Posted in Random Things Tours

The Deadly Inheritance of Everest MacDonald by A.J.West

Some inherit a fortune.
She inherited murder…

1917. As the Great War rages on the continent, Everest Macdonald is summoned to her father’s deathbed and entrusted with a final urgent request: she must uncover the truth behind the murder of her uncle, the celebrated Victorian actor William Terriss, a crime that has haunted her family for twenty years.

In 1897, Terriss was stabbed to death outside London’s Adelphi Theatre, a killing that shocked Victorian society. The murderer was swiftly arrested and confined to Broadmoor, the case declared closed. Yet, years later, a sealed package of evidence is passed to Everest by her dying father, which casts doubt on the official verdict and the haste with which it was reached.

Drawn back to wartime London, with her husband and children left behind, Everest begins her investigation, following a trail that leads her into the world of late-Victorian theatre, where fame and fortune mask obsession, envy and cruelty. With time running out and her father’s strength failing, Everest must uncover what really happened on the night Terriss died, and shed light on the unsettling legacy he left behind.

It was amazing to finish this latest book from A.J. West and realise that it is based on a true story! I love this author’s combination of historical detail, a sprinkle of gothic mysticism and a determination to write people back into the history they’ve been removed from. There are moments where it seems impossible that this actually happened! Our story is told through Everest’s perspective as she vows to find out the truth about her Uncle William, murdered at the door of the Adelphi Theatre in 1897. Her intelligence, determination and forthright attitude carry us through her early enquiries and the hiring of a young woman called Clare who she meets on the train. Between her story we are also privy to the diary of Everest’s father TH Lewin from his time as a local dignitary in the Chittagong Hills of India. She also finds the diary of her beloved aunt Isabel Lewin, who married the wayward William and became his partner in his endeavours to be an adventurer abroad. There were a few moments when I became lost as to what time and place I was in because our narrators are so intrepid we visit both the Falkland Islands and Kentucky before William returns to London and a life on the stage. 

I loved the way the author brought mysticism into the historical story, especially the sections of William and Thomas’s 19th Century antics in India. His diary felt like the perfect period example of how their story would be told, a boy’s own tale through the lens of the exoticism and orientalism of the time. Thomas appropriates the local culture, dressing and behaving like a tribal chief and even taking an Indian wife.  His musings on what to do with Dari and their child shows that he considers her feelings in his decision to return home thinking she would be “ridiculed” but he never once considers it his duty to stay. She is a belonging he can discard at will. Even benevolent colonialism is still colonialism, his only saving grace is that he recognises the damage he’s done. William is reckless, taking whatever he wants because he can whether it’s substances or human beings. 

“William goaded me by bedding every woman in the village causing terrible ructions with the menfolk”. 

Each brother receives a curse, appropriate to their crimes, but while Thomas clearly has a conscience does his brother? I also enjoyed how the Victorian and early 20th Century theatre worlds aligned so beautifully with the murder mystery genre, with masking in both senses of the word. There’s physical and emotional transformation on stage and disguise is something that creates some huge surprises along the way. There are a lot of superstitions around stage acting and the gothic plays it’s part again with the ghosts of the Adelphi creating a haunted atmosphere or possibly a smokescreen.

Everest is a brilliant investigator with the accent and privilege of an Agatha Christie heroine. She’s dogged and determined, trying to weed through the frivolity and illusion of theatre folk as well as the attitudes of men. She has a wonderful turn of phrase, the delightful “those who say life is short, have never been to the theatre” made me laugh, remembering a particularly lengthy opera scene where I said to my companion that I would be leaving if no one died in the next ten minutes. She also used an insult I haven’t heard for years, in fact since caring for a cantankerous but funny Scottish lady in a nursing home, so I’ve been calling my cat Minka ‘a petulant bism’ for the past month. My favourite character aside from the brilliantly eccentric Everest, was her Aunt Isabel Lewin and her diary drew me in immediately. She was an incredible adventurer who took on any challenge William threw at her, while performing the role of wife and mother. She had a very liberated enjoyment of sex and isn’t cowed by rough seas, a potential drowning and suicide pact in the Atlantic or fighting off attackers. While she complained of the endless dust and wild weather of some places it’s clear she was left to deal with the consequences of William’s pioneering decisions. She actually lived the life he chose, while he failed and went on to the next adventure and abandoned his family sometimes for years. It’s no coincidence that the author paraphrases the speech of Elizabeth I before the Spanish Armada as Isabel states “I am no weak and feeble woman”. I was really sad that her epitaph – “she lived her life for others” – makes her out to be an angel when she’s really a queen.

A.J. West’s writing performs the feat of time travel. Each piece of writing in this novel feels like it was written at the time, whether it’s the 19th Century diaries or Everest’s investigation taking place during WWI. He skilfully whirls the reader back in time and I felt like I was there watching William kill a sacred crocodile in India or feeling Everest’s fear as she experiences a terrifying daytime raid on London by German bombers, a scene that’s absolutely electric. The novel is cinematic in scope and every place I was taken to was real in just a few sentences. In fact I read a passage about the Falklands to my ex- RAF husband who said it hasn’t changed much. Probably due to our heroine and her female assistant in the overarching narrative, I really felt the female gaze throughout the novel, both in the present and when reading about the past. So much changed for women in the space of fifty years, especially Everest’s present in 1917. When Thomas and William were young they might never have imagined women working as land girls or in munitions factories, another reminder that neither appreciated the power of the women they were with, whether it was Dari’s mystical curses or Isabel’s strength and anger. With all that said, this is a fascinating murder mystery that I hadn’t solved at all before the final revelations. It seems staggering that this is based on a real unsolved case and I think readers will find the afterword really interesting. I’m now holding my breath for an Everest MacDonald TV series, for some reason I can see Anna Chancellor, or maybe another literary adventure for this formidable character. 

Meet the Author

A.J. West’s bestselling debut novel The Spirit Engineer won the Historical Writers’ Association Debut Crown Award, gaining international praise for its telling of a long forgotten true story. His second novel, The Betrayal of Thomas True, debuted at number two on the Sunday Times bestseller list, and won the CWA Historical Dagger. A.J. was also shortlisted for the Booksellers Association Author the Year. An award-winning BBC newsreader and reporter, he has written for national newspapers and regularly appears on network television discussing his writing and the historical context of contemporary events. A passionate historical researcher, he writes at The London Library and museum archives around the world.

Posted in Monthly Wrap Up

Best Reads September 2026

I have genuinely struggled to read this month and I’m relieved to be at the end of it and taking a much needed break. My home is in chaos because one of the cats is seriously injured, so keeping him safe and indoors while allowing the others to roam normally is difficult. If I separate Max from Dolly he gets very vocal and upset, but if we let him free to see her we have to block off the cat flap. The girls have started to tap at the window when they went to come in, but why is it always when I have my lap tray on my knee? It’s like they can sense me writing or doing my embroidery and want to cause maximum disruption, my lap is then free for cat cuddles of course. Minka is very outdoorsy and has taken over catching vermin, something Max is famous for. Max really wants to be out but although he’s healing he’s not ready yet. The bones seem to be healing well but the muscles and ligaments need plenty of rest yet. He broke his hip joint and his pelvis in several places then in the sacral area his ligaments had become detached leaving the spine separated from the pelvis. He’s walking now and looking a lot more like his old self, just with a slightly twisted walk. My dad has been struggling with his health meanwhile mum is trying to look after him as best she can as well as spending time with grandma who died last week at the age of 93. I sat down on the last day of September to write reviews but I couldn’t think straight. My head felt like a huge ball of chaos and I get weird neurological symptoms when I’m tired or overloaded. I took Max for his anti-inflammatory injections and the vet stopped and fetched me a chair. Apparently I was rocking as if I was about to faint. I’d gone white and when I took my glasses off my pupils were moving back and forth making me feel dizzy. I’ve read way more books than the four above but haven’t typed up my reviews as I’ve found it easier to use a pen and my reading journal so there are lots more reviews and snippets of my own writing coming soon.

This historical murder mystery by the author of last year’s smash hit The Betrayal of Thomas True, A.J. West. You may have seen him on Insta travelling around book stores with his worldly belongings in a camper van. I’m not going to give you my review because it’s due on a blog tour this month, but I’ll give you a preview and some background. We’re drawn into the story of Thomas Lewin and his brother William who went to the Chittagong hills in India. Thomas was a tool of empire but as far as English dignitaries go he did make some effort to speak to local chiefs in their dialect and kept local customs. He also had a relationship with a local woman called Dari who was referred to as the ‘wife’ of the great Thangliana. Everest is his daughter, drawn into the murder of her Uncle William who was killed thirty years after their return from India while acting in the West End. Everest isn’t sure about the murder, or the man kept in Broadmoor for committing it, especially when her father kept telling her about a curse. A.J.West has taken the historical details and written a great murder mystery with gothic and mystical elements and a very forthright female investigator. I fell in love with the journal entries that cover this family’s adventurous lives and particularly one written from the perspective of William’s wife Isabel who I was captivated by. It’s also incredibly witty and packed with colourful characters. Look out for my full review coming soon.

One golden summer. One missing treasure. And a secret that binds two lives together. 

Every year, Alice’s father gives her a treasure. Then on the morning of her sixteenth birthday, her final gift vanishes – along with the fragile certainty of her world. Alice runs, towards New York City and away from the memories of that last summer at the orchard where she grew up. Across the Atlantic, Tom has always felt that something is missing from his life. When he finds a long-forgotten letter, it leads him away from Sevenstones – the house at the heart of his family for generations – and towards a truth no one has ever fully told. From post-war London to 1960s New York, Alice and Tom’s stories become entwined. But will the secrets of their past bring them together, or break them apart?

I always think that the good marker of a book is when you find yourself thinking about it days later and this book brought up so many feelings! While we start with Alice’s devastating story of her early years, it was Tom’s narrative where the book came alive for me, with his early life in Dumfries and Galloway only a stone’s throw from my favourite yearly holiday destination. The descriptions are so vivid, from the hand to mouth existence of Tom and his father, their total connection with the seasons and each other. To be torn from all of that and transported to post-war London by his mother’s family feels so unjust. As Tom deals with new expectations, the fractured feel of the city and its bomb sites, we start to sense a secret behind all of this, only hinted at and never made clear to Tom. A promise was made in wartime, one that couldn’t be broken and has it’s roots in a house called Sevenstones where a key was left under a stone at the door for anyone who needed an interlude from their wartime duties. It’s a secret that follows Tom throughout his years at school and eventually across the Atlantic. Each section of this book is so evocative of its time and place and it is such an incredible example of how trauma is passed down through families. It made me think about world events that have affected previous generations of my family and why they made the decisions they did for their children.

When the skeletons of a young woman and a baby are uncovered on a long-abandoned farm in Hvalfjörður, it is clear they were buried years apart. West Iceland CID begins to investigate the disturbing discovery, aware that someone has gone to great lengths to keep the past hidden. In Akranes, Karitas, a young single mother seeking a new start, settles in with her four-year-old son and rents a basement flat from an eccentric landlord. A cautious sense of happiness returns when she meets the boy next door. But when news breaks that a local girl has been murdered, Karitas must decide who she can trust, knowing that one wrong choice could place her and her child in danger. Detective Elma is drawn into the case, forced to navigate long-hidden family secrets to understand a killer’s motive, while trying to hold together her increasingly troubled relationship with Sævar.

Wow I love this series and at the sixth book in it just gets better and better. These cases are never tidy. There’s always something that doesn’t quite fit or can’t be explained. I imagine this is the norm in real life police work, but often detective fiction is way too cleanly tidied away. Here someone always knows more than they’re willing to say or are more involved than you imagined. Then there’s the burden of proof needed for a conviction. Then there’s how everyone in Akranes is interlinked and having grown up in a small rural town I can see how it’s easy to think we know everything about another person. The truth is that we rarely see the full picture, just our part of it coloured by our own experience. Even within families there are things people know but no one talks about, there are different versions of the family history, things we’re open about and things we bury. Even so, how far would we go to protect those we love, especially our children? Throughout this series the people of Akranes are like a wider family, burying each other’s crimes and collectively forgetting the truth. The impact of one generation’s choices affecting the next. This is the scariest truth about monsters, they don’t look like storybook monsters, they can come out in daylight and ‘on the surface they’re just like ordinary people.’ This is a dark psychological thriller, full of atmosphere and a detective who always digs deep into her cases, even when it makes her personal life uncomfortable.

London, 1911. Coronation fever. Suffragette unrest. A city crackling with tension.

When a policeman is found brutally murdered on the streets of Kensington, blame falls on the three women seen fleeing the scene. Their sole witness? Stephen Pike: ex-borstal boy, under-butler extraordinaire and assistant to the most unconventional detective in London, Miss Decima Stockingham. Sharp-tongued, fearless and bored of behaving herself, she’s the only one able to see that this case is not what it seems.

Aided by an invisible network of maids – their eyes and ears in every house in London – this unlikely duo must catch the killer before time runs out. But in a city dazzled by ceremony and divided by change, you never know what might be lurking in the shadows…

It’s impossible for me to start this review without declaring my undying devotion to Miss Decima Stockingham who intelligent, entitled, sweary and short-tempered. On meeting her long-suffering servant Stephen Pike, other servants from the apartments that line Kensington Gore commiserate that at least he isn’t indentured to the mad old cow in 89C. He doesn’t correct them because largely their only impression of this woman is her morning bellow for her egg and her propensity to fling books out of the window until it arrives: 

“I was under the impression that boiling an egg was a quick job, but apparently you’re rearing the chicken by hand and fetching the water from fucking Spain.” 

Underneath this exterior is a sharp-witted woman who doesn’t mind appearing contrary and rude if it gets her the results she needs or the information she’s seeking. This character is begging for a TV series and Olivia Coleman. Her foil is Stephen Pike, driven to distraction by her demands and her willingness to place him in dangerous situations. He’s equally comic, mainly physically, in one scene he’s lured to a union meeting at the pub which soon descends into an evening of rounds, a drunken football match, injury and a hefty hangover. He may seem ordinary to the untrained eye but Miss Decima can see a sharp intelligence, observational skill and an ability to put a pattern together that makes them a formidable team. We meet them just before the coronation of George V and Queen Mary is just around the corner. The suffragettes are ramping up their civil disobedience and taking direct action to gain the vote. The author uses this backdrop for the labyrinthine murder mystery our mismatched pair are investigating. I loved the mix of comedy, suspense and action in this second book in the series and I’m now dying to read the first.

Below is my October tbr stack.

Posted in Netgalley

The Shadows of Kensington Gore by Ross Montgomery 

London, 1911. Coronation fever. Suffragette unrest. A city crackling with tension.

When a policeman is found brutally murdered on the streets of Kensington, blame falls on the three women seen fleeing the scene.

Their sole witness? Stephen Pike: ex-borstal boy, under-butler extraordinaire and assistant to the most unconventional detective in London, Miss Decima Stockingham. Sharp-tongued, fearless and bored of behaving herself, she’s the only one able to see that this case is not what it seems.

Aided by an invisible network of maids – their eyes and ears in every house in London – this unlikely duo must catch the killer before time runs out. But in a city dazzled by ceremony and divided by change, you never know what might be lurking in the shadows…

 

It’s impossible for me to start this review without declaring my undying devotion to Miss Decima Stockingham who intelligent, entitled, sweary and short-tempered. On meeting her long-suffering servant Stephen Pike, other servants from the apartments that line Kensington Gore commiserate that at least he isn’t indentured to the mad old cow in 89C. He doesn’t correct them because largely their only impression of this woman is her morning bellow for her egg and her propensity to fling books out of the window until it arrives: 

“I was under the impression that boiling an egg was a quick job, but apparently you’re rearing the chicken by hand and fetching the water from fucking Spain.” 

Underneath this exterior is a sharp-witted woman who doesn’t mind appearing contrary and rude if it gets her the results she needs or the information she’s seeking. This character is begging for a TV series and Olivia Coleman. Her foil is Stephen Pike, driven to distraction by her demands and her willingness to place him in dangerous situations. He’s equally comic, mainly physically, in one scene he’s lured to a union meeting at the pub which soon descends into an evening of rounds, a drunken football match, injury and a hefty hangover. He may seem ordinary to the untrained eye but Miss Decima can see a sharp intelligence, observational skill and an ability to put a pattern together that makes them a formidable team. 

We meet them ten years after the Victorian era ended and the coronation of George V and Queen Mary is just around the corner. The suffragettes are ramping up their civil disobedience and taking direct action to gain the vote. The author uses this backdrop for a labyrinthine murder mystery and our mismatched pair are investigating. Historically, we can see all the signs of change that will come to England after WW1, the changes in class structure with working men wanting to form unions and enforce their employment rights. Women didn’t just want to vote but also to work, run their own finances and have rights to divorce. The Divorce and Matrimonial Causes Act of 1857 made divorce a civil matter but it didn’t treat men and women equally, seeing women as property. The suffragettes had very different factions within the wider movement, although Miss Decima claims to have no time for any of them, particularly those who take direct and destructive action. She believes that their antics play into the hands of men who say women are too emotional to vote. However, despite some snobbery about which class of woman should get the vote, she is a feminist. She explains women’s frustration with the status quo by pointing out the memorial statue for the Great Exhibition of 1851 to Stephen. It depicts Prince Albert held aloft by four female figures showing that women are relegated to the background. 

“The world is stacked upon the unseen labours of women’. 

The murder case is sensationally linked to the suffragette movement with three young campaigners, seen to leave the main march and head towards the south of Kensington Gore, situated near the Royal Albert Hall. Their intent seems to have been defacing a statue but all that’s left behind is a dead policeman and the women seem to have vanished. The police officer has had his throat cut from ear to ear and the gory details causes a sensation, as Miss Decima shrewdly observes female murder suspects are regarded more harshly than men. If they apply the theory of Occam’s Razor it’s an open and shut case but Miss Decima senses this plot is more Byzantine than first thought. Stephen is befuddled when she takes the case on, especially when she states her reasoning – ‘they’re clearly innocent.’ If found guilty the women’s actions could upset the suffrage cause for some time and have repercussions of international significance, maybe that’s worth killing for? On a more basic level she believes there is no way the woman could have physically managed to overpower and kill him. This is the case they have to prove and with her razor sharp logic, a small battalion of female investigators all called Ivy and Stephen’s ability to pick out obscure clues and patterns they will surely succeed. 

There was nothing about this historical crime caper that I didn’t like. It is full of action, humour and incredible period detail. Miss Decima is a formidable woman and I could hear a definite Miriam Margoyles tone as she barks out her orders and insults: ‘put down the poker and stop being a twat’ being a favourite. The author perfectly captures the struggles and atrocities committed against women in the suffrage movement, especially by the police and prison service. Then in the next chapter we’re knee deep in the funniest union meeting I’ve encountered. Stephen is so endearing and the perfect foil for his employer. He can go where a more upper class woman can’t, although I’m sure she’d give it a good try. She knows that other servants and those lower down the class order are going to be more candid with someone of their own station. This mystery does have some links to the previous book but I didn’t have to read it to enjoy this one in its own right. The action sequence at the end, as all those old jigsaw pieces come together in Stephen’s mind is so well done I could see it all – Guy Ritchie’s directing style would be perfect for a film adaptation. Miss Decima is the closest thing to a female Sherlock Holmes I’ve read in a long time. With her three sets of teeth -“one for speaking, one for eating, one for shouting” – she’s a wonderful grotesque and an absolute joy to read. More please.. 

Out October 2026 from Penguin Books

Meet the Author

Ross Montgomery has worked as a pig farmer, a postman and a primary school teacher, so writing books was the next logical step. He spent his childhood reading everything he could get his hands on, from Jacqueline Wilson to Beano annuals, and it taught him pretty much everything that’s worth knowing. He has now written over twenty books for children, including THE MIDNIGHT GUARDIANS, which was shortlisted for the Costa Book Award 2021 and selected as one of The Guardian’s Children’s Books of the Year. He lives in London with his wife, a cat called Fun Bobby, and a cactus on every available surface.

Posted in Random Things Tours

 The Last Tenant by Eva Bjorg Aegisdottir

Trust can be deadly…

When the skeletons of a young woman and a baby are uncovered on a long-abandoned farm in Hvalfjörður, it is clear they were buried years apart. West Iceland CID begins to investigate the disturbing discovery, aware that someone has gone to great lengths to keep the past hidden.

In Akranes, Karitas, a young single mother seeking a new start, settles in with her four-year-old son and rents a basement flat from an eccentric landlord. A cautious sense of happiness returns when she meets the boy next door. But when news breaks that a local girl has been murdered, Karitas must decide who she can trust, knowing that one wrong choice could place her and her child in danger. Detective Elma is drawn into the case, forced to navigate long-hidden family secrets to understand a killer’s motive, while trying to hold together her increasingly troubled relationship with Sævar. Dark, atmospheric and rich with psychological suspense, The Last Tenant confirms Eva Björg Ægisdóttir as one of Iceland’s finest crime writers, as a meticulous investigation and a series of unsettling discoveries draw a close-knit community towards a reckoning no one can escape…

Wow! I love this series and at the sixth book in it just gets better and better. Elma’s case is a difficult and historic one as remains of a woman are found on a remote farm next to the long-buried bones of an infant. Elma will have to wait to find out whether the two are linked and how they’ve died, in the meantime she will have to trawl through missing person reports to find a likely candidate for the woman. She finds one in a young woman named Solrun, a medical student who had been dating a local boy when she went missing and both her car and clothes were found on a beach. Now Elma must delve into her past and reopen the scars for those she knew and loved because Solrun did not walk into the sea and drown. The baby’s DNA matches hair found buried with Solrun, but she hadn’t been pregnant and the baby’s remains predate hers by some years. Confused, Elma becomes engrossed in the case that is bound to cause a stir in her home town of Akranes as dark family secrets are uncovered. We see the case through Elma’s eyes but we’re also taken into the life of a young woman called Karitas who has recently moved into town with her young son Bessi. At first glance their basement flat is small but clean and her new landlord Baldvin seems odd but kind. There are also transcripts of a young man recording his troubled relationship with his father and the disappearance of his girlfriend on to his phone. Lyrical jornal entries from a young woman book end the novel. These different narratives are just one of the reasons I love this author’s writing. It reminds me of the Shetland novels by Anne Cleeves. In a remote small towns cases become complicated because everybody knows each other and their history family history. It brings home the emotional fallout of the crime committed and the toll it takes on the detectives like Elma who grew up here and have to picture their friends and neighbours as suspects. There are twists here you won’t see coming, but they’re not there for sensation but come about because people have secrets and tell lies. In the background runs the tension between retired police chief Otto and Elma, who blackmailed her on a previous case by claiming he knew a secret about Saever. 

Elma throws herself into this case, mainly working alone but with Saever close by or at home to test her theories. Otto’s claims from the last book haven’t been addressed between them and along with having a lively toddler it has definitely sewn a bit of distance into their relationship. Her concerns grow when she sees he is distracted and receiving emails or messages from a woman that he isn’t sharing with her. I love the equity of their relationship, always equally responsible for chores, cooking and childcare, with none of the angst or guilt we often read with fictional female police officers. She’s a great mum but when she’s at work her mind is on the case, endlessly scrolling what she knows so far like a fruit machine in her head until something suddenly matches. She’s so absorbed that she’s not always checking her own well-being, with her mum intervening here and there to let the couple have some time and fun. On a night of wine with friends she’s horrified to have blurted out something about the case and mentally kicks herself for being unprofessional but she has discovered something she didn’t have before – other people’s impressions of someone she’s considering.

I enjoyed the character of Baldvin, the landlord of the basement flat where Karitas and Bessi live. He’s just the sort of the elderly gentleman I’d make friends with and I’ve had some eccentric friends over the years! He comes across as harmless and lonely with monologues that drift off at tangents and become philosophical. With a typical child’s innocence Bessi forms a bond with him, mainly fuelled by biscuits and ice-cream. He’s kind to them both so Karitas is surprised when neighbour Kristofer suggests she should be careful, insinuating he was creepy around his previous girlfriend. He does mention something about Karitas’s last name, its meaning and something about three suns that seems odd. She couldn’t be so wrong about him surely? She does sometimes come home and feel that someone has been in the flat and perhaps senses the whiff of his aftershave. When Elma asks around she finds that many people find him an odd character, almost like a child himself with a strange little giggle. A story about him did the rounds some years ago, that when working at the leisure centre he touched a young girl inappropriately, but one of her friends insists it wasn’t true. It shows that ‘apparently the truth doesn’t matter’ she says, something that seems more true today than ever before. 

These cases are never tidy. There’s always something that doesn’t quite fit or can’t be explained. I imagine this is the norm in real life police work, but often detective fiction is way too cleanly tidied away. Here someone always knows more than they’re willing to say or are more involved than you imagined. Then there’s the burden of proof needed for a conviction. Elma knows Solrun was chasing down a clue before she disappeared, because one of her friends mentioned she’d asked for help about symptoms and medication. It wasn’t a personal enquiry but Elma can’t see where it might fit in her death, even when everything else is explained. Then there’s how everyone in Akranes is interlinked and having grown up in a small rural town I can see how it’s easy to think we know everything about another person. The truth is that we rarely see the full picture, just our part of it coloured by our own experience. Even within families there are things people know but no one talks about, there are different versions of the family history, things we’re open about and things we bury. Even so, how far would we go to protect those we love, especially our children? Throughout this series the people of Akranes are like a wider family, burying each other’s crimes and collectively forgetting the truth. The impact of one generation’s choices affecting the next. This the genius and the darkness at the heart of this series. The scariest truth about monsters is they don’t look like they do in storybooks; they can come out in daylight and ‘on the surface they’re just like ordinary people.’ 

Out Now from Orenda Books

Meet the Author

Born in Akranes, Eva Björg Ægisdóttir studied for an MSc in Globalisation in Norway before returning to Iceland and deciding to write a novel. Her debut, The Creak on the Stairs, was published in 2018, becoming a bestsellerin Iceland and going on to win the Blackbird Award and the Storytel Award for Best Crime Novel of the Year. It was published in English by Orenda Books in 2020, and became a number-one bestseller in ebook, shortlisting for Capital Crime’s Amazon Publishing Awards in two categories, and winning the CWA John Creasey New Blood Dagger. Girls Who Lie, Night Shadows, You Can’t See Me and Boys Who Hurt soon followed suit, shortlisting for the CWA Crime in Translation Dagger, the Capital Crime Awards, and the Petrona Award for Best Scandinavian Crime Novel. You Can’t See Me won the Storytel Award for Best Crime Novel of the Year in Iceland in 2023. In 2024, Eva won Iceland’s prestigious Crime Fiction Award, the Blood Drop, for Home before Dark and was shortlisted for the coveted Glass Key. The Forbidden Iceland series, due to hit streaming servicesin Autumn 2026 via GlassRiver, has established Eva as one of Iceland’s bestselling and most distinguished crime writers, and her books are published in twenty-nine languages with more than a million copies sold.

Posted in Personal Purchase

Under the Blazing Sun by Jenny Lund Madsen

Hannah is miserable. Her love life is in ruins, her contract demands a sequel to her bestselling crime debut – and she’s out of ideas. After a mortifying TV interview, her agent ships her off to a sun-drenched Sicilian villa with a simple order: finish the book. No distractions. No excuses.

But inspiration doesn’t strike – murder does. When a night out ends in murder, Hannah finds herself at the centre of a murder investigation … again. The police want her out of the way, and the only person who seems to believe her is a young but charming Italian police officer. That is, until she doesn’t.

Soon Hannah is chasing suspects, fleeing crime scenes, and doing whatever it takes to avoid becoming the next victim. She came to write a crime novel. Now she’s trapped inside one. Dark, sly and deliciously atmospheric, Under the Blazing Sun is the second novel in the award-winning series featuring accidental sleuth and disgruntled literary author Hannah, whose pursuit of plot twists keeps turning dangerously real.

I loved the author’s first book in this series and I devoured this one in a day. Hannah is once again fretting over writing her latest book, disgusted that copies of the romance novel she poured her heart into is being ignored, while the crime novel she wrote in one month for a bet is a bestseller. Hannah is a brilliantly flawed character full of writer’s neurosis, hating that she is forced to write what will sell rather than the books she aspires to write. Again she’s on a deadline and as a last resort her editor Bastian finds her a quiet villa in Sicily with its own swimming pool. No distractions and plenty of time to unwind and write the novel she’s had an advance to produce. I love this character because she says and does the things I want to, but my inhibitions keep it inside. She has no such restrictions, happily saying what she thinks when she thinks it. Her disgust with the crime genre and Jorn Jensen in particular is so funny. I wonder if she has ever had a thought or need she didn’t express? She’s also totally unregulated and this is what lands her in trouble every time. She decides to walk to the village without thought about the heat, how far it is and which direction she takes. So when it comes to going back to the villa she has no idea which hill to take and ends up exhausted and on the verge of sunstroke on her way back. This is where she is found by Hans and Greta who take her to their incredible house to clean up and drink something. This turns into dinner, wine and a night spent in their house. It’s when she wakes up in a strange place that she and the housekeeper Lucette find a dead body. Greta has been murdered and Hans is nowhere to be found. Has he been kidnapped or could he be the murderer? Hannah seems to have an inability to weigh up a decision before taking action. There’s so much going on in her head that it’s very hard for her to remain in the present. I’m always wishing she’d slow down a minute and breathe, but the only times she seems to do this are in the water. 

This hot Italian island couldn’t be further from Hannah’s Scandinavian home and is a great backdrop for a murder. Hannah is a fish out of water here and she notes the contrast between the cold and snow of her last case and the relentless heat and dryness of Sicily. The area throws up different obstacles too. There’s the rather sexist and misogynistic Sicilian police, aside from their one female recruit Carlotta. Hannah has to consider the local community and possible objections to people like Greta who are making money by bringing even more tourists into the area. There’s the possibility of corruption too with links between the Mafia, business and local government. We see the contrast of what the area is like for holiday makers and wealthy incomers, as opposed to the young people in the area who are struggling to find work and homes without moving away. The young police detective Carlotta wants to be the difference in the police force, banding together with Hannah on a couple of occasions and proving to be quite the distraction. Hannah is still in love with Margret and is dangling on an open ended waiting game. They’re not in a relationship until Margret can extricate herself from her marriage and make the best decisions for her children. Hannah isn’t always patient with this and doesn’t seem to realise that if Margret was in her life permanently so are her children. When she imagines them together I’m not sure the children feature in that picture. It was interesting to see her getting more than she bargained for and having the cheek to ask Margret’s police officer husband for help! He voices what many readers might be thinking when he tells her she’s the most annoying person he’s ever met. 

The case is an absolute maze of connections and suspects and despite her aversion to crime as a genre, she’s just as caught up in the mystery of this murder as any reader would be. She’s utterly reckless, in a comical way and there’s a chase on a moped during the final chapters that is clumsy and hilarious to imagine. Sparks fly when Jorn Jensen appears, but she can’t deny he helps make things happen. His arrogance is brilliant and when he suggests they write a crime novel together I thought Hannah might hit him with something heavy. The creepy moment in the basement, including Jensen’s cardboard cut out made me laugh and worry about her safety at the same time. This is a dark humour that I love. Jorn’s statement that he has ‘enormous sex appeal’ and it’s that and not his wealth that attracts women shows what sort of brash and conceited character he is, but there’s no denying his bravery and quick thinking. They are quite the investigative team, despite her reticence about working with him. Hannah’s instincts are good. She won’t accept the police’s conclusion that Hans killed his wife, reasoning that he adored her and couldn’t have done it. Instead she follows the money, often blundering into compromising situations and dangerous people. If the conclusion teaches her anything it’s that people will murder for very unexpected reasons. This is a brilliant second instalment of Hannah’s adventures and I’m going to resolve to be a little more Hannah and say what I think here and there. 

Out now from Orenda Books

Posted in Squad Pod Collective

Witch Trial by Harriet Tyce 

When 18-year-old Christian Shaw is found dead in an Edinburgh park, the city reels – and the shock only deepens when police charge her best friends, Eliza Lawson and Isobel Smyth, with her murder.

As social media explodes and headlines scream for justice, rumours of bullying spiral into something darker: whispers of rituals, obsession, and a teenage pact gone wrong.

Matthew Phillips, a respected heart surgeon, is called for jury duty on the case. But as the trial unfolds – and the girls reveal a chilling defence no one saw coming – he begins to question everything: the motives, the evidence, even his own judgement.

Who’s telling the truth? Who can be trusted?

And what really happened to Christian Shaw?

Let the Witch Trial begin . . .

I finished this book and had to give my head a little shake wondering what I’d just read. Harriet’s one of those writers where I end up devouring the book in a couple of sittings and then wish I’d taken my time because it’s come to an end! This grabs you from the very start as we follow Matthew, an esteemed heart surgeon, for jury duty. He is without question the perfect juror – intelligent, used to making life and death decisions and level headed. However, due to his job he could have easily been excused from jury duty so why does he stay? His colleagues seem incredibly annoyed that he has disappeared and is uncontactable for the foreseeable, because it turns out this is a complex murder case. Although Matthew seems an upstanding character he does seem remarkably keen on having a murder case and with this one he’s truly found the most intriguing. This is one of the most complicated and unlikely cases threaded with fanciful notions of devil worship and witchery. Matthew is our eyes so we view the case at the same time he does, as each witness takes the stand for cross examination. What they must prove is this point of Scottish law: 

“Murder is constituted by any wilful act causing the destruction of life, whether wickedly intended to kill, or displaying such wicked recklessness as to imply a disposition depraved enough to be regardless of consequences.” 

Put simply, the prosecution must prove that the defendants Isobel and Eliza knew that their friend Christian had a heart condition but were reckless enough to bully and fill her with such fear it killed her. Because of the immediacy of the narrative, the reader drinks in each gasp from the gallery and every revelation from the witness box, so much so that it was halfway through the book before I stopped to wonder how such a case could have made it’s way to court? Can someone deliberately frighten someone to death? 

Matthew is observant, he has weighed up his fellow jurors and which ones might be trouble. He has checked out the defendants and wonders whether their appearance might prejudice the witnesses and jurors. Eliza is dressed well, whereas Isobel’s demeanour is surly and uncooperative. She looks down at the floor mostly and has a gothic appearance. She is being painted as the ringleader, but is she or are people being swayed by how she looks? The author adds small details that you barely notice at first such as Matthew’s own appearance. Fully suited and booted on his first few days, he is soon without a tie and then in jeans. His hygiene slips too and a rash starts to affect his hands, itching so badly during the evidence he struggles not to move. He drinks more and avoids his family, staying in his small apartment in the city. There’s also the strange journalist who catches his eye, then seems to disappear. One night she appears at his flat with a bottle and an ouija board, wishing to discuss the more gothic aspects of the case. The suggestion that the girls are practising witches is salacious enough to gain the headlines, but Matthew knows he shouldn’t be talking about the case at all. However, we as the reader are compelled to enjoy the suggestions of animal sacrifice, tarot cards and trying to summon the devil. It’s easy to forget that at the heart of this case are two young girls, who may have been unpleasant and even wicked but surely not criminal? We believe our narrator still, but should we? There are multiple layers to the books final chapters, something that this writer excels at. The occult elements are truly vivid and I found myself engrossed and even believing them in part. This is one of those books, where, like The Sixth Sense, you’ll be going back to see how you missed certain things. The final twists left me awe struck. This is a belting thriller, utterly addictive and compelling to the final page. 

Out now from Wildfire Books

Meet the Author

Harriet Tyce was born and grew up in Edinburgh. She graduated from Oxford in 1994 with a degree in English Literature before gaining legal qualifications. She worked as a criminal barrister for ten years, leaving after having children. She completed an MA in Creative Writing – Crime Fiction at UEA where she wrote Blood Orange, the Sunday Times bestselling novel, winner of a gold Nielsen Bestseller Award in 2021. It was followed by The Lies You Told and It Ends At Midnight, both also Sunday Times bestsellers. A Lesson in Cruelty was published in 2022 and met with great critical acclaim and her fifth novel Witch Trial will be published on 26 February 2026. She is a contestant on series 4 of The Traitors. Follow Harriet on Instagram @harriet_tyce and find her Facebook page @harriettyceauthor.

Posted in Netgalley

High Season by Katie Bishop

In the heat of summer, the past can become hazy. . .

For twenty years, Nina Drayton has told herself that she must have seen her sister, Tamara, being murdered by the family babysitter – Josie Jackson. That she doesn’t remember it because she was five, and amnesia is a normal trauma response.

But now, with the anniversary of Tamara’s death approaching and true crime investigators revisiting the case, Nina finds it harder to suppress her doubts.

Returning to her family’s sparkling villa on the Cote d’Azur for the first time since the murder, she wants to uncover more about the summer that changed so many lives.

Because if she was wrong, then she sent an innocent woman to jail – and the real killer is still walking free.

I really enjoyed Katie’s debut novel The Girls of Summer so this was a definite must buy for me. The setting was so evocative and I loved the tension between the two different versions of this small town on the Cote d’Azure. There’s the statement holiday home of the Drayton’s, architect designed and jutting out over the sea as if imposing itself on nature. This house and the parties held there in the summer season are all about the rich heiress impressing her friends and other society families holidaying in the area. From it’s viewpoint on the cliff top, the beach shack and the local dive school seem rather shabby but these belong to the families who live here all year round and are simply trying to make a living. They work hard, long hours in the summer season so that they can make the money for the rest of the year, when the everything closes and people like the Draytons return to London or go skiing in the Alps. Through two timelines we’re shown what happens when these two sets of people collide, sparking an event that changes lives and still affects those involved in the present day. Nina Drayton has returned to sort out her mother’s affairs and decide what to do with the crumbling property they never use. However, her visit has stirred up memories of that summer when her sister Tamara died and she gave evidence that put a young local woman called Josie in prison. Now released, Josie has returned to the dive shop her family owned, now run by her brother and his girlfriend. She will be moving in with them until she can get her life on track, but in the meantime Tamara’s murder has become a social media sensation and a podcaster is in town researching the case. Will Josie be able to build a life for herself with this much publicity surrounding the case and will Nina be able to shake off the uneasy feeling she has about what she saw the night her sister died? 

There were shades of Atonement in this story that explores memory, identity and how we view events at different points in life. As a child Nina gave her evidence, but even after years of psychology training she’s unsure about exactly what she saw. Her husband Ryan asks her outright: 

“How do you know you weren’t making it up? Kids make things up all the time right?” 

It’s the first time anyone has ever had the guts to ask her the very thing she has always wondered. It’s something she has tried to cover up, shove to the back of her mind and starve out of her body. She’s tormented by the elusive nature of her memories, as one summer becomes conflated with several others, just a stream of partying adults and often forgotten children. Josie was in and out of the Drayton’s house that summer, either earning money with her friend Hannah for keeping an eye on Nina and the guests smaller children or by invite when Blake Drayton started to take an interest in her. The author takes us back in time between that summer and the present when Josie has been released from prison. Josie has always claimed to be innocent and her yearning for an ordinary life is very endearing. I felt for her as she struggles to keep hold of her sense of self in a world where other people will only see an ex-prisoner. She may have served her sentence but to others she will always be a murderer, so she’s not expecting to be given a chance. She’s surprised when Nic stops to pass the time of day and asks if she would like to go out. We’re shown exactly who Josie is when she feels uncomfortable in the posh restaurant he takes her to and they ditch their booking for lobster rolls at the beach shack instead. When we see her with her brother or out in the water we can see how at home she is here, in tune with nature and the simple things in life. 

The author uses transcripts from TikTok videos and the true crime podcast to show us how human lives are no more than a commodity to be packaged in sensational one minute reels to keep the conversation going. Engagement is the goal and there’s plenty, showing us exactly what happens when people become gripped by a puzzle to solve forgetting that behind the headlines are real people trying to live their lives. Here the truth is especially elusive. Josie is fixated on the person who is destroying her second chance, just throwing out wild theories and ludicrous cliffhangers for her followers to pass judgement on. Josie has been judged and served her time, so she didn’t expect to be tried in the court of social media opinion once again. We never truly know who is behind the anonymous profile picture, it could be someone next door or it could be someone on the other side of the world. When we go back to that summer we can see that both Tamara Drayton and her brother Blake are damaged by their upbringing. When he shows an interest in Josie she’s unbelievably flattered. She knows there is a gulf between their lifestyles and for a teenage girl attention from the wealthy, good looking Blake Drayton gives her a sense of acceptance. This, much younger Josie, would stay in the posh restaurant because she’s not comfortable enough to say ‘this isn’t me.’ It’s this uncertainty and inadequacy that Blake has noticed, he sees the local girls as expendable but he assures Josie that it’s over with his rich girlfriend and he really likes her. Meanwhile, Josie’s friend Hannah has struck up a friendship with the rich and popular Tamara Drayton. However assured she seems, under the expensive clothes and air of sophistication, Tamara is still a teenage girl struggling with her own identity and lack of support from her mother. As the days become hotter, the tension between these young people is certain to boil over. 

I found the final third of this book impossible to put down. I was waiting desperately for a confrontation between Nina and Josie, something that could help both of them. I wasn’t sure whether these tentative connections would spark another terrible event or whether as adults there could be reconciliation. Would Nina be able to voice her uncertainty and guilt? Would Hannah reach out to her friend, now released and needing to hear about what happened between her and Tamara? At the very least I was rooting for Josie to find a peace within herself. As their present lives threaten to move out of control, Josie starts to have a dream she’s had all her life at times of pressure. A dream of falling.. 

“The future seems to gape in front of Josie, vast and undefined […] a fall from a very high cliff”. 

I really wanted her to think about the times she dives, with all the confidence of someone who’s done this since they were a child. Underneath the water she is both at home and awed by the wonder of what’s living just underneath the surface, especially when she dives for the first time since her release. I wanted her to remember how comfortable she is in the water and realise that it never mattered if she fell: she knows how to swim. 

Meet the Author

Katie Bishop is a writer and journalist based in the UK. Her debut novel, The Girls of Summer published in 2023 with Transworld, UK and St. Martin’s Press, US. Her second novel, High Season, was published in August 2025.

Posted in Personal Purchase

Her Many Faces by Nicci Cloke 

ONE TRIAL. FIVE TRUTHS. BUT ARE THEY READY FOR HERS?

When a waitress is charged with murdering four men at an exclusive private club, her personal life and upbringing are thrust into the spotlight. During the trial, people closest to Katie start to question what they know about her.

Her father remembers the sweet schoolgirl.

Her childhood friend misses her kindness and protection.

Her lover regrets ever falling for her.

Her lawyer believes she is hiding something.

A journalist is convinced she is a cold-blooded killer.

To each of them she’s someone different. But is she guilty?

This thriller grabbed me straight away and never let go! The pace was fast, with short punchy chapters containing the narratives of five men each linked in some way to a woman called Katie. Each man has his own name for this woman and their narratives tell us her story as they see it. John is her father, Gabe is her childhood friend, Conrad is her lover, Tarun is a lawyer and Max is a journalist. Each one thinks they know her, each one presents a different face. But who is she and which is her real identity? Is she a combination of all five or nothing like this at all. It’s a timely, compelling and addictive story that you’ll want to finish in one go. 

The murder that has taken place at March House has killed four very important men at once. Lucian is a businessman and owner of March House, a private members club for the richest and most influential men in the UK and their guests. His guests that night were Harris Lowe, Lucian’s new right hand man, Dominic Ainsworth MP and Russian millionaire Aleksander Popov. They appear to have been poisoned with an incredibly expensive bottle of brandy laced with poison. Only one person has been serving the party all evening and that is waitress Katie. She is soon under arrest, but what possible motive could she have had to kill these men? Yet when police apprehend her not long after she’s left work for the evening she is reported as saying ‘they got what they deserved’. Is this an admission of guilt or an acknowledgment that whoever killed them, did the world a favour? 

It’s hard to get to know Katie because she is simultaneously a wildcat, a conspiracy theorist, a squatter, a farmhand, a waitress or the accused. These are just some of the descriptive words used to label her by the men in her life, but we have to remember that they are viewing her through their own lens. How much can we trust their impressions of her and do we accept that they’re telling the truth? She’s clearly beautiful, even without the ‘right’ clothes she has something that men desire. Conrad feels this when she’s helping out with the pigs on her uncle’s farm but then is shocked when she turns up at his club and his boss Lucien clearly desires her too. Both of them see a sex object rather than the young, troubled woman in front of them. John still sees his little girl, unable to equate the terrible crime she’s accused of with his daughter. However, we learn that she’s always been sympathetic and perhaps a little soft where his daughter is concerned whereas her mother sees her as a naughty child who grew up still getting into trouble. If anyone sees a more rounded Katie it’s her childhood friend Gabe, even if he is in love with her. She pulls him into her internet wormhole of conspiracy theories and he follows her down to London, ready for direct action to change everything that’s wrong with society. Yet when he gets there, Katie is living in a squat and has moved on in her belief system. Gabe has fallen under the spell of the elusive Mr E who appears in the comments under YouTube videos, disparaging the rich and the corruption within the system. He’s saddened to find her working at March House, the centre of online rumours about secret cabals and the ‘real’ people who run the world. He sees the Katie who had these beliefs as the real Katie and now she doesn’t believe or belong to him anymore. Similarly, Conrad sees her as this beautiful, innocent farmhand: 

“You’d taken on a hazy, pure quality, a perfume ad of a person. In the cafe you looked ordinary.” 

Every so often a book comes along that captures a moment and this definitely does. It isn’t the first book I’ve read where online radicalisation is part of the story and how dangerous it can be to become drawn in by conspiracy theorists. We tend to use the word grooming when it refers to children, but young adults and people with learning disabilities are also vulnerable and political or conspiracy theories seem to be changing the way people view the world without them even leaving the house and experiencing it for themselves. The echo chambers created when we look at certain subjects means people can be left thinking they have the majority viewpoint, no matter how crazy or extreme the ideas. Conspiracy theories are popular because it gives explanations for events that are incredibly complex and totally outside of our control. The realisation that a small group of individuals could hijack a few planes and attack the most powerful cities in the USA is almost too scary. People didn’t want to feel that their country was that vulnerable and open to attack, so they created stories that their own government must have been involved. Mr E directs his followers to March House as the real seat of power and their list of members could easily feed into that narrative. There is no doubt that some dodgy deals and introductions go on there, but the difficulties facing the country are international and much more complex than a few smoking men in a private room, but for some, life being random chaos is a scary prospect. 

At the centre of all this is Katie, a lost young woman unsure of who she is and what she wants from life. With no plan or purpose, she lurches from one crisis to the next never feeling safe or grounded. The novel made me angry, especially with Conrad and Max who want to use and exploit Katie. Conrad has the audacity to suggest his connection to her was flimsy at best: 

“I could barely even remember your real name. You had come onto me so hard, when I looked back, that in a way it was embarrassing. I was embarrassed for you”. 

I was furious and desperately wanted him pulled apart in court by her barrister Tarun. It reminded me of how women who are seen as controversial, such as Caroline Flack or the Duchess of Sussex, are presented and packaged by the media. There’s misogyny at the root of this and it’s the same with the male characters in the book who package Katie into roles and personalities that absolves them for the harm they cause and assuages their guilt. This is brilliantly done by the author who doesn’t put a foot wrong in her characterisation and the pace of this novel. It’s fast moving and she doesn’t waste a single word, keeping you gripped by what might happen next. We’re never sure on what has happened or who is responsible and the courtroom scenes are brilliant meaning it was impossible to put down – there was one late night where I completely wrote off the following day for anything useful. This is powerful and will make you angry, but you won’t be able to stop those pages turning. 

Meet the Author

Nicci Cloke is an author and editor based in Cambridgeshire. Her novels have been published in twelve languages, and she has previously worked as a nanny, a cocktail waitress and a Christmas Elf. Before being published, she was a permissions manager, looking after literary estates including those of Sylvia Plath, Ted Hughes and T. S. Eliot, and was also communications manager at the Faber Academy.

Posted in Random Things Tours

Blackwater by Sarah Sultoon 

As the clock ticks towards the millennium – and the threat of a potentially new apocalyptic reality – Jonny Murphy is sent to investigate the discovery of a child’s body on a deserted swamp island, fifty miles from London. What he finds is more than just a tragedy, it’s a warning. Something big is coming … Can Jonny stop it? Should he?

London, Christmas 1999. The world is on edge. With the new millennium just days away, fears of the Millennium Bug are spiralling – warnings of computer failures, market crashes, even global catastrophe. But fifty miles east, on the frozen Blackwater Island, a different kind of mystery unfolds. A child’s body is discovered on the bracken, untouched by footprints, with no sign of how he died. And no one has come forward to claim him.

At the International Tribune, reporter Jonny Murphy senses something is off. Police are appealing for relatives, not suspects. An anonymous call led officers to the scene, but no one knows who made it. While the world fixates on a digital apocalypse, Jonny sees the real disaster unfolding closer to home. With just twenty-hour hours before the century turns, he heads to Blackwater – driven by curiosity, desperation, and the sting of rejection from his colleague Paloma.

But Blackwater has secrets buried deep in the frozen ground. More victims – some dead, others still paying for past sins. And when Paloma catches up to him, they stumble onto something far bigger than either of them imagined. Something that could change everything. The millennium is coming. The clock is ticking. Can Jonny stop it? Should he?

I went into this novel quite late, so I was incredibly pleased to find that this is definitely a gripping, read in one sitting type of thriller. This is Sarah Sultoon’s third novel featuring investigative journalist Jonny Murphy, but could very easily be read as a standalone. For people like me, old enough to be an adult at the time of the possible ‘millennium bug’, I remember the panic and the predictions that planes would fall out of the sky, banking systems would collapse and the apocalypse would begin. I remember the money spent trying to mitigate its potential effects but like the British seem to do, we gathered with friends and family anyway and set off fireworks in the freezing cold and precisely nothing happened. It feels like an innocent time now, when we think that 9/11 came only 18 months later, followed by going to war in Afghanistan and Iraq and then years of austerity followed by a pandemic. It’s certainly been turbulent ever since. My dad was convinced that the bug was a made up bogeyman, allowing technology companies and their shareholders to clean up by proposing to ‘fix’ something that didn’t exist. Maybe he was right. We don’t call him Fox Mulder for nothing.

Here Sarah Sultoon has created a fast paced thriller that plays out in the days before Millennium Eve. The timing gives us a countdown, but believe me this story creates its own tension. The setting of Blackwater Island is familiar but alien at the same time. Situated in an inlet only 50 miles from London and with a direct route by boat into the Channel and the Thames this place is hiding in plain site. Beyond the last village, the terrain feels like the eerie marshlands at the beginning of Charles Dickens’s David Copperfield. The mist is so thick someone could be standing next to you and the black, viscous mud has the feel of quicksand. It sucks all explorers into its depths and is enough to put anyone off reaching the island itself. As if that wasn’t enough, the author brings elements of folk horror to the narrative as Jonny is warned off by very unfriendly and odd locals. The only place to stay is an old inn in the village, but the landlady isn’t very welcoming. She warns him that the only resident of Blackwater is Inka who is depicted in a framed picture behind the bar and on graffiti near the island:  

“it’s apparently a picture of a ghost that’s been haunting Blackwater since the Dark Ages. Our landlady told me some mad story about a mythical Icelandic warrior named Inka with a diamond-tipped spear and a mermaid’s tail.” 

Jonny is canny enough to know when he’s being warned away from something and it only sets his investigative skills tingling. On the other hand, actual protection for the crime scene is very thin on the ground. He meets the only police officer in the area and she feels like she’s been dumped in the backwaters of Essex with no support or back up. The facts are that the body of a boy was found on the island with no visible cause of death, but the weirdest part is that he was dressed like an extra from Oliver! His Victorian urchin clothing is so incongruous, but could mean anything from local amateur dramatics to time travel. It’s once Jonny manages to get on the island that answers start to come and it was nothing I’d considered. 

Jonny is a rather fascinating character. He’s absolutely determined to track down his story and has defensive walls a mile high where friendship and romance are concerned. Yet he does have empathy and tries to take the honourable route where possible. He clearly has feelings for photographer Paloma, but has been determined not to pursue them, not wanting to inflict himself on someone else. What does he know about himself that makes him hesitate? Will the story always come first? The scariest part of the whole story is that it’s believable and the afterword really does show that sometimes, what feels far fetched, is only the beginning. Taking in biological experimentation and weaponry, black ops, government conspiracies and the price paid by the locals caught up in it, it’s the writing and the very real atmosphere at the time that makes this a believable story. Jonny’s mission becomes unbearably tense as he has to make it to the centre of London with the city’s ’River of Fire’ fireworks display under threat. Thousands are gathered to hear Big Ben strike midnight and the start of a new century. Jonny fears they may be the target, but there’s also the press area where Paloma is hoping to catch the display on camera, no matter his reservations he’s determined to save her. Events and emotions build and I was half expecting a huge explosion, but Sarah Sultoon is more subtle than that and the fear here is insidious. It warns us not to trust those in authority, to question and investigate everything – an instinct that in real life seems to have been lost since the pandemic. Jonny is a brilliant hero because he has that instinct still and a moral compass that guides his work, something that’s a rare combination. This is incredibly tense, gripping and packed full of action with the added nostalgia of millennium memories. 

Out now from Orenda Books

Meet the Author

Sarah Sultoon is a novelist and journalist, whose prior work as an international news executive at CNN has taken her all over the world, from the seats of power in both Westminster and Washington to the frontlines of Iraq and Afghanistan. She has extensive experience in conflict zones, winning three Peabody awards for her work on the war in Syria, an Emmy for her contribution to the coverage of Europe’s migrant crisis in 2015, and a number of Royal Television Society gongs. As passionate about fiction as nonfiction, she recently completed a Masters of Studies in Creative Writing at the University of Cambridge, adding to an undergraduate degree in languages, chosen mainly so she could spend time itinerantly travelling the world. She likes running, Indian food, cocktails, playing sport with her children and throwing a ball for her dog, order dependent on when the cocktails are consumed.

Posted in Squad Pod Collective

Silent Bones by Val McDermid 

It’s delightful to be back in the hands of a consummate storyteller like Val McDermid and to be reading with my fellow Squad Pod friends. She takes us straight into the story and I always feel like her characters are real people going about their business and we just drop into their world from time to time. Here the Historic Cases Unit are working two cases: the death of a high-end hotel manager and the identity of a body found after a landslip in heavy rain on the M73. Tom Jamieson’s death is flagged up by his brother in New Zealand. Thought to be an accidental death, Tom’s brother has footage that shows someone was behind Tom as he left the hotel after his shift and in the staircase where he met his death. If this man entered the steps after Tom and can be seen exiting then he must at least have seen Tom’s fall, or is there a more sinister explanation? The body in the M73 has to have been placed there deliberately. It turns out to be the body of investigative journalist Sam Nimmo, thought to have killed his pregnant girlfriend Rachel before going on the run about eleven years ago. The discovery opens up her murder case as well as Sam’s. I was hooked by the evidence that leads to a secretive book club of successful men who meet once a month in Edinburgh. They’re named the Justified Sinners, alluding to a James Hogg book that’s based on the Calvinist principle that once a person is ‘saved’ they can commit any sin, even murder, and still enter the kingdom of heaven. Is this a joke between literary friends or something more more? Have they stumbled upon an unofficial Freemasons’ club where the members share business tips and inside knowledge? The team start to wonder about the potential benefits of becoming one of the twelve members and whether those benefits are worth subterfuge or even criminal acts. 

Every time I pick up one of the books in this series the same thing happens. I start off slowly, savouring each chapter until about halfway, then I’m racing all the way to the end. It’s superbly plotted, creating a build-up of tension through the short chapters. Each chapter flits to a different viewpoint or separate lead in the cases, causing cliffhangers that last for three or four chapters. This means ‘just one chapter’ at bedtime becomes just three more and finally – I may as well finish. As we near the end of the book those revelations come thick and fast and I had to keep reading till I couldn’t keep my eyes open. I loved the red herrings thrown up in Sam Nimmo’s case as they try to find out what story he was working on. Every lead has to be followed and Jason is tireless on his match fixing leads but is this the story that got Sam killed? The political intrigue is as always murky and fascinating. Between the Independence Referendum and COVID there are plenty of possibilities for corruption and cover-ups. 

What I love most about Karen is her tenacity and absolute belief in her own skills as a police officer. She knows she’s a good detective and believes in the team she’s built, even if Jason and Daisy do bicker and become competitive. She knows how to use their skills and how much free rein to give them. I loved her conversations with the boss, the Fruit Gum and other men who outrank her. She doesn’t allow them any room for misogyny or sexism. When she’s told mockingly that the force can do better than rely on ‘women’s intuition’, she’s quick to tell him that it’s no different from a hunch or copper’s nose, a phrase male officers use frequently. She also won’t be bulldozed into moving their office, stating that it would mean longer commutes and distance from the research and forensic teams they rely on most. She also pushes for what she wants in the course of the investigation. When she doorsteps the Justified Sinners, their facilitator mentions they have plenty of pull with the Chief Constable who calls Karen and tells her to back off. She insists on him supplying a list of members before she does and even follows up in the morning to make sure she wasn’t fobbed off. Even in her private life she’s very sure of what she needs. She is still involved with Syrian refugee Rafiq who’s currently working as a surgeon in Canada. With British and US politics ‘beyond satire’ and political funding becoming ever more shady Karen does worry about their future. She’s flown to Montreal several times but she can’t wait until he has Canadian citizenship and can visit Scotland again, maybe even returning for good at some point. When she has a heartbreaking choice to make she faces it by staying true to herself, because she can be romantic but has a hefty dose of realism too. She can also be ruthless, at one point perhaps a little too ruthless for a softy like me. She has her eye on the end goal, not the other person’s feelings because in her eyes the end justifies the means. The truth is not found by treading lightly. 

I enjoyed getting to know more about Daisy and Jason’s home lives and it’s here where a bit of humour creeps in. Jason and Meera’s stake-out of a football match with the aftermath being a ‘follow that cab’ tour of Scotland’s motorways made me smile. Especially when the reward that clinched Meera’s attendance was a match day pie. Food looms large in Daisy and Stephanie’s relationship too, in fact Daisy eats so much that Jason is sure she has a tapeworm. That’s not a problem for Daisy, in fact she ponders that it might be the only thing that ensures she stays thin. She’s always scoring leftovers from lunches out and between Italian biscuits, french pastries and the South Indian curry that lures a suspect out of hiding I kept feeling hungry. All of this is to balance the darkness at the heart of these cases, where we see powerful and rich people doing what they like, safe in the knowledge that their status and privilege will always protect them from answering to their crimes. It’s also set in dark times and the weariness Karen feels about what’s happening in the world is something I’ve felt myself for the last couple of years, finding myself thinking the world can’t get any worse. Not only is a sex offending, fraudulent, narcissist running the biggest country in the world, but we have politicians here happy to emulate him. The book is rooted firmly in the now with cancel culture, the MeToo movement, the Covid pandemic and all the corruption surrounding it, as well as the cost of living crisis all pertinent to these cases. I think the team are feeling overwhelmed, even without the quagmire surrounding the Justified Sinners and Sam’s quest for the truth. Some characters did behave unpredictably, just like they do in life. The outcome isn’t straightforward and there were people to blame that I genuinely didn’t expect. This is an enthralling read from a writer at the very top of her game. Someone who knows exactly how to pitch a story and keep the reader engrossed until the final pages. She knows that the joy of a book is in the journey not just those final revelations and that sometimes we don’t get the answers we expect and it’s a better read for that.

Out on 23rd October from Sphere

Meet the Author

Val McDermid is a number one bestseller whose novels have been translated into more than forty languages, and have sold over eighteen million copies. She has won many awards internationally, including the CWA Gold Dagger for best crime novel of the year and the LA Times Book of the Year Award. She was inducted into the ITV3 Crime Thriller Awards Hall of Fame in 2009, was the recipient of the CWA Cartier Diamond Dagger in 2010 and received the Lambda Literary Foundation Pioneer Award in 2011. In 2016, Val received the Outstanding Contribution to Crime Fiction Award at the Theakstons Old Peculier Crime Writing Festival and in 2017 received the DIVA Literary Prize for Crime, and was elected a Fellow of both the Royal Society of Literature and the Royal Society of Edinburgh. Val has served as a judge for the Women’s Prize for Fiction and the Man Booker Prize, and was Chair of the Wellcome Book Prize in 2017. She is the recipient of six honorary doctorates and is an Honorary Fellow of St Hilda’s College, Oxford. She writes full-time and divides her time between Edinburgh and East Neuk of Fife.