Posted in Netgalley, Publisher Proof

The Woman in the Purple Skirt by Natsuko Imamura.

This was an unexpectedly quirky and refreshing take on the obsessional friendship trope, a theme I’ve loved ever since watching Single White Female back in the 1990’s. This is the first of the author’s novels to be translated into English from the original Japanese. I was surprised by that, because there was something about the writing style and the main character that I thought would appeal to the British reader. I thought earlier novels might have also appealed to British readers. The daily eccentricities of the the Woman in the Purple Skirt the man m were charming and intriguing, so it was that and my curiosity about the motives of the Woman in the Yellow Cardigan that drew me in to the story. There is also an interesting, melancholic sense of humour that struck me as something British reader would enjoy.

There are some characteristics that the two women share, such as living standards and finances. It’s possible that both are lonely and are living from hand to mouth, but what drives the Woman in the Yellow Cardigan to get up and watch her every move? What does she want? Eventually, she lures the Woman in the Purple Skirt to a job with the cleaning agency where she works as a hotel housekeeper. This brings the women into proximity, but instead of a friendship emerging, the Woman in a Purple Skirt falls into an affair with the boss. This is the main difference between the women; the Woman in a Yellow Cardigan only watches, while the Woman in a Purple Skirt actually lives. I felt this distinction very strongly and wondered whether there would be resentment or even anger towards the Woman in a Purple Skirt. This is where the book really ventures into thriller territory as the women meet and we see the dynamics of female relationships, the obsessiveness and that human need to be seen, recognised and even desired. This woman simply wants to be noticed and considered by someone else. Why do people recognise the Woman in the Purple Skirt? What does she have that makes people sit up and take notice?

I found myself thinking about the word ‘sonder’ – one I’m using for my own writing at the moment. It’s a German word to describe the realisation that every random passer by has a life as rich and varied as our own. This seems to be what the Woman in the Yellow Cardigan wants to know, the rich complexity of the Woman in the Purple Skirt’s life. The woman always wears a purple skirt, it is possibly this and her set daily routine that makes people notice her. As she leaves her apartment every day she is followed and insulted by neighbourhood children, in fact she’s great entertainment for the neighbours who seem equally fascinated by her set routine. Every day she walks to the bakery and buys a single cream cake, takes it to the same park bench and eats it. No one knows who her family are or where she’s from. Her jobs are temporary, she lives alone and doesn’t even attempt to relate to others. She is an enigma, and the Woman in the Yellow Cardigan watches her every move, until she knows her daily routine uby heart. Even her appearance is intriguing. From a distance she could pass for a schoolgirl, but up close she has liver spots that belie her age. Her hair is dry, she lives in a small, shabby apartment and is short on money. She looks like one thing, but could very well be another. She’s different, but seems to have carved a life out in the world, something that the Woman in the Yellow Cardigan seems to find so difficult.

I thought it was wonderful to have two such complex and multi-dimensional female characters, especially where the relationship between them is the focus. There was a peculiar creeping unease built into the narrative. Japan seems to exude ‘otherness’ like nowhere else, a theme explored in the film Lost in Translation. I lived next to a Japanese Garden for seven years, where English plants and trees were pruned into the shapes of Japanese topiary. Stepping into it from my cottage garden made felt like entering a surreal and alien landscape. That’s a little bit what this book felt like. It was original and refreshing, perfect for if you’re in a reading slump, and a fascinating take on the thriller genre.

Posted in Personal Purchase

The Hollows by Mark Edwards.

Mark Edwards has become one of my favourite authors over the last few years. His books are fascinating, addictive thrillers where an ordinary domestic situation is subverted or even blown wide open. There’s maybe a new person brought into the situation who upsets the dynamic or a massive life change that makes a character question their life. This was a slightly different premise, but still based around a modern family, with more than a nod to another of my favourite authors – Stephen King. The title reminded me of the wooded area where the kids would meet in King’s novel It, there are allusions to burying a live cat that brought to mind Pet Semetary, the backwater town has the feel of Salem’s Lot and the passing drunk who helps Tom at the end has the feel of the janitor at the Overlook Hotel. As soon as Tom arrived at the cabins it reminded me of the secluded cabin in Bag of Bones. This gave me the sense we might be getting a supernatural element to this thriller and there’s definitely a pagan or Wiccan aspect to the tale.

With his marriage over and his career in freefall, journalist Tom decides to reconnect with his fourteen-year-old daughter, Frankie. Desperate to spend precious time together now that they live an ocean apart, he brings her to Hollow Falls, a cabin resort deep in the woods of Maine.

From the outset there’s something a little eerie about the place—strange whispers in the trees, windchimes echoing through the forest—but when Tom meets true-crime podcasters David and Connie, he receives a chilling warning. Hollow Falls has a gruesome history: twenty years ago this week, a double slaying shut down the resort. The crime was never solved, and now the woods are overrun with murder-obsessed tourists looking to mark the grim anniversary.

It’s clear that there’s something deeply disturbing going on at Hollow Falls. And as Tom’s dream trip turns into a nightmare, he and Frankie are faced with a choice: uncover the truth, or get out while they still can. There were times in the book when I was screaming at Tom to just pack the car up and leave without looking back! The killing from twenty years ago is a heavy influence on the story. Two teachers on a field trip with their students, sneak away at night to a clearing in the forest and start an illicit affair. Both are married and it is a double shock to their spouses to find out they’ve been cheating and murdered. The bodies are posed in a symbolic way with Wiccan symbols painted in their blood. The suspect is a local teenager with an interest in death metal and all things pagan. He disappeared at the same time as the murders, and Tom’s daughter Frankie is spooked by tales of him still living wild in the woods to this day. She forms a friendship with Ryan, son of the true crime enthusiasts David and Connie. They take a walk into the local town, Penance, which is a real backwater with locals who are openly hostile to those at the holiday village. The teenagers run into some other kids, but they’re not friendly. The way the author describes brother and sister duo Buddy and Darlene, standing together, arms by their sides and completely motionless – is creepy and reminiscent of the twin girls from The Shining. Ryan takes pictures and lampoons the locals on Instagram using hashtags they’re going to find, putting himself and Frankie in danger.

The author really ramps up the tension to great effect. Little creepy incidents like a dead rabbit at the cabin door, Tom thinking he’s seen a horned goat man, as well as Connie’s hints about a big surprise for her true crime followers on barbecue night, keep camp residents on edge. Then more serious incidents start to occur – Frankie and Ryan are pelted with rocks, an unlucky guest with a heart condition sees what she thinks is Satan. The stakes are getting higher, building towards the Saturday event. Tom makes friends with local bookshop owner Nikki, there’s an instant charge between them, but can he trust her? As he starts to look into the murders and myths surrounding the Hollows, using his investigative skills, he realises that Nikki was about the same age as suspected murderer Everett. Everybody seems to know each other in such a small town so did she know him? Suspicions reach boiling point, and when Frankie and Ryan go missing in the midst of the party preparations Tom has no idea who to trust and how to find his daughter.

Mark Edwards never lets me down. His thrillers are always well thought out, psychologically unsettling and paced beautifully. I didn’t work out the whole mystery, and the eventual reveal developed in an unexpected and rather grisly way. There was something slightly comical, as well as horrifying, about people wandering the woods in animal masks – particularly when the horned goat happens upon a very religious woman with a very weak heart. I must admit to a rather dark sense of humour because that made me laugh. I enjoyed the friction between locals and holiday makers, because it’s true of many beautiful places. The locals need tourists, but it’s an uneasy partnership. The pagan backstory to the forest being sacred ground, that should remain wild, linked in to this and felt very apt in a time when humans have ruined their habitat. I think the prurience of true crime fans was also timely with many of my friends glued to crime documentaries on Netflix. I’m also a Stephen King fan so I enjoyed the nods to his creations and the whole ‘townie versus country locals’ vibe that permeates a lot of his work. I devoured this so quickly that I’m already thinking about thr next book from this ‘must buy’ author.

Meet The Author

Mark Edwards writes psychological thrillers in which scary things happen to ordinary people.

He loves hearing from readers and always responds. Mark can be contacted in the following ways:
Email: mark@markedwardsauthor.com
Twitter @mredwards
Facebook/Instagram: @markedwardsauthor

You can download a free box set of ‘Short Sharp Shockers’ by visiting http://www.markedwardsauthor.com/free

Mark has sold over 3.5 million books since his first solo novel, The Magpies, was published in 2013 and has topped the bestseller lists numerous times. His other novels include Follow You Home, Here To Stay and The House Guest. He has also published six books co-authored with Louise Voss. His latest book is The Hollows, published in July 2021.

Mark lives in the West Midlands, England, with his wife, their three children and two cats.

Posted in Netgalley, Publisher Proof

The Therapist by Helene Flood.

Helene Flood has written a fascinating thriller about a therapist, set in Oslo. It’s complexity of character and their motivations probably comes from the fact that the author is a psychologist. Straightaway, I was invested and really excited me to get inside the character’s minds. Sara. and her husband Sigurd live in his family home, a large three storey house they’re currently renovating. Next door is a small addition to the property, housing Sarah’s office and therapy room. On this Friday, Sara is seeing three clients and then settling in for a quiet weekend while Sigurd is on a boy’s weekend away with his best friendS. At lunchtime he leaves Sara a message to say they’ve arrived safely at his family’s cabin and his friend is gathering firewood. She expects to speak to him that evening, so is shocked when one of his friends calls to ask where Sigurd is, as he hasn’t arrived yet. In the days following Sigurd’s disappearance Sara must cope with a very thorough detective searching her house and dissecting her relationship, an intruder breaking into the house, breaking the news to her distracted and narcissistic father, and constantly wondering where Sigurd has gone. On top of everything, she has clients to see.

The story is told in two narratives from Sara’s point of view. In one, we’re in the present day, experiencing the investigation and Sara’s interactions with family and friends in the wake of Sigurd’s disappearance. In the second we meet a very different Sara, as she first meets Sigurd, spends time with friends and makes the decision to move to Oslo. This Sara seems lighter mentally, she’s obviously younger but not by much, so what has changed? The past Sara seems to be enjoying life, despite a stressful clinical post with drug users. Sigurd is also completing his training in architecture and is incredibly busy. The distance between them is something she hadn’t anticipated, she knew they would both be busy, but thought the strength of their feelings would keep them on track. A brief interlude away at a festival with friends sees Sara’s mood lift completely. She starts to relax and enjoy herself. However, there will be secrets kept about this weekend that have huge implications for her future.

Present day Sara seems very controlled and reserved. The author creates this interesting gap between Sara’s interior world and the way she presents herself to the world outside. She is always thinking, analysing and wondering, but her conversation is minimal and gives very little away about how she feels. There’s something called cognitive dissonance going on here, a huge gap between the Sara she presents to others and how she truly feels. There are three core values a therapist should have when seeing clients: authenticity, non-judgement and prizing the client. Sara seems strangely detached from her emotions – still seeing clients even after Sigurd’s disappearance as if nothing’s happened. While this is great for continuity, it isn’t very authentic and I felt that instead of practicing authentically she is wearing her therapist’s role like a mask. Even before she knows about her husband, Sara’s thinking is very ordered. She has the day split into therapy hours, admin time, lunch until she can throw on some pyjamas and chill out. It feels like she’s listing tasks just to get through the day, mentally ticking it off seems like a habit borne out of anxiety or trying to keep motivated when depressed. I wouldn’t say she’s enjoying life much. Their home seems the same, with plans for a beautifully finished house, that are currently a list of tasks they can’t afford. In trying to achieve something ambitious and beautiful, they’ve made their current lives very uncomfortable and messy. The state of the house seems to get Sara down and Sigurd wants her to take on more clients so they have more money to get on with the plans. However, I don’t think Sara is in the mental state to cope with more therapy hours.

I loved the author’s creation of Sara’s narcissistic father, a professor and philosopher with controversial right wing views about crime, family and vigilantism. Sara describes talking to her father, almost like an audience with royalty. It’s so rare to have all his attention on you, it’s difficult just to be his daughter. He seems to give off the sense they should be grateful for his unwavering attention and if either daughter struggles to make use of the time, conversation soon turns to him, his work or one of the many students who seem to loiter round the house like acolytes. In fact Sara is so bewildered by his attention on this occasion she doesn’t tell him her devastating news, but instead debates something totally unrelated with him then goes home again. It’s no surprise that she keeps her vulnerabilities and worries to herself – there’s never been anyone interested in hearing them. Even her sister Annika, although she looks after Sara, drops into her role as lawyer as well as sister. This is partly to remind Sara how she’s being viewed by the police, to remind the police not to take liberties, but also to give herself a professional role to hide behind. It is only when one of Sara’s friends arrives and acts naturally by hugging her, that she even feels like crying.

As Sara starts to undertake her own investigation, secrets start to emerge about the couple’s life together. There has been some distance between them for a while. Her relationship with his family is not a warm one, with Sigurd’s mother resentful that they live in her childhood home – left to Sigurd by his grandfather. They don’t even attempt to look after h er and she foresees a long wrangle over Sigurd’s will. There were arguments at Sigurd’s work with differences in architectural perspectives, and who is the mystery blonde that sometimes wait for Sigurd after work? If his work on the Atkins house was finished long ago, why is it still in his diary and where is he really spending his time. The author keeps us brilliantly on edge with red herrings and reveals galore. We see the police through Sara’s eyes, which might explain why they seem curiously non-committal about everything. We never truly know how they feel about Sara or where the investigation is going. Obviously she is a possible suspect. However, there are points in the investigation, when Sara is sure there is an intruder at the house, where they seem indifferent to her worries and her safety. I was never quite sure whether Sara was the ultimate unreliable narrator and would turn out to be implicated in her husband’s disappearance. She seemed detached from the reality of it, even within the context that their relationship has deteriorated over time. The ending was a surprise and the double reveal was beautifully done, and very satisfying. I stayed up late to finish the last few chapters, because I was so hooked on the story. This was a psychological thriller I would definitely recommend.

Meet The Author

Helene Flood is a psychologist who obtained her doctoral degree on violence, revictimization and trauma-related shame and guilt in 2016. She now works as a psychologist and researcher at the National Centre for Violence and Traumatic Stress. She lives in Oslo with her husband and two children. The Therapist is her first adult novel. It has been sold in 27 counties and film rights have been bought by Anonymous Content. Her second novel, The Lover, will be published in English in 2022.

Posted in Random Things Tours

Fragile by Sarah Hilary.

There’s a lot packed into this complex thriller about human relationships, traumatic childhoods, damaged adults, social justice, and the differences between those who are deemed to be respectable and those society deems outcasts. It’s an addicting and sometimes uncomfortable read, but it’s themes pour scorn on those who dismiss genre fiction as having nothing important to say. Across two timelines, one current and one a year in the past, we follow our main character Nell. Currently she’s homeless and her lover, Joe, has disappeared into the night with a well- groomed older woman. Nell tracks them to a tiny house, almost impossibly narrow, and invisible from certain points in the street. It’s a three storey, possibly Victorian town house and must be worth a fortune. Waiting impatiently for Joe to emerge she spends her last handful of change on a cup of tea in order to sit in the warmth of a cafe. The only person who comes out is a young girl with a blonde plait hanging over her shoulder. As she comes in for a drink Nell makes a choice to go over and talk to her and finds out she’s been interviewed for a position as assistant to the house owner – a man. In her desperation to find Joe, Nell decides she needs to get inside that house and comes up with a plan.

In her past, Nell has been in the care system, ending up in a group home in Wales with a foster carer called Megan Flack. She is a career rather than a vocational carer, collecting the money but rarely doing the job. She is neglectful at best, but there’s much more going on under the surface. Nell has learned to look after a home because she was always picking up the slack with housework, cooking and mothering the younger children, particularly the cute 6year old Rosie who clings to Nell. When Joe first arrives at the home Nell is knocked sideways by how beautiful he is. Two teenagers under one roof, with plenty of time to themselves creates the perfect opportunity and they are soon joined at the hip. In the heat of the summer they go bathing at a nearby pool, but Joe doesn’t always want the younger kids there and Nell is having to make hard choices. What has happened to cause the pair to flee their foster home? They end up in London, sleeping on the streets, until one night Joe disappears into Starling Villas.

The book’s structure is clever and works really well to pace the action and build tension. We learn a little bit more about the present, then go back into the past; a past that constantly updates and informs the present again. There was a growing sense of unease, as I got further into the book. I was never sure who was truly playing who. Caroline was unnerving and hard to like, because she never seemed to show any vulnerability. Megan was worse though; cold,manipulative and completely without empathy. The thought that there are people like this looking after children who are already traumatised and suffering from attachment issues. There was a social conscience here. The fact that a magistrate, a man who decides the fate of children like this, can be licentious and exploitative behind closed doors shouldn’t be a surprise, but somehow it was. There was something about Robin that I trusted, despite all the evidence to the contrary. We all know that status is conveyed according to how people appear and what they own. We might automatically assume that the well-read man living at Starling Villas is a fine, upstanding citizen. We also might assume that those brought up in the care system, the homeless and the hopeless, are capable of just about anything. What did drive Nell and Joe to pack and leave Wales, so suddenly? Why is Megan still seeking them out?

Nell is a wonderful character, all tough exterior but marshmallow inside. Her vulnerability is evident in her interactions with Robin, her new employer. She’s a hard worker, trained by a foster mother who seems to have hated some of her charges as much as doing anything that made her break a sweat. Nell’s been a mother figure at an age when she still needed one herself. She’s used to making a home too, making the best of the meagre things she can find to enhance her surroundings and lift her spirits. She’s tough enough to survive most things, even a winter on the streets in the capital, but the things that have happened to her still haunt her mentally. She’s been let down so many times it shouldn’t hurt anymore, but it does, especially when she’s let her guard down and softened slightly. Even though some of her behaviour is morally questionable, she’s so young and has had so few chances in life, I found myself rooting for her. The author’s knowledge about a childhood spent in care and what it can do to the rest of your life shows research, listening to personal accounts and experience. Not everybody survives, some will be institutionalised for the rest of their lives, while those who do survive the system don’t always leave unscathed. I think this was represented so well through the characters in this novel. Thankfully, not all foster parents are like Megan Flack.

This was a great read, compelling and difficult to put down once you’re hooked by the story. Every character has nuance and flaws, meaning in both the past and current narrative, you’re never quite sure who to trust or what to believe. I was haunted by little Rosie, just like Nell is. The author has created an addictive thriller, but given it heart and poignancy too. I was completely drawn in until the very last page and the ending was beautifully written.

Meet The Author

Sarah Hilary’s debut novel, Someone Else’s Skin, won the 2015 Theakston Old Peculier Crime Novel of the Year and was a World Book Night selection. The Observer’s Book of the Month (‘superbly disturbing’) and a Richard and Judy Book Club bestseller, it has been published worldwide. No Other Darkness, the second in the series, was shortlisted for a Barry Award in the U.S. Her D.I. Marnie Rome series continues with Tastes Like Fear, Quieter Than Killing, Come and Find Me, and Never Be Broken. Fragile is her first standalone novel. –This text refers to an out of print or unavailable edition of this title.

Posted in Publisher Proof

Sleepless by Romy Hausmann.

Reading this book was a little like trying to get a knot out of a necklace chain, it seems impossible to unravel, until suddenly one move loosens it and the whole thing unknots very quickly. Our central character, Nadja Kulka, was convicted for a terrible crime in her native Poland, many years ago. Now she’s out of prison she’s looking for the simple everyday things that others have: a job, a nice flat to live in and eventually a few friends. She just wants a ‘normal’ life. She does make one friend. Laura Von Hoven is her boss’s wife and a beautiful woman, who’s very free spirited. When she asks for Nadja’s help, of course she wants to give her friend a hand. However, Laura has killed someone and wants Nadja’s help to conceal the body. Nadja doesn’t feel like she can refuse, showing how her earlier trauma, from the original crime and punishment, has affected her emotionally. She’s full of anxiety, awkward with people and easily talked into bad ideas. Nadja isn’t a likeable character at first, there’s a stand-offish, prickly sort of manner she has that keeps people at a distance. Yet, underneath these defences, she’s vulnerable and naive. When they find the perfect place to hide the crime, an abandoned cabin in the woods, the rest seems easy. However, their seemingly simple plan falls apart and Nadja finds herself in a game of cat and mouse. It’s a deadly game and one that’s stacked against Nadja, because she’s the perfect murderer as well as a perfect victim.

I was very disorientated at first by the disparate strands of this complex thriller. We have three separate narratives, two different narrators plus a set of letters that don’t sound like they belong. I thought there were three different people here, because the author of the letters feels different to the others. Unlike her novel Dear Child, these separate threads feel a long way apart and it’s impossible to make them diverge into one clear narrative. I found the chopping and changing too ‘bitty’. I would pick it up after a break and found I couldn’t pick up the thread without going and re-reading previous pages. It was only when I read a good third of the book that I really started to make sense of the story and these narrative voices clicked into place. However, after sitting back and thinking, I wondered if this confusion wasn’t deliberate? Haussmann doesn’t strike me as a writer who makes mistakes, I think her plotting and structure are very deliberate, so what is she trying to telling the reader with this complicated beginning?

In retrospect, I feel that the author likes to manipulate and control her readers. She was giving us the same experience as her characters, like we’re in the centre of a complicated web waiting for a spider to strike. I was exasperated with certain characters here and there, but I found myself willing Nadja to come out of this okay, despite her past and her faults. My advice is to keep reading; things become clearer and after that prepare to set aside a whole evening to finish the story in one go. The pace quickens, increasing the tension and rushing us towards a conclusion. By this point I was intensely invested in the characters and how this would play out. I wasn’t disappointed and Hausmann kept a few final twists in reserve, that I didn’t expect. This isn’t an easy read at first, but it’s clever and psychologically astute. I loved trying to work out who had the upper hand in the web of lies. So in the end, this book firmly places Hausmann as a must read author for me.

Meet The Author

Romy Hausmann was born in the former GDR in 1981. At the age of twenty-four she became chief editor at a film production company in Munich. Since the birth of her son, Romy has been working as a freelancer in TV. Dear Child is her thriller debut. She lives with her family in a remote house in the woods near Stuttgart.

Posted in Netgalley

The Maidens by Alex Michaelides

There’s probably a word in another language that properly describes the weird combination of trepidation and excitement a bookworm feels when they see a second book coming. You see they loved the first one. It was different. With an incredible twist that no one saw coming! It was like seeing The Sixth Sense for the first time, being blown away, then wondering what M. Night Shymalan could possibly do to follow it? If this is what it likes for the reader, imagine the writer’s fear in following such a smash hit as Alex Michaelides’s The Silent Patient. It must have been incredible. So I approached The Maidens as if it was a piñata filled with bees!

The premise sounded interesting. Psychologist Mariana Andros is summoned to Cambridge University by her niece Zoe. It’s a place filled with memories for Mariana, because it’s where she met her late husband Sebastian. For Zoe it is now the place where her best friend Tara has been murdered. Zoe is very special to her aunt, because they are each other’s only family. They have been closer since the death of Sebastian, who drowned on a romantic holiday in the Greek Islands only a year ago. Mariana knows how desperate Zoe must feel, so cancels her group therapy clients and sets off to meet her in Cambridge, where she stays in university lodgings. Here she meets the charismatic and Byronic Professor Fosca who teaches Classical Philology. Mariana is disturbed by him and his habit of gathering together ‘special scholars’ who receive group tuition from him. They are called The Maidens – although whether this is Fosca’s invention or the girls we are never sure and, of course, each one of them is incredibly beautiful, including their missing member, Tara.

Zoe is convinced Fosca is behind the murder, but with no evidence except a strange feeling and dislike of his odd circle of academic groupies, nothing can be done. I had the feeling that this tutor was perhaps a genius in his field, but was socially awkward and unaware of societal norms. Did he think his maidens gave him an air of eccentricity perhaps? However, he was too obvious to be the real villain of the piece. Yet, no matter how hard I tried, I couldn’t guess the answer. Thankfully the book had a great pace and once it had it me hooked, I just couldn’t leave it alone. I read it in my car on the way to our holiday cottage, in the bath, and in the park. However, I still couldn’t possibly have guessed at the incredibly tense showdown at the end.

For me there were some negatives. I had difficulty connecting to the characters emotionally, especially Mariana who never fully came to life for me. The Greek tragedy element was clever, as quotes on postcards sent to the victims felt like clues to the killer’s identity. However, I was taught classics at school so these references were familiar to me and I wondered how this whole theme would be received for someone without any knowledge of Greek myths. I also felt that how Mariana inserted herself into the investigation was highly unlikely. However, I did enjoy the academic setting and I felt the author captured that sense of importance academics can have about their subject area. I thought the he represented academia well, like being in a bubble, living and breathing your passion. The murders punctured their way through this protective layer, bringing the real world into a rarefied way of life. The passing connection to The Silent Patient wasn’t needed, but did add an interesting aspect to the ending; I now have my own epilogue running in my head, following certain characters into that other fictional world.

I was disturbed by the visitation of a swan, described as having black eyes that bored right through Mariana. I wondered what this represented and thought of the famous Greek myth of Leda and the swan – where Zeus disguises himself as a swan in order to rape/seduce Leda who has no knowledge of the swan’s true identity. For me this conjured up ideas around love or infatuation being blind, loving and trusting someone who isn’t what they seem. What I loved most of all though, was perhaps linked to the swan. The author has created a therapist with all the skills of perception and understanding in her toolbox, but an inability to apply them in her own life. She loves those closest to her blindly, never seeing their true nature just as Leda only sees a swan. Swans are also our analogy for someone very serene on the surface, but masking anxiety or the great effort it takes to be present. Swans look beautifully calm and composed above the water and this reminded me of Mariana; the calm and stability is only skin deep. I thought the novel was part psychological suspense, part crime fiction, and part gothic novel, but it was definitely all thriller.

Meet The Author.


Alex Michaelides was born and raised in Cyprus. He has a MA in English Literature from Trinity College, Cambridge University, and a MA in Screenwriting from the American Film Institute in Los Angeles. The Silent Patient was his first novel. It spent over a year on the New York Times bestseller list and sold in a record-breaking 49 countries. He lives in London.

Posted in Personal Purchase

Both of You by Adele Parks.

Adele Parks is one of those authors whose books I tend to buy without reading any blurb or hype. I always enjoy her books and this was no exception, being addictive and unsettling from the start. Two women go missing in the same week. Leigh, married to Mark Fletcher and step-mum to his two boys, goes missing on Monday. Only days later Kai Janssen is reported missing by her distraught husband Daan, a wealthy Dutch businessman. Leigh Fletcher usually works away for part of the week and then returns to family life. It is as if she dropped the boys at school and vanished into thin air. This is so out of character for Leigh that her friend Fiona is also devastated. She saw how Mark and Leigh met, when she was picnicking in the park with her friend. When Mark’s youngest boy had a fall, a strange instinct seemed to take over Leigh and she made a dash to comfort him and give first aid. The four went to hospital together as if they were a family, and have been one ever since. Mark’s first wife Frances died a year earlier, and Leigh who couldn’t have children had stepped firmly into the step-mum role, fulfilling a part of her that had been crying out to care for someone. She and Fiona were like family, since Leigh didn’t have contact with her own, and she can’t think of any reason she would willingly leave Mark and the boys.

When the police visit Daan, in his large penthouse apartment, he is devastated by his wife’s disappearance. For part of the week, Kai would go back to her hometown and look after her mother who had dementia. Daan had more than enough money to ensure her mother had adequate care, but Kai wouldn’t hear of it and part of him admired her for wanting to look after her mother personally. Their separation each week hadn’t seemed to harm their relationship. They missed each other, but were very independent and their time apart seemed to put fire into their relationship. DC Clements is tasked with investigating both missing person’s cases and she’s concerned for both women. Leigh seemed devoted to her family, but she knows more than anyone, that if anything bad has happened to these women, it is likely to be solved close to home. The chance of two women being abducted by a stranger in the same week seems unlikely. She keeps a close eye on the two husbands. Daan seems a passionate and emotional man, it’s possible he has a quick temper. Mark, on the other hand, has already lost one wife. It seems careless that he should lose another.

The tension between these two investigations is heightened by the chapters in-between, from Leigh’s point of view. She is shackled by the ankle in a room with only a bucket to relieve herself and a small supply of snacks and water. She has no recollection of arriving there and is terrified about what might come next. Who could possibly hate her so much that they would do this to her. The author really captures the fear of the unknown in these passages and the indignity of her situation. Not knowing who has brought her there keeps playing on her mind. Could this be the work of her husband? Surely not. If it is a stranger though, she has no idea what might come next. Her fears are heightened when the snacks change to ones she would like – a very specific tea and her favourite nibbles. This has to be someone who knows her, but who?

I was a little disappointed that I worked out what was going on very early in proceedings, although it was still fascinating to watch it all play out. Themes of jealousy, deceit and greed run throughout. However, from a psychological point of view my interest was caught by the idea of not knowing who we really are and how dangerous that can be. It was also heartbreaking to see how the disappearance of their step-mum affects two boys who have already had the worst happen to them – the loss of their mother. What sort of damage might this cause for them down the line? The husbands are both interesting men with secrets of their own, that come to light through the investigation. Do we ever really know the person we’re sharing a life with? This wasn’t my favourite book from this author, but it was a great thriller all the same and is definitely a diverting holiday read to summer.

Posted in Publisher Proof

The Night She Disappeared by Lisa Jewell

Lisa Jewell has slowly become one of those writers whose books I buy without even reading the synopsis or any reviews. They are always intriguing, well paced and full of interesting characters who may not be who they seem. This book was no exception and I read it over a weekend – TBR be damned – just for sheer enjoyment. I felt so lucky to get a proof that I read it immediately! Crime writer Sophie is moving into a tiny cottage in the country, into the grounds of exclusive private school Maypole House. It has been a hasty decision to move with Shaun to his new place of work, because they haven’t been together very long. They knew they had something special, but since Shaun had already accepted the job and Sophie could write anywhere, they jumped in with both feet. Their cottage is situated on the edge of the woods. Exactly one year ago teenage couple Tallulah and Zach went missing from a mansion situated in the woods. They had gone to the pub for dinner, but were invited to a party at the house, by a girl called Scarlett Jacques who had been a student at Maypole, but now studied art at Tallulah’s college. They left at 3am to get a taxi, but never arrived home. Zach’s mum, Meg, thinks they’ve run away together to escape life. However, Tallulah’s Mum knows that’s not the truth, she knows something bad has happened, because they left their baby son Noah behind and she knows they would never do that.

Just a week or so before Sophie arrived, Kim had organised a vigil for Tallulah and Zach, to keep them in the public consciousness and to remember her daughter. Sophie had seen a picture in the paper, when she was browsing. She can’t seem to find her rhythm to write yet and this year old mystery seems to keep drifting into her mind. She didn’t expect to become so involved, but when a sign saying ‘Dig Here’ turns up on her garden fence with an arrow pointing downwards she finds a trowel and starts digging, bracing herself for what she might find. She is relieved to find a small jewellery box, and inside is a modest diamond ring. She notes down the jeweller and pays the shop a visit on the high street. Luckily, it’s a small local jeweller and he keeps track of every purchase in old fashioned ledgers. The buyer was Zach. So was Tallulah the intended recipient? Did she say no? Sophie knows she must take the information to someone and realises that Kim works in the pub. Within days the case is re-opened and once again the the spotlight is on Scarlett Jacques family home – Dark Place.

The character I connected with most was Tallulah. The structure of the novel is split into before the disappearance and then a year later when Sophie starts to look into the case. In the before sections, I could sense Tallulah feeling overwhelmed. She’s adjusted to becoming a mum so young and her love for Noah can be felt through the pages. There are times when she just wants to be her and Noah, getting home from college and picking him up for a cuddle she feels complete and calm. It’s everything else that unsettles her and there are times when her entire life feels mapped out for her. A life she doesn’t want. She’s in a perfect frame of mind to be enticed by an unusual new friendship with Scarlett from the bus. Scarlett is fascinating, older, rich and with a bohemian lifestyle. She has a charm or allure about her that’s hard to quantify and she clearly enjoys having an adoring entourage. So, what does she want with Tallulah? I’ve been where Tallulah is, feeling trapped by circumstances you can’t change, or even by your own mistakes. It leaves you open to taking drastic action and I wondered if that had happened.

Tallulah’s mother, Kim, is a strong woman who desperately wants to keep her daughter’s disappearance in the public eye. She has weathered the storm of her daughter’s pregnancy and her up and down relationship. The two are incredibly close and I enjoyed those moments when mother and daughter are sharing a moment. Kim knows her daughter so well that she has guessed parts of what happened in the lead up to the disappearance, which is more than I managed. I was hopelessly wrong, looking in the wrong place completely for answers. The author throws in red herrings, suspicious clues and people. I found teaching assistant Liam particularly creepy. The mystery is unravelled slowly as the before storyline hinges on one dreadful night and it’s aftermath. The after sequences are based on how quickly Kim and Sophie can find those involved using social media and follow the clues. The tension was really ramped up here and I was sucked into reading it so quickly, watching the pages reduce and wondering when the answers would come. Then, just when I thought I’d worked it out, the author went in another direction entirely. When I finished and put it down, my other half said ‘oh hello, you’re back in the room’ because I was utterly absorbed and when I wasn’t reading it, I was thinking about it. It was a dark tale of what can happen when people have no moral compass or conscience, and was riveting to the last page.

Posted in Netgalley

Two Women in Rome by Elizabeth Buchan.

Regular readers may remember how much I loved Elizabeth Buchan’s last novel The Museum of Broken Promises, in fact it was one of my top twenty of the year. So, I was very excited to be approved to read this via NetGalley. The story is split into two timelines and follows the lives of two British women who spend some time living in Rome. Lottie Archer arrives at the Eternal City as a new wife and with a new job as an archivist at the Archivo Espatriati. Her very first task is to archive the papers and journal of a woman called Nina Lawrence who worked as a gardener in Rome in the late 1970s. This was a difficult time for the country socially and politically, known as the ‘Years of Lead’ – a period which stretched from the 1960s to the 1980s and resulted in many incidents of far right and far left terrorism. Nina’s task was to redesign gardens that still lay devastated by WW2, something she was passionate about and very talented. Within her papers, is a large leather journal, rather worse for wear and full of drawings and pressed plants. However, Lottie also finds a painting of the Annunciation – the moment where the Virgin Mary is visited by the angel Gabriel to tell her she will be the mother of Jesus, the son of God. Lottie thinks it may be medieval, due to the colours used and the iconography. This piques her interest and she is disturbed to learn that Nina was murdered in Rome, and that very few people attended her funeral in the Protestant cemetery. Interestingly though, one mourner was a Catholic priest, which strokes Lottie as very unusual. She wants to find out more about the painting, but she also finds herself sucked into the mystery of what happened to Nina, who murdered her and why did she seem so friendless in this beautiful city?

I found the novel a little slow at first. I didn’t click with Lottie straight away, the detail and discussion of medieval art was quite dense (or I was) and the complexity of the political situation wasn’t always easy to follow. I also thought the intricacies and machinations of the Catholic Church might be a little difficult to penetrate for those who don’t know much about Catholicism – luckily I am one, with convent teaching under my belt, so this was not so difficult for me. However, I did like that the author didn’t simplify these areas of the book because in a way they added to the mystery of a city that has an incredibly complicated history. I was drawn in most by the story of Nina, just like Lottie is. I could understand why her story would get under your skin as someone interested in the past and trying to make sense of it. There is a kinship between the two women, even though they can never meet. Lottie is unsure of her position in Rome for several reasons. Firstly, when she arrives to work at the archive, her new role hasn’t quite been vacated. She moves into the apartment that her husband Tom shared with his previous partner Clare, and all around her are memories that don’t belong to her (including an ugly lamp, that should be kept because it works perfectly well, according to their formidable housekeeper). All of this is compounded by an underlying sense of abandonment, formed because she was left by her birth mother. There’s something lost about Nina that she latches onto and the more she finds out, the more she wonders whether Nina was more than a gardener?

Nina is a rather fascinating woman, who shares Lottie’s sense of rootlessness and lack of ties. There is definitely a deeply woven reason for Nina’s death, involving politics, security services, the church and a rather unwise, but beautiful love affair that unfolds in her journal. It is this aspect of her character that really humanises her for me, she becomes a real, living and breathing person and it is then even more tragic when the end comes. One thing both narratives capture beautifully is the city itself. Just like the narrative structure of the book, we get a sense of Rome as place where the past is very closely layered under the present. I thought about the tunnels and cave structures that run under the city’s streets, some still populated with WW2 vehicles, as an embodiment of this feeling. The present is full of tourists, rushing around on their itineraries getting a sense of the past and present city, but not necessarily the world underneath their feet. The author evokes the sights and smells beautifully: describing the less followed paths, the street fountains carved with dolphins and maidens, the detail of the plants so precious to Nina, the smells and sight of the deli counters full of salami, olives and beautifully ripe tomatoes. I found myself craving a trip to Italy all the time while reading!

However, she also shows its impenetrability to outsiders who know nothing of Catholicism, Roman etiquette or it’s slightly corrupt ways of getting business done. This is captured most beautifully in Lottie’s burgeoning relationship with their housekeeper. I also enjoyed her friendship with the book binder, who she asks to authenticate the painting she finds without understanding his significance. The background on medieval painting is vital here, not just to understand the symbolism within the traditional aspects, but to identify those that are far more transgressive and intensely personal. This is a complicated mystery/thriller, mixed with a travelogue of Rome and an intense love story. It asks questions about where we belong and whether our final destinations have been reached by choice, accident or a deep sense of duty to our family, our religion and our country. By the end I realised I’d become so enthralled, I was very sad to leave Rome behind.

Thank you to Atlantic Books for my digital copy via NetGalley.

Posted in Netgalley, Publisher Proof

The Perfect Lie by Jo Spain

This thriller kept me guessing and a couple of times, even had me going back to previous chapters so I could be sure of what I’d read! Our heroine is Erin Kennedy, an Irish girl working in publishing in NYC and living with her husband of three years out on Long Island. She narrates her story across two timelines: one is the present and Erin is on trial for murdering her husband, and the other is a year earlier around the third anniversary of her marriage to Danny, a detective from Long Island. Our second narrator is a younger woman called Ally, a PhD student and proctor at Harvard University. My confusion arose from how these characters related to each other and the author is clearly a master of telling her readers just enough to keep us reading, but not enough to ruin the later revelations, twists and turns – and there are plenty of them!

The Erin from a year before is a very different person and early on in a shock scene, Erin and Danny are starting their day at their sea front apartment when his partner turns up at the door. Ben has two uniformed cops with him and when Erin answers the door he is not his usual self. He apologises but tells her they are there to arrest Danny. Erin thinks this is some elaborate joke, but her confusion gives way to horror as she realises Ben is serious. However, instead of being confused, Danny looks guilty and scared as hell. Before Erin’s eyes Danny runs to their fourth floor balcony, apologises to her, and throws himself from the edge. Ben doesn’t let her see, and she stands a little distance away, watching with disbelief as a small crowd gathers and paramedics work on her husband. Although Ben spares her the final image of Danny, broken on the sidewalk, she already knows he’s head. Through shock, and that awful first numb state of grief, she forgets to ask why Ben turned up that morning to arrest his own partner, why they take away papers and his laptop, and exactly what Danny is supposed to have done.

Those questions do come later though, especially when Erin has that realisation, that she isn’t being afforded the same support she’s seen other police widows receive from the precinct and the other wives. It’s almost as if she’s been cut off and they’re embarrassed by her, most notably not turning up for the funeral. It doesn’t take long for her to realise she’s going to need a lawyer. The police’s attitude tells her that Danny must have been suspected of corruption, and she needs someone who knows the system. Firstly they need to find out whether she’s still entitled to a widow’s pension, but next she wants them to do some digging into exactly what Danny was being investigated for. Her journey has her asking so many questions and she starts to wonder whether she knew her husband at all. With a small trusted group of friends and her sister Tanya, she starts to piece together the truth.

By now you’ve probably noticed the glaring big question mark in this story; if Danny committed suicide, how is Erin on trial for murdering her husband? I’m not going to ruin the story for you all so I’m not going to reveal any more. This question, and many others do get answered eventually. The author’s timing, in choosing what to conceal, what to reveal and when, is absolute perfection.

It takes a while for Ally and Erin’s stories to intersect, so after every one of Ally’s chapters I was racking my brains to work out where they fit. Ally is writing her PhD on crime novels and as proctor she is charged with taking care of one student hall of residence on the campus. It’s an unusual role that seems to cover mentoring, mothering, but also showing students how to have a good time. In fact, Ally’s hall parties have become so renowned that girls from other blocks want to get in on the guest list – so many that they’ve had to place a restriction on the amount of invites they can have per girl. We meet her as she tries to support a girl called Lauren, an undergraduate, who has been the victim of a crime. Luckily, Ally knows someone who may be able to help, and she offers to bring her boyfriend in to help with results neither of them expect.

I did struggle to understand Erin at times and her decision making. Of course she’s in shock and shouldn’t be making decisions anyway, but there were times when I was screaming at her not to do something. There was an element of her drifting along, rather than making well thought out decisions. Her grief is complicated by the manner of Danny’s death, but also because she’s angry he made this choice to lie to her, leave her behind and leave her haunted by that final image of him disappearing over their balcony. I think her confusion over where to be and who to spend time with was well done. To be with his family is difficult because their grief is different and not complicated by betrayal. She is shunned by the other detective’s wives so seeing them makes her angry. She feels abandoned in a country that isn’t her own, and she gathers a disparate group of new friends who offer support. There’s Bud, the owner of their local bar, her new firecracker of a lawyer, Karla, Danny’s psychotherapist and a man called Cal who knew Danny. These people seem to keep her afloat, but I didn’t trust anyone and treated all of them with suspicion. In feeling angry and betrayed with the one man she thought she knew, and his police colleagues, is she in danger of trusting all the wrong people? I found her story entertaining, compelling and the author paced it well. This would be a great read by the pool this summer and you’ll probably find yourself reading it in a couple of sittings, because like me, you’ll want to know exactly what’s going on. This book is a rollicking good thriller, that I’m sure you’re going to enjoy this summer.