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Posted in Publisher Proof

The Beautiful Ones by Silvia Moreno-Garcia.

Posted on by thelotusreaders

Last year I read Silvia Moreno-Garcia’s incredible novel Mexican Gothic and I absolutely loved it. So when I was offered the chance to read one of her earlier novels, being reissued in a beautiful hard back copy this week, I was really excited to tell you all about it as part of the blog blast.

They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis: the haphazard manifestations of her powers have long made her the subject of gossip – malicious neighbours even call her the Witch of Oldhouse.

But Nina’s life is about to change, for there is a new arrival in town: Hector Auvray, the renowned entertainer, who has used his own telekinetic talent to perform for admiring audiences around the world. Nina is dazzled by Hector, for he sees her not as a witch, but ripe with magical potential. Under his tutelage, Nina’s talent blossoms – as does her love for the great man.

But great romances are for fairy-tales, and Hector is hiding a secret bitter truth from Nina – and himself – that threatens their courtship.

This book is different from either Mexican Gothic or Gods of Jade and Shadow. This is a romance, brim full of melodrama and heartache. Yet there are also those wonderful threads that seem to exist through her work: feminism, awakening sexual desire, an eye for women’s self-expression through clothing, and a sprinkle of the paranormal. I didn’t know where the book was set at first, because the city name Loisail and personal names have a French feel to them, but certain word usage such as fall for autumn made me think of North America. The manners and etiquette seem almost British regency in date (this could give Bridgeton a real run for its money on the small screen), but the far off place Iblevard sounds like South America. This is our world, just not as we know it.

I absolutely adored Nina from the start, because I’ve felt like the slightly awkward girl who doesn’t fit. Next to her cousin’s wife Valerie she seems a bit of an ugly duckling, but she’s chaperoning Nina through the Loisail season in hope of finding her a suitable husband. Valerie is the stereotypical blonde, blue-eyed, perfectly coiffed, graceful beauty and her marriage to Gaetens was a great match, because he was a steady, slightly older man with financially stability. His finances have kept her family afloat. Whereas Nina has none of the superficial qualities of Valerie. Her hair is raven black and there’s more of a handsomeness to her than prettiness. Worse still, she is awkward, often saying the wrong thing, but she’s physically clumsy too and there’s more to Nina’s clumsiness than meets the eye.

From a young age Nina has been able to move objects with the power of her mind. Sometimes it’s involuntary, such as when her emotions are roused in anger or sadness. Nina doesn’t know much about telekinesis, it has simply always been with her and back at the family home in the country she is known as the Witch of Oldhouse. Here in Loisail though, nobody knows about her strange ability and if she is dressed well, schooled in how to behave and tries her hardest to be ‘normal’ maybe she could make a good marriage. Nina is inexperienced and naive, but trusts Valerie implicitly. Her cousin Gaetens has always had her best interests at heart so she happily puts her future in Valerie’s hands, but there’s a bitterness and envy in Valerie that runs very deep. She knows that her husband dotes on his cousin and he wouldn’t force her to marry anyone she didn’t consent to, but she thinks that Nina is spoiled. Valerie had to make a decision, to marry a man she didn’t love to get better conditions for her family. She had to grow up, put thoughts of love and romance aside, and take the best decision rationally as if marriage is a business. If she had to do this, why shouldn’t Nina be expected to grow up and accept someone chosen for her?

Then Hector Auvray comes into the picture, gentlemanly, handsome and, because he’s a performer, just a whiff of scandal about him. He’s definitely not the sensible choice, but controlling her emotions has never been one of Nina’s strengths. I loved that the pair shared this talent, Hector as the mentor and Nina as the ingenue, just starting out. When he calls on Nina at home, they can easily spend hours talking about telekinesis and practicing control. Nina visits his show which is quite glitzy, and he has an incredible finale of dancing mirrors. For me, there wasn’t quite enough magic. It’s as if magic realism was something she was toying with, then in later novels she really had the confidence to go for those paranormal elements. I knew this was a reissue, but those who don’t could be disappointed there isn’t more made of Nina’s skills. It’s almost as if she learned to control it rather than celebrate it. I’d have loved the author to write sections where they perform together, because I know how incredible they would have been.

There was something very Jane Austen about this society, it’s manners and it’s dilemmas for women. I thought of the disappointment a lot of readers feel when Lizzie Bennett’s friend Charlotte Lucas accepts the proposal of the ludicrous vicar Mr Collins in Pride and Prejudice. Lizzie has rejected him and by doing so, placed her family in financial uncertainty, but Charlotte is more pragmatic. She knows he’s ridiculous, but she also knows he has a living, the patronage of a fine Lady, and a large enough house to lose him in. This is the decision that Valerie has made, but is very angry about. Her anger is at her family, but is also directed inward. She doesn’t like to face the truth; that she was the one who made this choice.

“She wanted to cry and could not. She wanted to weep for that proud girl who had broken her own heart and tossed it to the dogs, and she wanted to weep for the woman who had been left behind with a gaping hole in her soul. But if she could do it again, she knew she’d still retrace her steps. She was not Antonina Beaulieu, who offered herself like a sacrificial lamb, who gave everything of herself to the world for the world to devour. She was Valérie Véries. She hated herself sometimes for it, but she was Valérie Véries, a Beautiful One, not some weakling nor a halfwit”.

I also got hints of The Great Gatsby, every time I saw a character allude to an elite group of ‘Beautiful Ones’ the Lana Del Ray song ‘Young and Beautiful’ kept floating through my head. I felt it in this passage when Hector talks of the love he had when he was younger, the girl he asked to wait for him. He thinks he’s still in love with this woman, but he’s really still in love with his idea of this girl and what they could have had.

“He was chained to her, to this brilliant ideal of a perfect love. Because he had always known that if he could have (her) in his arms again, all would be well. It would be as though the decade that separated them had never happened and they would return to the happy days of their youth when everything was possible. It was as if he could unwind the clock with her aid. And once this happened, there would be nothing but joy.”

The first part of the novel is quite slow and as Hector and Nina meet and form their friendship, but I enjoyed getting to know them. I felt as if I was watching them fall in love very slowly, but it’s as if only the reader knows it. Then comes a terrible betrayal, and Nina loses that innocence of youth, but grows so much as a person. She starts to have pride in who she is, because she has space to be herself. When she returns to Loisail the following season she is a different woman, confident enough to make her own choices. There’s a new found confidence and experience in her character as she steps out into city. She’s refusing to be the ugly duckling of this story and has blossomed, but from the inside. There’s a feminist soul in Nina and I loved seeing that awakening. She’s also more comfortable with her ‘talent’ even if it isn’t on display very much. Before long a very suitable young man starts to court her; it would be a great match, but not love. As Hector Auvray drifts back to the city again, and wishes to resume their friendship, what effect on Nina will he have? I enjoyed this novel because it’s unashamedly romantic, and magical. It’s a coming of age story, showing this young woman’s awakening conscience as well as her desire. Nina Beaulieu learns to live life on her own terms and makes her own choices, especially where her heart is concerned.

Meet the Author

Silvia Moreno-Garcia is the New York Times bestselling author of the novels Mexican Gothic, Gods of Jade and Shadow, Untamed Shore, and many other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters).

Posted in Inclusion and Diversity

Blog Tour: Books On The Hill Open Dyslexia Kickstarter Project.

Posted on by thelotusreaders

Today I’m hosting something a little different on my blog. A project that aims to help adults with dyslexia access fiction. This was important to me, not because I am diagnosed with dyslexia, but my MS means I experience cognitive and physical symptoms that make it difficult for me to read. To have the hobby you love more than anything affected like this is so frustrating and makes me anxious that one day I will lose the ability to enjoy a book altogether. I combat this with: assistive technology; reading real print books instead of e-books; larger print and reading on a bigger screen help too. I think because of my own difficulties, I really appreciate any project that opens up great books to all. So, when Anne at Random Things Tours asked, I jumped at the chance to publicise Books on the Hill’s new diversity project: ‘Open Dyslexic.’

The Project.

It’s aim is to publish good quality fiction, for a minority group not provided for by the U.K’s traditional mass book market. It also provides booksellers with a new tool in their drive to increase diversity and inclusion. We have created a new publisher BOTH Press to do this.

Books on the Hill is passionate about helping people who have dyslexia, or have any difficulty with reading, to access the joy of good fiction. There are great books out now for children with dyslexia, with specialist publishers like Barrington Stokes and mainstream publishers such as Bloomsbury doing their part. However, there are sadly very few books for adults with Dyslexia in traditional mass market publishing. Dyslexia is a learning difference that primarily affects reading and writing skills. The NHS estimates that up to 1 in every 10 people in the UK have some form of dyslexia, while other dyslexic organisations believe 1 in 5 and more than 2 million people in the UK are severely affected.


Dyslexia does not stop someone from achieving. There are many individuals who are successful and are dyslexic. Famous actors, such as Orlando Bloom; Entrepreneurs like Theo Paphitis, and many, many more, including myself. All of who believe dyslexia has helped them to be where they are now. Dyslexia, though, as I can attest to, does not go away. You don’t grow out of it, and so we are acknowledging that and trying to without being patronising, create a selection of books that will be friendly to people who deal with dyslexia every day.


Since we started the project in 2019, Books on the Hill have had many adults customers with dyslexia come in shop the asking for something accessible to read. For example, one customer asked if we stocked well known novels in a dyslexic friendly format. Unfortunately we had to say no, as they just don’t exist. We explained what we are trying to achieve by printing our own and she replied:


“I have been reading [children dyslexic] books but they are a bit childish so am really happy I have found your company!! Thanks so much again and thank you for making such a helpful and inclusive brand – it means a lot.”

This response is not isolated. We have had many adults come in to the shop with dyslexia, who do not read or struggle to read and they they believe dyslexic friendly books would have real impact on their reading for pleasure.

The Team

Books on the Hill is Alistair Sims. He is the manager and commander-in-chief of the bookshop (though his partner, Chloe and his mother, Joanne, who set up the bookshop with him, may disagree with this description ). Alistair is dyslexic and has a PhD in history and archaeology. Alistair could not read until he was 13 and is passionate about helping anyone who has difficulty reading. He is the driving force behind BOTH Press and has been involved in every step in this project, from finding award winning authors to contribute, the cover design, and the road to publication, including setting up for distribution.


Books on the Hill are collaborating with Chrissey Harrison, who is also an local author and member of North Bristol Writers Group. Chressey and Alistair have designed the book-covers together, with Chrissey creating the finished product we now look on at awe with. Nearly all the design work has been done by Chrissey, and she is also in charge of the printing process, typesetting. We are so proud and appreciative to be working with her. Special mention must go to Harrison Gates, who runs Nine Worthy, and who has dedicated his time and expertise to produce our print catalogue for us free of cost. Joanne Hall is an author, editor and formerly the Chair of BristolCon, Bristol’s premier (and only) science fiction and fantasy convention. We must give a huge thank you to Jo for proof reading the stories free of cost. Vicky Brewster has edited all the new stories by the authors. She specialises in editing and beta reading long-form fiction. Vicky is a great professional editor.

The Books.

We have been so fortunate that many great authors have agreed to contribute to this project. All are brilliant authors and are names I am sure you will recognise.


Stan Nicholls, who has been a great support to Alistair Sim, particularly with my PhD. He is the author of many novels and short stories but is best known for the internationally acclaimed Orcs: First Blood series.


Steven Savile, the fantasy, horror and thriller writer, now lives in Stockholm whose father is a customer of the BOTH bookshop.


The horror duo that is Thana Niveau and John Llewellyn Probert, both well established and engaging authors and also residents of Clevedon.
Adrian Tchaikovsky is an Arthur Clark Award winner and best known for his series Shadows of the Apt, and for his novel Children of Time.
Steven Poore is the highly acclaimed fantasy writer who Alistair met at his first fantasy convention in Scarborough.


We finish the Magnificent Seven with Joel Cornah, who also has dyslexia, and with whom Alistair participated in a podcast on dyslexia for the Clevedon Literature 2020 ‘Festival in the Clouds’.

How Can You Help?

We are launching a Kickstarter beginning in April 2nd 2021 for 30 days, with the focus on paying for the printing of our books and giving us starting capital to continue to print more titles. There will be many ways you can be involved in this. You can contribute on the Kickstarter website itself. There will be a number of different options of donating money, in which you will receive rewards, such as ebooks of a title or a paperback of one or more of the titles to be published. In addition a unique reward from authors who are contributing to the project.
You can still contribute outside the kickstarter. We are happy to receive your help in the shop, where we will have a donation box available.

For more information and to contribute to the Kickstarter please follow this link:

https://www.kickstarter.com/projects/both-opendyslexia/open-dyslexia

Or visit the BOTH website: https://www.booksonthehill.co.uk/

Posted in Publisher Proof

The Seven Necessary Sins For Women and Girls by Mona Eltahawy.

Posted on by thelotusreaders

Fuck the Patriarchy!

This incredible book is a battle cry. So I thought I’d start with one. The one Mona uses whenever she is asked to speak at a podium on feminism. I started reading this morning, thinking I would sample a couple of chapters each day over the weekend, but before I knew it, the clock said 3pm and I’d read the whole thing. Once finished, I felt a renewed anger about things that had happened in my life, some of which chimed with the author’s experience. She shows that the patriarchy isn’t just ‘over there’ in the restrictions women live with in Saudi Arabia or in conflicts like the Balkan War or the massacre in Rwanda where rape was used as a weapon. It isn’t just with the celebrities and actors who accused Harvey Weinstein, it’s just that their voices were heard louder than the young black teenagers who accused R.Kelly. Every woman, regardless of race, colour, religion, class, sexuality or the gender they were assigned at birth, are ruled by a global patriarchy. It’s here, with a 47 year old middle class, disabled woman living in the rural wilds of Lincolnshire. You can shop at Waitrose and still be fucked by the patriarchy.

In case you wondered about the profanity, it’s one of the seven necessary sins the author would like women to reclaim and use to fight for equality. So I’m reclaiming it, because this book roused me and made me angry (another necessary sin).

‘Patriarchy is universal. Feminism must be just as universal. I want patriarchy and all who benefit from it to have the same look of terror, as that man in a Montreal club who, before he ran away, took a look at me so he could see the woman who dared strike back. I want patriarchy to know that feminism is rage unleashed against its centuries of crimes against women and girls around the world, crimes that are justified by ‘culture’ and ‘tradition’ and ‘it’s just the way things are’, all of which are euphemisms for ‘this world is run by men, for the benefit of men’. We must declare a feminism that is robust, aggressive and unapologetic. It is the only way to combat a patriarchy that is systemic.’

Every woman who reads this book must be roused by these words and understand that unless we all fight this, unless we all fight dirty and loud, nothing will change.

I could tell you about the author’s arguments, the incredible and eloquent rage that comes through in her writing, and the journey that brought her to who she is today, but I want you to discover this for yourself. I want you to read it and find your own connections to the arguments, the events she describes and have your own awakening. I can tell you about two ways I felt a personal connection with the author’s story and as I was reading how a righteous anger started to awaken within me.

I had a late awakening, about ten years ago really. That sounds terribly late, but there are reasons for that. I believe my mother was a feminist. Until I was around ten years old, she subscribed to Spare Rib magazine and read feminist books. However, our parents then discovered a new church – an offshoot of the American Evangelicals that the author talks about in her book – and everything changed. Despite having been in the Roman Catholic Church previously I hadn’t been old enough to feel it’s restrictions and I had always felt the ability to argue with it’s teachings, encouraged by the visits of our priest to school every week for question and answer sessions. So unfortunately, just as I was becoming a teenager, I came up against one of the most fanatical and restrictive forms of Christianity we could find. I was taught I should be quiet, demure, pure, and ruled by my father. I was taught a shame I’d never felt before, an awkwardness about a body that was growing, sprouting, forming curves too obvious to fit into their rigid boxes. I had to cover up, be modest, but still dress like a girl. Then as I grew older, I was taught the most important rule of all; I should not share my body with anyone else. The author describes this from the Islamic perspective:

‘My upbringing and faith taught me that I should abstain until I married. I obeyed this until I could not find anyone I wanted to marry and grew impatient. I have come to regret that it took my younger self so long to rebel and experience something that gives me so much pleasure.’

It’s a reminder that the ‘cult of virginity’ isn’t restricted to just one religion or culture.

For me, weird youth group sessions ensued where we were taught about which sexual activities were ‘acceptable’ -kissing – and that everything else should be saved for marriage. I was told about the ‘Silver Ring Thing’ phenomenon sweeping America, where a teenage girl would go through a ceremony where she pledged to her father that she would remain a virgin until she married. A silver pledge ring was then placed on her wedding finger, until it was removed for her wedding ring; one symbol of ownership replaced by another. I remember feeling that this was beyond creepy. My sexuality had nothing to do with my father. He didn’t own my body. Eventually I made the decision for myself that what I did with my body was my own business. I couldn’t imagine that God would truly be that interested in what a young woman did with her body. Evangelicals believe that the Bible is the actual word of God, but the truth was the Bible was written by men, edited by men, for the benefit of men. I reasoned that a supreme being had better things to do than police my vagina! So I did what I wanted and lied about it for a quiet life. Once old enough to decide I stopped going to church. This was the 90s, and I would sometimes drive to pick up Mum from church playing Rage Against the Machine and wearing my Hello Boys T-shirt and Wonderbra. We thought we had it sussed, that our mothers had sorted out this feminist lark. We were ladettes. We thought we could drink like men, have sex like men, and do any job we liked. The Spice Girls told us we had girl power and we believed it, but it was all surface and no substance. The patriarchy remained.

Years later, now a 35 year old widow with a disability, and in a very vulnerable place, I met up with my old youth pastor from the church. He didn’t attend any more and assured me he didn’t hold any of the beliefs he’d been trying to in-still us with as teenagers. I realise now that my world had turned upside down and I was looking for safety, but I mistook control for security. As we embarked on a relationship I felt happy and I really needed something positive in my life, not realising that given time, I could find my own happy. I thought the church was the origin of his patriarchal ideas, but really he’d been searching for a community that thought like he did. A place he could find a good, quiet, chaste girl who wouldn’t question walking three steps behind. The abuse started as soon as we were engaged, phases of total withdrawal of attention, time, and sex. Followed by rages if I questioned his behaviour, kicking furniture, throwing things and threats to leave. He was master of this house, he made the decisions, just like at work where he employed seven workers – all women. He isolated me from family and friends and made it quite clear that I was fat, ugly and nobody else would want me if he left me. If I’d had a bad spell with my multiple sclerosis he said I was lazy, needed to try a bit harder and did I realise how hard it was to find me attractive when I was ill? He flaunted cards and Facebook contact from other women and raged if I dared to complain. Luckily my family are persistent, so to get rid of them he took a huge gamble. Behind my back he made sexual advances to my Mum who was ‘more his type and age’ he admitted he liked her ‘quiet nature’ and had ‘fancied her for some time’. When I found out, a huge rage took hold of me so I drove home and asked ‘why haven’t you packed your bags yet?’ I ran round like a whirlwind, packing his bags and I threw them and him out onto the drive. I told him that I knew about his antics and that he had been psychologically abusive for the past three years. I told him I was done. That I wasn’t scared of him leaving any more. I’d rather be alone.

I couldn’t stop thinking about the letter he sent me afterwards, still controlling the situation by telling me he didn’t want to be with me any more, as if I hadn’t thrown his arse out on the driveway. He wrote that he found me ‘too much’. He wanted a Madonna and had found a whore. That he’d tried and tried but he simply couldn’t control me. Everything he wanted in a wife, was described by Mona in her chapter on profanity.

‘Women are supposed to be ‘less than’ and not ‘too much’. Women are meant to be quiet, modest, humble, polite, nice, well-behaved, aware of the red-lines. They are supposed to tread softly and within their limits. I am proud to be described as ‘too loud, swears too much, and goes too far’. When a woman is ‘too much’ she is essentially uncontrollable and unashamed. That makes her dangerous’.

At first his letter made me cry, I was hurt and vulnerable. Then that anger was roused again as I realised I liked the woman he described in that letter. She sounded fun, ballsy and exciting. She was intelligent and didn’t take any shit. She was formidable. So I made a pact with myself that I would always be that formidable woman and teach other women to do the same. Now I have two stepdaughters and I encourage them to speak up, to get angry, to be feisty and loud. This is the passage I read to them this weekend:

‘What would the world look like if girls were taught they were volcanoes, whose eruptions were a thing of beauty, a power to behold and a force not to be trifled with’.

I want my girls to know this. To go out into the world unashamed, uncontrollable and ready to smash the patriarchy for themselves and their sisters around the world. This book reignited my fervour. It may challenge you and your beliefs, but you must read it. Mona Eltahawy is a force to be reckoned with and I applaud her for this manifesto. It is moving and comes from a deeply felt sense of injustice. It is necessary. It’s impolite, brave, forthright and packs a mighty punch. Read it, then give it to your daughters, your nieces and your friends, because every woman should read this.

Meet The Author.

Mona Eltahawy is a feminist author and award-winning commentator and public speaker. Her work has been published in The Guardian, The New York Times, The Washington Post and other publications around the world. She is a frequent commentator on current affairs on the BBC, CNN and Al Jazeera and other media outlets, where her goal is always to disrupt patriarchy. She is the author of Headscarves and Hymens and recently launched her feminist newsletter Feminist Giant. Follow her on Twitter and Instagram: @monaeltahawy

About Tramp Press

Tramp Press was launched in 2014 to find, nurture and publish exceptional literary talent. Based in Dublin and Glasgow, they publish internationally. Tramp Press Authors have won, been shortlisted and nominated for many prizes including the Irish Post Book of the Year, the Booker Prize, the Costa, the Desmond Elliot Prize and the Guardian First Book Award.

Please check out the other bloggers on the tour:

Posted in Netgalley

Left You Dead by Peter James.

Posted on by thelotusreaders

I have long been a fan of Peter James’s Roy Grace series so I felt very lucky to get a sneak peek at his latest. I discovered the books when in hospital around six years ago and I spent a great ten days whipping through the novels one after another. Then came that horrible moment of regret that every bookworm experiences after a binge on one author – reaching the latest in the series then having to wait for them to come out! Luckily, we’re now getting the TV adaptation with the wonderful John Simm as Grace so I can dive into those now I’m up to date again.

We meet Grace at a settled point in life. He and Cleo living out in the country together with their son Noah and Grace’s son Bruno, dog Humphrey and even some chickens. That’s not to say there isn’t the usual everyday dramas, at work and at home. The novel opens as Grace has passed on evidence of police corruption to his friend and colleague from the MET, Alison Vosper. The evidence, if it checks out, should be enough to have his hated boss arrested, never to return. If it doesn’t check out, he will have trusted the word of a criminal to topple a man who isn’t shy about showing his animosity towards Grace. This could end his career in the Sussex force. On the home front Noah is entering the ‘terrible twos’ and both Grace and Cleo are juggling home life with two very demanding jobs. Grace’s most pressing worry though is his older son, who doesn’t seem to be settling and is morbidly curious about such things as Egyptian death rituals. Bruno is his son from his first marriage to Sandy, who disappeared without a trace several years ago leaving Grace facing a possible murder charge. She was hiding out in Munich, after living in several cults and having concealed the fact she’d had a son after leaving him. It’s no surprise that Bruno is mixed-up, but what is the best way to support him?

Our case is equally puzzling. Niall Paternoster reports his wife missing, claiming not to have seen her since the day before when he dropped her at Tesco to buy cat litter. On their way back from visiting a stately home, Eden had reminded him he’d forgotten the previous day. They bickered their way back to Brighton, but finding the car part overrun she suggested he stay in the car and she would pop in. However, she never returned and as the store closed a search failed to find her. Knowing that his wife had stayed with friends after an argument in the past, he hadn’t been worried until 24 hours later. Yet, the usual police enquiries fail to find Eden, she’s not captured on CCTV and in fact there’s no proof she was alive after the Thursday before their stately home day trip. Has Roy Grace found himself landed with the trickiest type of crime to investigate and prosecute – a so called ‘no-body murder’?

One of Peter James’s greatest strengths in this whole series is being able to write about the personal as well as the professional, whether it’s the minutiae of daily living or the deepest tragedies we can face. It’s quite shock when it happens in this novel and the author handles it beautifully, capturing that bewildering mix of emotions from shock, to the rawness of grief as well as the regrets and fears. As always Grace faces this with a copper’s brain – his first response is to think, rather than feel. He questions everything about the circumstances, how it could have happened, then the inevitable why and could he have changed anything? He also deals with it by throwing himself into his work. His grief is so enormous he can’t sit in it for too long, he needs a distraction and luckily Cleo understands this behaviour and lets him cope the way he knows best.

The case becomes more and more intriguing, as surveillance picks up a possible extra-marital relationship on the part of the husband. As well they discover a shallow grave with blood stained clothing and the neighbours describing a terrible argument between the couple. However, something just doesn’t smell right for Grace as they identify the woman having an affair with Eden’s husband is her boss. There’s also the matter of an easily discovered knife, seemingly left in haste. Is this one of those infamous small mistakes that catch a killer or is someone trying to set Niall up? The characters in this triangle are hard to like. Niall is mercenary, abusive and seemingly finds women with money who can support him. Eden’s boss is cold and unfeeling at best, but appears increasingly manipulative and suspicious. We don’t know Eden well, until a staggering twist part way through gives us more background on her character. Luckily we don’t need them to be likeable to be fascinated and compelled by Eden’s disappearance. It felt like being caught in a spider’s web, but not knowing who is the spider.

As always, it’s Grace who is the beating heart of this novel and it’s conscience. If the difficulties he’s facing just coping with his grief aren’t enough, there’s the constant tension surrounding his relationship with the Chief Constable. There are the petty everyday differences they have over the investigation (the CC would have scaled it back) and resources (taking away his surveillance team at a critical point in the investigation). Then, underlying it all, what if Grace has taken the word of a criminal to unmask the CC’s corruption, to find he’s been lied to? Every day that goes by with no news, Grace can see his career disappearing. Once he uncovers some vital paperwork that throws a new light on the Paternoster case, Grace is all business. The build up of tension towards the end of the novel is almost unbearable. The author puts his hero in terrible danger, as on a stormy night in a remote place the whole mystery is uncovered and the real mastermind is revealed. By this point I noticed I was holding my breath! It takes a great writer to make the reader feel real emotions alongside a character. Whether it’s the professional or the personal, I find myself willing him on and hoping that, not only does he solve the case, but that he gets home to Noah and Cleo safe and sound. I felt this, so deeply in this novel, especially as Grace himself ponders how he would cope if he lost anyone else important to him. I raced to the end of the novel, not just to see the case solved, but to see him safely home. Roy Grace is one of those rare characters who has burrowed his way into my heart. I look forward to whatever comes next for him.

Published 13th May 2021.

Meet The Author

Known for his fast-paced and gripping stories that thrust regular people into extraordinary situations, Peter James has proven himself to be one of the world’s most successful writers, delivering number one bestsellers time and time again. His Superintendent Roy Grace books have been translated into 37 languages with worldwide sales of over 21 million copies and 17 number one Sunday Times Bestsellers. His latest Roy Grace novel, Find Them Dead spent seven weeks at number one in 2020. The first two novels in the Roy Grace series, Dead Simple and Looking Good Dead, have been adapted for television by Endeavour’s Russell Lewis and the first episode aired on 14th March 2021.

Posted in Netgalley

Until Next Weekend by Rachel Marks.

Posted on by thelotusreaders

I love that when I pick up a Rachel Marks book, I’m straight into someone’s life and character. It’s an immediate feeling of kinship with our main character, we trust them and the story they’re telling us. In this case, our storyteller is Noah, a primary school teacher in this thirties, divorced with two small boys he sees every other weekend. Noah loves his job, loves his boys and is still in love with ex-wife Kate. Kate now lives with Jerry and Noah can’t believe that she’s in love with this ordinary, boring bloke. Kate and Noah were together forever, from friends to a very young husband and wife, then parents. So what went wrong? Kate probably knows Noah better than anyone and still loves and cares for him, but felt she had to save herself and leave the relationship. The truth is there are times when Noah checks out, he would need to take a break or sometimes disappear with no indication of when he was coming back. Just as Noah is concerned with giving children a good start in life, as a father and a teacher, he knows that his own start in life plays a large part in who he is and how he behaves. Can he continue to be a good teacher, father and partner without confronting that past and coming to terms with it?

As in her last novel, Rachel Marks has a good grasp of how our minds work and how we often self-medicate the pain of trauma. For Noah, this is often alcohol just as it was for his mother all those years ago. He is often propping up the bar of his local, chatting up women and indulging in a few one night stands, watched with some frustration by barmaid Mimi. His journey is mirrored in the experiences of one of his pupils, Harvey. Harvey’s having problems with his behaviour at school, often lashing out or unable to stop himself interrupting with excitement. He says his Mum sleeps a lot, but the reasons for that are unclear at first. It takes something drastic for Noah to see the extent of what is going on in Harvey’s world, but it also awakens a trauma from long ago. Noah is a character who knows all the reasons for the way he is, but doesn’t know the next step – to free himself from the past. He is full of confusion and does some really stupid things, but he is always loveable and I found myself rooting for him. Mimi was also a great character, sassy and whip smart, she can see through Noah’s bullshit but also genuinely cares about him. She tries to teach him that we all have our ‘stuff’ to come to terms with, we just have to find our way of doing it.

I loved his relationship with Kate too. She knows him inside out and I could sense the great regret and frustration within her that she had to break up their family. She knows Jerry isn’t going to be full of excitement and surprises, but that’s exactly why they’re together. She wants that stability for herself and for her boys. She’s still full of sadness and thinks she wasn’t enough for Noah, but the truth is that no one would have been able to cope with his behaviour and a young family. She wanted her love to heal the scars of the past, but only Noah can do that. The wonderful way she respects him as the father of her children, holds parties for him and still has family outings is the very model of what we hope our blended families could be like. Sadly, I think it’s very rare for ex-husbands and wives to be able to work together as well as this. Noah doesn’t really see the love that Kate has for Jerry, but it’s definitely there. There’s the sense of exhaustion I get from her life with Noah, and the way that Jerry conducts himself with grace and dignity and it’s clear what a strong and equal relationship they have.

This is a gorgeous, uplifting book, that has its hard moments but is ultimately full of love. I loved the children in the book, their personalities so perfectly evoked and full of humour. There are difficult memories and moments, but Noah is surrounded by love to call on once he can admit what’s wrong. I loved how Marks shows that there may often be reasons behind a character’s behaviour – Noah struggles to get along with his sister-in-law Claudia, but Mimi immediately sees that there’s a lack of confidence underneath the polished exterior and perfectionism. It made me come away thinking about how to appreciate those around me more, even if we do clash or have different ways of living. The book had the message to love and be kind all the way through it, like a stick of well-being rock.

Out 29th April 2021 from Penguin Books

Meet The Author

Rachel lives in Gloucestershire with her husband and two young sons. When she’s not writing, she loves travelling, snowboarding and photography.
If you would like updates on upcoming books, offers etc you can follow me on Twitter @Rache1Marks and Instagram rachelmarksauthor.

Posted in Throwback Thursday

Throwback Thursday! Lucia Lucia by Adriana Trigiani.

Posted on by thelotusreaders

Lucia Sartori is the beautiful twenty-five-year-old daughter of a fine Italian immigrant family in Greenwich Village, New York, in 1950. Fuelled by the post-war boom, in which talented girls with ambition are encouraged to follow their dreams, Lucia becomes an apprentice for a made-to-wear clothing designer at a chic department store on Fifth Avenue. Though she is sought after as a potential wife by the best Italian families, Lucia stays her course and works hard, determined to have a career. She juggles the roles of dutiful daughter and ambitious working girl perfectly. When a handsome stranger comes to the story and catches her eye, it is love at first sight for both of them. In order to win Lucia’s hand, he must first win over her traditional family and make the proper offer of marriage. Their love affair takes an unexpected turn as secrets are revealed, Lucia’s family honour is tested, and her own reputation becomes the centre of a sizzling scandal. Set in a time of possibility and change for women in America, in a city that celebrates its energy with style and elegance, LUCIA, LUCIA is the story of a girl who risks everything for the belief that a woman could – and should – be able to have it all.

When I want something to read that isn’t challenging, but is heartwarming, funny and emotional I turn for an Adriana Trigiani novel. Her stories, often based within Italian American culture, have feisty heroines, epic love stories, and wondrous descriptions of either food, clothes and shoe making, decorating or the music business. Lucia, Lucia begins as we meet Kit Zanetti, a playwright waiting to be discovered, who meets her upstairs neighbour. Lucia Sartori offers Kit some tea, and this evolves into a museum or gallery visit as Lucia shows Kit just some of the treasures she has accumulated over her life. Astounded by some of Lucia’s possessions, Kit asks for her story. So Lucia begins to tell a story that starts in 1950s New York when she was the most beautiful girl in The Village. She and her four brothers are brought up in NYC within a close knit Italian community and she is engaged to a lovely Italian boy, Dante. She also has a career she loves as a seamstress in a big department store. Worried that her marriage would mean giving up the job she loves, she decides to end her relationship. She is fighting against the very role her society expects of her – to become a wife and mother, with all of her energy focused on the home.

Then, John Talbot arrives on the scene. John is a businessman who appears wealthy and could take Lucia away from the ‘little life’ she was promised by Dante. She imagines a more upscale lifestyle where she can continue her work designing and creating on Fifth Avenue, plus have all the trimmings of an affluent home life. I kept thinking that this was a pipe dream and everything was going to go wrong. I understood Lucia. It wasn’t just about having money, but having choices. She wants the cushioning afforded by John’s money to pursue her own dreams without it being such a struggle. Yet, John has drawbacks too. He isn’t Italian for a start, but also he’s secretive and quite tight lipped about where his money is from. I worried that Lucia was being conned and that choosing John would be a harder path than she expects.

In-between this love story, Lucia has a wonderfully described trip to Italy with her family. Here Lucia discovers art and culture, swaps incredible recipes with her sister-in-law and even has a job offer from her co-employer. This is where Lucia could make choices that give her true independence, but is she now too entwined with John? Will she find herself choosing between marriage and a career after all? She may have to face more serious revelations about this man than she ever expected. It’s clear to me that John is a bad choice very early on, but I’m older and have made poor choices in relationships when I was young. Lucia doesn’t have that hindsight or experience. It’s easy to think she could have stayed with Dante and still worked as a seamstress, but we forget that before the contraceptive pill, marriage automatically meant children. Once children came along it would have been very hard to pursue a career as a designer, she may have been able to take in sewing, but not pursue a career.

There’s so much to like about this book. I loved the portrayal of the Italian American community and Lucia’s relationships with her family. The author gives us just enough information up front, but we don’t find out how Lucia’s life moved on until the final section when she finishes relaying her story to Kit. It keeps the reader engaged, because we’re dying to know how things worked out for her. This is a bittersweet novel that reminds us we can’t have everything in life. Many choices, no matter how hopeful and happy they seem, can come with a sacrifice in the long term. The sort of romance we see in the movies, all hearts, flowers and candlelit baths, is rare in real long term relationships. Living together, especially within a family, can be anything but romantic. However, if we prefer the hearts and flowers, we can miss out on the closeness and support in those tougher times. Lucia gives us the benefit of her hindsight as she evaluates her life, perhaps hoping to pass on this wisdom.

Meet The Author

Beloved by millions of readers around the world for her “dazzling” novels (USA Today), Adriana Trigiani is “a master of palpable and visual detail” (Washington Post) and “a comedy writer with a heart of gold” (New York Times). She is the New York Times bestselling author of eighteen books in fiction and nonfiction, published in 38 languages around the world, making her one of the most sought after speakers in the world of books today. 

Adriana is also an award-winning film director and screenwriter, playwright, and television writer and producer. She wrote and directed the award-winning major motion picture Big Stone Gap, based on her debut novel, filmed entirely on location in her Virginia hometown. Big Stone Gap spent 11 weeks in theatres in the fall of 2015 and was the #2 top-grossing romantic comedy of the year. She wrote and directed the documentary film Queens of the Big Time, winner of the Audience Award at the Hamptons and Palm Springs International Film Festivals. Her screen adaptation of her bestselling novel Very Valentine premiered on Lifetime television in June 2019, launching their National Book Club. She directed the feature film Then Came You, starring Craig Ferguson and Kathie Lee Gifford, filmed on location in Scotland. Adriana co-founded The Origin Project, an in-school writing program which serves over 1,700 students in the Appalachian Mountains of Virginia. Adriana is at work on her next novel for Dutton at Penguin Random House for release in 2021, and a children’s picture book for Viking at Penguin Random House for release in 2021. She lives in New York City with her family. 

Follow Adriana on Facebook and Instagram @AdrianaTrigiani or visit her website: AdrianaTrigiani.com.
Join Adriana on Facebook for Adriana Ink every Tuesday at 6 PM EST!

Posted in Netgalley

The Metal Heart by Caroline Lea.

Posted on by thelotusreaders

The sky is clear, star-stamped and silvered by the waxing gibbous moon.

No planes have flown over the islands tonight; no bombs have fallen for over a year.

___________

Orkney, 1940.

Five hundred Italian prisoners-of-war arrive to fortify these remote and windswept islands. Resentful islanders are fearful of the enemy in their midst, but not orphaned twin sisters Dorothy and Constance. Already outcasts, they volunteer to nurse all prisoners who are injured or fall sick. Soon Dorothy befriends Cesare, an artist swept up by the machine of war and almost broken by the horrors he has witnessed. She is entranced by his plan to build an Italian chapel from war scrap and sea debris, and something beautiful begins to blossom. But Con, scarred from a betrayal in her past, is afraid for her sister; she knows that people are not always what they seem.

Soon, trust frays between the islanders and outsiders, and between the sisters – their hearts torn by rival claims of duty and desire.

A storm is coming . . .

In the tradition of Captain Corelli’s Mandolin, The Metal Heart is a hauntingly rich Second World War love story about courage, freedom and the essence of what makes us human during the darkest of times.

This book is stunningly beautiful, so much so that I had to sit and think in the quiet when I’d finished it. It’s so rich in folklore, historical detail, the trauma of war and bereavement that I know I could pick it up to read again and still find something new. I immediately ordered a signed copy for my forever shelf, because it is so special. What did I love about it? The Scottish folklore, the incredible landscape, the community, the dignity of people facing the hardest times of their lives. Then amidst the chaos, violence and confinement, beauty emerges in the shape of a deep, immediate, connection and growing love between two people who can’t even speak the same language. The counterpart to this human story is the Italian Chapel, built out of the scraps of metal huts and concrete the prisoners are allowed. Yet from these humble materials a building of true beauty emerges, that still stands today. It made me emotional to think about the lovers, but also the patience and faith of these incredible men who needed a place to worship, a piece of home.

Dorothy and Constance live on Selkie Holm, a small island close to Orkney. They are isolated outcasts, strange simply because of their doubling, but also because they’re thought to have bad luck. There are myths about the island and the selkie women that might lure a man into the water. People go missing there and the old fishermen who gather in the tavern love to swap old stories about the strange shapes seen in the water. It’s said that if you live there you might go mad. Besides, the girls have had bad luck enough with the drowning of their parents as they tried to row to Kirkwall hospital in a storm. People mutter that it isn’t right for two young girls to live there alone. Surely they must need other people? Yet, that’s exactly what Con doesn’t need. They live in the bothy because of a traumatic event that happened in Kirkwall and now she’s frightened of people, particularly men. So when it’s announced at a town meeting that Italian prisoners will be housed on Selkie Holm, Con is terrified. Their protests fall on deaf ears, since the sinking of the Royal Elm, Churchill has decided barriers must be built to prevent invasion. The prisoners will build the barricades and soon there are huts and barbed wire and men with boots all in Con’s place of safety. Worst of all, Angus McLeod has been given a job as a guard on the island and the girls want to avoid him most of all.

This is a story about freedom for all three main characters. Of course Cesare is the one literally behind a wire fence, but Dot and Con’s bothy is a prison of their own making. Watching each of them try to inch towards freedom in their own ways is moving and upholds my belief as a therapist that everyone is capable of change and even in the most straitened circumstances we still have choices. Cesare finds freedom in the infirmary where he is cared for, in the Major’s office helping with correspondence, in the building of the beautiful chapel and the first time he sets eyes on Dorothy or Dorotea in Italian. His utter joy at finding something so precious amongst the dirt, the heavy labour, the biting wind and the regular beatings, is hopeful and bittersweet. Just like the unexpectedly beautiful chapel, treasures are often found in the dirt.

‘Up on the hill, the chapel gleams in the sun. I imagine the light pouring in through the window. The pictures on the walls will gleam with life. And, on the ceiling above the altar, a white dove soars through a bright blue sky. How does something so beautiful come from such darkness? The tears are flowing freely now, as I turn back to the people watching me and I force myself to say, ‘Thank you.’

‘‘Up on the hill, the chapel gleams in the sun. I imagine the light pouring in through the window. The pictures on the walls will gleam with life. And, on the ceiling above the altar, a white dove soars through a bright blue sky. How does something so beautiful come from such darkness? The tears are flowing freely now, as I turn back to the people watching me and I force myself to say, ‘Thank you.’Up on the hill, the chapel gleams in the sun. I imagine the light pouring in through the window. The pictures on the walls will gleam with life. And, on the ceiling above the altar, a white dove soars through a bright blue sky. How does something so beautiful come from such darkness? The tears are flowing freely now, as I turn back to the people watching me and I force myself to say, ‘Thank you.’

Dot finds her instant love for Cesare overwhelming, but she never questions or doubts her feelings or his. Con often reminds her what men are capable of, that she can’t trust someone she doesn’t know. Yet, for the first time, Dot places a boundary between herself and her sister, simply saying ‘I am not you’. This isn’t a criticism of her twin, but just an assertion that she is different, separate, and so is her life. She also makes a point of going to work in the infirmary, leaving Dot at the bothy. This is the first time where Con can see Dot moving into a life beyond her, their psychic or spiritual link can never be broken, but to wake up and live without her physical presence must be terrifying.

For Dot freedom means the ability to live a life separate from her sister’s, but also beyond the shadow of Angus McLeod. Dot’s trauma affected both girls and when she couldn’t go out, neither girl did. They have spent every day and night together since. This wasn’t Dot’s trauma, but she stopped living just the same. Now she dreams of sitting in the warmth of Italy, with Cesare and his family eating wonderful food. The image is a mile away from the dark, cold and stormy reality. Con sees the changes in Dot, and recognises she’s drifting away from her. Fiercely protective of her twin, it takes her a while to realise that in Cesare, Dot has found a man who is gentle and won’t hurt her. She knows she can’t hold her back, but it’s a huge wrench, like giving away part of herself when so much has been taken from her already. Watching Con’s realisations about her trauma and the potential for healing was one of the most moving parts of the novel.

The historical detail in the novel is incredible. Caroline Lea writes in her acknowledgments:

‘I wanted the love affair between my characters to be constrained by time and intensified by the precipitous and perilous nature of war, so I took many liberties with timings and action. This was a very conscious decision: I’m painfully aware of the difficulties in fictionalizing real historical events and people and selling them as ‘fact’, especially when this involves taking on the voices of ‘real’ people: I was very certain that I didn’t want to do that.’

This explains her decision to change certain things: some of the history and geography is changed; the construction of the barriers was started by Irish workers; the sinking of a ship by German u-boat features the Royal Elm, not the Royal Oak. Yet the chapel, situated on Lamb Holm, is still standing and can be visited. Even the metal heart truly exists, created by metal worker Giuseppe Palumbi for an Orcadian woman he fell in love with. He had to return home to his wife and family in Italy and left the heart behind. By doing this she has made sure that no one’s real life experiences are encroached upon. This is definitely a work of fiction, although the amount of research and love for her subject is clear to see. The descriptions of the islands are simply stunning and the relentless sea is mercurial; one moment soothing and the next a punishing, vengeful god. The inhabitants of the islands intrigued me too, in the way they slowly integrated with these prisoners of war. Even the two girls, shrouded in grief and superstition, are gently supported by this generous community. Now the chapel is part of this community’s history, with the metal heart at its centre. It shows us that light can shine into the darkest corners and choosing to love, despite the pain and grief, can be the bravest stand we can take.

‘All across Europe, bodies are falling from the sky or into the sea, or are being blown high into the air. Every explosion is a name. Every lost life is carved on someone else’s heart. Every death takes more than a single life. It takes memories and longing and hope. But not the love. The love remains’.

Published by Penguin, 29th April 2021.

Meet The Author

Caroline Lea grew up in Jersey and gained a First in English Literature and Creative Writing from the University of Warwick, where she now teaches on the Creative Writing degree. Her fiction and poetry have been shortlisted for the Bridport Prize, the Fish Short Story Competition and various flash fiction prizes. She currently lives in Warwick with her two young children and is writing her next novel. Her work often explores the pressure of small communities and fractured relationships, as well as the way our history shapes our beliefs and behaviour.

Posted in Red Dog Press

Roses for the Dead by Chris MacDonald

Posted on by thelotusreaders

What will I do without Erika Piper? This is the last of three novels featuring the detective and each one had me hooked at page one!

MURDER CAN BE MAYHEM.

2013

Rockstar Johnny Mayhem sits on his bed, holding a bloody baseball bat. On the floor, clutching a lavender rose in her fist, is his wife, Amanda, who he has just beaten to death. Erika Piper knows this because she is one of the first on the scene. Mayhem is arrested and led away, screaming that they’ve got the wrong man. But the evidence is irrefutable and when Mayhem is sentenced to life in prison, no one is surprised.

Now

Thanks to new evidence, Johnny Mayhem is a now free man. During a television interview, he issues a thinly veiled threat to those involved in the original case before seemingly disappearing off the face of the Earth. When the body of Mayhem’s dealer is found, Erika Piper is pulled from the safety of her desk job and thrown into the hunt for the Rockstar. Can she find Mayhem before he can enact his revenge on everyone involved, including Erika? Or, has he been telling the truth all along? Did the police really get the wrong man?

Our novel begins just as Erika is returning to work after maternity leave. She’s taken a back seat for her return role, providing admin support and for the first time doing a 9-5 desk job. This was a decision made by Erika and her partner, because now they have a baby it seemed safer to leave the stressful, late hours behind. Erika already has one thing getting her up in the night, so agonising about cases too, might be too much. I sensed that she was resigned to the decision rather than enthusiastic. I was surprised at how well Erika had taken to being a Mum, but she was always going to be a Mum with a difference. Within hours of starting her desk job, Erika is summoned upstairs by her new boss, who wants to know why someone with her skills isn’t doing the job she was trained for. She dangles a carrot in front of Erika by saying it can be for just this one this case if she wants, to see how it works for her, especially since she was there at the beginning. Erika is surprised to hear herself accepting the role, not because she doesn’t want it, but because she has jumped in with both feet before talking to Tom even. The logistics of childcare and breaking the news to Tom, came second and third behind how hungry she was to be back out there.

Our case is an old one for Erika. Rock star Johnny Mayhem was arrested by Erika for the murder of his wife, Amanda. It was an open and shut case, with Johnny clutching the bloody baseball bat. He has always protested his innocence and now, 7 years later, he is out, thanks to the testimony of a witness. A documentary maker who visited him in prison caught him making a clear and precise threat to the witness, for waiting 7 years to bring forward this information that could have freed him sooner. So, when the witness is found dead, clutching a lavender rose, Erika is on the case. This was a great mystery because it seemed such a cut and dried case, I couldn’t imagine it being anyone else but Johnny. Then the author starts throwing some red herrings into the case and even Erika keeps questioning; if Johnny did want to get his revenge, would he do it in such a public way and recreate the lavender rose calling card? Surely it would have made more sense to wait a while after returning from prison, to mix up the murder weapon and not draw attention with calling cards. Slowly, even though she was his original arresting officer, Erika starts to wonder whether Johnny is behind this at all.

I really enjoyed being in Erika’s company again and at this interesting crossroads of becoming a working Mum. I was so relieved when she threw aside the desk job and plunged straight into the investigation. The mystery is full of twists and turns, and I love the way the author has taken, what looks like an open and shut case, and turned it into anything but. The killer is very unexpected and I wasn’t sure the case would be solved at all. Finally, I am sorry that this is the final novel in the Erika Piper series. She’s a great, feisty and intelligent woman and makes a brilliant detective. I love that she’s so competent at work, and while not perfect, she’s more than coping at home too. Most importantly, she’s a woman I could imagine having as a friend and I would happily enjoy her company for a night out. I think she has more adventures left in her so I’m very sorry to see her go.

Meet The Author

Chris McDonald grew up in Northern Ireland before settling in Manchester via Lancaster and London. 

He is the author A Wash of Black, the first in the DI Erika Piper series, as well as the forthcoming second – Whispers In The Dark. He has also recently dabbled in writing cosy crimes, as a remedy for the darkness. The first in the Stonebridge Mysteries will be released in early 2021. 

He is a full time teacher, husband, father to two beautiful girls and a regular voice on The Blood Brothers Podcast. He is a fan of 5-a-side football, heavy metal and dogs.

Posted in Publisher Proof

Let In The Light by Gerard Nugent.

Posted on by thelotusreaders

I truly enjoyed this story based around the music scene in Glasgow, most specifically Hope Street where Richie Carlisle works in a music shop. We first meet him after he’s had his big musical break and is now back in his home town. Despite working all day alongside musical instruments he doesn’t play much these days, so it’s only when Ally comes into the shop with an idea for a community music group using the local pub as a venue that he thinks of picking up the guitar again. Richie has settled into his life, where he lives alone,but has his son Finn on weekends and has Sunday dinner round at his mums. He knows everyone on Hope Street by name and it feels as if Richie has a little community around him.

It’s a far cry from a few years before when one night playing in the local pub’s Friday Night Jukey! changes the course of his life. A handful of musicians would come ready to play and the audience would shout out requests – always starting with the Proclaimers o”f course. On this night Richie notices a beautiful woman and when she asks for Crowded House he decides to go for a more obscure track, w.hich gets them talking afterwards. There’s something special about her. On the same night he is approached by a manager in the music industry looking for a vocalist for Karl King’s band. He thinks Richie might fit the bill, despite having a complicated past with Karl. Here are two chances in one night: to start a relationship with Penny and see where it goes, or to head down to London and the possibility of music stardom. He tries a compromise and promises to give it five months, and if the band hasn’t taken off he will come back to Glasgow. Penny agrees to a long distance relationship and when his song Let in the Light is recorded both of them think this is it, they are bound for the charts. However, that isn’t what fate has in store for them.

Richie is such a likeable character, in the present day it’s clear he cares about his family and his much older boss at the music shop. He still cares about Penny, even though they’ve broken up and their son Finn ( the Finn brothers from Crowded House) is his absolute world. He’s a little melancholic and stuck in a routine, so the music group could be good to take him out of that head space. It may also shake off his fear of performing, performing in front of others causes huge anxiety ever since he seize up on stage years before at a festival. It’s like he can feeling his throat closing and he can’t even gasp for breath, never mind get out a tune. Ally’s group seems to bring him out of himself and as he closes his eyes to sing he feels at one with performing again. He’s noticed Ally, giving out a bit of encouragement here and listening to another person’s problems there. Whenever she pops into the shops she’s a little ray of sunshine and I started to get the feeling she might be very good for Richie. Yet, he still can’t get Penny out of his mind. When she suddenly announces that she might return down under to her home country of New Zealand Richie can’t believe that she would take Finn away with her.

Everything is changing. The pub may be closing. His old music manager is back in the picture with news about Karl King. Penny puts the house up for rent. He’s at his most vulnerable when he’s asked to perform one final gig at the pub in Hope Street. Can he do it? This might seem a light story, and the writing certainly is. It’s funny in parts too. Yet it has a central message about being true to who you are, and where you’re from. It’s very positive about mental health and how it’s possible to find ways to manage these emotions when they get out of proportion. It suggests looking to our communities for help and support too, many other people have the same struggles and can have the best tips. I really wanted Richie and Finn to succeed. However, I did find myself a bit irked with Penny. So much so I was hoping he’d end up with Ally. When Penny decides to move back home, it’s like she hasn’t even thought of how devastating this will be, not just for Richie, but for the wider family. Finn belongs to all of them and needs them all in his life. The story of Karl King, tells us that we need roots and ways of belonging to get by in life. None of us can stand alone. This is a great novel, with moving, realistic characters and an enjoyable musical plot. Now I need to go and create a Spotify playlist of the songs featured and inspired by reading this book.

Meet The Author

Gerard was born and raised in Edinburgh, Scotland. He moved to England in his 20s and worked in various northern towns before settling in beautiful Yorkshire with his family and two guinea pigs. He has written three albums (two of which will never be released!) In 2019, he attended a writing class to help him generate ideas for further songwriting, but, instead, started writing a novel.

And this is where it’s ended up. Stay tuned.

Posted in Throwback Thursday, Uncategorized

Throwback Thursday! Engleby by Sebastian Faulks.

Posted on by thelotusreaders

‘My name is Mike Engleby and I’m in my second year at an ancient university’.

In this book Faulks creates one of the best unreliable narrators in fiction. His voice is mesmerising, intelligent and strangely compelling. I found myself strangely drawn in by him. In fact he’s very funny, in a darkly humorous way. We’re restricted to his first person narrative and his tale of a working class upbringing, affected by poverty and physically abusive treatment from his stepfather. Despite his disadvantages, he wins a place at a Cambridge college. Although he’s intellectually capable of fitting in, socially he’s a misfit, struggling on the edges of college society. Then he sees a girl in the tearoom of the University Library and an obsession starts. He observes Jennifer to a degree that’s detailed and creepy.

‘She was smoking a cigarette and trying not to laugh, but her eyes looked concerned and vulnerable as Robin’s low voice went urgently on. She is alive, Godammit she is alive. She looks so poised, with that womanly concern, beginning to override the girlish humour. I will always remember that balanced woman/girl expression on her face.’

This is the detail of someone who is watching constantly. He seems to have very little empathy for others, apart from Jennifer. So when she disappears, we are left in conflict. Where should our sympathies lie? Has Engleby lost someone he truly cared for or is something more sinister going on? Now I can’t claim that Faulks created the unreliable narrator, but this is the first time I truly had the rug swept from under me by a book. It’s not so much a twist, as a seismic shift that makes me question absolutely everything I’d read up to this point. The next books that surprised me this much was Atonement and We Need To Talk About Kevin so the book is in great company.

The build up is very slow, but the tension soon becomes unbearable. We’re waiting for something to snap! I felt myself weirdly torn between compassion and contempt for this boy who has been subjected to cruelty and possibly developed this faux intellectual and pretentious personality to survive. Or, has simply been lying to us all along? Faulks is questioning the way writers construct identity on the page and the reader’s tendency to believe the person presented to them, often without question. Is identity as fluid as he presents, or are some of our characteristics set in a permanent ‘self’ as most of us would like to believe. It’s an uncomfortable read, not just because we might feel confused with our own fixed and fluid selves, but because we feel complicit with a narrator we’ve enjoyed. Even more uncomfortable, could it be because there might be a little bit of Engleby in all of us.

Meet the Author


Sebastian Faulks was born in April 1953. Before becoming a full-time writer in 1991, he worked as a journalist. Sebastian Faulks’s books include A Possible Life, Human Traces, On Green Dolphin Street, Engleby, Birdsong, A Week in December and Where My Heart Used to Beat.