Posted in Publisher Proof

The Secret Orchard by Sharon Gosling 

I’ve really enjoyed Sharon’s last couple of novels, because I love their mix of strong female protagonists who are facing challenges and growing into themselves. This novel focuses on sisters Nina and Bette, set on their family’s farm in Scotland. When their father dies they have no choice but to be under the same roof for the funeral. The sisters are very different, Bette is ten years older than Nina so the age gap meant they weren’t very close anyway, but when Bette left for university she never came back to the farm. Living in London, Bette is a sought after divorce lawyer and her work is her life. She flies back to Scotland the day before the funeral and aims to leave the next day. Nina is hostile towards her sister, she has the opinion that Bette left the farm and never looked back. As their mother tries to smooth things over, Nina is shocked to discover that Bette and her father kept in regular contact by email and that Bette paid for the new roof on the barn. Both sisters are shocked at the will reading when they find out that their father left them both the farm in two equal shares. However, there are massive debts to manage and Nina has always left the finances to their father, preferring to do the farm work than sit in the office. This is the only safe place Nina and her son Barnaby have ever lived. Could they be about to lose it? When getting the farm valued, Bette and the agent walk the perimeter on the land and stumble across a secret orchard, tucked away with it’s entrance concealed off the coastal path. Could this hidden fruit be the answer to their money woes and possibly a mystery to bring both of them together? 

We’re drawn in by an intriguing prologue that suggests an historic love story between two local but rival families. I was dying for Bette and Nina to do some digging on this story and unravel their orchard’s complex back story. The author leaves the crumbs of this story to tantalise us while we move through the present day and the emotional aftermath of Nina and Bette’s father’s death. It’s clear from the outset that these two sisters could be an incredible team. Nina is good at the day to day farming work, rushing between baling and milking while also being there for her son Barnaby. I was on board with Barnaby straight away because he wears his Spider-Man costume everywhere, possibly even to his grandfather’s funeral. This titbit of character and humour reminded me of a little boy who always attended our church for Saturday evening mass and would go up the aisle during communion dressed in costume. Watching his long tail wend it’s way up the aisle so the priest could give a blessing to a mini dragon absolutely made my week. His mum made him take the head off for the blessing, but it was straight back on as he skipped back to his seat. Barnaby is a delight and I enjoyed watching him build a relationship with his Aunt Bette. Bette is brilliant with the financial and legal details, something nether Nina or their father has been able to do. She sets herself the task of working methodically through their chaotic office and showing the bigger picture; they might have been working themselves to the bone, but was all this work actually generating profit? 

Bette understands legal procedures and processes too. When she explains they’ll have to get the farm valued Nina immediately flares up, she doesn’t want to sell the farm. She assumes Bette is looking to cash in, but when Bette explains it’s just the first stage in any plan they make whether that’s to sell or to finance the farm better for the future. She’s calmer and more patient with the process and because Bette’s less attached to the land she can make sensible, dispassionate choices which is just as vital for the farm’s survival. Added to the main plot of saving the farm there are a couple of sub-plots. Nina is often helped out around the farm by neighbouring farmer Cam, who is very capable and good with Barney, not to mention easy on the eye. What would I take for friendship to turn into love. There’s also the mystery of why Bette left the farm so definitively all those years ago and when Ryan enters the picture her reaction left me wondering if he was involved. Cam suggests a visit from an expert he knows, to see if the orchard is viable and what would be the best way to bring some income from it. Nina has never known why her sister left, so her reaction to Ryan is puzzling for her. He has great ideas for the apple trees, some of which appear to be very old species that are rarely grown. He sets them on a programme of managing the trees, pruning and grafting them to enhance their health and yield. There isn’t an off putting amount of detail on how to turn the orchard into a cider business, but there’s enough to pique the reader’s interest and I was rooting for the sister’s success. 

The sisters have such depth to their characters and their lack of communication with each other has led to so much misunderstanding between them. Nina comes across as quite bitter towards Bette and to some extent she sees her sister as someone who has everything: the job, the money and the fancy London lifestyle. Actually it’s Nina whose had everything – a wonderful relationship with her father and precious time working together. She has Barnaby and although her relationship with his father broke down, she loves her son more than anything. With her mother living abroad with her new husband, Nina has taken on the lion’s share of the work around the farm and keeping an eye of their father but Bette has never expected any financial gain from the business, assuming that it belongs to Nina. I could see how the new plans might bring about a better personal relationship between them and I was kept reading by the promise of a warmer relationship between them, the makings of a new generation of the family. There’s a lot of forgiving to do here, but once they’d discussed why Bette left in the first place I could see another life opening up, one in which she might stay. As always with this author, this was such an uplifting and heartwarming story. The potential for both sisters to have their own love stories was also joyous to read, especially if you’re a sucker for an ‘enemies to lovers’ scenario. There are setbacks of course, some of them natural disasters and others caused by deep-seated rivalry. Sharon Gosling writes this type of story beautifully, as she weaves the threads of the sister’s story and the mystery surrounding the orchard’s origin, not to mention why it had been hidden all these years. The setting is wonderful, particularly the orchard with the salt air and the sounds of waves crashing against the cliffs. It’s so romantic and I loved the detail of how the salt permeates and changes the taste of the fruit making it so unique. This was a wonderfully escapist novel, driven by the character’s of Bette, Nina and of course, Barnaby. I thoroughly enjoyed being in their world for a while and I’m sure you will too.

Out 12th September from Simon and Schuster

Meet the Author

I’ve been writing since I was a teenager, which is now a distressingly long time ago! I started out as an entertainment journalist – actually, my earliest published work was as a reviewer of science fiction and fantasy books. I went on to become a staff writer and then an editor for print magazines, before beginning to write non-fiction making-of books tied in to film and television, such as The Art and Making of Penny Dreadful and Wonder Woman: The Art and Making of the Film.

I now write both children’s and adult fiction – my first novel was called The Diamond Thief, a Victorian-set steampunk adventure book for the middle grade age group. That won the Redbridge Children’s prize in 2014, and I went on to write two more books in the series before moving on to other adventure books including The Golden Butterfly, which was nominated for the Carnegie Award in 2017, The House of Hidden Wonders, and a YA horror called FIR, which was shortlisted for the Lancashire Book of the Year Award in 2018. My last children’s book (to date) is called The Extraordinary Voyage of Katy Willacott, and was published by Little Tiger in 2023.

My debut adult novel, The House Beneath the Cliffs, was published by Simon & Schuster in August 2021. Since then I’ve written three more: The Lighthouse Bookshop, The Forgotten Garden, and The Secret Orchard, which is out in September 2024. My adult fiction tends to centre on small communities – feel-good tales about how we find where we belong in life and what it means when we do. Although I have also published full-on adult horror stories, which are less about community and more about terror and mayhem…

I was born in Kent but now live in a very small house in an equally small village in northern Cumbria with my husband, who owns a bookshop in the nearby market town of Penrith.

Taken from Sharon’s Amazon Author Page.

Posted in Netgalley

The Mayor of Maxwell Street by Avery Cunningham

This fascinating debut is set in 1920’s Chicago and concerns an heiress called Penelope ‘Nelly’ Sawyer, described by the author as the ‘wealthiest Negro in America’. Her father, Ambrose Sawyer, has managed to catapult his family into the upper echelons of black society. Nelly is getting over the death of her brother Elder, who has been killed in a road accident but her mother wants her to attend a Cotillien in the city at the end of summer. This is the American equivalent of a Debutante Ball, where the most prominent young women in society are presented in high society. Suddenly, and against her wishes, Nelly becomes the season’s ‘diamond’ – to use a Bridgerton term. This honour means that Nelly is now the most eligible young woman in society, but her ambitions don’t end at a society marriage. For the past year she has been indulging her passion for journalism, researching and anonymously submitting articles to a Black-run newspaper called The Chicago Defender. Her brother Elder was her co-conspirator and sounding board for her articles. He was the go-between, taking Nelly’s articles to the editor Richard Norris. Now she faces a choice, not only is she unexpectedly involved in a love triangle, she must decide to reveal her true identity to the newspaper, or allow her journalistic ambitions to end.

I really enjoy a plucky and transgressive heroine, so I was immediately on Nelly’s side. She’s been looking into the underworld of Chicago society and the leader of an organised crime group called the Mayor of Maxwell Street. This is the prohibition era and the dark but glamorous world of the secret ‘speakeasy’. She has already met one club owner through her brother. Jay Shorey is intriguing and first caught her eye at Elder’s funeral, where they seemed to spark a mutual attraction despite the unusual surroundings. Jay is the archetypal bad boy, but does find many young people from high society visit his club. He doesn’t have their family connections but has access to so many people in Chicago through the club and his ‘god-uncle’ who is a bit of a gangster. His ability to move between the darker parts of Chicago society and her own, more elevated, circles means he’s invaluable to Nelly and her investigations, but is there more to their relationship than that? Yet he isn’t the only suitor on the horizon.

As Nelly bursts onto the socialite scene, she meets Tomás Escalante y Roche at a polo match. He is one of the polo players with an uncle who is a French marquis, and a father who “owns half of Mexico” according to the wonderfully sardonic and witty Sequoia McArthur. Tomás rides a horse that Nelly happened to raise on the Sawyer ranch and she doesn’t mind giving her sharp feedback on what he’s doing wrong! Needless to say he isn’t used to hearing such criticism, especially from a young woman but her honesty makes her memorable. Tomás is hooked and he intends to court her. As far as Nelly’s family are concerned she’d be crazy not to reciprocate his affections and should jump at the chance to come out of the Cotillion summer with a fiancé. So, it’s a bit of a love triangle but also a young woman’s choice between the the life she wants and the life her family wants for her. I was rooting for her.

She chooses to face things head on by meeting Her editor in a cafeteria, and has to convince him that yes, she did write the articles. However, she comes up against a very sharp reality. Norris tells her he can’t publish articles under her real name because of her family’s position in society. He knows that the Ambrose Sawyer would soon be knocking on his door if he did. Nelly is so disappointed that Norris makes a deal. He gives her an assignment and if she succeeds he promises she can publish under her own name. Of course it’s impossible. He tells her about the Mayor of Maxwell Street, a secretive figure in gangland who seems to have achieved the impossible and brought different organisations together across the race divide. Usually Irish, Italian, Jewish and Black gangsters are having turf wars and killing each other, but that’s stopped and he thinks this new Mayor is behind it. He tells Nelly that if she can correctly identify this man he will publish her article and take the consequences of using her real name. Of course she accepts his challenge.

This is a page turner and it’s impossible not to like Nelly and admire her guts. I over the way the author handled the attitudes and outright racism of a hundred years ago. She even highlights the experiences of diverse characters on a spectrum of issues, such as poverty, class, education and skin tone. Jay’s relatively light skin enables him to ‘pass’, yes it opens doors but then you’re participating with your own oppressor. Nelly is very disapproving of living life on those terms. Jay is mixed race and he explains to her:

“There are two candy jars, right? One marked for Negroes, and one for white folk. The Negro — under penalty of death — can only take from one jar. The white man, though, he can take from one or the other. He can take from both. Never mind that the jars have the exact same candy; the white man still gets to choose. That is all I want, Nelly. The freedom to choose. I don’t want to look like them, or act like them, or be them. But I want their options.”

These issues come organically from the characters and they’re inclusion really add some weight to the historical background of the novel. Her depiction of Chicago in the 1920’s feels authentic, rather than the stylised razzle dazzle of the musical, but they come from the same world. There’s even a nod to The Great Gatsby too. This is an entertaining novel with a plucky heroine and some gravitas behind the compelling story and a compulsive need to keep reading. I look forward to seeing what the author does next.

Out Now from Thorndike Press

Meet the Author

Avery Cunningham is a resident of Memphis, TN, and a 2016 graduate of DePaul University’s Master of Arts Writing & Publishing program. She has over a decade of editorial experience with various literary magazines, small presses, and best-selling authors. Avery grew up surrounded by exceptional African-Americans who strived to uplift their communities while also maintaining a tenuous hold on prosperity in a starkly segregated environment. The sensation of being at once within and without is something she has grappled with since childhood and explores thoroughly in her work of historical fiction. When not writing, Avery is adventuring with her Bernese Mountain Dog, Grizzly, and wading waist-deep in research for her next novel. She aspires to tell the stories of complex characters fighting for their right to exist at the fringes of history. THE MAYOR OF MAXWELL STREET is her debut novel.

Posted in Netgalley

Our Holiday by Louise Candlish

Pine Ridge is a small coastal village off the south coast, somewhere near Bournemouth and has that castaway feeling from the moment you cross on the car ferry. However, this idyllic village is the setting for discontent and divided loyalties between those DFL (down from London) residents and those who have grown up in Pine Ridge and mainly work servicing those August visitors. The ridge has a resort hotel, beach bar and spa to keep holiday makers happy, but some visitors have gone away dreaming of their own little slice of south coast heaven. One summer Pine Ridge becomes the centre of a dispute over second home ownership. This is a bad time for Amy and Linus who have just bought their own little bungalow with coastal views up on the ridge. It needs work, having been the home of an elderly couple, but she has a plan and builders starting this summer. She was inspired by friend Charlotte whose banker husband Perry used a huge bonus to buy their perfect holiday home with it’s own summer house overlooking the sea, nicknamed The Nook. It’s people like this that friends Robbie and Tate are angry about. They grew up here but are stuck living in static caravans on a temporary site because they can’t afford to buy or rent anywhere. The private rental market has shrunk as people refurb for the AirBnB market and no new houses are being built. People on service wages can’t hope to pay the prices of houses on the ridge, so they’re snapped up by Londoners who only come in August. This leaves huge homes empty all year while villagers are homeless, this is why the men have set up the NJFA – ‘Not Just For August’ Campaign. As tensions rise towards the August bank holiday, the NJFA are gearing up to make their final public protest of the summer. As the music festival gears up on the beach, people are interested in the design they’ve created on the sand, but they’re stopped in their tracks when half way through the day a summer house is bulldozed from the cliff and into the sea. Was this the NJFA plan all along or is something else going on?

Louise Candlish is brilliant at satirising the middle classes and she’s hit upon an issue that holiday destinations around the world are facing. I’ve always visited Venice in winter or early spring because I can’t stand cruise crowds and I was emotionally drawn in by the problem of keeping that balance between tourists and residents. They’ve addressed the cruise ship issue in recent years, have set up campaigns that show tourists which are the authentic Venetian restaurants and shops rather than the tourist traps. Authorities are now considering curbing numbers. Otherwise, it will become little more than a Disneyland experience; can Venice be the city it is, without it’s people? It’s a problem that areas like Devon and Cornwall have faced for years, with second home owners and holiday cottages turning whole villages into ghost towns in the winter. Even worse, it means the opinions of people who are not even year round residents, hold more sway in local matters than people trying to earn their livelihood. This came to the fore a few years ago in Cornwall where local fishermen’s need for a new jetty was being blocked by second home owners objecting to the planning application. There is always a tipping point and Candlish has demonstrated that exquisitely here. I had so much sympathy for Tate and his girlfriend Ellie, working in the beach bar and spa but not able to buy a home where they were born. They finished long shifts, only to broil all night in the heat of a static caravan. Tate’s friend Robbie is determined to take action and his NJFA campaign starts with throwing eggs and soup at DFL cars at the ferry stop. He pushes his agenda at council meetings and in the press, especially when he parks his caravan on the drive of a Pine Ridge home that’s been empty all year.

When we meet the DFL families their privilege is apparent. Candlish has this brilliant way of creating the stereotype we expect then subverting it. Perry is the archetypal banker – big car, egocentric and totally unapologetic about his banker’s bonus that allowed him to buy their holiday home and retire early. It’s easy to find fault with him; the drinking, the toxic masculinity and the absolute rejection of the type of ‘woke’ causes the younger people are hung up on. His son Benedict has brought girlfriend Tabitha to Pine Ridge, but she’s so ‘woke’ that she gets under Perry’s skin. Her sympathy for the NJFL cause grinds his gears, especially when she criticises his lifestyle while happy to enjoy the benefits for herself. Perry is simply incapable of keeping the peace, tearing up to the caravan park to give Robbie a piece of his mind and his fists. He’s also irritated by Linus, who is more aware of his impact on the world and travels everywhere in the village by bicycle. Perry finds his middle-aged Lycra wearing ridiculous and vents much of his rage on him and his bike. Yet there’s another side to Perry, a fear of being who he really is perhaps? He’s on the wagon after years of alcoholism and has formed an attachment to a resident at the halfway house for addicts where he volunteers in London. Charlotte is suspicious of his weekly drives back up to the city, but it’s fair to say doesn’t suspect the identity or gender of the object of his affections. It’s clear that Perry’s lies are starting to stack up and he won’t be able to hold his perfect life together for very long.

Another interesting character is Linus and Amy’s daughter Beatrice, who at 17 has blossomed into a goddess, something her mother realises when she sees her on the beach in a bikini. Beatrice could be an rich bitch, totally unaware of how privileged she is. Of course they’re not as well off as Perry and Charlotte, but still they can afford to renovate the bungalow as a second home and she has the usual teenage accoutrements of manicured nails, the latest iPhone and enough clothing to dress the whole family. Underneath Beatrice doesn’t seem happy though and when Charlotte notices a wrap she’s wearing on the beach is genuine designer and not the Vinted fake she claimed it was, her mind starts whirring. Where is Beattie getting the money for all these designer items? Candlish has all the right brands here including the designer collaboration Birkenstocks. It turns out that Beattie has a way of acquiring her goods that is less than savoury. I was expecting OnlyFans or an online sugar daddy! Yet what does Amy expect when she’s already going out of her way to keep up with Charlotte and Perry? It’s something that’s very apparent when she purchases her own summer house to sit overlooking the bay and christens it The Niche. Beattie has other secrets too, involving the The Niche and a certain beach barman. All hell will break loose if Linus finds out that this man, with a pregnant girlfriend, is hanging around his daughter. Tate is feeling ever more desperate and utterly trapped. He can’t bear the idea of the winter in the confines of their static with a screaming baby. He isn’t ready. While Ellie is planning to tell her parents and lobbying the council for more permanent housing, he is meeting his teenage lover and planning his escape.

There are so many strands to this story that by the time the summer house slides off the cliff and onto the beach I had no idea who had done it. The shockwaves ripple through the villagers when the police find a body in the wreckage and start a murder enquiry. Tate knows he and Robbie will be in the frame for their activist antics and their ability to use a bulldozer. I couldn’t help but think that it wouldn’t be as simple as that. Despite their circumstances driving them to criminal behaviour, they really aren’t bad boys. My money was on one of the DFL crowd: had Charlotte found out about Perry’s extra-curricular activities? Was Beattie so scared of her secrets coming to light she’d silenced someone? Had Perry been driven to distraction by Linus and his bike? We didn’t even know whose summer house was wrecked at first. This labyrinth of possibilities slowly unravels, including some fascinating twists and turns. I loved how Candlish highlighted a very real injustice, while weaving a unputdownable thriller around it. I genuinely felt for locals having to sofa surf, while huge houses stood empty all year. To then add insult to injury they then have to earn their money servicing these families and their houses, providing their massages in the spa and listening while they complain about their busy lives and seeing how much they spend without thinking on their food and drink. I could see why they were angry and it was interesting to see how those inequalities lead to other ideologies – when locals find out that asylum seekers might be housed nearby they are incensed. Their antipathy comes from fear that someone will jump them in the queue, but they’re missing who the real enemy is. Everybody has to do a lot of learning as we rush towards her conclusion, there’s some learning around respecting differing opinions, understanding why the other person thinks like they do and finding ways of working together. This is a fabulously current morality tale with some delicious satire and lots of secrets to uncover. The perfect summer read.

Out Now in Hardback from HQ

Meet the Author

Hello and welcome! You join me as my new thriller OUR HOLIDAY is published – it is out now in paperback, ebook and audio and was just announced as a Richard & Judy Book Club pick for the summer! It features my favourite ever love-to-hate characters (wait till you meet Perry and Charlotte!), second home owners in an idyllic beach resort who think they’re in town for another summer of sun, sea and rosé… But instead, they’re in for a bit of a reckoning…

I’m also celebrating my 20th year as an author this summer – that’s right, my first book came out in 2004, which somehow manages to feel both like yesterday AND a hundred years ago. 

OUR HOUSE is the one you may know me for as it’s on our screens as a major four-part ITV drama starring Martin Compston, Tuppence Middleton and Rupert Penry-Jones (watch the full series free on ITVX). This is the novel that turned my career around – right when I was about to give up. It won the 2019 British Book Awards Book of the Year – Crime & Thriller and was shortlisted for the Goldsboro Books Glass Bell Award, the Capital Crime Amazon Publishing Best Crime Novel of the Year Award​, and the Audible Sounds of Crime Award. It was also longlisted for the Theakston Old Peculier Crime Novel of the Year Award and the Specsavers National Book Awards. 

It recently received a Nielsen Bestseller Silver Award for 250,000 copies sold and I feel so proud that readers are continuing to discover it and recommend it far and wide.

My 1990s-set thriller THE ONLY SUSPECT just won the 2024 Capital Crime Fingerprint Award for Thriller of the Year and I was recently nominated for a CWA Dagger in the Library Award, voted for by librarians and readers. 

OUR HOLIDAY, THE ONLY SUSPECT, THE OTHER PASSENGER, THE SWIMMING POOL and THE DAY YOU SAVED MY LIFE have all been optioned for the screen – I’ll share development news on those as soon as I can.

A bit about me: I live in a South London neighbourhood not unlike the one in my books, with my husband, daughter (when she’s not at uni), and a fox-red Labrador called Bertie who is the apple of my eye. Books, TV and long walks are my passions – and drinking wine in the sun with family and friends. My favourite authors include Tom Wolfe, Patricia Highsmith, Barbara Vine and Agatha Christie.

Be the first to hear about new releases and price drops by clicking on the ‘Follow’ button under my pic or: 

Website: louisecandlish dot com

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Author photos: ©Neil Spence; ©Johnny Ring; ©Joe Lord/Archant

From Louise’s Amazon Author Page.

Posted in Netgalley

The Phoenix Ballroom by Ruth Hogan

Venetia Hamilton-Hargreaves has just lost her husband Hawk and life is now going to be very different. Her son Heron and his wife are moving out to Paris for work and have decided that their son Kite will be attending his school as a boarder from now on. Hawk is worried about his mother and suggests that she employs a companion and home help. Liberty Bell is also grieving. Her mother has recently died after a short illness and a long-standing love affair has ended, but since her lover was also her married boss she has no job either. When she’s summoned to the solicitor she assumes it’s to deal with her mother’s will, but she’s shocked to find her mother’s wishes were not straightforward. She has left a photo album containing pictures of Liberty at different points in her life, alongside a cryptic message. She must commit to meeting with the solicitor every few weeks and when he is sure Liberty has met her mother’s expectations she will receive her inheritance. Yet with no idea of what those expectations are, how can Liberty succeed? Also, having moved in to look after her mother, she has now lost the roof over her head. She applies for the job with Venetia because it is a live-in position but isn’t sure that this vibrant and lively 74 year old actually needs help. Crow has been living in a hostel for some time, but struggles to deal with the chaos and noise. In the evenings he lets himself into a building that houses a spiritualist church and drop-in centre downstairs and an old ballroom upstairs. When the building is put up for sale he worries he may lose his sanctuary, not to mention all the people who receive help and support from the lady called Evangeline downstairs. When Venetia finds out that the old ballroom where she taught dance as a young woman is being sold for luxury flats she decides to take a look. So many of her memories are bound up in this place. It’s where she fell in love, with dance and with a very special man. She met her husband Hawk here and she can see the good work being done downstairs. She decides with the help of assistant Liberty that she will buy the building and restore the ballroom to its former glory, uncovering many secrets and changing lives along the way.

Ruth Hogan’s books are always whimsical, entertaining and uplifting so this book has been the perfect choice while battling COVID. She always creates fascinating and eccentric female characters who are going through a journey of personal growth. Here there was a very specific theme and a rather inspiring one, especially while feeling very unwell. This book was about what fear does to a person, whether that’s fear from a specific event or a long-standing fear of failure. Something I have learned the older I get is that you only fail if you stop trying. Liberty starts the book as quite a cautious person who is thrown totally out of her comfort zone. The job with Venetia gives her a roof over her head, but Venetia’s trust in her abilities really boosts her confidence. Soon she is helping with Kite, making lists for the renovation of the ballroom and supervising the work. However, I believe it is friendship that also makes the difference to Liberty. When Venetia’s eccentric sister-in-law Swan appears at the house Liberty finds her frankness and eccentricity a little startling, but they are soon a regular twosome with Swan even accompanying Liberty to her baffling meetings with the solicitor. I was hoping that some of Swan’s haughty and direct manner would rub off on Liberty and was rewarded with a startling display of assertiveness when Heron appears at the house. I also wanted some of Swan’s colour to inspire Liberty, giving her the courage to stand out and take up space. Venetia is less transparent and there were a few mysteries around her past life that I couldn’t work out. She’d clearly been an accomplished ballroom dancer until meeting her husband Hawk, but there was no real explanation for why she’d given it all up. She was a teacher as well as a competitor and Hawk didn’t seem to be the sort of man who would have insisted on her giving up something she loved. They were also incredibly different people and I didn’t feel that their relationship had been a lightning bolt of passion. There were little hints of a event in the past that changed Venetia and not just emotionally.

I thoroughly enjoyed untangling all these stories, including that of Crow, the homeless man who rescues Kite from bullies and spends his evenings in the quiet of the attic at the church. He’s mysterious and although he’s technically breaking and entering I didn’t get the feeling he was a bad guy, just in dire circumstances. I was interested to see where he would fit in to this group of characters who were very slowly becoming like family. Similarly, Venetia’s son Heron seems pompous and irritating but I sensed good intentions below the surface. He just needed some of these strong women to put him in his place and explain that his mother isn’t in her dotage. I was also fascinated with the mystery of two unknown men who’d appeared at Hawk’s funeral, along with the hidden book with a cryptic inscription. This was a beautiful side story that brought home the main theme of the book – we regret the things we haven’t done more than those we have. This is the sort of book that is perfect for summer holiday reading and which certainly cheered me up as I was stuck in bed with COVID.

Out Now From Corvus

Meet the Author

Ruth Hogan studied English and Drama at Goldsmiths College and went on to work in local government. A car accident and a subsequent run-in with cancer convinced her finally to get her act together and pursue her dream of becoming a writer. The result was her debut novel – The Keeper of Lost Things. She is now living the dream (and occasional nightmare) as a full-time author living with her husband and rescue dogs in a rambling Victorian house stuffed with treasure that inspires her novels. 

Instagram: @ruthmariehogan

Posted in Squad Pod

For Such A Time As This by Shani Akilah

I don’t often read short stories, because I’ve always got a novel on the go. So if I read them it’s usually in the same way I read poetry – keep them by the bed for when pain and insomnia hit and I want something short, that won’t have me tempted by one more page late at night. Or I carry them in my handbag for when I’m in a waiting room or on the train. I haven’t read a collection in one go since university when my American Fictions module introduced me to Katherine Mansfield, Zelda Fitzgerald and of course, Virginia Woolf. I’m so glad I read this collection in one go, because they are interrelated, but also because each story is like a jigsaw puzzle piece that once put together gives a picture of the lives lived by a group of young Black British Londoners.

Akilah’s writing is immediate: there are small visual chunks of description like Insta posts; short snappy dialogue like Tweets; never a character or a word too much. Yet they’re also incredibly romantic, something I didn’t expect from the Tinder generation. The opening introduction of a girl catching sight of a man on the Tube reading her favourite book is so lovely. She has a yearning to talk to him, but as she plucks up the courage to approach him she’s interrupted by a woman who notices she’s dropped her new bookmark. She’s intrigued by a man who chooses to read fiction and wonders what insights he might have. It’s a tiny moment of connection in an otherwise dislocated existence. Other passengers stay in their own bubble, either keeping their head down studying their phone or cut off by their AirPods. Some just have their eyes closed. There’s something almost intrusive about having to share space with others at this time in the morning, anything that creates some distance will do. I felt the chaos of the city in this opener, probably more pronounced because I’m 50 years old and live in a northern rural village that still has a little red phone box. I can opt out of the world whenever I want and I really felt that gap while reading – these young people have to live in this reality. It took me into a generation for whom life is lived in snippets of information whether it be a tweet, a WhatsApp or SnapChat message. Somehow they flit between them and keep it all in their head. As our narrator says, she can swap between iMessage and work mode with ease knowing that eventually her year will be all parcelled up in a Spotify playlist.

My heart broke for Gabby, in Good, Goodbye. At the age where everyone is getting married she’s always the bridesmaid – six times this year. She’s so obviously single that aunties commiserate with ‘your huzband is coming’. Obviously from the same friend circle, Jonathon is the resident clown, up for dancing, singing and even last minute MC’s duties. He played hard that summer and took so many photos for his Twitter Wedding Enjoyment posts. Yet he freezes at today’s wedding when he sees Gabby looking ‘like a goddess’. Gabby is the one who walked away from him five years ago. She felt like she wasted so much time on him and finally met up with him and drew a definite line under their ‘on again, off again’ relationship. I loved Gabby’s thoughts on the Maya Angelou quote about believing who people are the first time they show you. It’s a quote I kept in my mind in my younger, dating years, but a hard lesson to learn. Yet we also hear Jonathon’s thoughts – that Gabby was the one person who understood him and that actually he knows now she was the making of him. There’s such a gulf between what this young man says and what he deeply feels. He’s hiding behind polite conversation but inside remembers a wedding from years before, when her sister got married and he realised Gabby was the one. I yearned throughout this beautifully romantic story for one of them to tell the truth about their feelings.

We see more of Jonathon in a story called Ghana in December and we see the struggle of being split between London and the place that feels like home. The young men in the story are missing the food and the sun. He thinks about the expectations placed upon him as a young black man, especially once his father’s mental health declined, something he’s always kept to himself. He had to step up at home, be the man of the house and felt so much guilt for wanting to go to university. He tells his friend David that the London life ‘kills us in so many ways’. David gets it. It’s the micro-aggressions that chip away. Jokes passed off as banter. The hostility he felt from white and Caribbean kids. How he was talked down to as if all Africans are primitive and come from mud huts. He could never speak of his brother’s suicide and how returning to Accra brings out that grief. When he smells the food and sees the difference in the light he somehow feels united with him. It’s the place he needs to be in order to feel and allow himself to cry on a friend. I loved how the author shows the depths of these young men’s feelings and how they cope with this split identity. I really came up against my own privilege as the author wove the pandemic into her stories. There was so much able-bodied people took for granted in that period of time, my disability meant I had to shield for a year and become isolated from everyone. Yet black people were four times more likely to die from COVID than white and one story character is keen to set up a work support group for the 33% of employees who are black. She talks about the proportion of black and ethnicity minority people who work on the front line, the financial straits of the pandemic, the higher infection rates and she spends her spare time educating the employer about the disproportionate effect on black employees. Yet afterwards, when she’s encouraged to apply for a senior equalities post it goes to a white man. I could feel her powerlessness and the injustice of this decision. Our character doesn’t want to believe she’s facing racism and I’ve heard excuses made for these types of choices – it’s happened to me and I didn’t want to call it ableist in my younger years, but now I would. It’s a case of calling something what it is. Not letting yourself be gaslit about it.

My joy was unbounded when Gabby and Jonathon appear in the final story, set around a party. I had everything crossed for them, yet the author had other surprise reunions that I hadn’t expected. The stories that follow the pandemic have captured that sense of change. The reminder that we need to wear ‘proper clothes’ again made me smile because I’ve been aware of a big change in my wardrobe towards outfits that are really secret pyjamas. There’s nothing formal anymore, no high heels and certainly no work wear. There’s the strangeness of being with others, whilst knowing more social interaction is probably good for me. The author drops in these little clues and reminders of other places: the kente cloth bookmark; Ghana casually described as ‘home’; music used as a reminder of wider family and celebration. The references ground these stories within the community, the African diaspora in London. Not everything ends how we expect, but that just heightens the sense of realism and authenticity. This is a warm, inviting and illuminating collection that shows the pressures on young, Black British people. It was a different world from my own, a busy, urban city full of these sparky characters whose ambitions and dreams are so admirable, even if they are also tough on the character trying to achieve them. It shows how having your community and friends around you is vital, even if some of their expectations are grounded in a different time and place. Finally, it struck me how important it is to tap back into that home country through family, food, music or traditions because it’s something that keeps them grounded and replenished.

Out now from Magpie Publishing

Meet the Author

Shani Akilah is a Black-British Caribbean writer and screenwriter from South London. She is a book influencer, co-founder of the Nyah Network, a book club for Black women, and was a literary judge for the Nota Bene Prize 2023. Shani has a Masters degree in African Studies from Oxford University. For Such A Time As This is her debut short-story collection. 

Thank you to the author, Magpie publishing and The Squad POD Collective for my copy of this collection.

Posted in Publisher Proof

The Midnight Hour by Eve Chase.

I was looking forward to the new Eve Chase novel, but really surprised to win a competition for a hardback copy plus a vase of my favourite flowers, peonies. All I’d done was describe what I loved about Eve’s writing: her female characters; the secrets from the past just waiting to spill out; the gothic feel and atmosphere she creates, especially around old houses; lastly, it’s the dynamics she creates between the characters particularly the mothers and daughters. I feel that in this novel she has gathered all those aspects together beautifully with an intriguing plot and such a relatable central character in Maggie. Maggie is an author, living in Paris and struggling with writer’s blog. Something from her shared past with brother Kit keeps coming into her mind. Her mother Dee Dee died from cancer recently and Maggie was there for her, until her last moments. Her mind keeps being drawn back to her late teenage years when Dee Dee was a famous model, living in the Notting Hill area of London, close to the Portobello Road with it’s antique and collectible traders.

One summer morning, Maggie wakes up to find that Dee Dee hasn’t come home. This isn’t too unusual, late parties and sometimes modelling shoots can drag on into the night and she isn’t worried. She loves spending time with Kit anyway. Kit is using his skateboard when he has a fall, breaking one of the wheels. A stranger comes to their aid, dusting Kit down and trying to repair the wheel. He introduces himself as Wolf and when his eyes lock with Maggie’s they’re the clearest blue she’s ever seen, his name becomes him. There’s also an instant spark between them and for Maggie it’s instantaneous, first time and first sight love. He recognises the connection too. It’s what makes him take the skateboard back to his uncle’s antique shop so he can use his tools to fix Kit’s skateboard properly. Just so he has an excuse to go back. These are emotional days as Maggie navigates this new feeling, but also concern for her mother who still hasn’t come home. She calls Dee Dee’s friends and they rally round but still no one knows where she is. Maggie needs to leave her Paris flat and travel back to England and Aunt Cora’s house in the country. It’s time to ask some questions and catch up with Kit. Once in London she makes her way to the old Notting Hill house with the pink door and bumps into a man on his way out. She’s surprised to see this is a much older Marco, Dee Dee’s hairdresser. He tells Maggie he’s digging out the basement of the house, sending her into a complete panic. Maggie knows that secrets lurk in the garden of their old home and it might not be long before they’re found.

Eve really gives us time to get to know Maggie and Kit. As a child Kit was the baby of the family, adopted by Dee Dee when Maggie was a little older. His blonde curls and sunny disposition give him an angelic demeanour and he’s certainly noticed by Wolf who dotes on him. Even grumpy Gav at the antiques shop falls under Kit’s spell, especially when he sees his polishing skills! As an adult Kit is more wary, now a dealer and collector himself, he has learned that not every customer is as honest as they appear. He does have a big heart though, so when an old gentleman comes into his life asking Kit to source some pieces for his new home, he wants to help. Roy appears a little down on his luck and Kit senses a loneliness under the surface. Of course someone’s appearance isn’t necessarily indicative of how wealthy they are, so Kit takes his request at face value. It’s only when Roy starts to turn up unannounced, wants to go for dinner and then talks his way into Kit’s flat that he starts to wonder if Roy is what he appears to be. In fact he isn’t even sure he likes him. He needs to be firm to shake him off but Kit dislikes confrontation and wonders whether he should trust his instincts, or is he just being paranoid? It’s lovely to have Maggie back in the country, they’re still close, but she seems consumed by that summer years ago when they first met Wolf. Kit isn’t sure what happened that summer, but he knows that one night Maggie took him from their home in a hurry and they ended up on a train to Aunt Cora’s in Paris. He knows she was protecting him but doesn’t know why and he knows his mum was missing for a while. They never returned to the Notting Hill house, instead moving to Cora’s in the country, into the house of their grandparents. Kit promises to look for Wolf, finding his real name helps and soon Kit has him tracked down to one of the better auctioneers in London. Will seeing Wolf again put Maggie back on track?

I fell in love with Maggie. I was a similar age when I first fell I love and reading about her summer with Wolf brought back all those feelings. The wonderment when someone suddenly becomes your absolute world. The beautiful surprise when they feel exactly the same. The discovery of sexual chemistry, totally losing yourself in another person, being vulnerable physically and emotionally, it’s all here. In very delicate strokes Eve sketches a teenage girl who is emotional and intelligent. Little hints about her physical appearance makes us aware that she is a curvy girl, she wears glasses and is a little lacking in confidence. She’s astonished that Wolf loves these things about her and Eve captures that self-consciousness, the apprehension about revealing her body to this young man totally swept away by his obvious desire for her. It’s honestly so beautifully captured that it took me right back there. Maggie’s an incredible sister to Kit and nurtures him with a fiercely maternal love that I think comes from him being so much younger. It takes days before she starts to struggle a little with the responsibility, because Kit’s that age where he’s on all the time. Her feelings for her mother range from concern, to anger and incomprehension. It’s Aunt Cora who has always been the fuck-up of the family, an addict who would arrive at Christmas and grace everyone with her acerbic tongue and disappear again. However, she’s been clean for some time when Maggie and Kit arrive in Paris and it seems strange to Maggie that she’s so together and furious with Dee Dee for leaving them alone. Cora concentrates everything on Kit and Maggie, who is heartbroken and possibly hiding something about the last days they were in London.

You will be swept up by the romance, the mystery and the relationships between the women. I loved the atmosphere of the Notting Hill setting and I always love the smell and sound of an antique or junk shop: the library feel of quietness and reverence; the smell of beeswax; the ticking and chiming of several clocks. I always find myself drifting into another time when I’m in an antique shop. The mystery of adult Kit’s visitor grabbed me too, because his influence is subtle and I found myself questioning just like Kit does. Is he being manipulative or is this a coincidence? Did he intend to do that? Is he lingering for genuine reasons or for some other nefarious purpose? I wasn’t sure, but felt an undercurrent of danger for Kit if he didn’t keep his wits about him. What the story tells us is a therapist’s mantra really – unresolved emotions and trauma will always bring themselves to the surface. Whether through a similar event happening or a big change in our lives, these memories float to the surface with more resonance than they should all this time later. This is because they weren’t processed properly the first time. So Maggie is feeling a torrent of emotions as if she’s still a teenager and they’re just as confusing, painful, beautiful and overwhelming. She and Wolf never had a proper ending and I found myself longing for that closure to happen when she comes back to England. This was a wonderful read, deeply emotional but also a compelling mystery. I honestly think this is Eve’s best novel yet!

Out Now from Michael Joseph.

Meet the Author


Eve Chase is an internationally bestselling British novelist who writes rich, layered and suspenseful novels, thick with secrets, unforgettable characters and settings. Her latest novel, The Midnight Hour – ‘Her best yet…I loved every word’ – Claire Douglas – publishes June ’24, in the UK. Other novels include, The Birdcage, The Glass House (The Daughters of Foxcote Manor, US) a Sunday Times top ten bestseller and Richard and Judy Book Club pick, The Vanishing of Audrey Wilde (The Wildling Sisters, US) which was longlisted for the HWA Gold Crown Award, and Black Rabbit Hall, winner of Paris’ Saint-Maur en Poche prize for Best Foreign Fiction. She works in the Writer’s Shed at the bottom of her garden, usually with Harry, her golden retriever.

Say hello @evepollychase on Instagram, X, and Facebook

Posted in Publisher Proof

The Burial Plot by Elizabeth MacNeal

I was so lucky to be offered a proof for this book after waxing lyrical about the author’s work on social media and I loved it so much that I’ve already splurged on the Goldsborough Books special edition with the most gorgeous spredges, for my collector’s cabinet. This novel pulls together so many things I love in one incredible story: the Victorians; a touch of the macabre; a spooky and unique house; a heroine who has her consciousness raised and a simmering tension that builds to a heart hammering conclusion. Bonnie is our heroine, a young woman who resides in St Giles and earns a living running a scam with her lover Crawford and their friend Rex. Crawford is handsome and a bit of a dandy as far as their limited means allow. The trio hang around public houses looking for their latest mark, a man that Bonnie can lure to a quiet alley with the promise of sex, only for Crawford and Rex to appear just in time to rough him up and steal anything they can sell on. However, one night as Bonnie lures a red-headed man to their usual place, Crawford and Rex don’t appear. Pressed up against the wall while the man tries to haul up her skirt, she realises they’re not coming and has to fight him off herself. As the mark falls and hits his head, the men suddenly appear but far too late. Bonnie knew that as soon as head hit brick, he was dead. Crawford tells her to leave and lie low, he and Rex will tidy this away. In the aftermath, Crawford shows her an advert for a lady’s maid at Endellion – a labyrinthine Gothic house on the outskirts of London. Maybe she could apply for this job and stay out of sight for a while? Bonnie goes to meet the owner, a Mr Montcrieffe. He’s a widower with a teenage daughter who desperately misses her mother and spends rather more time alone with her scrapbook than is healthy. To her surprise, Bonnie gets the job and looks forward to working with Cissie. Yet there is so much more to these unrelated events than she knows and so much about Crawford that’s been hidden by her love for him. Now events are set in motion, Bonnie is caught in a spider web of lies, betrayals and the very darkest of intentions.

I’ve already read one book this month that deals with this part of London and a burial ground known as Cross Bones where the prostitutes of the Southwark district were buried. Known as the Winchester Geese, due to being licensed by the Bishop of the parish, upon their deaths they were still banned from a burial in consecrated ground. The burial ground then became a place for the poor of the surrounding area to be buried, but in an area overrun with diseases like typhus and cholera it was soon over subscribed. Half decayed bodies were disinterred to make way for the new, with grave diggers losing their respect for the dead and using their bones as skittles and their skulls as balls! When Bonnie sees Mr Montcrieffe’s sketches of a mausoleum for his late wife, she encourages him to build it on an empty patch of land on the edge of the gardens of Endellion. She knows that the rich would pay to take their eternal rest in such beautiful surroundings and away from the miasma of death and sewage in the city. Between them they sketch out a cemetery, with Bonnie creating a planting scheme for the project. She’s inspired by the old greenhouse where she’s been spending her few hours of leisure potting up abandoned orchids and other cuttings. Bonnie also makes a difference with Cissie, who seems happier to have a mother figure in the house and spends more time outdoors. Her scrapbook of imaginary love letters sent from Lord Duggan are left aside for a time. Bonnie even enjoys her time spent with the kitchen maid Annette, building a female friendship that’s been missing from her life. Then there is news from Mr Montcrieffe that he’s received a letter from a man who worked on the cemetery at Highgate recently. He claims to know all the administrative loopholes and potential investors to benefit their endeavours at Endellion and he’s invited to stay. As soon as Bonnie enters the office she knows who their new guest is and the smell of peppermint and aftershave she knows so well fills the room. Crawford is keen to establish himself in the house, like a cancer at it’s centre. Although he claims to wish for Bonnie back in his life, she knows that isn’t the only reason. He wants Endellion and he doesn’t care about the chaos and pain he might cause to achieve his aim.

Horace Walpole’s Strawberry Hill

The setting is beautifully drawn by the author and modelled on Strawberry Hill, Horace Walpole’s gloriously gothic mansion near Twickenham. It’s a very fitting choice for this story, considering that Horace Walpole was the writer of the very first Gothic novel The Castle of Otranto. With it’s crenellated roof and romanticised interiors Endellion was extended and decorated to the taste of Mr Montcrieffe’s first wife Josephine who drowned in the garden pond. The house is labyrinthine in design with plenty of places to hide out, in fact Bonnie spends a lot of time looking for Crawford and wandering through these rooms following the scent of cigarette smoke or his distinctive aftershave but never quite seeing him. The redecoration of the Montcrieffe’s marital bedroom is done by Cissie but very in her mother’s style with it’s overblown and romantic pink. Only to be expected from a girl who writes imaginary love letters to herself in an ornately decorated scrap book. Bonnie prefers working in the earth, transforming the greenhouse and the cemetery with her more natural planting schemes when compared with Josephine’s fondness for cultivating pineapples. The gardener shows Bonnie the exotic plants grown before, including a Venus fly trap, which he opens up to reveal a partially digested beetle. There’s no more fitting metaphor for the situation Bonnie finds herself in, or for the house itself and it’s ability to draw someone like Crawford in and inspire envy.

Crawford is a classic abuser. He sought out Bonnie, as a girl with no prospects, money or family and using his romantic wiles has love bombed her into depending on him for everything. The death of the man in the alley has allowed him to hold something over her, using her fear of the hangman’s noose and of losing him to manipulate her. The pace of the novel changes when he joins her at Endellion; the fear and excitement of snatching moments together and his desire for her are like a drug. He tells a story of his early years, living in poverty on a barge just down the river from this house and an injustice linked to his parentage. This invokes pity in Bonnie and he hopes it gives him a sentimental Robin Hood feel – he wants to take things that aren’t his legally, but argues that morally he has every right to them. The risky behaviour builds and when Bonnie won’t go along with what he wants he suggests she doesn’t love him, that she’s falling in love with Mr Montcrieffe and when neither of those work he threatens, becoming more menacing than Bonnie has ever seen. He takes the household apart bit by bit, removing those who might oppose him, charming those who are taken in by his looks until his dirty boots are carelessly marking the floors and the furniture as if he owns them.

When he proposes a scheme to Bonnie that will make their situation more permanent and tells her his history with the house she believes that this is the reason he came here and feels obliged to help. However, he reckons on the Bonnie he knows from St Giles not expecting that her time at Endellion might have changed her. I loved Bonnie’s development through the book and Crawford has definitely underestimated her. She has developed self-worth from having the raised status of a steady job, earning honest money and using her skills on the cemetery project with Mr Montcrieffe. His belief in her abilities is touching and improves her self-esteem. She starts to feel a loyalty to him and to Cissie who has brought out strong maternal feelings in Bonnie and mothers always protect their cubs. Yes she feels trapped by Crawford but she’s unhappy with his plans, she wants to remove deceit from her life at Endellion and the constant feeling of being on edge is killing her. I started to wonder whether Crawford didn’t have the same hold over her he once did, she’s questioning his plan and his motives and decides to do some digging of her own. The revelations keep coming in the latter half of the book, some expected and others a complete shock to Bonnie and to us. I felt a physical sensation of holding my breath in parts and I devoured the final three sections in one afternoon, desperate to find out what happened. The scales fall from our eyes at the same time as Bonnie as bit by bit the revelations about Lord Duggan and the scrapbook, Crawford’s nocturnal adventures and even the red- headed man in the alley make us see everything in a new light. Bonnie will have to be super-resourceful to survive and create a better life for herself. I was desperate for her to succeed! This novel is a brilliant thriller with an atmospheric and beautiful backdrop. We also have a resourceful heroine with more strength and intelligence than she realises. This is definitely in my top five books of the year so far and an absolute must read for those who love Gothic and historical fiction.

Out now from Picador

Meet the Author


Elizabeth Macneal is the author of two Sunday Times-bestselling novels: The Doll Factory, which won the 2018 Caledonia Novel Award and has been adapted into a major TV series on Paramount+, and Circus of Wonders. Her work has been translated into twenty-nine languages. Born in Scotland, Elizabeth is also a potter and lives in Twickenham with her family. She can be found on instagram @elizabethmacneal.

Posted in Squad Pod Collective

Escape to the Tuscan Vineyard by Carrie Walker

Just when Abi thinks she’s getting her big break as a movie make-up artist, everything starts to go wrong. When she’s told her booking on Moonmen was a mistake, she wonders if it had anything to do with her encounter in a sauna with a good looking guy who wasn’t honest about who he was. Nevertheless she has been paid for a month and when she tells her best friend Holly, she says there’s no excuse not to fly out to Tuscany and pay her a long overdue visit. When she makes it to San Gimignano she’s charmed by the ancient town and the lovely B and B that she’s booked into. The owners, Mia and Paulo are just starting out and Abi has the chance to be a guinea pig, sampling their food, activities and the wine from the attached vineyard. Then she meets Tony, a handsome American Italian man at Holly and her boyfriend Xavier’s restaurant and she decides to have a little holiday fling. Since the heartbreak she encountered in her last long term relationship, Abi has a rule when it comes to affairs of the heart; single encounters only because then she can’t get attached and can’t be hurt. However, something told me that Tony might not be discouraged as easily as she thinks.

Well this novel is a lovely slice of Italian sunshine! It can be read in a day and is the perfect escapist read. I’m not a usual romance reader so this wasn’t something I’d normally pick up. I wasn’t even sure I was going to like it at first because Abi was the type of person who rubs me up the wrong way. In fact there were moments I wanted to give her a slap. When we first meet her she’s running everywhere, helping her Mum out with hair and make-up when an ill advised spray tan and hair tint have left her looking like an Oompa Loompa. Luckily Abi has all the fixes to get her glowing again then she’s off picking up balloons and cake, getting changed and decorating a party room ready for her friend’s surprise birthday ‘do’. She’s so precise and controlled about everything. The discipline she has to get up every morning and pull on her running gear, even when she isn’t working, made me shudder.

‘A quick shower and I was in full make-up by 7.35am and ready for the day ahead. Which suddenly felt like a lot of time to fill. I made the pot of chamomile tea and opened my notepad to start a fresh, new list and get myself organised. I loved a list. It helped me feel in control.’

Abi is all routine and organisation, with no fun or relaxation. Luckily I’m a huge fan of transformation and I had a feeling that this one was going to be worth waiting for. I really enjoyed the humour in the story and I knew if anything could change someone Italy could. Abi loosened up by slow degrees – with a cake for breakfast here and a lie-in there. This is mainly because Italy forces her to be spontaneous. Despite a well planned itinerary Abi can’t sightsee because the buses don’t always run on time and sometimes don’t turn even up. People often close their shops to pop for lunch or an afternoon nap when the heat becomes too much. There’s nothing to do some days except be in the pool and the shade. She soon realises that La Dolce Vita is the only way and she’ll have to get on board with it. I started to enjoy this more relaxed Abi and as we hear more of her story and her feelings of loss and heartbreak the more we understand her.

The setting is simply magical. The vineyard view with the red roofs of the town in the distance sounded idyllic and the food made my mouth water. I’m also a massive fan of Glow-Up even though I rarely use make-up myself, so I loved all the detail about Abi’s career and how skilled she is creating everything from a face painted with bunches of grapes to a full Venetian mask with feathers and gold detailing. When she’s using her skills to help the vineyard and the people she loves, Abi really does shine. I did get drawn in by the romance because it’s impossible to dislike Tony. He’s a straight forward decent man who doesn’t play games and respects Abi’s boundaries. I wanted him to be able to break them down, but I didn’t know if he’d be able to. Ironically, in her desperate need to avoid being hurt, she’s hurting herself. I felt like I’d had a holiday myself when I finished the book. I’d thoroughly enjoyed the villa, especially the wine festival with its incredible food and a fairy lit pergola – the perfect venue for dancing the night away. The family of puppies were pretty irresistible too. Venice was the absolute crowning glory of the story, with Abi making-up the movie stars she’s longed to work with and dealing out some sweet revenge at the same time. Plus it’s my favourite place in the world so that helps. It’s wonderfully uplifting to see someone leave behind painful and negative patterns, it’s one of the reasons I love counselling. Even more than I wanted Abi to find romance, I wanted her to truly live life again instead of trying to control it. I could see a whole new world opening up for her and that made for a very satisfying read. I remember a bit of Eat, Pray, Love by Elizabeth Gilbert where she’s done the praying and the eating and falls in love on the island of Bali. She goes to her herbal doctor who listens as she panics that she’s not kept to her meditation routine and she’s going to lose the balance she’d worked so hard for. Her doctor smiles at this and points out that if we look at our lives overall there has to be some imbalance, otherwise it won’t be balanced. This is something Abi has had to realise for herself.

‘I didn’t want to slip back into my old, controlling ways. I needed to start taking chances again. My lists had to be less about cleaning and more about trying new things and going to new places. I’d wasted so much time…’

And what about Tony? I’ll leave you to find that out for yourself.

Meet the Author

Carrie Walker is a Brummie born romcom lover with a lifelong passion for travel. She has lived in a ski resort, by a beach, in the country and the city, and travelled solo through Asia, South America and Europe.

Her own love life was more com than rom until she met her husband a few years ago and settled down with him and her dog Ziggy in a pub-filled village in Essex.

Longlisted for Helen Lederer’s Comedy Women in Print prize in 2021, writing has long been Carrie’s side hustle, penning columns and features for newspapers and magazines, while working in many other jobs. She has been the CEO of a global disability movement, a board director of a brand agency, the editor of a newspaper, a radio presenter, a football mascot, dressed up as a carrot for the BBC and now she is writing books. Escape to the Swiss Chalet was her debut novel.

Posted in Netgalley, Personal Purchase

You Are Here by David Nicholls

I have had the joy of reading two books, each by one of my favourite authors, back to back on my holidays and I have genuinely loved it. David Nicholls has been a household name thanks to the new production of One Day on Netflix. The beauty of Nicholls’s novel about friends Emma and Dex makes it one of my favourites of all time and I’m definitely not alone. There was a time back in the 2000s where if you were on a train journey most of the people in your carriage were reading One Day. It was a book that utterly broke my heart because I believed in those characters so much and the shock of what happened is still with me, to such an extent that I haven’t been able to watch the last two episodes of the series. I can’t bear what’s coming. Similarly, both the book and BBC adaptation of his novel Us was deeply moving but utterly real. With the wonderful Tom Hollander as his lead, we become so emotionally invested in this couple, then just as they’re ready set to out for a once in a lifetime trip his wife asks for a divorce. Their plan, to spend all summer travelling around Europe, would be their last trip as a family, before their son leaves home for university. Can they set aside this bombshell and continue with their holiday? The set up in both these earlier novels is so simple and You Are Here is no different. A group of friends travel from London to the Lake District to walk some of Wainwright’s routes through Cumbria towards the Pennines. Cleo has invited four single friends; Conrad is meant for copy editor Marnie and Tessa is intended to get on with geography teacher and dedicated walker Michael who is extending his trip to walk the entire coast to coast, ending in Robin Hood’s Bay. Michael is still getting over separating from his wife so finds these social occasions difficult, much preferring solitude. Marnie spends much of her time alone too, so this will be a step out of their comfort zone for both of them. When the others bail out after a day of endless rain, Marnie and Michael are left to walk together. Can they both strike up a friendship?

David Nicholls has this amazing ability to articulate the minutiae of conversation and communication between the opposite sexes. He’s also brilliant with those tiny moments of shared humour, stolen glimpses and the body language of love. It may seem strange that a whole book is about two people walking across the country, but everything happens within that time spent together. After a couple of days Michael can see that Marnie is an inexperienced walker but determined, intelligent and well-read. She has been in relationships that eroded her confidence, has a keen sense of humour but tends to lose it a little when tired and hungry. Marnie is surprised by Michael. Although she knows little about geography she can appreciate how passionate he is about his subject, he wears his beard as a mask so that people keep their distance, is perfectly comfortable in his own company and is hurt very badly by the break-down of his marriage. This isn’t two young people swept up in the blind passions of love at first sight. This is a slow burn. It’s a potential romance that grows slowly and unexpectedly for both of them. It’s lovely to read a ‘real’ love story about people who are older and have been kicked about a bit by love in the past. Nicholls has alternated each character’s chapters, so we’re also taken into Marnie and Michael’s inner worlds. Within these chapters we have flashbacks through their lives and their past relationships, slowly learning what has built these people who are in front of us, trying to bring their lives together. We are also privy to private thoughts that let us know this couple could be perfect for each other. When bullied into social activity by friends we can see that they’re both introverts. Michael agrees to a plan just to make Cleo shut up. She means well, it’s just that for her the answer to a empty weekend is the presence of others, while it’s their absence that floats his boat. Similarly Marnie knows that a bit of socialising is expected, however…

‘She had become addicted to the buzz of the cancelled plan […]for the moment no words were sweeter to Marnie than ‘I’m sorry, I can’t make it.’ It was like being let off an exam that she expected to fail.’

I understood Marnie. I was the kid at school who was so excited to have finished the reading scheme by age eight, because while everyone else was reading to the teacher I had free library time. I would pull up a beanbag and disappear into the world of the Little Women or Jane Eyre, loving that I was alone, out of the hustle and bustle of the classroom I was free to be anywhere just by opening a book and stepping through a wardrobe. Marnie gives a similar description of her early reading years to mine, the weekly library visits and the devouring of anything I could find and making no distinction between what was deemed literature and what wasn’t. My only criteria was that I enjoyed it. I learned to enjoy activities with friends – ice skating, horse riding, cinema – but nothing beat that thrill of knowing a delicious book was waiting in my room.

‘Private, intimate, a book was something she could pull around and over herself, like a quilt.’

Reading is a little like Michael’s walking in that it takes me on a journey, but also helps me unplug from the stress of daily life. If I’m reading a physical book it’s even more separate from the world because it’s not alerting me to things on social media, emails or messages from friends with cat videos. Marnie wonders if her reserve and need for alone time comes from her upbringing with parents she’d describe as cautious and timid:

‘At no point did her parents move house, gamble, use an overdraft, change jobs, have affairs, go abroad, shout in public, park illegally, eat on the street or get drunk, and while they must have had sex at some point, this was covered up as carefully as a past murder. Marnie was the only evidence.’

Michael is taking in the world around him, but at a totally different pace. He can stop and concentrate slowly on a beautiful bird song or the reflection of the hills in a still lake. He is a Romantic with a capital ‘R’, perhaps not a flowers and surprise trip to Paris sort of man, but he can see poetry in the everyday. As they stroll the hills he truly does understand the Romantic poets, engaging Marnie in conversation about routes that William Wordsworth and his sister Dorothea might have taken. He tries to feel the state of the sublime and thinks he often finds it in a spectacular view that couldn’t have been seen any other way than walking off the beaten track. He is still so caught up in the breakdown of his last relationship, still to some extent thinking as part of a couple although it’s clear to his friends that his wife has definitely moved on. He’s been so disconnected from his wife, for so long that he didn’t know anything was wrong and the shock of the split was seismic. This is why Cleo invites him on the weekend in the first place, to try and point him forwards, rather than backwards. This is a spiritual and mental journey for him, as well as a physical one. Michael has that symptom of depression where you feel like you’re looking at the world through a thick pane of glass, removed from reality. This is a protective barrier too, he keeps his pain so deep inside himself he thinks no one can see it. It stops him from being able to express himself and he finds Marnie so performative at first. She rails against her sore feet, the weather, the mud – all things that are so part and parcel of hiking it wouldn’t occur to him to do the same. Her humour does break through occasionally.

‘You’re funny, but I’m the one with the lighter rucksack so who’s laughing?’ ‘That is true. I’ve got twelve pairs of pants in here, for three nights.’ ‘Why?’‘I don’t know. Maybe I worried I might shit myself four times a day.’ ‘Has that ever happened?’ ‘Not since my honeymoon.’

By the end my heart was breaking for these fledglings. I so wanted them both to be happy, even if they simply ended as friends. David Nicholls throws in one last obstacle that takes us by surprise, even while my heart was racing I could see how much it was needed for that character to have a final epiphany. He’s brilliant at creating that bittersweet feeling that comes as we’re older and have romantic baggage. At first when we lose someone the shock and pain is everything, then after time and doing a little bit of work on ourselves a day hopefully comes where we can look back and it not hurt. We can acknowledge the pain but not let it overwhelm us. In fact, eventually, we can look back and smile about the good times, the love that was shared and how glad we are that we experienced it. That we’re able to move forward and enjoy new adventures. I really understand this from my own life and I genuinely closed the book with a smile on my face, knowing that both Marnie and Michael have so much life to look forward to whether together or apart on their journey.

Out now from Hodder & Stoughton (Sceptre)

Meet the Author

David Nicholls is the bestselling author of Starter for Ten, The Understudy, One Day, Us, Sweet Sorrow and now You Are Here. One Day was published in 2009 to extraordinary critical acclaim: translated into 40 languages, it became a global bestseller, selling millions of copies worldwide. His fourth novel, Us, was longlisted for the Booker Prize for Fiction.

On screen, David has written adaptations of Far from the Madding Crowd, When Did You Last See Your Father? and Great Expectations, as well as of his own novels, Starter for Ten, One Day and Us. His adaptation of Edward St Aubyn’s Patrick Melrose, starring Benedict Cumberbatch, was nominated for an Emmy and won him a BAFTA for best writer.

He is also the Executive Producer and a contributing screenwriter on a new Netflix adaptation of One Day. His latest novel, You Are Here, is out now in hardback.

Posted in Squad Pod

The Scandalous Life of Ruby Devereaux by MJ Robotham

Everyone knows Ruby Devereaux’s books. But no one knows her story… until now.

From a teenager in wartime England to a veteran of modern-day London – via 1950’s New York, the Swinging Sixties, Cold War Berlin, Venice and Vietnam – Ruby Devereaux has lived one hell of a life: parties, scandals and conflict zones, meeting men and adventure along the way. In a writing career spanning seven decades and more than twenty books, she’s distilled everything into her work. Or has she?

There were times during this novel where I wished I was the transcriber in the room, just so I could be the first to hear this lifetime of stories. Ruby Devereaux’s editor is under pressure from above. Ruby is almost 90 years old and the publisher is determined to get the one last book she owes them. So her editor suggests that she closes her illustrious writing career with a memoir. Ruby was on the verge of packing up her typewriter, but she does perhaps have one story left in her, or maybe twelve…

The bulk of the book is Ruby’s memoir as told to her transcriptionist Jude, each chapter named after a man in her life and telling the story of their relationship. Although it’s not as simple as that, through these affairs she takes us through the latter half of the 20th Century and right across the world. It takes us through one woman’s history, but also the ever changing landscape of the world around her, taking in those unforgettable moments and some fascinating social history too. I used to be fascinated with my 90 year old grandmother and the changes she’d seen over a lifetime in the countryside: from horse drawn ploughs to huge tractors; from cycling everywhere to her children owning cars; from handwritten letters to online communication. This has similar vibes, but on a bigger scale as Ruby moves from peacetime to war and across three continents with the world constantly changing beneath her. The author weaves together the social history, world events and Ruby’s growing up with romance and scandal. Ruby has spent seventy years telling her character’s stories, but now it’s time for her own. It’s definitely a life well lived as it’s taken her to the 1950’s New York of the Mad Men, Berlin and Budapest during the Cold War, into Vietnam and into relationships with twelve different men. These are the men who’ve inspired her novels. Make no mistake though, this isn’t really about the men in her life, this is about Ruby. Each relationship captures where Ruby is at that point in her life; a chapter in her personal growth. Ruby easily outshines her male counterparts because she has such a zest for life and breaks society’s rules and expectations about women everywhere she goes. As a young girl in post-war England she’s very matter of fact about her first sexual experience, wanting it out of the way before she leaves home. She’s an incredibly resilient character, despite experiencing loss and heartbreak at a very young age. She makes a promise to herself and the person she’s lost to keep going, grabbing opportunities whenever they arise. Never realising that all along she’s writing the most exciting story she’ll ever tell.

It’s this resilience and insistence on saying yes to experiences that take her across the globe. Starting in London, she lives and falls in love in the romantic city of Venice, via a terrible experience in New York that spawns her second book. She then explores Saigon and Budapest, before finally ending up in Cornwall. She spends time in a commune, dabbles in the world of spying and has assignments in war zones. Just as in her love life, she’s tough and doesn’t dwell on failures or knock backs, she chalks it up to experience and moves on. There is a danger of some of the men in her life becoming a mere backdrop to Ruby and her escapades, it’s very hard to keep up with her energy. However the later sections in England felt a little more detailed and because they’re not as filled with adventures, the men have more room to develop. Their relationships with Ruby feel deeper and more real. Ruby is always at the centre though and I loved following her character development. We can see which experiences have given her strength and a sense of boundaries. I love a scandal so this was definitely a fun romp in parts, whilst also having a sense of reflection and self-awareness as Ruby becomes an older lady. There’s a bravery in her willingness to share her life, particularly her emotions and those difficult parts of her life – relationships that went wrong, the loss, motherhood and her mental health. However, despite this we’re caught up in Ruby’s humour and ability to heal. I think the author has created a brilliant character and blended actual history with her life very well. Ruby is such an incredibly memorable character and I enjoyed spending time in her company.

Published by Aria 11th April 2024

Meet the Author

M J Robotham had wanted to write from a very young age, inspired by the book ‘Harriet the Spy’. However life got in the way and it was journalism and having a family keeping her occupied. She was a midwife for several years, but started to write seriously after completing an MA in Creative Writing. her first novel was A Woman of War followed by The Secret Messenger set in occupied Venice.

Her next two books were set in pre and post war Berlin, then wartime Norway, both are places she loves to visit. In her spare time she visits the gym, to knit unusual things and enjoys the music of Jack Savoretti,