2:32 p.m. Wealthy, privileged Ilaria Cavendish checks into a luxury London hotel and orders a bottle of champagne. Within the hour, her lover discovers her submerged in a bath of scalding water, dead.At first glance it looks like an accident. No one went in with her. No one came out. But all the signs point to murder.
For DS Maeve Kerrigan, the case is a welcome distraction. But when shock news hits close to home, affecting her partner, DI Josh Derwent, she faces the toughest challenge of her career. And if she fails her world will never be the same again…
There’s an extra secretive element to this twelfth book in the DS Maeve Kerrigan series. In her afterword Jane begs readers not to reveal aspects of the novel for those who have yet to read it, in fact for those people who have only just discovered this addictive mix of murder investigation and ‘will they – won’t they’ love story. So I’m trying my best to keep it to myself while telling you all what a great read this. The murder at hand is a tricky one and will probably remain in my brain forever after reading that when the victim’s lover tries to pull her from the bath her scalp comes away. She has, rather disturbingly, been boiled like a lobster. However it isn’t the water or the heat that has killed her, Illaria has been strangled with a cord then dragged into the bath. The fact that she was meeting her lover and had the room booked for exactly the same time every Wednesday is an interesting little detail. Sometimes they only use it for a few hours but it is always booked, exactly the same. These are the actions of someone wealthy and it’s no surprise to find she has a rich husband. Angus is incredibly frank when interviewed; he loved his wife and wanted her to be happy and she wanted Sam. They had met at a glitzy dinner and Angus reveals that when he saw them talking together he knew, it was a coup de foudre, when love hits instantly like a bolt of lightning. Ilaria had a great life, filled with travel, events and a little interior design business with her friend that Angus funds too. They seem to be going nowhere when Maeve has a sudden lightbulb moment leading to a discovery.
Aside from this case and arguably being the most compelling part of the novel is the drama surrounding DI Josh Derwent. Josh has been living with psychotherapist girlfriend Melissa and her son Thomas for a while now, much to Maeve’s sorrow. Melissa is due to pick Thomas up from school, when she gets a phone call from a distressed patient. Knowing she has to see them and needing someone to collect and keep Thomas for a few hours, Josh calls Maeve’s parents. They’ve been like grandparents to the little boy who hasn’t been well of late. Hours later when they return Thomas, Maeve’s father runs into a panicked young girl on the driveway, screaming that Melissa has been hurt. Melissa is at the bottom of the stairs, motionless and covered in bruises as if she’s been beaten badly. As she’s rushed to hospital and the police arrive, so does Josh and quickly finds himself arrested for the attack. When Maeve arrives Josh tells her to stay out of it, walk away and don’t get involved. However, readers of the series know that this is something Maeve simply can’t do. Despite Derwent’s disapproval she has to find a way of clearing his name, because she knows he isn’t capable of this.
I have to be honest and admit I was so caught up in the Melissa/Derwent storyline that there were points when I forgot about the other case. It was more psychologically complex and of course had the added weight of caring about these characters over eleven previous books. I couldn’t believe the suspicions I had about it and I was desperately hoping Maeve would come to the same conclusion, if she didn’t get herself suspended for meddling first. When the book went back to Ilaria’s murder I found myself going ‘oh yes, where were we’. Having said that it’s a cracking case in it’s own right with a seemingly impossible premise. With the only people seen on CCTV of the corridor being a chambermaid and the man who delivered the room service champagne, but he wasn’t in there long enough to murder anyone. When he’s found dead on a building site, it looks very much like someone is covering their tracks. On the face of it Ilaria’s life seemed perfect, so why was she sneaking around? Was it really love or was something else going on?
I whipped through the final chapters in an afternoon to find out and to see what would happen with Melissa, who I was beginning to hate! I loved the little vignettes of normal life in between, especially with the men in the book. Derwent’s eldest son Luke and Thomas have a lovely growing relationship and with Maeve’s nurturing and loving parents he had a great stand-in gran and grandad. It was interesting to see how Melissa’s ex-husband and Derwent were with each other too. Through Luke, Maeve was introduced to a decent man called Owen and their dates were going well. It was nice to see her being treated with kindness and consistency. This was an addictive read from an author who knows exactly when to leave the reader hanging and when to deliver heart-stopping action sequences – the suspicious man at the front desk of the police station had my pulse racing. I’m interested in where she takes DS Kerrigan next and I’ll definitely be queueing up for my copy.
From Hemlock Press 24th April 2025
Meet the Author
Jane Casey is a bestselling crime writer who was born and brought up in Dublin. A former editor, she has written twelve crime novels for adults (including ten in the Maeve Kerrigan series) and three for teenagers (the Jess Tennant series). Her books have been international bestsellers, critically acclaimed for their realism and accuracy. The Maeve Kerrigan series has been nominated for many awards: in 2015 Jane won the Mary Higgins Clark Award for The Stranger You Know and Irish Crime Novel of the Year for After the Fire. In 2019, Cruel Acts was chosen as Irish Crime Novel of the Year at the Irish Book Awards. It was a Sunday Times bestseller. Stand-alone novel The Killing Kind was a Richard and Judy Book Club pick in 2021, and is currently being filmed for television. Jane lives in southwest London with her husband, who is a criminal barrister, and their two children.
Spring is here!! Finally. Today is warm -ish, but sunny with daffodils and jasmine brightening up the garden. My other half is cutting the lawn and washing is going on the line for the first day this year. I’ve had a lot of chances to read this month as I still can’t move far, so I’ve taken on some new and some older reads too. My favourites of the new books I’ve read this month are a balanced mix of historical fiction and crime novels. Our historical offerings take us to the South of France and the home of Henri Matisse, to Paris on a train that might be lucky to arrive and a Scottish island that’s closer to Norway. The crime novels are set in two of my favourite places, Snowdonia and Northumberland, while the final one is a Scandinavian setting, written by two talented authors it’s an unforgettable novel.
Hope you’re all enjoying this beautiful weekend.
When in Northumberland I visit a couple of bookshops, Barter Books in Alnwick for second hand finds and Cogito Books in Hexham for their non-fiction and new releases. Last time I had some book vouchers so I went to Hexham and was recommended Mari Hannah’s Stone and Oliver series. I bought the first one then found more of the series in charity shops, but hadn’t got round to reading them yet. So when a publisher offered this I wondered whether I should, but I can’t resist and now Im setting aside time to read the rest of this series.
Frankie Oliver and David Stone have been working together in the same MIT for the a few years, but this book starts in a much darker place when another detective was called to a body found on some waste ground. Horrified, he drops to the floor unable to contain his devastation. The body on the ground is his daughter. It’s such a powerful and emotive opening, leaving us in no doubt that this is a defining event for the loved ones of this girl. An absence that the Oliver family feel every day. It’s arguable that this case is the very reason that Frankie Oliver became a detective. She and David Stone are an incredible team at work and have the potential to take their relationship further. It’s clear there’s been some ‘will they won’t they’ over the course of the previous novels. Now Frankie is taking a break from the team in Newcastle, a promotion to DI means she must fill a post back in uniform based out of the most northerly police station in the county, Berwick-Upon-Tweed. Frankie accepts and the team organise a leaving ‘do’. It’s there that Dave overhears an argument that immediately propels him back to the murder of Joanna, Frankie’s sister. What’s said between the two men outside the venue sparks an idea in Dave’s mind. He has had an idea of how to investigate the cold case, but knows that he doesn’t want to bring more pain to the family. Hopefully Frankie’s secondment to Berwick means they won’t have to.
Meanwhile Frankie’s first job is an RTC on the A1 and in the total chaos she finds a little boy handcuffed in the back of a van. The driver and passenger are dead and the van is a write off so Frankie can’t believe this little boy has survived. As she rescues him, an onlooker tells her that a man escaped out of the back doors straight after the crash. This opens up a trafficking case that might take her straight back out of uniform again. The boy, Amir, takes to Frankie. Possibly the first person in a long time who has made him feel safe. As for the relationship between Frankie and Dave, I was very much invested despite not knowing everything that’s gone before. The setting is beautifully captured in it’s contradictions: the modernity and buzz of Newcastle with the contrast of the wild countryside and beautifully rugged coastline. This really is a nail-biting story, written in very short chapters that are easy to devour very quickly. So many have a brilliant cliff-hanger ending too. I can’t wait to read more.
The blurb on the back of this novel promises an electrifying blockbuster that will be the start of a ‘nerve shattering’ new series. So there’s a lot to live up to, but Son definitely delivers. To use a rather inelegant phrase, this novel is a therapist’s wet dream of a novel – hidden characters, unexplained black outs, grief, trauma and an investigator who is dubbed The Human Lie Detector. I was definitely in my element here. Kari Voss is the centre of this tangled web, a psychologist who specialises in memory and body language and acts as a consultant to Oslo’s police force. When two girls are brutally killed in a summer house in the village of Son, it’s a crime that’s closer to home than she would want. The girls, Eva and Hedda, were best friends with Kari’s son Vetle when they were younger. In fact it was while on a holiday seven years ago that Vetle disappeared in nearby woods and was never found. The girls are now teenagers and were planning a Halloween party for their friends, but were found tied to dining chairs with their throats cut. They were found by a third friend, Samuel Gregson, when he turned up to start the festivites and it is also an old friend of Vetle’s that police chief Ramona Norum arrests and starts to question. When Kari is asked to consult she knows this will be difficult, not only is she friends with the girl’s families, their lives are inextricably linked to her missing son. How will she negotiate all the emotions this case will unleash and find the girl’s killer?
No one is what they appear here. As Kari starts to ask questions about Eva and Hedda, it turns out that they aren’t always the polite children or young teenagers they appear to be. The authors are very clever about the amount of introspection they use, creating a hidden layer to the crimes and a breathing space between the character driven chapters and the ones filled with nail-bitingly intense action. There’s even subterfuge in the title, Son is a place slightly north of Oslo, steeped in Nordic history and full of that unsettling atmosphere that I find Nordic Noir is so good at. Yet it’s also a person, so missed by those who love him and inextricably linked to this landscape, that has potentially become his final resting place. I was compelled to read this to the end, taking it everywhere with me on holiday so I could grab a chapter in a coffee shop or even in the car. This is an engrossing and addictive start to a promised new series and I’m already craving the next instalment.
This is the story of three women – one an orphan and refugee who finds a place in the studio of a famous French artist, the other a wife and mother who has stood by her husband for nearly forty years. The third is his daughter, caught in the crossfire between her mother and a father she adores. Amelie is first drawn to Henri Matisse as a way of escaping the conventional life expected of her. A free spirit, she sees in this budding young artist a glorious future for them both. Lydia Delectorskaya is a young Russian emigree, who fled her homeland following the death of her mother. After a fractured childhood, she is trying to make a place for herself on France’s golden Riviera, amid the artists, film stars and dazzling elite. Eventually she finds employment with the Matisse family. From this point on, their lives are set on a collision course. Marguerite is Matisse’s eldest daughter. When the life of her family implodes, she must find her own way to make her mark and to navigate divided loyalties.
Based on a true story, Madame Matisse is a stunning novel about drama and betrayal; emotion and sex; glamour and tragedy, all set in the hotbed of the 1930s art movement in France. In art, as in life, this a time when the rules were made to be broken. I loved reading about these fascinating women, all of which step outside the traditional role of most women of the time. Sophie beautifully situates Matisse within his peer group, especially his great rival Picasso. Then situates each woman perfectly within their history, the most in depth being Lydia’s Russian background and Marguerite’s incredible bravery in WW2. I thoroughly enjoyed looking up the paintings mentioned and seeing Matisse’s representation of the three women who were closest to him and I found myself reading articles about him and Picasso. It left me with a sense of anger and empathy for how much women sacrifice so that men can excel at what they do, realising their ambitions while their wive’s ambitions are forgotten or buried under a suffocating mental load – still the thing women in my group talk about most. These women never take the limelight away from Matisse, even while stripped bare for people to view. The focus is always on the painter, their brush strokes, choice of colour and artistic decisions. I love that in this novel they are more than body parts, they’re shown as the vital, brave, complex and generous women they clearly were.
Set in 1895 when a train did crash onto the platform at Montparnasse, Donoghue places us very definitely in the fin de siecle, with every little detail. It isn’t just her description of the train, which I could picture very clearly, it’s the character’s clothing and their attitudes. There’s certainly evidence of a shift in the Victorian ideals that held firm throughout the 19th Century. In one journey we can see women being more outspoken, having a definite sense of purpose, and a need to determine their own destiny. Women are travelling alone or for work, in the case of Alice she is travelling with her boss as the secretary for his photographic business. She takes the opportunity to talk to him about moving pictures, she has researched the subject and thinks it could be a new market for the firm. Marcelle is researching in the field of science and huge fan of Marie Curie who is so work focused that she went to get married in an everyday blue dress and returned to the lab.I was absolutely fascinated with Mado. She stands out more than she realises, with her androgynous clothing and short hair, not to mention the lunch bucket she’s clutching as if her life depends on it. She’s a feminist, an anarchist and seems to have an interest in reading other people. Her own internal struggle is so vivid that I could feel the tension in her body as I read. She seems contemptuous of many of her fellow passengers, particularly the men, knowing that the Victorian feminine ideal is simply a role women are forced to play. To step outside of the norm is brave and a deliberate outward show of her inner strength and determination to change women’s place in the world. How far might she go to show her resolve?
Gradually I was compelled to keep reading because the tension was rising with every new passenger and because as the reader I was omniscient: Donoghue gives her reader the full story and we know the potential fate of every character on this train. Brilliant as always!
1843. On a remote Scottish island, Ivar, the sole occupant, leads a life of quiet isolation until the day he finds a man unconscious on the beach below the cliffs. The newcomer is John Ferguson, an impoverished church minister sent to evict Ivar and turn the island into grazing land for sheep. Unaware of the stranger’s intentions, Ivar takes him into his home, and in spite of the two men having no common language, a fragile bond begins to form between them. Meanwhile, on the mainland, John’s wife, Mary, anxiously awaits news of his mission. Against the rugged backdrop of this faraway spot beyond Shetland, Carys Davies’s intimate drama unfolds with tension and tenderness: a touching and crystalline study of ordinary people buffeted by history and a powerful exploration of the distances and connections between us.
Clear is so beautifully set within some very significant events. In the 19th Century evangelical worshippers moved away from the Church of Scotland to form the Free Church of Scotland. Also, there was a second wave of Scottish landowners driving their tenants from the land, choosing to make a better profit grazing sheep. This was just one part the Highland Clearances. Our characters are deeply involved with these events. This is such a gentle story that contains so much. Instead of pushing an agenda or viewpoint, the author just lets it play out naturally. Ivar is part of this island, a bear of a man with only his animals for company. There’s a purity to his life that’s almost spiritual, an interesting contrast to John’s organised religion. There’s so much under the surface of the story, told in the tiny details of everyday life: their gestures, the intimacies they share and how those connections change as a language is formed between them. It’s interesting to see the established dynamic of John and Ivar affecting how Mary settles into the cottage. The men’s connection brings the three of them into a unit, so that they don’t feel like a married couple and a lone man any more. Each of them forms a strong connection with each other and the landscape. I found reading this an almost meditative experience, because it’s so slow and calm, until the sudden end.
Living and working in Snowdonia was always retired detective Frank Marshal’s dream. Until a phone call asking for his help turns it into his worst nightmare. Retired detective Frank Marshal lives in a remote part of Snowdonia with his wife Rachel who is suffering from dementia. Working as a park ranger, Frank gets a phone call from close friend Annie, a retired judge. Her sister Meg has gone missing from a local caravan park and she needs his help to find her.
As Frank and Annie start to unravel the dark secrets of Meg’s life, it seems at first that her disappearance might be linked to her nephew and a drug deal gone wrong. In a shocking twist, their investigation leads them to a series of murders in North Wales from the 1990s and a possible miscarriage of justice. Can Frank and Annie uncover the sinister truth so they find her sister in time to save her? Or will a brutal serial killer add Meg to his list of victims?
I’m always complaining about thrillers and crime novels that rely on their twists and turns without any depth to the characters or the story. I couldn’t complain at all here. There are twists, including one I only started to suspect few pages before it was revealed. This book was full of emotion: Frank and his wife sitting in bed and looking at old photos was so poignant since both know her dementia is progressing and she is slowly forgetting it all; the beautiful relationship between Frank and his grandson; Annie’s grief over her sister’s disappearance and her nephew’s accident. All felt like fully realised people, even those only in the novel a short time. I could see Frank locking horns with police chief Dewi in the future or the scouse drug dealers. I loved the setting too, the author has managed to capture it’s beauty and it’s bleakness. This was a cracking mystery that crept up on you slowly then didn’t let you put it down. I’m looking forward to many more adventures with Frank Marshal.
So that’s all for March, but next month’s reading is busy as always. Here are a few books still lurking on my TBR for April. It’s going to be a great month.
Living and working in Snowdonia was always retired detective Frank Marshal’s dream. Until a phone call asking for his help turns it into his worst nightmare.
Retired detective Frank Marshal lives in a remote part of Snowdonia with his wife Rachel who is suffering from dementia. Working as a park ranger, Frank gets a phone call from close friend Annie, a retired judge. Her sister Meg has gone missing from a local caravan park and she needs his help to find her.
As Frank and Annie start to unravel the dark secrets of Meg’s life, it seems at first that her disappearance might be linked to her nephew and a drug deal gone wrong. In a shocking twist, their investigation leads them to a series of murders in North Wales from the 1990s and a possible miscarriage of justice.
Can Frank and Annie uncover the sinister truth so they find her sister in time to save her? Or will a brutal serial killer add Meg to his list of victims?
I love Snowdonia and have visited at least once a year since I was a child, even now staying in or close to the farmhouse we’ve booked since I was 12 years old. I also enjoy crime fiction so I can’t believe I haven’t come across Simon McCleave before. This is the start of a new series so I have the joy of going straight to the beginning of his other novels and devouring them. Frank Marshal is an interesting man, the ex-detective and mountain ranger lives in Snowdonia with wife Rachel who has dementia. For most of the novel their daughter Caitlin lives in the annexe with her son after fleeing an abusive relationship. It was quite a slow start to the novel but I could see what the writer was doing, setting the scene of the awe-inspiring landscape and also sowing seeds for future novels. I could see family issues and heartbreaking choices ahead for Frank, as well as some future rivals in the force and the criminal world. Annie was an interesting character too, an ex-judge and described as a close friend of Frank’s, he definitely shows his commitment and loyalty to that friendship as he puts himself in danger to find her sister Meghan. In a lot of ways Frank reminded me of my own father who has spent his life climbing all over Welsh mountains as a youth worker and climbing instructor. Frank’s desire to protect his family, as well as forgetting his age in the process was very familiar to me. Thank goodness my dad doesn’t have his guns anymore, but he’s not afraid to put his bare knuckle fighting and boxing skills to use when necessary. He’s a real worry. So I could imagine being Frank’s daughter and I recognised his determination when he realises half way through a fight that he’s feeling almost all of his 71 years.
The story really picks up speed after the first few chapters and as it became more addictive, I admit I stayed up until 1am this morning to finish. I had a hunch and I had to see how it played out. Frank and Annie’s investigation starts as Meghan goes missing and her son Callum turns up in hospital with amnesia. Annie doesn’t want to think that her nephew has anything to do with this, but at first they make a couple of discoveries that seem to point in his direction. However there are other potential avenues. The murky world of a 1990s serial killer, convicted when Frank was still on the force and a drug boss who dresses like a Boden model but is a Scouse gangster underneath. Frank’s police connections get them places most people couldn’t, including visiting a serial killer. They have a couple of nasty skirmishes too and I had to keep reminding myself that this was a couple of OAPs! Annie is equally ballsy and has some connections of her own, including a youth offender who now works in IT so he can care for his elderly mum. I’m fascinated with cold cases, in terms of the science we now use to convict offenders decades later, but also because of the things that are missed and dismissed. There’s a detail that’s so important to finding the truth that was completely dismissed by officers due to the witness being a sex worker. I watched a documentary about the Yorkshire Ripper where the police’s attitude to first killings was almost a shrug of the shoulders because they were sex workers. Yet when he killed a young woman on her way home after a night out both police and press said it was his first ‘innocent’ victim which made my blood boil. Frank and Annie find the witness, who has two very pertinent clues ignored for thirty years that could be the key to the case.
I’m always complaining about thrillers and crime novels that rely on their twists and turns without any depth to the characters or the story. I couldn’t complain at all here. There are twists, including one I only started to suspect few pages before it was revealed. However, the book was also full of emotion: Frank and his wife sitting in bed and looking at old photos was so poignant since both know she is slowly forgetting it all; the beautiful relationship between Frank and his grandson; Annie’s grief over her sister’s disappearance and her nephew’s accident. All felt like fully realised people, even those only in the novel a short time. I could see Frank locking horns with police chief Dewi in the future. I felt totally creeped out by Meghan’s rather unsettling neighbour at the caravan park. I was even interested in the scouse drug dealers and could imagine them finding their way into future storylines. I loved the setting too, the author has managed to capture it’s beauty and it’s bleakness, plus I look forward to visiting the Barmouth chippy when I go there later this year. This was a cracking mystery that crept up on you slowly then didn’t let you put it down. I’m looking forward to many more adventures with Frank Marshal.
Out now from Stanford Publishing
Meet the Author
Simon McCleave is a multi million-selling crime novelist who lives in North Wales with his wife and two children.
Before he was an author, Simon worked as a script editor at the BBC and a producer at Channel 4 before working as a story analyst in Los Angeles. He then became a script writer, writing on series such as Silent Witness, The Bill, EastEnders and many more. His Channel 4 film Out of the Game was critically acclaimed and described as ‘an unflinching portrayal of male friendship’ by Time Out.
His first book, ‘The Snowdonia Killings’, was released in January 2020 and soon became an Amazon Bestseller, reaching No 1 in the UK Chart and selling over 400,000 copies. His twenty subsequent novels in the DI Ruth Hunter Snowdonia Series have all been Amazon bestsellers, with most of them hitting the top of the digital charts. He has sold over 3 million books to date.
‘The Dark Tide’, Simon’s first book in an Anglesey based crime series for publishing giant Harper Collins (Avon), was a major hit in 2022, becoming the highest selling Waterstone’s Welsh Book of the Month ever.
This year, Simon is releasing the first in a new series of books, ‘Marshal of Snowdonia’ with several more planned for 2025.
Simon has also written a one-off psychological thriller, Last Night at Villa Lucia, for Storm Publishing, which was a major hit, The Times describing it as ‘…well above the usual seasonal villa thriller…’ with its ‘…empathetic portrayal of lives spent in the shadow of coercion and abuse.’
The Snowdonia based DI Ruth Hunter books are now set to be filmed as a major new television series, with shooting to begin in North Wales in 2025.
The blurb on the back of this novel promises an electrifying blockbuster that will be the start of a ‘nerve shattering’ new series. So there’s a lot to live up to, but don’t worry Son definitely delivers. To use a rather impolite phrase, this is a therapist’s wet dream of a novel – hidden characters, unexplained black outs, grief, trauma and an investigator who is dubbed ‘The Human Lie Detector’. I was definitely in my element here. Kari Voss is the centre of this tangled web, a psychologist who specialises in memory and body language making her a perfect consultant to Oslo’s police force. When two girls are brutally killed in a summer house in the village of Son, it’s a crime that’s closer to home than she would want. The girls, Eva and Hedda, were best friends with Kari’s son Vetle when they were younger. In fact it was while on a holiday seven years ago that Vetle disappeared in nearby woods and was never found. The girls are now teenagers and were planning a Halloween party for their friends, but were found tied to dining chairs with their throats cut. They were found by a third friend, Samuel Gregson, when he turned up to start the festivities. However, there was someone else there, someone who left slippery marks in the blood that has poured onto the floor. He’s the first person that police chief Ramona Norum arrests and starts to question. When Kari is asked to consult she knows this will be difficult, not only is she friends with the girl’s families, but their lives are inextricably linked to her missing son. How will she negotiate all the emotions this case will unleash and stay focused enough to find the girl’s killer?
Often with thrillers, I find they’re full of action, twists and turns that are really addictive, but have no emotional depth. The characters are often one dimensional and it’s hard to care about what happens to them. There’s no danger of that here. This is the perfect combination of twisty and unexpected, but underpinned with huge emotional weight. It’s deeply unsettling, with a questionable suspect and an equally unreliable narrator. Not only is Kari still dealing with the trauma of losing her son, she’s also grieving for the more recent loss of her husband. She can’t sleep and seems to running on empty from the start. Yet, the way she observes people is so detailed and it seems almost effortless. This goes way beyond the basics like crossed arms meaning someone feels defensive. In a lecture she tells students that in the space of an ordinary conversation we give away over eighty-five non – verbal signs about the mood we’re in. She’s not afraid of giving an unpopular opinion either. She absolutely backs the science and her ability to analyse people, whether they’re claiming to be innocent or guilty. I loved the tension created by the authors as they played with her expertise and her emotions. Is she detached enough to make a sound judgement here? As if that isn’t enough, there seem to be instances where Kari loses time. She wakes up in the car on her own driveway with no recollection of the journey home. She seems to have been on autopilot, so caught up in her own thoughts she hasn’t noticed the journey. She had similar blackouts after her husband died, but what has triggered them? When the young man arrested at the scene of the crime also seems to have experienced a black out I wondered whether he knew her history. Could he be deflecting attention from himself because he knows Kari’s secret? Or is Kari more liable to believe a story like that because she’s experienced it herself? It’s this complexity that makes the plot and Kari herself more fascinating.
No one is what they appear here. As Kari starts to ask questions about Eva and Hedda, it turns out that they aren’t always the polite children or young teenagers they appeared to be to the adults in their lives. Everyone has different layers, choosing what to reveal and to whom they reveal it. The authors are very clever about the amount of introspection they use, creating a hidden layer to the crimes and a breathing space between the character driven chapters and the ones filled with nail-bitingly intense action. Then they throw in another twist, to keep you engaged, leaving me unsure of my own deduction skills. There’s even subterfuge in the title, Son is a place that’s slightly north of Oslo, steeped in Nordic history and full of that unsettling atmosphere that I find Nordic Noir is so good at. Yet it’s also a person, so missed by those who love him and inextricably linked to this landscape, that has potentially become his final resting place. I was compelled to read this to the end, taking it everywhere with me on holiday so I could grab a chapter in a coffee shop or even in the car. This is an engrossing and addictive start to a promised new series and I’m already craving the next instalment.
Out on 13th March from Orenda Books
Meet the Authors
Known as the Queen of French Noir, Johana Gustawsson is one of France’s most highly regarded, award-winning crime writers, recipient of the prestigious Cultura Ligue de l`Imaginaire Award for her gothic mystery Yule Island. Number-one bestselling books include Block 46, Keeper, Blood Song and her historical thriller, The Bleeding. Johana lives in Sweden with her family. A former journalist, Thomas Enger is the number-one bestselling author of the Henning Juul series and, with co-author Jørn Lier Horst, the international bestselling Blix & Ramm series, and one of the biggest proponents of the Nordic Noir genre. He lives in Oslo. Rights to Johana and Thomas’ books have been sold to a combined fifty countries and, for the first time, two crime writers, from two different countries, writing in two different languages, have joined forces to create an original series together.
I’ve slowly been collecting the Stone and Oliver series over the past year, after one took my fancy in Northumberland’s famous Barter Books in Alnwick. Since then I’ve grabbed the paperbacks wherever I found one so I could read them all in order. Then this blog tour offer came along so I jumped at reading one completely out of sequence. Now I can’t wait for the rest of the story!
Frankie Oliver and David Stone have been working together in the same MIT for the a few years, in their Newcastle headquarters jokingly referred to as ‘Middle-Earth’. However, the novel starts in a much darker place, many years before, when another detective is called to a body found on some waste ground. Horrified, he drops to the floor unable to contain his devastation. The body on the ground is his daughter. It’s such a powerful and emotive opening, leaving us in no doubt that this is a defining event for the loved ones of this girl. An absence that they still feel every day. For her dad it’s complicated by the fact he’s a murder detective and he missed Joanna’s last call. It’s arguable that this case is the very reason that her sister, Frankie Oliver, became a detective. She and David are an incredible team at work and have the potential to take their relationship further. It’s clear there’s been some ‘will they won’t they’ over the course of the previous novels. Now Frankie is taking a break from the team in Newcastle, a promotion to DI means she must fill a post back in uniform for a while, based out of the most northerly police station in the county, Berwick-Upon-Tweed. Frankie accepts and the team organise a leaving ‘do’. It’s there that Dave overhears an argument that immediately propels him back to the murder of Frankie’s sister. What’s said between the two men outside the venue sparks an idea in Dave’s mind. He has had an idea of how to investigate the cold case, but knows that he doesn’t want to bring more pain to the family. Hopefully Frankie’s secondment to Berwick means they won’t have to.
Meanwhile Frankie’s first job is an RTC on the A1 and in the total chaos she finds a little boy handcuffed in the back of a van. The driver and passenger are dead and the van is a write off so Frankie can’t believe this little boy has survived. As she rescues him, an onlooker tells her that a man escaped out of the back doors straight after the crash. This opens up a trafficking case that might take her straight back out of uniform again. The boy, Amir, takes to Frankie. Possibly the first person in a long time who has made him feel safe. She shows a real maternal side with him and her sister-in-law Andrea is sure that Frankie’s sister Rae will feel the same. Andrea and Rae have been looking at fostering, much to Frankie’s surprise. Could they be the right fit for this terrified boy? Dave has been missing Frankie’s presence but he knows that solving the case of what happened to Joanne matters to her more than anything. He has just one officer -Indira- and a limited time scale to investigate. Frankie is the only person he wants to talks to but she can’t know until and if, they make an arrest. Especially since he suspects the murderer may have been closer than they ever imagined.
This really is a nail-biting story, written in very short chapters that are easy to devour very quickly. So many have a cliff-hanger ending too. The setting is beautifully captured in it’s contradictions: the modernity and buzz of Newcastle with the contrast of the wild countryside and beautifully rugged coastline. There are differences in policing too as we can see from Frankie’s time on the Scottish Borders. I really fell in love with Frankie’s family, because they are so loving and nurturing with each other. I could see how taking in Amir could be the best thing for him, but it could also put the tightly knit Olivers under stress or even into danger. I kept thinking about how distraught the family would be if something happened to him or to those like Andrea and Frankie who are trying to put the child trafficking gang out of business. The author cleverly uses these family dynamics, as well as Dave and Indira’s gentle and nuanced interviewing on the murder case, as a contrast or perhaps a breather between Frankie’s more nail-biting action sequences. The only drawback was that I’d be so desperate to know what happened next for Frankie that I might not take in all the detail of the quieter chapter in between. Of course that says more about my lack of patience than the book. As for the relationship between Frankie and Dave, I was very much invested despite not knowing everything that’s gone before. I can see both their perspectives and there are so many reasons not to take a risk, but if we never take a risk we might never know what might have been. It reminds me of the inspirational quote about fear of falling; ‘but imagine, what if you fly?’
Meet the Author
Multi-award winning Mari Hannah is the author of the Stone & Oliver crime series, the Ryan & O’Neil series and the DCI Kate Daniels series.
In July 2010, she won a Northern Writers’ Award for Settled Blood. In 2013, she won the Polari First Book Prize for her debut, The Murder Wall. She was awarded the CWA Dagger in the Library 2017 as the author of the most enjoyed collection of work in libraries. In 2019, she was awarded DIVA Wordsmith of the Year. In that same year, Mari was Programming Chair of the Theakston Old Peculier Crime Festival. In 2020, Mari was named as DIVA ‘Wordsmith of the Year’ and won Capital Crime’s ‘Crime Book of the Year’ award.
She lives in Northumberland with her partner, an former murder detective.
To find her or see where she’s appearing, visit her events page at: marihannah.com or follow her on Twitter @mariwriter.
Unusual police departments have been a bit of a theme this month, with this being the third unusual investigation I read in February. This was a very spooky second visit to the unusual police department, housed in Manchester’s Tib Street Ballroom. We follow DI Andy Joyce, his team and their consultant Peggy who has some otherworldly skills and expertise. We’re at the Palace Theatre, where the cast are struggling to rehearse their play thanks to a dark, swirling and angry spirit. For some reason it wants them dead or the play cancelled at the very least. Lady Bancroft’s Rose has been performed only three times since 1922, but there has been a mysterious death each time. Particularly affected is Lavinia, a blonde actress who has taken over the play’s main role, since the original actress is now too traumatised to continue. Lavinia seems to be the focus of most of the spooky activity and she’s quite happy to cast Andy in the role of her rescuer – cue a few eye rolls from Peggy. More disturbing than the theatre is Andy’s home, the same cottage he grew up in with mum Agatha and brother Rob. While he knows Rob is there, he’s never been a difficult or angry ghost. Now strange things have started happening that make him think the ghost is angry, leading his guilt over Rob’s death to go into overdrive. With Andy and Peggy at odds with each other, will he ever found out what’s going on?
Similar confusion was happening at the theatre as more of the spirit’s angry tricks come to light, including an attack on Lavinia and another on her dressing room where words are written in black all over the mirror and the ceiling. Nothing adds up. No one has had time to create this effect and the only person who’s been inside is Lavinia. Peggy makes contact with a rather dapper ghost called Alistair, who tells her that thanks to the theatre’s busy past there’s more than one ghost haunting various parts of the building. He identifies Jock as the swirling shadow ghost who’s causing problems, but what the team need to work out is why this theatre and this specific play? Despite being in shadow form Jock seems capable of manipulating objects and attacking those he isn’t happy with. Or is there a human element to to this mystery? This could explain Higson’s insistence that the team stay at the theatre even though no crime has been committed. Either way it is a bonus for Andy, who can’t bear to go home and sets up a camp in the empty ballroom. For Peggy, family is also a problem. Charlie is his usual self, popping in and out when he feels like it and drinking with Higson. When it becomes clear that the play is being staged for charity her worst fears are realised. It’s the charity run by her mother and her partner Edgar, previously Peggy’s fiancé. How will she cope in the same room as them?
I thought the author managed to combine all the elements of her story well, although it wasnt the theatre case that caught my attention most. It was the terrifying scenes at Andy’s house and the ‘will they, won’t they” of him and Peggy. I love the humour laced through the action, especially the North West tone. I love that female characters are in the thick of the action and Marnie is honestly the ghost that keeps on giving. We’re no further forwards in knowing how she flits from place to place and person to person, but her entertainment value is unrivalled. From a psychological perspective we can see certain characters setting their boundaries in life, especially where parents are concerned whether they are alive or dead. It was interesting to learn more about Andy and his childhood which sounds bewildering. Once his father is gone and mum disappears into her church, the boys are almost abandoned – especially if they don’t fall in line with her new rigid religion. I know the third book is on it’s way and I’m looking forward to it already. I’d love to know more about how Higson set up the unit and what happened to Andy’s predecessor who still haunts the ballroom and chips in at briefings. I’m also looking forward to more of Peggy and Andy’s story too.
Meet the Author
Keira Willis was born in Manchester in 1986. and grew up irresistibly drawn to mystery novels and ghost stories.
Her captivating 1980s-set ‘Tib Street Ballroom’ is a thrilling crime and mystery novel with a ghostly twist, following DI Andrew Joyce’s transfer to an obscure police department in Manchester. Joyce must put aside his inherent scepticism and confront the impossible if he has any chance of solving Marnie Driscoll’s murder, working alongside reluctant ‘consultant’ Peggy Swan, who just so happens to be able to speak to the dead.
Book two of the Tib Street Ballroom series – ‘Exit, Pursued by Death’ – was published to acclaim in October 2024, and follows the Tib Street team as they investigate the dark history of a play, while trying to prevent another death from occurring on opening night.
With a belief that adults deserve their own share of action-packed, thrilling, and humour-infused adventures, Keira tells stories that blend intrigue with spirited storytelling and memorable characters, inviting adults to rediscover the exhilarating action-packed adventures that they immersed themselves in as children.
When I want a thriller that I’ll absolutely devour in one or two sittings, I always reach for Mark Edwards and his latest is very unsettling. Fiona Smith is new on the street and is trying to get to know her neighbours. Ethan and Emma Dove seem like a lovely couple, in fact they’re the ideal family. Their kids Dylan and Rose are targeted by the two tearaways who live across the road who circle the other teenagers on their scrambler bikes, as their German Shepherds circle their terrified cockapoo Lola. Fiona intervenes and when later one of the boys has a terrible accident their parents are convinced someone caused the tyre blowout that resulted in a head injury. It couldn’t have been Fiona could it? The boy’s parents can’t find a trace of Fiona online so no red flags. However, the elderly lady called Iris who lives on the corner, she’s sure she’s seen Fiona before but can’t quite put her finger on where. When Fiona offers to look after Ethan and Emma’s daughter Rosie for the summer she has definitely become a feature in their lives. Their son Dylan is unsure. He definitely doesn’t need a babysitter, but it isn’t just that. Fiona unnerves him. He’s noticed that when no one is looking her expression becomes neutral, like a robot. Rose is enraptured though and they begin to visit Fiona’s favourite places and play chess together when it’s raining. All the time Fiona is monitoring Rose. Has she seen a glimmer of herself in this ordinary seeming teenage girl? As Fiona starts to test out Rose’s limits, Ethan and Emma are oblivious to what’s happening to their daughter.
The action takes place over one summer, with steadily rising tension. I can promise you that you’ll reach a certain point and won’t want to put this down. Ethan and Emma have a fairly ordinary family life with the usual ups and downs. I felt Ethan was much more fleshed out than Emma, he’s recently taken the risk of opening a vinyl record store and taking the move further out of London. They had a recent crisis in their relationship after Emma became close to a work colleague – something Ethan describes as an ‘emotional affair’. Fiona is very amused by this description and sees it as a potential opportunity to drive a wedge between them. I was surprised that they so readily agreed to leaving Rose with their new neighbour, after all their knowledge of her is vague at best. They haven’t even been inside her house. However, I did understand the financial pressures and needing to be two working parents with teenagers pushing to do different things. Fiona is a godsend, a very rare adult that Rose enjoys being with. They definitely seem to have a bond, but is that down to a shared psychology? Rose could just be doing that teenage girl thing of being fascinated with a woman who isn’t her mum. Fiona allows little slivers of rebellion, like watching a horror film that her mum wouldn’t approve of. This builds a web of secrets between them and lets Rose feel like a grown-up.
Psychologically, the story is fascinating. The word ‘grooming’ has to be applied here. Fiona is very aware of the protection her gender affords and a further layer is afforded to mothers. No one suspects a mother and her daughter, it’s the same reason that female murderers become so infamous: women are creators not destroyers. There’s also the nature versus nurture debate, is Fiona simply harnessing a tendency already present in Rose or will her grooming bring out behaviour that would have otherwise stayed dormant. There are some heart-stopping moments as the novel comes towards the final showdown and I was absolutely gripped. I love that Mark Edwards doesn’t follow the usual tropes of thrillers, because I kept thinking that once Rose realises her full potential there would be no going back. Psychopathy has some treatment options available, but current thinking is that it’s an inherited or genetic condition where the areas of the brain controlling behaviour and impulse control are underdeveloped. Treatment is a combination of psychotherapy, behavioural training and an emphasis on the importance of connection to family and the wider community. However, it is a disorder that can only be controlled rather than cured. Once someone has been shown that society’s rules can be broken can they ever truly go back to how they were before? One thing that really stood out to me was that Fiona’s house has no books! Always a bad sign I think and as a piece of advice on dating it was invaluable; if you go home with someone and they don’t have books, don’t sleep with them. I won’t ruin the book by saying too much, but I highly recommend it to those who enjoy devouring thrillers. In fact if you’ve never read Mark Edwards before go and take a look at his previous books too. You won’t be disappointed.
Out now from Thomas and Mercer
Meet the Author
I write books in which scary things happen to ordinary people, the best known of which are Follow You Home, The Magpies, and Here To Stay. My novels have sold over 5 million copies and topped the bestseller lists numerous times. I pride myself on writing fast-paced page-turners with lots of twists and turns, relatable characters and dark humour. My next novel is The Wasp Trap, which will be published in July in the UK/Australia and September in the US/Canada.
I live in the West Midlands, England, with my wife, our three children, two cats and a golden retriever.
Alexandra, Lucy, Bridget, River and Natalie. Five friends who wish they’d never met. Because the one thing they have in common is the worst thing in their lives: they are all being stalked.
When one of their group is murdered, days after their stalker is released from prison, time stands still for them all. They know their lives could end just as brutally at any moment – all it takes is for the people they fear the most to catch up with them.
When the group receive a threat that one of them will die in ten days’ time, the terror that stalks their daily lives becomes all-consuming. But they know they don’t want to be victims anymore – it’s time to turn the tables and finally get their revenge.
Because the only way to stop a stalker is to become one yourself…
After starting the novel with a tense and terrifying narrative of a woman being stalked, the author jumps forward and shows us how the loss of Natalie has affected those around her so deeply. For a handful of mourners, her loss is a terrible reminder of how they met and increases the fear of their own fate. Natalie’s friends tell their stories through the WhatsApp group they share. Alex, Lucy, Bridget and River are all victims of stalking. They formed their group to support each other and as a way of looking out for each other, using it to check in when outside their homes and when they return. However, when a very clear threat is made against them, they have to protect themselves. What lengths will they go to? The structure takes us between characters giving us a little bit of their story each time. Each of their stories slowly weaves together to create a whole; the phrase ‘one more chapter’ is very apt for this book. Sometimes you get caught up in a particular story, reach a cliffhanger and realise you have to read through three more chapters to find out what happened. It’s a interesting mix of characters, choosing women of different ages and a man shows us that it’s not only young women who are victims of stalking. I could sense that there were secrets to unearth with all of them and I found myself unable to fully trust anyone. They were complex and I thought the author explored their character and the group dynamics really well. I found myself switching between who I mistrusted and why. This suspicion did ramp up the tension not to mention the thrilling action scenes.
The other aspect of this novel that is brilliantly executed is the description of the psychological impact that the stalking has on each character. We can see each character dealing with their situation differently, based on their personality, past experiences and who is stalking them. Some know exactly who their stalker is, while others are stalked by a complete stranger. The author manages to put across the constant vigilance, that feeling of always looking over your shoulder and the fear of what the stalker might do next. She shows how some stalkers escalate, keeping their victim behind closed doors, terrified to venture into the outside world alone. There’s also an element of victims taking their power back and carrying out acts of retaliation. The remaining four of the group do this by tagging their stalkers so they can monitor their whereabouts at all times. To do this without the stalker realising is incredibly dangerous. As each chapter counts down to the potential murder of one of the victims, the sense of fear really does set in and keeps those pages turning.
Reading this in the same week that Louise, Hannah and Julie Hunt’s killer was found guilty of their murder really hit home. Misogyny and violence against women seems to be on the rise at the moment. Often violence follows months or even years of abuse, coercive control and stalking. It also seems that women are losing trust in the system that’s designed to protect them, especially since Sarah Everard was killed by a serving police officer. Here the characters are avoiding telling the police and I was left wondering it was disillusionment with the police force or whether some characters had something to hide. For the person who once professed to love you, to exhibit such abusive behaviour, must be terrifying. In fact it is often walking away from the relationship and cutting off communication that leads to escalation, just when the victim is settled and starting to feel safe again. The author’s writing brings the truth of this issue to light, because it shows how important it is to have all the parts of a story. The problem is, stalking is often a case of one person’s word against the other. The book’s structure shows how one person’s account either illuminates or throw suspicion on someone else. Whether they’re guilty or not can depend upon their eloquence and ability to charm others. This is such a timely novel and it was interesting to read how the author’s research and personal experience informed her story. For me it was this personal insight that made her story feel so authentic.
Available now. Published by Avon Books
Meet the Author
C.L. Taylor is an award winning Sunday Times bestselling author of ten gripping psychological thrillers including EVERY MOVE YOU MAKE, a Richard and Judy Book Club pick for autumn 2024, THE GUILTY COUPLE, (Richard and Judy Book Club 2023) and SLEEP (Richard and Judy Book Club 2019).
C.L. Taylor’s books have sold over two million copies in the UK alone, hit number one on Amazon Kindle, Audible, Kobo, iBooks and Google Play, and have been translated into over 30 languages and optioned for TV.
Her books are not a series and can be read in any order:
I always jump at the chance to read a new Nicci French book. Also they’re so prolific that it’s easy to find earlier novels in charity shops. This novel is set in a Victorian house split into flats and it’s newest residents are Nancy and her boyfriend Felix. Nancy is recovering after a psychiatric episode and a stay in hospital. Thankfully her voices have subsided but she’s fragile and moving to a new part of London has been destabilising. After venturing out for a walk she starts to experience voices again and in her confusion she rushes back to the flat. At the front door she bumps into a young woman wearing very striking green boots with yellow laces. The woman speaks to Nancy but it doesn’t make sense and it doesn’t help that she’s trying to distinguish between which voices are real. All she knows is that the woman was distressed and possibly needed help. Only 24 hours later the young woman is found hanging in the basement flat. Her name was Kira Mullan. Everyone seems sad that Kira committed suicide but for Nancy, something feels off. She isn’t sure that Kira did kill herself. How can she convince the others that she’s telling the truth when nobody trusts her?
This novel was absolutely gripping with brilliantly written main characters and a haunting central victim in Kira. I loved the idea of following the story through Nancy who has been struggling with her mental health and a clever, perceptive detective in Maud. The authors have cleverly placed Nancy on shifting sands – not only has she had a period of psychosis but she’s moved house and into an entirely strange area of London. She’s also lost her livelihood as a chef and could be living in a building with a murderer. She’s also without a touchstone in her life. I know exactly who to go to and ask whether I’m the asshole? I have friends who will tell the truth about whether I’m over-reacting or if something is genuinely wrong. This was invaluable when I found myself in an emotionally abusive relationship. I’d hoped that Nancy’s boyfriend Felix would be that person but I’d noticed a few red flags. He’s very attentive and seems to want her wrapped up in cotton wool, but Nancy is doing all the right things. On the day after she’s heard voices she asks to see the psychiatrist who changes the dosage of her medication and goes for counselling. She’s resting and doing her breathing exercises. In fact there’s very little else she can do. The authors leave us constantly wondering about her; is she paranoid or are the other residents out to get her?
Felix claims he only wants people to look out for her but Nancy feels like her space and autonomy are being encroached on. Felix tells the other residents everything about her history, including the psychosis, even the doctor who lives across the hall. He even gives next door neighbour Michelle their door key so she can let herself in, much to Nancy’s shock. His actions have actually left Nancy more vulnerable, leaving her open to abuse from others that they can deny. Who’s going to believe the mad girl? Nancy doesn’t think she’s paranoid but can see that her actions might seems excessive: she goes through Kira’s bin; steals a used condom from the flat and goes to look at the apartment with an estate agent; she also tells the police and Kira’s mother that she doesn’t think it was suicide. Just as she thinks she’s getting close to answers she is sectioned again after Michelle informs Felix that she threatened her. The authors show us how vulnerable mentally unwell women are in the care system and NHS, even though they’re designed to protect them. Not only is her liberty taken away and she’s prey to unscrupulous carers and nurses. In this upside down world, the more she protests her sanity the worse things become. She loses whole days to medication and is told by one male nurse that her life would be easier if she was ‘nice’ to him. So Nancy bites him. She has only one choice here. Be obedient, ignore the barbs and smile sweetly through visits she doesn’t want. It’s the only way she’ll be free.
I loved the relationship between the detective Maud and Nancy. Maud is so perceptive and their experiences do mirror each other in a way. Maud knows that as a woman in the MET she is in the minority and she’s fully aware of the type of man that can be hiding behind a uniform or a title. In their respective institutions Nancy and Maud are trapped within a system they can’t change. Maud knows that if she becomes emotional or passionate about a particular case she will be seen as an irrational or hormonal woman. If she’s assertive and asks for what’s rightfully hers she’ll be called a bitch. In order to get the cases she wants and stand up for women like Kira and Nancy she has to play the game. It seemed to me that Maud saw the red flags with certain people whether in the flats or the house next door. She never holds Nancy’s illness against her and accepts that although she’s been struggling, she still might have something useful for solving the case. She also has a network of women within the system who will do her favours, such as looking over autopsy results and giving a second opinion. I loved the way she handles herself and her confidence in very dangerous circumstances. This was a gripping and psychologically brilliant read. I’d didn’t work out all of what had happened in Kira’s final days but the end was satisfying and I reached it very quickly because this is quite the page turner.
Out in hardback from Simon & Schuster on Jan 16th 2025
Meet the Author
Nicci French is the pseudonym of English husband-and-wife team Nicci Gerrard and Sean French, who write psychological thrillers together.
I came late to Janice Hallett with her novel The Alperton Angels so it’s taken a hiatus from blog tours to finally catch up with her debut novel The Appeal. If you’ve been wondering whether it lives up to the hype? It definitely does. We’re taken to the world of the Fairway Player, an am dram group in an affluent village. It’s time for the players to put on a production of Arthur Miller’s All My Sons and the usual suspects are readying themselves for auditions. Two events will affect the run: founder members Martin and Helen Hayward find out their granddaughter Poppy has a brain tumour and a new couple move into the village. Sam and Kel Greenwood are nurses and have completed years of aid work in Africa. As fundraising begins for Poppy to have experimental treatment in the USA everyone in the friendship group commits themselves to helping. All except one villager, who is suspicious and starts to make enquiries about the Hayward family. Someone within the players loses their life and another is already in prison on remand. QC Roderick Turner assigns law students Charlotte and Femi to the case. As they review the evidence they start to wonder if the right person is in prison and if even darker secrets lurk beneath?
The first thing that’s different about this book is the structure. We’re told the story through the WhatsApp messages of Femi and Charlotte as they review the evidence in the form of texts, emails, letters and other documents. At first it’s a bit disorienting because there are so many characters and it’s hard to remember how they’re all related. Luckily there’s a good glossary of characters and they do simply ‘click’ after a while. It’s a bit like dropping into a conversation half way through but Femi and Charlotte act as a pit stop where the case so far is reviewed and the relationships clarified. There are two main strands to the story and they concern the alpha family, the rich and established Haywards and new recruits the Greenwoods. The Haywards own The Grange, a venue for events and health treatments and their family home. Sam and Kel are the latest Fairway recruits, championed by Isabel Beck who they know from work and is a rather lowly member of the group. They are an unknown quantity and could easily upset the dynamic, especially since they’ve been used to a very different and dangerous environment.
Isabel felt to me like the character who holds everything together. Not only does she link old and new residents, she is the most prolific email and text writer. While her output suggests she is a very popular resident who’s at the centre of everything that happens in the village, there doesn’t seem to be much correspondence the other way. In fact other residents ignore Isabel, bitch about her behind her back or are directly snappish and rude. She’s fascinating because the relationships you’d expect her to have from her constant communication don’t seem to exist. She pays court to Sam Greenwood who works alongside her on the geriatric ward, but there’s no real evidence that they’re friends. She feels like a child in the playground that no one wants to play with. She’s on the periphery of groups, desperately laughing at their jokes and joining their events, but is never the focus of their interest. She doesn’t seem to have a solid sense of who she is, bending to the whims of whoever she’s with desperately wanting to be liked. It’s painful to read about her planning to do things with people who have no intention of doing them – she mentions her and Sam going out to Africa but theres no correspondence to show this was ever a shared plan. She reads like a borderline personality and while I felt sorry for her she also made my skin crawl a little. She’s desperate for any sort of attention and people who are desperate do desperate things. I was also a little suspicious of Poppy’s oncologist, especially when a potential donor turns up who’s happy to give 100k to the appeal but wants assurances, such as the actual supplier of the drugs? Also he doesn’t understand why he’s paying the doctor in the UK when the treatment is in the US. The doctor’s replies are vague and I wondered who was trying to benefit – the doctor, the Haywards?
Just as we settle into the community the author throws in a new variable, such as Kel and Sam’s friend who’s arrived on a break from his own work in Africa. He creates a disturbance at the yoga fundraiser giving Poppy an African doll that he claims has curative properties. He seems drunk and is possibly a drug user too. Could he have committed the murder? We really don’t know who the murderer is, even if we can work out a few of the reasons why. The most fascinating part to me is the psychological make-up of the characters and the dynamics between them. Aside from Isabel’s potential personality disorder, there’s the Greenwood’s PTSD from their aid work and the sad fact that the Haywards lost a child years before. The dynamics are clever with Alpha family The Haywards at the centre of the community, backed up by those who police the community and make their ideas happen. A new couple changes and disrupts the group dynamics where existing people know their place and dutifully follow the group rules. Then there’s those who think they’re in the community, but aren’t. Once you’ve started this novel you won’t be able to put it down. Im laid up in bed or the couch at the moment, so I read this straight through and loved every minute.
Out Now from Viper Books
Meet the Author
Janice Hallett is the author of five best-selling novels. Her debut, The Appeal, was awarded the CWA Debut Dagger of 2021 and was a Sunday Times’ Bestseller, Waterstones’ Thriller of the Month and Sunday Times’ Crime Book of the Month. Her second novel The Twyford Code was named Crime & Thriller Book of the Year in the British Book Awards 2023. It was also a Sunday Times’ Bestseller and a Financial Times book of the year. The Mysterious Case of the Alperton Angels was an instant Times and Sunday Times bestseller on its launch in January 2023 and a Richard & Judy Book Club pick.
The Christmas Appeal, a fast, fun and festive novella, was launched in October 2023. It was a Times and Sunday Times bestseller.
Her latest novel The Examiner, was an instant Times and Sunday Times bestseller on its launch and is out now.
Her first novel for children aged 8-12 is A Box Full of Murders, out in June 2025.
Janice is a former magazine editor, award-winning journalist, and government communications writer. As a playwright and screenwriter, she penned the feminist Shakespearean stage comedy NetherBard and co-wrote the feature film Retreat.
The Lotus Readers 