Posted in Random Things Tours

The Paris Apartment by Lucy Foley

Welcome to No 12 Rue des Amants

A beautiful old apartment block, far from the glittering lights of the Eiffel Tower and the bustling banks of the Seine.

Where nothing goes unseen, and everyone has a story to unlock.

The watchful concierge
The scorned lover
The prying journalist
The naïve student
The unwanted guest

There was a murder here last night.
A mystery lies behind the door of apartment three.

When things go wrong at home in London, Jess is ready for a fresh start. She’s broke, and she’s suddenly left her job. Maybe things would look better from somewhere else? Jess jumps on the train to Paris and makes a quick call to her brother Ben to say she’s on her way. Ben should be set with work and an apartment now, but he did seem unimpressed or distracted when she called. Or was there someone with him? Either way she’s here now and for some reason Ben isn’t answering her calls or messages. She’s also taken aback by the size and luxury of his apartment block, surely Ben can’t afford to live somewhere like this? So with no money and nowhere else to stay, she manages to pick the lock and get in. Next morning there’s still no word from him and the questions keep coming. Why is the cat bloodstained? Why are his neighbours so unfriendly and mysterious? Jess is sure that her brother has been harmed, but by who and why?

This was an enjoyable thriller and I liked the structure, that allowed us behind the other doors at apartment building No 12 and into the worlds of these strangely eclectic residents. We were also taken back in time to Ben’s arrival at the apartments so we could see how his relationship built with the other residents. Who did he get on with and why? It also showed up my own misconceptions about people: I expected Ben to have made a beeline for the beautiful Camille in her tiny bikini; that the grumpy man Jess sees at the beginning to be a relative of the concierge; that Mimi would be the kind, girl next door type. Nothing is what it seems with these residents. However, the residents were not the only ones with secrets. Ben had never told Jess what he was working on in Paris. As for Jess, we don’t know exactly what forced her to flee England or how she’s ended up alone and penniless. We do find that they are half-brother and sister, forced into care at an early age and very close to each other, because their experience of parents is that they can’t be trusted. It is very out of character for Ben to forget or ignore her in this way. Jess is very resourceful, soon finding people she can talk to about her brother, including the residents, although they were less than welcoming. She has good investigative skills that she’s possibly learned from her brother and meets with a friend of his who may be helpful. I couldn’t decide whether I liked her or not, but kept reminding myself that no one is above suspicion, even family.

The writer immerses us in the less salubrious side of Paris. No fairy lit boat rides on the Seine for Jess as she heads deeper into the city’s underbelly. This is not a pretty Paris, but it is compelling and different especially when compared to the apartment building. Although we don’t have to go into the streets, the difference in social class can be see in the courtyard garden where the concierge lives in what sounds like a shed. It’s a humble home and it seems Ben is the only resident who treats her like an equal. She’s shocked by his kindness and is the person who gives us the most snippets about what’s really going on with the residents of these luxury flats. She is invisible to these wealthy people, but she’s always watching, eager to catch those little indiscreet moments that happen when people think you’re invisible. I had a lot of empathy for her, because she’s stuck. She knows too much and has too little to move on in life. I didn’t really like or connect with any of the other characters and that makes it hard to care about what happens to them. However, I’m not sure we’re meant to like them. We’re obviously drawn to Jess because of the position she’s in and her tenacity (and sometimes recklessness) in pursuit of the truth. This book hangs on the mystery and it’s twists and turns. I did enjoy the revelations and the cliffhangers, because there were things I didn’t expect, especially Ben’s life in the building and interactions with other residents. This is a fast, addictive thriller where you’re never sure what will happen next, but when it does everything can be turned on it’s head.

Meet the Author

Lucy Foley is a No.1 Sunday Times bestselling author. Her contemporary murder mystery thrillers, The Hunting Party and The Guest List, have sold over a million copies worldwide and also hit the New York Times and Irish Times bestseller lists. The Guest List was a Waterstones Thriller of the Month selection, a Reese’s Book Club pick, it was chosen as one of The Times and Sunday Times Crime Books of the Year, and it won the Goodreads Choice Award for best mystery/thriller.
Lucy’s novels have been translated into multiple languages and her journalism has appeared in publications such as Sunday Times Style, Grazia, ES Magazine, Vogue US, Elle, Tatler and Marie Claire. Lucy lives in Brussels with her husband their baby.

Posted in Publisher Proof

The Mother Fault by Kate Mildenhall.

To keep her children safe, she must put their lives at risk …
In suburban Australia, Mim and her two children live as quietly as they can. Around them, a near-future world is descending into chaos: government officials have taken absolute control, but not everybody wants to obey the rules.
When Mim’s husband Ben mysteriously disappears, Mim realises that she and her children are in great danger. Together, they must set off on the journey of a lifetime to find Ben. The government are trying to track them down, but Mim will do anything to keep her family safe – even if it means risking all their lives.
Can the world ever return to normality, and their family to what it was?

Every time I read a new dystopian novel I end up feeling a little disturbed about how close it is to the world we’re in now. Especially with the extreme weather events, potential for WW3 and the lingering pandemic all competing for our attention. Yet for some reason I’m drawn to them and when they’re done well they blow me away. There have been a few dystopian novels sitting high on my ‘Books of the Year’ list for the past two years running.

This was another novel set in the near future, where severe climate change events and continued terrorist attacks have made the government take drastic action. They now have a totalitarian government, run under the sinister title of the “Department”. Humans have been installed with the type of microchips anti-vaxxers are terrified by, allowing the government to keep tabs of every single citizen. All civil liberties and freedoms have been swept aside for the false promise of round the clock security provided by their privacy being invaded. Any dissent is dealt with quickly and without mercy, and there are purpose built compounds ready to house anyone who speaks out. Many go in, but nobody comes out again, a though that fills me with dread considering I’m writing this as Russia is dismantling any left-wing TV or radio station and announcing new laws to curb anyone even labelling their invasion of the Ukraine as a war instead of a ‘special military operation.’

So when officials from the Department tell Mim is tell Mim that her husband Ben is missing, she has to think quickly and tactically about the best plan of action for her and their children Essie and Sam. When officials arrive at her home to department to “help and advise’ she knows that she’s being trapped. Their advice warns her to stay home and they offer her some official looking forms to sign, but without giving her a chance to read them. Finally, they’re asked to surrender their Passports. This might be run of the mill stuff in a dictatorial regime, but Mim isn’t so easily controlled or fobbed off. Ben had been working in Indonesia, at a gold mine, so Mim is used to him being away from home, but he’s never been unexpectedly delayed or kept at his place of work without some notice. However, his return ‘in the next few days’ allows Mim time to think and delay telling anyone they know. The only other person who. knows the truth is Raquel – a foreign, independent journalist who had happened to ring because she had heard Ben had disappeared on the grapevine. Mim decides to run, knowing that officials will take them as security to lure Ben to them if they don’t already have him.

The story of this family on the run makes a great thriller, the pace is mostly superb and I was rooting for this family. The Department are relentless though, and Mim finds her way blocked, not just by the confiscated passports, but by frozen bank accounts and phone calls where her children are threatened if she doesn’t return home. I felt torn about Mum’s decision making. I applauded her for sticking to her principles and the belief that her children are in more danger living within this totalitarian regime than by running any. The other half of me was thinking she was crazy to risk their lives this way. An old friend of Mim’s takes the family on a treacherous sea voyage to find Ben, but I kept wondering whether she could trust her friend or if there are ulterior motives. I found some of Mim’s choices here difficult to understand and the story seemed to slow as they tried to reach Borneo. However, once there and towards the end the pace changed suddenly and my only criticism of the book would be that this huge change in pace made the final section feel like it passed too quick, giving me a bit of an anti-climactic feel. I thought the Big Brother elements of the novel were well established and the government felt truly terrifying in their scope and methods of punishment. I enjoyed the fact that it made me think, not just about the politics, but about being a mother in this oppressive situation and the decisions I would have made for my children. Was it worth putting their lives in immediate danger to avoid the potential future consequences of staying put? I found it involving, intelligent and eerily prescient, with the ability to start a few dystopian nightmares of my own.

Published in paperback by Harper Collins on 3rd March 2022.

Meet the Author

Kate Mildenhall is a writer and education project officer, who currently works at the State Library of Victoria. As a teacher, she has worked in schools, at RMIT University and has volunteered with Teachers Across Borders in Cambodia.

Skylarking was her debut novel. She discovered the story while on a camping trip and she wishes for more such fruitful adventures. She lives with her husband and two young daughters in Hurstbridge, Victoria.

Posted in Publisher Proof

The Lying Club by Annie Ward

If you love a juicy gossip about your fellow villagers or friends, or watching rich people’s lives implode, then this is definitely the book for you. Based around an elite Colorado private school, a tangled web connects three women. Brooke, the archetypal private school mum, fiercely protective and an filthy rich heiress with a creative approach to her wedding vows. Asha is a realtor, staging and selling houses while juggling children, hormones and an increasingly distant husband who she fears is having an affair. Then there’s Natalie, a lowly office assistant, watching the parents and children at the school taking for granted a life she could only dream about. Brooke has probably passed Natalie hundreds of times since she started working at the school, but probably doesn’t even know her name. Asha has noticed her, but only because Natalie has turned up at lots of her open house events. This is strange because there’s no way she could afford the types of properties Asha is selling. These women are bound by their relationships with the handsome, charming assistant athletic director Nicholas. Brooke wants him, in the way she wants any handsome man to notice her, but also because he has the contacts to get her daughter Sloane into one of the best colleges based on her talent at football. Asha uneeds him to get daughter Mia ready for the competitive world of college applications, because the best school won’t take two girls from the same school and Brooke seems several steps ahead. Natalie’s motives are the purist, she’s falling in llove with him and he’s making all the right noises, but is it just lip service? When two bodies are carried out of the school early one morning, it looks like the jealousy between mothers and daughters, or rival lovers, or the haves and have-nots has boiled over. The truth will shatter the surface of this isolated, affluent town, but whose version of the truth counts in a town where people will stop at nothing to get what they want?

I’ll be honest, it was hard to like anyone in this novel. Even the kids were awful; they were spoiled, entitled and self-centred. Asha’s daughter Mia, being the best of the bunch, is unsure what it will take to get into a good college until Brooke brings it to the family’s attention when she buys a state of the art camera to film Sloan’s soccer matches and create a reel for her application. Once Asha realises and approaches Coach Nick for help, Brooke becomes furious, worried that Mia’s Indian heritage will ensure her a place thanks to the positive discrimination built into the application process. Meanwhile, it’s clear there’s something brewing in the girl’s social circle of students who are particularly gifted at sport. I was shocked by just how sophisticated their sports programme was with gym work, massages, physiotherapy, and even anti-inflammatory injections happening on school premises. Are these kids simply rebelling over the level of control the coaches seem to have in their lives? I wondered whether they were plotting revenge against Coach Nick. Sloan’s boyfriend Reade, is fed up with Nick’s control over his athletes, hinting that he may want to get rid of Nick or at least have him reprimanded and he wants to recruit Mia to their plan.

Natalie is meant to be the most sympathetic character I think and on the morning she drives to the school to find it swarming with police she is in genuine shock. Then we go straight back to her reasons for being in Colorado; her brother had an accident and broke his leg so badly he couldn’t get around. So Natalie has been caring for him and took the job at the school when he started doing more for himself. She’s a painter by trade, with a shop on Etsy selling quirky pet portraits. She starts seeing Nick, almost accidentally, after a bit of flirtation at her desk when he’s been in to se the Headteacher. He invites her to his home and Natalie is blown away by how beautiful it is. Yet I was seeing red flags everywhere about their relationship going long term: Nick is a lot older and possibly wants different things; he’s previously been a womaniser; they never go anywhere but his place; he asks Natalie to keep their relationship secret. Yet Natalie seems to be falling in love and I had to admit he talked a good game. Is Nick just super careful because of his teaching role and what are these private sessions he seems to be conducting with elite kids?

The best thing about not really warming to anyone in the novel meant I could genuinely enjoy the tension and these people getting their comeuppance! The structure worked really well with an excerpt from a police interview, then going back to the events in question. The move back in time a few months illuminated the case going forward and the interview drew together many of the things I’d been concerned about. The drip feed of new information definitely kept me reading and gave me sudden changes of opinion on some characters. I was so invested in what the kids were up to and why Mia seemed to be under pressure from the others to join in. I kept wondering if they really had the measure of their opponent or was someone going to get hurt? I was also wondering if the mystery of the memorial Natalie had seen on her walk would be explained? Who was the crying woman and would new revelations shed light on this old story? With it’s luscious settings, opulent homes and beautiful people the best way to describe the book is to say this was like a particularly indulgent dessert. Strangely, even though the subject matter is dark, it’s delicious, decadent and rather thrilling.

Published by Quercus 3rd March 2022.

Posted in Random Things Tours

Faceless by Vanda Symon.

I devoured this fast paced novel set on the streets of Auckland and focused on a young street girl called Billy and a hardened homeless veteran called Max. Ever since Billy stumbled into the same doorway one cold night, she and Max have had a connection. He showed her how to use cardboard boxes to keep warm and where to find the best thrown out food. They have a pact to take care of each other and wherever they go in the day, they always make their way back to the same adjoining doorways at night. So, when Billy doesn’t appear one night, Max knows something is wrong. He needs to find her, but where to start in a city of this size and will anyone take him seriously?

Meanwhile, Billy has stumbled into the path of someone having a very bad day. Bradley is exhausted. Over-mortgaged, overworked and under appreciated, he is reaching the end of his tether. Having neglected his family all weekend to work, Bradley has been in the doghouse with his wife Angie. Yet it’s not enough for his boss who doesn’t seem to appreciate that five people used to do the same job Bradley is now doing alone. Bradley sees the prostitutes on their usual patch as he drives home, wondering idly what sort of man actually has the nerve to drive up and do it, to actually pay a woman to do what he wants. He wouldn’t have the nerve. Then he sees a young, tomboyish girl standing a little way from the others. She’s not a regular and he is less intimidated by her. So he picks her up and she directs him to an industrial area where no one will disturb them. He doesn’t know what impulse drives him to hit her, possibly the amusement in her eyes when he isn’t ready for her, but the feeling it gives him is better than anything he’s felt in a long time. There’s a rush of power and it’s intoxicating. So he takes her to an empty industrial unit he owns and using cable ties he makes sure she doesn’t escape. He might come back tomorrow.

Told from both Max, Billy and Bradley’s points of view in short chapters that prove rather addictive, the story unfolds of how both these people ended up on the streets and how an ordinary family man becomes a monster. I was constantly thinking ‘just one more chapter’ until I was half way through the story in my first sitting. I finished the book the next morning. The story is gritty. It doesn’t pull its punches when it comes to describing life living on the streets, or the realities of being kidnapped and left with nothing for your comfort. I could actually feel the cold, smell the mustiness of not showering for several weeks, and understand the shame of being left with no toilet facilities. It is vivid and because it’s a first person experience it’s very confronting in parts. I was so caught up in Max’s search for his friend, linked somehow to an old trauma and another young girl, and how desperate he becomes to have someone listen to him. So desperate that he has to overcome embarrassment and maybe even face whatever terrible experience has kept him running all this time. Billy is running too, but being alone and captive gives her ample time to explore what’s happened to her. Although it will take the police investigation to find out the full truth of Billy’s need to run. Through these two people we see just a couple of the reasons that people end up on the streets, but no matter why it’s a tough life that no one would choose unless they were desperate.

As for Bradley, he raises a lot of questions about the making of violent offenders, particularly those who commit crimes against women. Would anyone in Bradley’s position make the same choices he does? Or was there something latent in him, triggered by stress and what he saw as a girl from the streets looking down on him? He doesn’t fully understand the changes himself, all he knows is that the more he takes out his stresses and strains on Billy, the better he feels. He also seems to have regained his libido too, as he and Angie cavort like teenagers. He has just the right sort of happily married suburban man vibe to get away with what he’s done. I found myself rooting for Billy and whatever strength she could summon to survive just long enough for Max to find her. The visions of her grandmother are touching, providing context for Billy and an insight into her culture. Auckland is a strong presence in the novel too, from the rough, deserted areas where Billy creates her spray paint portraits of mythical women to the over-mortgaged suburbs where Bradley is lucky enough to live. We see the multi-cultural mix of kids hanging out in the park and the life of a suburban wife with their book club, exercise class lifestyle. It’s very clear that for most people in this life how you look and what you have defines you. Thankfully thats not the case for everyone and I loved Meredith, a snappy and intelligent detective who would rather wear heels than the regulation shoes. She looks beyond the surface and her investigative skills are the best, but she doesn’t have much to go on. Through her we get Max’s back story and her respect and trust in him doesn’t depend on his status – although she does insist on a shower. This book will keep you up at night to find out what happens to these characters. There isn’t a word wasted here and the pace is perfect. If you like your crime gritty, with great characterisation and empathy then this is for you. I loved it.

Meet The Author

Vanda Symon is a crime writer, TV presenter and radio host from Dunedin, New Zealand, and the chair of the Otago Southland branch of the New Zealand Society of Authors. The Sam Shephard series, which includes Overkill, The Ringmaster, Containment and Bound, hit number one on the New Zealand bestseller list, and has also been shortlisted for the Ngaio Marsh Award. Overkill was shortlisted for the CWA John Creasey (New Blood) Dagger.
Twitter @vandasymon, Instagram @vanda-symon, Facebook, @vandasymonauthor, http://www.vandasymon.com.

Posted in Publisher Proof

The Marsh House by Zoë Somerville

I simply loved this book. In fact, a finished copy arrived through the post and I started browsing the first page then couldn’t stop reading. So I read it straight through, finishing at 2am. It’s a split timeline story, beginning with Malorie and her daughter deciding to spend Christmas in a cottage on the Norfolk coast after an argument with her boyfriend. Malorie feels like a bad mother and wants to get one thing right – an idyllic holiday cottage Christmas for her daughter. Maybe if she achieves this one thing, she can convince herself she’s not as useless as she imagines. The sense of foreboding hits the reader immediately as the weather promises snow and Malorie becomes disoriented in the fog. She skids and ends up wedged into a hedge. The Marsh House itself is damp, dark and neglected. They cannot even see the sea through the mist. Malorie begins to wonder if this is a bad idea, but finds a pair of journals in the attic while searching for Christmas decorations, and she begins to read. Written by a young woman called Rosemary, who lived in the house, the journals tell a tale of a young woman’s crush on the boy from the big house. This young woman’s story paints a picture of 1930’s rural Norfolk, becoming a young mum and her husband’s link to fascism and Oswald Moseley in particular. Malorie can’t put the journals down, but alongside the house’s strange atmosphere, they are having an effect on her sleep and her state of mind.

I felt for Malorie straight away and her sprite of a daughter. Malorie is very hard on herself and has a negative inner voice, not helped by an over critical partner at home. Here she is capable, ordering logs and a turkey, rigging up a Christmas tree with vintage ornaments from the loft, and even managing real candles in their holders. However, even when she’s barely started the journals, the locals are giving her the house’s sordid history. That whiff of fascism becomes stronger when Malorie finds leaflets in the attic and the girl in the village shop asks if she knows what happened at The Marsh House? Tales of lost cocklers cut off by the tide that can still be heard screaming in the fog don’t help her state of mind. The house itself holds some scary relics too including a weird picture of women who perhaps lived here, one with bright green eyes that bore into you. I loved how the author drip fed these little bits of information, adding to the house’s history but also to the creepy tension that keeps building. It’s Malorie’s kinship with Rosemary, the writer of the journals, that drives the story forwards. The more she understands about the writer’s life, the more confused she becomes between fantasy and reality leading to some truly terrifying visions in the night. Why does she feel so connected with someone she’s never met who lived here thirty years before? Who is the strange woman with the large dog she sees from time to time, and why does she seem to be looking after the family by leaving logs to keep them warm?

I did enjoy Rosemary’s story too, her innocent crush on the boy from the family at the big house. She fantasises about what it would be like to have him like her too, to kiss her on the cheek and choose her above the more well to do girls in society. There does seem to be a part of him that is attracted to Rose, but she might also suit his purposes – a compliant country wife at home to keep the line going while he gallivants in London with Moseley’s social circle. Having read a bit about the Mitford sisters and Unity in particular, I had already known how popular fascism was in the ranks of the aristocracy and how some of our great country houses were used as meeting places for talks on appeasing Hitler. I hadn’t known of it’s hold in Norfolk and found this aspect of the book interesting. As time goes on and Rosemary is treated very badly by her husband it was clear that something terrible was going to happen, but the final revelations are truly shocking. I loved the way she delved into the complicated, emotional experience of becoming a mother. She opens up the inner world of these women, with their constant questioning of whether they’re good enough, or are they failing at this job we’re led to believe should come naturally? There is a special skill in weaving real historical events with fiction and this author is so talented and creative. She brings this area of England to life and makes the reader want to visit and search it out for themselves. The atmosphere was so evocative I spent two days with a ‘book hangover’ – unable to start another book because my emotions and senses were so embedded in Malorie’s story. I loved this so much I could have happily gone back to the first page and read it over again.

Published by Apollo 3rd March 2022

Meet The Author

Zoë Somerville is originally from Norfolk, but has settled with her husband and children in the West Country. She works as an English teacher. Zoë began her debut novel, The Night of the Flood on the Bath Spa Creative Writing MA in 2016. It was published in September 2020. Her second novel, The Marsh House, a ghost story and mystery is published in March 2022. She is currently writing her third novel.

Posted in Random Things Tours

The City of Tears (The Burning Chambers 2) by Kate Mosse.

I’ve been reading Kate Mosse since Labyrinth all those years ago and I’m always impressed by the level of detail and knowledge of French history she weaves into her books. Every detail is considered and you have the impression straight away that you’re in safe hands. In The City of Tears she combines her fictional narrative with fascinating real events focusing on the Catholic and Huguenot conflicts of the 16th Century. This is the second book in the Burning Chambers series and I did choose to go back and read the first book. However, due to Mosse’s ability to immerse you in her world, I think this could be read as a stand alone novel. It continues the adventures of Minou Reydon-Joubert and Piet Reydon, characters caught up in a period beset by complicated religious and political wars. Mosse walks the tightrope between these warring factions carefully, illustrating that there is honour and corruption on both sides, but keeping the focus on the family at the centre of these conflicts.

We return to the Languedoc region of France and the wars have now raged for ten years. It’s May 1572 and Minou and Piet travel with their two children, Marta and Jean Jacques, to Paris for the royal wedding of Charles IX’s sister, Catholic Marguerite de Valois, and Protestant Henry III of Navarre. This wedding has the political and religious benefits of uniting both Catholic and Protestant factions, so could mark the start of peace, but it’s a fragile accord. Piet’s old acquaintance Cardinal Valentin (Vidal) is in Paris too, but he’s now an enemy, unbeknownst to Piet he has a plan to kill all important Huguenots during the celebrations. The terrible violence that follows was known as the St Bartholomew’s Day Massacre and thousands of Huguenots were murdered. Seven year old Marta is separated from her parents in the chaos and goes missing. It’s a parent’s worst fear, but unable to find her, Minou and Piet have to flee the city without her. The pair are devastated as they cross the border and make their way to safety in Amsterdam. I loved the way Mosse depicted the strain this decision places on the couple’s relationship. They have managed to ensure the safety of their two year old son, but are filled with guilt for leaving their daughter behind.

Minou and Piet only return to France twelve years later after hearing of a woman who bears a resemblance to Minou. Could it be Marta? They have to take a chance and search for their daughter, but danger is still everywhere. They don’t know that family enemy Vidal is there, with his collection of fake relics, that he intends to use with the ambition of gaining power and position. He believes Piet is in possession of a stolen relic and is driven by bitterness and revenge. His evil nature and conviction he is carrying out God’s work, is beautifully offset by Minou who is a strong willed and opinionated woman doing the best for her family rather than a religion. Piet is also more logical and open-minded, he’s a Huguenot by religion, but doesn’t believe there is only one way to God, particularly when religious difference is used as an excuse to oppress and murder. The couple’s return has raised the tension and jeopardy for all their friends and family, and Mosse delivers some suspense filled twists and turns where the hunted and hunter just miss each other.

I felt like I was in the hands of a master storyteller here. Mosse is able to bring historical fiction to life, and really makes the reader care about the lives of people long gone. She delivers the drama at such a pace, her characters barely have time to draw breath. The depth of her research is truly impressive, even if sometimes I found myself having to read very carefully so I didn’t become confused – but that’s my failing, not hers. The family are so well drawn I truly cared about their outcome and the dynamics between them are written with emotional intelligence. The character’s emotions feel so real and add depth to an already absorbing story. My heart broke for Minou at the loss of her daughter, and I was so invested in her grief that I couldn’t see how she would adjust to living without her. The strain they were under and the constant danger they’re in added an intensity to Minou and Piet’s relationship that was so romantic. Mosse’s incredible skill is to make the reader care about and feel a connection with people who lived in the 16th Century. They are so different to us in dress, daily life and beliefs but the themes of family, parenthood and loss are so universal that they cross the centuries. It will be interesting to see where these fascinating characters go next.

Check out the other reviews from these great bloggers:

Meet The Author

Kate Mosse is a number one international bestselling novelist, playwright and non-fiction writer. The author of eightnovels and short story collections –including the multimillion-selling Languedoc Trilogy (Labyrinth, Sepulchreand Citadel) and Gothic fiction The Winter Ghosts and The Taxidermist’s Daughter, which she is adapting for the stage –her books have been translated into thirty-eightlanguages and published in more than forty countries. She is the Founder Director of the Women’s Prize for Fiction and a regular interviewer for theatre & fiction events. Kate divides her time between Chichester in West Sussex and Carcassonnen in south-west France.

Posted in Random Things Tours

We Are Not In The World by Connor O’Callaghan.

‘The cargo door opens. It opens incrementally. It falls forward, away from us, into foreign day. There are men down there, stevedores in hi-viz and hardhats shouting to one another. I rotate the ignition to halfway, to check for evidence of light. The instrument panel flashes and falls still. There are chains. There is shrieking of iron like gates of hell. Then this fluorescence gradually floods the floor between rows and creeps towards us and feels warm.’

As soon as I read these lines, following Paddy as he and his lorry emerges from the ferry and out into the light, I knew the writing was going to be spectacular and that this was a poet’s novel. Paddy is travelling from England to France, with his stowaway daughter in tow. It’s hard to explain, but this is a book that manages to be both bitter and beautiful. There’s a bleakness to Paddy’s existence, but such a richness in the language used to describe it. It feels bang up to date too, despite the fact no pandemic is mentioned, the author captures a sense of unreality that is all too commonplace these days. The feeling that the world we know and understand has gone, and we are plunged into something other, like Alice down her rabbit hole. We Are Not In The World is an apt title indeed. We follow Paddy on his mundane journey, punctuated by graphic brief encounters and interactions with his daughter Kitty. However, we are also taken into Paddy’s memories of the past and into his relationships, which are largely disastrous. This is an intelligent rendering of psychological damage wrought within families. His marriage is broken, his brother is more successful than he is and there is a complex, almost Oedipal, relationship between him and his mother – also named Kitty. His daughter is wild and rebellious, and in another nod to Paddy’s mother, she wears her gran’s mink coat at all times.

This is not an easy read, but the right readers will love it. Having searched out some of the author’s poetry, it’s clear that the novel touches on some of the same themes. Family and sibling rivalry are represented in Paddy’s relationship with his brother. There’s a jealousy of his apparent successes, but Paddy has still made him the godfather of his daughter. There’s a sense that family is inevitable and no matter how much we wish to escape it we can’t. Separation is explored too – separateness from the land where he grew up, from family and even from his own self. There’s a sense of wanting to be home, but not being able to and the feeling of homesickness that pervades Paddy’s daily existence. He describes it as like a ‘low level virus’ that he permanently lives with. To me it felt like a low-level depression, one that would drop under the radar of most GP’s charts, but is debilitating nonetheless. There’s a numbness in Paddy. He’s on auto-pilot in his daily life, only living in his head until an interaction jolts him out of his memories. The separateness he describes is something I’ve felt when depressed or going through grief. I was physically in the world, but felt no connection to my surroundings or other people. It was like looking at the world through glass.

The only thing Paddy seems to look forward to is some sort of homecoming. He looks at the family home of Tír na nÓg as both a rose-tinted past and a future redemption. Situated on a shingle beach in Ireland, it feels like his chance of happiness or at least a respite from the homesickness that plagues him. Can it be a place of things coming full circle? A completion of this endless mental push and pull between past and future. It feels like a pipe dream, far removed from the reality he’s in and the way he thinks about certain family events, referred to by him and Kitty as ‘the thing we never mention.’ There are times when I wondered if Kitty was real, or whether her birth from the hiding place of his bunk behind the cab was purely metaphorical. I had moments of confusion, moments of being unsure how these fragmented memories and feelings fit together. I was even unsure of what was real and what was imagined occasionally. However, I loved the feelings it induced in me and the sheer beauty of the prose. There’s a haunting quality to the novel that will stay with me. It was a reading experience that I let wash over me, rather like listening to an opera or viewing a beautiful painting. This is for those readers who like their novels to be strange, and bleak, but beautiful at the same time.

Published by Doubleday 18th February 2022

Meet The Author

Conor O’Callaghan is originally from Dundalk, and now divides his time between Dublin and the North of England. His critically acclaimed first novel Nothing on Earth was published by Doubleday Ireland in 2016.

Posted in Publisher Proof, Random Things Tours

Demon by Matt Wesolowski

I was fascinated and blown away by this sixth novel in the author’s Six Stories series. As always the novel’s structure is based on a podcast format, where Scott King presents his investigation into a true crime case. Each podcast consists of six stories told by six people associated with the case, with additional emails, news reports and documents on the crime. This time King has chosen a highly emotive crime that reminded me of the James Bulger case. The novel takes us to the old mining village of Usslethwaite in Yorkshire, where a terrible crime was committed, one that shocked the world. In 1995 the murder of twelve year old Sidney Parsons, by two boys his own age, was front page news. The murderers were dubbed the ‘Demonic Duo’ by the press and as well as the usual speculation about both the boy’s upbringing and mental state, there was a whisper of something more sinister. The hills above Usslethwaite were reknowned as a place where witches congregated, all the way back to the 17th Century when witch-hunting was rife. Rumours of something dark and disturbing lurking in the caves near the crime scene had plagued the village for centuries, as well as more contemporary plagues of flies, animal deaths and a strange black shape seen nearby. Is there something supernatural and demonic about this crime? Or are they just hysterical excuses for a crime so savage no one can understand it? Now that the murderers have reached adulthood, they’re quite possibly rehabilitated and living somewhere in the U.K. Maybe now it’s time to hear the truth about what happened when Robbie and Danny formed a friendship and proceeded to commit this unspeakable crime.

I love the originality of this author’s work and his audacity in writing about subjects other writers might avoid. I was 20 years old when Robert Thompson and Jon Venables lured James Bulger away from his mother at a Liverpool shopping centre, then murdered him and left him on the train line in Walton. Everything I remember from that case also comes up in the course of King’s interviews about Usslethwaite. I remember being shocked by the murder, the age of Thompson and Venables, but also the savagery of the press and public towards the accused who were still children. Whilst the anger the crime aroused was understandable, I couldn’t understand grown men gathering outside a court to attack the prisoner transport. I kept wondering what their goal was. What would they do if they actually broke through to those boys? Even now, the mention of either boy, their incarceration or the new lives they now have kicks up a frenzy of controversy and rage. While Demon isn’t based on the Bulger case I did wonder if Wesolowski had it in mind, because he has managed to capture a lot of those conflicting feelings in this novel. Through his podcast guests we can look at different aspects of the Usslethwaite murder, and consider the differing perspectives on what happened. Although there is outrage that Scott King is even featuring this case, I can see that all he is trying to do is answer that universal question: Why? What drove these two boys to kill?

The psychological and paranormal aspects of the case are carefully intertwined here. Robbie is a newcomer to the village, fostered by a lovely, community minded couple who haven’t been able to have children. There is speculation on what Robbie went through before he was taken into care and whether he is the disruptive force behind the crime, with Danny simply taken along for the ride. However, Danny is quite a sad, lonely and disturbed little boy even before Robbie comes along. He found his mother when she had hung herself from the rafters of the barn. Rumours abound about his mother who was a herbalist and reiki healer – something rather frowned upon and misunderstood by some members of the village. In fact she was well regarded by her patients and it could be said that the suspicion was raised due to her occupation and how lucrative it seemed to be, more than anything she did. There were reports of her coming down from the caves with another person, scandalously naked. She was also thought to set fires and dance around them. However, to Danny she was the parent who brought warmth, love and softness to his life. Without her, he is left in the care of his father who is not a bad man, but is absorbed by work and struggles to show affection. Danny visits the caves to speak to his Mum, and thinks he might hear her, but in this dark place it’s hard to know who or what might reply.

The author is incredibly skilled at ratcheting up the tension, whether with more detail of the case or the next eerie happening. I often found myself reading yet another chapter so I could find out what was next. I found the paranormal elements clever, I wasn’t scared at first, but after a while the atmosphere built and I found myself uneasy. One night, my other half asked me to turn the bedside light off since it was late and I found myself unsure whether I wanted to carry on reading in the dark. The strange happenings in Robbie’s room at his foster home were very unsettling, from phantom footsteps to flies and a horrible smell that seems to permeate everything. There’s so much in this village that can’t be explained and is witnessed by lots of different people. Were these boys influenced by demons or was this a case of two very mixed up and lost boys doing something so terrible it would destroy the village, the victim’s family, and the rest of their lives. I loved the varied perspectives, especially those unexpected ones that took our understanding to another level. While never losing sight of the victim and his family’s loss, we get to explore the ideas of rehabilitation and how a perpetrator lives with their crime, especially ones so young. Can they ever make a life for themselves and get over the guilt? Or are they forever doomed to keep moving, constantly looking over their shoulder for fear of being exposed? I was fascinated with the question of whether a demon influenced these boys or whether we could call the boys demons. They are labelled monsters, but are they? Perhaps we just label them this way, because we can’t accept one human being could do this to another, let alone a child. This is another incredible read from this inventive and original author. I devoured it so quickly that I’m buying the whole series with this month’s book budget.

Meet The Author.

Matt Wesolowski is an author from Newcastle-Upon-Tyne in the UK. He is an English tutor for young people in care.

‘Six Stories’ was published by Orenda Books in the spring of 2016 with follow-up ‘Hydra’ published in the winter of 2017, ‘Changeling’ in 2018, ‘Beast’ in 2019 and ‘Deity’ in 2020.

‘Six Stories’ has been optioned by a major Hollywood studio and the third book in the series, ‘Changeling’ was longlisted for the Theakston Old Peculier Crime Novel of the Year, 2019 Amazon Publishing Readers’ Award for Best Thriller and Best Independent Voice.

‘Beast’ won the Amazon publishing award for Best Independent voice in 2020.

Posted in Random Things Tours

The Maid by Nita Prose.

I’m an absolute sucker for books where the narrator addresses the reader directly. I loved Molly the Maid from the first page and the book was an absolute delight from start to finish. Molly works as a maid at the Regency Grand Hotel and she is very proud of her skills as a cleaner, skills she learned from her grandmother who died a few months ago. Many of her colleagues find Molly a little bit odd – in fact she knows they call her Roomba after a robot hoover – but she thinks they call her Rumba after the dance on Strictly although she doesn’t know why. Molly likes things to follow a routine, things must be in their place and there are ways to clean everything. In fact her Gran said that cleanliness was next to Godliness. Even at home they had a cleaning schedule, something different each night before dinner, and Molly has carried that into her work. She does have some friends, Mr Preston who works on the door, Juan who washes dishes in the kitchens and Rodney who works behind the bar. Her friends are very important to her and if it does good, it’s occasionally okay to bend the rules. So, when Rodney takes her out for a meal and asks for a favour she’s only too happy to help.

Juan has lost his work visa and needs a place to stay, so could she slip him a key each day to an unoccupied room? Rodney gives her a bag, she doesn’t check, but assumes they are Juan’s things and deposits them in the chosen room on her rounds. Her last friend is Giselle, the glamorous second wife of Mr Black, who stays in a suite at the hotel so regularly that Giselle and Molly have interacted a lot. She has all those qualities that Molly values in a person – she acknowledges the little people, she’s polite and treats Molly like a real human being, rather than looking past her. The story begins as one day Molly doubles back on her normal route to clean the Black’s bathroom. She’s done the rest of the suite, but Giselle was in the shower. Molly makes her way through the suite, noticing that cushions are disturbed, the safe is open and Mr Black is taking a nap on the bed. Yet when she looks closer, perhaps he isn’t sleeping? Maybe he’s dead?

This was a clever way of merging a thriller, with a genuinely uplifting story about someone who has gone through an enormous change in her life. I truly felt gripped by the thriller aspects of the story, but also touched by the personal journey that Molly is facing. She has lost someone close to her and is learning to negotiate life as a fully fledged adult. She doesn’t have that ability to read people’s moods and motivations so she’s perhaps an easy mark for people who want to exploit her. I thought the author had a very difficult line to tread with the tone of the novel. We know that Molly thinks in an individual way and there are times when we do understand more than she does about what’s going on at the hotel. Molly refers to this with a jigsaw analogy – she knows she has all the pieces, but hasn’t put them in the right order yet. This could have been disastrous if the reader was superior to Molly, but we never are. The author keeps us firmly with our heroine, even while other characters treat her badly and underestimate her intelligence. The story was gripping and I wanted to know what was really going on at the hotel, and which of Molly’s friends were truly fighting her corner. Molly is a heroine who will stay with me a long time. Even though the goings on at the hotel are sleazy and dangerous, her personal story is touching, charming and ultimately joyful.

Meet The Author.

NITA PROSE is a long-time editor, serving many bestselling authors and their books. She lives in Toronto, Canada, in a house that is only moderately clean.

http://www.nitaprose.com
@NitaProse

Posted in Random Things Tours

Bitter Flowers by Gunnar Staalesen

PI Varg Veum has returned to duty following a stint in rehab, but his new composure and resolution are soon threatened when a challenging assignment arrives on his desk. He is offered a job by his physical therapist Lisbeth, with whom he has built a friendship during treatment. She has a friend who needs a house sitter and she drives Varg out there to look around, only to find a man dead, floating in the elite swimming pool. As Varg leaps in to check for signs of life, Lisbeth goes missing. Most chillingly, Varg Veum is asked to investigate the ‘Camilla Case’: an eight-year-old cold case involving the disappearance of a little girl, who was never found. As the threads of these apparently unrelated crimes come together, against the backdrop of a series of shocking environmental crimes, Varg Veum faces the most challenging, traumatic investigation of his career.

This is one of those slow burn thrillers and we find Veum at a pivotal moment in his life, just out of rehab and fighting a reliance on Aquavit. Whilst not fully back to his investigative peak, Lisbeth’s idea of a simple house sitting would have suited him perfectly, with no pressure. The circumstances he then finds himself in are really not going to help his recovery, it’s enough to find himself embroiled in a murder investigation, but even worse, could he actually be a suspect? Instinct takes over though and Varg can’t help looking into the victim’s life, once he is identified as Tor Aslaksen. He is also very concerned about the disappearance of Lisbeth, as he battled to save the dead man’s life. Needless to say he faces some very awkward questions from Inspector Hamre about how he ended up there, alone in a strange house with a dead man. His digging reveals a connection to a case from some years before, that of a missing child. As if that wasn’t enough, when he looks into the victim’s employer, his company is under suspicion for environmental crimes, namely the alleged improper disposal of toxic waste. There are noisy protestors demonstrating on site and within the conflict there are two brothers, who were childhood friends of Aslaksen and stand on opposing sides of the demonstration. These strands seem so disparate, but the author cleverly threads them back to the murder victim with so much care, taking his time to unwind the truth. Yet, he also keeps a steady tension and occasionally surprises the reader as Varg’s curiosity takes him into dangerous and threatening places. is enough to heighten Veum’s interest. Nobody’s fool and uncompromisingly persistent, Veum is intrigued enough to take a closer look, thereby uncovering a connection to the unsolved disappearance of a seven-year-old girl nearly a decade earlier in the dead of night. Casting his net wider and following the threads back to their fruition, Veum tries to make sense of the past and it’s significance on current events, specifically the murder of Tor Aslaksen and all that follows.

Gunnar Staalesen

I gradually started to bond with Varg, possibly due to the first person narrative; we’re with him all the way because we make discoveries at exactly the same time he does. His narrative can be abrupt at times, but always questioning and challenging those around him. As we experience his inner voice, unedited and raw, we can feel his struggles and the way his personal demons affect his life and his investigations. Yes, he has weaknesses, but his intelligence and determination are undimmed. I felt that, despite these struggles, I was safe with him as a narrator. I was firmly on his side throughout and didn’t doubt his innocence once. I didn’t work out the reasons for the murder, nor the tragic events which followed, but I did feel a constant sense of foreboding even from the first chapter. The author has a good grasp of human nature and how trauma affects people in very different ways. The psychology of addiction was also well observed and I enjoyed seeing Varg’s progress as he tries to recover while investigating a complex and emotional case. His developing relationship with Karen and friendship with Siv are handled with care and a gentleness I didn’t expect.

The case itself is emotive, allowing the reader to learn about Varg’s fragility, as he faces the horror of a child missing for eight years. By taking us back into Varg’s past, we can really see progression in his character; how did he get from there to his current stint in rehab? His previous career in child welfare has left him cynical, but he isn’t completely jaded yet. Everything he has experienced makes him more humane with an automatic reflex to fight for the underdog. I loved his underlying thirst for social justice too, something that could remain hidden from others, behind that calm and focused exterior. Staalesen provides the reader with a steady drip feed of Varg’s discoveries and this pace helps us understand the key characters better, especially where he becomes a nuisance by popping up to question certain people time and again. Even threats and constant police pressure can’t stop him from interfering and he is dogged in his determination to discover the truth. This is not a high octane thriller, but it’s more thorough and compelling because of that. Varg is not one of those showy, ‘on the edge’ investigators either, but the gradual opening up of his character allows us to trust him and truly know him. This felt like to me like a real PI might have worked back in the 1980’s, investing the time and noting the small details that crack a case. We never get the sense, as with other, flashier, P.I. characters, that he is more important than the case. There’s only a hint of fast action and real danger, but it has more impact and authenticity because of that restraint. This is complex, intelligent and authentic storytelling with a hero I enjoyed getting to know.