Posted in Netgalley, Throwback Thursday

Missing Pieces by Laura Pearson

I’ve read a little bit of Laura Pearson before, so I did come to this expecting a moving and powerful story. It didn’t disappoint. When Bea is born it should have been a healing, new chapter for the family – mum, dad and older sister Esme. However, Bea was born to a family struggling in the aftermath of a tragedy. Esme was only seven years old when her sister Phoebe died suddenly and unexpectedly. It hits Esme hard because she was supposed to be looking after her sister. Their dad Tom feels an immense weight of guilt because he shouldn’t have stayed out later than expected. Esme’s mother is also wrestling with guilt and blame, she’d briefly popped next door to help a neighbour knowing that Tom would be home imminently. This is a story of a family, years later, struggling with unimaginable loss. How can they learn to forgive each other, or themselves?

Laura splits the story into two sections: the first months after Phoebe’s death interspersed with a narrative where Bea is trying to understand what happened to her family a couple of decades later. These feelings are coming to the surface because she herself is pregnant. I really enjoyed the section in the present day as Bea searches for the truth when her parents won’t ever talk about it. It reminded me of something my mum has recently done. Her first sister, Teresa, died on Bonfire Night 1959 and although she doesn’t remember everything she does have a memory of a tiny coffin that my grandad was carrying and putting in a black car. Mum tracked down a community group who were looking for the resting place of their stillborn babies in the same area where she grew up. Back then, if there was no money for a funeral or a grave plot then a baby might have been buried in a coffin with someone else or in a grave for several bodies. Three years ago she was able to take my grandma to a ceremony at the graveyard in Liverpool where a memorial was finally in place for babies lost and buried in a pauper’s grave on the site. It’s easy to underestimate how much the death of a baby affects other children in the house and i think we all underestimated how it still affected my grandma who is now 91. 

Bea feels like she’s lost part of her identity. This loss is part of their joint family history and no one is addressing or memorialising it. Of course this is tough for other family members, all of whom blame themselves. The loss for Bea and her older sister Esme is threefold: they lost a sister, they lost the relationships and life experiences they would have had as three sisters and they lost the happy family life they might have had if their parents hadn’t been carrying the weight of all that grief and guilt. As for the other characters in the book, I did find Linda a bit of a struggle. It’s clear she’s never fully connected with Bea and when we go back in time we can see her conflicting emotions over being heavily pregnant. She is buried by her grief for Phoebe and feels bad for being pregnant again. She doesn’t want to replace Phoebe and sometimes wishes she wasn’t pregnant. A combination of fear, guilt, sadness and anger take over and she really wasn’t there for Esme or Bea, once she’s born. In the past sections there’s an oppressive atmosphere that hasn’t fully lifted, even in the girl’s adulthood. Esme can’t talk with her father so Bea doesn’t stand a chance when wanting to ask questions. It would mean delving back into the pain and communicating honestly, but no one wants to go back into the raw grief and horror of that day. Bea wonders how she can be a good mother when she has no relationship with her own. Will the family be able to rally around her, find a way to talk and become a united family again?

It’s a trademark of Laura’s books that characters are forced to talk about difficult and frightening experiences or situations they find themselves in. I love the openness and honesty these issues need and it is like a counselling process if people can start sharing and healing. I did shed some tears at times. I thought the author’s depiction of the parent’s grief was realistic and raw. We’re let into every aspect of a characters mind, no matter what their thoughts might be. I could genuinely feel these character’s emotions and pain. Yes, this is intense. Somehow through, this isn’t off-putting. We’re given just enough glimpses of hope to lift the story, personified by the new start Bea’s baby brings to the family. I found myself gripped, willing these people to give themselves a break and stop being angry with themselves and each other. This is an emotional but satisfying novel that shows healing is possible, if we’re willing to do the work. Beautifully written, emotional and ultimately hopeful. 

Out now from Boldwood Books

Meet the Author

Laura Pearson is the author of five novels. The Last List of Mabel Beaumont was a Kindle number one bestseller in the UK and a top ten bestseller in the US. Laura lives in Leicestershire, England, with her husband, their two children, and a cat who likes to lie on her keyboard while she tries to write.

Posted in Netgalley

The Stars and Their Light by Olivia Hawker 

I was instantly fascinated with the subject matter of this book – the 1947 Roswell Incident in New Mexico. As any good X-Files fan knows this was the most famous potential UFO sighting in history. An unidentified craft lands in a field and local workers find objects they can’t identify. There are witnesses too who can’t explain what they’ve seen, even though the government claims it’s merely a stray weather balloon. This felt very pertinent at a time when unexplained phenomena, particularly in the USA, are once again giving rise to conspiracy theories such as the Blue Beam Project. Here we meet Betty Campbell whose father Roger is based at Roswell and brings home an object from the landing site. Roger and his friend Harvey Day have been on the recovery team and are shocked by what they found. Both men served in WW2 so they’ve seen action, but this has Roger so confused he goes against orders and takes a fragment home to his family. However, when his daughter Betty handles it, she develops stigmata. Lured by a possible miracle the Catholic Church sends Sister Mary Agnes to stay at a local convent and investigate this apparent miracle. 

This book was different to anything I’ve read before, but was a combination of many genres I love to read – science fiction, historical fiction and family drama. Sister Agnes is part of a local cloistered order, but here she will act as their PR in a way, liaising with local people and being the supportive face of the order. She is certainly the only person supporting the Campbell family, as Roger’s superiors start to shut down speculation. Betty is being ostracised in town and desperately needs a friend. She’s scared, confused and lonely. There are complex emotional matters here, such as how we cope when something we’ve seen surpasses our own understanding or clashes with our faith. There’s a loss of belonging – whether it be to the army, the church or a social group. I thought the interactions between Betty and Mary Anne were full of a yearning to understand and cope with a faith that might waver in the face of unexpected evidence. The clash between the Catholic Church and this encounter with the unknown is an almighty one, but it’s also a clash between the patriarchy and a young girl deemed ‘not holy enough’ to be visited by a miracle according to the bishops who come to witness the stigmata. If it isn’t a miracle what exactly is it? When the church maintains their stance that what’s above our world is heaven and the earth and all it inhabitants were all made over seven days, it seems reasonable to ask who made the other planets? Not to mention the galaxies beyond. Is Betty being punished or rewarded with this miracle? Especially when she discloses that her chosen course of study at college was going to be astrophysics. The church’s attitude is about trying to keep the status quo. Readers who have a faith or who are unable to stretch their mind beyond the established narrative on UFO sightings, might find the novel’s tone disrespectful but I quite enjoyed the anti-establishment feeling.

I would categorise the book as historical fiction more than sci-fi because it’s exploration of attitudes as they were at the time is the central theme of the book. It doesn’t take the UFO story forward or leap into alien worlds. The church’s role and attitudes were specific to the time period too, a plan of shutting down the claims and gossip to keep the church’s current role and influence in the community. Now poor Betty’s plight would be all over Facebook in seconds. I thought the characters, particularly Betty and Mary Anne were well written and felt very real. Their interactions were authentic and rooted within a desire to help. It’s a slow but utterly unique story that I felt fully explored such an unprecedented experience and the way people were affected by it. The author’s note at the back is an absolute mine of information about Roswell and the historical documentation on the event. We’re also told about the author’s own experiences, which show how she’s managed to write these characters and experience with such authenticity. This was different to sci-fi because it focused on the earth and human interaction with a UFO experience, as well as the response of powerful institutions whose first instinct is to reinforce the existing belief systems and behaviours. I felt that Mary Anne and Betty’s relationship almost existed outside that and became a therapeutic relationship for both concerned. This was unusual, interesting and made me think about my beliefs and how I’d come to hold them.                                                                                                                                                                                                                                                                                                                       

Meet the Author

Olivia Hawker is the pen name of American author Libbie Grant. Olivia writes historical “book club” fiction, for which she has appeared on the Washington Post bestseller list and has been a finalist for the Washington State Book Award and the Willa Literary Award. Her novel One for the Blackbird, One for the Crow, a favorite of readers around the world, was among Amazon’s Top 100 Bestselling Books of 2020. Under her real name, she writes literary fiction, and—via her podcast, Future Saint of a New Era—experiments with modern storytelling techniques that transcend the limitations of the printed word. A permanent resident of Canada, she divides her time between Victoria, BC and the San Juan Islands of Washington State. For more information, please visit hawkerbooks.com.

Posted in Netgalley

The Cliff Hanger by Emily Freud

You think you know how this ends. Think again.

Goodness this was a wild ride, full of unexpected twists, characters that are pathological and a book being written within a book. Married couple Felix and Emma seem to have it all. They are the husband and wife team behind the hugely successful Morgan Savage thrillers. However, their latest novel isn’t coming as easily as their others. Felix is drinking to the point of blacking out and had an affair with a girl called Robin who worked for their publishing house. Emma is angry and popping anxiety pills any chance she gets. Their publisher Max, exiles them to the South of France in the hope that new surroundings for the summer will unlock their creativity. The house is beautiful, on a cliff overlooking the sea, when visiting housekeeper Juliette tells them a story about a painting that hangs in the house an uneasiness hangs in the air. The girl was prone to sleepwalking and one night got out into the garden and walked directly off the cliff edge. Sometimes, her cries can be heard at night. Under the sweltering sun, will the couple heal their differences or will they become trapped in a deadly game that beats the plot of any Morgan Savage bestseller. 

This is a slow burn thriller, but when it does start to speed up it’s like a runaway train. Emma seems quite rigid and tightly controlled, almost as if she’s stifling her true feelings or self. Felix appears to be the more relaxed of the pair, sociable and happy to succumb to the pleasures of France. The couple met in a New York book shop, where Felix was sitting with his well worn copy of The Catcher in the Rye. Emma had a studious air, probably from the extra large glasses she wore. Both had always wanted to write but hadn’t yet succeeded. Years later Emma has become a neutral wearing, elegant and sophisticated woman who doesn’t like to be out of control. As an editor she knows what sells when it comes to fiction and how to jazz up or change the structure of a manuscript to create a bestseller. She writes early in the day, always sending her chapter of the book to Felix by 10am and then relaxing by the pool. Felix receives the chapter alongside little notes with suggestions or directions for Felix to follow. He falls out of bed (or wherever he slept) whenever he wakes, often nearer to lunchtime than breakfast. He has a leisurely start with plenty of coffee and when he’s feeling human again he gets to the book. He accepts that this is the way their joint writing works, but since they’re in France why not take the odd day off? He knows that without Emma starting the novel he would struggle. He had dreams of writing a great literary novel one day, but it’s never happened. His skills lend themselves to being the face of Morgan Savage. He does the festivals and book readings, because his charm and abilities lend themselves to being out front. He even signs their books as Morgan Savage, so it’s usually him people recognise. Emma stays behind the scenes, preferring the work to the publicity. She starts the new book on their first morning and then pushes Felix into his chapter each day to keep the momentum. Even in the quiet it’s clear there are resentments between them, a marriage’s worth of petty differences building towards a crescendo. 

Over the days little snippets of their lives emerge until we finally see the full picture. The pace picks up and the chapters get shorter and I was soon racing through the chapters to see what would happen next. My other half found me sat on a kitchen stool, cooking and reading at the same time. It leaves you desperate to know what happens next. At one point I had to check how close I was to the end on my Kindle but found myself really confused when I still had 15% of the book left. I thought I’d reached the end, that’s how clever the twists and turns are. I loved the book within a book, especially the way they are writing characters that explored their own marriage. Each has their own version though and while Emma would signpost where Felix should go next, she would receive his chapter and find he’d develop a character with entirely the opposite emphasis and behaviour. They’re using their writing like couple’s therapy, working out the kinks and plot holes but also punishing and spiting their spouse at every turn. It gets even more exciting when the tone and quality of the writing start to change at one side of the partnership. There are mistakes in grammar and spelling, but is this a sign of deteriorating mental health, over use of drink or drugs or something more sinister. I found myself wondering whether I trusted either narrator. 

Juliette is the girl who services the property. A carefree and natural young woman who cycles the area doing odds and ends for work. She’s the epitome of the term free spirit and could be a prime opportunity for Felix to continue his philandering ways. However, he’s confused when Emma befriends her, despite them being so different. Emma is also affected by Juliette’s story of the girl falling from the cliff and even has a bout of sleepwalking herself. Felix finds her in a trance in the living room and convinces her to go back to bed. Is this a reaction to Juliette’s story or something else? Emma was starting to remind me of Parker Posey’s character in the latest series of The White Lotus, uptight and reliant on pills to function. Could this be why the quality of the writing deteriorates or is Felix busier in his blackouts than previously thought? Just because he can’t remember doing anything, doesn’t mean he isn’t. This was a great story to get my teeth into and honestly, if they’d come to me as therapist, I might have asked them if they’d considered living apart. It’s a toxic atmosphere from the moment they arrive, but just when you think you’ve worked out why and what’s really going on it will surprise you again. As we go back in time, using flashbacks to important events, we can see how their romantic and professional lives began but these glimpses started to make me question what I thought I knew. I wanted to race back through the chapters to search for the clues that brought us to the unexpected conclusion. This was a thrilling and atmospheric read, with a brilliant portrayal of how a relationship has become toxic. If you love relationship dynamics partnered with a whole amusement park of twists and turns this will be your next completely unputdownable read. 

Out 8th May from Quercus

Meet the Author

Emily Freud is the author of four thrillers: My Best Friend’s Secret, What She Left Behind, Her Last Summer and, coming in 2025, The Cliffhanger. She spent her career working on award-winning television programmes, including Educating Yorkshire, First Dates, and SAS: Who Dares Wins – as well as developing original programming for all the main broadcasters. 

Posted in Netgalley

The Show Woman by Emma Cowing 

I loved this book about four women brought together creating an all female mini circus. Lena is the show woman of the title and as well as managing all their finances and planning, she is the ring mistress. Violet escapes another circus to become their trapeze artist. Rosie is their bareback rider, while Carmen can be a musician, acrobat and dancer whose costume is a swirling rainbow of ribbons. Set in 1910, we meet the Grand Dame of the show circuit in Scotland – Serena Linden. Serena is the show woman behind Linden’s Circus renowned throughout Scotland and the only circus to perform at Balmoral for Queen Victoria and the royal family. Serena is the old guard who has inherited her circus from her father. She is old, arthritic, bitter and quite capable of settling scores with trickery and violence. She particularly likes to thwart those who flee her employ and move to other shows or even worse,start their own. 

Lena has always been at the background of the circus and fair ground scene she has lived in all her life. Her mother disappeared a long time ago and she doesn’t remember her. Now her father has died and has left just their caravan and his carousel. She is told she’d better it sell it if she wants to have a life, because her only other options are to find a husband or a factory job. That’s until Violet arrives with a proposition. Violet is known for her flame red hair and her talent on the trapeze, she is known by fairground people as the greatest trapeze artist that’s ever lived, but also for being outspoken and a bit of a loner. What if they started their own show? They’re both outcasts and have nothing to lose. When they start to look for performers they find two more women on the run. Rosie has practiced her bareback riding with her pony Tommy for years. In fact she never imagined escaping her abusive father, but couldn’t stand it any longer. Finally there’s Carmen, a beautiful Spanish girl with luscious black hair and a lot of secrets. She dances and performs acrobatics in her rainbow ribbons. With Lena as ringmaster and an old but serviceable tent can they last the season? 

I loved spending time with these wonderful women. I wanted to mother Rosie who desperately needs to let the truth out about her father and the after dark fumbling in the laundry cupboard. Her relationship with Tommy the pony is so beautiful because of the trust they have in each other, so when he fell ill I was so worried. Her burgeoning feelings for Violet are so pure and totally separate from the shame she’s holding onto. Violet is brilliantly herself and never tries to be anything else. She has a preference for women and has years of experience in this world, knowing how careful she must be. She knows that leaving Linden’s was risky so when their show is sabotaged she wonders if it might be Serena’s goons. Especially when they wreak the ultimate revenge on her specifically. Violet doesn’t know how she’ll cope if she ever can’t fly. Carmen keeps her cards close to her chest but somehow finds a home with the other women. She holds a lot of shame, for the years she spent on the streets, destitute and selling the only thing she has left. It’s this past that threatens her place in the show, when a misunderstanding comes between her and Lena. 

I really enjoyed Lena, who’s strong and old, perfectly capable of organising three women and travelling from place to place iin season. It’s Lena who gets up early, has a dip in the river or stream then sets up the camp fire and cooks breakfast for the others. I could imagine her in her usual ‘ringmaster’ outfit, with the combination of the masculine clothes her long hair and red lipstick bringing a sass and sexiness to her role. Love is her undoing. It’s an instant attraction between her and Violet’s brother Harry, who no longer works on the shows but has become a music hall singer. He offers advice on the show and protection when a couple of men lurk around the caravan, seeing four women as sitting ducks. When the women’s luck changes and Violet is angry and frustrated she lets slip a secret that breaks Lena’s heart. The women come apart. Can Lena find out about the sabotage and her family history by visiting Serena Linden? 

Lena is determined to understand her past , uncovering a kinship between her and one of the others that has been hidden for years. She is also determined to find out who committed the act of sabotage against Violet. Was it about the show or was it more personal? She becomes the head of this family, determined to bring them all back together. A community that fully supports each other, who listen and understand the circumstances and pain that has brought them here. I was rooting for all of these women and not just the show, but their new found independence and friendships. It was those evenings where they were talking in the caravan after a show, too full of adrenaline to sleep. Or the warm and sunny days when they got chance to swim in a local lake or river, to wash their hair. Then there were the joint efforts to save Rosie’s pony. It’s these moments that are just as magical for these women as the seconds before Violet lets go and flies through the air. 

Out May 1st 2025

Meet the Author

Emma Cowing is a journalist and author. She was shortlisted for the 2023 Cheshire Novel Prize, and longlisted for the 2023 Bath Novel Award and Blue Pencil First Novel Award. She lives in Glasgow with her husband Jonathan and their cat, Moses. The Show Woman is her first novel.

Posted in Netgalley

The Maid’s Secret by Nita Prose 

It was a joy to be back in Molly the Maid’s company again. It always takes just a couple of sentences for me to feel like I never left her world. In some ways her life could be seen as unchanged. She’s still Molly, as wholly herself as ever, living in her late grandmother’s flat with her fiancé Juan, chef at the Regency Grand. In other ways things have changed, Molly manages the maids and has become ‘Events Manager’ so she’s definitely gone up in the world at work. Two important events loom in the near future – Molly and Juan’s wedding at City Hall is on the horizon – but today the two darlings of the antique world are filming an episode of their TV show Hidden Treasures in the tearoom of the hotel. Beagle and Brown are known jointly as the Bees. They wear a lot of velvet, bow ties and smoking jackets and are the married presenters of the show that runs like our own Antiques Roadshow. People queue to have their valuables appraised in the hope of either owning a secret masterpiece or appearing on the TV. At the last moment, before they leave the flat that morning, Juan suggests Molly takes her grandmother’s box of treasures, including a highly decorated egg that came to her from the Grimsthorpe estate. When the Bees see this particular treasure their eyes light up. They seem to know immediately that this is very special and they must get it on camera. As the cameras roll they tell Molly that this looks like a lost Russian imperial egg, possibly the prototype for all the ones that followed. It’s one of a kind, decorated with rubies and emeralds by Fabergé himself. It’s worth could be several million dollars. Molly doesn’t seem to take the news in and wants to carry on as normal, but as the clip is shared online it becomes impossible and Mr Preston has to take them home. The couple sit in their flat utterly shell shocked. Will life ever be the same again?

Things go from bad to worse when Molly agrees to auction the egg at the hotel, again run by Brown and Beagle. It might be the only way to return things to normal. She can’t imagine being wealthy and so far has only committed to a slightly larger wedding. As the auction reaches fever pitch, all eyes are on the egg in it’s glass case on the podium. As the hammer goes down at ten million dollars there are celebrations across the room and no one notices, until the Bees draw attention back to the egg, that there’s just an empty case. The author follows this story as the police are called in and an investigations get underway, but between this narrative are chapters from the past. It isn’t long after the auction when Mr Preston reunites Molly with a different relic from the past – her late grandmother’s diary. The ornate key to open it has always been in her grandmother’s cabinet but Molly has never known what it was for and she isn’t ready to open it just yet. We still get the tale though, written directly to Molly in a series of letters. We might learn about her past with Mr Preston, but also why she was estranged from her whole family. We also might find out what might her give up her daughter, Molly’s mother Maggie. 

Molly is the heart and soul of the book though and she doesn’t disappoint. She is genuinely flummoxed by people’s reaction after the valuation. As guests and even fellow staff start to photograph her working, Molly just wants to get on. In the main people just want to congratulate her but Cheryl is her usual self, taking and selling pictures of NYC’s newest potential millionaire. Molly doesn’t understand what’s changed because she’s the same person with exactly the same values as before. When the egg is stolen, all she wants to do is help the police to recover it, although she isn’t necessarily happy about the chaos it’s brought to her life. Molly is a great detective though and admired by Police Detective Stark for her ability to notice patterns and follow the logic of a case. She also has an encyclopaedic knowledge of the hotel, which might be invaluable when working out how someone could steal something in plain sight. I did feel sorry for Molly, especially when she’s talked into trying on wedding dresses in a high end store by her protégée Lily. The pair are horrified to find out it is a publicity stunt for the TV cameras. Molly truly believes she has everything she could want – her job, Juan, Mr Preston, their home. She’s almost given up on her mother who does make an appearance here. A child never loses that tiny bit of hope when it comes to a parent and it’s so heartbreaking to see Molly taking this chance. I was desperately hoping Maggie was there for the right reasons. 

Molly’s grandmother’s narrative reads like a fairy tale. A young girl with wealthy but distant parents, becomes a pawn in their game when fortunes are running low. They know that their business is going to fail and a rival is trying to buy it up. As the money dries up their daughter might be the only way they can revive their fortunes. Unfortunately Molly’s grandmother is more interested in her education than making an advantageous marriage. She’s fallen in love already although she’s fighting it. John is the nephew of their housekeeper, has a scholarship at the same school and has been given access to family’s library for his studies. They have an instant spark with lots of banter and academic competition, but her head is turned when she has the chance to date the fabulously handsome and wealthy son of the man who’s buying their company. If she pleases him, maybe their fortunes will be saved. He’s certainly charming, but is that all surface? The dairy feels like a cautionary tale for young women and men do not come out of it very well. Molly doesn’t really need to read it as she’s always listened to her grandmother’s advice. However, it might just give her a clue…

This is a charming and heart-warming read that brings Molly full circle in terms of her background and having her life exactly where she wants it. There is a special joy in a character like this who you can absolutely root for. Her modest wants in life are refreshing and old fashioned in a way. As many point out, it’s rare to see one of the little people, rewarded by a quirk of fate. I knew there were so many obstacles to overcome, not just the theft but the question of ownership and provenance if it was returned. I knew that it would be a great read either way because Molly is the sort of character who will find her happiness with or without the golden egg. 

Meet the Author

Nita Prose is the author of the Molly the Maid series, including THE MISTLETOE MYSTERY, THE MYSTERY GUEST, and THE MAID, which has sold more than 2 million copies worldwide and was published in over forty countries. A #1 NEW YORK TIMES bestseller and a GOOD MORNING AMERICA Book Club Pick, THE MAID won the Ned Kelly Award for International Crime Fiction, the Fingerprint Award for Debut Novel of the Year, the Anthony Award for Best First Novel, and the Barry Award for Best First Mystery. THE MAID was also an Edgar Award finalist for Best Novel. Nita lives in Toronto, Canada, in a house that is moderately clean.

Posted in Netgalley

The Eights by Joanna Miller 

I pre-ordered this book as soon as I read the blurb. I could see myself falling in love with this story of four pioneering women who attend Oxford University as part of the first cohort to gain an actual degree. The four women arrive at Oxford in a time of great upheaval. The First World War has ended and women have just been awarded the vote. Women have experienced more freedom during war time, by working to replace enlisted men, volunteering for the war effort. Beatrice comes from a progressive family, with a suffragette mother who attended Oxford herself. Beatrice is very political, obviously a feminist and is used to being noticed, as she’s usually the tallest woman in a room. Marianne is a scholarship student, but she seems to have secrets. She returns home every other weekend and struggles financially but she is determined to get what education she can. Ottoline (Otto) comes from a wealthy family, but is haunted by volunteering for a nursing role during the war. She found it so distressing, she was redeployed as a driver giving patients transportation rather than working on the front line. She’s had symptoms of PTSD ever since, but also feelings of shame that she couldn’t do her duty. Dora also struggles with the consequences of war. She received a letter from her fiancé Charles’s regiment to inform her he’d been killed, then only two weeks later her brother George also lost his life. She still sees Charles wherever she goes and being so close to his university only serves to keep him at the forefront of her mind. These four girls are assigned to a corridor where the rooms start with the number eight, giving them their affectionate nickname. This seemingly random allocation starts strong friendships as the girls help each other negotiate their university work, their memories of the war and being taken seriously by their male counterparts. 

Oxford University is the oldest English- speaking university in the world, having and I was amazed to read it was founded in the 11th Century. The first colleges for men were fully established 200 years later and the Bodleian Library opened in 1602. Women were only starting show interest in an Oxford education in the late 1800s and four women’s colleges were established, however even after years of negotiation to do the same courses as men, women had to be chaperoned to lectures. I was also amazed that despite doing exactly the same exams, women could not be awarded degrees and dons would still refuse to teach them. I couldn’t imagine doing all that work, then having nothing tangible to show for it. It must have been soul-destroying. The author’s story begins after women got the vote and it took until 1920 for women to become fully enrolled at the university as men had been, a ritual called matriculation. The author lays out this facts at the beginning of the novel, which is brilliant for setting the scene generally but also allows us into what is an exclusive world with it’s own language and culture. She separates her book into the named terms – such as Michaelmas or Hilary – and lays out the dress code and rules, different for men and women. She also lets us into what the exams are called and has a glossary at the back in case you get lost. Finally she splits her first chapter between the four girls so we get a really good sense of who they are and where they’re from.

This is a real character led novel from Joanna Miller, creating a similar feel to those novels I loved as a girl such as the Little Women series or What Katy Did At School. With both of those novels I felt like I knew the characters and they would be great fun to be friends with. I loved the secret societies, the scrapes they got into and the character building lessons learned. This has all that, but with great emotional heft and real, gritty issues from that time period. I loved how the characters developed over time and how each of the friends supported but also changed each other with their different backgrounds and perspectives on the world. I felt Marianne’s predicament strongly, in that she’s landed with three friends who are reasonably comfortable financially. I felt it when they all swapped presents for Christmas, but Marianne couldn’t afford to buy for each of them, so instead created a framed favourite poem each. Her offerings are always from the heart and she’s definitely the most thoughtful and most serious of the girls. She also has the hurdle of illness to climb over, as well as whatever takes her home on weekends. The others notice that she’s never managed her reading so what is she doing? She has the constant fear of not passing the year and losing her scholarship, so she’s mentally preparing herself for the eventuality of only spending one year studying. Ottoline is probably her opposite, in fact if it wasn’t for her love of maths she might be tearing about London with her sister and the rest of the Bright Young Things. There’s the rather imperious side to Otto, such as the way she’s always scuttling into tearooms and the nickname ‘Baroness’ that she earned in the war. However, there’s a softer side too and that terrible sense of failure she still feels. Yet she definitely comes through for Marianne when she contracts flu. Otto proves capable of dealing with bodily fluids, cooling Marianne in the bath and even washing her down with a damp cloth. She is even the first to uncover Marianne’s secret and guards it ferociously. 

Beatrice is living with the weight of her mother’s success, both as a student of Oxford and a suffragette. She is a woman of ‘considerable reknown’ and this has given Beatrice an interesting childhood. She now has several hobbies – writing letters to politicians and watching debates in the commons, propagating orchids and being able to read Ancient Greek. She seems the perfect fit for Oxford but has never really lived in close proximity to other young women or lived anywhere but the family home in Bloomsbury. Two key events in the book seem to shape her future. She meets a young woman called Ursula who is outspoken, political and wears men’s clothing, which is much more comfortable than women’s. Beatrice is bowled over by her new acquaintance and is determined to wear men’s shirts and ties from then on. There is also the ceremony for her mother who will finally be awarded an Oxford degree. There’s a constant push and pull between who Beatrice is and where she has come from; does she accept and enjoy the legacy of her mother, or does she move away from it? Through her we learn about some of the most harrowing aspects of the suffragette’s fight, particularly the way the women were treated as protestors and prisoners. Dora is a delightful girl from the country, who comes to university seeming rather old-fashioned. Her longer skirts and waist length hair seem incongruous when hemlines are rising and hair is being shingled shorter than ever. Yet she’s weighed down with the early throes of bereavement and has come to Oxford in the hope of feeling closer to the memory of her fiancé who should have come to Queen’s College. She wants more from life than to pour tea, play whist and prop up her mother whose grief is inconsolable. Dora will perhaps change the most and with a terrible shock to come, she may have to make a decision between the new life she has created or her old one. 

I loved every moment I spent with these young women. They are all equally interesting and important so I couldn’t pick one I gelled with most. I loved Beatrice’s awakening, her straight forward manner and her bravery. Otto made me laugh and became so much more nuanced than the spoiled rich girl she could have been. Dora’s gentle strength is admirable, especially when it is tested. Marianne is the dark horse of the group, but she’s surprising and has a strong sense of what is right for her. This is a favourite time period for me so I loved the clothing, the outings, the rising tide of women wanting more from life than a ring and motherhood. These women are the birth of who we are now and I think the author was really successful in portraying issues that are still relevant. As we see women’s rights being eroded and the misogyny on social media, the novel is also about how men treat women. It can even be seen in small ways, such as the pranks played on the women by male students. However, it’s also the control wielded by a father figure or professor, the deception and double-standards men use to manipulate women, the sexual predator or abuser who finds a chance moment or a position of power to commit violence. I believe that just the chance to pursue their education with the freedom men take for granted, is a huge step for the women in terms of status but also self-confidence. However, it is the friendship of these four women, first and foremost, that helps them grow. Their unflinching support and understanding of each other is beautifully drawn and brings to mind something I’ve always said to women on my ‘authentic self’ workshops; men may come and go, but it’s the women in your life who will hold you up’. 

Out now from Fig Tree

Meet the Author

Joanna has always loved stories – even from an early age, when the Headteacher complained to her parents that she had read all the books in the school library. Joanna went on to study English at Exeter College, Oxford and later returned to the University to train as a teacher.

After ten years in education, she set up an award-winning poetry gift business. During this time, she wrote thousands of poems to order and her rhyming verse was filmed twice by the BBC.

Unable to resist the lure of the classroom, Joanna recently returned to Oxford University to study for a diploma in creative writing. THE EIGHTS is her debut novel and is inspired by her love of local history and historical fiction.

When Joanna is not writing, she is either walking her dog or working in the local bookshop. She lives with her husband and three children near the Grand Union Canal in Hertfordshire, UK.

Posted in Netgalley

The Secret Room by Jane Casey

A closed door. An impossible murder.

2:32 p.m. Wealthy, privileged Ilaria Cavendish checks into a luxury London hotel and orders a bottle of champagne. Within the hour, her lover discovers her submerged in a bath of scalding water, dead.At first glance it looks like an accident. No one went in with her. No one came out. But all the signs point to murder.

For DS Maeve Kerrigan, the case is a welcome distraction. But when shock news hits close to home, affecting her partner, DI Josh Derwent, she faces the toughest challenge of her career. And if she fails her world will never be the same again…

There’s an extra secretive element to this twelfth book in the DS Maeve Kerrigan series. In her afterword Jane begs readers not to reveal aspects of the novel for those who have yet to read it, in fact for those people who have only just discovered this addictive mix of murder investigation and ‘will they – won’t they’ love story. So I’m trying my best to keep it to myself while telling you all what a great read this. The murder at hand is a tricky one and will probably remain in my brain forever after reading that when the victim’s lover tries to pull her from the bath her scalp comes away. She has, rather disturbingly, been boiled like a lobster. However it isn’t the water or the heat that has killed her, Illaria has been strangled with a cord then dragged into the bath. The fact that she was meeting her lover and had the room booked for exactly the same time every Wednesday is an interesting little detail. Sometimes they only use it for a few hours but it is always booked, exactly the same. These are the actions of someone wealthy and it’s no surprise to find she has a rich husband. Angus is incredibly frank when interviewed; he loved his wife and wanted her to be happy and she wanted Sam. They had met at a glitzy dinner and Angus reveals that when he saw them talking together he knew, it was a coup de foudre, when love hits instantly like a bolt of lightning. Ilaria had a great life, filled with travel, events and a little interior design business with her friend that Angus funds too. They seem to be going nowhere when Maeve has a sudden lightbulb moment leading to a discovery. 

Aside from this case and arguably being the most compelling part of the novel is the drama surrounding DI Josh Derwent. Josh has been living with psychotherapist girlfriend Melissa and her son Thomas for a while now, much to Maeve’s sorrow. Melissa is due to pick Thomas up from school, when she gets a phone call from a distressed patient. Knowing she has to see them and needing someone to collect and keep Thomas for a few hours, Josh calls Maeve’s parents. They’ve been like grandparents to the little boy who hasn’t been well of late. Hours later when they return Thomas, Maeve’s father runs into a panicked young girl on the driveway, screaming that Melissa has been hurt. Melissa is at the bottom of the stairs, motionless and covered in bruises as if she’s been beaten badly. As she’s rushed to hospital and the police arrive, so does Josh and quickly finds himself arrested for the attack. When Maeve arrives Josh tells her to stay out of it, walk away and don’t get involved. However, readers of the series know that this is something Maeve simply can’t do. Despite Derwent’s disapproval she has to find a way of clearing his name, because she knows he isn’t capable of this. 

I have to be honest and admit I was so caught up in the Melissa/Derwent storyline that there were points when I forgot about the other case. It was more psychologically complex and of course had the added weight of caring about these characters over eleven previous books. I couldn’t believe the suspicions I had about it and I was desperately hoping Maeve would come to the same conclusion, if she didn’t get herself suspended for meddling first. When the book went back to Ilaria’s murder I found myself going ‘oh yes, where were we’. Having said that it’s a cracking case in it’s own right with a seemingly impossible premise. With the only people seen on CCTV of the corridor being a chambermaid and the man who delivered the room service champagne, but he wasn’t in there long enough to murder anyone. When he’s found dead on a building site, it looks very much like someone is covering their tracks. On the face of it Ilaria’s life seemed perfect, so why was she sneaking around? Was it really love or was something else going on? 

I whipped through the final chapters in an afternoon to find out and to see what would happen with Melissa, who I was beginning to hate! I loved the little vignettes of normal life in between, especially with the men in the book. Derwent’s eldest son Luke and Thomas have a lovely growing relationship and with Maeve’s nurturing and loving parents he had a great stand-in gran and grandad. It was interesting to see how Melissa’s ex-husband and Derwent were with each other too. Through Luke, Maeve was introduced to a decent man called Owen and their dates were going well. It was nice to see her being treated with kindness and consistency. This was an addictive read from an author who knows exactly when to leave the reader hanging and when to deliver heart-stopping action sequences – the suspicious man at the front desk of the police station had my pulse racing. I’m interested in where she takes DS Kerrigan next and I’ll definitely be queueing up for my copy. 

From Hemlock Press 24th April 2025

Meet the Author

 

Jane Casey is a bestselling crime writer who was born and brought up in Dublin. A former editor, she has written twelve crime novels for adults (including ten in the Maeve Kerrigan series) and three for teenagers (the Jess Tennant series). Her books have been international bestsellers, critically acclaimed for their realism and accuracy. The Maeve Kerrigan series has been nominated for many awards: in 2015 Jane won the Mary Higgins Clark Award for The Stranger You Know and Irish Crime Novel of the Year for After the Fire. In 2019, Cruel Acts was chosen as Irish Crime Novel of the Year at the Irish Book Awards. It was a Sunday Times bestseller. Stand-alone novel The Killing Kind was a Richard and Judy Book Club pick in 2021, and is currently being filmed for television. Jane lives in southwest London with her husband, who is a criminal barrister, and their two children.

Posted in Netgalley

The Princess by Wendy Holden 

It was all she ever wanted. Until her dreams came true…

The moving new novel about the young Diana.

Diana believes in love. Growing up amid the fallout of her parents’ bitter divorce, she takes refuge in romantic novels. She dreams of being rescued by a handsome prince.

Prince Charles loves his freedom. He’s in no rush to wed, but his family have other ideas. Charles must marry for the future of the Crown.

The right girl needs to be found, and fast. She must be young, aristocratic and free of past liaisons.

The teenage Diana Spencer is just about the only candidate. Her desperation to be loved dovetails with royal desperation for a bride.

But the route to the altar is full of hidden obstacles and people with their own agendas.

When she steps from the golden carriage on her wedding day, has Diana’s romantic dream come true?

Or is it already over?

Princess Diana hit the headlines when I was nine years old, perfect timing for me to buy into the fairytale and fall in love with her. I had my hair cut into Diana’s short style and I had one of her jumpers, well an Asda version, covered in sheep with one little black sheep in the bottom corner. When we look back at her life in retrospect, it could be that she was trying to tell us something. This book focuses on Diana’s earlier years, from her schooldays until that fairytale of a wedding which seemed to cement her into the consciousness of everyone, across the world. It was interesting to read more about her single life before dating Charles, a period that struck me as interesting when it was dramatised in The Crown. She had a busy, fun lifestyle sharing a flat with three friends and working in a nursery. Then as soon as the engagement was announced she was taken into apartments at Buckingham Palace, totally closed off from outside, but also from other members of the royal family. It was quiet, almost like a church, with no one reachable by phone and Charles on a tour abroad. His only thought in terms of company was to introduce her to Camilla Parker Bowles. 

The book did well when describing the dysfunctional way the Royals live. It’s an almost surreal existence with very specific rules to live by. When I read how much time each member spends alone I started to understand why they all have dogs. They don’t eat together daily, non-royals don’t come to the palace unless invited and each royal has their own quirks. For a 18-19 year old wandering round empty rooms and not being able to talk to friends must have been totally isolating. It was for her security of course, but it also meant she could be trained to fit the role she would play. She must have been so lonely. I’ve clearly read a lot of the same books as the author, because I knew about King Charles’s very odd boiled egg habits and the Queen Mother’s exploits in her home at Clarence House, but there were some things that were new to me. 

It was clear that Diana was a young girl full of life and romantic ideas about men and marriage. Wendy Holden tells the story through the eyes of Diana, her best friend at boarding school Sandy and Stephen Barry who was the Prince of Wales’s valet. The girls read paperback romances, the type of story written by Diana’s relative Barbara Cartland. When the girls imagine love at the age of 13, they imagine it being: ‘like a particularly delicious bath, deep and warm, with lots of bubbles.’ It conjures up a sense of comfort and pampering that I do actually feel sometimes with my other half, but a man who doesn’t know what love means isn’t equipped to love like that. The only people who pampered him were his servants, how can you provide what you’ve never had? I think Holden has captured the essence of a girl in adolescence, dreaming what her life might be. She’s a lively, bubbly girl who loves music and the company of others. She has a shy charm that’s so endearing, but her parents divorce has left a mark and I wondered whether it instilled in her a determination to get it right, which left me feeling a little sad for her.  

The second section of the novel definitely has a a melancholy feel, that shows us how well the author has brought the fun, young Diana to life. This is such a contrast. It also makes us realise how young she was to get married anyway, never mind becoming a future Queen of England. It is only six years since that journey with Sandy to boarding school. So, when she becomes engaged to the then Prince of Wales she was probably still expecting the comfort and care of a warm bath. She must have been disappointed at this moment. I always feel that Diana married the people on that day, rather than Charles. When she has some late doubts her sister Sarah warns her that her face is already on the tea towels. It’s too late. The pressure must have been immense. She has spent months hounded by the press and the famous moment where photographers captured her with a see through skirt is just one incidence of naivety on her part. She’s been getting thinner and her wedding dress needed taking in constantly. This isn’t the fairy tale love she’s dreamed about, more the matchmaking of two grandmothers living in the past and desperately trying to break off Charles’s adulterous relationship with Camilla.

I think the author attempted something very difficult here, to create a unique view of a story that’s a modern parable. Everyone knows a version of what happened. So, to create something that captures the voice of the most well known woman in the world, while bringing something new to her story, is near impossible. I think she partly succeeds. I didn’t learn anything new, but I did feel that I was listening to Diana in this story. It doesn’t have that compelling quality, because we already know about the divorce in 1996 and her death only a year later. I felt there was a bit of fire in this girl, despite her naivety. The rude awakening that she was simply a brood mare fuelled a fightback – the Andrew Morton book, the interview with Bashir and that last poignant summer are her pushing back against a system she felt used and abandoned by. A desperate need to be heard. I thought it was interesting to know she spent time with Princess Margaret, another young, royal woman who learned early on that her happiness came very low on the list of priorities. The royals never tried to be her family, missing that warmth and heart Diana was known for. I think this warmth, plus her fight and desire to buck the system is perhaps inherited by her son Harry. This was a well-researched book that really captured the spirit and personality of the most famous woman in the world. 

Out Now from Mountain Leopard Press

Posted in Netgalley

Clear by Carys Davies 

1843. On a remote Scottish island, Ivar, the sole occupant, leads a life of quiet isolation until the day he finds a man unconscious on the beach below the cliffs. The newcomer is John Ferguson, an impoverished church minister sent to evict Ivar and turn the island into grazing land for sheep. Unaware of the stranger’s intentions, Ivar takes him into his home, and in spite of the two men having no common language, a fragile bond begins to form between them. Meanwhile, on the mainland, John’s wife, Mary, anxiously awaits news of his mission.

Against the rugged backdrop of this faraway spot beyond Shetland, Carys Davies’s intimate drama unfolds with tension and tenderness: a touching and crystalline study of ordinary people buffeted by history and a powerful exploration of the distances and connections between us.

Clear is so beautifully set within some very significant events. In the 19th Century evangelical worshippers moved away from the Church of Scotland to form the Free Church of Scotland. Also, there was a second wave of Scottish landowners driving their tenants from the land, choosing to make a better profit grazing sheep, know as the Highland Clearances. Our characters are deeply involved with these events. John Ferguson has been a minister in the Church of Scotland, but his conscience draws him away towards the Free Church. This leaves him without an income since the new church isn’t yet established. John’s wife Mary may be the answer, because her brother-in-law asks a landowner if he could offer John a job. The job has one purpose, travelling to a remote island in the North Sea close to Norway. There he has to evict the landowner’s last remaining tenant, a man named Ivar who is barely scratching a living with a handful of livestock. However, Ivar doesn’t speak English, but an old dialect that’s a mix of Norwegian and Gaelic. John has just one month till the boat returns to take both of them back to Shetland. How will he convince Ivar to leave? 

The story is focused on the relationship these two men have to develop with each other and it starts in a way neither expect. The bailie’s house is empty as he’s already left the island so John plans to make it his base, but needs to find somewhere locally that he can wash. He finds a spring and decides to bathe, but he slips and falls down a cliff. Ivar finds the unconscious man and takes him to his own hut. As John slowly regains consciousness and begins his recovery, the two man have to work out a way of speaking to each other and eventually John has to explain what he’s there for. As we watch their relationship grow and how they work on communication, Mary has grown worried about John. She thinks he may have taken on the task without enough preparation and she decides to travel out there and join him. The narrative felt like being a fly on the wall to to these events. Once the three are together I had the strange feeling that this was really happening and I was simply watching history, bearing witness to the emotions flowing between them. 

This is such a gentle story that contains so much. Instead of pushing an agenda or viewpoint, the author just lets it play out naturally. Nature is so much more than just a setting, it’s life itself. The island is mercurial, with it’s changeable weather creating the mood. Ivar lives entirely off this land, his life a routine of hard work and at home he spins wool or knits. Even the regular agent who collects rent for the landowner is paid in wool, feathers or wrack. Ivar is part of this island, a bear of a man with only his animals for company. There’s a purity to his life that’s almost spiritual, an interesting contrast to John’s organised religion. There’s so much going on under the surface of the story, told in the tiny details of everyday life: their gestures, the intimacies they share and how those connections change as a language is formed between them. It’s interesting to see the established dynamic of John and Ivar affecting how Mary settles into the cottage. The men’s connection brings the three of them into a unit, so that they don’t feel like a married couple and a lone man any more. Each of them forms a strong connection with each other and the landscape. I found reading this an almost meditative experience, because it’s so slow and calm. The ending came suddenly and was a shock. 

Published by Granta 7th March 2025

Meet the Author

Carys Davies’s debut novel West (2018) was shortlisted for the Rathbones Folio Prize, runner up for the Society of Authors’ McKitterick Prize, and winner of the Wales Book of the Year for Fiction. Her second novel The Mission House was first published in the UK in 2020 where it was The Sunday Times 2020 Novel of the Year.

She is also the author of two collections of short stories, Some New Ambush and The Redemption of Galen Pike, which won the 2015 Frank O’Connor International Short Story Award and the 2015 Jerwood Fiction Uncovered Prize. She is the recipient of the Royal Society of Literature’s V.S. Pritchett Prize, the Society of Authors’ Olive Cook Short Story Award, a Northern Writers’ Award, a Cullman Fellowship at the New York Public Library, and is a member of the Folio Academy. Her fiction has been translated into nine languages.

Born in Wales, she grew up there and in the Midlands, lived and worked for twelve years in New York and Chicago, and now lives in Edinburgh.

Posted in Netgalley

The Crash by Kate Furnivall 

Paris 1933. Four people’s lives are dramatically torn apart by a single terrifying event. Two days before Christmas the express train to Strasbourg crashes into a local train in the winter darkness outside Paris. On board is Gilles Malroux, a man with a shady past and a strong reason to avoid the police. In the mayhem of the crash he is badly injured but to avoid capture by the police he swaps identity papers with one of the other victims of the impact. Gilles tries to flee in the dark but finds himself taken to the house of a woman he doesn’t know but who calls him Davide. She nurses him. But is the bitter medicine in the spoon she puts to his lips healing him or harming him?

Camille Malroux is Gilles’ sister. She works for the French Civil Service and is trying to climb the ladder of respectability after a childhood in poverty. When she is informed by police that her brother is seriously injured in hospital, she rushes to his bedside, only to discover it is not Gilles. It is a heavily bandaged stranger. He is unconscious and has her brother’s identity papers in his locker. Only by digging to discover the true identity of the bandaged man in the hospital bed can she hope to trace Gilles. But Gilles is sinking into further danger. He is drugged. A priest and a doctor hover over him, as if waiting for him to die, and constantly the woman who calls him Davide is at his side. What is it she wants from him?

This was an interesting read that poses the question – if you had the opportunity to disappear, would you? It made me think of the reports of people who potentially disappeared on 9/11, starting a new life somewhere while their loved ones assumed they’ve been lost as the World Trade Centre collapsed. Take that idea back to 1933 and Gilles Malraux does exactly that, swapping identity papers with another passenger to avoid being picked up by the police. His decision leaves him vulnerable though, not just because of where he ends up, but because now his family have no way of tracing him. His sister Camille is horrified to hear the news about her brother’s accident, but is frantic when she gets to the hospital and finds the man with her brother’s papers isn’t Gilles. How will she find him? Camille is an incredibly resourceful woman, deciding to undertake the investigation herself and starting with the identity of the bandaged man. This is slow, painstaking stuff, but she comes across a conspiracy to steal Egyptian treasures. She knows she’s in great danger but keeps going to find Gilles, I was impressed with her courage and tenacity. She’d be an incredible field agent, using all her skills to root out the truth. Slowly, tension starts to build as she gets nearer to her brother, but could she be too late, especially if the woman looking after him might not have his best interests at heart. 

I thought the themes of trauma and identity were really well explored, with the train crash central to them both. The backdrop of Christmas really heightened to trauma of the accident. This crash is a once in a lifetime event that divides lives into a definite before and after. Events like this make people evaluate their lives. It can reconfirm that you’re in the right place or just as easily blow your life apart. It also shows us our limits and boundaries. Gilles is willing to take risks and morally questionable choices to survive. Camille faces a tougher choice, she has built up a reputation as a responsible member of the civil service after a childhood that was difficult and affected by poverty. What if she is faced with potentially compromising choices in her search? How much of her respectability is she willing to risk to find Gilles? I found myself rooting for Camille and completely drawn into the story from the outset. It had suspense, incredible historic detail and on the basis of this novel I’m definitely going back to read more of Kate’s work in the future.

Out Now from Hodder & Stoughton

Meet the Author

Kate Furnivall didn’t set out to be a writer. It sort of grabbed her by the throat when she discovered the story of her grandmother – a White Russian refugee who fled from the Bolsheviks down into China. That extraordinary tale inspired her first book, THE RUSSIAN CONCUBINE. From then on, she was hooked.

Kate is the author of ten novels, including THE SURVIVORS, THE RUSSIAN CONCUBINE, THE LIBERATION and THE BETRAYAL. Her books have been translated into more than twenty languages and have been on the Sunday Times and New York Times Bestseller lists.