Trauma – Page 6 – The Lotus Readers

My Best Reads March 2025

Posted on 31st Mar 202529th Mar 2025 by thelotusreaders

Hello Readers,

Spring is here!! Finally. Today is warm -ish, but sunny with daffodils and jasmine brightening up the garden. My other half is cutting the lawn and washing is going on the line for the first day this year. I’ve had a lot of chances to read this month as I still can’t move far, so I’ve taken on some new and some older reads too. My favourites of the new books I’ve read this month are a balanced mix of historical fiction and crime novels. Our historical offerings take us to the South of France and the home of Henri Matisse, to Paris on a train that might be lucky to arrive and a Scottish island that’s closer to Norway. The crime novels are set in two of my favourite places, Snowdonia and Northumberland, while the final one is a Scandinavian setting, written by two talented authors it’s an unforgettable novel.

Hope you’re all enjoying this beautiful weekend.

When in Northumberland I visit a couple of bookshops, Barter Books in Alnwick for second hand finds and Cogito Books in Hexham for their non-fiction and new releases. Last time I had some book vouchers so I went to Hexham and was recommended Mari Hannah’s Stone and Oliver series. I bought the first one then found more of the series in charity shops, but hadn’t got round to reading them yet. So when a publisher offered this I wondered whether I should, but I can’t resist and now Im setting aside time to read the rest of this series.

Frankie Oliver and David Stone have been working together in the same MIT for the a few years, but this book starts in a much darker place when another detective was called to a body found on some waste ground. Horrified, he drops to the floor unable to contain his devastation. The body on the ground is his daughter. It’s such a powerful and emotive opening, leaving us in no doubt that this is a defining event for the loved ones of this girl. An absence that the Oliver family feel every day. It’s arguable that this case is the very reason that Frankie Oliver became a detective. She and David Stone are an incredible team at work and have the potential to take their relationship further. It’s clear there’s been some ‘will they won’t they’ over the course of the previous novels. Now Frankie is taking a break from the team in Newcastle, a promotion to DI means she must fill a post back in uniform based out of the most northerly police station in the county, Berwick-Upon-Tweed. Frankie accepts and the team organise a leaving ‘do’. It’s there that Dave overhears an argument that immediately propels him back to the murder of Joanna, Frankie’s sister. What’s said between the two men outside the venue sparks an idea in Dave’s mind. He has had an idea of how to investigate the cold case, but knows that he doesn’t want to bring more pain to the family. Hopefully Frankie’s secondment to Berwick means they won’t have to.

Meanwhile Frankie’s first job is an RTC on the A1 and in the total chaos she finds a little boy handcuffed in the back of a van. The driver and passenger are dead and the van is a write off so Frankie can’t believe this little boy has survived. As she rescues him, an onlooker tells her that a man escaped out of the back doors straight after the crash. This opens up a trafficking case that might take her straight back out of uniform again. The boy, Amir, takes to Frankie. Possibly the first person in a long time who has made him feel safe. As for the relationship between Frankie and Dave, I was very much invested despite not knowing everything that’s gone before. The setting is beautifully captured in it’s contradictions: the modernity and buzz of Newcastle with the contrast of the wild countryside and beautifully rugged coastline. This really is a nail-biting story, written in very short chapters that are easy to devour very quickly. So many have a brilliant cliff-hanger ending too. I can’t wait to read more.

The blurb on the back of this novel promises an electrifying blockbuster that will be the start of a ‘nerve shattering’ new series. So there’s a lot to live up to, but Son definitely delivers. To use a rather inelegant phrase, this novel is a therapist’s wet dream of a novel – hidden characters, unexplained black outs, grief, trauma and an investigator who is dubbed The Human Lie Detector. I was definitely in my element here. Kari Voss is the centre of this tangled web, a psychologist who specialises in memory and body language and acts as a consultant to Oslo’s police force. When two girls are brutally killed in a summer house in the village of Son, it’s a crime that’s closer to home than she would want. The girls, Eva and Hedda, were best friends with Kari’s son Vetle when they were younger. In fact it was while on a holiday seven years ago that Vetle disappeared in nearby woods and was never found. The girls are now teenagers and were planning a Halloween party for their friends, but were found tied to dining chairs with their throats cut. They were found by a third friend, Samuel Gregson, when he turned up to start the festivites and it is also an old friend of Vetle’s that police chief Ramona Norum arrests and starts to question. When Kari is asked to consult she knows this will be difficult, not only is she friends with the girl’s families, their lives are inextricably linked to her missing son. How will she negotiate all the emotions this case will unleash and find the girl’s killer?

No one is what they appear here. As Kari starts to ask questions about Eva and Hedda, it turns out that they aren’t always the polite children or young teenagers they appear to be. The authors are very clever about the amount of introspection they use, creating a hidden layer to the crimes and a breathing space between the character driven chapters and the ones filled with nail-bitingly intense action. There’s even subterfuge in the title, Son is a place slightly north of Oslo, steeped in Nordic history and full of that unsettling atmosphere that I find Nordic Noir is so good at. Yet it’s also a person, so missed by those who love him and inextricably linked to this landscape, that has potentially become his final resting place. I was compelled to read this to the end, taking it everywhere with me on holiday so I could grab a chapter in a coffee shop or even in the car. This is an engrossing and addictive start to a promised new series and I’m already craving the next instalment.

This is the story of three women – one an orphan and refugee who finds a place in the studio of a famous French artist, the other a wife and mother who has stood by her husband for nearly forty years. The third is his daughter, caught in the crossfire between her mother and a father she adores. Amelie is first drawn to Henri Matisse as a way of escaping the conventional life expected of her. A free spirit, she sees in this budding young artist a glorious future for them both. Lydia Delectorskaya is a young Russian emigree, who fled her homeland following the death of her mother. After a fractured childhood, she is trying to make a place for herself on France’s golden Riviera, amid the artists, film stars and dazzling elite. Eventually she finds employment with the Matisse family. From this point on, their lives are set on a collision course. Marguerite is Matisse’s eldest daughter. When the life of her family implodes, she must find her own way to make her mark and to navigate divided loyalties.

Based on a true story, Madame Matisse is a stunning novel about drama and betrayal; emotion and sex; glamour and tragedy, all set in the hotbed of the 1930s art movement in France. In art, as in life, this a time when the rules were made to be broken. I loved reading about these fascinating women, all of which step outside the traditional role of most women of the time. Sophie beautifully situates Matisse within his peer group, especially his great rival Picasso. Then situates each woman perfectly within their history, the most in depth being Lydia’s Russian background and Marguerite’s incredible bravery in WW2. I thoroughly enjoyed looking up the paintings mentioned and seeing Matisse’s representation of the three women who were closest to him and I found myself reading articles about him and Picasso. It left me with a sense of anger and empathy for how much women sacrifice so that men can excel at what they do, realising their ambitions while their wive’s ambitions are forgotten or buried under a suffocating mental load – still the thing women in my group talk about most. These women never take the limelight away from Matisse, even while stripped bare for people to view. The focus is always on the painter, their brush strokes, choice of colour and artistic decisions. I love that in this novel they are more than body parts, they’re shown as the vital, brave, complex and generous women they clearly were.

Set in 1895 when a train did crash onto the platform at Montparnasse, Donoghue places us very definitely in the fin de siecle, with every little detail. It isn’t just her description of the train, which I could picture very clearly, it’s the character’s clothing and their attitudes. There’s certainly evidence of a shift in the Victorian ideals that held firm throughout the 19th Century. In one journey we can see women being more outspoken, having a definite sense of purpose, and a need to determine their own destiny. Women are travelling alone or for work, in the case of Alice she is travelling with her boss as the secretary for his photographic business. She takes the opportunity to talk to him about moving pictures, she has researched the subject and thinks it could be a new market for the firm. Marcelle is researching in the field of science and huge fan of Marie Curie who is so work focused that she went to get married in an everyday blue dress and returned to the lab.I was absolutely fascinated with Mado. She stands out more than she realises, with her androgynous clothing and short hair, not to mention the lunch bucket she’s clutching as if her life depends on it. She’s a feminist, an anarchist and seems to have an interest in reading other people. Her own internal struggle is so vivid that I could feel the tension in her body as I read. She seems contemptuous of many of her fellow passengers, particularly the men, knowing that the Victorian feminine ideal is simply a role women are forced to play. To step outside of the norm is brave and a deliberate outward show of her inner strength and determination to change women’s place in the world. How far might she go to show her resolve?

Gradually I was compelled to keep reading because the tension was rising with every new passenger and because as the reader I was omniscient: Donoghue gives her reader the full story and we know the potential fate of every character on this train. Brilliant as always!

1843. On a remote Scottish island, Ivar, the sole occupant, leads a life of quiet isolation until the day he finds a man unconscious on the beach below the cliffs. The newcomer is John Ferguson, an impoverished church minister sent to evict Ivar and turn the island into grazing land for sheep. Unaware of the stranger’s intentions, Ivar takes him into his home, and in spite of the two men having no common language, a fragile bond begins to form between them. Meanwhile, on the mainland, John’s wife, Mary, anxiously awaits news of his mission.
Against the rugged backdrop of this faraway spot beyond Shetland, Carys Davies’s intimate drama unfolds with tension and tenderness: a touching and crystalline study of ordinary people buffeted by history and a powerful exploration of the distances and connections between us.

Clear is so beautifully set within some very significant events. In the 19th Century evangelical worshippers moved away from the Church of Scotland to form the Free Church of Scotland. Also, there was a second wave of Scottish landowners driving their tenants from the land, choosing to make a better profit grazing sheep. This was just one part the Highland Clearances. Our characters are deeply involved with these events. This is such a gentle story that contains so much. Instead of pushing an agenda or viewpoint, the author just lets it play out naturally. Ivar is part of this island, a bear of a man with only his animals for company. There’s a purity to his life that’s almost spiritual, an interesting contrast to John’s organised religion. There’s so much under the surface of the story, told in the tiny details of everyday life: their gestures, the intimacies they share and how those connections change as a language is formed between them. It’s interesting to see the established dynamic of John and Ivar affecting how Mary settles into the cottage. The men’s connection brings the three of them into a unit, so that they don’t feel like a married couple and a lone man any more. Each of them forms a strong connection with each other and the landscape. I found reading this an almost meditative experience, because it’s so slow and calm, until the sudden end.

Living and working in Snowdonia was always retired detective Frank Marshal’s dream. Until a phone call asking for his help turns it into his worst nightmare. Retired detective Frank Marshal lives in a remote part of Snowdonia with his wife Rachel who is suffering from dementia. Working as a park ranger, Frank gets a phone call from close friend Annie, a retired judge. Her sister Meg has gone missing from a local caravan park and she needs his help to find her.

As Frank and Annie start to unravel the dark secrets of Meg’s life, it seems at first that her disappearance might be linked to her nephew and a drug deal gone wrong. In a shocking twist, their investigation leads them to a series of murders in North Wales from the 1990s and a possible miscarriage of justice. Can Frank and Annie uncover the sinister truth so they find her sister in time to save her? Or will a brutal serial killer add Meg to his list of victims?

I’m always complaining about thrillers and crime novels that rely on their twists and turns without any depth to the characters or the story. I couldn’t complain at all here. There are twists, including one I only started to suspect few pages before it was revealed. This book was full of emotion: Frank and his wife sitting in bed and looking at old photos was so poignant since both know her dementia is progressing and she is slowly forgetting it all; the beautiful relationship between Frank and his grandson; Annie’s grief over her sister’s disappearance and her nephew’s accident. All felt like fully realised people, even those only in the novel a short time. I could see Frank locking horns with police chief Dewi in the future or the scouse drug dealers. I loved the setting too, the author has managed to capture it’s beauty and it’s bleakness. This was a cracking mystery that crept up on you slowly then didn’t let you put it down. I’m looking forward to many more adventures with Frank Marshal.

So that’s all for March, but next month’s reading is busy as always. Here are a few books still lurking on my TBR for April. It’s going to be a great month.

Publisher Proof

Marshal of Snowdonia by Simon McCleave

Posted on 29th Mar 2025 by thelotusreaders

Living and working in Snowdonia was always retired detective Frank Marshal’s dream. Until a phone call asking for his help turns it into his worst nightmare.

Retired detective Frank Marshal lives in a remote part of Snowdonia with his wife Rachel who is suffering from dementia. Working as a park ranger, Frank gets a phone call from close friend Annie, a retired judge. Her sister Meg has gone missing from a local caravan park and she needs his help to find her.

Can Frank and Annie uncover the sinister truth so they find her sister in time to save her? Or will a brutal serial killer add Meg to his list of victims?

I love Snowdonia and have visited at least once a year since I was a child, even now staying in or close to the farmhouse we’ve booked since I was 12 years old. I also enjoy crime fiction so I can’t believe I haven’t come across Simon McCleave before. This is the start of a new series so I have the joy of going straight to the beginning of his other novels and devouring them. Frank Marshal is an interesting man, the ex-detective and mountain ranger lives in Snowdonia with wife Rachel who has dementia. For most of the novel their daughter Caitlin lives in the annexe with her son after fleeing an abusive relationship. It was quite a slow start to the novel but I could see what the writer was doing, setting the scene of the awe-inspiring landscape and also sowing seeds for future novels. I could see family issues and heartbreaking choices ahead for Frank, as well as some future rivals in the force and the criminal world. Annie was an interesting character too, an ex-judge and described as a close friend of Frank’s, he definitely shows his commitment and loyalty to that friendship as he puts himself in danger to find her sister Meghan. In a lot of ways Frank reminded me of my own father who has spent his life climbing all over Welsh mountains as a youth worker and climbing instructor. Frank’s desire to protect his family, as well as forgetting his age in the process was very familiar to me. Thank goodness my dad doesn’t have his guns anymore, but he’s not afraid to put his bare knuckle fighting and boxing skills to use when necessary. He’s a real worry. So I could imagine being Frank’s daughter and I recognised his determination when he realises half way through a fight that he’s feeling almost all of his 71 years.

The story really picks up speed after the first few chapters and as it became more addictive, I admit I stayed up until 1am this morning to finish. I had a hunch and I had to see how it played out. Frank and Annie’s investigation starts as Meghan goes missing and her son Callum turns up in hospital with amnesia. Annie doesn’t want to think that her nephew has anything to do with this, but at first they make a couple of discoveries that seem to point in his direction. However there are other potential avenues. The murky world of a 1990s serial killer, convicted when Frank was still on the force and a drug boss who dresses like a Boden model but is a Scouse gangster underneath. Frank’s police connections get them places most people couldn’t, including visiting a serial killer. They have a couple of nasty skirmishes too and I had to keep reminding myself that this was a couple of OAPs! Annie is equally ballsy and has some connections of her own, including a youth offender who now works in IT so he can care for his elderly mum. I’m fascinated with cold cases, in terms of the science we now use to convict offenders decades later, but also because of the things that are missed and dismissed. There’s a detail that’s so important to finding the truth that was completely dismissed by officers due to the witness being a sex worker. I watched a documentary about the Yorkshire Ripper where the police’s attitude to first killings was almost a shrug of the shoulders because they were sex workers. Yet when he killed a young woman on her way home after a night out both police and press said it was his first ‘innocent’ victim which made my blood boil. Frank and Annie find the witness, who has two very pertinent clues ignored for thirty years that could be the key to the case.

I’m always complaining about thrillers and crime novels that rely on their twists and turns without any depth to the characters or the story. I couldn’t complain at all here. There are twists, including one I only started to suspect few pages before it was revealed. However, the book was also full of emotion: Frank and his wife sitting in bed and looking at old photos was so poignant since both know she is slowly forgetting it all; the beautiful relationship between Frank and his grandson; Annie’s grief over her sister’s disappearance and her nephew’s accident. All felt like fully realised people, even those only in the novel a short time. I could see Frank locking horns with police chief Dewi in the future. I felt totally creeped out by Meghan’s rather unsettling neighbour at the caravan park. I was even interested in the scouse drug dealers and could imagine them finding their way into future storylines. I loved the setting too, the author has managed to capture it’s beauty and it’s bleakness, plus I look forward to visiting the Barmouth chippy when I go there later this year. This was a cracking mystery that crept up on you slowly then didn’t let you put it down. I’m looking forward to many more adventures with Frank Marshal.

Out now from Stanford Publishing

Meet the Author

Simon McCleave is a multi million-selling crime novelist who lives in North Wales with his wife and two children.

Before he was an author, Simon worked as a script editor at the BBC and a producer at Channel 4 before working as a story analyst in Los Angeles. He then became a script writer, writing on series such as Silent Witness, The Bill, EastEnders and many more. His Channel 4 film Out of the Game was critically acclaimed and described as ‘an unflinching portrayal of male friendship’ by Time Out.

His first book, ‘The Snowdonia Killings’, was released in January 2020 and soon became an Amazon Bestseller, reaching No 1 in the UK Chart and selling over 400,000 copies. His twenty subsequent novels in the DI Ruth Hunter Snowdonia Series have all been Amazon bestsellers, with most of them hitting the top of the digital charts. He has sold over 3 million books to date.

‘The Dark Tide’, Simon’s first book in an Anglesey based crime series for publishing giant Harper Collins (Avon), was a major hit in 2022, becoming the highest selling Waterstone’s Welsh Book of the Month ever.

This year, Simon is releasing the first in a new series of books, ‘Marshal of Snowdonia’ with several more planned for 2025.

Simon has also written a one-off psychological thriller, Last Night at Villa Lucia, for Storm Publishing, which was a major hit, The Times describing it as ‘…well above the usual seasonal villa thriller…’ with its ‘…empathetic portrayal of lives spent in the shadow of coercion and abuse.’

The Snowdonia based DI Ruth Hunter books are now set to be filmed as a major new television series, with shooting to begin in North Wales in 2025.

Netgalley

The Crash by Kate Furnivall

Posted on 25th Mar 2025 by thelotusreaders

Paris 1933. Four people’s lives are dramatically torn apart by a single terrifying event. Two days before Christmas the express train to Strasbourg crashes into a local train in the winter darkness outside Paris. On board is Gilles Malroux, a man with a shady past and a strong reason to avoid the police. In the mayhem of the crash he is badly injured but to avoid capture by the police he swaps identity papers with one of the other victims of the impact. Gilles tries to flee in the dark but finds himself taken to the house of a woman he doesn’t know but who calls him Davide. She nurses him. But is the bitter medicine in the spoon she puts to his lips healing him or harming him?

Camille Malroux is Gilles’ sister. She works for the French Civil Service and is trying to climb the ladder of respectability after a childhood in poverty. When she is informed by police that her brother is seriously injured in hospital, she rushes to his bedside, only to discover it is not Gilles. It is a heavily bandaged stranger. He is unconscious and has her brother’s identity papers in his locker. Only by digging to discover the true identity of the bandaged man in the hospital bed can she hope to trace Gilles. But Gilles is sinking into further danger. He is drugged. A priest and a doctor hover over him, as if waiting for him to die, and constantly the woman who calls him Davide is at his side. What is it she wants from him?

This was an interesting read that poses the question – if you had the opportunity to disappear, would you? It made me think of the reports of people who potentially disappeared on 9/11, starting a new life somewhere while their loved ones assumed they’ve been lost as the World Trade Centre collapsed. Take that idea back to 1933 and Gilles Malraux does exactly that, swapping identity papers with another passenger to avoid being picked up by the police. His decision leaves him vulnerable though, not just because of where he ends up, but because now his family have no way of tracing him. His sister Camille is horrified to hear the news about her brother’s accident, but is frantic when she gets to the hospital and finds the man with her brother’s papers isn’t Gilles. How will she find him? Camille is an incredibly resourceful woman, deciding to undertake the investigation herself and starting with the identity of the bandaged man. This is slow, painstaking stuff, but she comes across a conspiracy to steal Egyptian treasures. She knows she’s in great danger but keeps going to find Gilles, I was impressed with her courage and tenacity. She’d be an incredible field agent, using all her skills to root out the truth. Slowly, tension starts to build as she gets nearer to her brother, but could she be too late, especially if the woman looking after him might not have his best interests at heart.

I thought the themes of trauma and identity were really well explored, with the train crash central to them both. The backdrop of Christmas really heightened to trauma of the accident. This crash is a once in a lifetime event that divides lives into a definite before and after. Events like this make people evaluate their lives. It can reconfirm that you’re in the right place or just as easily blow your life apart. It also shows us our limits and boundaries. Gilles is willing to take risks and morally questionable choices to survive. Camille faces a tougher choice, she has built up a reputation as a responsible member of the civil service after a childhood that was difficult and affected by poverty. What if she is faced with potentially compromising choices in her search? How much of her respectability is she willing to risk to find Gilles? I found myself rooting for Camille and completely drawn into the story from the outset. It had suspense, incredible historic detail and on the basis of this novel I’m definitely going back to read more of Kate’s work in the future.

Out Now from Hodder & Stoughton

Meet the Author

Kate Furnivall didn’t set out to be a writer. It sort of grabbed her by the throat when she discovered the story of her grandmother – a White Russian refugee who fled from the Bolsheviks down into China. That extraordinary tale inspired her first book, THE RUSSIAN CONCUBINE. From then on, she was hooked.

Kate is the author of ten novels, including THE SURVIVORS, THE RUSSIAN CONCUBINE, THE LIBERATION and THE BETRAYAL. Her books have been translated into more than twenty languages and have been on the Sunday Times and New York Times Bestseller lists.

Netgalley

Garden of her Heart by Zoe Richards

Posted on 22nd Mar 202522nd Mar 2025 by thelotusreaders

I was immediately attracted to this book because of it’s themes of trauma and recovery, something I have personal and professional experience with. This is an ultimately uplifting story of healing that was the perfect antidote to the current news cycle and being pretty much housebound due to illness. The story is set on a well-being retreat and follows one loner, two secrets and three weeks at Pinewoods Retreat. When Holly Bush (yes, that’s her name ) is made redundant with gardening leave, after suffering a brutal attack. She decides to visit a retreat not far from home, finding friendship and a garden in need of love. She ends up doing literal gardening leave and journals her way through the holiday, working on both her mental and physical scars as well as discovering an inner strength and resilience.

I’d been looking forward to reading this, but the TBR and my health got in the way. Although, perhaps this was the perfect time to read it. Zoe is open about her own journey with mental health and it’s something that will resonate with a lot of people. I bonded with Holly very quickly and was rooting for immediately. I thought all of the characters were very real and the owners of the retreat, Dee and Lorraine, were incredibly authentic and seemed to truly care about their residents. They reminded me of people I’ve worked with and thank goodness for people like this! The other residents were an interesting mix and I loved watching Holly’s relationship with Bex, Ruth and San grow into friendship and mutual support. They all felt honest and real. Hunter, the odd-job guy, was a bit of a fox and almost made me want to pick up a trowel and get planting. I loved the journaling aspects of the retreat, because it’s something I’ve taught for some time in mental health settings and for people with acquired disabilities. It makes such a difference to people’s wellbeing and their acceptance of a huge life change. I loved facilitating these sessions and being unable to work at the moment it was lovely to be back in that atmosphere.

The story is moving and there are sad parts, these are people who are healing and they need to process their trauma in order to move on. There are characters who don’t behave very well, but they’re on their own healing journey and it really isn’t easy. I found it moving as people let go of all the fear, anger and frustration they were feeling. There’s something so beautiful about seeing someone blossom this way and the garden was obviously a great metaphor for that. It’s why I chose the lotus flower as my logo for counselling because of the quote about it growing from a muddy pod; beautiful and strong. There was just so much hope for the future, not to mention the enduring friendships that are made. I think Zoe captured the sense of peace that comes from being your authentic self. While there is a hint of romance, I loved the way it was kept in the background, with the friendship and trust between Holly and the new allies being the most important part. This is a great debut, creating a place of healing that readers could easily be inspired by. It’s not just a enjoyable story, I think a lot of people will identify with it and perhaps start their own recovery journey. It’s a book that will stay in my uplifting reads for those grey days when I need comfort from what I’m reading.

Out now from UCLan Publishing

Meet the Author

Zoë Richards was inspired to write Garden of Her Heart by being a suicide survivor from which she learned the healing that worked best for her, which is not the same for everyone. Dog walks around the Formby pinewoods, not far from her home, gave her the location, in an area known locally as The Lost Resort, a town that never came into existence, close to the sea. In the woods there is a sole Victorian house, standing alone on a cinder track, and this is the inspiration for the location of Pinewoods Retreat. She lives in Southport, near Liverpool, has been married to Rob for 34 years, and they have a grown-up daughter and a cockapoo who will never grow up. She worked for the NHS as an improvement programme manager, reforming how children and young people with special educational needs and disabilities are supported in healthcare. Writing gives her an escape from the intensity of work and from caring for her elderly mother.

Zoë is an author and host of the podcast, Write, Damn It!. She has written for national magazines for many years. She is represented by Clare Coombes of The Liverpool Literary Agency and her debut novel, Garden of Her Heart, a novel about recovery, community and purpose, was published by UCLan Publishing in June 2024. Her second novel, Tell It To The Bees is a standalone sequel, and is out in August 2025.

With over 30 years of experience of working on mindset, and a teacher of coaching for over 25 years, Zoë hosts the Write, Damn It! podcast, where she has weekly conversations with authors, and offers doses of support to writers. She also coaches writers to overcome their demons and blocks, and helps them get the writing done. Much of what she uses on mindset comes from lived experience, as she is a suicide survivor who learned how to get through the darkest times using mindset and wellbeing support.

Zoë lives on the Merseyside coast with her husband and MillyMoo the cockapoo. She has an adult daughter and a granddaughter – and best not forget Peanut the grandpup too.

Orenda, Random Things Tours

Son by Thomas Enger and Johana Gustawsson

Posted on 6th Mar 2025 by thelotusreaders

The blurb on the back of this novel promises an electrifying blockbuster that will be the start of a ‘nerve shattering’ new series. So there’s a lot to live up to, but don’t worry Son definitely delivers. To use a rather impolite phrase, this is a therapist’s wet dream of a novel – hidden characters, unexplained black outs, grief, trauma and an investigator who is dubbed ‘The Human Lie Detector’. I was definitely in my element here. Kari Voss is the centre of this tangled web, a psychologist who specialises in memory and body language making her a perfect consultant to Oslo’s police force. When two girls are brutally killed in a summer house in the village of Son, it’s a crime that’s closer to home than she would want. The girls, Eva and Hedda, were best friends with Kari’s son Vetle when they were younger. In fact it was while on a holiday seven years ago that Vetle disappeared in nearby woods and was never found. The girls are now teenagers and were planning a Halloween party for their friends, but were found tied to dining chairs with their throats cut. They were found by a third friend, Samuel Gregson, when he turned up to start the festivities. However, there was someone else there, someone who left slippery marks in the blood that has poured onto the floor. He’s the first person that police chief Ramona Norum arrests and starts to question. When Kari is asked to consult she knows this will be difficult, not only is she friends with the girl’s families, but their lives are inextricably linked to her missing son. How will she negotiate all the emotions this case will unleash and stay focused enough to find the girl’s killer?

Often with thrillers, I find they’re full of action, twists and turns that are really addictive, but have no emotional depth. The characters are often one dimensional and it’s hard to care about what happens to them. There’s no danger of that here. This is the perfect combination of twisty and unexpected, but underpinned with huge emotional weight. It’s deeply unsettling, with a questionable suspect and an equally unreliable narrator. Not only is Kari still dealing with the trauma of losing her son, she’s also grieving for the more recent loss of her husband. She can’t sleep and seems to running on empty from the start. Yet, the way she observes people is so detailed and it seems almost effortless. This goes way beyond the basics like crossed arms meaning someone feels defensive. In a lecture she tells students that in the space of an ordinary conversation we give away over eighty-five non – verbal signs about the mood we’re in. She’s not afraid of giving an unpopular opinion either. She absolutely backs the science and her ability to analyse people, whether they’re claiming to be innocent or guilty. I loved the tension created by the authors as they played with her expertise and her emotions. Is she detached enough to make a sound judgement here? As if that isn’t enough, there seem to be instances where Kari loses time. She wakes up in the car on her own driveway with no recollection of the journey home. She seems to have been on autopilot, so caught up in her own thoughts she hasn’t noticed the journey. She had similar blackouts after her husband died, but what has triggered them? When the young man arrested at the scene of the crime also seems to have experienced a black out I wondered whether he knew her history. Could he be deflecting attention from himself because he knows Kari’s secret? Or is Kari more liable to believe a story like that because she’s experienced it herself? It’s this complexity that makes the plot and Kari herself more fascinating.

No one is what they appear here. As Kari starts to ask questions about Eva and Hedda, it turns out that they aren’t always the polite children or young teenagers they appeared to be to the adults in their lives. Everyone has different layers, choosing what to reveal and to whom they reveal it. The authors are very clever about the amount of introspection they use, creating a hidden layer to the crimes and a breathing space between the character driven chapters and the ones filled with nail-bitingly intense action. Then they throw in another twist, to keep you engaged, leaving me unsure of my own deduction skills. There’s even subterfuge in the title, Son is a place that’s slightly north of Oslo, steeped in Nordic history and full of that unsettling atmosphere that I find Nordic Noir is so good at. Yet it’s also a person, so missed by those who love him and inextricably linked to this landscape, that has potentially become his final resting place. I was compelled to read this to the end, taking it everywhere with me on holiday so I could grab a chapter in a coffee shop or even in the car. This is an engrossing and addictive start to a promised new series and I’m already craving the next instalment.

Out on 13th March from Orenda Books

Meet the Authors

Known as the Queen of French Noir, Johana Gustawsson is one of France’s most highly regarded, award-winning crime writers, recipient of the prestigious Cultura Ligue de l`Imaginaire Award for her gothic mystery Yule Island. Number-one bestselling books include Block 46, Keeper, Blood Song and her historical thriller, The Bleeding. Johana lives in Sweden with her family. A former journalist, Thomas Enger is the number-one bestselling author of the Henning Juul series and, with co-author Jørn Lier Horst, the international bestselling Blix & Ramm series, and one of the biggest proponents of the Nordic Noir genre. He lives in Oslo. Rights to Johana and Thomas’ books have been sold to a combined fifty countries and, for the first time, two crime writers, from two different countries, writing in two different languages, have joined forces to create an original series together.

Squad Pod

After the Fire by Charlotte Rixon

Posted on 25th Feb 202523rd Feb 2025 by thelotusreaders

This is the story of girl meets boy.

And then everything goes wrong . . .

Ever since they first met at university, Beth and Nick have circled in and out of one another’s lives: supporting each other through grief, marriage, divorce, career crises and family dramas.

Fourteen years ago, when they were on the cusp of adulthood, they both survived a devastating fire that sent their lives in different directions. And they’ve been running ever since: from the pain, from the memories, and most devastatingly of all, from the guilt.

But no matter how hard they try, there’s something else they can’t run from. The inescapable, terrifying truth: they’re in love with each other.

But how can they move forward, when neither of them can stop looking back?

I always say I don’t like romance, then a book like this comes along and I’m all in. Maybe it’s being over 50, but stories of first love grab me in the feels. Especially tragic first love. The thing is we’ve all had the experience of love that’s come at the wrong place or the wrong time, so reading a love story like Beth and Nick’s brings up memories and feelings of nostalgia. Our first love experiences are so intense and when feeling are unrequited or interrupted they can stay with us for the rest of our lives. Beth and Nick have a brilliant first meeting. They’re placed in the same flat at university and Beth walks into the shared bathroom and gets an eyeful! Beth is the last person to join the flat because she’s been ill so relationships have already been established. The other two girls, Rosa and Anna, were best friends before university and Nick is already in a relationship with Anna. Beth senses some chemistry between her and Nick, but she tries hard to ignore it. Nobody wants to be the girl who steals their flatmate’s boyfriend in the first weeks of the first term. When he turns up to watch her in drama club she thinks he must feel the same.

It’s Nick who takes action. He breaks up with Anna and invites Beth on a late night walk. As they walk there’s just so much anticipation. The author builds to their first kiss with all that yearning and tension around who will make the first move. When they spot the fire in their building it’s already well ablaze and Anna is killed.

Wracked with survivor’s guilt, Nick leaves university. Beth struggles to cope, feeling like Nick has abandoned her. She decides to stay and finish her drama course. Lives move on. Yet feelings for each other and about the tragic start to their time at university, still linger. The author tells the story through both characters and over 15 years as they build careers and relationships. They both think of each other. They try to keep in touch as friends and their paths do meet from time to time, but they’re always held back by the past. They do try to support each other, so when Beth’s long-term relationship breaks down, she finds herself wanting to talk to Nick. I really felt their longing for that first love and their thoughts that maybe it could have worked. Then reality crashes in and those feelings of guilt cloud their hopes. Yet the novel isn’t schmaltzy. There are meaty issues here like domestic violence and mental health, not to mention those trauma related feelings they’ve never really shared with each other.

If there was ever a book to emphasise the importance of counselling or simply talking to each other, it’s this one. Until Nick and Beth talk through what happened and how it’s affected them since, they will always be haunted by Anna’s death. When trauma is left unresolved people find unhealthy ways to deal with those hidden emotions. Nick has a rescuer personality, developed because he never again wants to feel like he did back then as the cause of Anna’s sadness in her final hours. I love that Beth writes about what happened and her feelings for Nick because at least she’s processing the trauma, because the more we talk about it the less power it has. The tension in the novel comes from wondering if this pair will ever come together at the right time and place. Will they get the chance to put things right? Can they ever find their way back to each other? I was deeply invested and filled with hope for them. The author has written a beautiful love story, but it has impact because it isn’t a fairy tale and these two characters feel absolutely real. At the end I felt like comparisons to One Day, the archetypal friends to lovers classic, are entirely justified.

Out now in paperback from Aria.

Meet the Author

Charlotte Rixon is the pen name of Charlotte Duckworth, USA Today-bestselling author of suspense fiction published by Quercus. Charlotte studied Classics at Leeds University and went on to gain a PGDip in Screenwriting. She worked for many years as a magazine journalist, and is a graduate of the Faber Academy ‘Writing A Novel’ course. You can find out more about her on her website: charlotterixon.com.

Sunday Spotlight

Sunday Spotlight: A Work of Art

Posted on 9th Feb 2025 by thelotusreaders

Artists are an endless source of material for novelists and have fascinated me for most of my adult reading life. I think we afford artists the right to behave badly, because what they do feels like alchemy. To be able to take mere pen and paint and turn it into something that’s beautiful or utterly new is magical to someone like me who can only just manage to sketch something if I have lots of time and patience. I stick to colouring for my artistic endeavours. If I think about it I’ve been going to art galleries since my teenage years when the chance to see Klimt’s work at Tate Liverpool was too exciting to pass on. I loved ‘The Kiss’ but this exhibit took his work and placed it into the context of the secessionist movement, just one branch of Art Nouveau. I continued to visit exhibits on Art Nouveau, at the Kelvingrove Gallery in Glasgow to see the Glasgow School exhibits, The Met in New York a few times, as well as the Guggenheim there and in Venice. I visited London for many exhibits at the V and A and the Tate including Lucian Freud, a painter I’ve come to appreciate more recently. One of my great loves are the Pre-Raphaelites, since having the chance to study their work at university. We visit my mum’s hometown of Liverpool very frequently and I’m a regular at the Walker Gallery and Lady Lever gallery in Port Sunlight both of which have a great collection of Pre-Raphaelite work. Artists are often unconventional, have complicated love lives and some have a reputation for being hellraisers. Is it any wonder that we love to read about them? I usually jump at the chance and have quite a collection! here are a few of my favourite novels that feature painters.

Mistral’s Daughter by Judith Krantz

I have a very cracked and broken copy of this novel and I’ve read it several times. I blame it for starting my fascination with painters, I used to swipe it off mum’s bookshelves when I was a teenager. It’s romantic and sexually explicit, two things teenagers are definitely interested in! It follows the story of three generations of women from Paris to New York. We first experience Maggie Lunel’s journey to become an artist’s model. She is chosen by Julian Mistral and becomes his muse, as well as his lover until his ego and arrogance make her walk out. Years later, Maggie’s daughter Teddy is working as a fashion model. Her father Perry Kilkullen was the last man Maggie would fall in love with. Teddy has a job in France posing with artists for a fashion shoot and as soon as she poses with Mistral it is love at first sight. Mistral is married, but he leaves and sets up home with Teddy, never returning to America. Fauve Lunel is Mistral’s daughter, brought up with her grandmother Maggie she visits Mistral in the summer at his villa in the south of France. Fauve is a talented artist and begins to look into her family roots, finding out they are Jewish. When she realise Mistral might have been a collaborator during WW2 the revelation tears father and daughter apart, will they ever reconcile? This is a great story, romantic and bit racy too.

The Marriage of Oppositesby Alice Hoffman

As you all know by now, I’m a big fan of Alice Hoffman, but when I first picked up this novel on publication day I found it was very different from her usual books. We always expect to find strong women in Hoffman’s novels but there’s usually an element of magic realism to her work. Our heroine Rachel is definitely a strong woman, but magic takes a back seat for this novel that reads more like an biography. Rachel lives on the stunning island of São Tomé or St Thomas and is the mother of Camille Pissarro, one of the founders of Impressionism. Rachel is brought up with a strict Jewish faith, but she has always dreamed of getting off the island and going to Paris. Unfortunately Rachel has no choice and is married off to a widower with three children. Nevertheless she makes of the best of things until her husband dies suddenly. When his nephew Frédéric comes from Paris to settle the will and there is an instant spark between them. For once Rachel decides to make decisions for her own life and begins a passionate affair. The scandal that ensues when they marry has the whole island in uproar, but Rachel stands firm and will not be moved. This is a beautiful story, set on a lush island that’s described in gorgeous detail by Hoffman – she made me want to go there. I loved her relationship with her son and hoped that one day she would get to go to Paris as she dreamed.

Notes From An Exhibition by Patrick Gale

Set in the beautiful county of Cornwall, around Newlyn and Penzance, this is the story of a family struggling with secrets, brought back to the place they were born after a tragedy. Their mother, celebrated artist Rachael Kelly, is found dead in her Penzance studio after struggling with the creative highs and devastating lows that have coloured her life. As her family try to make sense of their mother’s life and it’s effect on them, devastating secrets come to light. As always with Patrick Gale the level of empathy in this book is incredible, he understands how different people think and respond to events. His depiction of mental illness is so authentic and heart-breaking. Rachael’s bi-polar disorder is the source of her art, but Gale also explores how it affects the rest of her working life and how it impacts on her family, especially her children. This is a favourite of mine and I’ve read it several times, but it never loses it’s power.

The Flames by Sophie Haydock

I devoured this brilliant book by Sophie Haydock, where she takes four women painted by artist Egon Schiele. Set in Vienna in 1912, on the back of the secessionist movement and artists like Gustav Klimt, Schiele paints four women and Sophie gives them a voice. Gertrude is in awe of her brilliant older brother, often posing for him but envying his freedom and agency. Then there’s Vally, a model for Klimt who’s trying to work her way out of poverty. Then sisters Edith and Adele move into the apartment building opposite Schiele’s in Vienna. The daughters of wealthy parents, they are not the type of girls who usually model for an artist and are expected to marry well. Yet both become embroiled with Schiele, professionally and privately. A portrait is always how the artists sees or wants to present you to the world, here the women step out from behind that image and tell their own story.

The Paris Muse by Louise Treger

Louise Treger’s 2024 novel concerns the life, or more accurately the love, of Dora Maar – a photographer and painter who lived in Paris for most of her life and most notably, during the German occupation in WWII. Born Henrietta Theodora Markovitch in 1907, she was known as a surrealist photographer exhibiting alongside Dali and other notable surrealists. She used her photographic art to better represent life through links with ideas, politics and philosophy rather than slavishly photographing what was naturally there. She was exhibited in the Surrealist Exposition in Paris and the International Surrealist Exhibition in London in 1936. In the same year she was exhibited at MOMA in NYC. She first encountered Picasso while taking photos at a film set in 1935, but they were not introduced until a few days later when Paul Elduard introduced them at Cafe des Deux Magots. They met in quite a dramatic way that showed her intent to catch his eye. She sat alone and using a pen knife she drove the blade between her splayed fingers and where she missed, blood stained the gloves she wore. The fact that Picasso kept these gloves and packed them away with his treasured mementoes is a metaphor for their entire relationship – he fed from her emotions. The author allows Dora to tell her own story and we are inside her mind at all times. We could say this is only her viewpoint of their relationship, but in a world where she is most known through her relationship with a man instead of her own work, Treger is simply redressing the balance. This is tough to read in parts, showing the ego of Picasso and how his call for freedom in their relationship, means his freedom. I felt sad for Dora, possibly influenced by some of my own experiences. She seemed like a smaller woman at the end with none of her original vitality and flamboyance. I’m so glad to know that her art lives on and is still exhibited as part of the surrealist canon.

The Blue Hour by Paula Hawkins

WELCOME TO ERIS – A TIDAL ISLAND WITH ONLY ONE HOUSE, ONE INHABITANT, ONE WAY OUT. . .

A place that is unreachable from the Scottish mainland for twelve hours each day. Once the hideaway of Vanessa, a famous artist whose husband disappeared twenty years ago. Now home to Grace. A solitary creature of the tides, content in her own isolation. Local GP Grace, often referred to as Vanessa’s companion or friend, might have inherited Eris. However, Vanessa’s artworks were left to an art foundation set up by her first agent. The curator of the foundation is Becker, hired for his expertise in Vanessa’s work. He is under pressure from the new owner to extract the last of Vanessa’s work from Eris. They have tried polite enquiries, legal letters and ultimatums but they are sure this has all been in vain and that Grace is deliberately holding back. Now a situation has arisen with one of Vanessa’s found object installations already on display in the gallery. A visiting doctor is convinced that the bone suspended in a glass box is human. They withdraw the box from view and contemplate having to break it open to have the bone properly tested. The unspoken thought on everyone’s mind is whether this might solve the mystery of Vanessa’s missing husband? It’s an opportunity for Becker to tell Grace face to face, but also to address the missing works that must be on Eris. He feels this is the best way forward; a last ditch attempt before legal action. However, visiting Eris is not without it’s risks. Are all of it’s secrets and lies about to be uncovered? This is a great thriller, full of questions about what an artist needs to be able to create, who owns an artwork and when does friendship become obsession?

New Reads To Look Out For …

Sophie Haydock is delving back into the art world with her novel about the women surrounding the artist Matisse.

Out from Doubleday on 6th March 2025

PROVENCE, 1920

Ettie moves through the remote farmhouse, silently creating the conditions that make her uncle’s artistic genius possible. Joseph, an aspiring journalist, has been invited to the house. He believes he’ll make his name by interviewing the reclusive painter, the great Edouard Tartuffe. But everyone has their secrets. And, under the cover of darkness, Ettie has spent years cultivating hers. Over this sweltering summer, everyone’s true colours will be revealed.

Because Ettie is ready to be seen. Even if it means setting her world on fire. This book will transport you straight to the south of France and straight to the heart of one woman’s rage.

Out on 30th Jan from John Murray Press.

Random Things Tours

The Blackbirds of St Giles by Lila Cain

Posted on 8th Feb 2025 by thelotusreaders

Our story starts in 1768 on a sugar cane plantation in Jamaica, where a slave rebellion has been brewing. The signal will be sent to all the slaves by drum and Daniel has heard their rhythm. He needs to get to the house where his sweetheart Adanna works for the mistress, the house slaves aren’t in on the secret and he wants to get there in time. The field slaves might harm the house slaves along with their masters, perceiving their lives to be easier and their loyalties divided. When Daniel realises the house is already ablaze he leaves with his little sister Pearl, hoping to find a way to get off the island. His story then jumps to 1782 and the aftermath of the War of Independence where free slaves who fought for the British were promised a new life in England. Daniel was one such soldier fighting with the British under Major Edward Fitzallen, whose life he saved. Edward and his wife Elizabeth have taken Daniel and Pearl under their wing, meaning that both brother and sister have a level of education and independence one might think unusual for Jamaican slaves. When Edward is wounded he knows he won’t make the voyage home and calls Daniel to his side. He wants to ensure that Daniel and Pearl have a future in England and calls witnesses to his signature on a new will and testament. It hands all his worldly goods over to Daniel, telling him to call on his brother James to inform him of Edward’s demise and Daniel’s new position as his heir. Daniel naively expects the Fitzallen brothers to be equally honourable and he underestimates James who drugs Daniel, then throws the new will and all proof of Daniel’s claim and rank into the fire. Now Pearl and Daniel are abandoned in London with nothing.

There were many black soldiers shipped over here with the promise of a new life, without any provision made for them when they arrived. Many ended up in the area of St Giles, home to the infamous Rookery which was a warren of corridors and rooms under Covent Garden and accessed through St Giles church crypt. Here lived those forgotten black slaves, Irish immigrants escaping famine and others who had no means to live. People like Daniel and Pearl were outcasts from civilised society and known as the Blackbirds of St Giles, living in dark caves where sewage ran in channels through the rooms. The book was so beautifully detailed, taking us effortlessly into the late 18th Century like time travellers. I could sense absolutely everything from the steady thrum of the drums in Jamaica to the smells of London squalor and it’s poorest residences. The divide between those in poverty and those who are rich is a deep canyon, all the more shocking to Daniel who has become used to a certain deference and to Pearl who barely remembers the plantation and has grown up by Elizabeth Fitzallen’s side with all the privileges of a middle class young woman. Daniel and Pearl’s new home is a dark underground cave where it’s a choice between breathing or being cold because smoke from the fire can’t dissipate and simply sits in the room with them, making them cough and their eyes water. The rooms are filled with a sense of dark foreboding, worsened when Daniel sees the first ceremony with their self-styled King. I loved how the Black Apollo club is a haven by contrast with such an open and accepting feeling. Here black men are relaxed, having a drink or playing chess with friends. It’s a glimpse into the far future, because many of their customers can only dream of a time they’re not a servant, regarded with suspicion or hidden as a dirty secret. There’s also a contrast with Elias’s lodgings as King of the Rookery, he doesn’t share the dark caves of his subjects but instead enjoys plush lodgings policed by a beautiful, prowling cheetah called Infanta.

The sense of terrible injustice is palpable and I was desperate for Daniel to get what is owed to him. Daniel and Pearl have been defrauded and it all feels worse because of the dignity and command he’s had under Edward Fitzallen. I found myself rooting for them both pretty quickly. Their friendship meant that Pearl was always well-dressed and learned to read, something of a privilege for a young black woman born into slavery. The only man who could have corroborated Daniel’s claim is back on his ship by the time Daniel wakes from being drugged. There’s no way to get what he’s owed now. It’s only when he starts training with ex-boxer Melkie Trimme at his St Giles gym that Daniel starts to feel a sense of purpose and pride again. If he can beat the European champion then he and Pearl can get better lodgings and start to repay the kindness shown to them by young girl Jen who has organised their place at The Rookery, brought them food from her pub job and introduced him to some of the most influential men she knows. Daniel is drawn to her, but is still plagued with guilt about Adanna.

For me the women were particularly interesting. In the literature written or set in the 18th Century we’re used to the upper and middle classes, not people like these at the bottom. If we think of the Regency novels of Jane Austen and the more contemporary Bridgerton series the women are accomplished, but it’s all focused on making a good marriage. Women who are poor have no time for accomplishments as they’re too busy surviving, but they have more agency and autonomy. Jen is such a pretty girl but she’s fiery and used to making her own decisions. She has very little but she’s surviving and shows kindness and generosity to those she cares about. Having survived an horrific childhood she is keen for rebellion and knows that Daniel might have what it takes to lead people out of The Rookery and end Elias’s tyranny. She also takes Pearl under her wing and guides her into earning her own money for herself. Daniel wants to protect Pearl and keep her in the middle-class propriety she’s been used to, but this is no use to her when they’re living in a squalid underground cavern. Pearl really rises to the occasion with very little complaint, starting to work at the pub with Jen, then sneaking out in the evening for singing engagements. She has a beautiful voice and Jen thinks it might be her ticket out of the slums. As for the Marquise, she has used her beauty and poise to get where she is. When we’re let into her opulent townhouse Daniel is shocked at the squalor most black immigrants are living in compared to her. How could a black woman reach the heights she has? That’s without mentioning the residence in France or her wardrobe, full of all the gowns and perfumes she can wear. Could there be hints of a darker truth underneath the opulence?

All in all this is a fantastic historical novel; vivid and dark, but ultimately hopeful. I love it when authors take a character and write them back into the period of history they’ve been erased from. Middle class writers would rarely write about the people of The Rookery. Even Charles Dickens didn’t hint at this underground life, despite his interest in those living in poverty. Obadiah is such a great character, a disabled resident of the Rookery whose intellect and philosophies are articulate and inspiring. The fact that he runs the brotherhood at the Black Apollo and has a place at the head of the planning table is amazing. The other men do look up to him as their oracle. It seems strange to imagine that the novels of Jane Austen are only a few years away, because in them we never hear of people like this. It’s easy to forget that not everyone lives in the countryside and working class women are out there making things happen, working everyday and not at home with an embroidery hoop on their lap hoping for a gentleman caller. There’s no one from a different country and even the poor are ‘distressed gentlefolk’. Comparing this world with Austen’s shows how urban, dynamic and exciting London is, especially if women and people of all races have an opportunity to create their own future. Some did, like Olaudah Equiano who was enslaved to a master and a role in the Royal Navy. He came to Britain at the same time as Daniel and once he’d bought back his freedom had become a merchant. Sadly he had to stop travelling when he was almost captured and sold back into slavery in Georgia. However, he did write a memoir that’s still in print today. I came away from this book with everything crossed for Daniel and Pearl, as well as Jen. I was so immersed in the story that it felt strange to look up and find myself back in my own living room.

Meet the Author

Writing together as Lila Cain, Marcia Hutchinson and Kate Griffin are the co-writers and creators of The Blackbirds of St Giles, the first of two books centred on the lives of members of the little-known black community in Georgian London. United by their passion for history and a strong desire to tell an unfamiliar – and hugely resonant – story, Kate and Marcia are delighted that ‘Blackbirds’ and its sequel will be published by Simon & Schuster.

Marcia Hutchinson worked as a lawyer before founding educational publishing company Primary Colours and was awarded an MBE for services to Cultural Diversity in 2010. Her solo debut novel Mercy is due for publication in summer 2025.

Kate is the author of Fyneshade (Viper), a stand-alone Neo-Victorian gothic novel of witchcraft in a house of dark secrets. She is also the writer of the popular Kitty Peck thriller series (Faber and Faber) set in the Music Halls of Victorian London. After studying English Literature at university, Kate worked as assistant to a London antique dealer, as a journalist and in PR. Until recently she was Head of Communications for Britain’s oldest conservation charity, The Society for the Protection of Ancient Buildings (SPAB). Her love of old buildings and the stories they tell continues to inspire her.

Throwback Thursday

Silence Is A Sense by Layla AlAammar

Posted on 30th Jan 202530th Jan 2025 by thelotusreaders

Even though I’m so late reading this book, in a way I’m glad. For the past two years we have been embroiled in the aftermath of the previous government’s decision to house asylum seekers at the the now closed RAF base close by. While many of the community were worried about the issue, our reasons for concern were very different. When a local meeting descended into a heated exchange, it became clear that despite our concerns for the asylum seekers, we couldn’t voice them because of the sheer weight of people strongly opposing the plan for other reasons. Local concerns became lost in the wider debate on refugees. The campaign was targeted by far right organisations that didn’t really care about reasonable concerns, they just wanted to use the opportunity for their own political gain. Known fascists became interested and the gate to the base became a makeshift camp festooned with flags, stop the boats banners and others claiming asylum seekers were paedophiles. It became really hard to drive past and see all this racism and misinformation on the gates of such an iconic base, ironically known for it’s fighting against a fascist regime taking over Europe. We became part of an organisation set up to support the asylum seekers as they arrived into this hostile environment. When the new government changed course with the policy, we were relieved to know that there no longer fascist organisations camping out up the road. This book gave me more insight into a refugee’s journey.

The writer cleverly chooses a fragmented structure to tell her heroine’s story. Named ‘The Voiceless’ she writes about her experience as a way of processing her story and communicating it to other people as far as she can. Her memory comes in snippets, so her narrative moves back and forth in time and might seem a bit sketchy. Imagine everything you have is taken away from you. Your home is rubble, everything you owned that said something about who you are is gone with it. You have no documents to prove your identity or your education. Everyone you have known is either dead or scattered to the wind. She has escaped Aleppo with nothing. If you think about how your belongings, choices of clothing and your photographs say something about who you are, now imagine it gone. How do you keep a sense of self? Especially when you’re seeing or subjected to atrocities like killing, abuse and rape. Your psyche becomes shattered. Our narrator is trying to record those fragments, to bear witness and also to put the bits of herself back together. It might feel strange, even jarring at first but it’s supposed to be. It’s meant to confront and make you think.

The author shows us how she tries to embark on a future and make connections. She’s starting a journey of self-discovery, rebuilding herself in this new environment. She writes from home and watches her neighbours, keeping her eye on them. It’s called hyper-vigilance and it’s hard for her to drop these habits even though she’s now safe. Her muteness isolates her from others, in fact many people assume she’s deaf as well. She takes small steps outside, using the shop and going to the mosque and starts to meet people. Her observations of her neighbours are quite humorous as she gives them names that reflect their behaviour – the Juicer and No Light Man. Her insight into us is brilliant. She has that outsider’s gaze and because she doesn’t want to reveal too much about herself at first, she can use these observations. She writes about the people she sees, the strange way of life she can observe with so much scrutiny because it’s alien to her.

Slowly she starts to process and share her own story. She once had a somewhat privileged upbringing, she was well-educated too but war has left her with nothing. Then there’s the war, loss and the terror of trying to get to a place of refuge; a refuge that isn’t always the safe place it seems. She slowly makes space for new people in her life. I felt like her writing and sharing was helping her heal, remembering the trauma and processing it fully helps make room for growth. As someone who advocates writing therapy I found this so moving. The author has captured this process so beautifully as the writing becomes less fragmented and less about the past. This is such an important story and I’ll be buying the book for a few friends who I know will want to read it and maybe a few who wouldn’t. The sections of her time in Syria and travelling to the UK is so evocative, I defy people not to be moved by the raw truth of her experience.

Netgalley

Nesting by Roisin O’Donnell

Posted on 28th Jan 202528th Jan 2025 by thelotusreaders

This book was so beautifully written and so deeply painful that I was out of breath towards the end. When I put it down I had to sit in silence for a while and just digest it all. It’s the story of a woman trying to leave a relationship that is tying her down and eating her alive. Everything she was before – bright, intelligent and full of life – has been worn away. Enduring her husband’s treatment, as well as having two children in four years, mean Ciara has had enough. She can see his behaviour as a pattern and despite being absolutely terrified she needs to find the strength to go. Ciara has no real support, her family is Irish but live in London and despite her yearning to see her mum sister the law states that she can’t take the children out of Ireland without the written permission of their father. Her only option is the housing office, present as homeless and hopefully get some emergency accommodation. As she meets other women in the same situation, she founds out that emergency and temporary have a very different meaning to the housing department. They offer her a temporary hotel room, but some women on the floor have lived there for a year so it’s going to be a long slog. This small double room with one bed and no view is the first place they’ve felt even remotely safe, even if they do have to go down a separate staircase so they don’t bump into tourists. Will Ciara have the strength to stay away and build a new life for herself?

Money is something else she needs to work on because she knows nothing will come from him, even when she knows she is pregnant for a third time. They can’t live on what the government provides. It’s only going to cover day to day subsistence and she needs to be able to put money aside, to rent somewhere that’s a new home for them all. She needs to find a place where they can put themselves back together. I loved the solidarity between the women living in the hotel. They work together, being there for each other’s kids when they need to interview or view houses. They make each child’s birthday special, as well as decorating the whole corridor for Halloween and Christmas. Some of the hotel staff help too, particularly the porter Diego. Ciara lands a job doing what she did before the girls, teaching English as a foreign language and having to learn Irish on the side. It’s a hard way to live, having to get about on foot and working on her Irish after she’s put the girls to bed. I was saying in my head ‘please don’t go back’ over and over.

Ciara’s husband terrified me. He follows a pattern, having love-bombed Ciara in a whirlwind romance he changes straight after she moves to Ireland and they’re married. His restrictions and rages, plus the birth of both girls have left Ciara stuck at home, friendless and a constant target. I recognised the fear she was feeling on a daily basis, quietly tip-toeing around him, desperate to avoid igniting his unpredictable rage. Trying to keep her girls shielded from the worst. I have to make an admission here so that you can understand the strength of my reaction to this novel. For four years, after I lost my husband, I was in an abusive relationship. I was incredibly vulnerable and although he didn’t touch me physically I was terrified of him. I was subjected to manipulation, rage and withdrawal of affection all because I was terrified of being left alone. I was so scared he would leave if I didn’t keep him happy and then I’d be left alone with my grief. I’d needed a happy ending so badly, I sleepwalked into a nightmare. I allowed myself to be totally disrespected and abused. I know it wasn’t my fault. He is responsible for his own actions, but I still felt so much guilt about when the relationship was failing. So for me this book was really personal and it was so well-written that I felt Ciara’s story bodily. When I finished my chest was tight and my throat was sore. I felt absolutely wrung out.

Ciara wondered what would happen when he was awarded visitation by the courts? She knows he won’t hurt the girls but he might use them against her. What if he doesn’t bring them back? This particular fear heightens after she goes into labour early. How can she hand over a completely defenceless baby? It’s clear to see his misogyny when he reacts to finally having a son and I feared that he might keep him. I felt really uncomfortable about the nestling crows he brings home to Ciara when they’re still together. They’re in their nest, barely a few days old and he wants to hand rear them. They are so bald and vulnerable and I was scared he would hurt them, but he seems to enjoy the control he has over these helpless creatures. After Ciara flees he is left with one crow, now feathered and able to leave the nest he keeps it in the house, shitting and shedding feathers everywhere. He tethers it with a long lead outside, showing it the freedom it could have but keeping it for himself. It feels unbearably cruel. It’s such a clever and chilling metaphor. This is not a comfortable read, especially if you’ve been through an ordeal like Ciara’s. What helps is when an author is brave enough to use their own experience or research to get it right for readers who’ve survived abuse. He author has written this so carefully and made Ciara’s life so real that I felt seen. I find that the more I read about other experiences of coercive control and psychological abuse the stronger I feel. Yes, I was left with tension, but I was also left with triumph. It is possible to leave men like this. It’s possible to live a full and happy life. I read on hoping with all my heart that Ciara would make it through and build a new life for her and her children. Underneath my fear I was storing up hope for her. I hoped she knew how much strength she had. She could leave. After all, I did.

Out on 30th Jan from Simon & Schuster

Meet the Author

Roisín O’Donnell is an award-winning Irish author. She won the prize for Short Story of the Year at the An Post Irish Book Awards in 2018, and was shortlisted for the same prize in 2022. She is the author of the story collection Wild Quiet, which was longlisted for the Edge Hill Short Story Prize and shortlisted for the Kate O’Brien Award. Her short fiction has featured in The Stinging Fly, The Tangerine, the Irish Times and many other places. Other stories have been selected for major anthologies such as The Long Gaze Back, and have featured on RTÉ Radio. Nesting is her first novel. She lives near Dublin with her two children.