thelotusreaders

The Family Friend by Claire Douglas

Posted on 2nd Apr 2026 by thelotusreaders

This is a cleverly plotted thriller by the author, designed to grab your attention and keep the questions coming. Imogen has lived with her boyfriend Josh since they were teenagers. She doesn’t have a big family because of a terrible incident in her past, her father was convicted of killing her mother after a Halloween party. With her father in prison, Imogen is lucky to have older sister Alison who put her life on hold to come back and look after Imogen until she went to university. We meet Imogen at a crossroads after a difficult time at work, she’s on indefinite leave from her job as an investigative journalist after a story led her into danger. She’s shocked to receive a phone call from a solicitor who asks her to come into their offices the next day. It would seem that her mother’s old friend Dorothea has died. Imogen remembers Dorothea very fondly after she took them in when her mum left her dad after years of abuse. Dorothea was a rather unconventional woman, an artist who worked with women who’ve suffered domestic violence using art therapy. Imogen has very fond memories of Dorothea’s large Victorian villa, complete with its own wood and studio. Imogen felt safe there, but it is still a shock to learn that this beautiful villa now belongs to her. As Imogen tries to come to terms with this legacy, questions start to form about Dorothea’s intentions. Was her death an accident? Who is the secretive author writing a book about her? What is contained in the underground bunker found in the wood? Imogen thinks all of this has something to do with her past and her investigative brain starts working.

This author knows exactly how to grab a reader and keep you asking questions. She drip feeds the answers by taking us into Dorothea’s past and the reasons she worked with women affected by domestic violence. We go into her own marriage, her meeting with fellow survivors Annette and Rosemary and founding the charity that helped Imogen and her mum. I kept reading, waiting for the flashbacks to that night – the terrible night Imogen and Alison’s mum died. Although with her dad asking to see her from prison, maybe she will have to weigh up different versions of the truth. The author constantly drops little clues and hints such as the items hanging off one of Dorothy’s final sculptures hidden in the bunker. Imogen also finds a piece of expensive cloth torn and caught on a small opening created in the perimeter fence. Is someone watching Imogen or was Dorothea the target? There are also emotional clues in the present with a little red flag popping up around Josh, Imogen’s boyfriend. They’ve been together forever, so it seemed strange that she needed time away from him to process and explore her new home. He also seemed to assume some things, like wanting to take over Dorothea’s office without realising that Imogen is grieving and it’s a space very personal to Dorothea. I didn’t like the sulking and withdrawing when he didn’t get what he wanted. I wondered if the inheritance had made him feel insecure, after all it does belong to Imogen and not him.

The character I enjoyed most was Dorothea who casts a long shadow over the book, despite being dead. I felt like she becomes Imogen’s saviour again, in many different ways. She has been such a creative woman, something I always admire, but also formidable. Learning some of her history makes us realise why she’s so self-reliant. As for Imogen, she didn’t grab me in the same way and I had a really hard time imagining her as an investigative journalist. I had to wonder whether she was a very different character at work and if so, why does she change at home. If we factor in the trauma of observing domestic violence in the home, it could be that the dynamic has conditioned her to avoid conflict and appear subservient. I felt the longer she was in Dorothea’s house the stronger she became and I hoped she was up to making some very hard choices. Her relationship with her sister Alison is interesting, because she had left home before the home environment worsened. When their father was arrested for their mother’s death, Dorothea offered to have Imogen but Alison wanted to keep her close. Was this a sister’s guilt, a need to keep them together, or was there something in Dorothea that Alison didn’t trust? As a result Alison does have a mum’s vibe with Imogen and it’s interesting to see that relationship develop over the course of the book. It’s very hard for Imogen to accept that Alison has visited their father, who still protests his innocence. This could definitely put a wedge between them. What I missed most was the perspective of Imogen’s mum and I would have loved a flashback into how she felt.

I loved the feel of the house and it reminded me so much of a family friend’s house that we visited a lot as children. They had a horse and lots of other animals, so the house wasn’t spotless but they had art, books and so many beautiful things that I think it influenced my love of interiors and weird objects. It also gave me a yearning to learn and understand art and literature. This is what the summer at Dorothea’s does for Immy, it opens her up to ideas and ambitions she might not have had otherwise. I loved how the sisters come together to try and solve the puzzle of Dorothea’s art and how that closeness allows Imogen to confide in her sister about her concerns; how do we tell the difference between caring too much and control? There’s something about them becoming more open with each other that gives Imogen more strength and purpose. I did not expect to go where the author takes us at the end and I think it was a brilliant idea. Anyone in our lives can be controlling and we must trust our good when it tells us something isn’t right. This was a great thriller, full of unusual twists and clues, plus some red herrings. I thoroughly enjoyed delving into the past with Imogen’s story and particularly the strengthening of the sister’s relationship.

Out now from Penguin.

Meet the Author

Claire Douglas is the Sunday Times number one bestselling author of eight stand alone novels: The Sisters (2015), Local Girl Missing (2016), Last Seen Alive (2017), Do Not Disturb (2018), Then She Vanishes (2019) and Just Like The Other Girls (2020). Her seventh, The Couple At No 9 (2021) was an Amazon number one bestseller, a number three Sunday Times bestseller and most recently hit number one on Germany’s Der Spiegel paperback bestsellers chart. The Girls Who Disappeared was a Richard and Judy book club pick for Autumn 2022 and was an instant number one Sunday Times bestseller. Her books have sold over a million copies in the UK and have been published worldwide.

Best Reads March 2026

Posted on 1st Apr 202631st Mar 2026 by thelotusreaders

So it turns out that March is the month of mysteries and thrillers, suspense, plot twists and secrets aplenty! These are my favourites from the month and although I haven’t managed full reviews for some of them, these are my favourites. Wishing you all a Happy Easter weekend, hope you get some good reading and relaxation time with some treats. ❤️📚 🐇

St Monans, Fife, Scotland 1790. Two women are forced to publicly repent in church, one for adultery the other for breaching the sabbath. Wealthy housewife, Florrie, and salt serf, Eliza, form a quick and unusual bond over their mutual humiliation. So when Florrie’s husband decides she must accompany him on a trade venture to Iceland, she insists Eliza comes as her maid.

Far from home, isolated and fearful, the two women grow ever closer. Then Florrie’s husband reveals his sinister plan: he will leave her in Iceland, banished for the shame she has cast upon him. Florrie must escape, but when she turns to Eliza for help she realizes nothing is quite as it seems . . .

Based on the true story of the British Empire trying to annex Iceland as a penal colony, this books tells us about subjugation and control of women by husbands, serf owners, and ministers. Kate Foster always has strong female characters and Florrie, Eliza and Hallgerd are no exception. This was a historical thriller, full of suspense and with a few plot twists too. It’s about what happens when women reject the shame men and society say they should feel and embrace their transgressions, using them as a stepping stone to true freedom. My full review is coming up soon.

Twelve years ago, Carrie married Johan on a beach in Thailand. But as the sun set on their perfect day, armed men swarmed the island and her husband was taken, never to be seen again.

Carrie is now happily remarried; a mother of two. The past is firmly behind her – until she stumbles across Johan by accident online. He is alive and well.

As the memories of their passionate relationship flood back, Carrie is compelled to find out what happened on that beach, and why Johan never got in contact.

The man who promised her a lifetime of love is now a mystery she must solve. But are the answers worth risking her marriage, her family, and the life she fought so hard to rebuild?

The truth, it turns out, is more shocking than any lie . . .

I read this novel on my weekend away and became absolutely absorbed in the story, a love story that’s also a mystery. It’s heartbreaking, romantic but also sinister and unsettling. Our main character, Carrie Cole, has been a brilliant surgeon but gave up when she had very premature twins and felt the need to be at home with them. She lives with her husband Robin in an old cottage with a holiday let in the old piggery next door that they let through the Roof app. It’s there that she sees Johan again for the first time since his arrest in Thailand. Her urge to see him is part emotional but also a desperate need to know what happened and how he ended up back home in Sweden when he should still be in prison. I loved how the author played with our expectations of who to trust and whether Carrie should think with her heart or head. She’s safe, she’s happily married, she’s a mother about to return to work so we know the right choice to make. Right? Full review coming later in the month.

But the night before the party, Eleanor receives an email: an email that threatens to expose the lie she’s kept up for over half a century.

Someone knows her secret. Is it her estranged literary agent? Is it her ex-husband, to whom she no longer speaks? Is it the nanny she fired all those years ago, who always did have a knack for storytelling? Or is it one of her three daughters, all of whom have a stake in the publishing empire she has built…

With a TV crew arriving to film a documentary of her life, Eleanor needs to find out who sent the email – and preserve her multimillion-pound career.

But when push comes to shove, and it’s time to tell the truth – will anyone actually believe her?

This was a brilliant thriller from Sarah Vaughan, based around a wealthy and respected children’s author and her birthday party. There’s enough tension in the air already with an event so big, but Eleanor’s three daughters each have secrets, her illustrator has turned up early for a confrontation about her percentage, there’s an odd man hanging around the grounds who approached her grandchildren and dog, plus an old couple who have apparently lost their way from their caravan park into the gardens. Told in the tense two days before the celebrations, we also get flashbacks to key moments in Eleanor’s past that might give us the answers. You’ll absolutely devour this book like I did.

When 18-year-old Christian Shaw is found dead in an Edinburgh park, the city reels – and the shock only deepens when police charge her best friends, Eliza Lawson and Isobel Smyth, with her murder.

As their trial begins and headlines scream for justice, rumours of bullying spiral into something darker: whispers of rituals, obsession, and a teenage pact gone wrong.

But then the girls take the stand – revealing a chilling defence no one saw coming – and the jury must question everything: the motives, the evidence, even their own judgement.

Who’s telling the truth? Who can be trusted?
And what really happened to Christian Shaw?

Let the Witch Trial begin . . .

Harriet Tyce’s brain works differently to other people’s! We follow the trial of two teenage girls through the eyes of a juror called Matthew who is a surgeon. He’s everything a good juror should be – reliable, intelligent, rational, objective, pillar of the community – but he seems strangely excited about this trial, having been told several times he could have been excused because of his job. As the trial moves on he seems to deteriorate: he stops wearing a shirt and tie, has a rash that spreads and irritates him, starts to drink and eat junk food. The story of witchcraft and teenage girls is intriguing, but does it constitute murder? Who is the blonde woman that catches Matthew’s eye and seems to follow him to the flat? There are so many layers to this story that your mind will be blown in the final chapters!

Ten years ago, Hope left Somerset with a fatal secret and a broken heart. She has spent a decade in the shadows, living a quiet life of penance to protect the man she once loved – the world-famous author Ambrose Glencourt.

YOUR LIFE IS NOT YOUR OWN.

Then, she opens his latest bestseller. To the world, it’s a brilliant work of fiction. To Hope, it’s a betrayal. Every private moment, every dark truth, and every ‘fatal disaster’ from that summer is laid bare on the page.

YOUR TRUTH IS A LIE.

But Ambrose has changed the ending. In his version of the story, Hope isn’t the victim. She’s the villain.

Now, Hope must step out of the shadows to reclaim her narrative. But in a world of glamorous elites and whispered secrets, who will believe the word of an unreliable woman against the word of a literary icon?

Two narrators. One truth. And a secret worth killing for.

This novel is another triumph for this incredible writer, with so many layers and very timely themes around rich white men and their assumption of their own genius and their right to exploit those around them. Hope is a compelling character whose one summer with Ambrose and his wife Delia sets her life on a different course. To find the events of that summer in a book, prompts her to go to the police and tell her story to detective Nat. Is this the ramblings of a mad, middle aged woman or is something very wrong at Shadowlands, the Glencourt’s mansion. Hall beautifully shows us young love and how a girl who loves books can be manipulated by someone who believes young, naive lower class girls who worship writers are theirs for the taking. I love how Hall weaves in the concept of playing with reality, how we construct stories and who has the right to tell them.

There’s something out there in the darkness.
By morning, bones lie in the snow, picked clean.

Zach knows the moods of the mountains – his mother taught him before she was gone. His father and the other men on the ski weekend think they know better though.

Drinking and boasting, they laugh in the face of the icy conditions.

But Zach understands what danger looks like. Can he survive the wilderness, and all the monsters within it?

This is a stunning new novel from Tracy Sierra, whose debut novel NightWatching was one of my favourite books of 2024. This is just as good as that thrilling debut, if not better. Set in one weekend in the mountains, this is no ordinary trip or boy’s own adventure. Everyone who is coming is there to be impressed by Zach’s dad and his latest business venture. Everything has to go right. Everything is told through Zach’s eyes and we can see him slowly lose his innocence as he notices that his dad doesn’t have half the knowledge about the outdoors that his mother had, everyone else can see that all his gear is new, flash and not what a regular skier or hiker would use. Zach can also see they dislike him. Russ is the only other kid on the trip and he knows that these men are going to lead them into danger, simply because they’re selfish and full of bravado. They must get to do exactly what they want and damn the consequences. Tracy Sierra gets inside this little boy’s mind perfectly and I was desperate for him to survive, but with a strange monster on the prowl outside and the terrible weather it’s hard to know what he can do to escape. Unless the real danger is on the inside. This author shows shades of Stephen King and The Shining in this brilliant story, bristling with menace and childhood fears.

Here are a few of next months reads:

Ten on Tuesday

Ten On Tuesday: Ten Second Hand Books On My TBR

Posted on 31st Mar 2026 by thelotusreaders

So here’s a book blogger admission for you. I recently did an interview with another blogger on my reading habits and I admitted to having seven bookcases in the house, all organised according to genre: books for work, thrillers and crime, romance, my bought tbr, my biggest bookcase has historical fiction, horror and gothic, classics and contemporary literature and there are two glass display cases of special editions. I have a trolley with my main tbr from publicists and authors, but I also have a little pink trolley with my secondhand tbr (yes there are a few stacks on the floor here and there). So now you know my darkest book secrets I thought I’d share some of those second hand books.

Nottingham, 1827. Mary Reddish, a young housemaid unjustly committed after defying her employer’s advances, must navigate the brutal treatments of the county asylum while trying to prove her sanity. Meanwhile, Ann and Thomas Morris, the asylum’s matron and director, struggle to uphold humane practices against outdated medical methods that haunt the institution.

As Mary forms an unlikely alliance with a fellow patient, she finds herself at the centre of a battle between compassion and cruelty that will determine the course of her life – and the future of the asylum itself.

Inspired by real events that took place at England’s first publicly funded asylum in Nottingham, The Unravelling of Mary Reddish shines a light on the brutal reality of mental health care in Georgian Britain.

Celebrated writer and historian Maria Graham must make the treacherous voyage from Brazil to London to deliver her latest book to her publisher. Having come to terms with the loss of her beloved husband, Maria is now determined to live her life as she pleases, free from the smothering constraints of Georgian society.

For a woman travelling alone it’s a journey fraught with danger, and as civil war rages around her, the only ship prepared to take Maria belongs to roguish smuggler Captain James Henderson. Onboard, all is well until Maria makes two shocking discoveries – the first a deadly secret, the second an irresistible attraction to the enigmatic captain.

With Henderson on a journey of his own and determined to finally put his life of crime behind him, he and Maria grow ever closer. But can Henderson escape his illicit past or will the scandalous secret he’s hiding ruin them both?

THE NEXT WORDS HE WRITES COULD BE HIS LAST . . .

Austria, 1938: The Vienna Writers Circle meets at Café Mozart to share hopeful stories during a hopeless time.

But when the Nazis take over, everything changes. With their Jewish families’ now under threat, the writers hide using false identities, their stories becoming their only salvation.

Then a local policeman begins a dangerous mission to help them. But he faces conflicts of his own: having declared his love for a beautiful Romani-gypsy girl, Deya Reynes, he fears that she too will be sent to her death.

When all they have left is courage, will they survive?

Yorkshire, 1979

Maggie Thatcher is prime minister, drainpipe jeans are in, and Miv is convinced that her dad wants to move their family Down South.

Because of the murders.

Leaving Yorkshire and her best friend Sharon simply isn’t an option, no matter the dangers lurking round their way; or the strangeness at home that started the day Miv’s mum stopped talking.
Perhaps if she could solve the case of the disappearing women, they could stay after all?

So, Miv and Sharon decide to make a list: a list of all the suspicious people and things down their street. People they know. People they don’t.

But their search for the truth reveals more secrets in their neighbourhood, within their families – and between each other – than they ever thought possible.

What if the real mystery Miv needs to solve is the one that lies much closer to home?

London, 1893. When Cora Seaborne’s controlling husband dies, she steps into her new life as a widow with as much relief as sadness. Along with her son Francis – a curious, obsessive boy – she leaves town for Essex, in the hope that fresh air and open space will provide refuge.

On arrival, rumours reach them that the mythical Essex Serpent, once said to roam the marshes claiming lives, has returned to the coastal parish of Aldwinter. Cora, a keen amateur naturalist with no patience for superstition, is enthralled, convinced that what the local people think is a magical beast may be a yet-undiscovered species.

As she sets out on its trail, she is introduced to William Ransome, Aldwinter’s vicar, who is also deeply suspicious of the rumours, but thinks they are a distraction from true faith.

As he tries to calm his parishioners, Will and Cora strike up an intense relationship, and although they agree on absolutely nothing, they find themselves at once drawn together and torn apart, affecting each other in ways that surprise them both. The Essex Serpent is a thrilling and unforgettable novel of intrigue, love, and the many forms it can take.

Cloaked in absence, the Travelling Man comes calling . . .

NYPD cop Charlie Parker returns home one evening to a brutal scene – his wife and daughter violently murdered, their faces removed and their bodies displayed in macabre poses: the work of the Travelling Man.

Numb from guilt and desperate for distraction, Parker becomes embroiled in the case of a missing woman. As the investigation spirals, Parker learns that this disappearance is merely the latest development in a tale of injustice and cruelty.

All the while, the Travelling Man haunts him . . .

1859. Edward Scales is a businessman, a butterfly collector, a respectable man. He is the man Gwen Carrick fell in love with. Seven years later he is dead and Gwen is on trial for his murder. Set in a world caught between the forces of Spiritualism and Darwinism, The Specimen explores the price one independent young woman might pay for wanting an unorthodox life.

You are about to discover the secrets of The Quick –

But first, reader, you must travel to Victorian England, and there, in the wilds of Yorkshire, meet a brother and sister alone in the world, a pair bound by tragedy. You will, in time, enter the rooms of London’s mysterious Aegolius Club – a society of the richest, most powerful men in England. And at some point – we cannot say when – these worlds will collide.

It is then, and only then, that a new world emerges, a world of romance, adventure and the most delicious of horrors – and the secrets of The Quick are revealed.

Maud Heighton came to Lafond’s famous Academy to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Époque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels’ world of elegant luxury, their secrets become hers. Before the New Year arrives, a greater deception will plunge her into the darkness that waits beneath this glittering city of light.

‘You should have been a detective. If there’s one thing the last year has proved, it’s how good you are at finding things out. Things that are buried so deep nobody even thinks twice about them. The sort of things that turn people’s lives inside out once they’re exposed.’

Meet Tony Hill’s most twisted adversary – a killer with a shopping list of victims, a killer unmoved by youth and innocence, a killer driven by the most perverted of desires.

The murder and mutilation of teenager Jennifer Maidment is horrific enough on its own. But it’s not long before Tony realises it’s just the start of a brutal and ruthless campaign that’s targeting an apparently unconnected group of young people.

Struggling with the newly awakened ghosts of his own past and desperate for distraction in his work, Tony battles to find the answers that will give him personal and professional satisfaction in his most testing investigation yet . . .

Ten on Tuesday

Ten On Tuesday: Ten Literary Quotes for Hope in Spring

Posted on 24th Mar 202623rd Mar 2026 by thelotusreaders

I know I’m not the only person struggling with what’s happening in the wider world at the moment and locally to be honest, as strategic parts of our city are being covered in flags in order to intimidate. There’s some sort of march most weeks and I’m constantly waiting to be annihilated by whichever geriatric white man loses his mind first! So sometimes the only thing to do is concentrate on your own little bubble, do the things you love that bring you peace, switch off the TV and shut it out for a while. I was thinking about this post and the things that make me happy, inspire me and keep me going. Of course first and foremost that’s literature, but I also love taking photographs of my surroundings. So, bearing in mind we had the spring equinox at the weekend, I thought I’d share with you some of my favourite hopeful literary quotes and photographs that make me happy. Hope you find them inspiring too.

“Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can’t go through an obstacle, go around it. Water does.”

From The Penelopiad by Margaret Atwood

“Rays from the sunrise drew forth the buds and stretched them into long stalks, lifted up sap in noiseless streams, opened petals, and sucked out scents in invisible jets and breathings.”

From Tess of the D’Urbervilles by Thomas Hardy

“Hope is the thing with feathers

That perches in the soul

That sings the tune without the words

And never stops at all”

From The Complete Poems of Emily Dickinson

‘I am no bird and no net ensnares me: I’m a free human being with an independent will.”

Jane Eyre by Charlotte Brontë

“Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is something infinitely healing in the repeated refrains of nature—the assurance that dawn comes after night, and spring after winter.”

From Silent Spring by Rachel Carson

“No man knows till he has suffered from the night how sweet and dear to his heart and eye the morning can be.”

From Dracula by Bram Stoker

“I’m choosing happiness over suffering, I know I am. I’m making space for the unknown future to fill up my life with yet-to-come surprises.”

From Eat Pray Love by Elizabeth Gilbert

“Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case.”

From The Night Circus by Erin Morgenstern

“Your sorrow will become smaller, like a star in the daylight that you can’t even see. It’s there, shining, but there is also a vast expanse of blue sky.”

From Survival Lessons by Alice Hoffman

“What a happy woman I am living in a garden, with books, babies, birds, and flowers, and plenty of leisure to enjoy them! Yet my town acquaintances look upon it as imprisonment, and I don’t know what besides, and would rend the air with their shrieks if condemned to such a life. Sometimes I feel as if I were blest above all my fellows in being able to find my happiness so easily. I believe I should always be good if the sun always shone, and could enjoy myself very well in Siberia on a fine day. And what can life in town offer in the way of pleasure to equal the delight of any one of the calm evenings I have had this month sitting alone at the foot of the verandah steps, with the perfume of young larches all about, and the May moon hanging low over the beeches, and the beautiful silence made only more profound in its peace by the croaking of distant frogs and hooting of owls?”

From Elizabeth and her German Garden by Elizabeth Von Armin

See you next week ❤️📚

Netgalley

Based On A True Story by Sarah Vaughan

Posted on 22nd Mar 2026 by thelotusreaders

A lavish 70th birthday party. A body found on a storm-lashed beach. And a secret that someone is dying to tell…

Famed children’s author Dame Eleanor Kingman has summoned her family and friends to her exquisite manor house on the cliffs. They’re celebrating her birthday – and her latest number one bestseller in her series of books based on a mother fox and her cubs. But the night before the party, Eleanor receives an email: an email that threatens to expose the lie she’s kept up for over half a century.

With a TV crew arriving to film a documentary of her life, Eleanor needs to find out who sent the email – and preserve her multimillion-pound career.

But when push comes to shove, and it’s time to tell the truth – will anyone actually believe her?

Eleanor Kingman is holding a huge 70th birthday party at her Cornish house that sits on the cliffs overlooking the sea. It’s a massive undertaking, even without the addition of a TV film crew who are filming the run up to the big day and interviewing Eleanor and her daughters. Her eldest two daughters have working roles alongside their mother. Gilly is her assistant, co-ordinating both the celebration and the TV crew. Rachel is her accountant, keeping track of the royalties and the spending. Her youngest, Delia will no doubt arrive early or late, she is a lifestyle influencer documenting her travels and the journey she’s taken as an addict. However, each daughter has her own secrets and the resentments between them and their mother threaten to boil over. There are hints of menace, such as the strange man who approaches Eleanor’s much loved spaniel Edith as she’s being walked by Rachel’s children. Then an older couple are seen trespassing on Eleanor’s land, claiming to have taken the wrong route while on a caravan holiday close by. There’s also the early arrival of her illustrator Ayisha, who has steeled herself to talk about her cut of the profits. Alone these things mean nothing, but Eleanor is jittery as the interview approaches and only she knows why. She has been receiving blackmail threats making it clear that they know her secret and are more than willing to expose her. Who are they coming from? What do they know? Eleanor doesn’t know if this is personal or about her work. However, she isn’t the only one in the family to have secrets. Each sister has something they’re hiding from their mother and each other. This night is really going to go off with a bang!

Eleanor is an interesting character and has a distinct style and way she presents herself. As she’s retiring to her room on the afternoon of the party she knows she needs to rest but thinks about what she needs to do ‘to reassemble herself with hair, make-up, fine jewellery, exquisite clothes. To reconstruct Dame Eleanor Kingham.’ It’s as if she is an actress with a role or that over the years people have developed an expectation of how a popular children’s author should appear. The party will be lavish but Rachel can testify that in other ways her mother does count the cost, even making sure food is used past it’s sell by date. There’s also the fact that she pays her daughters below market rate, in fact it could be said that she’s lavish with herself but not so much with others. This could go back to years of frugality as a young woman at university, then as wife of an author whose own ambitions have taken a back seat to his genius. The author gives us flashbacks to show Eleanor’s earlier life, including her writing at the kitchen table late at night, exhausted and wondering if her writing will ever be noticed. There’s a certain ruthlessness in her and a steely determination, in fact her first book had the vixen killing and eating a weak cub for her and other cubs survival. Her agent decided it was too grim a detail for a children’s story, no matter how accurate it might be in nature. This also tells us she is willing to bend or alter a narrative, if it allows her to succeed.

I felt particularly sorry for Gilly who is really working hard to keep things running well in the last few days, with very little credit or thanks. I was really glad there was a flirtation for her. With an attractive camera crew around and Ned the director being particularly handsome there’s certainly opportunity. Gilly is the little overlooked dormouse who scurries everywhere, quietly making everything happen. Rachel is in a world of trouble when her husband Tom finally tells her a secret he’s been keeping and she’s furious. He needs money, fast. Will Rachel be pushed into something unthinkable? I found Delia incredibly irritating! One of those influencers who always appears picture perfect, on a picturesque beach with pearls of wisdom for her thousands of followers. None of it is original and it’s borderline dishonest. She is sober at the moment, but has a gatecrasher coming for the party. Will the tension tip the balance for her? None of these people are particularly likeable, with Rachel’s husband being a candidate for a good slap at the very least – he made me furious. All of this will come crashing to a head on the big night and I was constantly second-guessing which would bring the author’s world crashing down or whether she’d manage to solve it all in her own inimitable style. This is a book that you won’t put down in those final chapters. Vaughan really is a master at drip feeding clues and reveals, keeping me hooked. It’s brilliantly paced, the characters and their dynamics are so complex. There’s also a cleverly created gap between professional personas and the real life person, whether it is a children’s author or an influencer. Honestly these characters are hard to like but there’s nothing like the schadenfreude of seeing some of them meeting their fate.

Out on 26th March from Simon and Schuster UK

Meet the Author

Sarah Vaughan read English at Oxford and spent eleven years at the Guardian as a news reporter and political correspondent, before leaving to write fiction. Her first two novels were followed by her first psychological thriller, Anatomy of a Scandal: a Sunday Times top five bestseller, Richard & Judy pick of the decade, and global number one Netflix adaptation starring Sienna Miller, Michelle Dockery and Rupert Friend. Her fourth novel, Little Disasters, was a Waterstones thriller of the month and developed as a number one Paramount Plus show. Her fifth novel, Reputation, was a Sunday Times thriller of the month and is currently in development by the team who made Anatomy of a Scandal. Based on a True Story is her sixth novel.

A million-copy international bestselling author, her books have been published in twenty-seven countries.

Squad Pod Collective

Unreliable Narrator by Araminta Hall

Posted on 20th Mar 2026 by thelotusreaders

YOUR SECRETS AREN’T SAFE.

YOUR LIFE IS NOT YOUR OWN.

YOUR TRUTH IS A LIE.

But Ambrose has changed the ending. In his version of the story, Hope isn’t the victim. She’s the villain.

Two narrators. One truth. And a secret worth killing for.

I was blown away by Araminta Hall’s last novel, because of how bold and timely it was. I wondered whether she could write something that would capture the world as it is now, crazier and more disturbing by the week. Well it turns out she can. Hope Jenkins takes a job with author Ambrose Glencourt as his personal assistant at his home, Shadowlands. Rosie, as he likes to be called, described the shadowlands as a place of imagination. However, its other meaning gave me a sense of foreboding – a thin place, the hinterland between life and the next, place filled with ghosts and spirits. It made me wonder, was this a place where the line between the real and the imaginary is blurred? The setting is the archetypal bohemian mansion, showing a lot of wear and tear, but still beautiful with idyllic grounds. The sort of place where books and art are piled everywhere, but the dishwasher is held closed with cord and a wooden spoon. Hope is stunned by her surroundings, it’s nothing like her mum’s flat and Rosie’s wife Delia is a fragile beauty who was a model for the artist Siegel when she was younger. Again though, little things stayed in the mind. The way that they call their staff by their Christian names in front of visitors, but Mrs A and B in private seemed odd. Delia seemed very keen to downplay her own artistic ambitions, always saying it’s just a hobby when she has her own studio and Hope can see she’s very talented. Then there’s a painting – in Rosie’s study, amongst the bookshelves he has a nude painting of a very young Delia with her legs wide open. It makes Hope uncomfortable and and she wondered whether that was why he kept it so public, or whether he liked to make other men desire his wife?

I felt like Hope was dazzled by the Glencourts and the relationship seemed unequal. Whereas staff seemed to stay in the garden and kitchen, Hope and another guest at the house eat and socialise with the couple. Tom is introduced as someone who Delia has worked with when teaching pottery at an outreach for addicts. He and Hope have afternoons to spend together when Rosie has finished working for the day and it’s clear there’s chemistry. Yet I wondered why had Rosie and Delia taken Tom in and what exactly is the nature of their relationship? Is he as taken in as Hope is by this bohemian utopia? Perhaps not, as he discloses more secrets about the couple and explains:

‘I’m not sure Rosie means everything he says, I think it’s more that he entertains himself by making people feel uncomfortable.”

Little unexpected touches and comments made me uneasy about Rosie and there’s a very uncomfortable dinner scene that made me feel sick and awkward. Rosie’s dinner guests became horribly familiar, men who think their sex and status gives them licence to manipulate and bully others. We can feel the pressure of that summer building as the heat rises and I was utterly absorbed by it.

Then we’re taken ten years later and Hope wants to make a statement to the police. We meet our narrator Nat, a young detective trying to get through her day and get home to her wife and kids on time. Nat is our narrator, coming into this ten year old world in our stead and trying to work out whether Hope is just a crank or a mad fan. However, there’s something about this Hope, a strange, sad lady and her journal, from a summer ten years before that catches her attention. This is an utterly different Hope, in fact she’s a woman transformed from that dreamy girl who fell in love with a lifestyle so far from her own. Now she’s working in a school office and doesn’t appear to be looking after herself. She returned home that summer in a state of delirium and shock and it looks like her life hasn’t recovered, although underneath the exterior there’s still a nurturing instinct and an ability to identify victims of abuse. She’s alerted by news of Ambrose Glencourt’s long awaited sequel to The Ruined Girl, his most famous and celebrated novel. Hope buys the first novel and as she reads she becomes more and more angry. This is Rosie’s version of that summer’s events written down for all the world to read and the character based on Hope is definitely the villain of the piece. He has taken the truth and twisted it. The only thing Hope has is her journal and as Nat reads Hope’s journal she does start to wonder whether there’s some truth in this? She’s experienced manipulation and abuse and something about this presses that trigger. She decides to visit Shadowlands for herself and meet the Glencourts, because even if Hope is mistaken about what ended her work with Rosie, something at Shadowlands feels wrong.

The structure is so complex, playing with stories and asking questions about how they’re told and who gets to tell them. Rosie made my flesh crawl a little, with the arrogant assumption that he can feast on anything to fuel his imagination and continue the important business of making literary art – there’s no downgrading his talent, unlike Delia’s. I really felt how much easier it is to work as a writer when you have money to support you and a mansion to live in. He discards all distractions, even those he’s created himself. I didn’t like his friends either and their little games, enjoying their ability to make someone much younger uncomfortable. Hope wants to be like him, to be able to “make language work that way as if it belonged to me”. What she didn’t realise back then was that there’s no one way to write, because each unique voice is just as valid. It just that certain voices are more likely to be heard because they follow the established narrative. Hopefully, we don’t have to sound like rich, middle aged white men any more. Hope has seen through the shiny exterior of Shadowlands and knows they’ll look down on Nat with her cheap suit and London accent. But could Rosie’s assumption of superiority be his downfall? This book sits perfectly alongside the #MeToo movement and the Epstein Files in that it’s a world operating on the assumption of silence. Hope isn’t silent any longer. Incredibly tense, twisty and timely, I was utterly under its spell from the first few pages. Ambrose Glencourt claims that in fiction “it’s much easier to blow a body apart than put it back together again.” For Hope’s sake I read this voraciously, full of rage and with everything crossed that Araminta Hall could do what Ambrose Glencourt couldn’t.

Out March 5th from MacMillan

Meet the Author

Araminta Hall has worked as a writer, journalist and teacher. Her first novel, Everything & Nothing, was published in 2011 and became a Richard & Judy read that year. Her second, Dot, was published in 2013.

She teaches creative writing at New Writing South in Brighton, where she lives with her husband and three children.

Araminta Hall’s novel Imperfect Women has been adapted for television by AppleTV starring Elizabeth Moss and Kerry Washington

Random Things Tours

Reaper by Vanda Symon

Posted on 18th Mar 202617th Mar 2026 by thelotusreaders

A killer is hunting Auckland’s homeless. No one cares. No one but Max. These are his people.

Max Grimes is homeless, living on the streets of Auckland – among the forgotten, the invisible. But now someone is hunting the homeless, killing them one by one. No one cares. Except Max.

Trying to put his shattered life back together, Max is pulled into a deadly game when a face from his past reappears, reopening wounds he thought were long buried.

As whispers of a Grim Reaper spread terror through the city, Max must race against time – not only to find the killer, but to outrun the ghosts chasing him.

Because if he fails, he’ll be next.

I thoroughly enjoyed spending time with Max Grimes again, back on the streets of Auckland where he was once a detective and is now homeless, although has at least found shelter in a building under renovation. I was also utterly absorbed by this story, that goes to unexpected places as Max tries to find a killer, before the killer finds him. The plot is so well constructed, with a blend of the personal and professional aspects of Max’s life becoming dangerously interlinked as a killer stalks street sleepers in the city centre district. It immediately made me angry that someone would prey on such vulnerable people, but not a surprise in the current climate where the vulnerable seem to be easy prey for everyone to comment on and abuse. I’ve seen the rise of ableism over the last year or two, which has become toxic to any person with a disability, asylum seekers or anyone perceived to be problematic for society on social media. Working my whole life in mental health, I know the complexities that combine to leave someone where Max Grimes is. In his case a daughter addicted to crystal meth and a boyfriend who cut her throat while high on the same poison. Lives break down for a multitude of reasons, but usually loss and abuse of some sort has contributed to the mental health crises that I would deal with. Particularly long term users of the mental health team services and high up on my priorities is to keep someone in their home by helping maintain finances and hold on to their tenancy. Sadly, with all the will in the world, this does not work and people would become vulnerable, homeless and prey to anyone looking for people to manipulate and harm. So I found myself asking: is this killer simply preying on those who are vulnerable because they’re seen as easy targets or is this killer trying to make a point?

Despite having left his job behind a long time ago, Max is still a police officer at heart. He gets up early and walks a set ‘beat’ through the streets, checking on those he knows or believes to be struggling. It’s no surprise that he’s one step ahead of the police when it comes to adding these deaths up and asking questions, approaching fellow detective Meredith when he thinks something is ‘off’. Detectives don’t necessarily have a specific patch, they work cases not streets, so the deaths of a couple of homeless people in a cold snap wouldn’t even cross their desk. By the second death Max is sure something is wrong. What he finds most troubling is that it’s someone who mentions the killer as the Reaper who is next to die. As he walks his usual path the next day he makes a note of who talks about a serial killer and plans to keep an eye on them. Meredith gets her boss to agree to treat the third death as a crime scene and if there’s anything to suggest murder, then the previous two bodies will be examined. The questions are mounting up for both Meredith and Max. People who live on the streets are suspicious and vigilant, so how is the killer getting close to their victims? How is he circumventing that natural mistrust of others that he knows the victims would have had? In between his investigations, Max’s past creeps up on him quite literally in the library where he spends the morning in the warmth reading the news and using the internet. Shane McFarlane is the last person he wants to talk to, since his son killed Max’s daughter he’s avoided him at all costs. It makes Max feel vulnerable that he finds him so easily, maybe a wake up call that his own vigilance needs to be stepped up. He asks Max if he’ll work as a private investigator for him and find the man who supplied the meth to his son. Max certainly could do this and he feels empathy for McFarlane’s anger towards the dealer, but can he work alongside this man in exacting revenge?

I love how Vanda Symon writes her characters, because whether it’s Meredith or Max we’re straight into their inner lives and how they see the world they live in. She doesn’t do superfluous description of character or appearance, she simply lets them live their lives and think their thoughts and leaves everything else up to the reader. Even when it comes to the short chapters narrated by the Reaper she sticks to this inner world, so when the clues start to add up for Meredith and she realises something about him we’re as surprised as she is. It also adds another layer of grey to this world when we realise the reasons behind the Reaper’s eventual plan. The author also weaves in the politics of the city and this time by alluding to gentrification, historic abuse and the Mayor’s plans for removing the homeless from the centre of Auckland. At a press conference he talks about homeless people as if they are vermin, suggesting that the case gives them an opportunity to remove this group of people from harm, while also stopping them from harming the city. I loved Meredith’s urge to shut his mouth for him and how her experience of his wandering hands at a party ties into worldwide events such as the Epstein files, not mentioned by name but certainly in Meredith’s experiences and thoughts. She laments that women in public life are held to different standards to men and get the lion’s share of abuse with appalling misogyny the norm on social media. She refers to ‘Teflon’ men ‘and they had all been men. Narcissists and psychopaths who believed they were untouchable, above the law.’ She also laments the keyboard warriors in local papers making comments about putting the killer on the city payroll and congratulating him for moving these bums off the streets, dehumanising the victims completely. Her relationship with Max shows she doesn’t think like this, she respects him and his investigative skills. When he’s badly beaten she’s desperately concerned and when suspicion starts to fall in his direction she has some very hard choices to make. I wondered whether this might be the end of their friendship?

Vanda has written another brilliant thriller here, full of clever clues and reveals. However, her incredible empathy and compassion for a vulnerable section of society means the victims are not just sensationalism or a means of moving the plot forward. Max makes sure that we know about these victims and that their deaths are investigated with the same vigour as any other member of society. I felt like this case really is make or break for the trust between Max and Meredith and I hoped that even when the only choice was to bring Max in for questioning, they would find a way of working together to uncover the truth. By this point in the book I couldn’t put it down because I was so desperate for the evidence to be wrong and the tension was unbearable. This is not a black or white, right or wrong type of story either. The author brings out all the shades of grey in her characters, making sure we remember that human beings are complicated and when lives go off the rails there’s always a story behind it, whether it is a personal grief or loss, abuse or mental heath crisis. After all, whether a police officer, killer, or victim we all have a back story.

Out March 18th from Orenda Books

Meet the Author

Vanda Symon lives in Dunedin, New Zealand. As well as being a crime writer, she has a PhD in science communication and is a researcher at the Centre for Pacific Health at the University of Otago. Overkill was shortlisted for the 2019 CWA John Creasey Debut Dagger Award and she is a three-time finalist for the Ngaio Marsh Award for Best Crime Novel for her critically acclaimed Sam Shephard series. Vanda produces and hosts ‘Write On’, a monthly radio show focusing on the world of books at Otago Access Radio. When she isn’t working or writing, Vanda can be found in the garden, or on the business end of a fencing foil.

Blogger Life

The Last Ten Books I Bought

Posted on 17th Mar 2026 by thelotusreaders

I thought that today I’d share with you the last ten books I’ve bought. Sometimes people think that because I review books on my blog, I get given every book I review but that’s far from the case. I still buy an enormous amount of books every month. It’s my main indulgence, aside from Doc Marten boots and a weird fascination with animals in clothes (probably best left unexplored but I’m sure it has to do with Mr Tumnus). I’d do get proof copies but they are becoming more scarce these days so mainly they come from the reviewing I do through the Squad Pod Collective – a group of blogger friends who have come together to share the book love – or through blog tours. More often it’s digital copies that are available, either offered by the publisher or through NetGalley. There are many reasons I might buy a book, as discussed last week there are come authors who are must-buy and are usually pre-ordered for a discount. Another reason might be that I’ve loved a book on Netgalley or digital proof and I’d like a finished copy. Then there’s the bookshop purchases where I have a terrible love of spredges and beautiful book cover art as well as the story itself. Finally comes those I buy second-hand in charity shops, second hand bookshops like Barter Books in Alnwick or Vinted, which is a great hunting ground for special editions. I also collect various copies of old classics or my favourites – I have about six different copies of The Night Circus for example. Currently on my radar is the Folio Society copy of The Colour Purple which is stunning but will take up a whole month’s book budget! Here are my latest buys:

I love Will Dean’s Tuva Moodysson series and pre-order those always, but his stand-alone novels I tend to buy on Kindle. This has all the hallmarks of a heart-stopping thriller.

Three of them adrift on the narrowboat.
Mother, son, and wickedness.

Peggy Jenkins and her teenage son, Samson, live on a remote stretch of canal in the Midlands. She is a writer and he is a schoolboy. Together, they battle against the hardness and manipulation of the man they live with. To the outside world he is a husband and father. To them, he is a captor.

Their lives are tightly controlled; if any perceived threat appears, their mooring is moved further down the canal, further away from civilisation. Until the day when the power suddenly shifts, and nothing can be the same again.

I left the parking ticket bookmark in this one, because I bought this from my local bookshop on Saturday and then my other half went to Screwfix so I read five chapters in the car out of boredom. I wanted to read this before I watched the BBC series and as usual I’ve left it to the last minute. I recently thoroughly enjoyed Rachel Pariss’s novel about Charlotte Lucas and I’d forgotten how lovely it is to be in Austen’s worlds so I thought this would be light relief, both from other reading and the news.

In Jane Austen’s Pride and Prejudice, we know the fates of the five Bennet girls. But while her sisters are celebrated for their beauty or their wit, Mary is the “plain” middle sister, the introvert in a family of extroverts, and a constant disappointment to her mother.

Lonely and lacking connection, Mary turns to the only place she feels safe: her books. Determined to be “right” since she can never be “beautiful,” she prepares for a life of solitude at Longbourn.

One by one, the other sisters move on: Jane and Lizzy for love, and Lydia for respectability. Mary is destined to remain single, at least until her father dies and the house is bequeathed to the reviled Mr Collins.

But when that fateful day finally arrives, the life Mary expected is turned upside down. In the face of uncertainty, she slowly discovers that there is hope for the “plain” sister after all. . .

Experience the witty, life-affirming tale of a young woman finally finding her place in the world.

This book falls into the special edition category as it’s one I might normally have bought on Kindle, but couldn’t resist this beautiful signed edition complete with stunning spredges and endpapers.

It’s the summer of 1939. London is on the brink of catastrophic war. Iris Hawkins, an ambitious young woman in the stuffy world of City finance, has a chance encounter with Geoff, a technical whizz at the BBC’s nascent television unit.

What was supposed to be one night of abandon draws her instead into an adventure of otherworldly pursuit – into a reality where time bends, spirits can be summoned, and history hangs by a thread. Soon there are Nazi planes overhead. But Iris has more to contend with than the terrors of the Blitz. Over the rooftops of burning London, in the twisted passages between past and present, a fascist fanatic is travelling with a gun in her hand.

And only Iris can stop her from altering the course of history forever.

Just look at those beautiful spredges. I’m itching to dive into this but need to get my blog tour reading done first.

As you can see another ‘nostalgic’ purchase. Wuthering Heights is one of my favourite books of all time, despite the problematic middle bit where too many people die at once, so when I bought Essie Fox’s beautiful retelling through Catherine Earnshaw’s eyes I couldn’t resist this new edition of Wuthering Heights. The spredges are to die for!

With a nature as wild as the moors she loves to roam, Catherine Earnshaw grows up alongside Heathcliff, a foundling her father rescued from the streets of Liverpool. Their fierce, untamed bond deepens as they grow – until Mr Earnshaw’s death leaves Hindley, Catherine’s brutal brother, in control and Heathcliff reduced to servitude.

Desperate to protect him, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange. She believes his wealth might free Heathcliff from cruelty – but her choice is fatally misunderstood, and their lives spiral into a storm of passion, jealousy and revenge.

Now, eighteen years later, Catherine rises from her grave to tell her story – and seek redemption.

Essie Fox’s Catherine reimagines Wuthering Heights with beauty and intensity – a haunting, atmospheric retelling that brings new life to a timeless classic and lays bare the dark heart of an immortal love.

As you will know I’ve been raving about this one after reading it last month and yes I do have a proof copy but I do like to support independent publishers, authors and bookshops so I went to Lindum Books for her signing a few weeks ago. Sadly, by the time I arrived they’d run out of copies so they were waiting for new stock and Rachel kindly supplied a signed bookplate for it.

Lincolnshire, 1914. As the First World War approaches, three women are living, trapped between the unforgiving marsh, the wide, relentless river, and the isolation of the fen.

Their lives are held fast by profound grief, haunted by the spectres of the past. Trapped by the looming presence and eerie stillness of a hospital that has never admitted a single patient.

Eleanor longs to escape. To make a life with the man she loves, leaving her sister, and all her ghosts behind. Clara’s marriage is crumbling and violent and she yearns for peace and security for both herself and her innocent children. Meanwhile, Lily, a formidable force of will, stands resolute against the relentless tide of change. She will stop at nothing, no matter the devastating cost, to ensure that life, and her family, remain frozen in an unyielding embrace of the past.

The author, Rachel Canwell, grew up with the story of this forgotten hospital. Isolated, stocked weekly and cleaned daily but never admitting a single patient. The hospital was real, tended by her family for over sixty years and set against the ethereal beauty and loneliness of the Fens, is the inspiration for her novel.

This beauty is the independent bookshop copy of Almost Life that came from Lindum Books. I always love the artwork from Kiran’s books and this is a stunner.

One chance encounter can define a lifetime

Erica and Laure meet on the steps of the Sacré-Cœur in Paris, 1978. Erica is a student, relishing her first summer abroad before beginning university at home in England. Laure is studying for her Ph.D. at the Sorbonne, drinking and smoking far too much, and sleeping with a married woman.

The moment the two women meet the spark is undeniable. But their encounter turns into far more than a summer of love. It is the beginning of a relationship that will define their lives and every decision they have yet to make. Spanning cities, decades and heartbreaks, fate brings them within touching distance again and again.

But will they be brave enough to seize the life they truly want?

My next purchases are two for the Kindle and after recently reading and reviewing her third Cal Hooper novel The Keeper, I decided I need to catch up on the first two in the series. I’d previously read her Dublin Murders series so I know I enjoy her writing and I read The Keeper through Netgalley so these are a treat for when I have a gap ?!

The Searcher covers Cal Hooper’s move to Ireland and the fixer-upper he’s bought in a remote Irish village, thinking it would be the perfect escape. After twenty-five years in the Chicago police force, and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens.

But then a local kid comes looking for his help. His brother has gone missing, and no one, least of all the police, seems to care. Cal wants nothing to do with any kind of investigation, but somehow he can’t make himself walk away.

Soon Cal will discover that even in the most idyllic small town, secrets lie hidden, people aren’t always what they seem, and trouble can come calling at his door.

The Hunter takes us back to Ardnakelty and blazing summer, when two men arrive in the village they’re coming for gold. What they bring is trouble.

Two years have passed since retired Police Detective Cal Hooper moved from Chicago to the West of Ireland looking for peace. He’s found it, more or less – in his relationship with local woman Lena, and the bond he’s formed with half-wild teenager Trey. So when two men turn up with a money-making scheme to find gold in the townland, Cal gets ready to do whatever it takes to protect Trey. Because one of the men is no stranger: he’s Trey’s father.

But Trey doesn’t want protecting. What she wants is revenge.

My final book came from the indie Northodox Press and features a place I know very well indeed. The Adelphi Hotel in Liverpool is a famous landmark I’ve known all my life, with my mum being a Liverpool girl. A former grand hotel, designed to look like the interior of an ocean liner it still has spectacular bones although its more recent furnishing choices in the original tea room have made it look more like a nursing home. Every time I go past it we say someone could make a lot of money doing that place up, it could be gorgeous. I live in hope, but currently she’s a strange mishmash of styles from art deco to faux leather BarcaLoungers. It’s a great cheap place to stay in Liverpool and my dad particularly enjoyed the prostitute’s card that was slipped under his door in the middle of the night!

Where better to work than the famous Adelphi Hotel?

Alistair Monroe is keen to make his way in Nineteenth Century Liverpool. The Adelphi is a landmark known for its grandeur, drawing many visitors, including Clemency Martin, an American psychic.

She too needs to make her way. But Alistair discovers that power and darkness lie at the heart of the hotel, and he must finally take risks to bring the truth to light. Step into the atmospheric world of the Adelphi…

So that’s all my recent purchases and buying secrets, but I’m sure there’ll be more next month, if I can resist The Folio Society that is.

Netgalley

Getting Away by Kate Sawyer

Posted on 14th Mar 202613th Mar 2026 by thelotusreaders

Margaret Smith is at the beach.

It is a summer day unlike any other Margaret has ever known.

The Smith family have left the town where they live and work and go to school and come to a place where the sky is blue, the sand is white, and the sound of the sea surrounds them. An ordinary family discovering the joy of getting away for the first time.

Over the course of the coming decades, they will be transformed through their holiday experiences, each new destination a backdrop as the family grows and changes, love stories begin and end — and secrets are revealed.

Getting Away takes us into the lives and the secrets of four generations of the Smith family, through their holidays. From an east coast beach in the UK just after the war to the early 21st Century, Maggie is central to this, moving from childhood to old age. Through each character in the novel, the author creates snapshots of the century from Maggie’s father Jim and his war injuries to an renewed openness about individual sexuality and her brother Tommy having to police the first Pride in London. He’s worried about the lads at work and their response, he’s not keen either but change is the only constant. We can also see the huge changes in social mobility across the generations. We start with Jim and Betty and their daughter Maggie just affording a day at the beach with a picnic brought from home. Later, Maggie’s brother Tommy and his wife Debbie buy an apartment in Spain and then her granddaughter Melissa is the first in the family to go ‘travelling’ as a young woman as opposed to having a holiday. The shifts are seismic when seen together like this and it made me realise that my own grandchildren will look at me and my husband and realise we were born in the last century. Just like I did with my grandma who was born in 1913, they’ll probably imagine all the changes we’ve seen in that time. That’s what reading this felt like, as morals, finances and our ability to connect with others changes beyond recognition. When Robert takes a holiday with his friend Fitz while Susan is pregnant, they have to send a telegram to one of his destinations to get him to come home urgently. By the next generation, Melissa is island hopping around Asia and keeps them all updated via Instagram and her blog. What is amazing about Kate Sawyer is this doesn’t feel contrived and all these things in the background are just that, because the real drama is happening within this family and the secrets each generation keeps from the next.

Maggie is at the centre though and hers is the most carefully guarded secret. I loved how she and her mother Betty slowly grew to understand each other, but also how one secret breeds another. Her husband Alec knows Maggie is vulnerable when he meets her on a break with her friends, but he’s looking for a wife who won’t make demands and will be happy to travel around the world for his job buying fabric. He is a protector and he remains that way throughout her life, although things do change within their marriage. Maggie has panic attacks near the sea, although her friends don’t know why. We know something happened on a day by the sea when the Americans from Jim’s work travelled with them, but she keeps the secret for decades. However, she isn’t the only one with a huge secret. Maggie’s brothers couldn’t be more different. Tommy comes across as very brash and often drunk, very proud of how well he’s doing at work and happy to splash the cash around. Robert is the baby of the three and a lot more sensitive than his brother. I rooted for him and his girlfriend Susan who he’s desperately in love with. As secrets start to come out their relationship suffers, but I was sure they’d never stopped loving each other. Their children are the final generation we get to know, but it felt like Robert was impacted most by decisions made about his life, even though it was a common choice in that situation. I love how this author writes about her character’s inner lives, she even makes me root for people when their behaviour isn’t great. Once I’m a few chapters in these are real people and I’m feeling every one of their emotions.

Having once had a spectacularly bad holiday with my lovely family I was amazed that they all persevered over years. There are all those little details about each character and how they irritate each other. When they undertake a trip to Florence with Maggie, Betty is exhausted and the others are bored. Maggie likes to stride about the city while her husband Alec is working, sight-seeing and learning about art, architecture and the local food. With all good intentions she wants to make sure those she loves get the most out of being here, but everyone else wants some shade and a cold drink. Tommy is more of a drink by the pool and English food sort of person, it’s clear he has a drinking problem and it doesn’t help his temper. Bringing us into the 21st Century, I loved how Joe and his husband Piotr’s daughter Maja has travelled all over the world when she’s only a toddler. This family have gone from greenhouse tomatoes by the North Sea to being more like the Americans who visited Jim and Betty and scoffed at how backward the British seemed. They also go through every complicated situation a family can, with secrets, affairs, divorce, violence and the addition of those who become ‘found family” like Robert’s lifelong friend Fitz and his daughter. I loved that their friendship survived huge upheaval and betrayal, and that it happened on a holiday pilgrimage. I particularly enjoyed Maggie’s solo holiday after her divorce and her sexual adventure, beautifully written and much needed in order to heal from the past and claim her future as a desirable woman. Maggie’s favourite book is A Room With a View so she felt like a kindred spirit and the passion in that book obviously appealed to this woman who had to reach middle-age before desire was a priority. I loved that this family kept its in-laws close, even after divorce and we can see that as everyone comes together for Joe’s wedding. I became utterly absorbed by this family, so much so I felt like I’d seen one of them as a client. It emphasises the secret complexity of everyday lives and made we think about the fascinating narratives in both sides of my own families. The ending felt like the best one we can ever hope for, which is a family taking time and trying to heal together.

Out now from Zaffre Books

Meet the Author

Kate was born in Bury St Edmunds, Suffolk, UK where she grew up in the countryside as the eldest of four siblings, after briefly living with her parents in Qatar and the Netherlands.

Kate Sawyer worked as an actor and producer before turning her hand to fiction. She has previously written for theatre and short-film.

Having lived in South London for the best part of two decades with brief stints in the Australia and the USA she recently returned to East Anglia to have her first child as a solo mother by choice.

Netgalley

Wreck by Catherine Newman

Posted on 12th Mar 202611th Mar 2026 by thelotusreaders

Rachel (Rocky) is seemingly living her best life as the irreverent, funny beating heart of her family. Her ageing father is his unique, adorable self; daughter Willa is prone to bouts of existential angst whilst berating the fact that her mother has zero filter; husband Nick is steady, logical, sometimes infuriating.

They are messy, they are flawed, they are completely, ridiculously normal.

And like most normal people, Rocky worries about what might happen next. So when a former classmate of her son Jamie dies in a seemingly random accident, Rocky becomes obsessed.

For if accidents can happen – and they do – is it truly safe to love anyone?

Fresh, honest, laugh out loud funny and genuinely relatable, WRECK follows Rocky and her family through one rollercoaster year as they negotiate the unpredictable and beautiful messiness of life.

I don’t know how Catherine Newman does it, but I feel so at home with Rocky as if she’s a really close friend who you can tell anything to. After Sandwich, we meet the family at home, getting over Grandma’s death and getting back into the swing of life. Rocky’s dad has been living in their outside shed since his wife died and daughter Willa is also at home. Newman lets us live alongside these characters as part of the family and I adore their humour and their warm, chaotic household – not to mention their food always sounds incredible. Rocky is a freelance writer and doesn’t have regular work coming in, so when a young man is killed in his car on the nearby railway crossing she becomes fixated on what happened. If anything Rocky is over empathetic, she can’t stop thinking about how devastated his family must be and trying to work out how it happened. Meanwhile, a strange rash appears on her shoulder and while she’s having a check on sun damage her dermatologist suggests they look into it. This turns out to be a good call as it begins to appear elsewhere on her body. A biopsy of the skin and some bloods should solve the mystery but it becomes a deep rabbit hole with many frightening possibilities.

I am not overstating when I say this book could save my life! As Rocky’s symptoms started to mount I kept reading bits out to my husband and looking up the terms, wondering if somehow the author had magical access to my medical records. I identified so strongly with this story of living while unwell because this has been the last eighteen months of my life. I had two breaks in my spine as a child causing issues with pain and the use of my right arm and shoulder. I was also diagnosed with multiple sclerosis at 21. However I have always had a collection of symptoms that didn’t fit with that diagnosis. With increasing arthritis in my lumbar and sacral spine my pain management consultant asked for a full body MRI. I couldn’t have prepared myself for the list of problems that unfolded. Not only did I have arthritis and impingement of peripheral nerves, I also had a narrowed spinal canal in places, potentially causing issues with my spinal cord. However, I also had a lesion in my spine, one in my spleen and several growths on my thyroid. All of these things are being dealt with by separate specialists, but Rocky’s story popped a little light bulb over my head. Surely I had to ask the question – what if all these issues are connected? I’ve already been told it’s likely I have Hashimoto’s disease and it’s being treated, but I’m having biopsies and I’ve asked to see an endocrinologist to flush out whether it’s one of diagnoses that Rocky is facing. I recognised the sudden feeling that your body is falling apart and is even working against you. I’ve felt that terrible fear that there’s a ticking time bomb somewhere in your body and almost becoming divorced from it. I could see that Rocky felt better when she did something physical such as going to a dance group or plunging into an icy lake, because her body works for her and becomes part of her again.

This author knows how it feels to be going through all the volatile changes of menopause, while simultaneously supporting young adult or teenage children and elderly parents. It’s a hell of a balancing act while getting used to a body that puts on weight where it never has before, thins all the things you want to be lustrous and thick and thickens all the bits that used to be slender. She captures what it’s like to feel invisible to most of the world, but the absolute beating heart of the home. The generation gap is also brilliantly portrayed when Rocky and Willa try to take grandad to a juice bar, his grumpiness giving the perfect edge this warm and nurturing family. While Rocky’s husband is like a little moon, constantly orbiting his wife and tending to those little things like cheesy nachos in bed. It’s interesting when this very liberal family have to cope with family members whose views are not like their own. Jamie and his wife Maya visit from New York for Thanksgiving and it’s clear their values are different, especially when Rocky makes a discovery about her son. He works for a company that consults for businesses, finding ways to make them more profitable and openly says to his mum that he just loves money. Even though she doesn’t agree, Rocky is never happier than when all her children are under her roof.

‘“Yayy, I say. All the kids back under my roof! When I send out my ESP stealth probe in the night to check on everybody, they’ll be in their proper beds”.

Mostly I love the emotion and atmosphere of this author’s novels. I live for a messy pile of books by the couch, usually with a pint mug of tea within reach and the dog and cats all quietly snoozing in their own places. That’s exactly what this family has, an untidy but welcoming house with cats everywhere and always gorgeous food on the go. It feels very conscious of the seasons too as summer turns to autumn and winter, with festivals like Halloween playing their part – I loved the moment when Rocky tries to do the trick or treat routine on the porch not realising the young woman is Willa’s date. Every festival is marked with excellent food, followed by a long tramp through the nearby woods and foraging for things. I always want to be part of their world and feel like I’ve lived with them for a while once the story ends. As my story continues I’m going to take a bit of Rocky’s dermatologist’s wisdom with me. When he gives his diagnosis Rocky is taken aback and he acknowledges her feelings but tempers it with some advice:

“Yikes, I said, and he said, ‘a little bit of yikes. You can visit with the fear but don’t hire a van and move there.”

Out Now from Doubleday

Meet the Author

Catherine Newman is the New York Times bestselling author of Sandwich and We All Want Impossible Things, which was also chosen for the Richard & Judy Book Club. She is also the author of the memoirs Catastrophic Happiness and Waiting for Birdy, and the bestselling children’s book How to be a Person. She is a regular contributor to the New York Times, O, The Oprah Magazine, Cup of Jo, and many other publications. She writes the Substack newsletter Crone Sandwich and lives in Amherst, Massachusetts, with her family.