Posted in Netgalley

Sunday Spotlight! Autumn Fiction: Crime, Thrillers and Mystery.

Who doesn’t love a great crime novel or mystery? It seems to be something that’s ingrained in us, perhaps since some of the first literary detectives like Sherlock Holmes. Our enduring love for Agatha Christie and our consumption of Sunday night cozy crime dramas tells me it’s in the blood somehow. I have a strange relationship with crime thrillers that is more to do with the snobbery of my secondary school than the books themselves. Thrillers are something I devour quickly and almost furtively, as if I should be ashamed of enjoying them. Yet some of my favourite contemporary writers are writers of thrillers and crime novels. As we know from last week’s Spotlight I love the Cormoran Strike novels, the Roy Grace series and Doug Johnstone’s Skelf series too. I also enjoy Sophie Hannah, Anne Cleeves, Elly Griffiths, Will Dean, Louise Candlish, Harriet Tyce, and Kate Atkinson’s Jackson Brodie series. I have started reading Agatha Christie too, after my father in law left me an anthology of her stories when he emigrated to New Zealand. So it was no surprise to me that eight of my most anticipated books for autumn were from this genre. See last week’s post too, for three more excellent crime novels on our way this autumn.

I remember being so impressed with Erin Kelly’s first book The Burning Air, but this book sounds like an incredible feat of imagination and ingenuity. It is ambitious and is one of those books that can only be written when a writer has some experience under their belt. It’s
Summer, 2021 and this is a reunion the family will never forget. Nell has come home at her family’s insistence to celebrate an anniversary. Her father is a writer and fifty years ago he wrote The Golden Bones, part picture book and part treasure hunt. It’s a fairy story about Elinore, a murdered woman whose skeleton was scattered all over England. The Golden Bones led readers via clues and puzzles to seven sites where jewels were buried – gold and precious stones, each a different part of a skeleton. One by one, the tiny golden bones were dug up until only Elinore’s pelvis remained hidden.

The book was a worldwide sensation and a whole community of treasure hunters was formed. The Bonehunters were in frenzied competition with each other, obsessed to a dangerous degree. People sold their homes to travel to England and search for Elinore. Marriages broke down as the quest consumed people. A man died. The book made Frank a rich man. Stalked by fans who could not tell fantasy from reality, his daughter, Nell, became a recluse. But now the Churchers must be reunited. The book is being reissued along with a new treasure hunt and a documentary crew are charting everything that follows. Nell is appalled, and terrified. During the filming, Frank finally reveals the whereabouts of the missing golden bone. And then all hell breaks loose. From the bestselling author of He Said/She Said and Watch Her Fall, this is a taut, mesmerising novel about a daughter haunted by her father’s legacy.

Published by Hodder and Stoughton 1st September 2022.

This standalone thriller from Helen Fields, known for the Luc Callanach series of novels, is an absolute belter of a novel. In search of a new life, seventeen-year-old Adriana Clark’s family moves to the ancient, ocean-battered Isle of Mull, far off the coast of Scotland. Then she goes missing. Faced with hostile locals and indifferent police, her desperate parents turn to private investigator Sadie Levesque. Sadie is the best at what she does. But when she finds Adriana’s body in a cliffside cave, a seaweed crown carefully arranged on her head, she knows she’s dealing with something she’s never encountered before. The deeper she digs into the island’s secrets, the closer danger creeps – and the more urgent her quest to find the killer grows. Because what if Adriana is not the last girl to die? This was a genuinely chilling story, combining the epic landscape, myths and legends, as well as some serious scares. The author embeds this modern murder into the island’s past, with even 16th Century shipwrecks, ancient standing stones and the community’s instinct to look after their own all playing a part in the mystery. Look out for my review on Tuesday this week.

Published by Avon 1st September

As everyone knows, I’m a huge fan of Elly Griffiths’s Ruth Galloway series, so I’m intrigued by this new thriller set in London featuring Detective Harbinder Kaur. A murderer hides in plain sight – in the police. DS Cassie Fitzgerald has a secret – but it’s one she’s deleted from her memory. In the 1990s when she was at school, she and her friends killed a fellow pupil. Thirty years later, Cassie is happily married and loves her job as a police officer. One day her husband persuades her to go to a school reunion and another ex-pupil, Garfield Rice, is found dead, supposedly from a drug overdose. As Garfield was an eminent MP and the investigation is high profile, it’s headed by Cassie’s new boss, DI Harbinder Kaur. The trouble is, Cassie can’t shake the feeling that one of her old friends has killed again. Is Cassie right, or was Garfield murdered by one of his political cronies? It’s in Cassie’s interest to skew the investigation so that it looks like the latter and she seems to be succeeding. Until someone else is killed.

This has some great early reviews and I’m really looking forward to it.

Described as disquieting and sensationally sinister in early reviews from fellow authors, there is a bit of buzz in the blogger community about this thriller from Lucy Banks. It’s set in that tension between someone who protests their innocence and has paid for their crime, versus the general public who often feel differently, seeing a criminal is their midst. The public think Ava’s a monster. Ava thinks she’s blameless. In prison, they called her Butcher Bird – but Ava’s not in prison any more. Released after 25 years to a new identity and a new home, Ava finally has the quiet life she’s always wanted. As she forges a friendship with her neighbour, however when the neighbour’s daughter comes to stay things change. Ava is convinced that she’s worked out who she is and when a brick comes through the window she knows that someone has discovered her secret. The lies she’s told are about to unravel. This is a real psychological suspense novel that really draws you deeply into the character’s experience. It poses the question of whether someone has ever paid for their crimes?

Published by Sandstone Press on the15th September 2022

When is the right time to be who you always were?

Jodi Picoult has always been a must read for me, ever since Her Sister’s Keeper, many years ago now. Here she collaborates with Jennifer Finley Boylan, an author I haven’t come across before. Billed as compelling and moving, this reminds me of earlier Jodi Picoult – a story built around a contentious, contemporary issue such as racism, abuse, school shootings or fertility and reproductive rights. Things that are a real flash point in modern America. Just as Picoult did with her novel Wish You Were Here, the authors have picked an up to the minute contemporary issue and I can already imagine challenging conversations around authenticity, identity and gender at every book club up and down the country.

We follow Olivia who fled her abusive marriage and returned to her hometown to take over the family beekeeping business when her son Asher was six. Now, impossibly, her baby is six feet tall and in his last year of high school, a kind, good-looking, popular ice hockey star with a tiny sprite of a new girlfriend. Lily also knows what it feels like to start over – when she and her mother relocated to New Hampshire it was all about a fresh start. She and Asher couldn’t help falling for each other, and Lily is truly happy for the first time. But can she trust him completely? Then out of the blue Olivia gets a phone call – Lily is dead, and Asher is arrested on a charge of murder. As the case against him unfolds, she realises he has hidden more than he’s shared with her. And Olivia knows firsthand that the secrets we keep reflect the past we want to leave behind ­­- and that we rarely know the people we love well as we think we do. This is my weekend read and I can’t wait to get started.

Published on 15th November 2022 by Hodder and Stoughton

That’s it for this week, but next week I’ll be looking at Fantasy, Magic and all things spooky.

Posted in Netgalley

An Italian Girl in Brooklyn by Santa Montefiore

We all remember that incredible feeling of first love, more than likely with rose tinted glasses, full of nostalgia and novelty. It was on my mind while reading this book, mainly that joyful moment when you realise that they actually love you too. It’s intoxicating. The first time I fell in love, I leapt in feet first and had my heart broken, but I held a candle for him for many years and had it set in my mind as a perfect love. With a lot of years and a bit more wisdom, I can see it differently. However, I was always be grateful for the experience, because it showed me how great my capacity for love was. How much better would this experience be when I was ready for it, if it came my way again? Our novel follows Evelina, a young woman living in a remote part of northern Italy. She lives with her parents, her sister Benedetta and two formidable old ladies, her grandmother and great aunt. Life is peaceful for most of the time, but as WW2 looms closer there are changes both personal and for the whole of Italy. The influence of Hitler and his agreements with Italy’s leader Mussolini, will change all of their lives forever.

The central relationship in the novel illustrates these changes most dramatically. People of the Jewish faith have lived in Evelina’s village for so long they are simply part of the fabric of the place. Evelina has never realised that their village tailors, the Zanotti family, are Jewish, so when she meets their son Ezra she can’t imagine any obstacles to the way she feels, apart from some parental misgivings about his ability to support her. Yet, the outside world is about to come crashing in on the tentative feelings growing between these two young people. Within Evelina’s family circle, it is Benedetta’s new husband who brings the new politics into their midst. A staunch supporter of Mussolini, he is behind Hitler’s initiative to rid Europe of Jewish people. When he brings his views to the breakfast table, Evelina’s father says his views are not welcome in his home. Sadly, Benedetta then leaves dutifully with her husband bringing a rift between them. They’ve heard terrible stories, of Jewish people being taken to a prison camp in the far North of Italy before being placed on a train bound for Auschwitz- Birkenau. Friends start to plead with Ezra’s father to leave and knowing what’s coming. When it does, Ezra evades capture and joins the Resistance. Evelina creates a safe space in their chapel for Resistance fighters to rest and replenish themselves. After a brief and family sanctioned relationship, with a Jewish girl from the village who worked for Evelina’s family, the closeness of war and the threat to his family combine to influence Ezra. He breaks his promise to her and comes to Evelina, assuring her of his long held love for her, despite their religious difference. He wants to be true to his emotions rather than please his parents. Thus far he had seen Evelina as out of reach, now a blissful courtship develops. As summer blooms alongside their love, they create memories neither will ever forget. So, when he is captured, Evelina’s grief is devastating. Yet, she waits until the news confirms the worst; Ezra and his entire family are dead. With the Italy she knows gone forever Evelina makes a huge decision, she will cross the Atlantic and make the voyage to New York to live with her aunty, in Brooklyn.

Evelina’s story is told across two time periods, forty years after the war in Brooklyn, then back in time to WW2 Italy as she has flashbacks. She’a now 63 and married to an older professor called Franklin, with whom she has a family. She has built a lovely, welcoming home for her family and their close friends, usually other immigrants from Italy and the much beloved Uncle Topino and her Aunt Madelina. It’s a loving environment and her relationship with Franklin is a very loving one, even though part of her heart will always belong to Ezra.

And their love for each other had deepened. She loved Ezra still, she would never stop loving him, but she loved Franklin too. It was, indeed, possible to love two men in very different ways. She realized now, in her wisdom, that there were many faces to love.’

This really is a sweeping epic with a central love story that stayed with me, although I had so much respect for Evelina’s husband Franklin too. I didn’t know a lot about Italy’s role during WW2 and the background research did open my eyes to how they ended up drawn into Hitler’s plans for the future. It shows how the Nazi’s ideology broke up previously peaceful communities and even families like Evelina’s. She and her sister are very close, but she has to circumvent Benedetta’s husband to communicate with her. When he’s eventually called up to fight, the sisters are reunited and the family live together through the rest of the war. I loved the connections and help both sisters give to the Resistance, both of them with relationships torn apart by war in very different ways. This was a beautiful story where familial love is concerned, but the central love story is heart rending and has a twist that will truly surprise you. I often find love stories lacking in substance, but this wasn’t one of them. It was my first Santa Montefiore novel, but I’m very sure it won’t be my last.

Published by Simon and Schuster 7th July 2022

Born in England in 1970, Santa Montefiore grew up in Hampshire. She is married to writer Simon Sebag Montefiore. They live with their two children, Lily and Sasha, in London. Visit her at http://www.santamontefiore.co.uk.

Posted in Netgalley

Small Angels by Lauren Owen

I love a gothic novel, something I put down to my first reading of Jane Eyre. Being only ten years old I read it as a ghost story, full of horrors like the Red Room and the haunted ghost-like creature stalking the corridors of Thornfield Hall, setting fire to Rochester’s bed and rending Jane’s wedding veil in two. So I picked this from the NetGalley shelves, my brain already turning towards the cooler air of September and the dark nights of the autumn. As it is I read it in the middle of a heatwave, but it still managed to send the odd chill up my spine. Chloe and Sam are getting married at Small Angels, a quaint little church in a wooded area with nearby Tithe Barn for their reception. The venue is situated near to Sam’s childhood village and they are the first couple to be married there. The owner has given them a key and they have a few days up to the wedding day to clean the dusty church and decorate both buildings. They’re staying at the Albatross, the village pub, and on the first night they gather to have a drink with their guests among the locals. One local man, Brian, approaches the couple to tell them a story about Small Angels that might make them rethink their plans. Others are more reticent, they don’t want Brian to tell the tale and ruin the couple’s big day. What Sam doesn’t know is that the person best placed to tell this tale is his own sister Kate.

We’re told this story from several perspectives and to be honest I did get a little confused at first. The current perspectives are split between Chloe and Kate. However, Kate also goes back to when she was a child and started a friendship with one of the Gonne girls. The Gonnes lived on a farm, close to Small Angels and Mockbeggar – the local woodland. For years they have kept up a ritual of lighting beacons every evening and ringing the church bells once a year, followed by a candlelight vigil overnight. The rest of the village have traditionally left the Gonnes to their lonely rituals, but Kate knows that the story Brian will tell the wedding party, might not be so far fetched. The Gonnes believe they are appeasing the ghost of Harry Child, a vicious and vengeful phantom who wants to keep the wood for his own, but is also very lonely. Kate is shocked to hear that one of the sisters she knew from childhood is living at the farm. Will all the generations of secrets surrounding the village come to light on her brother’s wedding day? Kate questions her brother’s sense in agreeing to hold it at Small Angels, no matter how much Chloe fell in love with it.

Chloe takes up the narrative, as the innocent bystander thrown into this strange village with it’s spooky history. Chloe has been the driving force behind the week’s celebrations and has no idea of the story Brian tells on the Hag Night. She is amazed that Sam has never told her and has thought Kate doesn’t like her because she’s seemed disinterested in their plans. She’s surprised that Kate has committed to helping out this week, not realising that she’s coming to keep an eye on things. The tension in this section is brilliant as we see Chloe sucked in by the legend and looking for local history at the library. She’s confused by the villagers avoidance of the subject, even her own in- laws are reluctant to discuss it. Chloe start to find her sleep disturbed and with Sam called away to work she’s alone at the Albatross. She can’t shake the feeling she’s being watched after taking a walk into the woods. While cleaning the church she hears an animal scratching at the door, then again at night. Has something or someone followed her? I was intrigued as to what it might want from Chloe and whether the wedding would ever happen.

The Gonnes seem to be the key to solving this mystery so I was fascinated with Lucia’s sections of the book, especially those that go back to her childhood. She lives at the farm with her father, her grandparents and three sisters: Elphine, Helena and Ruby. One day while playing, Lucia goes into the woods and finds a small boy to play with. He becomes her secret friend and his name is Harry. With all the adults working on the vines at the farm and keeping up the family rituals, it’s easy for her to slip away unnoticed. Besides she’s the black sheep of the family, Nan calls her Lucia the Bad, so I felt sorry for her and could understand why she was looking for friends. Years later she meets another teenage girl in the woods and is happy to have a second friend, but Harry isn’t so happy. He wants Lucia to himself and she’s never seen him angry. All the rituals in the world won’t satisfy his wrath and Lucia is terrified. What will happen to the Gonne family now?

As we countdown to the wedding the stakes become greater and the author creates a real sense of fear and horror. Whatever force is in the woods, it’s growing stronger by the day. The real cost of the wedding starts to become clear and I loved how the author brought experiences from the past into the present to terrify the wedding party. I had a real sense of my old Jane Eyre fears when Chloe wakes from a nightmare to find a tear in her wedding dress and her veil fashioned into a noose. I really felt the burden of the Gonne family, ostracised by the village and left with the responsibilities of Mockbeggar. Once I’d reached a third of the way in, I was hooked on the mystery in the same way Chloe was, wanting to find out more about the malicious spirit and why he is determined to terrify her. I was also fascinated by the Gonne sisters and why Lucia is the only one left at the farm. I was also interested in how long the locals had kept their heads in the sand, merely speeding up on the road out of the village to evade the woods. You’ll be asking all the same questions and more. This is a really atmospheric, modern, Gothic tale with enough scares that I kept the bedside light on once or twice.

Published by Tinder Press 2nd August 2022

Meet The Author

Lauren Owen is the author of THE QUICK and SMALL ANGELS. She studied at St. Hilda’s College, Oxford, holds an MA in Victorian Literature from Leeds University, and an MA in Creative Writing from the University of East Anglia, where she was awarded the Curtis Brown Prize. In 2017 she completed a PhD in English Literature with a thesis on vampires and the gothic in fiction.

Posted in Random Things Tours

The Girl in the Photo by Heidi Amsinck

As many of you know, I’m a big fan of Scandi and Nordic Noir whether it’s on television or in book form. I was also drawn in by the beautiful covers of these books, in fact I’d like a pair to frame and put on the wall. Sometimes books don’t live up to their covers, but I throughly enjoyed the first book following the investigative reporter known only as Jensen. My Name is Jensen set up the main characters beautifully so it was good to be back in the company of both Jensen and her ex-lover, DI Henrik Jungerson. In this second novel both our main characters are in a state of transition. Jensen is no longer working for newspaper Dagbladet and is working freelance, in a style that becomes a mix of private investigator and reporter. She has the help of a young man called Gustav, the nephew of her editor at the newspaper. Jensen knows he has been in trouble at his school, but not the extent of his problems. As they try and get used to each other’s style of working, Jensen is also adjusting to a new apartment with a difficult landlord. The first crime seems to be a burglary gone wrong, with an elderly woman brutally murdered and an incredibly expensive diamond necklace missing. Henrik is the officer on the case, but Jensen is hired by the woman’s rather unpleasant daughter to find the necklace. More murders follow, but what Henrik notices at each crime scene is a photo of the same young girl. They’re not obvious, just placed somewhere in the room, but Henrik doesn’t like coincidences and wants to connect the investigations. His superiors are unconvinced, especially as Henrik’s issues at home and with drink are starting to get out of control. Working the same case means he will cross paths with the one woman in Copenhagen he wants to avoid, Jensen.

This was an interesting case, told by Jensen and Henrik in turn, from their own perspective and with their individual ideas on what the victims have in common. They are remarkably alike in the way they think and are drawn together both by the threads of the case and what feels like a gravitational force. Nobody thinks like Jensen, except for Henrik. She knows he is only a step behind her. Nobody on the force thinks like Henrik and he almost craves her presence, not necessarily in an emotional way, more than that he wants someone to keep up with him and to bounce ideas off. Jensen has the freedom of being freelance, to work when she wants and makes choices on how she investigates that a police officer couldn’t. Breaking into a client’s summer cabin is risky, but it gets her further forward in the case. Henrik couldn’t do this, because he’s hemmed in by police rules and regulations. Yet there are perks to being an officer, such as the ability to look at official records, that Jensen wishes she had. He can also command respect and get families to cooperate in a way she can’t and this can really hamper her investigation. Despite these differences, no one else has worked out the significance of the photograph, in fact he’s pretty much been told that this is a simple case and he should stop complicating matters. Yet he can’t leave it alone. He knows it’s the key. Really they’re a perfect team, pushing each other on and keeping up with each other intellectually.

I enjoyed Jensen’s working relationship with Gustav. She soon realises he’s a bit of a maverick and that he’s been expelled from school for something much more significant than Margarethe is letting on. The mystery itself is an interesting one, not as clear cut as it first appears and with some deeply unpleasant characters too. The pacing is excellent too. Each character coming at the mystery from their own starting point and working towards each other. The author adds to the information we have in every chapter, just enough to keep the reader engaged, but tantalised and eager to read the next section. As for their personal relationship I found it hard to empathise with Henrik’s perspective. He seems to see her as a temptation that he’s unable to shake off; once in her orbit, he’s inexorably pulled towards her. If he piles all the guilt onto Jensen and avoids seeing her, he avoids facing the fact that he made a choice to cheat on his wife. Then, when he realises that Jensen’s landlord is interested in her, he becomes the jealous spurned lover. As if he didn’t choose to stay with his wife. The author manages to convey these complicated psychological aspects of her characters, so even though we might not agree with their perspective, we can understand their emotions. I was left feeling that we’ve only just scratched the surface when it comes to these two characters and I’m interested to see where we go next.

Meet The Author

Heidi Amsinck is a writer and journalist who was born in Copenhagen and now lives in London. She was London Correspondent for the
Danish daily Jyllands-Posten. She has written many stories
of BBC Radio 4, all read by Tim McInnerny. She was previously shortlisted for the VS Pritchett Memorial Prize. My Name is Jensen, her first thriller, was published to critical acclaim in 2021 and has also been translated into Danish and German.

Posted in Fiction Preview 2022

Sunday Spotlight! Autumn Fiction: Series and Favourite Authors.

It’s seems hardly possible that summer is well underway and we are only a matter of weeks away from autumn. It’s been an absolutely book filled summer and I’ve been lucky enough to read and review some of the best. In fact it’s been so busy that a couple of my choices here are published in August, but I won’t get to them until long afterwards. There’s just so much to look forward to though, including new novels from four of my favourite authors: Maggie O’Farrell, Kate Atkinson, Emma Donoghue and Jodi Picoult. As well as this we have the next instalments of three of my favourite crime and mystery series.

Favourite Authors

I look forward to the publication of these authors every time they come around. These are the authors I pre-order without reading reviews, blurb or hype. I already know I want to read them.

Emma Donoghue’s last novel The Pull of the Stars blew me away with it’s medical and historical detail. It gave me a glimpse into the realities of being a woman and a mother in WW1 Ireland, where birth control is a sin and the so-called Spanish flu is ripping through the hospital wards. Haven takes us back even further to the Ireland of the 7th Century and three men vow to leave the world behind them and start anew. Artt is a priest and a scholar, when he has a dream telling him to leave the sinful world behind he takes it literally . So, taking two monks – young Trian and old Cormac – he travels down the river Shannon in search of an isolated spot on which to found a monastery. As they drift out into the Atlantic, the men find an impossibly steep, bare island inhabited by tens of thousands of birds, and claim it for God. They call their extraordinary landing spot Skellig Michael. But in such a place, far from all other humanity, what will survival mean?

‘Haunting, moving and vividly told, Haven displays Emma Donoghue’s trademark world-building and psychological intensity – but this tale is like nothing she has ever written before’ says the blurb. With Maggie O’Farrell commenting that Donoghue is at ‘her strange, unsettling, best’ I know I’m in for a great read.

Maggie O’Farrell has her own book coming on 30th August and I’ve planned a quiet September to read it and restart my MA study. Hamnet was one of the best books of the last five years, possibly even longer, so I’ve been eager to see what she does next. Her new novel is called The Marriage Portrait and takes us back to the Italian Renaissance, Winter, 1561. Our main character is Lucrezia, thr Duchess of Ferrara, who is taken on an unexpected visit to a country villa by her husband, Alfonso. As they sit down to dinner it occurs to Lucrezia that Alfonso has a sinister purpose in bringing her here. He intends to kill her. Lucrezia is only sixteen years old, and has led a sheltered life locked away within the walls of Florence’s grandest palazzo. Now, in this remote villa, she is entirely at the mercy of her increasingly erratic husband.

What is Lucrezia to do with this sudden knowledge? What chance does she have against Alfonso, ruler of a province, and a trained soldier? How can she ensure her survival? With buzz from authors like Marian Keyes, I know I’m going to want this book, but I know there will be gorgeous special editions and I’m still deciding which to go for.

Headlined as compelling and challenging, Jodi Picoult’s new book looks at how well we really know the people we love. Olivia left her abusive marriage to return to her hometown and take over the family beekeeping business when her son Asher was only six. Now, impossibly, her baby is six feet tall and in his last year of high school. He’s a kind, good-looking, popular ice hockey star with a tiny sprite of a new girlfriend. Lily also knows what it feels like to start over – when she and her mother relocated to New Hampshire it was all about a fresh start. She and Asher couldn’t help falling for each other, and Lily feels happy for the first time. But can she trust him completely?

Then Olivia gets a phone call – Lily is dead, and Asher is arrested on a charge of murder. As the case against him unfolds, she realises he has hidden more than he’s shared with her. Olivia knows firsthand that the secrets we keep, hide a past we want to leave behind.

Finally there’s Kate Atkinson and her new novel Shrines of Gaiety. I love Kate Atkinson’s writing, from Behind the Scenes at the Museum, through the Jackson Brodie series and into Life After Life and it’s sequel, I have never been disappointed with her novels. I’ve been challenged and surprised though, so I can’t wait to see what this novel will bring.

It’s 1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie’s empire faces threats from without and within. For beneath the dazzle of Soho’s gaiety, there is a dark underbelly, a world in which it is all too easy to become lost. With her unique Dickensian flair, Kate Atkinson brings together a glittering cast of characters in a truly mesmeric novel that captures the uncertainty and mutability of life; of a world in which nothing is quite as it seems. With a blurb like that it’s not surprising that I’ve engineered a quiet few weeks so that when it arrives I can hopefully dive straight in.

The Next in the Series

There’s always a slightly bittersweet moment when I receive the next book in a much loved series. I’m excited to have new adventures with my favourite characters, but always worry that it may be the last. We’ve all seen those series, in book form or TV, where they’ve run out of ideas. For me a sure sign a series should be over is the dreaded musical episode! So, I’m looking forward to these books with a side order of trepidation.

I bang on about The Skelfs series so much on Twitter that it’s possible even Doug Johnstone is fed up of hearing it! With Karen Sullivan at Orenda Books we coined the term #SkelfaholicsAnonymous and have agreed that when the series ends we will commiserate and celebrate the series with a great bottle of whiskey at an observatory or a funeral home, depending on who is more accommodating. This is the fourth, and possibly the penultimate, book following the Skelf women, three generations of an Edinburgh family who run a funeral home and a private investigation business. Grandmother Dorothy is in her 70’s and still actively involved in both businesses, as well as teaching drums in her spare time. She also has a police detective lover twenty years her junior. Jenny is the mum, struggling mentally after killing her ex-husband in self-defence. Hannah is the daughter, now married to Indy, doing her PhD, and startled to find she has a stalker. New and unusual cases come to the door, such as a widower convinced his wife’s spirit is attacking him in the night. Meanwhile, old demons still emerge, with Jenny’s psycho ex-husband (Hannah’s father) still haunting their lives from beyond the grave. Johnstone meanders through these events whilst pondering on the meaning of life through spiritual avenues, but also through astrophysics and ancient philosophy. Utterly brilliant!

As some of you will know, Cormoran Strike is my literary crush. It’s the dark, brooding and damaged hero thing. He’s vulnerable, but prickly. Despite all of that I know I would feel completely safe with him. Anyway, enough of my literary fantasies, I genuinely think it’s the incredible chemistry between Strike and his business partner Robin that helps to sell this series and her last instalment left us on the edge. Could something happen between them? Of course the other winning component is the case they’re working on. There are always those bread and butter cases: watching someone’s partner, because of a suspicion of infidelity; finding birth parents; locating people who owe money. The author usually throws in a humorous case too, last time it was discovering a businessman paying to dress as a baby! However, the main case is always meaty and full of twists. This time our damsel in distress is Edie Ledwell who appears in the office begging to speak to Robin, who doesn’t know quite what to make of the situation. Edie is co-creator of a popular cartoon, The Ink Black Heart, and is being persecuted by a mysterious online figure who goes by the pseudonym of Anomie. Edie wants to uncover Anomie’s true identity. Robin decides the agency can’t help with this – and thinks nothing more of it until a few days later, when she reads the shocking news that Edie has been tasered and then murdered in Highgate Cemetery, the location of The Ink Black Heart. Now, Robin and her business partner Cormoran Strike become drawn into the quest to uncover Anomie’s true identity. But with a complex web of online aliases, business interests and family conflicts to navigate, Strike and Robin find themselves embroiled in a case that stretches their powers of deduction to the limits – and which threatens them in new and horrifying ways. I’ve pre-ordered this one so I’ll be receiving this on publication day and I won’t be available for 48 hours.

A couple of years ago I had the great fortune of coming across one of Peter James’s Roy Grace books in a holiday cottage. I then had one of those blissful moments when I realised, not only had I found a new author I really enjoyed, there was a whole back catalogue to get through! I was greedy and read them in a week back to back so now I wait for each new instalment and grab it, devour it in a day and wish I’d taken my time. I’m now watching the TV series with great interest to see what how they interpret the books and who plays the characters.

In this latest novel we meet Harry and Freya, an ordinary couple, who dreamed for years of finding something priceless buried amongst the tat in a car boot sale. It was a dream they knew in their hearts would never come true – until the day it did. They buy a drab portrait for a few pounds, for its beautiful frame, planning to cut the painting out. Then studying it back at home there seems to be another picture beneath, of a stunning landscape. Could it be a long-lost masterpiece from 1770? If genuine, it could be worth millions. One collector is certain it is genuine. Someone who uses any method he can to get want he wants and will stop at nothing. So, Detective Superintendent Roy Grace finds himself plunged into an unfamiliar and rarefied world of fine art. Outwardly it appears respectable, gentlemanly, and above reproach. But beneath the veneer, Roy rapidly finds that greed, deception and violence walk hand-in-hand. Harry and Freya Kipling are about to discover that their dream is turning into their worst nightmare.

Next Sunday I’ll be looking at fantasy and historical fiction.

Posted in Netgalley, Publisher Proof

Beyond a Broken Sky by Suzanne Fortin

Beyond A Broken Sky by Suzanne Fortin

I’m a big fan of historical fiction and Suzanne Fortin cemented her place as an author to look out for when I read her debut novel The Forgotten Life of Arthur Pettinger. Her combination of time-slip narrative, history and romance is irresistible. I’m interested in the stories people don’t tell us about themselves and the years spent at war often feel like a parallel dimension where people and stories were lost. People died, became displaced, or were simply too traumatised to relive the events of those years. For many, their ordinary every day lives stopped in 1939 and they lived a completely different life away from friends and family, with a new occupation and a changing sense of self. They could act completely out of character in the high pressure of combat or became worn down by the difficulties of being a civilian in a bombed city, living on rations and making new friendships with the unlikeliest people.To then return and pack everything that’s happened neatly away to restart where you left off seems impossible, but many people did. How often do we hear people say that their father or grandfather never talked about the war? My own father-in-law had been sent to a Russian work camp in Siberia, because his father was in the military. His brother didn’t survive, but he and his Mum escaped and lived in a forest camp with the Polish resistance, gradually walking their way down through the Middle East, across Northern Africa and into Europe and eventually England. I would never have known this incredible story if I hadn’t seen a photo of him as a boy, standing in front of the pyramids. My mother-in-law was a child in the Warsaw Ghetto who escaped through the sewer system. Yet neither dwelled on that life, preferring to look forward where life was less painful. Suzanne’s novels fill that gap, that silence where someone’s experience is perhaps too painful to share. She writes these stories that are often complex and present something new about the war, and about people, that I hand’s thought of before.

It just happened that I’d read Ruth Druart’s The Last Hours in Paris and Joanna Quinn’s The Whalebone Theatre very recently, both of which included characters who were enemy prisoners of war, brought to English camps, but often released into the community to help out farmers or do other work that helped the Allied war effort. Some of these men waited up to three years after the war ended to be returned to their homeland and working within communities led to friendships and relationships with some British people. In Fortin’s latest novel we are taken to Somerset in 2022. Telton Hall is the home of Jack Hartwell, a farmer in his eighties, trying to come to terms with the compulsory purchase of his land and home. Rhoda Campbell is a stained glass expert and restorer, visiting to look at a stained glass window designed by POW Paulo Sartori. She works for a museum that conserves old historic buildings and they hope to move the whole chapel and window to their site. However she finds Jack blocking the driveway in his tractor, in the hope of delaying a little bit longer. It takes Rhoda’s charm and the arrival of his son Nate to get things moving again. As the three of them look at the chapel, Jack’s terrier disappears down a gap between flagstones. Rhoda lays on her front to see where he’s gone and makes a terrible discovery, human bones buried underneath the flagstones. This puts in place a chain of events that reaches all the way back to WW2 and has an effect on Rhoda whose own brother is a missing person.

The story alternates between 2022 with Rhoda’s urge to investigate the mystery she’s uncovered and back to the end of WWII when a young woman called Alice Renshaw finds herself pregnant to an American airman, Brett. As she prepares to marry Brett at the village church, Alice is so happy even though it’s an uncertain future she faces, possibly over in America. However, Brett doesn’t turn up at the church and thanks to his father’s connections he is transferred out of the country immediately. Alice is heartbroken. A few weeks later she’s at Telton Hall, where Louise Hartwell takes on young girls ‘in trouble’ and finds homes for their babies with couples who can’t have children. Louise is also still running the farm, with the help of Jack who is ten, his step-brother Billy, who needs to walk with a stick after being wounded. There are also two Italian POW’s helping with the produce gardens, one of whom is Paolo Sartori. Every time the book delves into the past we hear a little more about the story of Telton Hall, the diverse characters staying there and the connections they form with each other. Each time we go back to WW2, we’re getting closer to the answers and the tension builds, while in the present those that would like Rhoda silenced, come ever closer.

I was gripped by the drama of Telton Hall in the 1930’s and desperate for the hateful Billy to get his just desserts before he can permanently hurt anyone. In the present I was convinced I wouldn’t like the answers to the mystery. I was worried that it would have an impact on characters I’d become attached to, who might have only acted badly due to the extreme circumstances. The ending was a surprise and gave me the answers, as well as putting a smile on my face knowing that there was a happy ending for some. I loved Alice’s ability to trust and love after her experience with Brett. I felt the author really captured that sense of displacement and dislocation that many felt during the war, their separation from ‘normal’ life and the way their actions within that time had repercussions for years to come. Ultimately, the story shows us the amazing ability we humans have to heal, our incredible resilience and capacity to love. This could manifest in holding on to a love that won’t die or in finding we have an endless capacity of love, even when our experiences have shown us a depth of loss that seems insurmountable. For Rhoda it means the possibility of letting love in, despite having no blue print of family life from her own childhood. This book is heartfelt and moving, showing us that like Rhoda’s stained glass we are made up of many parts, each experience and influence adding together to make something uniquely beautiful.

Published on 22nd July by Aria

Meet the Author

Suzanne writes historical fiction, predominantly dual timeline and set in France. Her books feature courageous women in extraordinary circumstances with love and family at the heart of all the stories. 

Suzanne also writes mystery and suspense as Sue Fortin where she is a USA Today bestseller and Amazon UK #1 and Amazon US #3 bestseller. She has sold over a million copies of her books and been translated into multiple languages.

Posted in Throwback Thursday

Throwback Thursday! The Giver of Stars by Jojo Moyes.

I love Jojo Moyes. Like many people I was introduced to her writing with the novel Me Before You. I became immediately attached to Louisa Clark, mainly because I felt that Moyes had created her character by stepping inside my head! My husband was paralysed due to MS and when I fell in love with him he was in a similar wheelchair to Will, with the same interests and charismatic spirit. Sadly, I lost him in 2007 and I have read Moyes’ follow up novels and found her depiction of grief and moving forward intelligent, moving and real.

The Giver of Stars is a different type of novel, more historical fiction than romance. It’s setting is the Depression era and a small town in rural Kentucky where the Van Cleeve family own the mines where most people work. Levels of rural poverty are high, African-Americans are still subject to segregation and while middle class women are expected to stay home and know their place, women in poorer families are working hard while trying their best to feed and look after ever-growing families. Into this setting comes Alice, the English bride of the heir to this mining fortune. Bennet Van Cleeve is handsome and considerate, and their marriage seems to start well but once they reach the family home things change. Bennet lives with his father and the death of his mother still hangs heavy over the house, with everything still being run to her exacting standards. Alice finds she has little to do and the house is full of her late mother-in-law’s ornaments and china dolls. She daren’t change anything because Mr Van Cleeve doesn’t like anything to be out of it’s normal place. More worrying is the change in Bennet now they are home, despite showing some desire at the beginning, the proximity to his father seems to be affecting their sex life. Several months down the line their marriage is still unconsummated and Mr Van Cleeve keeps hinting about grandchildren, adding to the pressure she feels.

When a town meeting is called to discuss President Roosevelt’s initiative to get the rural poor reading, Alice senses an opportunity and an outlet for her unspent energy. Margery O’Hare will head up the initiative. She is an outspoken and self-sufficient women who doesn’t listen to the opinion of anyone else, particularly men. She opens a door for Alice to escape the claustrophobic Van Cleeve household, into the wild forests of Kentucky. Alice learns to ride a mule, and along with Margery and two other local women she sets out as a librarian for the Packhorse Library. At first, rural locals are suspicious of an Englishwoman coming to the door offering them books, but soon Alice finds a way in and starts to be trusted. She also finds she likes the open air, the smells of the forest and singing of the birds. She enjoys the freedom of more casual clothes and the camaraderie she is building up with her fellow librarians. She is close to Margery and when she confides about her marriage, Margery loans her a book she has been sneaking out with the novels and recipes. It is an instruction book on married love and Margery has been loaning it to poor women on her rounds who are inundated with children and need educating about sex. Alice takes the book home and a series of events are set in motion that change not only the Van Cleeve household, but the whole town.

Old Mr Van Cleeve is determined to deal with Margery O’Hare and vows to destroy the Packhorse Library altogether. Margery is shrewd and is sure that a devastating flood had more behind it than high rainfall and suspects the mines. However, she has left herself vulnerable with what Van Cleeve sees as evidence of transgressive behaviour: she is exposed as having a relationship out of wedlock, she has hired an African-American woman who used to run the coloured library and she is encouraging townswomen to take control of their own lives. She seems impervious to other people’s disapproval so what lengths will he have to go to in order to stop her? Meanwhile, Alice starts to fall into a friendship with Frank who helps out at the library by chopping wood, putting up shelves and being a general handyman. They bond over poetry and spend hours talking and working side by side in the library building. The other librarians have seen what’s happening, but Alice doesn’t seem to realise this man is falling in love with her.

I loved this book and writing about it again has made me want to reread it. I was on holiday the first time and I stayed in my holiday cottage for two days to read it cover to cover. As always with Moyes, it is beautifully written and researched, with characters I fell in love with. She writes about relationships with so much insight and emotional intelligence. She captures the tensions of the Depression perfectly, depicting the rural poverty where work is scarcer and poor women really take the brunt of the economic conditions. Stuck at home with ever growing families they must have felt desperate for a break. They had land to grow vegetables and keep livestock, but there was still worry over where the next meal was coming from and hoping and praying that there are no more mouths to feed. Just as in the recent pandemic, money worries and pressure meant more domestic abuse. Margery is determined to educate these women to keep themselves safe and prevent their families growing. The town hasn’t kept up with the national shift in women’s attitudes and opportunities. Moyes shows that feminine power is on the rise and the new attitudes towards feminism, as well as marriage and sex, could end up battling against old money and old values. For the women, the poorer families and those residents who are African-American losing the power struggle could be disastrous, and some characters might pay a high price. I was braced for tragedy, but found myself desperate for the progressive characters and attitudes to prevail. It was this struggle that built the tension and kept me reading till 2am! Moyes achieved something real, romantic and historically significant with this novel, but most of all it is simply great storytelling. This book is an absolute must read and I still think it is probably her best novel to date.

Posted in Publisher Proof

The Blackbird by Tim Weaver

I had never come across Tim Weaver’s novels before so I was very lucky to be offered this by the publisher, especially in such a special edition too. When I learned it was the tenth in his David Raker series, I approached it with some trepidation. Would I be able to keep up or would it even make sense? Now that I’ve finished the novel I can honestly say that within the first few pages, I forgot this was one in a series and just got stuck in! Such was the strength of the story and his characters that I was drawn in and captivated to the end.

David Raker is a Missing Person’s Investigator and a widower with one daughter. The missing people in this story are Cate and Aidan Gascoigne, a devoted couple who have been married for five years and together for nine. The media dubbed their case ‘The Mystery of Gatton Hill’ as they disappeared there, travelling from their home in Twickenham to have dinner. Catherine ‘Cate’ and Aiden Gascoigne were both 37 years old and worked in creative roles; Aiden was a Creative Director for a Soho web design company and Cate was a full time photographer. Cate’s work isn’t of the portrait or wedding variety and David is quite blown away by her talent as he looks for clues in her work. For Cate, photography is an art form and she’s had several successful exhibitions with enigmatic titles. As they drove to dinner in Reigate, the couple could be seen on CCTV recording laughing together, just before their car plunged down a 90 foot ravine. Their car burst into flames and even though a fire crew arrived soon after the accident, the fire was impossible to stop. However, they also find an impossible scenario, when trying to recover Cate and Aiden’s bodies; they’re no longer in the car. The Mystery of Gatton Hill remains unsolved two and a half years later.

Cate’s parents, Martin and Sue Clark, hire Raker because they find themselves unable to live with the unknown aspects of their daughter’s disappearance and feeling their emotional distress he does what he shouldn’t, he promises them he will get to the truth. However, he has no idea just how dangerous, macabre, and twisted the case will turn out to be, as he delves into Cate and Aiden’s lives. His first port of call is to interview 2 witnesses, Audrey Calvert and Zoe Simmons, who came upon the site of the burning car almost immediately. He gets help accessing the police files and photographs on the incident from a Met source, Ewan Trasker, and works his way through the couple’s phone records that he gets from Spike, the hacker. He never expected to be forced to go on the run as he follows the leads that point to Northumberland, and a 30 year old unsolved case of 3 murdered women, a case worked by DI Makayla Jennings. Three is merely the tip of the iceberg in a chilling and menacing narrative that goes on to reveal a staggering number of murders over the years, and a extraordinarily intelligent serial killer who has no intention of getting caught. Could Cate’s artistic interest in the beach where the bodies were found have been the catalyst for her murder? Is it something else altogether? Could Cate and Aiden still be alive? I found Raker a remarkably tenacious and determined investigator, even when the pressures and dangers threaten to derail the case, and he has the added complications of trying to keep Colm Healy safe. This is a wonderfully complex, riveting and engaging read that kept me glued to the pages from beginning to end with its sky high levels of suspense and tension. This will appeal to crime and mystery readers who love truly twisty. thrilling and superior crime fiction, and I think that this can reasonably be read as a standalone if you have not read any of the series before. Highly recommended. Many thanks to the publisher for an ARC.

Published by Michael Joseph 9th June 2022

Meet The Author

Tim Weaver is the Sunday Times bestselling author of twelve thrillers, including You Were Gone and No One Home. He has been nominated for a National Book Award, twice selected for the Richard and Judy Book Club, and shortlisted for the Ian Fleming Steel Dagger. He is the host and producer of the chart-topping Missing podcast and is currently developing an original TV series with the team behind Line of Duty. A former journalist and magazine editor, he lives near Bath with his wife and daughter.

Posted in Netgalley

The Blackhouse by Carole Johnstone

I loved this dark thriller from acclaimed author of Mirrorland Carol Johnstone, with its bleak setting, mysterious deaths and Norse folklore. Maggie Mackay is a successful investigative journalist, but has always been held back by a negative inner voice and terrible nightmares. She’s been haunted by the idea that there’s something wrong with her and she can see or sense darkness. She thinks this feeling is linked to her childhood and a small village in the Outer Hebrides called Blairmore. Maggie stayed there with her mother when she was very young and caused a furore when, out of nowhere, she claimed that someone in the village had murdered a man. She left the community in uproar, saying she was really a man called Andrew MacNeil who had lived in the village on the island of Kilmery. Her mother believed and encouraged her claims, but when they returned to the mainland this strange interlude wasn’t referred to again. Now 25, Maggie returns to the island, in search of answers. Mainly, she wants to find out if her claims could possibly have been true, but with her history on the island, Maggie may struggle to get people to talk to her. However, this is an island with few inhabitants, but a wealth of secrets and if Maggie gets too close to the truth she may be in serious danger.

Kilmery is sat across a causeway from Lewis and Harris, and the author makes this incredible place a real character of it’s own. It’s isolated position reinforces the feeling of loneliness that surrounds Maggie. She roams around the island, often alone and there were times she felt like an easy target, especially to someone who knows the terrain better than she does. Shipwrecks litter the coast and the author’s description of a ship coming to harm one stormy night enhances that feeling of danger.

‘It wasn’t the screams he remembered the most, although they crashed to shore inside the howling, furious wind and ricocheted around the high cliffs above the beach for hours. It wasn’t the storm or the roaring, foaming waves that carved great snaking wounds through the wet sand and stole its shape from under his feet.’

For Maggie, the island is changeable and I felt the way it was viewed echoed the journey she’s on through this dark, dangerous investigation to the hint of a possible brighter future. The wind, fog, and storms lashing against the rocks are unnerving, but there are places that Maggie finds peace. At the Oir na Tir standing stones, even with the wind and rain driving against them, Maggie senses their permanence. This is something that won’t be moved and stands like a sentinel, weathering every storm that’s passed over them. This is the kind of permanence Maggie wants in her own mind, a sense of peace that stays despite what life throws at her. Then there’s the meadow, shown to her by Will, one of the locals she befriends.

‘At the bottom of the hill is a vast green meadow stretching as far as the eye can see. It’s gorgeous, dotted with silver-still lochans, gold winter heather, and boulders covered in moss and orange lichen. It opens something inside my chest, precarious and fragile; a sense of longing that I suppose is awe or wonder. At this uncannily beautiful place full of a light and colour so at odds with the bronze desolation of those inland bens and glens […] I can feel the sting of ludicrous tears, and blink them away.’

This is machair, a type of dune grassland formed by sand and broken shells blown over from the beach. In opens up a sense of wonder in Maggie, like the childhood awe we have for Christmas and it’s magic. It’s almost as if this piece of the landscape connects her to the child she was before all of this happened. Can she trust it though?

I loved the link to the supernatural and Norse folklore, particularly the idea of ‘thin places’, something I’ve had a feeling about before. As an avid reader of the Outlander series, this ability to move into a different time or experience a haunting feels synonymous with Scotland. Old fisherman Charlie, who decides to talk to Maggie about the past, describes a thin place as where the space between this and other worlds is the shortest. The chance of seeing, knowing or feeling something from another world is high. There’s superstition within the fishermen, who never say a prayer aboard a boat, but douse it in whiskey and salt or even use burning rags to cleanse every corner of the boat, rather like smudging using sage twigs. It’s the ‘Vándr-varði’ that feel really disturbing, left anonymously outside The Blackhouse, where Maggie is staying. They’re mummified crows, old Norse talismans to guard against evil, but Maggie doesn’t know whether they’ve been left to protect her or whether she’s the evil that needs to be kept at bay. All of this superstition adds to the mystery Maggie is trying to solve, but she wonders whether it’s meant to spook her and warn her off the truth. The tension keeps building and by the time Maggie has a midnight visitor, my heart was racing.

The central mystery is fascinating and makes the book very difficult to put down. Charlie feels like the designated spokesperson for the islanders, he approaches Maggie with an apology for the way they treated her when she was a child and there’s a fatherly feel to the way he talks to her. On one hand I felt he was on Maggie’s side, but I also wondered whether he was a decoy – someone sent to give her just enough information, perhaps to deflect her from the reaching the truth. Other people greet her with outright hostility and I had a lot of admiration for Maggie’s tenacity considering how vulnerable she must feel, staying on the island as a lone woman. Maggie also has a bipolar diagnosis and I thought this was well portrayed by the author, even though it adds another layer of uncertainty – can we trust what Maggie is experiencing? I found Maggie’s narration more compelling than the male narrator, but overall loved the pace and the different perspectives that give us an insight into events back in the 1970’s. There were twists I didn’t expect and the final revelations about the mystery felt satisfying. I love how this author likes to wrong-foot her reader and although this was more gothic than horror, there were parts that were very unsettling and left me listening out for creaks in the dead of night. I came away from it with an uneasy feeling, not about the supernatural aspects, but more about what humans are capable of doing and how isolated communities like this one have the perfect environment in which to plot and keep secrets, in some cases for decades. This cements Carol Johnstone in my mind as an author to look out for and I will be buying a finished copy of this book for my collection.

Published 4th August by Harper Collins UK

Meet the Author

Scottish writer Carole Johnstone’s debut novel, Mirrorland, will be published in spring 2021 by Borough Press/HarperCollins in the UK and Commonwealth and by Scribner/Simon & Schuster in North America. 

Her award-winning short fiction has been reprinted in many annual ‘Best Of’ anthologies in the UK and the US. She has been published by Titan Books, Tor Macmillan, Simon & Schuster, and PS Publishing, and has written Sherlock Holmes stories for Constable & Robinson and Running Press.