Posted in Personal Purchase

Books That Give Me The Christmassy Feeling,

I went up to the bathroom and found my mother crying and running the turkey under the hot tap. She said, ‘The bloody thing won’t thaw out, Adrian. What am I going to do?’ I said, ‘Just bung it in the oven.’ So she did.”

Everybody’s favourite misunderstood, totally intellectual, teenage diarist, Adrian Mole, has perhaps experienced some of the most realistic Christmases in literature. His entry on one particular day sees him recall the hectic and hilarious events of the previous 24 hours, after his mum serves dinner to unexpected guests four hours late while his dad ends up drunk. We all know that feeling – of a parent acting manically and those annoying guests that just won’t leave – all too well. Also, I’m amused and touched that he gets Pandora a can of deodorant as her present. Other favourite details of the Mole family Christmases are the one where his prison warden Aunty Susan, brings a ‘friend’ in a disturbingly low cut top and the seasonal Fancy Dress Party at the Braithwaites where Pandora dresses as a belly dancer, much to Adrian’s disgust. Oh and the dog, who always manages to eat something he shouldn’t or has bizarre accidents like getting a model pirate stuck in his paws. His many Christmases, even into adulthood, are always disastrous and still make me laugh out loud.

The Long Winter is just one of Laura Ingalls Wilder’s books with wintry scenes that make me feel Christmassy. There’s the party in Little House in the Big Woods where the girls stay with extended family so they can help with collecting maple sugar. There are such wonderful descriptions of making candy by freezing the maple sugar in the snow, beautiful descriptions of all the women’s best dresses as they get ready for the party and an incredible table groaning with food! Later, in her novel The Long Winter, Laura is a teenager and the family are living in North Dakota. As winter nears, the family move to their house in town from their ‘claim’ out on the open plains. Winters are harsh and this one is the worst, as blizzards rage for months. The Ingalls family have a very lean Christmas. They make presents for each other and sit down to a dinner of watery soup. It takes till May for the tracks to clear and the trains to run, but when they do a Christmas ‘barrel’ turns up with presents and food to allow them a second chance and they enjoy their first ‘Christmas in May’. A final favourite is Pa’s friend Mr Edwards arriving unexpectedly through a blizzard to ensure the Ingalls girls get a Christmas present. This scene can bring tears to my eyes:

“oh thank you, Mr. Edwards! Thank you!” they said, and they meant it with all their hearts. Pa shook Mr. Edwards’ hand, too, and shook it again. Pa and Ma and Mr. Edwards acted as if they were almost crying. Laura didn’t know why. So she gazed again at her beautiful presents.”

“It struck me as pretty ridiculous to be called Mr. Darcy and to stand on your own looking snooty at a party. It’s like being called Heathcliff and insisting on spending the entire evening in the garden, shouting “Cathy” and banging your head against a tree.”

This is a modern classic and nothing can beat those excruciating moments when Bridget’s parents take her to their friend’s Turkey Curry Buffet. Bridget in her antlers enduring endless insinuations about her love life, or lack of it. Mark Darcy in his ridiculous Christmas jumper. Oh dear, says a friend of her parent’s, have you lost another man Bridget. It’s always the same, off they go, wweeeeee…. It really is mortifying. It’s the perfect update of Pride and Prejudice, the modern equivalent of the ballroom arena. Bridget is simply herself, it’s those around her who are irritating and embarrassing, but we see the stiffness in Darcy and the way he makes judgement. It’s all so real. Fielding pitches the comedy and emotion perfectly. She completely represents the awkwardness of being an adult but returning home for Christmas and reverting to childhood. The childhood bedroom and the dreaded single bed! I think it’s wonderfully written.

‘Nobody spoke for a minute; then Meg said in an altered tone, “You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can’t do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don’t,” and Meg shook her head, as she thought regretfully of all the pretty things she wanted.”

Of course no Christmas round up is complete without Little Women. ‘Christmas won’t be Christmas without any presents’ is the first line, but the March girls are going to learn the true meaning of Christmas. Christmas Day might be very lean on the present front, but the girls are excited about the breakfast Hannah has made for them. They’re just about to start when Marmee comes home to tell them that a poor German family nearby have no fire, no presents and are hungry. Their Mum has given birth the night before. With only the odd grumble from Amy they pack up their breakfast and take some firewood round to the Hummel’s shack. Witnessing the family on their errand, Theodore Lawrence is inspired to make a Christmas gesture of his own. He has watched the family, from his lonely position in the mansion next door with his Grandfather. To repay their kindness to the Hummel’s the Lawrence’s send an incredibly luxurious breakfast over to the Marches. Even Amy is inspired not to be selfish with her one dollar Christmas gift from Aunt March. Everyone else has used their dollar for a gift for Marmee, but Amy chose to gift a small bottle of cologne so she still had money for drawing pencils. But she goes back and buys a bigger bottle and returns her them. The girls Christmas gift is a letter from the their father who is a chaplain with the army, fighting in the Civil War. Even though this isn’t strictly a Christmas film, just watching any adaptation of Little Women with its opening of the festive season makes me feel that Christmas spirit.

“Allow me to introduce myself. My name is Tumnus.”
“I am very pleased to meet you, Mr. Tumnus,” said Lucy.
“And may I ask, O Lucy, Daughter of Eve,” said Mr. Tumnus, “how you have come into Narnia?”
“Narnia?” What’s that?” said Lucy.
“This is the land of Narnia,” said the Faun, “where we are now; all that lies between the lamppost and the great castle of Cair Paravel on the Eastern Sea. And you–you have come from the wild woods of the west?”
“I–I got in through the wardrobe in the spare room,” said Lucy.
“Ah,” said Mr. Tumnus in a rather melancholy voice, “if only I had worked harder at geography when I was a little faun, I should no doubt know all about those strange countries. It is too late now.”
“But they aren’t countries at all,” said Lucy, almost laughing. “It’s only just back there–at least–I’m not sure. It is summer there.”
“Meanwhile,” said Mr. Tumnus, “it is winter in Narnia, and has been for ever so long, and we shall both catch cold if we stand here talking in the snow. Daughter of Eve from the far land of Spare Oom where eternal summer reigns around the bright city of War Drobe, how would it be if you came and had tea with me?”

Of course the worst thing about the country of Narnia is that it’s always winter, but never Christmas. In fact it takes Aslan’s amazing return from death for Christmas to finally be celebrated in Narnia, and Father Christmas brings the children the gifts they will need as they become Kings and Queens of Narnia. Yet for me, I get a Christmas feeling from the very first time Lucy finds her way through the wardrobe. She feels her way through the furs and can smell a pine forest and feel the cold. She finds a snowy forest landscape and slowly makes her way towards the light of a lamppost. It’s here she meets one of my favourite creatures in all literature – Mr Tumnus. I have a beautiful painting in my hallway of the way I imagine him, with his furry haunches, velvet coat, long striped scarf and carrying a pile of books and an umbrella. If I could be taken to any point in a book it would be tea in Mr Tumnus’s little house, next to a warm fire. There would be lots of books, a ticking clock and a wonderful tea tray of crumpets and cake. In this warm haven with snow falling outside I would feel completely relaxed and immersed in this magical world.

“Christmas ought to be brought up to date,” Maria said. “It ought to have gangsters, and aeroplanes and a lot of automatic pistols.”

Maybe the reason I associate this book with Christmas is that when I was primary school age this book was serialised on the BBC and shown on Sunday teatimes. It is set as a young boy called Kay travels home on the train for Christmas, and is waylaid by a travelling Punch and Judy man called Cole Hawlings. Hawlings is being pursued by a band of criminals dressed as clergymen. They are seeking the ‘box of delights’ – a magical box that can take the bearer on a world of adventures. My middle-aged brain remembers tiny mice appearing through the floorboards, meeting the King and Queen of the fairy folk inside a tree, a wonderful Christmas celebration and a plane that can take off vertically. I love the nostalgic feel of the book too, with Kay using terrible school slang – I haven’t a tosser to my kick – and the very lively heroine Maria who is toting guns she took from the villains! She had a very Agatha Christie view of Christmas thinking it should be filled with guns and gangsters!


‘In my old age, I see that life itself is often more fantastic and terrible than the stories we believed as children, and that perhaps there is no harm in finding magic among the trees.’

The Snow Child is such a beautiful book and although it’s not specifically set at Christmas, it has such a snow filled setting and a fairy tale quality that makes me feel that Christmassy magic. Jack and Mabel are married, but don’t have any children after a traumatic miscarriage. They long for a child and one winter, at their homestead in Alaska, they build a snow child – complete with mittens. The next morning their snow child is gone and tiny footprints lead away into the forest. From time to time the couple see a little girl in the woods accompanied by a fox. We’re not sure whether she is a magical manifestation of their wish or exists just in their mind, but what is so stunning is the background. The Alaskan wilderness is not easy to survive in, but the author makes it so beautiful:

‘The sun was setting down the river, casting a cold pink hue along the white-capped mountains that framed both sides of the valley. Upriver, the willow shrubs and gravel bars, the spruce forests and low-lying poplar stands, swelled to the mountains in a steely blue. No fields or fences, homes or roads; not a single living soul as far as she could see in any direction. Only wilderness. It was beautiful, Mabel knew, but it was a beauty that ripped you open and scoured you clean so that you were left helpless and exposed, if you lived at all.’

This is an absolutely stunning book, full of magic and the realisation that life is short and we need to grab our happiness, wherever we can.

And finally these two little gems above and below are this year’s Christmas reads. Christmas is a time for romance and both of these novels are unashamedly romantic. In Last Christmas in Paris it’s 1914 and Evie Elliott watches her brother, Will, and his best friend, Thomas Harding, depart for the front, she believes—as everyone does—that it will be over by Christmas, when the trio plan to celebrate the holiday among the romantic cafes of Paris. But of course it all happened so differently. Evie and Thomas experience a very different war. Frustrated by life as a privileged young lady, Evie longs to play a greater part in the conflict—but how?—and as Thomas struggles with the unimaginable realities of war he also faces personal battles back home where War Office regulations on press reporting cause trouble at his father’s newspaper business. Through their letters, Evie and Thomas share their greatest hopes and fears—and grow ever fonder from afar. Can love flourish amid the horror of the First World War, or will fate intervene? In Christmas 1968, with failing health, Thomas returns to Paris—a cherished packet of letters in hand—determined to lay to rest the ghosts of his past. But one final letter is waiting for him…

In Tom Ellen’s All About Us we meet Ben, tasked by his wife Daphne to put up the Christmas tree he decides to meet his friend Harvey for a drink instead. Daphne is at a work party, alone. Ben is at a crossroads in his marriage, he barely recognises his wife these days because she seems so angry and tense. His mind has been wandering to his old uni friend Alice, who he always imagined he’d get together with some day. There is one pivotal moment, at a university play, where he felt it was an unspoken agreement that he and Alice would take things further. Then in walked Daphne and he was instantly smitten. What if he made the wrong choice. In a format based on A Christmas Carol, Ben meets a watch seller who gives him a magical watch set at a few minutes to midnight and he’s astonished to wake up the next morning on 5th December 2005: the day he first kissed Daphne, leaving Alice behind. This is just the first of his stops into the past, and the possible future, to make the biggest decision of his life, all over again. But this time around, will he finally find the courage to follow his heart?

I’m so looking forward to curling up by the Christmas tree with some chocolate and both of these novels.

Posted in Personal Purchase

Bloodstock by Rod Humphris

Publication: Rat Tales Ltd

Published: 2nd November 2020

ISBN: 978-1999651725

When I was first offered this book by the publisher I didn’t know what to expect. I hadn’t read the earlier books in the series and had never come across Rod Humphris or his hero Simon Ellice before. Having been assured I could enjoy this as a stand-alone novel I decided to have a go and read something out of my comfort zone. Simon retires from life in the city back to the Hampshire village he lived in when he was a child. He finds solace and comfort in the change of pace, and starts to work on a local farm where he finds some peace and tranquility. However, he seems to be the sort of character that trouble follows and it’s not long before he uncovers a mystery with its roots back in the London underworld he left behind. When old friends go missing he has to use his skills to investigate, finding murder, poison and pagan rituals threatening those closest to him. In what is billed as Ellice’s most challenging case, this is a fast paced novel with themes of sacrifice and objectification, that go to the very heart of our society.

This really was a novel of contrasts in settings, pace and structure. Simon, or Si to his friends, has been living mainly on his yacht – Polly, moored at a London dockside. In this novel we see quite a contrast between his previous life based in London and the new life he is trying to create in Hampshire. London is dark, murky and noisy in contrast to the peaceful pastoral scenes of the countryside. It pits something wholesome and gentle against a more aggressive and dangerous city where Si liked to party in nightclubs with beautiful women hanging on his arm and his every word. These two settings are in a way linked to Si’s character, especially as he is getting older. He has a darker, more cynical side that is used to dealing with the criminal underworld, but there is also a softer, more restful side that wants to calm down and this gentler side comes out more as he works on his friend’s farm. The London chapters are more punchy and fast moving, whereas the countryside sections have more flow and a much slower pace. The plot revolves around missing aristocratic women, who have developed drug habits before disappearing, then turning up dead. I don’t want to ruin the story with spoilers so that’s all I will divulge. but it is an exciting plot that really held my attention throughout.

There were elements of Si’s character and his adventures that reminded me of Bond, but Bond in a darker story with a dash of black humour thrown in too. I wasn’t sure if I liked him or not in parts, but there’s no arguing with how brilliant he is at his job. I love characters like this who are flawed, perhaps even difficult, but ruthlessly good at what they do. I wasn’t sure if I wanted him as a friend, but I would want him on my side if I was in trouble. I found it interesting that unlike other high octane thrillers, the women were just as strong as the men. In some cases they were just as crazy too. I also enjoyed the fact that Si now works for Whitehall, so could be seen as part of the establishment, but some of his more questionable methods could raise a few eyebrows. The author kept drip feeding just enough information to keep the reader interested, but never enough to work out what would happen. The ending left me thinking about it and still making connections in my mind. This was more of an action story than I would normally have chosen, but I did enjoy it enough to look for the author’s earlier novels. It was intelligent, exciting and at times darkly humorous. Definitely worth seeking out for those who enjoy crime thrillers and for those who want to try some thrilling action and escapism.

Meet The Author

In his office you will find Rod typing, flanked by two enormous dogs, and surrounded by the ephemera he has collected on his travels. “I always read. Since I can remember. First Asterix, then Willard Price, then Conan Doyle, then everything else. I’ve had a paperback jammed into my back pocket most days of my life. I remember wanting to write a book when I was about 12 and wanting to put everything into it” “I’ve read every kind of book, but the ones I love most are stories of adventure, so that’s what I write. I’ve put thousands of hours into learning to do it well. It’s taken me a long time, but I’ve developed my own voice and my own style. I spend so much time with Si, my main character, that he seems as real to me as anyone I know. In some cases, more so. I’m happiest and most productive when travelling about in my battered old truck with a canoe on top and a dog in the back.” Rod Humphris is the winner of N. N. Light Best Fiction Award 2016 @Rod_Humphris

Posted in Personal Purchase

The Missing Pieces of Nancy Moon by Sarah Steele

I was lucky enough to be sent an ARC copy of this a little while ago, but have found it difficult to get enough time to read it. Within a few pages it was clear I’ve been missing a treat. I absolutely loved this novel about family secrets, growing up and dress-making. We follow our narrator Flo, as she conducts a funeral for her grandmother. Her mother has been a life long traveller with wanderlust in her bones, so her grandmother’s home in Wandsworth is the only real home she has known. Flo is struggling under the weight of a grief she shares with her husband Seamus, so much so that their marriage has fallen apart at the seams. She is sinking into a depression when she decides to look for her grandmother’s old sewing machine. Instead she finds a box of 1960s dressmaking patterns and as she searches through she finds each packet has a photo or a postcard, often depicting the same woman beautifully dressed in the dress from the pattern. One photo shows this woman at the train station with Flo’s grandmother and close knit set of friends. Flo is intrigued by Nancy, this beautiful woman, who clearly knew her grandmother so well, but is never spoken of in the family. What is this big secret and why was this woman travelling through Europe? Inspired by one of the dresses Flo finds some fabric and spends all night putting together the full skirted day dress. For the first time in months Flo can feel a cloud lifting. What if she were to follow Nancy’s journey -wearing her wardrobe- to find out more about her and why she never came home?

This book lured me in immediately with its honesty and charm. I truly enjoyed the two narratives and different destinations on Flo and Nancy’s journeys, taken 50 years apart. Flo finds that Nancy was travelling as companion to a young lady, the daughter of a wealthy couple called Pamela. Pam is too old for a governess but too young to be left to her own devices. She is resentful of Nancy’s presence at first and doesn’t see why she needs babysitting. However, they start to bond. Nancy watches the criticism Pam receives from her stepmother. It covers everything from her attitude, to her weight and how she carries herself. Nancy can see that really she just needs a friend, someone who’s on her side and gives her some positivity and praise. This relationship becomes vital later in the novel, when Nancy discovers the truth of the dynamic in this family. Everything is going to change for Pam, and perhaps Nancy can be the constant in her life. Realising at the end of the book how this character fits into the present was so very satisfying.

The settings and fashion are beautifully described that I could picture every place and every outfit in my mind’s eye. I do a little bit of sewing, nothing as advanced as Nancy or Flo, so I had a great deal of respect for their work. I love fashion so this was an absolute gift for me, seeing how fashion transforms someone makes me smile. I love that it helps people express their individuality and to be more confident. The fact that for Flo it’s vintage fashion is even better. We dressed up more in the 1950s/60s and I felt the author truly expressed that era in Nancy’s clothes. I enjoy nothing more than vintage shopping with my stepdaughters and often wear 1950s styles myself so I understood how Flo felt putting on clothing she had made. It’s almost as if the clothing change, as well as the different surroundings made Flo question her life and explore who she was a little more. We are all different on holiday and when working with women who have low confidence, I often ask what they enjoy on holiday and tell them to take a little of that holiday spirit into everyday life. For Flo. while she’s travelling she gets to think about what’s gone wrong in her relationship. We are privy to her innermost thoughts and feelings and can slowly piece together what has happened between her and her partner Seamus. The break gives her space, and a bit of perspective in the shape of a friend she was told to look up when she gets to Paris. Will this, slightly more sophisticated, man make Nancy rethink her relationship and move on or will it help her realise that Seamus is still the one for her?

This is a great second lockdown read because it made me feel like I’d been on holiday myself! It also let me spend a little bit of time in Venice, which was a bonus considering I’d had to cancel my honeymoon there in the spring. It deals with the issue of losing a child and how heart wrenching that is. The author deals well with this difficult topic, showing the stigma of being an unmarried mother in the 1950s while still being able to keep the story light, which is an extremely difficult tightrope to walk. Different ways of grieving are also explored, and how hard it can be if a couple grieve in different ways or at different rates. The key to everything in this book is good honest communication and not keeping secrets within families. I think the difference between the 1950s and our more open, confessional society is well handled. I enjoyed this one so much I bought a finished copy for my bookshelves and I’m sure it’s one I’ll dip back into from time to time. This is a lovely story, full of likeable characters, stunning locations and beautiful fashion. I heartily recommend it.

Posted in Throwback Thursday

The World That We Knew by Alice Hoffman

This was a much anticipated read for me as Alice Hoffman is probably my favourite writer. Most people know her for Practical Magic, but I think her more recent novels have been remarkable. The World That We Knew stands with them. It was sad, unflinchingly honest and strangely magical.


We join Hanni Kohn and her daughter Lea in Berlin at the beginning of WWII.The verbal propaganda against German Jews is now turning into action and after Lea is attacked by a soldier on her way home, Hanni intervenes with terrible consequences. Now Hanni knows she must get Lea out of Berlin, but how can they both leave when Hanni is looking after her elderly mother. Desperately looking for some way of protecting Lea, Hanni falls on the idea of a Golem – a mythical Jewish creature animated from clay. First she approaches the rabbi, who turns her down, but the rabbi’s daughter Ettie is listening and spies a chance to escape home. She assures Hanni she has the necessary power and learning to create such a creature, programmed to protect Lea, but only on the basis that Ettie and her sister can travel with them. They gather river clay, water and blood to create Ava, a strong woman with dark eyes and hair, who will travel as Lea’s cousin. However, all Golems must be destroyed once their purpose is done, so Hanni leaves instructions in Lea’s locket to ensure she can carry this out. Hoffman’s story blends historical fact, outlining the fate of Jews in Berlin and France while the world claimed ignorance, with the fictional story of the four girls. One is lost before they leave the country leaving behind a loved one intent on getting their revenge.

There are other characters in the novel bringing their own story and perspective to the story. Despite having their own narrative Hoffman cleverly weaves their stories together so that they encounter each other at some time during the war. On Lea and Ava’s travels in France we meet Julien, his brother Victor and their parents. As a Jewish family resident in Paris their parents imagine themselves safe from the fate of Jewish refugees like Lea and Ava. At huge personal risk they let Lea and Ava join the household, because their servant Marianne has left that morning. Ava takes to kitchen work while Lea forms a friendship with Juliet. Victor has been mourning for Marianne as we follow her home to her father’s farm in the mountains bordering Switzerland. Victor decides to leave soon after, but his travels take him into the Resistance first where he meets a certain young woman hellbent on revenge. Julien is left behind, when Ava and Lea leave, and he watches as his parent’s assumptions are all proved wrong and they are lead to a stadium in burning heat. They are stripped of their jewellery and other valuables and kept without sanitation or food until they can be transported to the death camps, bewildered and broken. Julien hatches a last minute plan and manages to slip out of the stadium and into the labyrinth of streets until a special messenger gives him an idea of where Lea might be.

We follow these various characters through Germany, to Paris, to a convent where silver roses bloom, and a farm in the mountains where over three thousand Jews are walked to the mountains and freedom. In between the many horrors of war sits the beauty of nature, strangely incongruous and almost mystical in that it carries on without or even in spite of us. I love the audacity of Hoffman’s magic realism in juxtaposing the Holocaust with a mysterious heron who dances in the moonlight, at the river’s edge, with a very unusual woman.
This beautiful novel weaves together the realities of a terrible war, with an element of ancient magic. Hoffman creates a story about the lengths people will go to in order to survive, protect those they love and fight for what they believe in. We also see the amazing healing power of love and forgiveness. Most of all, against a backdrop of the most evil and inhumane act of the 20th century, Hoffman uses the character of Ava to make us truly think about what qualities make us human.

Meet The Author.

Alice Hoffman is the author of thirty works of fiction, including Practical Magic, The Dovekeepers, Magic Lessons, and, most recently, The Book of Magic. She lives in Boston. Visit her website: http://www.alicehoffman.com

The Bookstore Sisters

I usually expect a new Alice Hoffman novel in the autumn as she’s so prolific, but this year it’s a short story to keep us ticking over until her new novel arrives.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island. What she finds there may forever alter her path—and change everything she thought she knew about her family, her home, and herself. I’m a lover of books about books, and since the words I keep hearing are ‘relationships, charm and magic’ I’m really looking forward to a long bath with this story.

Published by Amazon Original Stories on 1st Nov 2022.

Posted in Personal Purchase

Three Hours by Rosamund Lupton

Publisher: Penguin

Date: 29th October 2020 Paperback

ISBN: 0241374510

Wow! I sat and read this book in two days straight because I had to know what happened to everyone. The book is so relevant to today’s world in terms of politics and is just so gripping. Lupton manages to combine contemporary use of the internet, geographical shifts and the refugee crisis, the phenomenon of High School massacres like Columbine all together in an incredibly humane, but terrifying novel. It poses the question of how we combat terrorism when today’s terrorist looks just like us? In fact, how do we combat terror when we know the terrorist?

In the space of three hours a remote school is thrown into panic and terror. A homemade lunchbox bomb is found in the woods by one of the pupils. It might have been dismissed as a prank by most kids, but Rafi Bukhari escaped Syria with his little brother Basi, and he takes it very seriously. In a matter of half an hour the first police officer on scene is shot at and the site is under siege. In the Old School, Rafi’s girlfriend Hannah is with a group in the library caring for their wounded headmaster. Pottery teacher Camille is stranded in the studio with only a few rows of clay tiles and some glass between a class of seven year olds and an automatic weapon. Further back, a group are rehearsing Macbeth in the woodland theatre and the junior school is being evacuated down to the beach. Rafi settles his brother with the teacher, they both have PTSD and he vowed not to leave him, but at least he knows Basi is safe. Now he needs to get to Hannah. However, Basi has ideas of his own.

I really enjoyed the varied perspectives of this novel from the kids, teachers, police, and even the parents of the shooters. Beth Alton’s train of thought is brilliant, from assurances that her Jamie could not possibly be responsible to the thought that he’s already dead to her, from the minute he picked up the gun. The investigation and drip feed of new information is very well done and it’s obvious the author has researched well. The flashbacks of the Syrian boys are equally well placed and effective. I found the allusions to the kid’s performance of Macbeth great at first – the idea of using Syria as a backdrop and the witches as balaclava clad terrorists is clever. I must admit to being surprised with this aspect of the ending, which I won’t spoil, but suffice to say it had a very fantastical feel. This was an atmospheric, timely and intelligent book, that asked some of the big questions about how the world is now, especially pertinent in a week of terror attacks in France. It is also a great thriller that keeps the reader hooked and doesn’t let go till the final seconds.

Meet The Author

Rosamund Lupton’s debut novel ‘Sister’, was a BBC Radio 4 “Book at Bedtime”, a Sunday Times and New York Times bestseller, winner of the Strand Magazine critics award and the Richard and Judy Bookclub Readers’ Choice Award. Her next two books ‘Afterwards’ and ‘The Quality of Silence’ were Sunday Times bestsellers. Her books have been published in over thirty languages.

Posted in Personal Purchase

Halloween Reads: The Gothic Romances of the Brontes and Du Maurier

When we talk about classic Halloween reads we tend to think of M.R. James, Dracula or Frankenstein and they’re all brilliant. Most people don’t automatically reach for the Brontes, but for me they were my first scary reads. I was ten when I first read an abridged version of Jane Eyre, closely followed by watching the BBC series with Timothy Dalton as Mr Rochester. In my ten year old mind this wasn’t a love story, or a feminist manifesto but a really spooky ghost story. My abridged version included the supernatural experience Jane has when her guardian Mrs Reed has her locked in the Red Room. Aware of stories about orbs of light fitting around the graveyard at night, Jane bangs on the door desperate to escape. In her state of fear and passion Jane sees a light and feels the presence of her dead Uncle Reed. She tries to beat down the door before falling into a faint.

Thornfield Hall is remote, dark and brooding rather like its owner. Every hint leans towards something spooky going on. Rochester’s first appearance is preceded by a huge black dog appearing from the fog, and Jane thinks it is a supernatural being. Rochester appears on a black horse and soon on his return things start to go bump in the night. Jane hears strange laughter in the night, banging from the door to the attic and one night, smoke is billowing from Rochester’s room. The blame for this attempt to burn Rochester in his bed is laid at the door of Grace Poole, a strange servant who seems to have no purpose in the house. I remember my ten year old self being scared but thrilled by this mystery of who or what exactly occupies upstairs. The scene of the night before Jane and Rochester’s wedding really spooked me. Jane wakes to see a tall, dark haired, woman wearing her wedding veil. She’s looking at her own reflection which is ghastly white. She then slowly moves round to look at Jane in the bed and my heart is speeding up at this moment. I was scared stiff but couldn’t stop reading. Jane recalls a ghastly visage, darkened circles round the eyes, reddened lips. There is definitely something vampiric about her, rather than ghostly. Rochester tries to gaslight Jane into thinking it’s a dream, but she has proof it was something more human than spectre. Her wedding veil is rent in two. Now Rochester says it must have been Grace, but Jane is unsure. This looked like someone completely different and why would Grace tear her wedding veil?

At ten I only thought about the ghostly aspects of this and when the truth was revealed I saw a monster and not a person. Bertha Mason was simply a madwoman foisted upon Rochester, because my focus was on Jane and her love story. Of course with re-readings and a feminist awakening in my teens I could see that this was an awful tragedy for Bertha too. I also loved The Wide Sargasso Sea and understood that in another reading of the story Bertha was born Antoinette and sent into a marriage with Rochester. Due to being passionate and wild natured she is rejected by Rochester who expected a more measured, obedient bride, sexually shy and generally calm and quiet. For being herself she has her name taken away, is removed from the Jamaica she loves and is imprisoned in an attic with only a servant for company. No wonder she’s angry!

Charlotte’s sister Emily is also adept at creating a gothic atmosphere and there are parts of her novel Wuthering Heights that are downright terrifying. Of course Cathy and Heathcliff’s relationship is dark, dangerous and obsessional. The atmosphere is brilliantly creepy with the bleak moors, driving winds and lowering skies. The house is old and remote, containing many years of unhappiness by the time our first narrator happens upon it in a storm. He desperately needs shelter and although the people of the house seem odd and the master unnecessarily brusque and harsh towards the younger residents, he is grateful of a room for the night. The room he is given contains books with the name Catherine Earnshaw inscribed inside the cover and he wonders idly who she might have been. The wind is wild outside the window and he settles into his bed grateful he has found the place. He is woken by what sounds like tapping at the window and he thinks it must be branches. He opens the sash to grasp the branch and snap it off but the window breaks and he finds himself holding a freezing cold child’s hand. I remember being so scared by the thought of this ghostly child, floating at the window, desperate to be let in. She pleads with Lockwood to let her in. She is so cold. Yet when he tries to let to go, she grasps on tightly. In fear, Lockwood forces the wrist down into the jagged edge of glass left in the window frame. He then pulls it back and forth until blood runs from the white cold wrist. This is pure horror. If we imagine this scene being filmed as it’s written, it really would be scary.

Most adaptations tend to focus on the love story, but this could be a really tense story of ghostly horror. There are ghosts aplenty in this house. Hindley drinks himself to death haunted by the loss of his wife. Heathcliff is so haunted by Cathy he pushes Lockwood aside and tries to call her back from the moors. When she dies he dashes his head violently against a tree till he’s bleeding. He then goes to her grave and tries to dig her up with his bare hands. I watched an enjoyable adaptation, again with Timothy Dalton, where Cathy’s ghost lures him back to Wuthering Heights. Her ghost floats across the moor calling to him and he follows all the way back to the farm where he is shot as an intruder. Then he and Cathy flit out onto the moors together as wandering spirits, reliving their childhood wild days exploring and hiding from the adults. It’s not true to the book, but I loved that it embodies those gothic origins to the tale.

I love that these quiet sisters, living together in a Yorkshire vicarage, came up with these dark obsessional characters and horrific scenes of gothic horror. I believe my early reading choices are what shaped my love of writers like Laura Purcell, Diane Setterfield’s The Thirteenth Tale and last year’s The Lost Ones by Anita Frank. As soon as I start a book like this I smile to myself and I feel something of that magical excitement I used to get when reading a chapter of Wuthering Heights before bed or settling down at Saturday teatime to watch an adaptation of Jane Eyre. Both these Victorian tales create a similar feeling in the reader. It’s the confusing mix of excitement and terror that every good horror story needs, it’s what keeps us reading – as well as being too scared to turn the light off.

Another writer strongly influenced by Jane Eyre in particular is Daphne Du Maurier. Most readers have come across her short stories thanks to the film versions of The Birds and the brilliantly creepy Don’t Look Now. However, the book in my list of all time favourite reads is a Rebecca. This book is up there with the best psychological thrillers of all time and takes that theme of ‘madwoman in the attic’ and brings it into the 20th Century. It also has one of the scariest gothic creations in housekeeper Mrs Danvers – still hopelessly devoted to her dead mistress, the first Mrs de Winter. In a great first line – ‘ last night I dreamt I went to Manderley again’ – we are introduced to the gothic mansion, the ancestral seat of the de Winter family. Large, foreboding, and clinging to the edge of a cliff in Cornwall. When master of the house, Maxim de Winter brings a young bride home from Europe they are both assailed by memories of his beautiful and brilliant late wife Rebecca, who drowned while out sailing. This haunting is a psychological one and the attic is the mind. The unnamed second wife is plain, young, inexperienced and gauche. She has no idea how to run a house like Manderley and everywhere are signs of her predecessor: the west wing, the embroidered R de W everywhere, her correspondence in the morning room. The staff continue to run the house as before and instead of taking charge she tries to fit in. She lives under the impression that she’s second best and will never measure up.

Many of her qualities echo those of Jane Eyre and there’s a lot to be said about older men wanting more acquiescence and a chance to mould a younger, second wife. While this young woman tortures herself about how much her husband must have loved this brilliant woman, Mrs Danvers starts to turn the screw. Cadaverous in appearance and very severe when communicating, she does everything she can to intimidate her new mistress. She even shows her Rebecca’s lingerie, totally sheer and embroidered with R they conjure up an image of sexual experience, something else this woman doesn’t have. Worst of all, she suggests that copying a portrait of Maxim’s ancestor Lady Caroline de Winter might be a good costume for the ball they’re holding. On the night she appears at the top of the stairs to gasps from the guests and unchecked anger from her husband. Totally bewildered and distraught, her sister in law informs her that Rebecca had done the same thing for the last ball. It was like a ghost appearing at the top of the stairs. Mrs Danvers lures her to the west wing and almost talks her into jumping from the window in a scene of heart-stopping tension. When the truth about Rebecca emerges what will it mean for everyone at Manderley? This book is a romance, but with strong gothic overtones in its setting and although Rebecca does not physically appear as a ghost, she is often more present in this house than anyone else. It is most definitely within the Bronte’s genre of gothic romances and delivers good, old-fashioned, creepiness. Look out for a new adaptation of Rebecca coming soon to Netflix.

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Misery by Stephen King.

Each summer, when I was in my teens and early twenties, my friend Cindy and I would pack a case and go up to stay with her Dad in North Yorkshire for a week or two. His wife was a huge horror fan and although I struggle to watch horror films I was quite happy to scare myself silly by reading them. In one of their houses there was a mischievous spirit who would knock on the front door when you least expected it, but every time you answered there was no one there. Sometimes it would even knock when you were stood with the door wide open looking for it! I remember staying up late one night to watch a film and there was a sudden loud knocking sound causing us to levitate off the couch. I often borrowed books to read while on holiday with them, everything from Dean Koontz and James Herbert, but my favourite had to be Stephen King. Misery was a fairly new book and I remember borrowing it from a boy I’d met who worked the bar at the local pub. Sadly for him he never got it back and 27 years later it still sits on my bookshelves, and still has the power to scare the hell out of me.

Writer, Paul Sheldon ventures out in his truck despite a huge snowfall to post the manuscript of his latest book to his publisher. Sadly he doesn’t make it as the icy conditions cause a massive accident. Isolated and severely injured it seems very likely that Paul will die. When he wakes he finds himself in a bed, with his legs splinted. Who has saved him and how? Paul can see he isn’t in a hospital, so who would have the skill to do this? Then the thought drops into his head. Why haven’t they taken him to hospital and what does this person want with him?

He soon gets his answer when Annie Wilkes comes into the room. A strange mix of motherly and medic, she feeds and treats Paul with very strong painkillers, trying to heal his shattered legs. At first Paul is just a bundle of basic needs – sleep, food, pain relief. However, when Paul improves he starts to ask those questions that have been muffled by painkillers and sleep. Annie seeks to reassure Paul, she has set his legs as best she can and she will continue to nurse him. She’s been a nurse, so she knows what she’s doing. Besides which, she’s got to look after him. She’s his number one fan. Annie asks Paul if she can read his manuscript, the latest in his series about Misery Chastain. This series has paid the bills for a long time, but Paul has often wanted to branch out and write something different. This latest manuscript will be his last Misery novel because he has killed off his popular heroine. However, Annie doesn’t know this. What will she do when she reads the manuscript and finds out there will be no more misery.

This novel is truly horrific. There is nothing supernatural to the story, this is about the worst things one human being can do to another. The horror comes from Paul’s powerlessness, the visceral detail of his injuries and Annie’s punishments, but also just how unhinged Annie Wilkes is. We don’t need ghosts and witches when characters as crazy as Annie Wilkes exist. She truly is one of King’s best creations. She always gives off a smell of food or is wearing it down her clothing. She is overweight, almost shuffling in and out. Paul feels real disgust when she’s close to him. She is manipulative, quick to anger and even Paul doesn’t realise the extent of her temper until she retaliates against him with fierce strength and savagery. As Paul starts to recover and become bolder with his plans to escape Annie, the tension escalates. Every time Paul creeps out of the room to gather information on his captor, my heart is in my throat. I swear my heart is beating faster as I realise Annie is coming home and he may not get back into the room in time. When she detects he’s sweating, I’m sure she’s going to guess he’s been moving around. Then there’s the scene – readers will know the one I’m talking about – that will stay with me forever. Even the film version isn’t as bad as reading this scene in the book. The visceral way King writes about the destruction of the human body is sickening and made me physically shiver when I first read it in the 1990s. Now I sort of glance over it. It still sickens me twenty years later. There’s also a lawnmower incident that’s fairly grim and still makes me wince. After multiple reads that’s a powerful reaction!

For me, this is one of King’s best novels. The characterisation is excellent. The constant rollercoaster of tension and relief is deftly handled. There is no supernatural element to the horror, simply the horror of a man trapped by his injuries and an unhinged captor. The claustrophobic feelings this conjures up in the reader are incredible. Weirdly, approximately ten years after the publication of Misery, King was walking by the side of the road in Maine when he was hit by a minivan and flung four metres from the pavement. The van was reportedly driving erratically with one witness worrying the van might hit the pedestrian she’d seen. King suffered cuts to his scalp, a collapsed lung, multiple leg fractures and a broken hip. His right leg was so badly damaged it was feared it would have to be amputated, but doctors managed to save it. It left King in a very similar condition to Paul Sheldon, though he didn’t have to recuperate with Annie Wilkes! He spent his recovery on his non-fiction book On Writing, where we talks about the accident, his writing process and other parts of his life. At first he could only sit and type for forty minutes at a time, something that inspired me with my own writing experiences and disability. The fact that this happened after he visited a similar fate to one of his characters is perhaps the spookiest part.

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Halloween Reads: The Man In The Picture by Susan Hill.

Published:11 Oct. 2007

Publisher:Profile; Main Edition

ISBN: 1846680751

There are two reasons I was drawn to Susan Hill’s book The Man in the Picture. Firstly it was set in Venice, a place I love with all my heart and a great setting for spooky stories such as Daphne Du Maurier’s Don’t Look Now. I’m cheekily sharing some of those spooky corners I captured in photographs when I was last there. Secondly, when I started reading and our hero is in the rooms of his professor it reminded me so much of my friend Nigel, whose home was festooned with art, Venetian chandeliers and antique clocks. I feel that with all of Susan Hill’s books she raises the tension so slowly that you barely notice rather like the proverbial frog placed in a pan of cold water – the temperature changes so subtly the frog doesn’t jump out and is boiled to death. I often find myself reading one of her novellas thinking it isn’t really scary until I hear an unexpected noise and jump out of my skin! That’s a real skill.

Behind La Fenice is a very creepy spot indeed!

Our hero visits his professor on a cold winter’s night and notices a beautiful painting of the Venice carnival. For the first time he is told a macabre story about the painting. It doesn’t just imitate a Venetian scene, it can entrap someone within it. Whoever stares into the painting finds it exerts a power over their life and as Theo talks to others who’ve crossed paths with it, he unearths a profound sense of foreboding and unease. Within the painting is a young man, watching the festivities but instead of happiness there’s a look of horror on his face. Everyone else is masked, covering their identity. The professor is so attached to the painting that he has turned down lucrative offers for it. The narrator becomes interested in tracing the man in the picture, but finds much more than he bargains for as his professor dies and the painting passes into his hands. This obsession is compounded when his he gets married and his new wife Anne wants a honeymoon in Venice. Will they go and if they do what will happen to the picture?

A derelict corner in Santa Croce

This is a great novella that’s easy to read in an evening or afternoon. Best read in front of a roaring fire on a wintry night. Having been to Venice, I can vouch for how creepy it can be at night. There’s a creeping fog over the canals and many areas that become deserted at night leaving only the sound of water and boats creaking at their moorings. If you get lost at night, it can feel like an endless maze where you wouldn’t be surprised to see a masked and cloaked figure on a balcony. Hill brings that menace and mystery to the book, as well as a sense of evil. It made me think twice about buying any paintings when I was in Venice.

My favourite spot in San Polo

Meet The Author

Susan Hill has been a professional writer for over fifty years. Her books have won awards and prizes including the Whitbread, the John Llewellyn Rhys and the Somerset Maugham; and have been shortlisted for the Booker. She was awarded a CBE in the Queen’s Diamond Jubilee Honours. Her novels include Strange Meeting, I’m the King of the Castle, In the Springtime of the Year and A Kind Man. She has also published autobiographical works and collections of short stories as well as the Simon Serrailler series of crime novels. The play of her ghost story The Woman in Black has been running in London’s West End since 1988. She has two adult daughters and lives in North Norfolk.

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Halloween Reads: Harvest Home by Thomas Tryon.

Publisher: (New Kindle Edition) Open Road Media

Published: 24th September 2013

ASIN: B00EZEX7PW

Harvest Home was one of the first books I sneaked off my mum’s bookshelf when I was a teenager. It was a TV series back in the 1970s when I was at primary school, but I remembered it as one of the scariest books I’d ever read. For some reason it has always stayed with me, possibly because of the set-up which is now so common in TV and film, there are shades of The Wicker Man, Midsommar and even the parody horror film Hot Fuzz. Theodore and his wife Beth have been watching their daughter struggle with severe asthma, not helped by New York’s air. This and the rising crime rates in Manhattan inspire the couple to the relocate upstate.

When searching New England the couple stumble across an idyllic village setting. Cornwall Coombe has the perfect nineteenth century farmhouse with attentive and friendly neighbours. Theo is sure that here they will lead a simpler life, closer to nature and closer to each other. However, what they find will be ultimately more terrifying than any alley in Manhattan! I remember loving the creeping sense of doom in the book and that wonderful contrast between the purity of nature around them and the cancer at the heart of the village. Our protagonist is the only one who sees the worrying signs at first, and I liked that friction between him and Beth. The women in the family seem to settle in quickly and never see anything out of the ordinary. There’s also the frisson of sex, as Tamar the village postmistress is openly flirty with Theo. She gives off definite sexy witch vibes as she smoulders at her male customers. However, Theo’s horrifying encounter with her young daughter could potentially scare him away. Will Tamar get to have what she wants?

The tension builds as the village’s harvest celebrations are planned. Theo suspects this is more than the average harvest festival and there is some dark secret to the ceremonies. Even worse his wife and daughter are now becoming involved. There is one other man in the village who Theo thinks might have unearthed the secret, but he is now blind and doesn’t get out very much. Is this the result of an illness, or has he been punished for what he has seen? The women definitely rule this village, running the festival and potentially some sort of coven, with the postmistress presiding over all. Theo has to ask himself whether he really wants to know the secrets of harvest home. The final reveal is deliciously dark, twisted and holds its biggest shock to the end. On rereading this still stands up well. Since the 1970s this genre is quite a well trodden path, it has the tension and menace of Straw Dogs and the surface charm of a wholesome village that does things for ‘the greater good’. This is a little known horror that has definitely stood the test of time.

Posted in Personal Purchase

Libraries Week

If it hadn’t been for libraries this blog wouldn’t exist and I would be a very different person. I have my mum, another avid reader, to thank for this. Every Saturday morning my father would drop us in Scunthorpe and go off to play football. We would do some shopping in the market, pay Radio Rentals for the telly and then best bit – we would go to the library and change our books.

Scunthorpe Library

In the 70s/80s the library was a very odd looking building that visitors entered through a glass pyramid. A type of working class Louvre, usually covered in poo from all the pigeons in the square! However, it was the magic gateway to culture for me. A place where the message board advertised local gigs and theatre productions and downstairs housed an art house cinema, where Mum famously fainted after being overcome by Kevin Costner on the wide screen. We were a low income family, living in the middle of nowhere in Lincolnshire. Dad’s basic wage from the drainage board had to keep all four of us and the pets. Books were loved but not a priority in the budget, so I had to wait for Christmas and birthdays to get book tokens. This building was my holy grail of reading and I read classics, comedies, books about growing up. This was my window on the world and it didn’t matter if I didn’t like one, I could just put it to one side and take it back the following week. Mum would go upstairs to choose her books and I was left to browse on my own and I could take all the time I wanted.

After the library we would grab a sandwich and get the 336 bus to Ashby where my grandma and grandad lived. We would stay there until Dad picked us up at teatime. In spring and summer I might sit out in the garden or in Grandad’s shed which always smelled of shallots and had a pair of curtains at the window. While he pottered doing jobs and I would read my book. Or in the colder months we’d be inside, with the gas fire on so high it gave me a headache, and my Grandad in his red all-in-one (he was ahead of his time when it came to onesies). He’d watch rugby league or an old black and white film, while I read or we would read together. Grandad was very fond of pioneer stories, adventure novels and Wilbur Smith.

These are just a few of my book choices from those earliest days of picking my own books and cultivating a love of reading:

Little Women: This was the first book I read after completing the reading scheme at school. School had the first book, but I went to Scunthorpe Library to read the next stage of Meg, Jo, Beth and Amy growing up in civil war America. I borrowed this series so many times that I still know each girl’s story off by heart. Of course Jo is my favourite. I wanted to be a writer and have a room to work in with lots of books. However, I also grew to love Amy despite her haughty character and snobbish tendencies. These early attempts to seem genteel were affected and often satirised by her older sisters. Yet, Amy grows from there. She keeps a certain steeliness and determination to succeed, but becomes kinder, softer and more vulnerable. Her interest in the finer things though give her a certain polish, she is cultured and this gives her opportunities. Good Wives shows this growth. I love how this series seems to stay relevant for every generation, with the latest film taking an interesting, more feminist slant than before. I love this Puffin ‘In Bloom’ edition of the book.

What Katy Did: I chose to read about more 19th Century growing up with Katy Carr and her house full of brothers and sisters. Katy’s mother had died and her father worked long hours as a local doctor, leaving the siblings to run a bit wild. Until her father’s sister, Aunt Izzy takes over as housekeeper. The strangest thing about reading this series was Katy’s accident on the garden swing that leaves her paralysed. I had an accident and broke my back at a similar age and was temporarily stuck in bed. I remember wanting to be like Katy or her mentor Cousin Helen who was always cheerful and helpful, even though she was in constant pain and a wheelchair user. In later years I wrote about the illness of Katy and other 19th Century heroines such as Beth March and Pollyanna. They all learn to be well behaved and Christian young ladies through suffering, if you read them from a feminist viewpoint. Back then though I just loved the sequels to Katy’s story – the secret societies at school, the trunks of goodies sent from home, Katy’s travels across Europe, particularly the Venice carnival. I’m sure it was this book that made me determined to visit Venice when I was older.

The Bagthorpes Saga: For humour I always enjoyed James Herriot’s stories, and later the Adrian Mole diaries, but the Bagthorpes were in a league of their own when it came to comedy. The four siblings William, Tess, Rosie and Jack were the children of writers – capable Agony Aunt Mrs Bagthorpe and the stressed out and highly strung scriptwriter Mr Bagthorpe. The whole family are always getting into scrapes with Grandma and their psychopathic four year old cousin Daisy behind all sorts of nefarious schemes. The siblings are all busy with accomplishments that Mrs Bagthorpe calls ‘strings to their bow’. All except Jack. Jack is the ordinary sibling, who enjoys walking his dog Zero and doesn’t really excel at anything. Aided by a hedgehog like housekeeper, Mrs Thorndyke, the Bagthorpe family lurch from one disaster to another; fires, floods, hauntings and kleptomaniac four year olds! I read these books over and over.

Pippi Longstocking: Pippi was one of those marvellous heroines who is an orphan so has no restrictions to her imagine or what she can get up to. Pippi Longstocking is only nine years old and lives all by herself with a horse, a monkey, a suitcase full of gold, and no grown-ups to tell her what to do. She’s wild and funny and her crazy ideas are always getting her into trouble! She devises adventures for her new found friends Tommy and Annika. Pippi performs at the circus, is reunited with her long-lost father, and takes her friends Tommy and Annika on a trip to the Canny Canny Islands. She also finds a squeazle, gives a shark a good telling-off, and turns 43 somersaults in the air. I loved her sense of adventure and wanted to feel as free as she did. I love the new gift editions illustrated by Lauren Child, they seem to capture the spirit of Pippi perfectly.

The Moomin Sagas: Oh how I love the Moomins! Today I have a Moomin dress, light box, mug collection and many other reminders of Tove Jansens eclectic characters. The Moomintroll family live in a tall blue house in Finland and are peaceful, happy creatures. Moominmamma is an earth mother type, always willing to feed another at her table and often taking in other creatures to help, such as the Hemulen – a tall, cross dressing botanist with depressive tendencies. Moominpapa likes nothing better than a quiet day fishing and smoking his pipe. Moomintroll is their son and has various friends such as Snufkin, a green clad, flute playing traveller who often wanders off to have adventures. Moomintroll’s love interest is the Snork Maiden, a Moomin with curly eyelashes, blond hair and a few cuddly extra pounds that she worries about (I feel a great affinity with her). There are adventures with eclipses, hobgoblins and comets, but it is the characterisation of these varied creatures that has always stuck with me and their philosophical musings on life. I’m considering a Moomin tattoo, perhaps Little My?

I’m thinking of a combi Moomin and reading tattoo to represent this childhood love of reading, all started with a library card.