relatively unscathed. Yes, she’s a bit hungover and she knows Della is going to have words for her when she goes into work. For now though, the woods and creek are calling her, so she takes her fishing rod and leaving Emmaleen asleep and alone she walks through the trees and down to the water. She rationalises that she won’t be long and Emmaleen will sleep for a while yet. She catches a rainbow trout, guts and cleans it in the creek, before setting off back to the cabin. When she gets there, Emmaleen is gone. Birdie goes into panic mode, desperate to find her daughter but terrified to admit to Della that she’s left her alone. It’s a man called Arthur who eventually emerges from the woods with Birdie’s daughter on his shoulders and she’s never been more relieved. She knows Della will have something to say about this, but for now she’s just happy that Emmaleen is safe. When Della moves her onto the day shift, it’s a comment on her partying and parenting lifestyle. She has to bring Emmaleen into the lodge with her, but she sits colouring and doesn’t pester while she’s trying to work.
Arthur comes in most mornings, he sits through the bar side of the lodge alone and orders toast. She’s fascinated by this strange, wild man. He has scarring and only the remains of an ear one side of his face. Birdie thinks he smells of wild places, never artificial scent. He smells mossy and like earth. From time to time she brushes his shoulder and if Della is out getting supplies, she might take a moment and sit with him. He’s so natural and gentle with Emmaleen too. He’s quiet and when he does say something it’s strangely, always in the present. She asks him why and he tells her that for him the world is like that. He’s always in the here and now. He understands the wildness in Birdie and her yearning to be out in the mountains. His parents have had a cabin in the woods since before he was born and it’s become his more or less. For several months of the year he takes himself up into the mountains and lives off the land and whatever supplies his dad flies in. It’s total isolation, off grid and without comforts. When he asks Birdie if she and Emmaleen would like to make a home out there in the mountains, there is only one answer. Yes.
“That’s how it was with Arthur. Getting close to him, feeling his eyes on her – like touching something dark and wild, then watching it dart away.’
Between the pages of this book I was totally lost in the wildness of Alaska. The author’s descriptions are vividly beautiful and I found myself wondering about a place I’d imagined as being full of snow. All of my senses were engaged and I became entranced by Emmaleen’s discovery of nature as Arthur shows her the forest floor with it’s springy moss and tiny wildflowers. There’s a strangeness and even a danger to being so far away from civilisation. Arthur’s cabin has been needing a woman’s touch for a long time. The floor is covered with leaves and dirt from the forest and mosquitoes are squeezing through the gaps round the windows. Birdie sets about cleaning the cabin and Emmaleen gets used to her environment, playing with her gnome friends and tasting bluebell flowers. The days are harsh, but Birdie’s enjoying the challenge of cooking and laundry out here without heating or electricity. She likes not knowing what time it is and working to her own body clock. She feels like part of the place. Yet underneath these drowsy and idyllic warm days, there’s a sneaky sense of unease. Arthur’s father Warren seems reluctant to leave the woman and her daughter alone in such a secluded place with Arthur. He’s never seen his son be so tender as he is with this little girl. He even flies over 48 hours later and sees all three of them hiking up one of the mountains and they wave to him. Maybe he’s worrying about nothing. Yet Arthur does disappear and reappear without warning and sleeps on the floor. He seems curiously unsure when it comes to sex. There’s a mound near the cabin where Arthur yells at Emmaleen, telling her not to play there. There’s a hidden animal pelt under the earth and caribou bones under the bed. How long before Birdie and Emaleen learn the terrifying truth about Arthur?
This incredible story fits it’s unusual background perfectly. I loved how accepting Birdie was, despite the fact that she’s making risky decisions she doesn’t doubt Arthur for a moment. She accepts his unusual and seemingly inexperienced caresses without question. I didn’t know what to expect from the sections where we’re in Emmaleen’s world, but they are really strong, with bags of imagination and inventiveness. She’s so innocent and precious. I’ve lived in rural Lincolnshire as a child, mainly on farms so her wanderings and imaginary games reminded me of being small. I used to draw flowers and bark patterns or lie in a willow tree that hung over the water and read all day while my brother fished. I was fascinated with wild flowers so the details of plants and berries, which to eat and which were poisonous are so familiar. I also grew a strong stomach, having sat and watched my Dad gut rabbits and pheasants. I loved that Birdie could do these things, she has basic survival skills but that’s for expected dangers. I had a feeling that the potential threat would be out of the ordinary. Even though she makes mistakes I had a real maternal fondness for this young woman and her acceptance of this taciturn young man. Love comes in so many different forms and even though I could feel something looming on the horizon for this new little family I was hoping against hope for the transformative power of love.
Out Now from Tinder Press
Meet the Author
Eowyn Ivey’s debut novel, THE SNOW CHILD, was published in twenty-six languages, and became an international bestseller. It was a finalist for the Pulitzer Prize 2013, and Eowyn won the International Author of the Year category at the 2012 National Book Awards. A former bookseller, Eowyn lives in Palmer, Alaska, with her family.
Alexandra, Lucy, Bridget, River and Natalie. Five friends who wish they’d never met. Because the one thing they have in common is the worst thing in their lives: they are all being stalked.
When one of their group is murdered, days after their stalker is released from prison, time stands still for them all. They know their lives could end just as brutally at any moment – all it takes is for the people they fear the most to catch up with them.
When the group receive a threat that one of them will die in ten days’ time, the terror that stalks their daily lives becomes all-consuming. But they know they don’t want to be victims anymore – it’s time to turn the tables and finally get their revenge.
Because the only way to stop a stalker is to become one yourself…
After starting the novel with a tense and terrifying narrative of a woman being stalked, the author jumps forward and shows us how the loss of Natalie has affected those around her so deeply. For a handful of mourners, her loss is a terrible reminder of how they met and increases the fear of their own fate. Natalie’s friends tell their stories through the WhatsApp group they share. Alex, Lucy, Bridget and River are all victims of stalking. They formed their group to support each other and as a way of looking out for each other, using it to check in when outside their homes and when they return. However, when a very clear threat is made against them, they have to protect themselves. What lengths will they go to? The structure takes us between characters giving us a little bit of their story each time. Each of their stories slowly weaves together to create a whole; the phrase ‘one more chapter’ is very apt for this book. Sometimes you get caught up in a particular story, reach a cliffhanger and realise you have to read through three more chapters to find out what happened. It’s a interesting mix of characters, choosing women of different ages and a man shows us that it’s not only young women who are victims of stalking. I could sense that there were secrets to unearth with all of them and I found myself unable to fully trust anyone. They were complex and I thought the author explored their character and the group dynamics really well. I found myself switching between who I mistrusted and why. This suspicion did ramp up the tension not to mention the thrilling action scenes.
The other aspect of this novel that is brilliantly executed is the description of the psychological impact that the stalking has on each character. We can see each character dealing with their situation differently, based on their personality, past experiences and who is stalking them. Some know exactly who their stalker is, while others are stalked by a complete stranger. The author manages to put across the constant vigilance, that feeling of always looking over your shoulder and the fear of what the stalker might do next. She shows how some stalkers escalate, keeping their victim behind closed doors, terrified to venture into the outside world alone. There’s also an element of victims taking their power back and carrying out acts of retaliation. The remaining four of the group do this by tagging their stalkers so they can monitor their whereabouts at all times. To do this without the stalker realising is incredibly dangerous. As each chapter counts down to the potential murder of one of the victims, the sense of fear really does set in and keeps those pages turning.
Reading this in the same week that Louise, Hannah and Julie Hunt’s killer was found guilty of their murder really hit home. Misogyny and violence against women seems to be on the rise at the moment. Often violence follows months or even years of abuse, coercive control and stalking. It also seems that women are losing trust in the system that’s designed to protect them, especially since Sarah Everard was killed by a serving police officer. Here the characters are avoiding telling the police and I was left wondering it was disillusionment with the police force or whether some characters had something to hide. For the person who once professed to love you, to exhibit such abusive behaviour, must be terrifying. In fact it is often walking away from the relationship and cutting off communication that leads to escalation, just when the victim is settled and starting to feel safe again. The author’s writing brings the truth of this issue to light, because it shows how important it is to have all the parts of a story. The problem is, stalking is often a case of one person’s word against the other. The book’s structure shows how one person’s account either illuminates or throw suspicion on someone else. Whether they’re guilty or not can depend upon their eloquence and ability to charm others. This is such a timely novel and it was interesting to read how the author’s research and personal experience informed her story. For me it was this personal insight that made her story feel so authentic.
Available now. Published by Avon Books
Meet the Author
C.L. Taylor is an award winning Sunday Times bestselling author of ten gripping psychological thrillers including EVERY MOVE YOU MAKE, a Richard and Judy Book Club pick for autumn 2024, THE GUILTY COUPLE, (Richard and Judy Book Club 2023) and SLEEP (Richard and Judy Book Club 2019).
C.L. Taylor’s books have sold over two million copies in the UK alone, hit number one on Amazon Kindle, Audible, Kobo, iBooks and Google Play, and have been translated into over 30 languages and optioned for TV.
Her books are not a series and can be read in any order:
For years and years, when I’m asked the question which book has hit me hardest emotionally I’ve always had to say One Day by David Nicholls. It’s the last book that made me cry spontaneously for one of the characters. I still remember the exact line. Now I’ll be able to say Leaving was the last book that absolutely tore my heart out. Sarah sees Warren, who she dated for a while in their college years. She had ended it, unsure whether they were a good fit. Yet they never stopped thinking about each other. Sarah is divorced now and lives alone in her country home with her dog Bella for company. She has a daughter who’s married and lives a distance away with her husband and two children. Sarah works at a gallery, currently putting together an exhibition about the Bloomsbury Group. Warren lives just outside Boston and has his own architectural practice in the city. He’s married to Janet, exactly the sort of wife he has needed: attractive, a good hostess and great mum to their daughter Kattie who is an older teenager. However, his wife is also a snob, very aware of who should be in their social circle and how things should be done. They don’t talk about current affairs together, listen to an opera or read the same books. Perhaps their marriage has always been like this, but it feels empty since he saw Sarah again. Can he spend the rest of his life in this marriage as he promised or can he be with Sarah? If he leaves what price will he have to pay?
This novel is so clever in the way it engages with your morals and emotions. I was so caught up with the romance of Sarah and Warren, so much sweeter because it is second time around. I felt their urgency. It’s unthinkable thar they shouldn’t grab, what feels like, a last chance of happiness. I felt so much for Sarah, who is an intelligent and self-sufficient woman post divorce. She has such a solitary life, seemingly with a handful of friends. Her life is made up of her job, her home with poodle Bella and occasional visits with her daughter and son-in-law. I loved the tender moments she has with her dog, something I understand completely and just as important as anyone else when considering big life decisions. It feels like she’s where she belongs on the edge of the reservoir walking with her canine companion, so in tune together. She does feel a little remote from her daughter, wanting to be like other grandmothers who look after their grandchildren regularly and have one multi-generational family. Sarah doesn’t quite feel invited into her daughter’s life. I didn’t feel any dislike for her or begrudge her happiness with Warren, even though it comes at the cost of his wife’s happiness. They felt easy and uncomplicated together. Sarah thinks of his wife but doesn’t feel like the other woman because he was hers first. Their relationship is a continuation of something started long ago, or is this simply their justification for something outside their normal moral code. The author beautifully captures those heady romantic moments of a new relationship with simple moments, the joy of receiving flowers or the secret smile that comes from a loving text in the middle of a working day. Sarah doesn’t lie to her own children, she tells them she’s seeing someone from her past. That he’s married. They are happy for her.
Warren’s life is more complicated. The author takes us between his and Sarah’s inner thoughts seamlessly. They are two halves of a whole. By comparison his married life feels mundane and rather one note, but it’s unfair to compare a new love or even a recaptured love with thirty years of married life. A few deft touches show us a marriage that’s become routine, Janet’s red house dress being just one. The reappearance of a frozen chicken pot pie is a beautifully used example. It appears early on, only to be replaced with a beautifully cooked beef bourguignon as Janet tries to win her husband back. It promises so much, this is how it will be from now on. Only to revert to chicken pot pie again, but it isn’t just a pie, it signifies a marriage that’s fallen back into a well worn groove. It screams ‘is this it?’ Janet has done nothing wrong, they haven’t had a bad marriage and when Warren feels the weight of those years there’s a fondness, a gratitude for all those shared moments that make up a marriage. He is both grateful for them and buried beneath them. Does he deserve to climb out from underneath them? Or is it an unforgivable betrayal of everything they’ve shared as a couple and a family?
I loved some of the subplots to the main love story. I found Sarah’s work fascinating. I remember talking to someone ar the V & A about one of their fashion exhibits and the process of creating something with such impact. I hadn’t known a job existed where you could sit and discuss a artist’s work, then choose the pieces you want to tell a story. I thought the quandary over whether to go with a well- known scholar on the Bloomsbury group versus a newer academic voice echoed the love story so completely. The best known scholar may promise something new but will likely deliver something competent but safe. The newer voice might offer something dynamic and new but they aren’t a very big name yet, is newer always better? Sarah’s daughter’s third pregnancy isn’t easy and terrible news brings Sarah deeper into their lives and closer to her grandchildren. I also loved how Kattie’s wedding placed stress on her whole family, especially where Janet wants the big, formal society wedding and her daughter starts to feel overwhelmed. The wedding planner tells them that a wedding is basically a microcosm of society, the one of which their family is a part. People aren’t perfect, so weddings never are either. Neither is marriage.
Everything about this novel rings true, from the details that set each scene to the love story that binds everything together. It’s exquisitely written, drawing you in so very slowly, then unravelling quickly to it’s emotional conclusion. There’s a point in the book where I have never wanted to slap a character more! Even though their actions are understandable and possibly morally justified, I was still absolutely furious and had to share the story with my husband whose immediate response was exactly the same. Once an affair starts to turn into something more, so many decisions have to be made and the sacrifices those choices will create become stark and very real. Sarah has imagined living with Warren, but she’s always thought of them at her home. This is where she rebuilt herself after her divorce. It’s a place she loves and doesn’t think she can give up. Arguably, Warren’s choices are even more difficult. He knows if he does this, his relationship and happiness with Sarah will come at the cost of someone else’s feelings. On the scales does one happiness outweigh another? Or are some costs simply too great? I simply loved this book and although it’s only January but I have no doubt this will be in my best books list come the end of the year. I would happily read everything else the author’s ever written.
Published by Magpie Feb 2024
Meet the Author
Roxana Robinson is the author of eleven books: seven novels, three story collections, and the biography of Georgia O’Keeffe. Four of these were New York Times Notable Books.
Robinson was born in Kentucky, but grew up in Bucks County, Pennsylvania. She attended Bennington College and graduated from the University of Michigan. She worked in the art world, specializing in the field of American painting, before she began writing full-time. Her novel, Cost, was a finalist for the NEBA, was named one of the five best fiction books of the year by the Washington Post and received the Fiction Award from the Maine Publishers and Writers Association.Her novel, Sparta, was named one of the ten best books of the year by the BBC, and won the James Webb Award for Distinguished Fiction from the USMC Heritage Foundation, and the Fiction Award from the Maine Publishers and Writers Association. Her fiction has appeared in The Atlantic, The New Yorker, Harper’s, Tin House, Best American Short Stories, and elsewhere. Her non-fiction has appeared in The New York Times, The Washington Post, Bookforum, Harper’s, and elsewhere. She was twice a finalist for the NBCC Balakian Award for Criticism and has received fellowships from the National Endowment for the Arts and the Guggenheim Foundation. She teaches at Hunter College, has twice served on the board of PEN, and was President of the Authors Guild, where she continues to serve as a member of the Council. She lives in New York and Connecticut, and spends as much time as she can in Maine.
I came late to Janice Hallett with her novel The Alperton Angels so it’s taken a hiatus from blog tours to finally catch up with her debut novel The Appeal. If you’ve been wondering whether it lives up to the hype? It definitely does. We’re taken to the world of the Fairway Player, an am dram group in an affluent village. It’s time for the players to put on a production of Arthur Miller’s All My Sons and the usual suspects are readying themselves for auditions. Two events will affect the run: founder members Martin and Helen Hayward find out their granddaughter Poppy has a brain tumour and a new couple move into the village. Sam and Kel Greenwood are nurses and have completed years of aid work in Africa. As fundraising begins for Poppy to have experimental treatment in the USA everyone in the friendship group commits themselves to helping. All except one villager, who is suspicious and starts to make enquiries about the Hayward family. Someone within the players loses their life and another is already in prison on remand. QC Roderick Turner assigns law students Charlotte and Femi to the case. As they review the evidence they start to wonder if the right person is in prison and if even darker secrets lurk beneath?
The first thing that’s different about this book is the structure. We’re told the story through the WhatsApp messages of Femi and Charlotte as they review the evidence in the form of texts, emails, letters and other documents. At first it’s a bit disorienting because there are so many characters and it’s hard to remember how they’re all related. Luckily there’s a good glossary of characters and they do simply ‘click’ after a while. It’s a bit like dropping into a conversation half way through but Femi and Charlotte act as a pit stop where the case so far is reviewed and the relationships clarified. There are two main strands to the story and they concern the alpha family, the rich and established Haywards and new recruits the Greenwoods. The Haywards own The Grange, a venue for events and health treatments and their family home. Sam and Kel are the latest Fairway recruits, championed by Isabel Beck who they know from work and is a rather lowly member of the group. They are an unknown quantity and could easily upset the dynamic, especially since they’ve been used to a very different and dangerous environment.
Isabel felt to me like the character who holds everything together. Not only does she link old and new residents, she is the most prolific email and text writer. While her output suggests she is a very popular resident who’s at the centre of everything that happens in the village, there doesn’t seem to be much correspondence the other way. In fact other residents ignore Isabel, bitch about her behind her back or are directly snappish and rude. She’s fascinating because the relationships you’d expect her to have from her constant communication don’t seem to exist. She pays court to Sam Greenwood who works alongside her on the geriatric ward, but there’s no real evidence that they’re friends. She feels like a child in the playground that no one wants to play with. She’s on the periphery of groups, desperately laughing at their jokes and joining their events, but is never the focus of their interest. She doesn’t seem to have a solid sense of who she is, bending to the whims of whoever she’s with desperately wanting to be liked. It’s painful to read about her planning to do things with people who have no intention of doing them – she mentions her and Sam going out to Africa but theres no correspondence to show this was ever a shared plan. She reads like a borderline personality and while I felt sorry for her she also made my skin crawl a little. She’s desperate for any sort of attention and people who are desperate do desperate things. I was also a little suspicious of Poppy’s oncologist, especially when a potential donor turns up who’s happy to give 100k to the appeal but wants assurances, such as the actual supplier of the drugs? Also he doesn’t understand why he’s paying the doctor in the UK when the treatment is in the US. The doctor’s replies are vague and I wondered who was trying to benefit – the doctor, the Haywards?
Just as we settle into the community the author throws in a new variable, such as Kel and Sam’s friend who’s arrived on a break from his own work in Africa. He creates a disturbance at the yoga fundraiser giving Poppy an African doll that he claims has curative properties. He seems drunk and is possibly a drug user too. Could he have committed the murder? We really don’t know who the murderer is, even if we can work out a few of the reasons why. The most fascinating part to me is the psychological make-up of the characters and the dynamics between them. Aside from Isabel’s potential personality disorder, there’s the Greenwood’s PTSD from their aid work and the sad fact that the Haywards lost a child years before. The dynamics are clever with Alpha family The Haywards at the centre of the community, backed up by those who police the community and make their ideas happen. A new couple changes and disrupts the group dynamics where existing people know their place and dutifully follow the group rules. Then there’s those who think they’re in the community, but aren’t. Once you’ve started this novel you won’t be able to put it down. Im laid up in bed or the couch at the moment, so I read this straight through and loved every minute.
Out Now from Viper Books
Meet the Author
Janice Hallett is the author of five best-selling novels. Her debut, The Appeal, was awarded the CWA Debut Dagger of 2021 and was a Sunday Times’ Bestseller, Waterstones’ Thriller of the Month and Sunday Times’ Crime Book of the Month. Her second novel The Twyford Code was named Crime & Thriller Book of the Year in the British Book Awards 2023. It was also a Sunday Times’ Bestseller and a Financial Times book of the year. The Mysterious Case of the Alperton Angels was an instant Times and Sunday Times bestseller on its launch in January 2023 and a Richard & Judy Book Club pick.
The Christmas Appeal, a fast, fun and festive novella, was launched in October 2023. It was a Times and Sunday Times bestseller.
Her latest novel The Examiner, was an instant Times and Sunday Times bestseller on its launch and is out now.
Her first novel for children aged 8-12 is A Box Full of Murders, out in June 2025.
Janice is a former magazine editor, award-winning journalist, and government communications writer. As a playwright and screenwriter, she penned the feminist Shakespearean stage comedy NetherBard and co-wrote the feature film Retreat.
One wild night in the middle of December, local GP Enya is driving home from a house call in a dreadful storm and visibility is poor. She comes across a taxi parked in the middle of the road and a boy lying motionless on the wet ground. Oscar, the taxi driver, tells her he has just found the boy like this and he doesn’t know if he’s breathing. As the rain pours down Enya kneels in the road and performs CPR, desperately hoping she can save his life. After she’s questioned by the police and returns home she sits in the car for moment, soaked to the skin and thinks about her mother. Brigid, a rather eccentric and free-spirited woman, died at the age of 47 while swimming in the sea. For a while, as Enya battled to save the teenage boy’s life she felt the water running down her face and wondered if this was how her mother felt? Enya struggles in the aftermath of the incident and can’t seem to put it out of her mind. Is it because the boy was so like her son, of a similar age and wearing the same clothes? The storm propels her into huge life changes as she walks away from her loveless marriage and takes a job in the small town of Abbeydooley. There she lives in a remote spot, but with a rag tree in the garden that brings people from far and wide to tie their ribbons and fabric to it’s branches. Even though her days are filled with patients and she starts to make friends, that night in the rain just won’t leave her. As she looks out of the window at the sacred tree she is faced with the stories of all the people who’ve tied a memento there. Could it be time to face the truth of her own story as well as the memory of her mother?
We meet Enya in the middle of a crisis and the night of the storm is really the breaking point of that crisis. Enya is 46 and the day after her 47th birthday she will be older than her mother ever was. She has always had the sense that her mother was still going before her but from that day it’s only her. Alone. The grief hits her like a tsunami wave. There’s also the matter of her marriage and living situation. Xander made me feel cold. He comes across as clinical and controlling. The house they live in doesn’t feel like a home to Enya. Their home was the new build that she poured all her effort into, it’s where she had Ross and where she learned him to ride a bike in the garden. Now it’s their GP surgery and they’ve lived in Xander’s inherited family home ever since his parent’s death. There is nothing of Enya in the house and every ornament and painting is exactly where it was when Xander was a boy. If she moves the coat rack slightly or repositions an ornament it is soon quietly placed back where it should be. He even controls her relationship with Ross, having chosen his boarding school and at home telling her not to disturb him when all she wants is to spend time with her son. There’s an invisible barrier there and I could feel her sense of powerlessness. Enya has been struggling for some time: feeling overwhelmed at work; making small mistakes with forms and requests; desperately trying to find an escape, somewhere she can breathe. She has also struggled to let the injured boy go and has visited the hospital and made contact with the boy’s mum. When the offer comes to relocate to Abbeydooley she jumps at the chance.
Her introduction to Abbeydooley life isn’t a smooth one. The tree is baffling to her. It has filthy and torn rags all over it and completely obstructs her view from the window, taking all her light. She sees it as an eyesore and asks the maintenance person to come out and remove it. Margaret is a brilliant character and the women don’t get off to the best start. Margaret has assumed the tree is damaged and turns up the next morning with a chainsaw, but when she sees the tree is intact she refuses to touch it. Doesn’t Enya realise this is a rag tree, a sacred tree that’s watered by a spring from the site of the original abbey? People believe it’s a sacred site, that their prayers will be answered if they leave something to represent the person or problem they’re facing. It seems ridiculous to Enya, especially when a tour mini-bus arrives with a group of pensioners excited to see this symbol of pagan traditions. Alongside this observance of pagan religion, Enya also has to contend with the church. A visit from the parish priest makes her realise that traditionally the GP and priest have worked quite closely together, sharing information and forming a team to help parishioners and patients. Enya is reluctant, but is starting to learn that in these remote rural areas being a GP is a very different thing to the app led computerised system she and Xander used. Maybe she will have to adapt to a new way of working and living.
The whole book is a combination of a woman trying to find her way in the world and navigate emotional challenges, with a darker mystery woven in. The backdrop of Abbeydooley is almost like the light relief in the story, with it’s old-fashioned ways and humorous characters like Handyman Willy. I wondered whether it would be a redemption arc, where the town’s quirky ways would win Enya over and change her life. However it’s more complex than that. Abbeydooley becomes a space for Enya to breathe and think, but her demons have definitely followed her. We’re not sure whether she’s a narrator we can rely on. It’s not Xander’s opinion or the little slips at work that concerned me, it’s more about her rising paranoia and the small reveals that prove she isn’t telling us everything. When an agitated man turns up at the surgery to confront Enya we have no idea who he is or what bearing he might have the story. She sees another man through her window late at night, are they the same man or is someone making a late night visit to the tree? All this time Xander keeps her from her son so she’s reduced to leaving voice notes for him in the hope he’ll listen to them alone. Xander claims he’s protecting their son, but from what? I really enjoyed Margaret because she sees Enya at her worst and remains her friend. Margaret knows what it’s like to make a mistake and blow your own life apart. So she’s the best person for Enya to spend time with. What I found sad is that Enya has had support there all along. Although Xander has slowly controlled her, she has allowed her life to restrict her to the point where she felt her only choice was total escape. Yet she has her sister and brother-in-law, they are warm and welcomed her into their home when she first left. She could have made changes, been closer to her son and faced up to everything. Enya seems like a person who runs away: from grief, from her marriage, from the truth. I didn’t always understand her as a character, but her journey was fascinating. With my counsellor head on I wanted her to find a way to break free from all the restrictions she placed on herself. She would certainly make a fascinating client.
Meet the Author
Cecelia Ahern is an Irish novelist who wrote her debut novel PS, I LOVE YOU at the age of 21 years old, which was published in 2004. It became one of the biggest selling novels in recent years and was made into a hit film starring Hilary Swank, as was her second novel LOVE, ROSIE starring Lily Collins. She is published around the world in 40 countries, in over 30 languages and has sold over 25 million copies of her novels. She has published 19 novels, including a Young Adult series FLAWED and PERFECT, and the highly acclaimed collection of short stories ROAR. Her 20th novel INTO THE STORM will be published in October 2024.
She is the co-creator of TV comedy series SAMANTHA WHO? starring Christina Applegate and ROAR, the TV series, is streaming now on Apple TV+ starring Nicole Kidman.
Libby Page novels always touch on interesting and difficult subjects, but through a very cosy lens – a balance that’s very hard to achieve. Her focus is women’s lives and here our main characters are Kate and Phoebe, both of whom are going through big life changes. Kate has recently given birth to daughter Rosie and moved from London to a small village, nearer to her family. Kate and her husband wanted Rosie to grow up with a garden and to spend time with her wider family. While her husband sets up his photography business, Kate has found the first few months of motherhood hard and hasn’t bonded with her daughter in the way she hoped. She’s also missing her job in journalism, her best friends and the buzz of her London life. Phoebe has lived in the village for a while, in a flat above some shops with her boyfriend Max. She is a mental health nurse with flame red hair and visits her patients on a motorbike. It’s all change when Max decides he’s leaving and takes all the furniture. Phoebe doesn’t give herself time to process the break-up and keeps pushing herself to visit patients. She doesn’t realise that right now, she also needs help. Could the village’s wild swimming group be what both women need to restore them back to themselves?
I was immediately attracted to the character of Phoebe, having worked in similar roles most of my life. I thought this was a slightly sugar coated version of mental health work, that touched some of the realities without changing the feel of the book. It did show that no two days are the same and the difficult juggling act of seeing regular patients when another has a crisis and needs to seen immediately. Phoebe is very conscientious and usually ends up working longer hours and eating into her own downtime to ensure everyone is seen. I could see Phoebe was heading for burn out, always putting her own needs last and missing the people and activities that restore her soul. Ive never had a baby, but I have seen what a seismic change it is from my friend’s experiences. Their world’s shrink because they’re so overwhelmed by this small person who is so dependent on them. I didn’t always understand why friends hadn’t called or couldn’t come to events, but having stepdaughters has made me realise how all consuming parenthood is. I’ve definitely seen less of friends and sacrificed my own needs for theirs, and babies need so much more. What I noticed about both women was how difficult it was for them to admit they’re struggling. Phoebe is conditioned by her job to always put someone else first. Kate has been influenced by the Instagram yummy mummies and the perfection of her sister’s life. She feels inadequate next to them, not realising that social media is edited to show the best photos and most interesting experiences. It’s a case of comparison is the thief of joy. Could both these women change their lives by finding a moment for themselves by the river?
The story is set in an idyllic little village with cozy details like a coffee and cake van down by the river, an Italian deli under Phoebe’s flat and picturesque stone cottages. It’s clearly affluent but as Phoebe’s clients show, sorrow and illness can come into any home. It’s these cute and cozy details that make the book feel like a warm hug. I loved the camaraderie of the wild swimming group and the way they all pulled together when their swimming spot is threatened due to contaminated water. There’s a touch of romance too, in the rather gorgeous shape of Italian Luca from the deli. I enjoyed the humour too, especially the bridal boutique incident – the most disturbing boutique incident since Bridesmaids. Above everything it’s the female friendship that absolutely sings in this novel, confirming something I know to be true; it’s the women in our lives that hold us up when we fall, celebrate when we’re happy and stick with us through the seismic changes women experience in life.
Meet the Author
Libby Page is the Sunday Times bestselling author of The Lido and four other warm-hearted novels. She lives in Somerset, England with her family. Before becoming an author she worked in journalism and marketing. When not writing she can be found reading, and swimming outdoors.
The Lotus Readers 