Posted in Netgalley

The Empire by Michael Ball

1922. Jack Treadwell arrives at The Empire in the middle of a rehearsal and he is instantly mesmerised. Once you look past the glitz and glamour, the true magic of the theatre lies in its cast of characters – both on stage and behind the scenes. There’s stunning starlet Stella Stanmore and Hollywood heartthrob Lancelot Drake; and Ruby Rowntree, who keeps the music playing, while Lady Lillian Lassiter, theatre owner and former showgirl, is determined to take on a bigger role. And then there’s cool, competent Grace Hawkins, without whom the show would never go on . . . could she be the leading lady Jack is looking for? When long-held rivalries threaten The Empire’s future, tensions rise along with the curtain. There is treachery at the heart of the company and a shocking secret waiting in the wings. Can Jack discover the truth before it’s too late, and the theatre he loves goes dark?

Jack is our eyes in this unfamiliar world, explaining the theatre whilst also representing the issues a man of his age would face post WW1. He outlines the theatre for the reader as a physical space first, both backstage, front of house and as a performer. There are three distinct aspects to the magic we see created on the stage. There’s the physical building and it’s structure, the artists and stagehands who build the scenery and then there’s the money. Without any of these aspects it’s impossible to create the business we call show. As Jack learns so do we and it brings a brilliant sense of wonder to the reading experience. The author also uses him to make the language of the theatre accessible to us, so we can understand everything that’s going on. Finally, Jack brings to life an aspect of life that affects all men of his age in the early twenties; learning to cope in the post war world. The trauma of war is explored through Jack and Danny Moon, with both young men very reluctant to discuss their experiences. However, as the story progresses it’s clear there are physical and emotional scars that can’t be seen.

Danny Moon in particular embodies a sad truth about war, men go into battle as one person and come out of as someone completely different, someone we may not recognise. All of the characters in the book have their own quirks and personality traits, making them feel real and individual in a large cast of characters. Often in casts like this people get lost but not here, where even if they are slightly stereotypical they’re still memorable. There’s a nice class distinction between upper and lower class characters and how they interact with each other too. The author even touched on the changes in women’s lives in the early Twentieth Century in a subtle but effective way. The issue of women’s legal and political equality was only one aspect of the volatile social change women faced at this time. In fact their social mobility had changed during the war and there were elements in society who wanted their roles to revert to pre-war tradition. Women were not so easily persuaded and the author represents this with headstrong female characters who struggle against the belief that women should return to the home. The role of actress had traditionally been synonymous with women of easy virtue and those attitudes still persist in the 1920s, as well as mistaken beliefs that women can’t think and therefore act as well as men. The women here definitely prove those theories wrong! Finally, there were returning soldiers struggling with their mental health and Billy Barlow represents this wave of men with depression, anxiety and P.T.S.D. His struggles are enacted on the stage, bringing real meaning to his performance. Of course the author isn’t aiming to make these issues the focus of the novel, but by adding it as background he has grounded the story in it’s place and time.

Whilst I’m not specifically a Michael Ball fan, I am a huge fan of musical theatre and I know what an incredible talent he is in that world. I figured if anyone knows how to put the magic of the theatre into words then it’s him. I had a certain amount of scepticism though – as a lover of books I’ve looked on with dismay at brilliant writers struggling to get publishing deals, when celebrities seem to find it easy. Just because someone is a celebrity doesn’t make them a great writer. However, here Michael Ball’s warmth and love of his subject comes across beautifully and I really enjoyed the book. For a first novel, the story is long with many different avenues to explore, but I found that despite the complexity it wasn’t hard to follow and I didn’t have to go back over earlier sections to keep track. The structure helped, because in addition to chapter breaks there were clever changes in tone, setting and description. His story immerses the reader in the world of theatre, but the author has also created sympathetic characters and opened a window on the social issues of the 1920s. I look forward to more adventures at The Empire.

Published by Zaffre 13th October 2022

Meet The Author

Michael Ball OBE is a singer, actor, presenter and now author. He’s been a star of musical theatre for over three decades, winning the Laurence Olivier Award for Best Actor in a Musical twice, he’s also won two BRIT awards and been nominated for a Grammy. Michael regularly sells out both his solo tours and his Ball & Boe shows with Alfie Boe and has multiple platinum albums. The Empire is his first novel.

Posted in Netgalley

Cut Adrift by Jane Jesmond.

I really enjoyed our first outing with Jenifry (Jen) Shaw so I jumped at the chance to read the second outing for this daring and independent woman. Jen is taking time off to go climbing and has chosen Alajar, Spain as her destination, drawn in by a mysterious postcard showing a bar with decorative cork tiles on the ceiling. We met the shadowy undercover police officer Nick back in Cornwall and in the brief time they met their combined skills kept each other alive. There was also a connection between them that couldn’t be explored due to Nick being pulled straight back into another case. So when the postcard arrives with ‘wish you were here’ as the only message, Jen decides to take a chance and find the bar hoping this might be the right time to connect properly. Their time is limited though and it’s not long before Nick is off on another case. Jen does have a family issue to sort out though. Her brother has called in a panic to say that their father is planning to sell the family farm in Cornwall and the only person who can stop him is their mother. As usual their mother is elsewhere and not easy to contact, apparently teaching yoga to refugees in Malta. Jen takes advantage of Nick’s absence to fly to Malta in the hope of explaining to her mother what she needs to do to save the farmhouse where Jen and her brother grew up.

When Jen arrives though, her mother seems to be in the middle of a crisis with a family of refugees. The mother Nahla is an old friend of Morwenna’s and she’s with her two children Aya and Rania in a state of distress. This links back to a heart stopping prologue where we see that Nahla’s husband has been killed in Libya and the family have fled the country in a boat bound for Malta. Aya is so traumatised that she’s silent and both Rania and her mother are displaced and shellshocked by their experience. Now they’re forced into a refugee camp where disease, crime and trafficking are rife and no one can be trusted. Jen knows her mother and there’s no point trying to bring Morwenna’s mind back to home when she’s on a crusade. Jen’s now committed to helping Morwenna bring her friend and her daughters out of the refugee camp and settle them into a new home. The story is both heart stopping and heart rending. The author knows exactly how to pace her story with thrilling, fast paced set pieces followed by periods of calm that gave me chance to breath and think about what’s just happened. The scene with the fire in the clinic on the refugee camp had me gritting my teeth with anxiety, as Jen desperately tries to save those inside through the roof. Jen’s climbing skills are always at the forefront of the action and I trust her skills, but a part when she’s having to free climb a cliff with a complete novice was nail-bitingly tense.

The Maltese setting is fascinating with a sharp contrast between the picturesque streets with bougainvillea cascading prettily from the walls and the squalor of the camp. The distance between the Malta of the tourist trail and the Malta of those who arrive in the trafficker’s boats is vast. Morwenna is living across the two worlds, set up in a beautiful home with her lover Peter but entering the camp every day to teach yoga and help out at the clinic. The desperation of the refugees is made very clear and the way the traffickers ruthlessly exploit that desperation is horrifying. Nahla expects their escape from Libya to be uncomfortable and frightening, but she doesn’t expect their belongings to be discarded, to be forced into fighting others to make sure her and her children are on the boat, or to have her youngest child Aya hit when she can’t help but cry. Aya’s behaviour from there on is that of a deeply traumatised child, who automatically folds herself into tiny spaces without complaint knowing not to make a sound until she’s told to come out of hiding. Both girls are so vulnerable, clinging to the only person they recognise and so open to exploitation. It is difficult for Jen to get to the bottom of who is behind trafficking from the Maltese camp and when it becomes clear that secret services are also embedded in the camp it becomes even more complex. They have an entirely separate agenda, trying to separate potential terrorists using large movements of people from the Middle East and North Africa to slip into the UK undetected.

Jen is even more of a force to be reckoned with in this second novel and seems surprised at the connection she makes with Nahla’s daughter, particularly Rania. She’s more than an equal for those refugees stirring up trouble in the camp and her fitness skills mean she can escape many tense situations, but there were times when I was very worried. Her urge to protect the girls left her very vulnerable at times, luckily there was help from others but there were a couple of occasions when this was resolved by coincidences that stretched my credibility a little. Despite that I understood why the author had made those choices, for the development of other aspects of the story. Overall this was a page turning thriller, with a heroine I really enjoyed spending more time with.

Published by Verve 28th Feb 2023

Meet the Author

Jane Jesmond writes crime, thriller and mystery fiction. Her debut novel, On The Edge, the first in a series featuring dynamic, daredevil protagonist Jen Shaw was a Sunday Times Crime Fiction best book. The second in the series, Cut Adrift, will be published in Feb 2023, and A Quiet Contagion, an unsettling historical mystery for modern times, in Nov 2023. Although she loves writing (and reading) thrillers and mysteries, her real life is very quiet and unexciting. Dead bodies and dangerous exploits are not a feature. She lives by the sea in the northwest tip of France with a husband and a cat and enjoys coastal walks and village life. Unlike her daredevil protagonist, she is terrified of heights!

Posted in Throwback Thursday

Our Little Cruelties by Liz Nugent

In the famous words of Phillip Larkin, ‘they fuck you up your Mum and Dad’. Reading this book was a very interesting experience and patience definitely paid off. Had I given in to my impulses and thrown the book down in frustration during the first part, I would have missed out on a great read. The story of three brothers over their lifetimes is compelling, interesting and a great study in how mental health difficulties can be passed on from one generation to the next.

The structure of the novel is what I had difficulty with at first. The first section was narrated by the eldest brother, Will. Written in short chapters, slipping between decades, we see aspects of his childhood through to the present day where he is a successful movie producer. He meets his wife Kate through his brother Brian,when she’s brought to a family dinner. They have a little girl called Daisy, but Will is much more focused on work than he is his family. We get the sense that Kate is a long suffering woman who gets more support from Brian, who is now Daisy godfather. Brian is there for the birthdays and school concerts and Daisy has a great rapport with her Uncle. Will is dismissive of Brian and his lack of ambition. He is also dismissive of Luke, despite Luke’s success as a pop star in his late teens. He is close to his Mum and through flashbacks we see she favours him, quite openly.

Luke, by contrast, really gets the brunt of their mother’s moods. He is the youngest, the weakest but soon finds success as a pop star. However, in the later fragments of his life he has times of struggle, where his mental health is poor and he turns to drink or experiments with drugs. He is an unusual child with a religious fixation to the extent where the family priest thinks he has a vocation! The other boys use his goodness against him, it gets them extra food and attention, especially from their father. There are moments where it seems his life is on track and he could be happy, but others where I wondered if he was just not meant for this world. Finally, there’s Brian the middle brother. If Will is his Mum’s favourite and Luke is doted on by his Dad, it leaves nobody for Brian. He does seem fatally dragged between the two of them. Will is very dismissive of him, even though Brian does so much for his niece. He’s not grateful that Brian stands in for him or that he looks after Luke when his mental health deteriorates. In fact their relationship becomes so destructive that other family members get caught in the crossfire.

The genius of this book is its structure. During the first part, narrated by Will, I was ready to put the book down. I couldn’t stand him. He was arrogant, self-centred and treats women appallingly. If the whole book had been his viewpoint I might have thrown it out of the window. Just when I was at the point of giving up, I saw Luke’s name across the next section and it was such a relief. As the tale goes back and forth in time and perspective we see a tiny bit more of the whole. At a Bob Dylan concert at a local castle, Will ends up in a fight and is taken to hospital with Dad, leaving Luke to follow behind. Mum is also left behind at the castle and doesn’t arrive at the hospital till late. However, through Luke’s story we learn that something terrible happened to her, something that explains so much about how she behaves. When we finally get Brian’s section we see what a lifetime of being in the middle feels like. Overlooked, unconsidered and brushed aside. We find out things we already suspected and other things that surprise and enlighten us. Every single strand of this novel teaches us that we are only ever a small part of the picture and we must step back to see the whole.

This brings me to the second line of Larkin’s poem, which is the best; ‘they do not mean to but they do’. There are parts of this novel, particularly the way Dad behaves, where genuine mistakes are made and misunderstandings occur in the same way they do with any family. However there are other situations where the damage seems deliberate, especially in their mother’s attitude to Luke, Will’s intervention in Luke’s relationship, and in the treatment of Will’s daughter Daisy towards the end of the novel. These acts are more than little cruelties. They are deliberate, potentially causing lifelong psychological disturbance. This is a complex and interesting novel that moves from one narrow perspective to give us all the pieces of the emotional jigsaw puzzle that makes up this family. Liz Nugent is such an emotionally literate writer that I can’t wait to read her next work.

Meet The Author

Liz Nugent lives and writes in Dublin, Ireland. She is an award winning writer of radio drama, children’s animation soap opera and television plays. Her second novel, Lying in Wait, is to be published in July 2016. Unusually for a writer, Liz likes neither cats nor coffee and does not own a Breton top.

Liz Nugent’s new novel Strange Sally Diamond is out on March 2nd from Sandycove.

Posted in Monthly Wrap Up

My Favourite Reads February 2023

It’s been a funny old month reading wise and at least two of my choices are books I should have read last year. MS affects my concentration so much and I think that inability to concentrate has definitely affected what I’ve chosen and what I’ve finished. There have been a few DNF’s this month, because I simply couldn’t get into the story or it didn’t hold my interest. I know these are books I’ll try again in a few months and possibly enjoy them so they’re never discarded, unless they’re the sort I’d rather throw out of the window, like Bradley Cooper in The Silver Linings Playbook. It’s no surprise to me that I’ve chosen a couple of books that are the latest in well loved series. I think we often turn to comfort reads when we feel unwell or low and being back with familiar characters was definitely soothing, even when they are crime thrillers. I also think it’s telling that all the books this month are thrillers, possibly because of the way they’re written and edited to pull you straight into the story and keep you turning the pages. There’s an addictive quality to a good thriller that seems to make it past my sluggish brain cells. Here’s to spring and hopefully some lighter nights and the garden coming alive will give us all a recharge. See you next month.

This was a proof I was sent last year and seemed to fall by the wayside, but I’m so glad I finally got the chance to pick it up! Set by the author in a community of foster homes in Scotland, this story was both compelling to read and fascinating psychologically. The author’s mother spent time in a real life version of a village just like this, something that piqued the author’s interest. It’s the perfect setting for a thriller precisely because this is a community set up to nurture children whose parents can’t take care of them and the thought that someone is stalking these vulnerable young women is terrible. In each cottage is a foster mother and father with several children, underpinned by a strict religious teaching from the church on site. They also have their own school, although our protagonist Lesley takes the bus early each morning and attends the nearby grammar school. Lesley is sharp and very good with patterns and numbers, emotionally she is most attached to her best friend Jonesey who has been in care alongside Lesley for as long as they can both remember. When a young woman is found murdered at the Homes it brings outside scrutiny, but also breeds fear and suspicion amongst the girls. As the police start their investigation, Lesley and Jonesey start one of their own and it soon becomes clear that not everything is as it seems in this community and in Lesley’s home. The intrigue and horror of the case is balanced nicely with getting to know Lesley’s story and how being placed in care affects children psychologically.

This is the latest in Elly Griffiths’s series based around archaeologist Dr. Ruth Galloway, who as well as teaching at the University of North Norfolk helps the police date and identify human remains. This story follows the pandemic and although some things have gone back to normal, there are lingering after effects from feeling anxious in close proximity to others to our favourite Druid Cathbad who is suffering long term symptoms of COVID. Ruth’s whole department is under threat from budget cuts and it’s while she’s waiting to hear the results of a review that she’s called to look at remains found in a café behind a wall. The café used to be The Green Man and it’s been closed for several years, but current renovations have unearthed a skeleton behind a wall. The remains are not ancient, so become the preserve of DI Nelson who opens an investigation. The bones belong to student Emily Pickering from Lincoln, who went missing approximately twenty years ago. She was a student of archaeology under professor Leo Ballard, so the team need to build a picture of others on the course and who she socialised with. Many threads take them back to a camping trip one evening near some ancient mine shafts. Everyone remembers some sort of ritual being performed and the sudden appearance of a horned creature from the woods, who terrified everyone. Other than the students and Leo Ballard, there was a familiar person present. Where rituals are being performed Cathbad is often close by, but when he goes missing too he becomes a missing person and a suspect. Personally, Ruth is at an intellectual and emotional crossroads. Still living on the salt marshes with daughter Kate and cat Flint, she is avoiding Nelson who is the father of Kate. His wife has left him, breaking the deadlock the three of them have been in and Nelson can often be found at the cottage overnight and on Saturdays when he drops by with pizza. She senses the big question coming ever closer, are they going to define their relationship and make it permanent? Or are Ruth’s other opportunities going to take her away from Norfolk?

This book was recommended to me by a fellow blogger and Squad Pod member Clare – The Fallen Librarian. It’s very hard to define, but combines elements of a thriller, fantasy and love story. Writer and bookseller Lily Albrecht has done more selling since her husband Abe was struck down by a mystery neurological illness that has seen him needing round the clock care. At a book fair in NYC she and friend Lucas are told about a secret client looking for a 17th Century book that’s supposed to be transformative for anyone who follows it’s advice. The Book of the Most Precious Substance is reported to be magical, if the reader anoints the book’s magical symbol with various signs of arousal a magical reaction occurs. Completing the steps can give the reader the thing they most desire. Lily and Lucas obtain the magical symbol and begin a geographical search for the book and the collector who is willing to pay millions for it. It’s a journey of five star hotels, strange eccentric millionaires and sexual discovery, but will either of them get what they want most? This is a brilliant page turner, with magical elements and real emotional depth.

I only reviewed this a couple of days ago, so I won’t give a full review here just a quick blurb. DS Grace is mourning the loss of his son Leo in a traffic accident, but the cases don’t stop coming and when a cold case links to a new incident Roy takes the case. Harry and Freya Kipling find a painting at a car boot sale that’s horrible, but Harry loves the frame. However when they discover a different painting underneath they decide to take it to the Antiques Roadshow. As soon as the show airs things start to happen, because in a chance of a lifetime it turns out that the painting could be a Fragonard, the missing Spring in his series on the four seasons. The couple are broken into but nothing is taken and when a body turns up outside a renowned forger’s house Roy believes the two things are linked. It’s surprising how far collectors will go to complete their collections, even as far as murder. This is an interesting and heart-stopping addition to the brilliant Grace series.

So that’s all for February. It’s a really busy March with lots of fantastic new releases and blog tours. Below is my TBR for the coming month. See you then. ❤️📚