Tag: Netgalley

Posted in Netgalley, Publisher Proof

The Small Museum by Jody Cooksley

Posted on by thelotusreaders

A shiver thrilled my spine at the thought of what might be contained in collections to be kept away from ordinary eyes…

London, 1873. Madeleine Brewster’s marriage to Dr Lucius Everley was meant to be the solution to her family’s sullied reputation. After all, Lucius is a well-respected collector of natural curiosities. His ‘Small Museum’ of bones and specimens in jars is his pride and joy, although firmly kept under lock and key. His sister Grace’s philanthropic work with fallen women is also highly laudable.

However, Maddie soon finds herself unwelcome in what is meant to be her new home. The more she learns about both Lucius and Grace, the more she suspects that unimaginable horrors lie behind their polished reputations.

Framed for a crime that would take her to the gallows and leave the Everleys free to continue their dark schemes, Maddie’s only hope is her friend Caroline. She will do anything to prove Maddie’s innocence before the trial reaches its fatal conclusion.

When choosing novels I have two favourite genres, historical and crime fiction. Author Jody Cooksley has combined the two in his compelling novel that was the winner of the Caledonia Novel Award. In Victorian London 1873, Madeleine Brewster, the daughter of a doctor, is courted by Dr. Lucius Everly a man seemingly intent on finding the missing link that will prove the evolutionary step between fish and mammals. He collects fossils and curiosities at his London home, hidden away in his ‘Small Museum’. His sister Grace undertakes work with fallen women at a house called The Evergreens which is held in high regard.

Madeleine accepts his proposal, imagining her life as a doctor’s wife will be similar to that of her mother and father. However, when she reaches her new home, life is very different to what she expected. She feels unwelcome in her new home, with housekeeper and gardener Mr and Mrs Barker seemingly in charge, keeping exactly the same routine from when Lucius’s father was alive. There is no space for her to organise or manage her own house and if it isn’t the Barkers, her sister-in-law Grace drops in unannounced and chooses the drapes or orders tea as if she is the mistress of the house, despite having her own. Having dreaded the wedding night, Lucius begs her forgiveness for his tiredness and departs to his own bedroom. Despite their reputations, Madeleine starts to suspect Lucius and Grace of unimaginable horrors. She hears a baby’s cry in the night, her husband arguing with his sister and items seem to appear and disappear from her room with alarming regularity. Despite trying to help her husband in his work and fitting in with the Barker’s schedule, Madeleine finds herself labelled as ‘nervous’ and then framed for the most terrible of crimes. A crime she did not commit. As she faces a trial Madeleine’s only hope is her friend Caroline, but can she prove her friend’s innocence before she is hanged?

This was an absolute cracker of a gothic mystery with a heroine who is in a terrible catch 22; either shut-up and be complicit in something horrific, or keep asking questions and be labelled mad by her in-laws. She is utterly powerless, but tries everything within her limited options to improve her situation. Madeleine is intelligent and no one could say she hasn’t tried in her marriage. When finally Lucius does come to her room it is a perfunctory act where she might as well have been an inanimate object. She tries to get used to these new couplings but there is certainly no love or even tenderness in it. The outcome is further tragedy for Madeleine and a means for Lucius to control her movements even further and an excuse for their nightly encounters to stop. Once physically recovered, she tries to use the only gift she has, her ability to draw in a style that would work for scientific illustrations. She is then let into Lucius’s small museum, a veritable treasure trove of nature’s oddities and anomalies, but also bleached bones of various different creatures that he hopes will prove his theory that fish developed into birds and mammals. He is gratified that Madeleine has a strong stomach, able to converse freely about the best ways of bleaching bone. He has lost many a servant girl who accidentally discovered the museum or his workshop where he prepares the animals whose bones he uses. They embark on a trip to Dorset together where he is showing his latest finds to his peers and Madeleine hopes they will enjoy combing the beach for fossils and she can do some more sketching. However, she has underestimated Lucius’s fanaticism about his theory and the terrible lengths he will go to in order to prove it.

The author brings all of these strands together beautifully, the glimpses into the past finally catching up with the present and Madeleine’s terrifying predicament. Will she be found guilty of infanticide? Caroline is desperately trying to uncover the truth and proves herself to be an incredibly loyal friend. I had so many questions as the book neared it’s end and the tension was riveting. Was Madeleine really seeing her sister Rebecca in the streets around Evergreens? Were items genuinely disappearing and appearing in her room? Was she sane or had she succumbed to mental illness? What were the noises in the house at night and can she really hear a baby crying? In fact the answers involved new maid Tizzy, a down to earth girl who’d had her baby at Evergreens and she provides an incredible light bulb moment! Everything around me disappeared (including the housework and cooking tea) as the first glimmer of truth came to light. I had to finish this book right now! I loved the elements of feminist thinking that were brought into the text including the use of Christina Rosetti’s poem ‘Goblin Market’ which tells of men who will take away and ruin any young maiden who isn’t on her guard:

‘Dear you should not stay so late, Twilight is not good for maidens; Should not loiter in the glen In the haunts of goblin men.

‘Goblin Market’,Christina Rosetti, 1862

Rossetti worked as a volunteer in a religious house helping ‘fallen women’ for eleven years, women like Tizzy and Madeleine’s sister Rebecca. Although Rebecca is seen as the fallen woman by respectable people, Madeleine realises that her own marriage simply gives her a mask of respectability. It does not mean they are happy, in fact it disguises what is truly going on behind closed doors. She knows it would take irrefutable evidence to save her and this is why she is in utter despair during her trial. She can’t imagine anyone breaking through that polite veneer of respectability to help her, because they risk their own reputation. Yet she needs someone respectable to vouch for her because housemaids and fallen women hold no power. Caroline is a liminal person in this respect, she is accepted in society as the daughter and wife of doctors, but her father and Ambrose are psychiatrists, dismissed as ‘mind benders’ by Lucius and this sets them apart. They’re respectable enough to be believed, but not so restricted by their standing in society that they daren’t speak up. Caroline is well aware of how powerless women are and the fates that can befall them. When she first sees marks on Madeleine’s wrists she knows she’s seen them before, on Ambrose’s recovering patients; ‘they were women too’. I loved Madeleine’s relationship with Tizzy too, they clicked immediately and talked with a freedom Madeleine’s never had before. She is her one friend in a house where the wife’s place is to keep quiet and only appear when necessary. All in all, this is a really well written and researched novel with all the ingredients I love in an historical novel: a fantastic sense of time and place; strong female characters that break through the Victorian ‘Angel in the House’ stereotype; those Gothic elements to bring a sense of mystery. Then added to this are the addictive twists and turns of a crime novel. What an incredible debut this is!

Out now from Allison and Busby.

Meet the Author

Jody Cooksley is an author represented by literary agent Charlotte Seymour at Johnson & Alcock.

In 2023 she won the Caledonia Novel Award with The Small Museum, a chilling Victorian thriller that’s due for publication with Allison&Busby in May 2024. Sequel to follow in 2025.

Previous novels include award-nominated The Glass House, a fictional account of Victorian pioneer photographer, Julia Margaret Cameron (Cinnamon Press, 2020), and How to Keep Well in Wartime (Cinnamon Press, 2022)

She is currently working hard on her next novel, another Victorian gothic set by The Thames. She has previously published essays, short stories and flash fiction.

Jody works in communications and lives in Surrey with her husband, two sons, two forest cats and a dangerous mountain of books.

Posted in Netgalley, Personal Purchase

You Are Here by David Nicholls

Posted on by thelotusreaders

I have had the joy of reading two books, each by one of my favourite authors, back to back on my holidays and I have genuinely loved it. David Nicholls has been a household name thanks to the new production of One Day on Netflix. The beauty of Nicholls’s novel about friends Emma and Dex makes it one of my favourites of all time and I’m definitely not alone. There was a time back in the 2000s where if you were on a train journey most of the people in your carriage were reading One Day. It was a book that utterly broke my heart because I believed in those characters so much and the shock of what happened is still with me, to such an extent that I haven’t been able to watch the last two episodes of the series. I can’t bear what’s coming. Similarly, both the book and BBC adaptation of his novel Us was deeply moving but utterly real. With the wonderful Tom Hollander as his lead, we become so emotionally invested in this couple, then just as they’re ready set to out for a once in a lifetime trip his wife asks for a divorce. Their plan, to spend all summer travelling around Europe, would be their last trip as a family, before their son leaves home for university. Can they set aside this bombshell and continue with their holiday? The set up in both these earlier novels is so simple and You Are Here is no different. A group of friends travel from London to the Lake District to walk some of Wainwright’s routes through Cumbria towards the Pennines. Cleo has invited four single friends; Conrad is meant for copy editor Marnie and Tessa is intended to get on with geography teacher and dedicated walker Michael who is extending his trip to walk the entire coast to coast, ending in Robin Hood’s Bay. Michael is still getting over separating from his wife so finds these social occasions difficult, much preferring solitude. Marnie spends much of her time alone too, so this will be a step out of their comfort zone for both of them. When the others bail out after a day of endless rain, Marnie and Michael are left to walk together. Can they both strike up a friendship?

David Nicholls has this amazing ability to articulate the minutiae of conversation and communication between the opposite sexes. He’s also brilliant with those tiny moments of shared humour, stolen glimpses and the body language of love. It may seem strange that a whole book is about two people walking across the country, but everything happens within that time spent together. After a couple of days Michael can see that Marnie is an inexperienced walker but determined, intelligent and well-read. She has been in relationships that eroded her confidence, has a keen sense of humour but tends to lose it a little when tired and hungry. Marnie is surprised by Michael. Although she knows little about geography she can appreciate how passionate he is about his subject, he wears his beard as a mask so that people keep their distance, is perfectly comfortable in his own company and is hurt very badly by the break-down of his marriage. This isn’t two young people swept up in the blind passions of love at first sight. This is a slow burn. It’s a potential romance that grows slowly and unexpectedly for both of them. It’s lovely to read a ‘real’ love story about people who are older and have been kicked about a bit by love in the past. Nicholls has alternated each character’s chapters, so we’re also taken into Marnie and Michael’s inner worlds. Within these chapters we have flashbacks through their lives and their past relationships, slowly learning what has built these people who are in front of us, trying to bring their lives together. We are also privy to private thoughts that let us know this couple could be perfect for each other. When bullied into social activity by friends we can see that they’re both introverts. Michael agrees to a plan just to make Cleo shut up. She means well, it’s just that for her the answer to a empty weekend is the presence of others, while it’s their absence that floats his boat. Similarly Marnie knows that a bit of socialising is expected, however…

‘She had become addicted to the buzz of the cancelled plan […]for the moment no words were sweeter to Marnie than ‘I’m sorry, I can’t make it.’ It was like being let off an exam that she expected to fail.’

I understood Marnie. I was the kid at school who was so excited to have finished the reading scheme by age eight, because while everyone else was reading to the teacher I had free library time. I would pull up a beanbag and disappear into the world of the Little Women or Jane Eyre, loving that I was alone, out of the hustle and bustle of the classroom I was free to be anywhere just by opening a book and stepping through a wardrobe. Marnie gives a similar description of her early reading years to mine, the weekly library visits and the devouring of anything I could find and making no distinction between what was deemed literature and what wasn’t. My only criteria was that I enjoyed it. I learned to enjoy activities with friends – ice skating, horse riding, cinema – but nothing beat that thrill of knowing a delicious book was waiting in my room.

‘Private, intimate, a book was something she could pull around and over herself, like a quilt.’

Reading is a little like Michael’s walking in that it takes me on a journey, but also helps me unplug from the stress of daily life. If I’m reading a physical book it’s even more separate from the world because it’s not alerting me to things on social media, emails or messages from friends with cat videos. Marnie wonders if her reserve and need for alone time comes from her upbringing with parents she’d describe as cautious and timid:

‘At no point did her parents move house, gamble, use an overdraft, change jobs, have affairs, go abroad, shout in public, park illegally, eat on the street or get drunk, and while they must have had sex at some point, this was covered up as carefully as a past murder. Marnie was the only evidence.’

Michael is taking in the world around him, but at a totally different pace. He can stop and concentrate slowly on a beautiful bird song or the reflection of the hills in a still lake. He is a Romantic with a capital ‘R’, perhaps not a flowers and surprise trip to Paris sort of man, but he can see poetry in the everyday. As they stroll the hills he truly does understand the Romantic poets, engaging Marnie in conversation about routes that William Wordsworth and his sister Dorothea might have taken. He tries to feel the state of the sublime and thinks he often finds it in a spectacular view that couldn’t have been seen any other way than walking off the beaten track. He is still so caught up in the breakdown of his last relationship, still to some extent thinking as part of a couple although it’s clear to his friends that his wife has definitely moved on. He’s been so disconnected from his wife, for so long that he didn’t know anything was wrong and the shock of the split was seismic. This is why Cleo invites him on the weekend in the first place, to try and point him forwards, rather than backwards. This is a spiritual and mental journey for him, as well as a physical one. Michael has that symptom of depression where you feel like you’re looking at the world through a thick pane of glass, removed from reality. This is a protective barrier too, he keeps his pain so deep inside himself he thinks no one can see it. It stops him from being able to express himself and he finds Marnie so performative at first. She rails against her sore feet, the weather, the mud – all things that are so part and parcel of hiking it wouldn’t occur to him to do the same. Her humour does break through occasionally.

‘You’re funny, but I’m the one with the lighter rucksack so who’s laughing?’ ‘That is true. I’ve got twelve pairs of pants in here, for three nights.’ ‘Why?’‘I don’t know. Maybe I worried I might shit myself four times a day.’ ‘Has that ever happened?’ ‘Not since my honeymoon.’

By the end my heart was breaking for these fledglings. I so wanted them both to be happy, even if they simply ended as friends. David Nicholls throws in one last obstacle that takes us by surprise, even while my heart was racing I could see how much it was needed for that character to have a final epiphany. He’s brilliant at creating that bittersweet feeling that comes as we’re older and have romantic baggage. At first when we lose someone the shock and pain is everything, then after time and doing a little bit of work on ourselves a day hopefully comes where we can look back and it not hurt. We can acknowledge the pain but not let it overwhelm us. In fact, eventually, we can look back and smile about the good times, the love that was shared and how glad we are that we experienced it. That we’re able to move forward and enjoy new adventures. I really understand this from my own life and I genuinely closed the book with a smile on my face, knowing that both Marnie and Michael have so much life to look forward to whether together or apart on their journey.

Out now from Hodder & Stoughton (Sceptre)

Meet the Author

David Nicholls is the bestselling author of Starter for Ten, The Understudy, One Day, Us, Sweet Sorrow and now You Are Here. One Day was published in 2009 to extraordinary critical acclaim: translated into 40 languages, it became a global bestseller, selling millions of copies worldwide. His fourth novel, Us, was longlisted for the Booker Prize for Fiction.

On screen, David has written adaptations of Far from the Madding Crowd, When Did You Last See Your Father? and Great Expectations, as well as of his own novels, Starter for Ten, One Day and Us. His adaptation of Edward St Aubyn’s Patrick Melrose, starring Benedict Cumberbatch, was nominated for an Emmy and won him a BAFTA for best writer.

He is also the Executive Producer and a contributing screenwriter on a new Netflix adaptation of One Day. His latest novel, You Are Here, is out now in hardback.

Posted in Netgalley

The Mysterious Death of Katherine Parr by June Woolerton.

Posted on by thelotusreaders

What killed Katherine Parr? She was the ultimate Tudor survivor, the queen who managed to outwit and outlive Henry VIII. Yet just over eighteen months after his passing, Katherine Parr was dead. She had been one of the most powerful people in the country, even ruling England for her royal husband, yet she had died hundreds of miles from court and been quickly buried in a tiny chapel with few royal trappings. Her grave was lost for centuries only for her corpse to be mutilated after it was rediscovered during a tea party. The death of Katherine Parr is one of the strangest of any royals – and one of the most mysterious. The final days of Henry VIII’s last queen included a faithless husband and rumours of a royal affair while the weeks after her funeral swirled with whispers of poison and murder. The Mysterious Death of Katherine Parr dives into the calamitous and tumultuous events leading up to the last hours of a once powerful queen and the bizarre happenings that followed her passing. From the elaborate embalming of her body, that left it in a state of perfect preservation for almost three centuries despite a burial just yards from her place of death, to the still unexplained disappearance, without trace, of her baby, the many questions surrounding the death of Queen Katherine are examined in a new light. This brand new book from royal author and historian June Woolerton brings together, for the first time, all the known accounts of the strange rediscovery of Katherine’s tomb and the even odder decision to leave it open to the elements and graverobbers for decades to ask – how did Katherine Parr really die?

I do have a fascination with the Tudors and the life of Katherine Parr is one of the more interesting out of all Henry VIII’s wives. Most people focus in on the King’s ‘Great Matter’, which is what advisors called his apparent mental and spiritual battle around his marriage to Katherine of Aragon. A cover-up for the fact he wanted to dispense with a wife who would no longer give him heirs, preferably as quickly as possible and move on to his proposed mistress Anne Boleyn. The ‘Great Matter’ was simply an excuse for divorce and if only Katherine had gone quietly. As it was it didn’t take long for Anne to be out of favour too, but sadly Katherine was too ill to enjoy her replacement’s fall from grace. A few years later, Anne of Cleves would go quietly and in doing so received great favour from Henry and Anne Boleyn’s childhood home of Hever Castle. She was the most shrewd of the wives. It is Anne of Cleves and Katherine Parr that most see as escaping Henry’s barbarous habits of killing off his wives, but Katherine’s life after Henry was far from rosy. I always feel desperately sorry for this woman who loved a man from a very young age, but could never have him because of being married off to various old and infirm men who she nursed till their deaths. Katherine’s entire life is often reduced to these marriages, especially the last two; King Henry who she couldn’t refuse and finally, after Henry’s death, the love match she had always wanted with Thomas Seymour. There are various strange aspects to this last marriage, but the men she married are not really the sum of this intelligent and witty woman.

Courtiers saw Katherine’s marriage to Thomas Seymour as proof that the Queen had intelligence but absolutely no common sense, full of passion for a younger man who was certainly not worthy of her. In this book the author intends to uncover more about this interesting woman, by looking at the circumstances of her death and her burial place. The author clearly has a passion for her subject and has written the book like a true crime novel. This makes it compelling and meant I read it in a day when I was unwell in bed. The opening chapter was well written and placed perfectly to grab the reader and lead them into the mystery by looking at several odd events in the last twenty months of her life. I had always assumed that she’d married Seymour so quickly after Henry’s death, because she didn’t want to wait and be proposed to by someone else she couldn’t refuse. It is often mooted that she wanted to finally have some fun after dealing with an ailing Henry and the terrible ulcer that he received in a much earlier jousting match. The ulcer never healed fully and.was often weeping and painful. It is likely that sepsis from this infected leg eventually killed him. However, the author questions these long accepted facts as well as the assumption that her death was due to childbed fever. From my own reading I was aware of some of the information the author presents here. For example, before Henry’s death Katherine was the wife who managed to reunite him with his children. Most sources mention the close relationship she had with Elizabeth, possibly because Elizabeth left court to live with her stepmother in Gloucester after her father’s death. She also wrote regularly to Mary and Edward, convincing the King to invite his children to court and have them around him in his final years. Edward was of course the son of Henry and his third wife Jane Seymour, making Thomas Seymour the King’s uncle as soon as Edward took the throne. This made Thomas powerful, but it was also suggested he wouldn’t want a dowager Queen still of marriageable age interfering with his protectorship of Edward. What better way to take control than to become her husband?

Another rumour I’ve read in several history books and novels is that Thomas Seymour had his eyes on a much greater prize. Eventually, Edward’s reign would pass on to one of his sisters – an event that might come sooner than most expected since the young king was known to be frail. The Protestant Seymour’s would not want the Catholic Mary taking the throne, so if Thomas could get into the orbit of Elizabeth and start to influence her – no better than grooming – he could go from the King’s Uncle to the Queen’s Consort. I’ve read that Katherine Parr had a difficult pregnancy, with bed rest being recommended for many months. This left Thomas Seymour unoccupied and unsatisfied. He struck up a rapport with the Princess who was only a teenager. Elizabeth’s nurse Kat Ashley observed that he might pop into the princess’s bed chamber and was found ticking her when she was still in her night clothes. Kat made sure she didn’t leave Elizabeth alone for too long, but it is possible that the damage was done. Some sources suggest an absence for the princess not long after Katherine’s confinement. Could the teenage Elizabeth have been pregnant?

It’s only recently while watching a programme on Henry’s queens that I found out about that Katherine’s body had laid in a near perfect state for centuries. This was a fascinating part of the book that detailed the elaborate process of embalming and being interred in lead lined sheets before being placed in her coffin. All this was carried out with unseemly haste only 24 hours after her death from puerperal fever. She was buried only yards from her home of Sudeley Castle in the chapel. Over the years the chapel fell into disrepair and was removed, leaving no marker for her grave – a strange state of affairs for a woman who had been Queen. Her resting place forgotten, it was centuries later when Katherine was disinterred and so well preserved that her body was still perfect. At this point the grave was opened and keepsakes taken from her body, including a section of the lead sheet she was wrapped in. This was a terrible mistake and the natural process of decay followed very quickly. The grave was subject to further vandalism and investigation in a terribly undignified succession of events, including being left in the open on a rubbish heap! It took several decades and more indignities before a rector decided to disinter the Queen one last time and bury her where no one could get to the body again. Finally Katherine was at peace. However, for me the most pressing question about those final years of Katherine’s life is what happened to her daughter Mary, still a newborn baby when Katherine died. The author goes some way towards answering this mystery and shedding new light on Katherine’s final days. I thoroughly enjoyed the new light the author shed on why the Queen might have married Seymour, only months after Henry’s death. I found this new perspective speculative with little evidence to back it up, but it was still an interesting and valid theory.

I found some of the book a little disjointed as well as repetitive. The author jumped around from parts of Katherine’s life which was fine if you knew some of her story. However, if you didn’t the it might be harder to keep up. The author uses repetition and reminders about facts already established in other parts of the book, but for those who’ve read a lot of Tudor history or just have a good memory the reminders were a bit wearing and unnecessary. I do think that as a whole the book provides a thorough and well researched biographical introduction to Katherine. It’s also interesting enough to spark some thoughts for any lover of Tudor history. It also poses important questions about the final 20 months of her life and some I’d never considered, such as why she left court and moved to Gloucestershire far away from her allies and courtly circle? Was the description of her marriage to Seymour as a love match really justified? What was the full medical cause of death? Why was her burial so quick with a state funeral not even considered? I thought the author explored these questions well, as well as Katherine’s relationship with Edward and Mary, her other stepchildren who she wrote to regularly. It’s also interesting to read about her Protestant beliefs and how they led to her being the first woman and Queen to publish a book on her faith. I found this book mostly well researched and gave me new insights into her death, although the whereabouts of her daughter still remains a mystery. It is thought that Mary was entrusted to a noble woman and died in infancy, but that isn’t a proven fact. Also Katherine’s Protestant beliefs were more clearly explained, as was her power at the court before her royal marriage. It left me with a healthy respect for Katherine that I hadn’t had before and despite some repetition I learned some new facts about her life. Katherine Parr was certainly much more than the nursemaid Queen we are led to believe and deserves to be more than a footnote in Tudor history.

Published by Pen and Sword History 4th April

Meet the Author

June Woolerton is an author and journalist who’s spent twenty years reporting on and writing about royalty and royal history. She’s the editor of a major royal website and has written extensively for magazines and publications on history’s most famous monarchies and rulers as well as presenting podcasts and radio shows on royalty. In 2022, her book A History of Royal Jubilees was published. After graduating in history, she enjoyed a broadcasting career before moving into print and obtaining a degree in psychology. She lives near London with her husband and young son.

Posted in Netgalley

Bonjour Sophie by Elizabeth Buchan

Posted on by thelotusreaders

Can she escape the darkness of her past in the City of Light?

It’s 1959 and time for eighteen-year-old Sophie’s real life to start. Her existence in the village of Poynsdean, Sussex, with her austere foster-father, the Reverend Osbert Knox, and his frustrated wife Alice, is stultifying. She finds diversion and excitement in a love affair, but soon realizes that if she wants to live life on a bigger canvas she must take matters into her own hands.

She dreams of escape to Paris, the wartime home her French mother fled before her birth. Getting there will take spirit and ingenuity, but it will be her chance to discover more about her family background, and, perhaps, to find a place where she can finally belong.

When Sophie eventually arrives in the Paris arising from the ashes of the war, it’s both everything she imagined, and not at all what she expected…

Most readers will know I have a fascination for the period directly after WWI, but recently I’ve been looking at books and films that have explored the aftermath of WW2. Originally I watched a film called The Aftermath starring the brilliant Jason Clarke and Alexander Skaarsgaard that followed a British colonel posted out to Nuremberg after the war ends. His job is to help rebuild and I remember being shocked that people were living in homes where their outer walls were missing, almost like looking into a doll’s house. Since then I’ve read novels set in the occupied countries like Poland and France and gaining other viewpoints makes you remember that the majority of people are caught up in a war they don’t want to fight, are tormented with memories of things they’ve done to survive and are still waiting for the return of those they love. I think we imagine that once the war was over, everything went back to normal, but that was far from the truth. Prisoners of war were kept, by us, for several years after the war ended, rationing only ended in 1954 and we were still rebuilding London till the mid 1970’s. It’s in this aftermath that we meet our heroine Sophie, just finishing boarding school in England with her friend Hettie. Sophie has a complicated past and her school years have been a temporary period of fun and friendship. Now she must return to the home and parish of clergyman Osbert Knox, an English village where her French mother ended up in dire straits during the war. Camille was pregnant and had fled Paris during the occupation, leaving behind Sophie’s father who was fighting in the Resistance. Lucky for the Knoxes, Camille had great housekeeping skills and she repaid their kindness in cooking, cleaning and implementing a household system that enabled them to concentrate on their parishioners. Sadly, Camille died and now the Knoxes are expecting Sophie to return from school and pick up where her mother left off, learning to keep house and support the couple. Sophie needs to earn back her keep and education, only then will Osbert return her mother’s precious savings book. This was money that Camille managed to save from her meagre allowance, knowing that Sophie would need something to restart her life with. Sophie dreams of returning to Paris, the home of her parents, but there’s only problem. She is sure that money is being taken from her mother’s savings. So she makes a decision to bring her escape forward, to find the savings book and flee with whatever is left to France and look for her father.

Sophie is a resilient girl, intelligent and able to read people. She doesn’t trust Osbert, but is still horrified to find that he expects her thanks to extend to much more than cooking and cleaning. Now she must escape and sooner rather than later. Sophie wants to build an independent life for herself, full of new experiences. She isn’t afraid about change, she’s quite matter of fact about those experiences she wants to try. She has a friendship with Johnny from the nearby farm and plans to lose her virginity with him, rationalising that it’s something she wants to get out of the way. This ability to single out what she wants and succeed in getting it will stand her in good stead once she gets to Paris. She has a deep yearning to connect with her history, even if her father hasn’t survived, she wants to know what he did during the war. Was he the hero that her mother painted him to be? Sophie knows that the scars of war run deep, that her father might have done terrible things to survive. The author writes about the moral compromises people make in war without judgement, allowing the reader to make their own decisions, but also reinforcing the point that no one knows what they’re capable of until they’re under duress. Finding her father isn’t easy though. She takes work in an art gallery and uses her wage to hire a private investigator. She finds out about the paintings looted from Jewish families during the occupation, removed by the Germans as the owners were transferred to concentration camps. However there were French collectors and gallery owners who collaborated in these deals, using a terrible atrocity as a business opportunity. She also finds that there are so many people looking for someone: husbands who never returned from the battlefield but are not amongst the dead; resistance fighters executed and thrown in a shallow grave; women killed for their collaboration with German soldiers during the war. There are vendettas and grudges still playing out and Sophie is warned that she might not like what she finds. Some secrets should remain buried. The buildings in Paris echo the the trauma still felt by the people, from a distance they look okay but close up it’s clear that there’s been no maintenance. The paintwork is peeling and the stone is damaged, but there is still beauty.

I really enjoyed the friendship between Sophie and Hettie, who has returned home to constraints of her own. She is trapped in within the expectations of her parents and her class. Hattie is expected to be a ‘deb’ and be presented for the London season. If she shines she might attract the right sort of husband. Her only route is marriage and children, no independence or career path. She has to be engaging but not appear too clever and put suitors off. Neither girl has any type of sex education, is not allowed her own bank account or make decisions about her own fertility. It’s scary to me that a lot of these restrictions lasted into my mother’s lifetime! Thankfully Hettie has a belated rebellion. I loved that the girl’s friendship lasts a lifetime and they give each other support and strength. This feel like a transitional period in time, where the world is trying to recover from war and it was a huge realisation to me that it took this long. I remembered reading that it was Ed Balls who, as chancellor, paid the final debts from WW2 and being so shocked. It takes people a lot longer to heal and return to themselves. My own father in law took many years after WW2 moving from the Siberian forest through the Middle East and North Africa and into Europe. He eventually settled in London, but his wartime experience still haunted him when he lived with us in the 2000s. I think Elizabeth Buchan has a way of writing about how we come to terms with generational trauma like this. Here she has mixed a thoughtful and complex historical period with a coming of age story. Just as Sophie is becoming a woman, the country she escapes to is also in the midst of a change. It is by finding out about WW2 and the terrible stories of living in Paris under occupation that she starts to understand her parent’s story and the courageous choices they made. Despite the pain and loss, Sophie’s experiences have a joy about them as she attempts to build herself a life with resilience and happiness. Buchan’s writing always has a melancholic, bittersweet feel. There’s a sense that life and the greater world are imperfect, even dangerous, but we can still live happily within it.

Out now from Corvus Books

Meet the Author

Elizabeth Buchan was a fiction editor at Random House before leaving to write full time. Her novels include the prize-winning Consider the Lily, international bestseller Revenge of the Middle-Aged Woman, The New Mrs Clifton and Two Women in Rome. Buchan’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for the Sunday Times, The Times and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She was a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award. She is a patron of the Guildford Book Festival and co-founder of the Clapham Book Festival.

Posted in Netgalley

House of Mirrors by Erin Kelly

Posted on by thelotusreaders

Erin Kelly’s latest novel is a return to characters who started life in The Poison Tree. Rex and Karen are a bohemian couple, who like a quiet life and love their daughter Alice who has flown the nest to live in London with her boyfriend Gabe. Karen is still living with the secret of what she did years ago, constantly worrying that Rex or Alice will discover the truth. Rex came from the wealthy Capel family, but the couple are far from comfortable. Rex is estranged from his wealthy father Roger Capel who has new and much younger wife and family. There’s a reason the couple keep a low profile, as a young man Rex was convicted of double murder. What happened on ‘The Night Of’ has overshadowed them all. Rex and his sister Biba were alone at the family home, when Biba’s boyfriend turned up and an argument ensued. The disturbance alerted the neighbours and one came round to see if everything was okay. Within minutes both Biba’s boyfriend and the neighbour are dead. There are so many questions about what happened that night. What was the argument about? Where did the gun come from? Were Rex and his sister the only ones there that night? Rex took the blame for the murders and served his time, with Karen staying faithfully by his side throughout. Did Rex really commit the crime? However, the mystery that has haunted the family for years is what happened to Biba? After that night she has never been seen again.

Rex and Karen’s daughter Alice is starting a vintage dress shop called Dead Girls Dresses. Strange things have happened since the opening though. Alice has had dropped phone calls at the shop and an oddly dressed woman with her face covered visited the shop. Could it be her Aunt Biba? Then Alice’s grandfather Roger Capel dies and leaves his granddaughter all of the womens clothes from the family home and it’s a treasure trove! Trawling through these pieces and trying them on brings Alice even closer to Biba. I thoroughly enjoyed the Alice in Wonderland details in the book, from the mirrors and chequered floors of the ‘the night of..’ to an Alice themed event at the dress shop. There is a sense, as the story goes on, that we are falling further and further down a rabbit hole. I’m a sucker for fashion and vintage so Alice’s shop was a glorious pick ‘n’ mix of beautiful pieces. This was a shop I would visit and the aesthetic sounded like my study – taxidermy, a white rabbit, antique inkwells, Venetian masks and a candlestick that’s in the shape of a monkey wearing a dress are just some of my weird objects! I thought the general shabbiness of Alice’s apartment was very believable. It’s in a large house where the ground floor is uninhabitable, so they have to squeeze upstairs having no money for repairs. I thought that the author captured Alice’s naivety very well and I could easily believe she would end up in a relationship with Gabe who’s a militant climate change activist. I felt like his activism and relationship with best friend Stef came first in his life, despite professing to be madly in love with Alice. I know that once you start siding with parents in novels and films you’ve reached ‘old’, but I had the same misgivings as Karen. I thought Gabe was gaslighting Alice and making her doubt herself, I just didn’t know why. I kept wishing that Alice would have the strength to recognise and resist him.

Erin Kelly is an author I’ve read since her very first novel and she has a way of writing something utterly compelling and full of tension, but also full of unusual details. There’s the quirky references to Lewis Carroll’s Alice and funny little everyday instances, like trying to unmask the dog constantly using the opposite shop’s doorstep as a toilet. There were also those ideas about twinning, doppelgängers and mirrors that added an uncanny element to the story. Using Alice and Karen to narrate the story in alternate chapters means we can see the relationship between mother and daughter. Karen’s fears for Alice with regards to Gabe and his coercive control really amplified the tension. We see Alice’s frustration with her mum, but also her concern for her father who she believes was innocent of murder. She knows that Rex is loyal to those he loves and she starts to suspect he may have been covering for someone else. I also sensed that there was so much more to the double murder then either Rex or Karen were admitting to, especially to Alice. Possibly something to do with aunt Biba? As Biba started to overshadow Alice’s thinking and the strange calls continued I was on tenterhooks waiting for the truth to be revealed. It’s a massive shock when someone from the past does turn up, but it’s not anyone the family expected. For Karen and Rex this newcomer is an eerie reminder of his sister. They also upset the dynamic of Alice’s relationship and Gabe feels very put out when his attempts to control their role in the group fails and it looks like Alice might become influenced by someone else. I would have thought that Gabe being pushed out would be exactly what Karen wanted but strangely she seems concerned too. I kept remembering that someone in this family is a murderer and they could strike again. I also wondered what those involved might be driven to, in order to keep their secrets. As the final pages came I was still shocked by what actually happened! It’s amazing the lengths people might go to for someone they love.

Out now from Hodder & Stoughton

Meet the Author

Erin Kelly is the Sunday Times bestselling author of The Poison Tree, The Sick Rose, The Burning Air, The Ties That Bind, He Said/She Said, Stone Mothers/We Know You Know, Watch Her Fall and Broadchurch: The Novel, inspired by the mega-hit TV series. In 2013, The Poison Tree became a major ITV drama and was a Richard & Judy Summer Read in 2011. He Said/She Said spent six weeks in the top ten in both hardback and paperback, was longlisted for the Theakston’s Old Peculier crime novel of the year award, and selected for both the Simon Mayo Radio 2 and Richard & Judy Book Clubs. She has worked as a freelance journalist since 1998 and written for the Guardian, The Sunday Times, Daily Mail, New Statesman, Red, Elle and Cosmopolitan. Born in London in 1976, she lives in north London with her husband and daughters. erinkelly.co.uk twitter.com/mserinkelly

Posted in Netgalley, Publisher Proof

House of Shades by Lianne Dillsworth

Posted on by thelotusreaders

Hester is a doctoress, using her mother’s skills and recipes to treat the ladies of the night around her Kings Cross home. She’s offered a commission to work in the Fitzrovia home of Gervaise Cherville, a rich factory owner with declining health.

If Hester can diagnose and treat his illness he will pay her ten pounds, a life changing amount of money in 1833. Thinking that the fee will help them move to a better area of London, she leaves behind husband Jos and slightly wild sister, Willa, to work at Tall Trees the Cherville mansion. However there’s a dark energy in this old house, as if there’s a curse on Cherville and his mansion.He asks if Hester will track down two women who worked in the house – Aphrodite and Artemis. However, they weren’t servants but slaves and Cherville’s treatment of them torments him and keeps him awake at night. If Hester can find the women, allowing him to make reparation before he dies, he will raise her fee to twenty pounds. Hester is torn, twenty pounds would allow them to move to the country, removing Willa from the temptations that keep her out at night. Yet, will these women want to found, especially given Cherville’s abuses of power? Also, can Hester as a black woman, put another black women in danger without the consequences being on her conscience forever?

Inheritance is a huge theme in the novel and especially, the way in which characters receive their portion. Of course an inheritance isn’t always financial and the intentions of the giver play a large part in what it can do. Hester’s mother has given her an incredible inheritance, her doctoress’s bag of herbs and potions that can ease sicknesses of the mind and body. This of course helps her earn a living, tending to the prostitutes around their part of town at night. Kings Cross is known as a red light district and Hester tends to their venereal diseases, but also their bruises when men take what they want without paying. However, she also has the keeping of her younger sister Willa which isn’t easy. Willa is wild, easily led and naive when it comes to the intentions of men. Hester’s husband Jos finds it difficult living with Willa, especially when the sisters are at odds with each other. Willa works at the Cherville’s factory and has been noticed by Gervaise Cherville’s son, Rowland. It’s clear to Hester that his intentions aren’t honourable, but can she convince her headstrong sister that he isn’t as in love with her as he claims? When working at the Cherville’s house can she stop Rowland from recognising who she is, while also taking care that he doesn’t put undue influence on his father. Rowland isn’t happy with Gervaise giving away ‘his money’ in reparations, after all their plantation has hundreds of slaves and where will his charity end?

I loved the double meaning of the title House of Shades; the shades or ghosts of the past play their part here, especially in the mahogany furniture Cherville had made from the trees on the plantation. However, it also refers to shades of skin colour. I loved how the author explored the concept of ‘passing’ and colourism, especially in the light skinned character Lady Raine. Hester herself is very dark skinned, a colour that immediately places her in an unusual category. Her position as a doctoress situates her far higher in a house’s hierarchy than we might expect. There would be darker skinned slaves on Cherville’s plantation who are confined to working in the fields and bear the brunt of the ill treatment meted out, whereas those slaves considered lighter skinned might get to work in the household. Traditionally house slaves were thought to be higher in status than field workers, but whereas field workers get to leave the crops and spend time with their families in the village in he evenings, house slaves are at the beck and call of their master or mistress and even sleep in the house away from their families. They’re also closer to the male family members and therefore very vulnerable. There is a moment where Margaret is startled when she bumps into Hester on the landing, lurking in the darkness. She would only expect to meet servants of her own status on the master’s floor, not a black woman with her herbs and potions. I wondered how light skinned Willa was, to make her ‘palatable’ to Rowland Cherville, who appears to think slaves are expendable. He certainly doesn’t want them taking ‘his’ money.

Reparations are a huge theme in the novel and potentially the cause of Gervaise Cherville’s illness, as he admits the concerns and guilt around his treatment of slaves. Could his disturbing symptoms of insomnia, hallucinations and sleepwalking be put down to the end stage syphillis he’s suffering, or are the women he’s wronged in that house haunting him? When Hester first finds a dark, cold room off the kitchen she feels straight away that this isn’t a cold larder. There’s something about the space that she can feel and isn’t remotely surprised that slaves were sleeping in there, deemed unfit to be housed in the attic rooms with the servants. If all he wants to do is make reparations and apologise would it help the women to hear it? Or will the mention of their former master be so terrifying it disturbs their lives and leads to them fleeing once again? I suspected Gervaise hadn’t told Hester all that transpired between him and the women, in fact I doubted he even fully understood the extent of what he’d done. Yet it was Rowland Cherville who made my blood run cold, not only is he entering into exploitative relationships with young women who work in his factory but he doesn’t appear to have any empathy at all. His entire focus is on his own needs. He refers to his father’s money as his own, even though his father is still alive, and seems to have no feeling for his illness or imminent death. In fact he’d rather his father died, before he’s able to give all his money away. He also cares nothing for any of the slaves on whose backs the factory, Tall Trees and his inheritance have been built. They’re simply incidental to his own plans.

I really enjoyed the way this novel took me into the reality of Victorian England for black women. It gave me a new perspective, after Lianne’s first novel which looked at the rise of freak shows and the display of black women’s bodies. The private showings being another insidious and secret experience like rich men using women as domestic slaves and the objects of their desire behind closed doors, while seeming like a respectable businessman to society. Yet, the freak shows seemed to be freer and more in the control of the individual performer. One of the things I hated most when I visited the Slavery Museum in Liverpool, was the taking away of identity, so the way Cherville gave his slaves the names of goddesses made me shiver. It shows his desire for them on one hand, while keeping them in a cupboard, locked away all night like animals. While Hester is searching for them I was wondering whether they’d found their identity again, reclaimed their names and found a space to be relatively free. I feared that they’d had to adopt yet another identity, to disappear, constantly looking over their shoulder. Hester is a heroine that it’s easy to become involved with and I really sympathised with her feeling of being in-between: torn between being a wife and a sister; between her patient and her fellow women; not a servant, but not entirely free either. There’s even a revelation that draws her further into the history of Tall Trees. I wanted a happy ending for Hester, that she might be able to leave London and live that simpler life she and Jos have been craving. This is another triumph for Lianne Dillsworth and neatly places her on the list of authors whose books I would buy without question in future.

Published on 16th May 2024 from Random House

Meet the Author

Lianne Dillsworth lives and works in London. She has always loved anything and everything to do with books and her earliest memories involve reading and being read to. At school Lianne’s favourite subjects were English and History, so when she started writing, historical fiction was a natural choice. In Theatre of Marvels, her debut novel, Lianne indulges her love for the Victorian period evoking London in all its mid-nineteenth century glory. She is currently working on her second book under the watchful eye of her tiny terrier.

Posted in Netgalley

Goodbye Birdie Greenwing by Ericka Waller

Posted on by thelotusreaders



Birdie Greenwing has been at a loose end ever since her beloved twin sister and husband passed away. Too proud and stubborn to admit she is lonely, Birdie’s world has shrunk. But then some new neighbours move in to the house next door. 

Jane has come to Brighton for a fresh start, away from her ferociously protective mother Min. While Jane finds it hard to stand up for herself, her daughter Frankie has no problem telling people what she does and doesn’t want. Ada Kowalski has come to England to follow her dreams, but her new life is harder than she expected.

When a series of incidents brings their lives crashing together, the three find that there is always more to a person than meets the eye …

Goodbye Birdie Greenwing celebrates relationships in all their quirky, complicated uniqueness. It is a story about the choices we make and how we justify them. About finding out who we are, not who other people think we should be.

I read Ericka’s novel in a day because I simply loved being in the presence of these lovable and contrasting characters. As I met each one I could see the impact they could have on each other’s lives. As the author takes us inside their everyday lives, their inner worlds and their pasts she looks at family dynamics, sisters, mothers and daughters, but also the whole question of being a woman in the 20th and 21st Century. In fact there was a point when I was reminded of America Ferrara’s speech in the film Barbie. It addresses the choices we make, the expectations placed on us within our families, by other women and by society at large. She takes us into that contrast of who we are, how we compare that to our internal and learned ideas of what the word ‘woman’ means. Birdie, our central character, is a elderly woman living alone in Brighton with her little dog Audrey. She lost her sister Rose and husband Arthur several years ago. She is stunned when tests at hospital confirm she has cancer, but before the doctor can give her more information and make a plan Birdie has walked out. Her oncologist Ada recognises that determined walk and the lift of Birdie’s chin. She realises that Birdie is going to face this alone and she worries that she will struggle without the help that can be offered. In fact Ada realises that Birdie lives on her street, so takes to walking past and checking for telltale signs that Birdie is struggling. Ada is also lonely after relocating to Britain from Poland. Used to life on an isolated farm and a very different society, Brighton can be a lot to take on. Despite friendly overtures from her secretary Denise and Connie in the WRVS cafe Ada is solitary, except for the time she spends helping Aleksey and Lech in the Polski Sklep. When a new intern starts on her team Ada’s teamwork skills will be tested, not to mention her social skills. Finally, there’s Jane and her daughter Frankie who have recently moved in next to Birdie from Bristol. Jane is struggling with the guilt of moving away from her mother Min, although her sister Suki is out in Asia just living her life as she chooses. They used to be so close, but now all she gets are emojis. Her daughter Frankie’s bluntness and practical nature might seem like a hindrance when forming new connections, it certainly gets Jane called into school enough, but could her lack of inhibitions and tact actually help them make friends?

There are two mysteries in the novel and I enjoyed watching them slowly unravel. There’s the mystery of what has happened to Birdie’s husband and sister, Arthur and Rose. At first I wondered if they’d run away together but Birdie’s guilt seems to have lasted for decades. The other mystery is what has broken the relationship between Jane and her sister Suki? Suki is distant and even when she rings to speak to Min, she’s very quick to end the call if Jane is present. Jane tries hard, sending her sister funny videos, memories of their childhood and information about Min but only gets emojis or a thumbs up in return. Each of the women have a sister and their relationships with them are fascinating. Birdie always felt responsible for Rose as she had rheumatoid arthritis. When she met Arthur and fell in love she hadn’t imagine she might have to make a choice, so when Arthur asks her to marry him she hesitates. What about Rose? Luckily Arthur had realised that the two sisters were a package deal. Birdie felt guilty that Rose wouldn’t have the same choices in life and whether there was something she did wrong, before they were born, that led to her sister’s disability. Birdie worried that she’d somehow pushed herself forward in the womb and take more than her share. Now Rose was ill as a result. Jane and Suki’s rift seems to date back to when the sisters went travelling together. Jane returned from Thailand with Frankie and moved back in with Min, but Suki stayed. They are very different women, with contrasting life choices but that shouldn’t stop them being sisters. Ada has a sister called Ania, but she has chosen a very different life. While Ada is saving lives in a different country, Ania lives close to their parents and is married with children.

I’ve never had a sister, but it seems as if they provide an instant comparison; they are the mirror in which your own life is reflected. Ada feels like the ‘bad’ sister, the one who followed her own dreams rather than staying to work the family farm. This choice has cut her off from the family in a way. She knows they sacrificed a lot for her education, so she sends part of her salary home every month and when she visits takes them gifts. She wants to show them that their sacrifice was worth it and she is doing well. However, this changes her standing in the family and while there’s no red carpet for Ania, when Ada comes home she is treated like a guest, placed in the best room and given the special soap saved for visitors. She feels like a stranger in her childhood home. She would be happy to throw on jeans and help with the animals but they won’t let her. It’s hard for her to accept these two sides of herself; the Ada who would happily muck out the cows and the Ada who wears a suit and saves lives. She thinks that her parents value Ania more because she made the ‘right’ choices and is still part of the community. Whereas Ada’s life is outside their experience and difficult to understand, her ambitions are perhaps unnatural as opposed to motherhood. Similarly, Jane had wanted to have children, a revelation that took her by surprise, whereas Suki knew she didn’t want motherhood. Could there misunderstanding be explained by this difference? Could Suki feel guilty or even selfish for not having children and making life choices based on what she wants? However, just because you’re childless, it doesn’t mean you can’t ‘mother’ people. There’s also a generational difference in the way they mother, with Min’s tactless and sometimes hurtful words seeming like they belong in another century. There’s a way in which Min and Frankie are very similar in character, but now everything has to have a label. Jane wonders why Frankie has to be pigeon-holed and defined in some way. Why is it always Frankie that’s in the wrong? She has a much softer way of mothering that ironically Frankie often sees as fussing and she much prefers the more practical attitude of grandmother Min.

Where Waller really moved me, was where these quirks of character benefitted someone else. Where even those aspects that you’d struggle to call positive found their place in the world. Frankie has no inhibitions and Jane is called into school when she gives a classmate a frank assessment of her braces, including the trapped cabbage. She doesn’t understand why the things she says are wrong when they’re true. When Birdie has a short stay in hospital and has the realisation that she might be in her final days it’s not medical professionals Jane or Ada that she needs. At first it’s Frankie who goes in and decides to help, making Birdie comfortable and making her some lunch. The two rub along nicely together, probably because there’s no fuss with Frankie and I understood that need for someone who isn’t flowery, overly chatty or phased by her illness. Similarly Min is the perfect carer for Birdie, she suggests that being of the same generation might make Birdie feel more comfortable and even Ada has to agree that their dynamic works. Min and Frankie’s help reminded me of how Ada’s parents would help their neighbours out. On her visit to family in Poland, Ada noticed how her mother’s farmhouse provided a quiet place for people to get away, like the neighbour who comes in on Saturday mornings to read his paper. This communal way of living is echoed by Aleksey and Lech who happily feed Ada; their fondness is shown in a practical way. Ada’s secretary Denise is stunned when, after years of finding her a bit of a cold fish, Ada offers her a home after the split from her husband. It shows we should accept people as they are, because we all show emotion and affection in different ways.

I felt like this was another book about connection, both with others and with ourselves. It’s a subject I find fascinating and I’m picking it up a lot lately in fiction. I wonder whether this is an unconscious response to the isolation of the pandemic. The author is brilliant at depicting those little inhibitions and we hear them in each woman’s narration. Jane hovers on the edge of a ‘huddle’ at work because she doesn’t know if she’ll be welcome or not. Ada doesn’t knock on Birdie’s door for professional reasons but also because she doesn’t want to impose. They all have to learn how to connect with who they are. Jane needs to learn to assert herself more, to accept her life choices and explore why she’s spent years of her life as a single woman. Suki’s guilt over the choices that were right for her stop her having a relationship with Jane and Frankie, but it was the right choice. As Ada compares herself with Ania she needs to see that it was right for Ania to stay near family and become a mum, but that moving away and using her skills to help others was the right choice for her. Even Birdie, who is the central character around which these interesting women revolve but she too has a lot of acceptance to do. She must accept this new vulnerability and need for help from others, as well as accepting she deserves it. Mostly she needs to forgive herself, for something that wasn’t even her fault. She has punished herself for years and it is the lovely Connie (whose collection of innuendo laden mugs rivals my own) in the hospital’s WRVS café who helps her see that while she still has time this is her time. While we still have life, we must live it. Whether we have months, days or hours left, we must live them.

Meet the Author

Ericka Waller is 38 and lives in Brighton with three daughters, too many pets and a husband.

She is an award winning blogger and columnist.

When not writing she can be found walking her dogs, reading in the bath or buying stuff off eBay.

Posted in Netgalley, Publisher Proof

Profile K by Helen Fields 

Posted on by thelotusreaders

I’m going to say up front that I’m a massive Helen Fields fan, with The Last Girl to Die being a particular favourite of mine. Her last novel introduced us to the unusual and complex psychologist and profiler Dr. Connie Woolwine at The Institution. Connie makes a cameo here, but the undoubted heroine of this tale is Midnight Jones. Midnight lives with her twin sister Dawn ( see what the parents did there) and is her main carer, since their parents chose to go travelling when Midnight finished university. Dawn was affected by lack of oxygen at birth leading to Cerebral Palsy. It’s effects are very individual to the patient, but it can cause both physical and intellectual disabilities. Dawn is profoundly affected, needing care 24/7 and that’s why Midnight is desperate to keep her job at Necto. She needs their higher than average pay packet to cover the costs of care. The company like to present themselves as an ethical firm, starting with their space age offices, filled with plants and trees that help create a better work environment. They have their fingers in many pies, but Midnight is a profiler and every day works through thousands of applications for universities, the military and other organisations, passing some applicants through to be interviewed and rejecting others based on assessment data alone.

Necto’s testing systems are so sophisticated, there’s nothing about the applicant they don’t know. In assessments, virtual reality head sets show images and the applicants every response is recorded from intelligence to levels of empathy. Then, dependent on the parameters for the particular institution they’re applying to, they are accepted or not. However, on this particular day Midnight finds a candidate who isn’t run of the mill, in fact he’s a one-off. In training, a candidate like this is jokingly dubbed a ‘Profile K’- for killer – Midnight finds a man who has recorded as showing zero empathy. When she watches the footage he was shown through her own headset, she is sickened by what she sees. This is way beyond the normal films shown to illicit empathy, it’s as if the machine couldn’t get a reading so has chosen more and more disturbing and violent images that should provoke empathy and disgust. Yet none comes. Unable to compute the response and also where such extreme footage could have come from, Midnight decides to take this further but her supervisor Richard Baxter isn’t interested. So she goes over his head, telling his boss that she’s found a Profile K. Surely they have a duty to report him, what if he’s dangerous? What if he kills? 

I’ve read three great thrillers this weekend in quick succession but this was by far the most inventive, with a hint of dystopia and a touch of social justice that was right up my street. I empathised with Midnight’s situation, determined not to let down her sister Dawn but struggling to pay for just enough care that Midnight can go to work. There is no room for a social life or romance. Their heads are just above water, but there’s no flexibility or empathy for her care role within her company, despite it’s apparent ethics. She takes a big risk taking her findings higher than Richard Baxter, because if she loses her job how will she afford the care Dawn needs? Yet she can’t ignore what she knows. Especially when the worst happens. A young woman is killed very close to where she and Dawn live and although Midnight doesn’t know this at first, the torture methods used are very close to a scene from the film shown during the Profile K’s application process. The victim was subjected to the death of a thousand cuts, which would have been both a painful and long drawn out way to die. Midnight is horrified to find that her boss would rather keep her discovery under wraps and she’s reminded of her non-disclosure agreement. What reason could they have that’s better than saving the lives of future victims? Midnight has read about the psychologist and profiler Dr Connie Woolwine and has a theory to run past someone with her expertise. Not expecting a response, she sends a message and is pleasantly surprised when the unusual doctor calls her late at night to talk it through. Midnight is scared of the consequences, but sure of her theory – could Necto have known about the Profile K? What if they showed the violent material on purpose to trigger a response? To turn someone with killer potential into a killer for real. 

I absolutely loved this belting thriller, because it was complex and intelligent but also full of human feeling. I guess this might sound strange when there’s quite graphic violence involved in some scenes, but they’re balanced by the pure depth of feeling Midnight has for her sister and later on for the elderly lady they begin a friendship with. I loved how authentic Midnight’s caring situation was, with a very clear struggle between wanting to provide the best help for someone she loves but feeling the fear of that sole responsibility. The anger she feels towards her parents is very real, because although she understands their need to follow their dreams, their freedom has curtailed her own. She can’t make any life decision without factoring Dawn in. How could she have a romantic relationship? What if she falls ill herself? Having been a carer I know how lonely and exhausting it can be. We can see the pull between home and work life, in that they both hinder and are dependent on each other. Parts of the book are genuinely terrifying. There is a scene that’s going to stay with me, like that episode of Luther where a woman gets undressed and climbs into bed followed by a ceiling shot where a man slowly slides out from underneath as if he’s been working under a car. It’s that combination of vulnerability and evil. We’ve all done that walk home where we get inside and lock the door, then take a deep breath and know we’re safe. To be attacked in that moment is heart-stoppingly scary! In the end, everything had to stop for those final chapters as I raced through to find out what happens. I was glued to these scenes, made all the more terrifying because the victim doesn’t have a clue how much danger she’s in. It’s one of those finales where I put the book down and realised every muscle in my body was tense! I needed some yoga stretches and a few episodes of Friday Night Dinner before bed to unwind. This is an absolute cracker of a read and I highly recommend it.

Published by Avon 25th April 2024

Meet the Author

A Sunday Times and million copy best-selling author, Helen is a former criminal and family law barrister. Every book in the Callanach series has claimed an Amazon #1 bestseller flag. ‘Perfect Kill’ was longlisted for the Crime Writers Association Ian Fleming Steel Dagger in 2020, and others have been longlisted for the McIlvanney Prize, Scottish crime novel of the year. Helen also writes as HS Chandler, and has released legal thriller ‘Degrees of Guilt’. In 2020 Perfect Remains was shortlisted for the Bronze Bat, Dutch debut crime novel of the year. In 2022, Helen was nominated for Best Crime Novel and Best Author in the Netherlands. Now translated into more than 20 languages, and also selling in the USA, Canada & Australasia, Helen’s books have won global recognition. She has written standalone novels, The Institution, The Last Girl To Die, These Lost & Broken Things and The Shadow Man. She regularly commutes between West Sussex, USA and Scotland. Helen can be found on X @Helen_Fields.

Posted in Netgalley, Personal Purchase

The Star and the Strange Moon by Constance Sayers.

Posted on by thelotusreaders

Constance Sayer’s latest book has a lot of her literary trademarks: time slip narratives; a mystery to solve; magic realism and romance. She places her story in the world of Hollywood and film-making, with two main characters – the actress Gemma Turner and young film-maker Chris Kent. In 1968 Gemma is staying in London with her rock star lover Charlie Hicks when she is offered an unexpected film opportunity. Until now Gemma has been making a series of surfing films based in California, but she’s been longing to make something that has more critical acclaim. French director Thierry Valden is part of the nouvelle vague or new wave movement and has offered her the lead role in his next film L’Etrange Lune a vampire film set in 19th Century France. He seems open to changes and often works with improvisation so her long held skills as a writer might be needed too. However, when she gets to Thierry’s chateau the mood seems to have changed. She is greeted by Manon Valden, who warns Gemma off her husband immediately which isn’t very welcoming. Thierry doesn’t seem like the man she met before and when she reads the up to date script it still has the same stilted dialogue, despite the potential changes she had sent him. When she finally speaks to Thierry alone, he makes it clear that something has changed. He had envisioned more of a collaboration both on the script and possibly in the bedroom, but L’Etrange Lune will be his final film and he can’t afford to take risks. Gemma will have other opportunities for scriptwriting but he won’t. The next day as they’re filming in the nearby town of Amboise, Gemma has a scene where she runs down a darkened and cobbled alleyway, seconds after calling action the camera has suddenly lost her. Has she fallen on the cobbles? Are the dark shadows concealing her? Maybe she’s walked off in a huff. Yet it seems Gemma is genuinely gone and as they look back over the scene on film, frame by frame, she’s simply disappeared in front of their eyes.

Christopher Kent has had a strange fascination with the actress Gemma Turner since he was a child. Now at film school in 2007, his attachment to the actress stands out because she was never one of the greats – students aren’t usually hung up on obscure actresses from a handful of surf films. He remembers the day he first saw her, in a hotel where vintage black and white photos of actors were hung next to every door. In a very chaotic and traumatic childhood, this was one of those moments where he and his mum were without a roof over their heads. Chris could sense his mum was edgy and on the verge of a mood change, but as they approached their room and she saw the photo by the door she flew into a rage. She pulled the picture of Gemma Turner off the wall and smashed it, shouting personal insults and expletives. What was her link to the actress? Knowing Chris’s fascination with Gemma, his girlfriend and fellow student Ivy comes to him with a strange proposition. Every ten years Gemma’s final film, L’Etrange Lune, is shown to a select group of 65 guests at a randomly chosen cinema. Ivy’s father is one of the 65, but for this viewing he has offered Ivy his two place. They must wear a mask and cloak, but most importantly of all they must never approach or try to identify other members, nor can they talk about what they’ve seen. Chris doesn’t know what to make of the film. It seems to be a rather formulaic vampire movie, but there’s something odd about Gemma’s performance, almost haunting in fact. While in some places it’s fairly average, in other scenes there’s an incredible intensity to her acting. It’s almost as if she’s genuinely terrified.

I found the book a little slow at first, but once we reached Gemma’s disappearance I was hooked by this strange story. As we reach Gemma’s timeline in France and Chris starts investigating her disappearance several decades later, the pace of both timelines really picks up. There are suddenly enough strange and impossible happenings for the reader to start wondering what’s coming next. To be honest it felt like anything might happen! I loved the sense of evil created by the film – the strange melancholy that falls over those who see it, something that worsens if you keep going back every ten years. The rumours that the film changes in that decade are intriguing and suggest someone is still behind the lens. Could one of the 65 be playing tricks on the rest? Perhaps not letting on they have extra scenes that Thierry discarded, or that they have found an actress who is the double of Gemma Turner. Is something magical at work here? Despite all the warnings, I did understand Chris’s need to investigate, even when those he interviews start to feel the consequences of talking. This is such a clever concept and the author creates a real sense of mystery with wonderful period detail, especially in the 19th Century when there’s much discussion on the restriction and discomfort of women’s fashion especially in the summer. I also enjoyed 1960’s London where Gemma’s lover Charlie is part of a Fleetwood Mac-esque band where partners are swapped as readily as song lyrics. There’s even a very unexpected romance woven within this magical and unexpected series of times and worlds. What I wanted to see more than anything was for Chris to overcome the trauma of his childhood and fulfil his potential, wherever and whenever that might be.

Out in paperback from Piatkus 28th March 2024

Meet the Author

Constance Sayers is the author of A Witch in Time, The Ladies of the Secret Circus, and The Star and the Strange Moon from Hachette Book Group.

A finalist for Alternating Current’s Luminaire Award for Best Prose, her short fiction has been nominated for the Pushcart Prize and Best of the Net.

She received her master of arts in English from George Mason University and graduated magna cum laude with a bachelor of arts in writing from the University of Pittsburgh. She attended The Bread Loaf Writers Conference where she studied with Charles Baxter and Lauren Groff. A media executive, she’s twice been named one of the “Top 100 Media People in America” by Folio and included in their list of “Top Women in Media.”

She splits her time between Alexandria, Virginia and West Palm Beach, Florida.

Posted in Netgalley

Has Anyone Seen Charlotte Salter? by Nicci French.

Posted on by thelotusreaders

Charlotte and Alec Salter have four teenage children and live in the small village in East Anglia. We meet them on Alec’s 50th birthday where a big evening party is planned for most of the village as well as family. Yet at the beginning of the party there are no Salters present. Charlotte went for a walk and hasn’t returned. Alec did same, but they didn’t go together or in the same direction. Fourteen year old Etty is worried. The last of the Salters and yet to leave home she is starting to panic. She loves her mum, but if she is gone, for whatever reason, that means she has to spend two years at least in the company of her father. Just the two of them. Alone.

In the days that follow as the police investigate, there are rumours that Charlotte and family friend Duncan Ackerley were having an affair. Of course it was more widely known that Alec was seeing villager Mary Thorne, in fact his own daughter heard him on the phone to her from the other line the night of the party. When the Ackerleys invite the Salters for Christmas Day, only Lottie turns up at first, her brothers are late and Paul is probably giving it a swerve altogether. Yet Etty thinks it would be worse to sit at home, staring, worrying and jumping at every sound. As dinner time approaches, the Ackerley’s start to wonder where Duncan has got to. He’s been out for a walk, possibly down to the boat as there is a super high tide and he needs to move it. It’s Etty and Giles that start to look for him and he does try to shield her eyes as they come closer and see that Duncan is slumped in the water, dead. We move between the party night and the Christmas days that follow and twenty years later when all the Salters are once again in residence at the family home.

Everything about the house is dated and dilapidated, including their father Alec who is succumbing to dementia. Etty, ever the lawyer, is organising his move into a nursing home and the clearance of their parents possessions. For this job she has found a bright and organised woman called Bridget. She gathers the siblings and tells them that the easiest way is for them to put specific coloured post-its on their must have items, then she takes away the rest for sorting, selling and recycling. It’s emotional, especially since there are now only three of them. Their brother Paul never coped with life and the loss of their mother and sadly committed suicide on the anniversary of her disappearance. Meanwhile, now a TV personality, Morgan Ackerley is home to record a podcast on that Christmas, speculating on what happened to Charlotte and his father. This is going to stir up the village and make life difficult for both families. When a sudden event leads to yet another death, the police are called and a new detective looks at the old files as well as this new case. Are they linked in some way? Despite her boss seeming to warn against digging up what’s been long buried, this detective is determined to find out what happened to Charlotte Salter.

Seeing how much these families have changed over time is so interesting and I found myself wondering how different the Salters and Ackerleys might have been if this crime hadn’t happened. Etty melted my heart a little bit because she’s clearly so close to her mum and on the night of the party she’s the one who’s trying to raise the alarm because she knows something isn’t right. The boys are largely off doing their own thing and seem almost inured to the state of their parent’s marriage. The consensus is they’ve probably had a row, but Etty knows that despite a row, or their dad being on the phone to Mary Thorne at 2am the night before, there is no way that her mum wouldn’t turn up to his birthday party. She has always kept up appearances in that way. She even looks at her father and wonders whether he could have killed her. Her relationship with each parent couldn’t be more different, there’s a distance between Etty and her father both in the past and the present. In fact he doesn’t seem that invested in any of his children. Yet Etty can still imagine the smell of her mum’s perfume and what she would be wearing and I could imagine Charlotte hugging her daughter, her perfume just one of the many scents that signify home. With only the boys and her distant father left who will she go to for hugs? I could feel her panic as realises that after Christmas, the boys will go back to jobs and university and she will be left alone with their father for two years. I could also see the shadow of this huge loss in the adult Etty: an awkwardness about whether the family kiss to greet each other or not; keeping a lawyer’s professional manner at all times; doing all the organising and keeping busy so she can remain detached. She doesn’t cry, even when finding memories of their childhood. She holds herself stiffly, almost brittle and I wondered how much it would take for her to break.

There are many ghosts here. It’s not just Etty who was changed. They all feel the loss of their brother Paul deeply and he’s the empty chair at the table, even now. They tiptoe around each other, trying not to open old wounds but when a fire is started at Bridget’s home a new murder investigation is opened. Either the arsonist didn’t realise Bridget was at home, or didn’t care. Was their aim to kill the house clearer or was it to hide evidence that she’d unwittingly taken into her home alongside the Salter’s belongings? I found this mystery so intriguing that I couldn’t stop reading and I loved the psychological aspects of how these unsolved crimes had affected the families and the village as a whole. There were a couple of crucial points past and present where everyone I suspected seemed to be going for a walk alone – without even having a dog as an excuse! I was suspecting that Lottie’s husband wasn’t as advanced in dementia as she seemed, but couldn’t be sure. The reveals were satisfying, but it was the methods of concealment that really blew me away and I loved how thorough the investigating detective was. She wanted to be sure, whether or not it disturbed or upset some people and I loved that about her. Mainly I thought about how the author successfully showed the long term effects of a crime like this, even years on from the actual incident. These children were all changed forever and the villagers have lived under a fog of suspicion for years. Etty particularly left me thinking of all the events I’ve been able to enjoy with my mum over the last 50 years, that she and Charlotte had missed out on. Finding a balance between the real emotions that surround a crime and creating a page-turning mystery is difficult, but here I think the authors have really pulled it off.

Out 29th Feb in Hardback from Simon and Schuster

Meet the Author

Nicci French is the pseudonym of English husband-and-wife team Nicci Gerrard and Sean French, who write psychological thrillers together