Posted in Uncategorized

Banking on Murder by J.D.Whitelaw.

Publisher: Red Dog Press (29 Nov. 2020). ISBN: 978-1913331962

Well this book was a great surprise. I absolutely loved it. Three quirky sisters, a detective agency, a troublesome client and the backdrop of Glasgow just to finish it off. What’s not to love? I read it in two days, because it was just so much fun I couldn’t put it down. Now all I need is for someone to turn it into a Sunday evening series starring Kelly McDonald, Laura Fraser and Jessie Buckley and I’ll be content.

Martha is the eldest sister, slightly frumpy and very much a mother figure for her two younger sisters, Helen and Geri. She is dependable and the real business-like sister who keeps the agency ticking over. Helen is more of a mystery, but certainly has brains as the academic of the outfit. It turns out she’s also a very able dancer when she’s had enough to drink. Geri brings youth knowledge to the team as she’s the student of the trio. She may lurch in like she’s had no sleep, but she’s very sharp and knows how to use social media to the agency’s advantage. They’ve been requested at the home of Tracey Coulthard, who lives in a very smart home in a wealthy suburb of Glasgow. They arrive to find a maid, May, who is very worried about her employer who seems to be overwrought. They can hear screams and smashes coming from the bedroom. Mrs Coulthard is in bed crying, naked from the waist up and the fact that people are in her bedroom doesn’t seem to faze her at all. She offers the sisters £20,000 to find out the truth about her husband Gordon and his ‘extracurricular’ activities. This is the Parker sister’s meat and drink, most of their work is detecting whether partners are being unfaithful. However, the level of distress from this particular client is worrying Martha particularly. What might she do if they find out something she doesn’t want to hear? Martha senses a whole lot of trouble packaged alongside that cold hard cash.

The sisters manage to get themselves invited to a party for Gordon Coulthard’s company. Helen throws herself into the fray and Geri starts getting to know Gordon’s right hand man. As usual though, the sister’s don’t investigate quietly. Helen proceeds to get blind drunk and get a little over familiar with guests. In trying to find out more about Gordon, Martha ends up in a brawl with a statuesque blonde called Estelle who seems to be claiming that Gordon is her fiancé. She does indeed have a huge diamond on her finger and Martha is horrified, especially when Estelle starts dragging her round by her hair. As she fends her off, Martha tries to fathom why he would get engaged when he’s still married and be so open about it? This will mean the girls having to break the news to Tracey, setting in motion a chain of events that will end in murder.

I loved how the sisters worked in conflict, but somehow in unison. As Martha feels responsible for Tracey and what’s happened, Helen and Geri point out that they’ve done what they were paid for and can withdraw from what is becoming a media circus. Martha struggles a bit with the physical aspects of the job, leading to some amusingly clumsy moments. When chasing a suspect she falls through the fence they’ve just jumped over and when listening at a skylight she manages to fall straight through! More seriously, she runs up several flights of stairs to Coulthard’s penthouse and ends up in hospital with chest pain. I loved how Martha berates Geri for being ‘friends’ with Gordon’s colleague, but has to take it back when she realises how thoroughly she’s been stalking him on social media. I also enjoyed the introduction of Detective Pope, a stern Glasgow cop whose wheezing can be heard from the next room. Despite the asthma, she’s a tough customer and seems to be the sensible figure, there as a counterpoint to the sister’s madcap romp through this case. Yet, I could see an affinity growing between them, particularly Pope and Martha whose scenes are filled with sarcasm and wit. I’ll be interested to see how this develops.

Despite a few twists and turns, I did solve the case before the end, but I’m not sure it was meant to be a complex puzzle. This was an introduction to the sisters and their dynamic, and I will certainly be looking forward to their next adventure. This was was a wild ride that didn’t let up as the sisters were pulled from one side of Glasgow to the other. There’s no time to breathe, with the wheezing Pope almost collapsing in their wake. There’s just enough of a sprinkle of Christmas in the background too. I think there’s much more to come from Helen, and so much more about the Parker’s lives outside the agency. I thought this was a thoroughly enjoyable read, with incredibly engaging characters and so much promise for the series to come.

Meet The Author

J.D. Whitelaw is an author, journalist and broadcaster. After working on the frontline of Scottish politics, he moved into journalism. Subjects he has covered have varied from breaking news, the arts, culture and sport to fashion, music and even radioactive waste – with everything in between. He’s also a regular reviewer and talking head on shows for the BBC. Banking on Murder is the first of three Parker sister novels. They follow his hugely successful HellCorp series. His debut in 2015 was the critically acclaimed Morbid Relations.

Posted in Random Things Tours

The Coral Bride by Roxanne Bouchard.

Publisher: Orenda

Published:

ISBN:

The Coral Bride is the second novel in Roxanne Bouchard’s D.S Morales series, the first being We Are The Salt Of The Sea. I think this easily read as a stand alone novel, but I enjoyed it so much that I’m going to read the first one. I’m not surprised, because I’ve never met an Orenda book I didn’t like!

The opening to the novel is haunting as a woman lies on the deck of a fishing boat. Somehow she has been rigged up so that she will eventually be dragged from the trawler and under the freezing cold water. She knows these are her final moments. As an opening it is very effective and sets up the main character in the novel: the sea. The sea is the life’s blood of people in this region – a small fishing village in Quebec. Angel Roberts is a very rare thing in this community, a woman with her own trawler who fishes for lobster. She’s named her boat Close Call II showing a good sense of humour too. The sea is her livelihood and there’s definitely an affinity with it. She is treated with suspicion by the rest of the trawlermen, because fishing here has always been a male dominated industry. However, the sea doesn’t just separate, it also brings people together, even Detective Morales and his son Sebastien.

Another recurring character is the moon, depicted as a silvery path reflecting off the water. Angel has always been told the moon is a liar and not to be trusted. However, it seems there may be another character in Angel’s life who isn’t what they seem. Morales finds out that every year Angel and her husband would dress up in their wedding finery and have a celebration on their anniversary. If her husband is to be believed he drove his wife home when she was tired and then returned to the bar. Then after 1am, it seems that Angel drove herself down to the harbour and took the boat out, still in her wedding dress? Detective Morales is a quiet and thoughtful man, who doesn’t jump to conclusions and I loved the way the author let the mystery breathe in the same way. You have chance to really think about peope’s stories alongside Morales, and I liked that the pace seemed to fit with the landscape and community. This is much more than a ‘whodunnit’. It explores the spirit of this community, and I especially enjoyed the loyalty and bravery of the fisherman. They really respect the sea and I respect them because it is such a tough way to earn a living. We get to explore the tribal aspects of this community, how relationships between people develop and change over the years. But as always, where there are old relationships there are old resentments.

Familial relationships are explored too as Morales’ son Sebastien has turned up unexpectedly with his car full of pots and pans. He’s a chef and he’s had a fall out with his girlfriend. I got a sense that Morales doesn’t really know his son, or Sebastien is acting out of character. Sebastien flirts with a female constable on his team; Morales has only seen her buttoned up, but ten minutes in Sebastien’s company and her hair is down and she’s doing salsa. There was sense that Sebastian will bring chaos to his life. Yet they have a shared experience, Morales is currently living alone and away from his wife. Maybe this is where father and son could understand each other better. These relationships gave the book depth and elevated it above the average thriller. I enjoyed the police team, the conflicts and allegiances. I loved the section where Morales was shown to his temporary office and it’s packed to the rafters with files stacked everywhere. It’s like this quiet, thoughtful, man has escaped to an out of the way place and people are challenging him on all sides. The space he has enjoyed is being encroached upon – Sebastien inviting him to salsa and let his hair down, the chaos of police files surrounding him, his son sleeping on his couch. It’s not long before, in his life and the investigation, he feels blocked in on all sides. I found this novel had a great sense of place and a thoughtful, intelligent hero. It was atmospheric, lyrical in parts and emotionally literate. The image of a woman being slowly pulled into the water, with her wedding dress glowing in the moonlight until she is swallowed up by the dark will stay with me for some time.

Meet the Author

Ten years or so ago, Roxanne Bouchard decided it was time she found her sea legs. So she learned to sail, first on the St Lawrence River, before taking to the open waters off the Gaspé Peninsula. The local fishermen soon invited her aboard to reel in their lobster nets, and Roxanne saw for herself that the sunrise over Bonaventure never lies. We Were the Salt of the Sea is her fifth novel, and her first to be translated into English. She lives in Quebec.
Follow Roxanne on Twitter @RBouchard72 and on her website: roxannebouchard.com

Posted in Random Things Tours

The Chalet by Catherine Cooper

Published: 12th November 2020

Publisher: Harper Collins

ISBN: 0008400229

I have always felt that skiing was for a very different breed of people to me – people with money, balance and the ability to look stylish while dressed like the Michelin man. This book has confirmed my suspicions as well as leaving me addicted to the twists and turns of a dark thriller set in motion when two brothers go on a ski break in the 1990s. Adam and brother Will visit La Madiere in France with their girlfriends Nell and Louisa. Louisa and Will met at university, and she’s delighted to be asked to go on holiday but skiing isn’t something she’s done before. Will and Andy’s parents are middle class and the boys were on skis as soon as they could walk. They also have the sort of money that allows for quick ski breaks while at university whereas Louisa doesn’t. When Will says he will pay for it as her Christmas gift she starts to look forward to lazy mornings in fur covered beds, hot chocolate, plenty of sex and beautiful, romantic snowy views. What she gets is a more like a wooden dormitory with stodgy food and the boys bouncing out of bed at 7am in order to ski. Yet something terrible will happen on this holiday, that reverberates through the next twenty years.

The narrative zips back and forth between the 90s and the present day when a different group are on holiday in La Madiere. We meet Hugo, the slightly awkward owner of a travel company who has brought his wife Ria and friends to try out a luxury ski lodge, before adding them to his portfolio. In this narrative I was suspicious of everyone. Hugo’s wife Ria is more attractive than he is and knows it. She’s targeted him and accepted his marriage proposal on the basis that it’s better than living in poverty. She can think of worse men to be with and the lifestyle is exactly what she wants. We know that they’ve agreed to have children, but does she really want a family and what was she running from when they met? Their friends Simon and his wife have a small baby, but this first time Mum seems to be struggling and even disappears one morning. Hanging around are the staff from Powder Puff: Cameron the boss; Matt the lusty ski instructor and Millie the chalet girl with great cooking skills who caters to their every whim. There are simmering tensions between each couple, and possible diversions from both the skiing and their partners. I found myself unable to resist these chapters when I went back to them because I kept waiting for things to implode.

Finally, there is the interspersed narrative of a lonely little girl. She has been left alone by her Mum and is getting her own breakfast and holding tightly to her teddy for comfort. It’s clear that her mother isn’t coping, but this little girl’s distress is hard to read. I found myself wondering about what might have brought her mother so low. Even more addictive was trying to work out which character this little girl might be in the future. I jumped from one character to another and only fixed on one towards the end when a particularly big clue was dropped. I can honestly say I didn’t see every twist coming and I didn’t make every link from past to present. The author really did keep me guessing. The catalyst that brings past and future together is a huge storm, which closes the ski lifts and keeps everyone in their lodge, ratcheting up the tension. When the weather clears, a body is found. Disturbed by a fall of snow from a ledge, the body appears to be a man and has been buried under the snow for many years. This could possibly be the body of one of two brothers, missing since they were lost in a storm back in the 1990s. Past now meets up with the present as his brother is jetted in to identify the body. Who is going to recognise who? Finally, what of the ski guides employed to look after these brothers when they decided to ski off piste? Were they fired and if not, where are they now?

Cooper really does keep the tension throughout this complex narrative; handling several time frames and various narrative voices with ease. The luxury setting is lush, full of delicious descriptions of food, and lashings of alcohol that loosens tongues and possibly morals. The men are largely rich, arrogant and stupid. The woman more quietly manipulative, such as using a seemingly subservient position to assert power. There’s a lot of passive aggression here. I felt most for Louisa in the past narrative, she’s unsure, feels inferior in terms of money, status and looks. I also felt for Hugo who is a quiet man, ruled by his personal assistant Olivia and terribly awkward with customers. He has no idea that his wife engineered their meeting, or that she’s still taking her pill while he thinks they’re trying for a baby. He’s thoroughly decent and this book is about what happens when decent people come up against the unscrupulous and immoral, but in a thoroughly glamorous setting. Great, escapist reading.

Meet The Author

I am a freelance journalist living in the South of France with my husband and two teenage children. We moved from London in 2009 so that the children could grow up bilingual and we could all ski more, and to enjoy a more relaxed pace of life. I learned to ski on a school trip when I was 14 and have loved it ever since. I’m an avid thriller reader and have been since I discovered Agatha Christie as a child.

The Chalet is my first published full-length novel, though I have also written several (unpublished) thrillers for teens and a (what used to be called) chick lit novel set in TV production. Other than skiing and reading I love travel, rollercoaster, and I spend far too much time on social media. Some of my other favourite things include Alan Partridge, sparkly flip flops and salt and vinegar crisps.

You can follow me on Twitter @catherinecooper, Instagram @catherinecooperjournalist or Facebook @catherinecooperauthor

Posted in most Anticipated 2021

Most Anticipated Reads! The Last House on Needless Street by Catriona Ward

#TheLastHouseOnNeedlessStreet

Publisher : Viper; Main Edition (18 Mar. 2021)

ISBN-10 : 1788166167

When Stephen King recommends a book, we all have to listen! ‘It’s a true nerve shredder that keeps its mind-blowing secrets to the very end’.

‘Books like this don’t come around too often. I would say I inhaled this in one, but I think I was too busy holding my breath throughout. Bravo’ – JOANNE HARRIS

‘A chilling and beautiful masterpiece of suspense. I was completely enthralled’ – JOE HILL

This is the story of a serial killer. A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.

All these things are true. And yet they are all lies…

You think you know what’s inside the last house on Needless Street. You think you’ve read this story before. That’s where you’re wrong.

In the dark forest at the end of Needless Street, lies something buried. But it’s not what you think…

This book was already on my radar, but now I’m dying to read it! Early reviews describe it as ‘deeply disturbing’ and an ‘atmospheric gothic thriller’. All of the elements seem familiar, I feel like I’ve read books like this before but I’m promised something completely different, raw, visceral and terrifying. There simply isn’t a bad review about this book. I suppose I shouldn’t have expected anything less from the Shirley Jackson and August Derleth award at the 2019 British Fantasy Awards. This made her the only woman to have won the prize twice. Reviewers praise the structure, the multiple narrative voices, and the satisfying, unexpected ending.

Biography

CATRIONA WARD was born in Washington, DC and grew up in the United States, Kenya, Madagascar, Yemen, and Morocco. She read English at St Edmund Hall, Oxford and is a graduate of the Creative Writing MA at the University of East Anglia. Her gothic thriller, The Last House on Needless Street, will be published March 2021 by Viper (Serpents Tail).

She was a Guardian best book of 2018 and her debut Rawblood (W&N, 2015) won Best Horror Novel at the 2016 British Fantasy Awards, was shortlisted for the Author’s Club Best First Novel Award and a WHSmith Fresh Talent title. Her short stories have appeared in numerous anthologies. She lives in London and Devon.

Posted in Random Things Tours

The Peacock Room by Anna Sayburn-Lane.

#RandomThingsTours #BlogTour #ThePeacockRoom

Literary sleuth Helen Oddfellow has started her new job as a lecturer in an English Literature department of the university and is hoping for a quiet life. What she gets is anything but. When she is asked to cover a module for Professor Petrarch Greenwood she expected the students to be a little underwhelmed. He is something of a literary celebrity, having followed his lifelong love of William Blake into TV opportunities and book deals. Yet his students behaviour seems strange to Helen. They are subdued and one is genuinely emotional about him, which rings alarm bells to Helen. Petrarch is flamboyant, holds swish parties at his London flat and has very little time for new feminist theories regarding his hero. On the dark web, a strange literary obsession is being used to stir unrest in its largely male following, and an underground police officer is trying to break into the online community by sharing a love of Blake. Their focus is a an artist who produces a graphic novel based on a Blake character, with a disrespectful and violent attitude towards women. How many of his followers even know or understand Blake? As this unrest grows will Helen be able to come between the innocent and a disturbed gunman bent on making his point with bloodshed?

This is one of those times when I really didn’t need to have read the first novel to enjoy this second instalment in the Helen Oddfellow series. The start was slow but I was intrigued with the larger than life and potentially dangerous Petrarch Greenwood. He’s clearly living a rather decadent lifestyle of bedding young students, and stretching his professional ethics. Officially Helen is covering his classes as he has a book deadline to meet, but we get the sense that really he’s being removed to cover up a scandal. The university can’t afford to lose him as he’s their celebrity professor but they also can’t be seen to do nothing. I sensed a really unpleasant character underneath the charm and wondered if he or his assistant was behind the Blake website.

Running through the book is the treatment of women, from the misogyny on the dark web to gender politics within the university. Helen recounts her own reading on Blake and his wife. The question of how involved his wife was in his work is one that’s been at the forefront of feminist theory, something Professor Greenwood is very dismissive about. He’s dismissive about women in general, in fact one is being physically dismissed from his office when we meet him. The behaviour of the female students in his class is worrying too, some are very subdued and don’t want to meet Helen’s eyes. There’s an unpleasant atmosphere, and an undercurrent that I feared didn’t bode well for some of these women. The story started to focus around the events of Professor Greenwood’s party and this is where the book gripped me.

I’m clearly very dark, because when the truth of the party was revealed I was pleased the author had pushed the story to such a disturbing place. It was a great contrast to the tamer beginning of the book and I think it needed it. I didn’t manage to guess all that had happened so I was able to enjoy all the twists and turns to the end. I enjoyed guessing who had the talent and knowledge to be behind the artwork, but the mind to plan such a terrible act of mass murder. However, this wasn’t the only person with secrets and it seemed only Helen was who she professed to be. She is like the calm centre to the novel, but everything around her felt chaotic and changeable. I worried early on that this would be a novel where women were victims, but actually the ending was quite empowering. The women took control, which was a great way to end. I would have liked to know more about some of the characters so maybe some differing perspectives on events would have been interesting. However, I think it was deliciously dark and turned a light on the type of misogyny that seems to be a constant undercurrent on the internet these days. This was intelligent, surprising and as a literary mystery, quite unique.

Meet The Author

Anna Sayburn Lane is a novelist, short story writer and storyteller, inspired by the history and contemporary life of London. Her first two novels introduce the literary sleuth Helen Oddfellow.
Anna shares Helen’s love of literature – mysteries surrounding the Elizabethan playwright Christopher Marlowe and the Romantic poet William Blake feature in the books. She’s pleased her History and English Literature degree finally came in handy!
Anna has published award-winning short stories in magazines including Mslexia, Scribble and One Eye Grey.

Posted in Random Things Tours

Seven Doors by Agnes Ravatn.

#OrendaBooks. #RandomThingsTours #blogtour #SevenDoors

While reading this book I had one of those odd reading experiences that only happens on Kindle or other e-reader. When I’m reading a proper physical copy of a book, I’m constantly aware of how much book is left. I’m literally holding it in my hand. I read this in one sitting, only realising how quickly time had passed when I stopped to mark a page and saw 93% in the bottom corner! Time really flew because I was so absorbed into Ravatn’s world.

Set in Bergen, Oslo, this is a thriller with so many possible outcomes. Our main character Nina follows a labyrinthine trail to find the killer of a musical prodigy. Nina is a professor of literature and gives a speech at a symposium about the futility of studying literature. Lit students are following their own, selfish lines of academic enquiry she argues, but their study doesn’t help anyone or bring anything important to the world. It doesn’t make a difference, except to the student. She proposes that in order to be useful, literature students make them self available as investigators to the police force. They are trained to analyse documents, to read between the lines, to apply psychoanalytic theory to texts and understand character’s motivations. All skills that might be useful when investigating a crime. Little does she know, she will soon be using those very skills in the real world.

Nina and her husband Mads have an absolutely insufferable daughter Ingeborg. When she announces that her home has silverfish, and she is three months pregnant, she asks Nina to intercede with Mads for an advance on her inheritance. Nina idly observes they have a house in town that belonged to an aunt, but she needs to talk to Mads. They are in their own difficult living situation, as their home is being compulsory purchased to make room for a railway. This is affecting Nina much more than Mads because of the emotional attachment; it was her family home, she grew up there. They are negotiating a settlement with the council, but Nina can’t see any property she would want to purchase. She needs to live in something with soul, not a slick waterfront retirement pad. Ingeborg convinces her mum that they should go and look at the house, but Nina warns that there is a tenant that they shouldn’t disturb. Despite the tenant telling her it’s a bad time, Ingeborg goes bustling in, badgering the tenant about the end of her lease and offering her money to leave as quickly as possible. The tenant, a single mother with a little boy, is blindsided by this forceful woman. Nina feels terrible and makes her apologies, sure that the tenant looks familiar to her.

Later, she realises where she has seen the woman. Their tenant is concert violinist Mari Bull, world renowned and now dropped out of sight. Strangely, she then does the same thing again, exiting the property within a couple of days and leaving no forwarding address. Surely this can’t be solely to do with their visit? Not long after, her disappearance is reported by local then national newspapers. She went to her parents place out on one of the islands, where Nina has a holiday cabin, but left her son and went for a walk, never to return. Nina finds herself intrigued by the case and follows clues, from the opera her ex-husband plays as her requiem to a small notebook with musical terms she finds in a box at the house. Fairytales also play a role in the book and like most literature students I am familiar with the work of Bettelheim quoted by Nina. Using this and Freud’s work on transference Nina starts to construct a theory and follows each clue like the breadcrumb trail of Hansel and Gretel. I liked the play on our usual ideas about fairy tales, which tend to be very Disney-fied, and everything comes to a completed happy ending. The original tales Nina starts to tell her granddaughter Milja are far more dark and bloodthirsty. In fact, the darker they are the sooner Milja will quiet down and go to sleep. They include anxious, suicidal hares and a murderous husband who gaslights his wives then kills them when they find out the truth.

From a psychological perspective there are interesting theories around transference and counter-transference, not just in the therapeutic relationship but in any relationship with a power balance that’s heavily in one person’s favour. I was also interested in the theorising around the Oedipus and Electra complexes. Nina is discussing the theory with her students and they don’t see the point of learning about a concept that started in Ancient Greek theatre and seems to bear no relevance to the present day. Yet, there’s a definite unease in Nina’s own relationship with her daughter – Ingeborg has been more likely to confide in or ask favours from her father. For Mari too there is a complicated mother – daughter relationship in that her parents sacrificed their own relationship to make sure their daughter had opportunities with the best teachers and orchestras. Mari and her father were often away together, touring Europe, leaving her mother at home. There is resentment over this and a definite coolness between mother and daughter.

Ravatn’s writing is spare, it gets to the point quickly and without poetry. She can establish a feeling or setting in just a few words, such as how the light changes when it snows or how it must feel to give ourselves up to the water, like Virginia Woolf with the stones in her pockets. Her characters are well defined and psychologically complex, such as Ingeborg’s narcissism and inability to gauge other’s feelings. I have real worries for her daughter Milja, a future psychopath if ever I met one. As I felt the book build in pace and tension towards the end, I knew Nina was getting close to the answers, but is the answer getting closer to her? The end, when it comes, is satisfyingly unexpected and shocking. I love Nordic Noir and this was a great addition to my collection. This was a clever and psychologically literate thriller. I would love to read more of Nina in the future.

Posted in Netgalley

The Other Passenger by Louise Candlish

#TheOtherPassenger #NetGalley #SimonandSchuster

I’ve started to think of Louise Candlish as one of my ‘go to’ authors for classy thrillers with unexpected twists. As always she drew me in with the characters, but at first I wasn’t quite feeling it. I was curious, but I found myself waiting for something to happen. Then there was a moment – if you’ve read it you’ll know where I mean – where everything changed and I realised everything I thought I knew about a character was wrong! After that I had to keep reading, and I kept reading till I finished at 3.20am precisely.

Our narrator is Jamie Buckby, who lives with his partner Clare in a beautiful home near the River Thames. Clare is a partner in an estate agency and Jamie.. well, Jamie is between jobs at the moment. After an incident on the tube made him infamous, he is working as a barista in a small, independent coffee house. Since the tube incident, Jamie has been commuting to work on the riverboat. Open air, a beautiful view of the city and a great way to relax on your way to work. Also, passengers aren’t crammed in like sardines, sweating in the heat, stuck in a tunnel, panicking and pulling the emergency cord. Anyway, the book begins in that weird week begin Christmas and New Year when two detectives meet Jamie off the boat before work. They’re concerned about the whereabouts of one of Jamie’s fellow passengers, Kit. However, Kit isn’t simply a fellow passenger. Clare and Jamie have been together a while and felt in need of some excitement, so invited one of Clare’s new employees and her partner over for drinks. Melia and Kit are young, attractive and have that hint of danger. They drink, but also dabble in a bit of coke. Melia is stunningly beautiful and on one evening in Clare and Jamie’s kitchen, she corners Jamie and says she finds him attractive. Jamie is twice her age at 50 years old and very flattered, but has a lot to loose. Not only his long standing relationship with Clare, but everything that comes with it – her family, her financial support, and the large Georgian house with communal garden that they share, but Clare owns. Will he be tempted to risk everything?

The book’s structure brings us back and forth, to the Christmas week and Kit’s disappearance, then back into the past few months and what’s really been going on in plain sight and in secret. Then, just when I was starting to get a handle on what’s really happened, Candlish pulled the rug right out from under me! Then I had to reevaluate everything I’d read before.

I love books that surprise me. Especially when I’ve become very invested in the story and have started running up my own theories on what’s going on. I became very interested in Jamie’s partner Clare. To some degree she has led a very privileged lifestyle both in London and back in her family’s home in Edinburgh. However, she has been a great partner for James and has supported him through the tube incident, his period not earning and even further into the novel as the questioning about Kit’s disappearance becomes more focused on James. Her strength and dignity shows when she still firmly supports him, despite their relationship being on shaky ground at times. Meanwhile, Melia is a master manipulator and actress – I will never trust anyone who’s performed Cat on a Hot Tin Roof. This is not just a book about being deceived though. This book is about self-deception. About thinking you can party like twenty year olds when you’re middle-aged. About ignoring the reality of your situation, your finances, the roof over your head. About ignoring the reality of how attractive and how desirable you are. It was great to read a book where the women have all the power, whether it’s because they’re young, smart and beautiful, or whether they’re classy, wealthy and dignified. Even the seemingly quiet, unassuming, riverboat passenger Gretchen, has some tasty secrets of her own. This is a very taut, well-written thriller, that is difficult to put down and even harder to second guess.

Posted in Personal Purchase

Invisible Girl by Lisa Jewell.

#InvisibleGirl #LisaJewell #bookbloggers

Lisa Jewell is another favourite thriller writer of mine. I know with her books I’m going to get that addictive, dark and ‘unputdownable’ novel I’ve been craving for solid weekend of reading. In actuality I finished this in five hours straight. I don’t know if it’s because I am a counsellor, but I love it when psychological professionals are depicted in novels – I instantly know I’m getting one of two things; a great counsellor with a messy personal life or a creepy manipulator who isn’t what they seem. In this case I got both, plus plenty of other complex characters to get my teeth into it.

The central relationship of this novel is that between child psychologist Roan Fore and his previous patient Saffyre Maddox. Saffyre has lost both parents and lives in a London tower block with her uncle Aaron. They spend three years as doctor and patient until she’s made so much progress it’s time for Roan to discharge her. Yet Saffyre doesn’t feel fixed. She has simply learned to wear masks. She’s studied the girls at school and now knows how to be an ordinary girl, she has a bunch of friends and at home seems the content family member. Once her grandfather dies, it soon becomes clear that no one knows or sees the true Saffyre. She’s become invisible.

Another narrator is physiotherapist and mother Cate. Cate probably appears to have everything. A long marriage to a fellow professional, two teenage children and an apartment in a huge mansion house until the renovations are completed on the family home in Kilburn. For now she’s getting used to her new flat, and life in Hampstead village. However, it’s not long before the novelty of life in this new neighbourhood wears off, when one of her daughter’s friends is sexually assaulted on her way home. This is not the first incident either. Could it be that the attacker is hiding on the building plot next door, which has seen very little activity apart from one JCB placed on site. The foxes are more active and can be heard screaming at night. Cate wants to keep her children safe, asking her teenage daughter Georgia to be careful coming home, especially at dusk onwards. Her son, Josh, is younger but is becoming increasingly difficult to pin down. She doesn’t always know where he’s been and who with, but can’t bring herself to imagine her kind, tender boy doing any harm. Cate’s husband is running, at all different hours and sometimes for whole afternoons. Should she be worried about where he is? That is aside from the affair she’d convinced herself was happening this time last year.

Our last narrator is Owen, a young, single man lodging with his aunt Tess down the road. Cate hates to generalise but he is the archetypal sexual predator. In his thirties, but with no relationship and seems like a bit of a loner. In fact the truth is even more worrying as we learn that Owen works at the local college and has been suspended for sexual harassment. Having turned down a course on creating a safer workplace, Owen decides to quit but now he has even more time on his hands. He finds himself drawn into the murky world of ‘incel’ websites – a group of men who are termed involuntary celibates because women won’t sleep with them. He makes contact with one charismatic leader within the movement and they meet for a drink, but Owen finds his extreme ideas frightening. He believes in enforced impregnation, to get past this conspiracy barring men like them from having a sex life or their own families. Worryingly, and without being asked, he gives Owen a bottle of rohypnol. Mortified, Owen takes them but hides them in his drawers at home. Put off by the incel extremists, Owen decides instead to join Tinder and ends up on a date with a woman on Valentine’s Day. Little does he know that the events of that evening will become very important and may impact the rest of his life.

I liked the way Lisa Jewell takes us inside these characters while also letting us know how others see them. Cate sees Owen as an odd character who seems to stare and appears awkward around women. Saffyre sees Cate as the blonde skinny wife, with a life that revolves around her husband and children. Owen notices Saffyre hanging around the building plot and watching Cate’s family. All these disparate threads come together when Saffyre is reported missing. The author makes points about our biases in the case of Owen. When questioned by the police Cate mentions him as someone who’s odd, who watches people and suggests they question him. It made me think of the case of the 2010 case of Joanna Yeates who went missing in her home town of Bristol. The police took her landlord, Christopher Jeffries, in for questioning and his face was plastered all over the nation’s press. Even when released from questioning there were those that still found Jeffries suspicious. His only crime it seemed was to look a bit odd and unkempt and be described as a loner. Jeffries won substantial libel damages. On the other hand, is someone has the air of respectability through their profession or financial position they can get away with murder under our noses.

Saffyre is an interesting character and although I didn’t fully understand the reasons for her choice to live outdoors – I like my comforts – I can see how the flat becomes claustrophobic for her. Eight storeys up and the heat from all the surrounding flats becomes stifling. I wondered if it was a type of grounding she was seeking? I understand that. I have a need to feel the earth with my bare feet, particularly one specific piece of earth have almost always lived next to since I born. I was born on a farm across the road from the River Trent, and although I’m moving further south on that river as the years go by, I still take off my shoes and stand bare foot on the river bank. It’s like a communion with the river and it’s boundaries – a way of letting it and me know I am home. For Saffyre it’s the stars, the being able to wrap up warm while feeling cold nip your face, the quiet communion with a visiting fox, the feeling that perhaps, like the fox, she is wild. Inside there are many things she has to face, like the loss that surrounds her, the self harm, and the terrible thing a boy at school did when she was much younger. Outside she’s free from these things and it is no coincidence that outside is where she first trusts someone enough to share those painful experiences. She’s incredibly perceptive for her age and is the only one to realise that Cate’s life is largely dependent on one man, and Saffyre is perfectly placed to see the potential for future pain in that choice.

Lisa Jewell is great at throwing red herrings into the plot and I didn’t recognise all of them, happy to go where the story took me rather than furiously trying to work it all out. I knew which way I wanted the plot to go and I was largely rewarded, with just one surprise for good measure. I always want to ask authors whether they know how their novels will resolve, which way each character will go and who will take the blame. I’m sure I’d get a variety of different answers. I do give my heart away to characters and I was desperately hoping Joshua wasn’t involved the sex attacks in the area, because I wanted him to be the sweet, kind boy I had built him up to be. What a story like this one tells us is that we are all a couple of decisions away from a completely different life. Georgia could walk out one night and meet the attacker. Owen could take his date rape drugs on his Valentine’s date. Cate could have left Roan years before when he cheated on her and promised to never do the same again. It made me think of the parallel lives we could have, if we just changed our minds. From a therapist’s standpoint it made me think a lot about fitness to practice and how we make the choice to see or not see a client. How we decide when to end therapy. Mainly, I wondered how we can be expected to help other people find their broken pieces if our own life is falling apart, and what impact that knowledge has on a young client like Saffyre. The novel felt timely, thoughtful and a great weekend read.