Posted in Sunday Spotlight

Sunday Spotlight: Going Down Under

I’ve always been unconsciously drawn to books set in Australia and New Zealand, perhaps because I have family in both countries and want to familiarise myself with their lives. My mum lived there as a ten pound Pom in the 1960’s, leaving Liverpool behind and living in hostels meat Sydney. My grandad loved it out there and would tell us about nature, mostly horrific stories of people having spider’s nest in their ears or brains. My brother-in-law went out to New Zealand to work as a tree surgeon on a huge farm. He met the love of his life out there, Jenny, and although Jan died a few years after my husband I’m still in touch with Jenny and my two nephews. I was also hugely influenced by mum who was an enormous fan of The Thorn Birds – although hated Rachel award as Meggie in the TV mini-series. I’ve always thought that people down under are resilient, rather sweary and very straightforward. They say what they think – something I admire even where I don’t agree. I love the diversity of the cities and fascinated by Aboriginal and Māori. Some of my choices were read on my post-colonial literature course at university, a module that I found so inspiring and forced me to read writers I’d never have picked up as a casual reader. Here are just a few of the books and authors that can take you on a trip round both countries.

Classics

When her wealthy family prepares to host a lavish summer party, the young, hitherto sheltered Laura Sheridan suddenly feels a kinship with the staff and the helpers hired to set up the venue for the festivities. As she learns of the death of one of their working-class neighbours, this burgeoning sense of class consciousness is heightened by a realization of her own mortality. Published in 1922, at the height of literary modernism, ‘The Garden Party’ is now considered one of the key texts of that movement. This volume, which also includes all of Katherine Mansfield’s other published short stories, is an invaluable resource for anyone wishing to discover one of the early twentieth century’s finest writers. I first read this collection at university and I still have it today because it stands up against any short story collection from that period.

Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that “to care for anything is to invite disaster.” Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character’s thoughts and feelings as they struggle with the desire to connect and the fear of attachment.

Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.

Mythology and contemporary Māori life are woven together seamlessly in this spectacular collection by Aotearoa’s foremost short story writer.

The titular story ‘Bird Child’ plunges you deep into Te Kore, an ancient time before time. In another, the formidable goddess Mahuika, Keeper of Fire, becomes a doting mother and friend. Later, Grace’s own childhood vividly shapes the world of the young character Mereana; and a widower’s hilariously human struggle to parent his seven daughters is told with trademark wit and crackling dialogue.

Moving artfully across decades, landscapes, time and space, with tenderness and charm, Bird Child and Other Stories shows an author as adept and stimulating as ever. This isn’t an easy read but fascinating and the comparison between Māori and other creation myths from around the world was fascinating.

Contemporary Fiction

Cassy smiled, blew them a kiss.

‘See you in September,’ she said.

It was a throwaway line. Just words uttered casually by a young woman in a hurry. And then she’d gone. 


It was supposed to be a short trip – a break in New Zealand before her best friend’s wedding. But when Cassy waved goodbye to her parents, they never dreamed that it would be years before they’d see her again. 
Having broken up with her boyfriend, Cassy accepts an invitation to stay in an idyllic farming collective. Overcome by the peace and beauty of the valley and swept up in the charisma of Justin, the community’s leader, Cassy becomes convinced that she has to stay.

As Cassy becomes more and more entrenched in the group’s rituals and beliefs, her frantic parents fight to bring her home – before Justin’s prophesied Last Day can come to pass. I love Charity Norman’s writing because she gets to the heart of family relationships and shows how families can fracture when placed under stress. I’d recommend any of her books but this one is set in New Zealand. I highly recommend Remember Me and Home Truths.

At a suburban barbecue one afternoon, a man slaps an unruly boy

The boy is not his son. 

It is a single act of violence, but the slap reverberates through the lives of everyone who witnesses it happen.

Christos Tsiolkas presents the impact of this apparently minor domestic incident through the eyes of eight of those who witness it. It’s honestly hard to find someone to like here, but it is a fascinating look at contemporary Aussie relationships. It’s an unflinching interrogation of the life of the modern family, a deeply thought-provoking novel about boundaries and their limits…

The Lambert sisters have secrets…

When 15-year-old Cathy Lambert runs away from her Dublin home, she is scared and pregnant. Settled in New Zealand with her new son Conor she believes the secret she carries will never be revealed…

Rebecca Lambert was eighteen when her parents died and she took responsibility for her younger sisters. Years later, she is haunted by fears she hoped she’d conquered.

Freed from family duties, mother of three Julie Chambers is determined to recapture the dreams of her youth.

Married to a possessive older man, Lauren Moran embarks on a frantic love affair that threatens to destabilise her fragile world.

Anxious to make peace with her three sisters, Cathy invites them to her wedding.

But as the women journey together through New Zealand towards their reunion, they are forced to confront the past as the secret shared histories of the Lambert sisters are revealed. I couldn’t put this book down as it’s a great mix of emotions, adventure, secrets and a lot of humour.

EVERY ENDING IS A NEW BEGINNING…

Ruth is ignoring the news. Like most people, she has relationship problems, job stress, friends and family who need her. Ruth has a life.

But the news is about to catch up with Ruth, and her problems are going to be swept away…along with the rest of the world. While on a plane to New Zealand, something starts to happen to the world. Arriving, Ruth makes her way to her coastal destination but never expected to be sharing the inside of a dead whale with a stranger as a world ending event happens. It takes this to change Ruth’s outlook completely. Only when the comforts and complications of her old existence are gone, does she finally realise how she might be able to live to the fullest. This was a mesmerising debut from Kate and I still recommend it constantly. It made me think about something drastic like this happening in my lifetime, but also question why we fall in love with the people we do and how commitments to others are nurtured and lad

Romantic Fiction

Love isn’t an exact science – but no one told Don Tillman.

A thirty-nine-year-old geneticist, Don’s never had a second date. So he devises the Wife Project, a scientific test to find the perfect partner. Don has a regimented life of work

Enter Rosie – ‘the world’s most incompatible woman’ – throwing Don’s safe, ordered life into chaos.

But what is this unsettling, alien emotion he’s feeling? . . .

This is a deeply funny, but emotional and fascinating in terms of Don’s neuro-divergence. He eats the same meal on the same night every week as part of his rotation of menus. His life felt like a never-ending to-do lust and I knew that he would drive me up the wall. Rosie is a woman of great patience! However, I also knew that my lack of systems and routine would have an equally detrimental effect on his mental health. Watching how these two people try, fail and try again to communicate their needs and feelings within the relationship is a lesson for every couple. It’s also brilliantly funny. There is a trilogy now so treat yourself to all of them.

In the rugged Australian Outback, three generations of Clearys live through joy and sadness, bitter defeat and magnificent triumph, driven by their dreams, sustained by remarkable strength of character… and torn by dark passions, violence and a scandalous family legacy of forbidden love.

The Thorn Birds is a poignant love story, a powerful epic of struggle and sacrifice, a celebration of individuality and spirit. Most of all, it is the story of the Clearys’ only daughter, Meggie, who can never possess Ralph de Bricassart, the man she so desperately adores. Ralph will rise from parish priest to the inner circles of the Vatican… but his passion for Meggie will follow him all the days of his life.

What a saga this is and I have to say the book is ten times better than the series, mainly because we get more of the family dynamic and get to know Meggie as a little girl. Her story of slowly growing up with such a harsh mother really builds and we understand more her bond to the young priest who befriends her, noticing that in a family of many sons she is largely ignored. He is her knight in shining armour and the only one, after her eldest brother is gone, who will hug and comfort this lonely girl. Catholic readers will recognise how powerful the religion is for Irish families and the schooling that nuns provide. The book is an epic and covers Father Ralph’s lifetime, but it has an incredible sense of place and time and really is worth a read for that alone.

n 1929, Beattie Blaxland had dreams. Big dreams. She dreamed of a life of fashion and fabrics. One thing she never dreamed was that she would find herself pregnant to her married lover, just before her nineteenth birthday. 

In 2009, Emma Blaxland-Hunter was living her dream. A prima ballerina with the London Ballet, she had everything… Until the moment she lost it all. 

Separated by decades, both women must find the strength to rebuild their lives. A legacy from one to the other will lead to Wildflower Hill, a place where a woman can learn to stand alone long enough to realise what she really wants.

I’d never read this author before so it came as a complete surprise when I enjoyed it so much. It is historical fiction too, but I loved that this was a ballsy woman who was determined to succeed at Wildflower Hill and her love story with an aboriginal worker would have been so transgressive at the time. It’s an unashamedly romantic story and if you enjoy love with a side order of feminism, family secrets and a dual-timeline this is for you.

Historical Fiction

A faded photograph. An abandoned house. A wartime mystery. . .

1939: On the eve of war, young English heiress Grace Grey travels from London to the wilderness of Tasmania. Coaxed out of her shell by the attentions of her Irish neighbour, Daniel – Grace finally learns to live. But when Australian forces are called to the frontline, and Daniel with them, he leaves behind a devastating secret which will forever bind them together.

1975: Artist Willow Hawkins, and her new husband, Ben, can’t believe their luck when an anonymous benefactor leaves them a house on the remote Tasmanian coast. Confused and delighted, they set out to unmask Towerhurst’s previous owner – unwittingly altering the course of their lives.

2004: Libby Andrews has always been sheltered from the truth behind her father Ben’s death. When she travels to London and discovers a faded photograph, a long-buried memory is unlocked, and she begins to follow an investigation that Ben could never complete. But will she realise that some secrets are best left buried . . .?

This gorgeous story that spans the twentieth century was one of my books of the year last year. The mystery of how all these timelines added up, the beautiful setting of Tasmania and the historical context around WW2 drew me in. The love story is simply gorgeous and potentially heart-breaking. I know this is a story I’ll want to read again.

1896, Bannin Bay, Australia. When British pearl-boat captain Charles Brightwell goes missing out at sea, rumours of mutiny and murder swell within the bay’s dens and back alleys. Only his headstrong daughter, Eliza, refuses to believe her father is dead, and sets out on a dangerous journey to uncover the truth.

But in a town teeming with corruption, prejudice, and blackmail, Eliza soon learns that the answers she seeks might cost more than pearls. How much is she willing to sacrifice to find them?

This incredible debut is richly atmospheric from the get go, throwing us straight into the strangeness of 19th Century Western Australia as if it is an alien landscape. In fact that’s exactly what it is for the Brightwell family, particularly Eliza whose childhood eyes we see it through for the the first time. The adult Eliza has to negotiate her way through the community’s corruption, violence, blackmail and the criminal elements of the pearling business. All the while reading her father’s diary for clues and guiding us to some fascinating characters, some of which are based on historical figures. You’ll love Eliza’s early feminist stance and sense of adventure. The twists and turns her journey takes are gripping and pull you deep into the story. It’s a fantastic debut, full of life and death, just like it’s setting.

Crime Fiction

A killer targeting pregnant women.

A detective expecting her first baby…

The shocking murder of a heavily pregnant woman throws the New Zealand city of Dunedin into a tailspin, and the devastating crime feels uncomfortably close to home for Detective Sam Shephard as she counts down the days to her own maternity leave.

Confined to a desk job in the department, Sam must find the missing link between this brutal crime and a string of cases involving mothers and children in the past. As the pieces start to come together and the realisation dawns that the killer’s actions are escalating, drastic measures must be taken to prevent more tragedy.

For Sam, the case becomes personal, when it becomes increasingly clear that no one is safe, and the clock is ticking…

There’s something about Aussie and NZ crime fiction. It’s gritty and immediate. This is the fifth in Vanda’s Sam Shepherd series and I can honestly say they’re all brilliant but this one …. I was on the edge of my seat! It feels like Sam has just let her guard down and accepted what’s next in her life, when everything could be ripped away from her. Even though she’s the one who most understood the killer’s motivations, will she still be shocked by their identity? Sam’s vulnerability is terrifying and I was praying that she would be okay, as if she’s a living and breathing human being. That’s the power of Vanda Symon’s writing and how much of that magic she’s poured into this brilliant character.

Lou O’Dowd travels across the world from Australia to Edinburgh for a job with the organisation SASOL. Her new life will be living with her cousin and working shifts at a halfway house for high risk offenders including two killers, a celebrity paedophile, and a paranoid coke dealer. After orientation, Lou will be on shift alone dealing with these offenders with little more than her own instinct to guide her. What could possibly go wrong?

Lou is a controversial character, living off a sugar daddy for a while she’s had no need to work, but when the relationship ends disastrously she has no choice but to leave. On her first day in Edinburgh she meets a man at a play who has a similar attitude to risk, enjoying mainly outdoor sex. He comes from a rich family, so maybe he could be more than a fling? I loved how the mundane domesticity of the job was mixed with genuine fear and horror of what could happen if residents flare up. There’s an evening ritual of cocoa for each resident, but it has to be to perfectly timed in order to interrupt one resident’s suicide ritual. These are the extremes a job like this entails, but it’s only the beginning….

A few more suggestions:

Posted in Sunday Spotlight

Sunday Spotlight – The Perfect Society: Novels About Eugenics

Eugenics is described by National Human Genome Research Institute as

“an immoral and pseudoscientific theory that claims it is possible to perfect people and groups through genetics and the scientific laws of inheritance”.

It’s a word that’s been floating around social media for some time, mainly in connection to those behind the new US administration. There are concerns that people with physical disabilities, those of different ethnic origins and those with mental ill health or learning disabilities, might be considered less desirable in society. There are people with disabilities fighting against the introduction of assisted dying, because it could be interpreted to mean disabled lives have less value. We’ve all probably asked at one time or another, how could ordinary German citizens sleep walk into the Final Solution? The answer is slowly. There is evidence that children with disabilities were being removed and institutionalised as early as 1933. We like to think the Holocaust couldn’t happen again, but there is evidence of eugenic policies affecting the lives of ordinary Americans until the 1970s. Of course the Nazis are the ultimate and extreme example of eugenic policies being enacted, but both European countries and the US were using eugenicist policies on their own citizens across the 20th Century. This is what happens when we demonise the disabled, the poor and the destitute. The rise of the far right across the world is driven by eugenicist thinking, that some people are inherently better than others. This is why eugenicist policies affected those with learning difficulties, Native Americans, African Americans and people with long term disabilities. I try not to be political on the blog, but here I’m not advocating particular political parties. All I want to do is share novels that show how eugenics affected real communities and individuals.

From the outside, Eleanor and Edward Hamilton have the perfect life, but they’re harbouring a secret that threatens to fracture their entire world. 


London, 1929. 
Eleanor Hamilton is a dutiful mother, a caring sister and an adoring wife to a celebrated war hero. Her husband, Edward, is a pioneer in the eugenics movement. The Hamiltons are on the social rise, and it looks as though their future is bright. When Mabel, their young daughter, begins to develop debilitating seizures, they have to face an uncomfortable truth: Mabel has epilepsy – one of the ‘undesirable’ conditions that Edward campaigns against. Forced to hide their daughter away so as to not jeopardise Edward’s life’s work, the couple must confront the truth of their past – and the secrets that have been buried. Will Eleanor and Edward be able to fight for their family? Or will the truth destroy them? 

Many will have read this heart-rending novel or seen the film, beautifully performed by Andrew Garfield, Carey Mulligan and Keira Knightly. This perfectly encapsulates that head in the sand mindset humans are so good at. We can ignore terrible injustices when they’re not happening to us, or people like us. We can always think it doesn’t apply to us. Until it does. Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense of the fragility of life and is utterly terrifying.

From the New York Times bestselling author of The Good House, the story of two friends, raised in the same orphanage, whose loyalty is put to the ultimate test when they meet years later at a controversial institution—one as an employee; the other, an inmate.

It’s 1927 and eighteen-year-old Mary Engle is hired to work as a secretary at a remote but scenic institution for mentally disabled women called the Nettleton State Village for Feebleminded Women of Childbearing Age. She’s immediately in awe of her employer—brilliant, genteel Dr. Agnes Vogel. Dr. Vogel had been the only woman in her class in medical school. As a young psychiatrist she was an outspoken crusader for women’s suffrage. Now, at age forty, Dr. Vogel runs one of the largest and most self-sufficient public asylums for women in the country. Mary deeply admires how dedicated the doctor is to the poor and vulnerable women under her care. 

Soon after she’s hired, Mary learns that a girl from her childhood orphanage is one of the inmates. Mary remembers Lillian as a beautiful free spirit with a sometimes-tempestuous side. Could she be mentally disabled? When Lillian begs Mary to help her escape, alleging the asylum is not what it seems, Mary is faced with a terrible choice. Should she trust her troubled friend with whom she shares a dark childhood secret? Mary’s decision triggers a hair-raising sequence of events with life-altering consequences for all. Inspired by a true story about the author’s grandmother, The Foundling offers a rare look at a shocking chapter of American history. This gripping page-turner will have readers on the edge of their seats right up to the stunning last page…asking themselves, “Did this really happen here?”

Since the death of his fiancée Aimee, Ross Wakeman has been unable to fill the hole she has left in his life. Seeking to end his pain, he becomes a ghost hunter, despite never having seen a ghost.

However, when his job leads him to the town of Comtosook, it becomes apparent that Ross isn’t the only one haunted by the past. When he meets the mysterious Lia, who brings him to life for the first time in years, redemption seems around the corner. But the discoveries that await him are beyond anything he could dream of – in this world or the next. Second Glance takes a look at how American eugenicist policies affected the lives of Native Americans with a programme of sterilisation. It’s not her usual court based drama, but still has her themes of injustice, identity and a lesser known part of American history.

Montgomery, Alabama. 1973. Fresh out of nursing school, Civil Townsend has big plans to make a difference in her community. She wants to help women make their own choices for their lives and bodies.

But when her first week on the job takes her down a dusty country road to a tumbledown cabin and into the heart of the Williams family, Civil learns there is more to her new role than she bargained for. Neither of the two young sisters has even kissed a boy, but they are poor and Black, and for those handling their welfare benefits, that’s reason enough to have them on birth control. When Civil discovers a terrible injustice, she must choose between carrying out instructions or following her heart and decides to risk everything to stand up for what is right.

Inspired by true events and a shocking chapter of recent history, Take My Hand is a novel that will open your eyes and break your heart. An unforgettable story about love and courage, it is also a timely and uplifting reminder that one person can change the world.


1911: Inside an asylum at the edge of the Yorkshire moors, where men and women are kept apart by high walls and barred windows, there is a ballroom vast and beautiful. For one bright evening every week they come together and dance. When John and Ella meet it is a dance that will change two lives forever.

Set over the heatwave summer of 1911, the end of the Edwardian era, THE BALLROOM tells a rivetting tale of dangerous obsession, of madness and sanity, and of who gets to decide which is which. It is a love story like no other, showing how eugenics affected those deemed mentally ill.

In a sleepy German village, Allina Strauss’s life seems idyllic: she works at her uncle’s bookshop, makes strudel with her aunt, and spends weekends with her friends and fiancé. But it’s 1939, Adolf Hitler is Chancellor, and Allina’s family hides a terrifying secret—her birth mother was Jewish, making her a Mischling. 

One fateful night after losing everyone she loves, Allina is forced into service as a nurse at a state-run baby factory called Hochland Home. There, she becomes both witness and participant to the horrors of Heinrich Himmler’s ruthless eugenics program. 

The Sunflower House is a meticulously-researched debut historical novel from Adriana Allegri that uncovers the notorious Lebensborn Program of Nazi Germany. Women of “pure” blood stayed in Lebensborn homes for the sole purpose of perpetuating the Aryan population, giving birth to thousands of babies who were adopted out to “good” Nazi families. Allina must keep her Jewish identity a secret in order to survive, but when she discovers the neglect occurring within the home, she’s determined not only to save herself, but also the children in her care. 

A tale of one woman’s determination to resist and survive, The Sunflower House is also a love story. When Allina meets Karl, a high-ranking SS officer with secrets of his own, the two must decide how much they are willing to share with each other—and how much they can stand to risk as they join forces to save as many children as they can. The threads of this poignant and heartrending novel weave a tale of loss and love, friendship and betrayal, and the secrets we bury in order to save ourselves.

In rural 1930s Virginia, a young immigrant mother fights for her dignity and those she loves against America’s rising eugenics movement – when widespread support for policies of prejudice drove imprisonment and forced sterilizations based on class, race, disability, education, and country of origin – in this tragic and uplifting novel of social injustice, survival, and hope.

When Lena Conti—a young, unwed mother—sees immigrant families being forcibly separated on Ellis Island, she vows not to let the officers take her two-year old daughter. But the inspection process is more rigorous than she imagined, and she is separated from her mother and teenage brother, who are labeled burdens to society, denied entry, and deported back to Germany. Now, alone but determined to give her daughter a better life after years of living in poverty and near starvation, she finds herself facing a future unlike anything she had envisioned.

Silas Wolfe, a widowed family relative, reluctantly brings Lena and her daughter to his weathered cabin in Virginia’s Blue Ridge Mountains to care for his home and children. Though the hills around Wolfe Hollow remind Lena of her homeland, she struggles to adjust. Worse, she is stunned to learn the children in her care have been taught to hide when the sheriff comes around. As Lena meets their neighbors, she realizes the community is vibrant and tight knit, but also senses growing unease. The State of Virginia is scheming to paint them as ignorant, immoral, and backwards so they can evict them from their land, seize children from parents, and deal with those possessing “inferior genes.”

After a social worker from the Eugenics Office accuses Lena of promiscuity and feeblemindedness, her own worst fears come true. Sent to the Virginia State Colony for the Feebleminded and Epileptics, Lena face impossible choices in hopes of reuniting with her daughter—and protecting the people, and the land, she has grown to love.

If you want to read more background on eugenics here are a few links:

https://www.genome.gov/about-genomics/educational-resources/timelines/eugenics

https://www.english-heritage.org.uk/visit/blue-plaques/blue-plaque-stories/eugenics/

https://www.nytimes.com/2022/06/08/magazine/eugenics-movement-america.html

Posted in Throwback Thursday

Throwback Thursday! This Lovely City by Louise Hare

This first of Louise Hare’s novels really stayed with me, it grabbed me early and never let go. When a writer whisks you so convincingly to another time and place it’s such an incredible skill. I found myself in post-Windrush London where new people are making the capital their home and the huge social change is causing friction. As one mixed race character observed ‘she was no longer the odd one out’ as she went to the market. More immigrants are arriving, wandering the streets, weighed down by layers thrown on haphazardly as the reality of a British winter starts to bite. However, as those first pioneers answered the call from the motherland, they’d found London not at all what they were expecting. The British government had put that call out to its colonies. They needed workers, to replace those men lost in WW2 and to rebuild cities recovering from the Blitz. Yet no one seemed grateful, no one said thank you and the living was far from easy.

We follow two main characters: Lawrie and Evie. They are courting in the old fashioned sense. Lawrie sees in Evie a nice girl, a girl who has been well brought up even though she has never known her father. He wants to do things properly, do right by her. So he calls and they go to the cinema or for a walk. Lawrie has come over from Jamaica and works part time as a musician in a local band and full time as a postman, with a sideline in the odd special black market delivery too. Evie has lived in London her whole life with her mother Agnes. They have been Lawrie’s neighbours ever since a rented room opened up at the house next door. The two women understand prejudice, because they too have been victims of it, and live a life kept very much to themselves. Evie is mixed race and Agnes, who is white, has been the subject of gossip and judgement ever since she Evie was born. So, although what transpires in the book may be shocking to us, it barely surprises them, because they know how people feel about any sort of difference from the white British norm. 

The story splits into two time frames approximately one year apart. In one, Lawrie is cutting across Clapham Common at the end of his postal route when he hears a woman shouting. She has found a baby in the pond. Lawrie rushes to help, but they are both too late. The baby becomes the book’s central mystery and because she has black skin, suspicion falls upon the already beleaguered Jamaican community. Rathbone, is the police officer assigned to the case and he relishes causing problems for the community. His suspicions fall on Lawrie, as the first man on the scene, but Rathbone doesn’t just investigate, he sets out to ruin Lawrie’s life. However, there is a secret to this baby’s background that is closer to home than Lawrie imagines.

I found myself rooting for Lawrie and Evie. I wanted them to be able to make marriage plans and live the simple, quiet life they dreamed about. Her mother Agnes has had to be very strong, being an unmarried mother of a mixed race child meant being ostracised. Evie has a childhood memory of her mother having the neighbours for tea when, against her instructions, Evie was caught looking down through the banisters. They never had tea for the neighbours again. It takes Evie several years to make the link; she is the reason her mum has no friends or visitors. This same hostility is now experienced by the men who arrived on the Windrush and it must have been bewildering. To be asked to this country, to fill a shortage of labour and pull a country out of difficulty, then meet nothing but hostility and suspicion from its people seems so unjust. 

A lot of the tension in the novel is around sex and relationships. When the band are booked to play a wedding, the British host is immediately taken aback but decides they can play. All is well until a woman stumbles on the dance floor and one of the band rushes to help. Her husband doesn’t appreciate his wife being touched by a black man and a brawl breaks out causing the band to run for their lives. Provocative women, like the character Rose, stir up tension even more. The men refer to her as Rita Hayworth, the red-haired Hollywood bombshell. When the men first arrive she helps with getting them settled. Then she offers to take Lawrie and his friend to the Lido, dazzling them in her bikini and flirting with Lawrie. She makes it very clear that she wants him with no thought to the consequences if her husband finds out. Interracial relationships are simply not accepted. As Agnes points out, her daughter Evie is far better off in a long term relationship with Lawrie, because although they come from very different places, society will view them as the same due to their skin colour. 

I felt immersed in this world the author has created. From the cold mornings on Lawrie’s postal round, to the smoky nightclubs the band plays into the early hours. This is my grandparents generation so I could also imagine the homes, the struggle of still being on rations and for the women, trying to look nice on a tight budget. It reminded me of stories my grandma and great- aunts told me about going out dancing in post-war Liverpool. I felt so much for Evie, especiallywhen her whole story unfolded towards the end of the novel. There is a whole cast of interesting characters, but Evie and Lawrie are this novel’s heart and I desperately wanted life to work out for them. Louise Hare has written a vibrant book with an incredible sense of place and time, and interesting characters. I loved it. In fact it’s a mark of how much I now love this author that I pre-ordered her next book due in 2026.

Meet the Author

Louise Hare is a London-based writer and has an MA in Creative Writing from Birkbeck, University of London. Originally from Warrington, she has found inspiration in the capital for much of her work, including This Lovely City and Miss Aldridge Regrets.

This Lovely City was featured on the inaugural BBC Two TV book club show, Between the Covers, shortlisted for the RSL Ondaatje Prize, and longlisted for the HWA Debut Crown Award. Louise was selected for the Observer Top 10 Best Debut Novelists list in 2020, securing her place as an author to watch.

Posted in Squad Pod

For Such A Time As This by Shani Akilah

I don’t often read short stories, because I’ve always got a novel on the go. So if I read them it’s usually in the same way I read poetry – keep them by the bed for when pain and insomnia hit and I want something short, that won’t have me tempted by one more page late at night. Or I carry them in my handbag for when I’m in a waiting room or on the train. I haven’t read a collection in one go since university when my American Fictions module introduced me to Katherine Mansfield, Zelda Fitzgerald and of course, Virginia Woolf. I’m so glad I read this collection in one go, because they are interrelated, but also because each story is like a jigsaw puzzle piece that once put together gives a picture of the lives lived by a group of young Black British Londoners.

Akilah’s writing is immediate: there are small visual chunks of description like Insta posts; short snappy dialogue like Tweets; never a character or a word too much. Yet they’re also incredibly romantic, something I didn’t expect from the Tinder generation. The opening introduction of a girl catching sight of a man on the Tube reading her favourite book is so lovely. She has a yearning to talk to him, but as she plucks up the courage to approach him she’s interrupted by a woman who notices she’s dropped her new bookmark. She’s intrigued by a man who chooses to read fiction and wonders what insights he might have. It’s a tiny moment of connection in an otherwise dislocated existence. Other passengers stay in their own bubble, either keeping their head down studying their phone or cut off by their AirPods. Some just have their eyes closed. There’s something almost intrusive about having to share space with others at this time in the morning, anything that creates some distance will do. I felt the chaos of the city in this opener, probably more pronounced because I’m 50 years old and live in a northern rural village that still has a little red phone box. I can opt out of the world whenever I want and I really felt that gap while reading – these young people have to live in this reality. It took me into a generation for whom life is lived in snippets of information whether it be a tweet, a WhatsApp or SnapChat message. Somehow they flit between them and keep it all in their head. As our narrator says, she can swap between iMessage and work mode with ease knowing that eventually her year will be all parcelled up in a Spotify playlist.

My heart broke for Gabby, in Good, Goodbye. At the age where everyone is getting married she’s always the bridesmaid – six times this year. She’s so obviously single that aunties commiserate with ‘your huzband is coming’. Obviously from the same friend circle, Jonathon is the resident clown, up for dancing, singing and even last minute MC’s duties. He played hard that summer and took so many photos for his Twitter Wedding Enjoyment posts. Yet he freezes at today’s wedding when he sees Gabby looking ‘like a goddess’. Gabby is the one who walked away from him five years ago. She felt like she wasted so much time on him and finally met up with him and drew a definite line under their ‘on again, off again’ relationship. I loved Gabby’s thoughts on the Maya Angelou quote about believing who people are the first time they show you. It’s a quote I kept in my mind in my younger, dating years, but a hard lesson to learn. Yet we also hear Jonathon’s thoughts – that Gabby was the one person who understood him and that actually he knows now she was the making of him. There’s such a gulf between what this young man says and what he deeply feels. He’s hiding behind polite conversation but inside remembers a wedding from years before, when her sister got married and he realised Gabby was the one. I yearned throughout this beautifully romantic story for one of them to tell the truth about their feelings.

We see more of Jonathon in a story called Ghana in December and we see the struggle of being split between London and the place that feels like home. The young men in the story are missing the food and the sun. He thinks about the expectations placed upon him as a young black man, especially once his father’s mental health declined, something he’s always kept to himself. He had to step up at home, be the man of the house and felt so much guilt for wanting to go to university. He tells his friend David that the London life ‘kills us in so many ways’. David gets it. It’s the micro-aggressions that chip away. Jokes passed off as banter. The hostility he felt from white and Caribbean kids. How he was talked down to as if all Africans are primitive and come from mud huts. He could never speak of his brother’s suicide and how returning to Accra brings out that grief. When he smells the food and sees the difference in the light he somehow feels united with him. It’s the place he needs to be in order to feel and allow himself to cry on a friend. I loved how the author shows the depths of these young men’s feelings and how they cope with this split identity. I really came up against my own privilege as the author wove the pandemic into her stories. There was so much able-bodied people took for granted in that period of time, my disability meant I had to shield for a year and become isolated from everyone. Yet black people were four times more likely to die from COVID than white and one story character is keen to set up a work support group for the 33% of employees who are black. She talks about the proportion of black and ethnicity minority people who work on the front line, the financial straits of the pandemic, the higher infection rates and she spends her spare time educating the employer about the disproportionate effect on black employees. Yet afterwards, when she’s encouraged to apply for a senior equalities post it goes to a white man. I could feel her powerlessness and the injustice of this decision. Our character doesn’t want to believe she’s facing racism and I’ve heard excuses made for these types of choices – it’s happened to me and I didn’t want to call it ableist in my younger years, but now I would. It’s a case of calling something what it is. Not letting yourself be gaslit about it.

My joy was unbounded when Gabby and Jonathon appear in the final story, set around a party. I had everything crossed for them, yet the author had other surprise reunions that I hadn’t expected. The stories that follow the pandemic have captured that sense of change. The reminder that we need to wear ‘proper clothes’ again made me smile because I’ve been aware of a big change in my wardrobe towards outfits that are really secret pyjamas. There’s nothing formal anymore, no high heels and certainly no work wear. There’s the strangeness of being with others, whilst knowing more social interaction is probably good for me. The author drops in these little clues and reminders of other places: the kente cloth bookmark; Ghana casually described as ‘home’; music used as a reminder of wider family and celebration. The references ground these stories within the community, the African diaspora in London. Not everything ends how we expect, but that just heightens the sense of realism and authenticity. This is a warm, inviting and illuminating collection that shows the pressures on young, Black British people. It was a different world from my own, a busy, urban city full of these sparky characters whose ambitions and dreams are so admirable, even if they are also tough on the character trying to achieve them. It shows how having your community and friends around you is vital, even if some of their expectations are grounded in a different time and place. Finally, it struck me how important it is to tap back into that home country through family, food, music or traditions because it’s something that keeps them grounded and replenished.

Out now from Magpie Publishing

Meet the Author

Shani Akilah is a Black-British Caribbean writer and screenwriter from South London. She is a book influencer, co-founder of the Nyah Network, a book club for Black women, and was a literary judge for the Nota Bene Prize 2023. Shani has a Masters degree in African Studies from Oxford University. For Such A Time As This is her debut short-story collection. 

Thank you to the author, Magpie publishing and The Squad POD Collective for my copy of this collection.

Posted in Throwback Thursday

Throwback Thursday! Small Island by Andrea Levy.

I have been looking for second hand copies of this book, because I’m creating a book stall at our village book exchange for the Queen’s Platinum Jubilee. My plan is to include books based in the Commonwealth countries or that represent a definitive moment in the Queen’s reign. This book sits a little early, starting in WW2, but sets a scene for those early years of her reign and shows how the people of the Commonwealth felt about their ‘mother country’. I first read Small Island after university, where I’d become the student obsessed with diversity, disability and all of those words that mark out difference. In my final year I looked closely at Caliban in The Tempest because my heart went out to him. I did a module in the Gothic, Grotesque and Monstrous, and another in Post-Colonial literature. I didn’t realise it at the time, but I was ploughing a very specific furrow and my dissertation in disability earned me a solid first. These studies really did hone my taste in reading and while I read across the breadth of fiction genres and subjects, the books that really get me in the heart have a thread of social justice and characters coping with prejudice. This book appealed to me because I hadn’t read much about the Windrush generation. Andrea Levy won the Orange Prize for Fiction and the Orange Prize ‘Best of the Best’ as well as the Commonwealth Writers’ Prize and the Whitbread for this novel. It was also described as ‘possibly the definitive fictional account of the experiences of the Empire Windrush generation’, when it was selected by the BBC as one of its ‘100 Novels That Shaped Our World’.


It is 1948, and England is recovering from a war. But at 21 Nevern Street, London, the conflict has only just begun. Queenie Bligh’s neighbours don’t approve when she agrees to take in Jamaican lodgers, but with her husband, Bernard, not back from the war, she has little choice in the matter. Gilbert Joseph was one of the many Jamaican men who joined the RAF to fight Hitler. But when he returns to England as a civilian he doesn’t receive the welcome he was expecting, and it’s desperation that drives him to knock at Queenie’s door. Gilbert’s wife Hortense, who for years has longer for a better life in England, soon joins him. But London is far from the golden city of her dreams, and even Gilbert is not the man she thought he was.

Small Island explores a point in England’s past when the country began to change. In this delicately wrought and profoundly moving novel, Andrea Levy handles the weighty themes of empire, prejudice, war and love, with a superb lightness of touch and generosity of spirit.

I loved the slow pace of this novel, allowing each character’s story to unfold fully, and meander across each other. I felt deeply for Queenie, with a father-in-law shell-shocked from the First World War and her husband Bernard still away, even though WW2 has ended. I could understand how her friendship with lodger Michael started, she must have been so lonely. However the consequences of the relationship only serve to isolate her further. Gilbert follows friend Michael to the U.K. for active service, only to return in 1948 when the British Government put a call out to the colonies for workers. Many English men were lost during the war leaving a labour shortage and Gilbert knows he has the skills to help. Hortense has always had a dream of going to England, where she would want to be a teacher like she is in Jamaica. As married couples are more likely to be accepted, Gilbert and Hortense make a pact, to have a marriage that fools the authorities and forge futures for themselves in England. He knows exactly where they’re going to live, 21 Nevern Street, because Queenie’s were the only lodgings that didn’t have a card in the window saying ‘No Blacks.’

I fell in love with Gilbert, who proves himself to be a loyal and trustworthy friend to both Queenie and Hortense, although there are times when the latter would test the patience of a saint. Hortense is so haughty! She made me smile with her airs and graces. I love the way she dresses, with her gloves and handbags strangely reminiscent of Queen Elizabeth’s style. In her mind she has done everything her mother country asked of her. She’s been to a good school and become educated, she has her teaching certificate and is a dedicated Anglophile. When the call comes to the colonies, that England is in need of workers, she thinks she can be useful. Gilbert tries to explain to her that England won’t be what she is expecting, her education will be looked down upon and instead of welcoming, people may be hostile. She tells him he’s wrong. England is a massive shock to Hortense, not just the cold, but the shame of everything she’s worked for being worth nothing. She’s also misjudged their friend Michael, who had passed through during the war. Back in Jamaica, Michael is practically a saint and Hortense is taken in by his good looks and nice manners. Another hard lesson to learn. At least Gilbert is there, faithfully keeping her going, trying to soften the blows and always sleeping on the chair while she takes the bed. I had so much sympathy for Queenie, who is overwhelmed and exhausted. Her father-in-law can be hard work, he doesn’t speak and is prone to wandering. I can feel that she is very fond of him. Her pregnancy is conceived in the spirit of war; a mix of attraction, plus loneliness and a sense that death might not be so far away. Women who conceived while their husbands were away, often hid the pregnancy under the respectability of their marriages. If their husband returned on time they could announce a baby which was then born prematurely. If not, the woman was very reliant on her husband to accept and choose to bring up the child. Sadly for Queenie this choice isn’t open to her and we see what society’s reaction might be to a mixed race child. Would her father-in-law or her husband even accept her baby?

I thought the structure was brilliant, moving back and forth from before and during the war, to post war. It also moves geographically, from England to Jamaica. These changes in structure were helpful to the storyline, because of the perspective it gives us on events. Going to Jamaica shows us the attitude of our characters to England and how that changes once they’ve helped us through a war. Gilbert expected to be treated better. He answered the call to go to war and then goes to England’s aid a second time. It’s a shock to find there isn’t a welcome. In fact a lot of people are downright hostile and it feels so unfair. Hortense thinks her skills and presence will be welcomed too, but they’re not. Why ask them to come if they aren’t welcome? By visiting each character in turn we get to know them intimately, their whole inner world is open to us. We might see reasons for behaviour that had seemed strange before and we might change our mind about a character. The slow pace helps the reader really get to know them and how they change through their experiences. Through these people the author brings to life issues of identity and our cultural heritage, bringing to mind interesting contrasts with today’s attitudes, especially in light of the more recently discovered Windrush Scandal. Levy created characters that years later still feel as real to me as my friends and by the end I cared about them so much that there were tears. I’ve re-read this novel so many times and it’s power doesn’t fade, nor does the impact of the characters, and it’s this that makes Levy’s book a masterpiece.

Meet The Author

After she passed away on the 14th of February 2019, the Bookseller wrote: ‘Andrea Levy will be remembered as a novelist who broke out of the confines assigned to her by prejudice to become a both a forerunner of Black British excellence and a great novelist by any standards.’


Born in England to Jamaican parents who came to Britain in 1948, Andrea Levy wrote the novels that she had always wanted to read as a young woman, engaging books that reflect the experiences of black Britons and at the intimacies that bind British history with that of the Caribbean. She was described by BBC News as ‘a writer who tackled important social issues . . . her writing . . . witty, humane and often moving, and full of richly drawn characters’.


She was the author of six books, including SMALL ISLAND, which won the Orange Prize for Fiction, and the Whitbread book of the Year, and was adapted for TV and for the stage, by the National Theatre. It was selected by the BBC as one of its ‘100 Novels That Shaped Our World’. Her most recent novel, THE LONG SONG, won the Walter Scott Prize and was shortlisted for the Man Booker Prize, and was adapted for TV by the BBC.