Posted in Rachels Random Resources

Daughter of the Sea by Elizabeth J. Hobbes

On a windswept British coastline the tide bestows an unexpected gift…

It was the cry that she first noticed, the plaintive wail that called to her over the crash of winter waves. Wrapped only in a sealskin, the baby girl looks up at Effie and instantly captures her heart.

Effie has always been an outcast in her village, the only granddaughter of a woman people whisper is a witch, so she’s used to a solitary existence. But when Midsummer arrives so too does a man claiming to be the child’s father. Effie is surprised when he asks her to continue looking after his daughter, mysteriously refusing to explain why. When he returns six months hence she pushes him for answers. And Lachlan tells a story she never anticipated … one of selkies, legend, and the power of the sea…

I’ll be honest up front and say I don’t often read romance novels. I enjoy novels that look at relationships or contain a love story, but I often find novels categorised as ‘romance’ to be far too light or saccharin for my taste. However, this wonderfully romantic story drew me in thanks to the interesting female characters, historical detail and Scottish folklore. For those who do not know their Celtic and Nordic mythology, a Selkie is a seal which when it sheds its skin transforms into a human. For some reason, it’s a piece of folklore that’s always caught my attention, rather like mermaids. I love to imagine the freedom of the endless ocean and having a body that can swim gracefully and effortlessly through the waves. I’ve also thought of the two legs we see as essential for day to day life, being such a restriction to someone used to a powerful, streamlined tail.

I really loved how independent Effie is and the strength she has to stick to her principles, even when they go against those of the rest of her village. She’s very independent and modern in her thinking. She rejects the local church and only goes at Christmas. Her grandmother Alice provides herbal remedies for the people of the village, and this has kept Effie separate from others who think of Alice as a ‘wise woman’. In fact some of the most respectable women in the village rely on Alice for remedies that help with menopause or other hormonal symptoms, but only in private. In public they would deny all knowledge. Effie’s marriage to John, her son Jack’s father, seemed to happen rather quickly and caused gossip in the village too. Her friendship with Walter, who is from a very respectable family, raises the odd eyebrow, but has also helped her in many ways. Without him she might not have gained parish financial support for Morna – the child she finds floating in a wicker basket. It’s possible he expects more than friendship, but would he tolerate Effie’s wilder ways and allow her the freedom she craves? In a world that’s very restrictive for women, Effie’s widowhood and ability to support her children without a man leaves her in quite a lowly place in society, but free to live her own life, at least in the short term.

I was absorbed into this woman’s relationship with her children. Widowed on the same night she finds a baby girl floating in the sea, Effie raises the girl with Jack. She can’t find a name to suit her, but doesn’t worry about that. Jack is not the easiest child, with symptoms that in more modern times might have labelled him with an autistic spectrum disorder. The children get along well and seem to find ways of communicating together, despite Jack’s difficulties with speech. Effie loves both of them fiercely and is haunted by the worry that one day she may have to give up the little girl she rescued as a baby. So, when a mysterious man turns up and claims her, Effie is wary, but finds it hard to deny their likeness especially when they have exactly the same eyes. Lachlan calls his girl Morna and explains something that most women would find hard to accept. He and Morna carry seal skins, but they’re not just to keep them warm. The skin is as much a part of them as their dark, impenetrable eyes. Morna and her father Lachlan are Selkies. They are part human and part seal, from a tribe in Scotland. Effie is relieved to find he isn’t there to take Morna, because he recognises that she and Effie have a bond, but he leaves a perfect pearl to pay for her upkeep and promises to return in six months. However, can this arrangement continue indefinitely?

Even more complicated, is the fascination that Effie starts to feel about this dark eyed, handsome man. As for Lachlan, every time Effie touches seal skin, he feels a corresponding pull in his human body. I must admit I was rather enchanted by this wild, but noble and honourable man. I felt he would accept Effie as she was, rather than try to mould her into a respectability that would leave her so unhappy. To strengthen this romantic tale and give it historical context, there were other strong female characters such as Alice and Effie’s friend Mary. Alice is wise, funny and open to the more magical side of life. Effie is shocked that the very respectable Mary would have her as a friend. In fact she asks if Effie will help her set up a school for some of the poorer girls in the village. She gives Effie solid advice, based on the sensibilities of the time which gives us a contrast to Effie’s life choices – some of which would be seen as scandalous! It’s interesting to think that both Effie’s friends, Walter and Mary, are progressives in their time, whereas now their ideas can seem patronising or even horrifying. I felt that Mary shows us what Effie’s life could be should she decide to choose the life Walter might offer her.

The setting is exceptionally well drawn, capturing a rugged Yorkshire coastline so perfectly that I could imagine standing on a windswept cliff watching Lachlan and Morna slipping through the waves. I found myself browsing for holiday cottages as soon as I’d finished reading, because the author’s description of the sea was so evocative. Her romantic descriptions of eating freshly caught and fried mackerel on the beach, or sailing to a private cove in the sunset enchanted me just as much as any of the relationships. I was hankering after a sunshine stroll through the waves and I would look up from my book and be surprised to find myself in my bedroom looking out at Christmas lights. If you enjoy historical fiction, I highly recommend this book and it’s definitely worth a read if you have an interest in folklore or magic realism. I found myself taking long baths or having a lie-in so I could shut the world out and really relax into the story. I would definitely look at this author’s other work on the basis of this novel and it’s made me have a rethink about the romance genre as a whole. Thank you so much to HarperCollins UK-One More Chapter and Rachel’s Random Resources for giving me the chance to read the book. It’s been a pleasure.

Purchase Link – https://getbook.at/DaughteroftheSea

Meet The Author

Author Bio – Elisabeth’s writing career began when she finished in third place in Harlequin’s So You Think You Can Write contest in 2013. She was offered a two-book contract and consequently had to admit secret writing was why the house was such a tip. She is the author of numerous historical romances with Harlequin Mills & Boon covering the Medieval period to Victorian England, and a Second World War romantic historical with One More Chapter. She lives in Cheshire because the car broke down there in 1999 and she never left.

https://www.bookbub.com/profile/elisabeth-hobbes?follow=true

Daughter of the Sea Giveaway

Giveaway – Win a signed copy of Daughter of the Sea (UK Only)

*Terms and Conditions –UK entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.

http://www.rafflecopter.com/rafl/display/33c69494465/?

Posted in Netgalley, Publisher Proof

Cut Out by Michèle Roberts.

This is an interesting book, focused on the later years of Henri Matisse and those who cared for him. This was the period where Matisse was creating his famous ‘cut out’ works, works that are linked inextricably to the body that’s failing the artist and the structure of this novel. I visited Tate Modern for the Matisse exhibition a few years ago, and because I’ve studied disability theory and life writing I could see that these cut out pieces were a metaphor for a body that was failing, piece by piece. By taking a whole piece of paper, cutting out these shapes, and rearranging them to make a piece of art, I felt the artist was trying to communicate what it is like to have all the pieces, but no longer in the order that makes up a whole. When we become sick or disabled our body doesn’t work as a cohesive whole any more. The pieces are different, rearranged and not necessarily working together harmoniously anymore. In my writing therapy groups, often for people with disabilities, I encouraged journal work that experimented with structure. I wanted to encourage writing that was the embodiment of the writer’s illness or disability. The writing produced is often fragmentary, moving between long lyrical sentences and short, snappy statements. In my own work there are gaps where I don’t have the language to express how my multiple sclerosis feels or how my emotions process the change from day to day. Often fragmentary paragraphs don’t seem related at all – representing the nerve damage that occurs in this disease, preventing the signals that keep a body coherent and working in harmony with itself. As a group we talk to our illness, we give it a name and a body of its own, then chat to it and record what comes back.

I believe all of this is what Matisse was representing within a cut out piece and I’m sure that Michèle Roberts is doing something equally clever in the structure of this novel, that can seem a bit bewildering at first. Sentences are very free form, there are fragments from different unnamed characters, there is speech without punctuation and time differences that are not obvious straight away. Might this lack of structure alienate some readers? Quite possibly, but I don’t think Roberts is thinking about clarity, she’s making a work of art. The best thing to do is just go with it and let the writing flow over you, until the meaning becomes clearer. Sometimes, when we visit a gallery, we need time to engage with some pieces. We simply have to stop and look for a while with no expectations. In the same way, I did find myself having to go back and reread sections of this book, so it isn’t a quick read, and it won’t be for everyone.

In his final years, Matisse is living at the Hotel Regina in Nice, where he has a studio and is making his famous cut outs with the assistance of Lydia (Delectorskaya ). Eventually he cannot get out of bed and needs nursing care, for day to day living. One is named Monique and one voice of the novel is Clémence, a friend of another of his nurses. There’s also Clémence’s friend Camille, who is pregnant to another artist. In a later time we meet Denis, a man in his sixties who was adopted when he was a baby by friends of Clémence. Denis is attracted to a man called Maurice who he allows to sublet his flat while he’s away in Paris trying to uncover the secrets of his birth. All of these character’s stories come in ‘cut outs’ and the reader has to make sense of it. What we do get is an incredible sense of place, from Roberts’s long, lyrical and descriptive passages. We move from character’s memories, back in time to the actual events. The past explains the present day in parts, but not in others. While I didn’t feel I was fully engaged with the story, I did love the sensual descriptions of art and food, and my senses were fully engaged with these parts, The ending, when it came, was sudden and rather abrupt. It felt jarring after such a slow, meandering narrative. However it was a book that left me thinking and that’s never a bad thing.

Published by Sandstone Press 12th August 2021.

Meet The Author

Michèle Roberts is the author of fourteen critically acclaimed novels, including Daughters of the House, which won the WHSmith Literary Award and was shortlisted for the Booker Prize, and, most recently Ignorance, which was longlisted for the Women’s Prize for Fiction, 2013 and the Impac Award. Her memoir Paper Houses was a BBC Radio 4 Book of the Week.

Posted in Netgalley

The Secret by Debbie Howells.

The village of Abingworth is a rather exclusive area to live, with large houses placed in countryside gardens, surrounded with wooded areas and plenty of privacy. This is a village where the residents don’t have a huge sense of community or honest, real friendships. This is one of those areas where keeping up appearances is everything and for those with a social standing, it’s most important of all. Of course there’s so much more going on than anyone would admit too. Troubled teen Hollie has gone missing. Just beforehand, she briefly visits her friend Niamh and tells her a secret. Niamh swears to keep it safe. However, as detectives arrive and start to ask difficult questions, can Niamh tell this is thuja secret to help find her friend? Or is it something so terrible that only by keeping quiet, can she keep her friend and herself safe?

This was an entertaining domestic thriller with some fairly dark themes too. The story is told through two narrators, Elise who is Niamh’s mum and Jo who is the detective on the missing person’s case. Elise is a flight attendant, working unusual hours on mainly short haul flights. In the first few pages as Elise drives a short distance home from the airport she has a lot on her mind. She is quite matter of fact in about her husband Andrew’s serial infidelity and muses on who it could be this time. Early on, the author takes us on a night out with Elise and Andrew, who is the local GP. This is not so much a relaxed evening out, as it is a show. They must present their most united front in the local, so that everyone they meet must be sure of their relationship and their respectability. The truth is much different.

This book brilliantly portrays coercion and how domestic abuse develops, slow and insidious, until you almost don’t recognise yourself. There are plenty of twists and turns here that keep you guessing, but one revelation jarred a bit and it felt weird that it hadn’t been mentioned sooner. It turns out that this picturesque village has some terrible secrets, all centring on a mansion where Hollie liked to trespass and explore. Elise wants to find out what happened to her, but also protect her daughter Niamh – the last person to talk to Hollie. Does she know more than she’s letting on? I was hooked till the end, as I usually am with this author. I hate false situations where people are putting on a front constantly, the question here is are they doing this to fit in or do they have something to hide? This is another entertaining thriller from this author and will keep you guessing.

Published by Avon 6th Jan 2022

Meet The Author

Having previously worked as cabin crew, a flying instructor and a wedding florist, Debbie turned to writing during her busiest summer of weddings. After self-publishing three women’s commercial fiction novels, she wrote The Bones of You, her first psychological thriller. It was a Sunday Times bestseller and picked for the Richard and Judy book club. Three more have been published by Pan Macmillan: The Beauty of The End, The Death of Her and Her Sister’s Lie. Her fifth, The Vow, was published by Avon in 2020 and was a #1 ebook bestseller. It will be followed by The Secret, out in January 2022. Alongside her thrillers, Debbie has returned to writing women’s fiction novels and The Life You Left Behind will be published in February 2022 by Boldwood. Debbie writes full time, inspired by the peacefulness of the countryside she lives in with her partner Martin and Bean the rescued cat.

You can visit her website at http://www.debbiehowells.co.uk or blog at http://www.howellshenson.com. 

Follow her on Instagram @_debbiehowells, on Facebook @debbiehowellswriter or on Twitter @debbie__howells.

Posted in Domestic Thriller, Publisher Proof

The Second Woman by Louise Mey.

I was truly gripped and unsettled by this domestic thriller, and it’s themes of control and coercion. The author truly understands this type of relationship and the psychological trauma that slowly trickles down to the rest of the family. Sandrine is our main character, a discreet, gentle and loving woman who doesn’t want much. She just wants a loving husband, someone who wants to go to bed with her every night and wake up with her every morning. She wants someone who shows his affection and holds her hand in front of others. She’s so concentrated in looking for this, that when Mr Langois appears on the horizon, he is going to be her ‘one’. Mr Langois does offer her some of what she wants. She now has a beautiful place to live and is close to his son, which does show an element of trust. Yet, she can’t forget that this is a house where a woman went missing. His first wife was there and then she disappeared. In fact, she is presumed dead, and Sandrine, who is discreet, loving and oh so grateful, slips into the void left behind. She has been doing her best to bring back a smile to the grieving husband and little Mathias. However, he will never really be her son, and Mr Langois is not really her man. In the back of her mind, she feels the woman who was there before, the one who made this house a home and belonged here in this family, Then suddenly the woman who’s been haunting Sandrine reappears. Alive. Sandrine’s world crumbles and falls apart.

This book is both compelling to read, but also intelligent and profoundly disturbing. Whereas the first half is largely setting the scene, the second part becomes more and more chilling. We are treated to all the twists and turns related to the disappearance of the first wife while she infiltrates Sandrine’s life; what follows is so insidious and feels evil. It’s very well written, with a brilliant depiction of Sandrine’s personality change, from a woman who only wanted to have her own man to love and feel loved back, to an obsessive. The obsession is borne of her low self-esteem and could lead her from jealousy into being a full-blown monster. The story is written with waves of the worst tension, and this never lets up, especially once Mr Langois’ first wife returns and begins manipulating. The author manages to scare us without a need for physical violence, something which doesn’t surprise me as I am a survivor of coercive control. By the time I’d found the strength to leave, I didn’t really know who I was anymore. It took so long to try and put myself back together. This book has that strange quality of being fascinating yet repulsive at the same tune. I sort of felt the way I do when watching nature documentaries. It’s incredible to watch the ability of the beautiful creature at the top of the food chain, but also dreadful to watch the pain and fear of the animal being hunted. It’s horrible, but you can’t turn away. This is such an immersive read, you’ll look up from the page and wonder where you are.

Published 2nd September 2021 by Pushkin Vertigo

LOUISE MEY is a Paris-based author of contemporary noir novels dealing with themes of domestic and sexual violence, and harassment, often with a feminist slant. The Second Woman is her fourth novel, and the first to be translated into English. LOUISE ROGERS LALAURIE is a writer and translator from French, including Frederic Dard’s The King of Fools and The Inspector of Strange and Unexplained Deaths by Olivier Barde-Cabucon, both published by Pushkin Vertigo. Her work has been shortlisted for the Best Translated Book Award, the Jan Michalski Prize for Literature and the Crime Writers Association International Dagger.

Posted in Back of the Shelf

Books At The Back Of My Shelf

One of my book shelves.

As I go through other blogger’s fantastic end of year book lists, it strikes me how many brilliant books I haven’t had time to read. That’s not because I’m one of life’s busy people – I don’t work, the girls are only with us part-time, I’m still semi-shielding, and I have a carer/cleaner – I’m hardly plagued with Virginia Woolf’s worries and yes, I do have a room of my own. I could be reading more, but mainly I could be making better choices. The problem is I become distracted. I’m distracted by the same things a lot of other book bloggers are: should I be on Tik-Tok? Should I be chasing this year’s hottest release? Do I have enough Twitter followers? Is a photograph better than a review? How do I stay relevant? Is anyone even reading this? It’s so easy to spend half your day on Twitter or Instagram looking at other people’s beautiful and creative content and thinking ‘should I be doing that too?’

The only answer is to do what you love. I’m never going to be a major book influencer with followers in the millions, merchandise and a whole new income stream. So I have to think, what is it I enjoy about book blogging? Well, I love the Book Twitter community, the bloggers, blog tour organisers, the publishing assistants and other writers. By talking to writers over the last few years I’ve had so much encouragement and advice about my own writing, that I could see myself actually finishing my own book. People have been generous and kind with their time and their tips on how to be a book blogger. I love reading, discovering new authors and broadening my reading choices. I love writing about characters, their stories, their psychology and really championing those books that make my heart sing. I can do all of these things without putting myself under pressure, without chasing every new book, without joining every blog tour or buying every special edition. I can do this without pressuring or challenging myself even more than last year.

My village book exchange

That’s not to say I don’t appreciate those who take stunning Insta photos, or know a flat lay from a stack, because I do. Some people are absolute artists! I also admire those who worked hard to remain up to date and relevant, but it’s not always me. It takes me a long time to understand and adopt new apps and methods of getting the book love across. So in short, I’m going to worry less and read more of the books I already have. Stress less and enjoy this more. I’m going to spend more time writing my own work, putting new books into our village book exchange, and reaching to the back of the shelf for those books I didn’t get to this year. I’m going to write about those back of the shelf books and celebrate what I have as much as the new. I can’t believe I haven’t yet read The Appeal by Janice Hallet or Still Life by Sarah Winman, but they are both tucked away on the shelf. I’m going to look forward to those books I’ve highlighted for 2022, but not worry if I don’t get to them all. I’m also including my NetGalley shelf in this, which I’m afraid to say, is cluttered with forgotten gems and new books due to be published as far away as next summer!

It’s easy to forget why we do this. I need to remember those reasons, to simply enjoy being part of this great book community. To relax and celebrate the journey, rather than stress and strain towards an unknown goal. Here’s wishing you all a deliciously bookish 2022 and I look forward to chatting and sharing with you all this coming year. ❤️📚

Posted in Netgalley, Publisher Proof

The Book Of Magic by Alice Hoffman

This has been one of my most anticipated novels for this year, then it’s publication date was changed to January 2022 and I was going to have to wait a bit longer. I finally snagged a copy on NetGalley last week, and its no surprise that I started to read it straightaway. Was it worth the wait?

This is the fourth and final book in Hoffman’s Practical Magic series and it really does come full circle. We have three generations of Owen’s sisters in this tale: Franny and Jet, Gillian and Sally, and finally Sally’s daughters Kylie and Antonia. In fact this really does take us full circle, rather like the symbol of the Ourobos, a snake swallowing its own tail which is, rather aptly, the symbol of dark magic. So, here we have those Owenses who have dabbled as practitioners of the dark arts, such as Franny and Jet’s brother Vincent. Could one of the younger members of the family be heading down that dark route and what would call them there?

Regular readers will know that the curse of the Owens family is lodged in the love part of their lives. This was a curse placed by Maria Owens who knew the truth of how women might become undone by men. The various family members have found their own ways of circumventing the worst of the curse, after Jet lost her true love as a teenager. Gillian is married, but she doesn’t live with Ben or wear a wedding ring. Sally has lived with a man but lost him very young and the heartache has closed her to that part of life. Now all she cares for are books. Antonia is married to her work as a doctor, but is having a baby with her gay best friend. However, for their youngest, Kylie, love has been part of her life for a long time. She is inseparable from her best friend Gideon but they have never spoken of their love for each other. Till now. Two losses happen to Kylie at once. The death watch beetle is clacking in the walls of the house on Magnolia Street where Sally, Kylie and both elderly aunts reside still. They have barely said their goodbyes, when Kylie’s Gideon is in a terrible accident and is so badly injured he is in a coma.

Kylie takes matters into her own hands and is drawn to a hidden Grimoire in the Owens Library. A Grimoire is a witches personal journal and book of magic. Kylie believes this book has the answer to ending the Owen’s curse, but the final pages are stuck together and she can’t enact the spell. Kylie returns to where the Owens story starts, in the original Essex county in England. Here she hopes to find the secret to opening the last pages of the book, but there are two warnings attached to her quest. She mustn’t trust the wrong person and if she is the one to overturn the curse, she must be prepared to lose everything. However, when Kylie is in danger, it will take Franny, Sally and her uncle Vincent to join the quest. Which one of them is the key to end the curse? And what price will they need to pay?

I struggled with the first few chapters of the book, but that might have more to do with me trying to read it Christmas week, when having a prolonged time to sit and read is impossible. Once I could spend some time with the story I really started to enjoy it. I welcomed the cross generational aspect to the story, and those reminders of everything that had gone before. From Levi Willard’s teenage love for Jet, Vincent’s years in NYC as a musician and all the way back to Maria Owens and her difficulties accepting the love of Samuel several centuries earlier. There are seeds of hope, as new life comes into the family, as Antonia’s love for Ariel takes her by surprise and new familiars seek out their human counterparts. Sally has always been interesting to me and her continued tightrope walk between the magic that is her birth right and her need to stay under the radar and keep her girl’s safe. The women are always treading a line between the future they are born with, shown on the right palm and the future they choose, shown on the left. I loved how her story ended, it felt satisfying and even full of hope, given the heartache that went before.

What stood out loud and clear was, that despite being cursed in love, the love the women have for each other is a blessing. In particular, Franny and Jet’s love for Sally and Gillian. Brought to the crooked house as small orphans, the aunts loved their nieces as their own and taught them everything they needed to be safe and understand the magic they were born with. Any trouble or danger brought both aunts running to help and protect them, even into their old age and especially in this story. This love stands out stronger than any other in all four books and never dies. Everything I love about Hoffman is there, her wonderful descriptions of nature and the women’s links to the natural world. Her descriptions of spells and their effects are fantastical and so vivid, especially the menacing red rain poisoning a whole community. I love that the books celebrate strong women, who support each other and their right to be individuals. This is a fitting end to a series that begins chronologically with persecution, betrayal and death. It ends with a sense of the Owens family being part of a community, playing a bigger part in the world and learning how to utilise their magic in harmony with the world.

Published by Scribner U.K. 6th Jan 2022.

Meet The Author.

Alice Hoffman is the author of thirty works of fiction, including Practical Magic, The Red Garden, The Dovekeepers and, most recently,The Museum of Extraordinary Things. She lives in Boston. Visit her website: http://www.alicehoffman.com