Posted in Netgalley

Hello Stranger by Rachel Marks

Rachel Marks writes books that are deceptively simple, they flow well and it’s easy to find yourself six chapters in and fully immersed within the character’s world before you know it. Her novels are probably categorised as Contemporary Romance, but that suggests they follow a formula set down as far back as Shakespeare – from boy meets girl, through obstacles and eventually to the ubiquitous happy ending. I think there’s more to her work than that. Marks specialises in the messiness and complexity of modern relationships, tackling issues like mental health, addiction, divorce, co-parenting and bereavement. She has proved herself to be psychologically astute when it comes to the dynamics of relationships and families, and when I pick up one of her novels I know it’s going to be about relationships, but always with a twist or different perspective. Hello Stranger is no exception as we meet Lucy and Jamie, talking in bed one morning like any other couple. Except Lucy and Jamie are the loves of each other’s life and they are breaking up.

The book splits from this point, into the before of their break-up and the after. We get to see them meet for the first time and take the first tentative steps into their relationship towards the morning we’ve just witnessed. In between are the chapters looking at the aftermath from both points of view. I promise you, you will read this absolutely rooting for this couple just as I did. It’s heartbreaking to find that at the centre of their break-up is the question of whether they want to have children or not; Jamie does, but Lucy doesn’t. Lucy is something of a free spirit, who doesn’t really want the conventional life that she’s seen play out for her sister, who is married with two children. Lucy loves being an aunty more than anything, but has never felt maternal or had a sense of her biological clock ticking. She knows that people think she’ll change her mind one day, but Lucy doesn’t think so. It’s not a flippant choice, it’s something she’s thought a lot about and weighed up the pros and cons endlessly. She knows that her choice makes her unnatural in a lot of people’s eyes and she knows how much it disappoints her mum, who would love more grandchildren. She can’t feel what they want her to feel and it would be wrong to have children just to make others feel comfortable. I really felt for her, especially as she goes into the dating world knowing this about herself. I can’t have children and have an invisible disability so I was always concerned about when to slip this information into conversation. It’s not really a first date type of topic, when you want to be thinking of nothing more than whether there’s a spark between you. Yet, when is the right time to drop a bombshell like this on someone? If you wait till you know it’s a long term relationship haven’t you misled them? The problem is there are some things that society tends to assume about young women; they will be healthy and they will want to have a family.

Jamie is one of life’s good guys, the sort of boyfriend who will pop to the shop to buy some tampons and throw in a bar of chocolate without being asked. He’s thoughtful, open and honest. He does have baggage though. He lost his father at a very young age and still carries some guilt that he was not there when he died suddenly from a heart attack. His family also suffered the loss of a child, when his brother Thomas was stillborn. Children are an emotive subject for Jamie and he’s always known he wants them, to create a family of his own, now that it’s just him and his mum. He finds Lucy a challenge, but in a good way. She pushes him out of his comfort zone by taking him on an activity holiday in Andalusia where they go rafting over rapids. At first he’s nervous, but he finds it exhilarating. In fact Lucy is an exhilarating sort of person, she’s lively, talkative and full of ideas and plans for the future. It’s not long before he’s in love with her and he knows this is different from anything he’s felt before. He wants to be with this girl for life. When they finally discuss children, it’s clear this is something he has assumed she would want in the future. He’s known that travelling the world is important to her and he wants to discover new places and have adventures with her, but knows that realistically parenthood will curb that wanderlust. Despite finding themselves constantly back at this impasse, they don’t break-up. Lucy is as in love with Jamie as he is with her. As their relationship continues to go through milestones the question becomes ever more important, but it is essentially unsolvable. No one can compromise without sacrificing the life they want.

Is Lucy enough for Jamie, or will he come to resent her as the reality of being without children starts to sink in? Lucy can’t imagine having children for Jamie’s sake, wouldn’t she start to resent them for the changes in her life and the loss of the life she wanted. Maybe they just aren’t right for each other, despite the deepening feelings. For Lucy, Jamie is enough and she imagines a great life just the two of them. Lucy is immovable and it is up to Jamie to choose, but he can’t imagine life without Lucy in it. We follow every heart rending discussion that leads us to that morning in bed, but who will make the choice? It will take a catalyst to break the deadlock between them and throughout the book I could feel the tension rising towards that moment. I only know that once the choice was made I was desperately sad and kept hoping they would come back together, because this was a romance after all and don’t they always have happy endings?

I applaud the author for creating a character who has a point of view that many people still find difficult to understand, but making her sympathetic and loveable. She knows all the arguments and insults that people will throw at her for her choice; unnatural, cold, not a real woman, selfish. I have had the selfish argument mentioned to me in a discussion about the different siblings in a family. The childless couple were branded as really selfish, spending all their time playing golf, going on cruises and suiting themselves. I was dumbfounded by this argument that only by having children can we be truly selfless and found myself asking whether her children had wanted to be born? I kept hearing her say ‘we wanted’ children and surely that’s no less selfish than someone wanting to travel the world. People have children because they ‘want’ them, not because they’re doing the world a favour. If we stop using emotive words and assuming there’s one right way of being a woman, the decision to have children is simply a choice.

I have friends on both sides of this life choice: people who can’t have children; people who’ve sacrificed their desire for a family to stay with a partner who didn’t want them; people who thought they didn’t want children then became pregnant accidentally; people who’ve broken up with a partner who didn’t want children. There are also people like me, who lost several pregnancies, haven’t had children, then became a step-mum at 45. It’s never an easy road and I think we need to be more respectful of other people’s choices on this issue. Not everyone wants to be a parent and that’s okay. I felt sad for Lucy, terribly so, but I also felt strangely proud of her for sticking to her gut instinct and not being swayed, even by the person she loved most. To leave such a beautiful and loving relationship takes such courage and I didn’t envy their eventual decision. Marks has once again written such a bittersweet novel. I love the way it delves into the complexities and assumptions around motherhood. She takes two incredibly likeable characters and places them in such an impossible situation. However, what she also does is show that time mellows all experiences, even the painful ones. There is healing there for Lucy and Jamie, whether they eventually stay together or not.

Published on 18th August 2022 by Penguin.

Meet the Author

Rachel’s first two novels, Saturdays at Noon and Until Next Weekend, dealt with issues like addiction, divorce, parenting and re-marriage. Hello, Stranger is her third novel and came out in August. She lives in Gloucestershire with her husband and three children. When she’s not writing, she loves travelling, snowboarding and photography.

If you would like updates on upcoming books, offers etc you can follow Rachel on Twitter @Rache1Marks and Instagram rachelmarksauthor.

Posted in Netgalley

Daisy Darker by Alice Feeney

This was a deliciously clever and fiendish tale from an author I’m starting to trust when looking for a thrilling read. This was so difficult to put down and was eerily reminiscent of one of Agatha Christie’s novels that I made a note of it, then I saw it mentioned in the finale, so I won’t ruin it by saying which one. As the tide comes in, the Darker family are congregating at the family seat for the matriarch’s birthday. Seaglass is a large house on an island with only a causeway linking it to Cornwall, so at high tide it is completely cut off from the rest of the world. The book’s action all takes place in the space of one high tide and the final Darkers are rushing across the causeway to get there on time. Gathered at Seaglass are a motley crew of Darkers across four generations from Gran down to her great-granddaughter Beatrice known as Trixie. In between are the son ?? a famous, but not wealthy conductor, his ex-wife Nancy and their three daughters Rose, Lily and Daisy. Not forgetting Popper the family dog. One latecomer is a young man called Connor, an unofficial family member who turned up on Seaglass’s beach one morning when the Darker sisters were small. Gran noticed that Connor was bruised and neglected, so from that moment she took him and his alcoholic father under her wing. One second is all it took for every Darker woman to fall in love with this lonely boy who has lost his mother.

Now Connor has arrived the games can begin and it’s soon clear that if any of the Darker family survive till low tide in the morning, they’ll be very lucky indeed. I loved how the author built the atmosphere. Seaglass is a labyrinthine house, but each downstairs room is arranged around a central hall and are linked by doors, so that when the girls were little they could open the space up and Lily would roller skate in circuits around the house. I really wanted their grandmother’s study: filled with books and art supplies that produced her beloved children’s books. Her first book was Daisy Darker and was inspired by her youngest granddaughter, who was found to have a heart defect when she was a child. I loved the family’s eccentricities and traditions, such as the clocking in machine at the front door where every family member has a card to punch in and out. There’s a blackboard wall in the kitchen, for impromptu poetry, and at the kitchen table there are individual chairs, painted for each family member – of course one is covered in daisies, just like Daisy’s converse trainers. We get a sense of the family’s longevity in their collections and special treasures, such as the bone and seaglass Scrabble set, bought by Gran’s agent and set to play a special part in the night’s proceedings.

Published by Macmillan 18th August 2022

Meet the Author


Alice Feeney is a New York Times million-copy bestselling author. Her books have been translated into over twenty-five languages, and have been optioned for major screen adaptations. Including Rock Paper Scissors, which is being made into a TV series by the producer of The Crown. Alice was a BBC journalist for fifteen years, and now lives in Devon with her family. Daisy Darker is her fifth novel. 

You can follow Alice on Instagram/Twitter: @alicewriterland

To find out more visit: http://www.alicefeeney.com

Posted in Netgalley

The Good Servant by Fern Britton

I wrote this review a fortnight ago, before the events of the last week. I’m always torn at times when there’s huge royal news, because I’m caught up between my ideals and the sheer spectacle of the event. It’s a trick that Kings and Queens have used throughout history, knowing that they are unpopular with some elements of society, they use the pomp and ceremony to charm and overwhelm them. I’ve lost count of how many times I’ve heard someone interviewed this week and they’ve said ‘I’m not really a Royalist, but the Queen’s done a great job, or has been a constant presence in my life.’ In a time of recession and a cost of living crisis, I have still seen people subjected to a ‘pile on’ on social media if they’ve dared to suggest that the state funeral will be costing a fortune. Heaven forbid they mention the problematic aspects of Queen Elizabeth’s reign from imperialism to her steadfast support of her son Andrew. I think when someone has lived as long as Queen Elizabeth, there will always be societal changes that cast earlier choices in a bad light. However, I do have a complex relationship with the Royal Family, from really loving Princess Diana when I was a little girl, to learning more about the aspects I find worrying, such as the denial of the Queen’s two Bowes-Lyon cousins who had multiple disabilities and were placed in an institution, but declared as dead. I hate the way Diana and now the Duchess of Suffolk were treated and how the love lives of Princess Margaret and even the now King, Charles III, were meddled with by older family members. I was shocked to realise that Prince Phillip’s sisters were married to members of the Nazi Party. The goings on behind the scenes are always fascinating though. The shadowy men in grey suits who actually run the show, schooled in the constitution and making sure that what comes first is the crown above all. It was this behind the scenes fascination that brought this book to my attention. I’ll admit that I’m usually a bit of a snob when it comes to celebrity books. Comedians and journalists are writing all the time, but when someone’s a presenter I never know what I’m going to get from a novel. I gave this a go because of how interested I am in the history of the Royal Family and I should admit to being an avid watcher of The Crown. I thought the story might be diverting at least, but I was actually pleasantly surprised to find myself truly involved with the story of Crawfie.

Fern Britton’s novel takes us back to London between the wars, a rather turbulent time of constant change; socially, economically and culturally. We travel back and forth between 1932 and 1936. In 1932 Marion Crawford is looking forward to a career as a teacher, when an opportunity presents itself. Unexpectedly, she is offered the role of governess to two Princesses. Elizabeth and Margaret are the granddaughters of George V from his second son, the Duke of York and his wife Elizabeth Bowes-Lyon (our Queen Mum). Just four years later and a huge change rocks the royal household, George V’s death paves the way for his eldest son David to succeed him as King. Choosing the regnal name Edward VIII, he is a rather controversial figure amongst the establishment, often disregarding court protocol and conventions and sometimes appearing too political. Edward causes concerns in his choice of companion too, the twice divorced American Wallis Simpson. His abdication, to marry the woman he loves changes the course of history and everyday life for the princesses and their governess. This unexpected constitutional crisis means Crawfie’s life will change forever. It has already been an adjustment to become part of a royal household and now she finds herself in this new position with new responsibilities – governess to the future Queen. The author really does portray this change well, always relating back to how this feels for our heroine, an ordinary young girl given extraordinary responsibility. Marion Crawford is our representative in this novel; the ordinary person living in the extraordinary. As a result we see familiar events from history made immediate and brought vividly to life, with the same sense of wonder and bewilderment that Crawfie feels.

I felt I was in the hands of an expert storyteller as this novel unfolded and I did feel Crawfie’s trepidation at the changes this brought to her life. It was so refreshing to see a well documented part of history told from the angle of a worker in the household, but someone who is neither upstairs or downstairs, but in that liminal role of governess. She is respectable, but not royal. She works for the family, but isn’t a servant. It’s a unique position, but sometimes a lonely one too. She is at the very heart and the future of the Royal Family, but will never be one of them. The author really brought this home to me, the individual working with the Royals must be available whenever they’re needed, no matter how lowly the position. It’s her future and position in this household that Crawfie must consider when she falls in love with George. He may be the love of her life, but can she choose him over her life with the princesses? I loved the sense of loyalty she feels, both to the Crown and her young charges. If she chooses them, their lives will become her life and they will be her children. Would this loyalty be repaid?

I won’t spoil the book by talking about the reality of Marion Crawford’s decision at this time and how her life played out, but she was torn between George and the royals her entire life. The author has told a story that’s an incredible glimpse into the Royal Family at this turbulent time. I felt like I was there as a fly on the wall! I ended up whipping through the story so quickly, possibly because it flows beautifully. There is no doubt about the extensive research that’s gone into the novel, but it wears this research lightly and never lapses into telling us what happened rather than showing us. This is both charming and thought provoking, giving us a glimpse of what it means to have a sense of duty, whether as a Queen or her governess. This was made all the more poignant this week, when most people who were asked what they admired about our Queen said it was her incredible sense of duty. Of course that duty can be eased by the riches and privilege of being a head of state. It must be so much harder to have such a strong sense of duty and loyalty without those benefits or the companionship of a family. Fern Britton has really brought a minor player in the history of our Royal Family to life with this novel and it would draw me to her writing in the future.

Published by Harper Collins 9th June 2022.

Meet The Author

Fern Britton is an English television presenter and journalist who has worked in current affairs and Newsrooms since 1980. In the 1990’s she hosted Ready Steady Cook for the BBC and through the 2000’s presented ITV’s flagship daytime magazine This Morning. Since then she has discovered the joy of writing novels and The Good Servant is her tenth. It is a breakaway from her usual theme of Cornish village life by the sea. The Good Servant focuses on a real woman who spent her twenties and thirties devoted to Princess Elizabeth and Princess Margaret as children. Fern lives in Cornwall with her four children and three cats.

Posted in Monthly Wrap Up

Books of the Month! August 2022

It’s been a quieter month in August, at least it is where books are concerned. Personally it’s been the busiest month of the year so far. It’s full on as far as home is concerned because it’s the month where we do trips away my stepdaughters. With their Mum working and me at home, we can easily help each other. We’ve also had their cousins here demo Scotland so theres been a lot of squealing and absolutely no room in the bathroom. They’ve been to Alton Towers, Nottingham’s Kitty Cafe, Yorkshire Wildlife Park and Chatsworth House. Between this I’ve had a back operation that I’ve been waiting for three years now. I’ve had a neurotomy at four sites so have had to spend some time in bed recovering. So I’ve had chance to get ahead with some September reading, because this month I’ve got my MA to restart! We don’t do things by halves in this house. Wishing you all a great September and I hope you enjoy these favourite reads.

Halfway through my binge read of this fantastic new thriller from Helen Fields, I had to look it up and check that it really was a stand-alone novel. Sadie Levesque is a compelling central character: brave, resourceful, determined, intelligent and ever so slightly impulsive. I could easily imagine her as the backbone of a great crime series. Sadie is a private investigator based in Canada where she’s about to be the birth partner for her sister. She has time to fit in one last job, which takes her to Scotland and the atmospheric island of Mull. The Clark family recently moved to Mull from the United States to start a new life, but their new life has been derailed by the disappearance of their seventeen year old daughter Adriana. With her American accent and dark Latino looks, Adriana caused a stir among the teenagers of Mull. Her desperate parents feel the local police force are doing very little to look for their daughter, possibly because they are outsiders. When Sadie finds the girl’s body while searching local teen hang outs, the police become hostile. Adriana has been drowned. The killer has sexually assaulted her, adorned her with a seaweed crown and filled her mouth and throat full of sand. Sadie’s immediate thought is she’s been silenced. Without police cooperation, Sadie must find the killer and is drawn into local folklore, witches, a misogynistic priest and a community that looks after it’s own. Will Adriana be the last girl to die? Fields turns the island into a powerful character in it’s own right, weaving the landscape, history and folklore of Mull into her story. There are some twists to the final stages that came as a huge shock. I love to be surprised and I really was here, with my heart sat in my throat at times. Could the truth be more prosaic than the legends? That men kill and could use the excuse of ancient folklore and witchcraft to cover their tracks. I was torn between this more logical explanation and the sense of an ancient evil at play on this remote and wild island. If anyone knows, the island does.

I’ve been struggling with menopausal symptoms for the last six years so I was really up for reading a book about women who are moving towards middle age. Women become more interesting as they get older, more confident and full of wisdom and experience. I certainly found that in the characters of this book who I fell immediately in love with. They are definitely meant to be a trio.

Nessa: The Seeker
Jo: The Protector
Harriett: The Punisher

Each woman finds herself bestowed with incredible powers. When Nessa is widowed and her daughters leave for college, she’s left alone in her house near the ocean and has time and quiet hours to hear the voices belonging to the dead – who will only speak to her. They’ve always been there, but she’s been too busy with her family’s needs to hear them. Harriett is almost fifty, her marriage and career have imploded, and she hasn’t left her house in months. Her house was the envy of the neighbourhood and graced the cover of magazines, but now it’s overgrown with incredible plants. However, Harriett realises that her life is far from over – in fact, she’s undergone a stunning metamorphosis. Jo has spent thirty years at war with her body. The rage that arrived with menopause felt like the last straw – until she discovers she’s able to channel it, but needs to control it too. The trio are guided by the voices only Nessa can hear and discover the abandoned body of a teenage girl. The police have already written off the victim. But these women have not. Their own investigations lead them to more bodies and a world of wealth where the rules don’t apply and the laws are designed to protect villains, not the vulnerable. So it’s up to these three women to avenge the innocent, and punish the guilty. I really loved the clever way the author took apart the concept of serial killer stories while writing one. She talked about the popularity of crime thrillers and true crime podcasts and how they appeal to men. They’re written as if the victims are expendable and the killers get special nicknames as if they are comic book villains. The author really got this message across, but without losing any of the power in her story, or the tension that rises as we hope to see the killer caught. Finally, I have to say something about magic realism and being a huge fan of Silvia Moreno-Garcia and Alice Hoffman, I’ve been reading some of the best writers in the genre. Miller’s story is so strong and the characters so well constructed, that I never felt a sense of disbelief. I have quite a collection of magic realism starting with a teenage love for Fay Weldon and Angela Carter. This book can easily sit next to my favourites. It is that good.

I had never come across Tim Weaver’s novels before so I was very lucky to be offered this by the publisher, especially in such a special edition too. When I learned it was the tenth in his David Raker series, I approached it with some trepidation. Would I be able to keep up or would it even make sense? Now that I’ve finished the novel I can honestly say that within the first few pages, I forgot this was one in a series and just got stuck in! Such was the strength of the story and his characters that I was drawn in and captivated to the end.

David Raker is a Missing Person’s Investigator and a widower with one daughter. The missing people in this story are Cate and Aidan Gascoigne, a devoted couple who have been married for five years and together for nine. The newspapers dubbed their case ‘The Mystery of Gatton Hill’ as they disappeared on their way to have dinner from their home in Twickenham. Catherine ‘Cate’ and Aiden Gascoigne were both 37 years old and worked in creative roles; Aiden was a Creative Director for a Soho web design company and Cate was a full time photographer. As they drove to dinner in Reigate, the couple could be seen on CCTV recording laughing together, just before their car plunged down a 90 foot ravine. Their car burst into flames and even though a fire crew arrived soon after the accident the fire was impossible to stop. They then discover an impossible scenario, when trying to recover Cate and Aiden’s bodies, they find they’re no longer in the car. This turns out to be merely the the tip of the iceberg in a chilling and menacing narrative that goes on to reveal a staggering number of murders over the years, and a extraordinarily intelligent serial killer who has no intention of getting caught. Raker is a remarkably tenacious and determined investigator, even when the pressures and dangers threaten to derail the case. This is a wonderfully complex, riveting and engaging read that kept me glued to the pages from beginning to end with its sky high levels of suspense and tension. This will appeal to crime and mystery readers who love truly twisty. thrilling and superior crime fiction, and I think that this can reasonably be read as a standalone if you have not read any of the series before. Highly recommended

I loved this dark thriller from Carol Johnstone, with its bleak setting, mysterious deaths and Norse folklore. Maggie Mackay is a successful investigative journalist, but has always been held back by a negative inner voice and terrible nightmares. She’s been haunted by the idea that there’s something wrong with her and she can see or sense darkness. She thinks this feeling is linked to her childhood and a small village in the Outer Hebrides called Blairmore. Maggie stayed there with her mother when she was very young and caused a furore when, out of nowhere, she claimed that someone in the village had murdered a man. She left the community in uproar, saying she was really a man called Andrew MacNeil who had lived on the island of Kilmery. Her mother believed and encouraged her claims, but when they returned to the mainland this strange interlude wasn’t referred to again. Now 25, Maggie returns to the island, in search of answers. Mainly, she wants to find out if her claims could possibly have been true, but with her history on the island, Maggie may struggle to get people to talk to her. However, this is an island with few inhabitants, but a wealth of secrets and if Maggie gets too close to the truth she may be in serious danger.

The central mystery is fascinating and makes the book very difficult to put down. Charlie feels like the designated spokesperson for the islanders, he approaches Maggie with an apology for the way they treated her when she was a child and there’s a fatherly feel to the way he talks to her. On one hand I felt he was on Maggie’s side, but I also wondered whether he was a decoy – someone sent to give her just enough information, perhaps to deflect her from the reaching the truth. Other people greet her with outright hostility and I had a lot of admiration for Maggie’s tenacity considering how vulnerable she must feel, staying on the island as a lone woman. Maggie also has a bipolar diagnosis and I thought this was well portrayed by the author, even though it adds another layer of uncertainty – can we trust what Maggie is experiencing? I found Maggie’s narration more compelling than the male narrator, but overall loved the pace and the different perspectives that give us an insight into events back in the 1970’s. There were twists I didn’t expect and the final revelations about the mystery felt satisfying. I love how this author likes to wrong-foot her reader and although this was more gothic than horror, there were parts that were very unsettling and left me listening out for creaks in the dead of night. I came away from it with an uneasy feeling, not about the supernatural aspects, but more about what humans are capable of doing and how isolated communities like this one have the perfect environment in which to plot and keep secrets, in some cases for decades. This cements Carol Johnstone in my mind as an author to look out for and i’ll be buying a finished copy for my collection.

Posted in Netgalley

In a Place of Fear by Catriona McPherson.

‘Helen leaned close enough to fog the mirror with her breath and whispered, ‘You, my girl, are a qualified medical almoner and at eight o’clock tomorrow morning you will be on the front line of the National Health Service of Scotland.’ Her eyes looked huge and scared. ‘So take a shake to yourself!”

In Edinburgh, 1948. Helen Crowther leaves her crowded tenement for her own office in a doctor’s surgery. She is aware of other people’s opinions and disapproval- ‘Upstart, ungrateful, out of your depth’ – but she’s determined to take part in this incredible new service that will help so many people. She’s not even settled in when she blunders into a murder. Even though Edinburgh is the most respectable of cities, no one wants to stand up for justice, but Helen is determined to find the killer. She’s taken into a world she didn’t know existed, it’s darker than her own as hard as her own can be. Disapproval is now the least of her worries. Helen, known as Nelly, takes on a newly created position within the NHS, as a Medical Welfare Almoner. This was a position based within the free hospitals that is the forerunner to a hospital social worker. The very first almoner in the U.K. was Mary Stewart, appointed at the Royal Free Hospital of central London in 1895. The Royal Free was a charitable hospital and gave free medical treatment to those patients considered morally deserving, but unable to afford medical care. An Almoner would means test patient to ensure that only those deemed “appropriate” received free medical treatment. However, Stewart slowly reshaped her role of and fashioned the position into a medical social worker, referring patients to other means of medical and charitable assistance, visiting patients’ homes, and training almoners for positions at other voluntary hospitals.

Nelly is there in the role’s infancy and while she’s still finding her bearings in her new job she begins to notices that all is not as it should be. Nelly isn’t the type of person to brush things under the carpet, so she starts to investigate. There is so much more there than she expects, especially when a body is found in the garden of the house she’s been living in as part of her employment. Even then her curiosity about cause of death and any motive pushes her to carry on investigating, even if it puts her in danger. I felt like I really understood Nelly. I loved her no-nonsense attitude and her dogged refusal to let things go. She wants to make a difference to the patients she sees at the hospital and it was fascinating to be taken back to the birth of the NHS and see how it was implemented. New patients had no idea what help they were entitled to and no-one, even those working in it, fully knew how it worked. I thought that the title was a clever nod to Aneurin Bevan’s own book of the same name.

The mystery was clever and well paced, it kept me reading and surprised me at times, but it wasn’t my favourite part of the novel. I’m used to Edinburgh based stories taking me to the university and male dominated academia, which also suggests people of a certain class. The author focuses on the blue collar, working people of the city. We see a generation and class still struggling in the aftermath of war. This is the beginning of universal health care; health for everyone, not just those who can afford it. The writer gripped me from page one by bringing to life the sights, sounds, and smells of this point and place in time. As someone who has needed the NHS more than most, I found it so interesting to see how it began from a character working on the frontline and making tough decisions.

Meet The Author

Catriona McPherson was born in the village of Queensferry in south-east Scotland and left Edinburgh University with a PhD in Linguistics. Her historical fiction has been short-listed for the CWA Ellis Peters award and long-listed for Theakston’s Crime Novel of the Year, as well as winning two Agathas, two Macavitys, and four Leftys in the USA. Catriona lives most of the year in northern California, spends summers in Scotland, and writes full time in both.

Posted in Netgalley

The House at Helygen by Victoria Hawthorne

An atmospheric historical suspense novel rich with familial secrets. The House at Helygen is a twisted tale of dark pasts, murderous presents and uncertain futures.

2019

When Henry Fox is found dead in his ancestral home in Cornwall, the police rule it a suicide, but his pregnant wife, Josie, believes it was murder. Desperate to make sense of Henry’s death she embarks on a quest to learn the truth, all under the watchful eyes of Henry’s overbearing mother. Josie soon finds herself wrestling against the dark history of Helygen House and ghosts from the past that refuse to stay buried.

1881

Eliza is the new bride who arrives at Helygen House with excitement at the new life she’s embarked upon. Yet when she meets her new mother-in-law, an icy and forbidding woman, her dreams of a new life are dashed. And when Eliza starts to hear voices in the walls of the house, she begins to fear for her sanity and her life.

Can Josie piece together the past to make sense of her present, or will the secrets of Helygen House and its inhabitants forever remain a mystery?

1881. Harriet and Edmund Fox were the first owners of Helygen House, a country retreat that, as is the usual in moneyed families, has ever since passed down the to the eldest male heir. From the original owners in 1847, it then passed to Eliza and Cassius Fox in 1881. Eliza has to spend a lot of time alone, because Cassius is away looking after his business interests. Eliza starts to feel lonely and misses her family. Not only that, there’s an eerie feeling in the house and Eliza’s is sure she’s heard voices at night and a baby is crying. Eliza daren’t tell anyone as she thinks she might be going mad.

2019: Henry Fox is found dead at his ancestral home in Cornwall. The police are quick to rule out foul play, because it looks to them like suicide. His wife Josie, who is pregnant, won’t believe Henry has killed himself. Yet his mother Alice is satisfied with the suicide verdict. Josie finds it difficult to deal with this woman, who has always held herself above Josie, as if she wasn’t good enough to be part of the family. She knows how excited Henry was about becoming a father, they had spent so much time getting their apartment renovated and even had plans to start a business together at the house. Something isn’t right and even through her grief Josie is absolutely determined to find the truth. As far as she’s concerned there’s a murderer somewhere at Helygen. Her mother-in-law’s attitude hasn’t helped Josie settle, but she has to admit the atmosphere has always been strange. There’s a strange feeling she can’t place, a haunting perhaps?

I enjoy dual timelines and this is a triple as we alternate between the 1840’s, the 1880’s and the present. It’s important that each timeline is equally interesting so it doesn’t just feel like a narrative device. Here I think they work. It feels as if Eliza and Josie are working together, even though they’re separated by centuries. Both are convinced that Helygen House has a dark past, that still lingers within the walls. The many tragic deaths over the years are starting to look sinister, even if it is just the eerie sensation and the voices driving occupants towards madness. There are enough family secrets to keep the tale moving forward and there is a continuous feeling of suspense to keep the reader wanting one more chapter. I loved the added theme of motherhood and how it might feel to be a new mum in a house like this one, where it really can’t help when sleeplessness and night feeds are brought into the mix. The place feels suitably Gothic whichever timeline you’re in and from the start I believed in this world completely. It does keep the reader guessing and I found myself wanting to know if the storyline resolved itself for both women. It was also interesting to add in the question of women’s rights in past centuries and compare it to the present day. A great, suspenseful and spooky novel with the gorgeous backdrop of Cornwall.

Published 14th April 2022 Quercus

Meet The Author


Victoria Hawthorne is a pseudonym of bestselling psychological suspense author Vikki Patis. She writes atmospheric historical suspense rich with familial secrets and strong female protagonists. THE HOUSE AT HELYGEN will be published in April 2022 by Quercus.

Posted in Publisher Proof

Sunday Spotlight! Autumn Fiction: Fantasy, Magic and all Things Spooky.

I have to say this sounds like an incredible debut. It’s more of a monstrous fantasy than a spooky, Halloween type book. The story goes that, many years ago, the remote North Atlantic archipelago of St Hia was home to a monster. Her name was Thordis, and she had been adored. But when she was unable to provide her husband with a child, he sought one elsewhere – and Thordis was driven to a terrible act, before disappearing from her home. Today, lashed by storms and far from the mainland, the islands are dangerous. Many have been lost to a wild stretch of water known as the Hollow Sea.

But to one visitor, it feels like a haven. After several years trying to become a mother, Scottie has made the heart-breaking decision to leave her home and her husband in search of a fresh start. Upon her arrival on St Hia, the islanders warn her against asking questions about Thordis – but Scottie can’t resist the mystery of what happened to the woman whose story became legend.

After years of secrecy, can Scottie unravel Thordis’s story? And how will doing so change her own . . . ? I love this mix of motherhood, infertility and the monstrous. In fact monstrous births hark back to one of the most famous gothic novels; Mary Shelley’s Frankenstein. It sounds like such an ambitious debut and I can’t wait to tell you all about it.

Billed as a horror/ thriller this is one of my favourite themes in fiction – books about books. Rare book dealer Lily Albrecht has just been given a tip-off about The Book of the Most Precious Substance, a 17th century manual rumoured to be the most powerful occult book ever written, if it really exists at all. With some of the wealthiest people in the world willing to pay Lily a fortune to track it down, she embarks on a journey from New York to New Orleans to Munich to Paris. If she finds it, Lily stands to gain more than just money. This could erase the greatest tragedy of her life. But will Lily’s quest help her find some answers, or will she lose everything in search of a ghost?

A book with all of life’s answers, if only you can find it...

I absolutely loved A.M. Shine’s last novel The Watchers and it had such a killer ending! I chose it as one of my books of the year so my hopes are high for The Creeper.

Superstitions only survive if people believe in them. Renowned academic Dr Sparling seeks help with his project on a remote Irish village. Historical researchers Ben and Chloe are thrilled to be chosen – until they arrive. The village is isolated and forgotten. There is no record of its history, its stories. There is no friendliness from the locals, only wary looks and whispers. The villagers lock down their homes at sundown. It seems a nameless fear stalks the streets, but nobody will talk – nobody except one little girl. Her words strike dread into the hearts of the newcomers. Three times you see him. Each night he comes closer. That night, Ben and Chloe see a sinister figure watching them. He is the Creeper. He is the nameless fear in the night. Stories keep him alive. And nothing will keep him away…

Last Minute Mentions

I’ve just been granted access to these spooky titles so thought I’d give you a quick preview.

I loved C.J.Cooke’s The Lighthouse Witches, an interesting mix of isolated Scottish location, a history of witches, ghostly apparitions, disappearances and time travel. The Ghost Woods sounds downright spooky.

In the midst of the woods stands a house called Lichen Hall. Even the name starts to conjure up an atmosphere of decay. This place is shrouded in folklore – old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds – and together they begin to unpick the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew – and risk what she holds most dear. This sounds like a great mix of the supernatural and women’s history.

ELSPETH NEEDS A MONSTER. THE MONSTER MIGHT BE HER.

One Dark Window is billed as a gothic fantasy romance. An ancient, mercurial spirit is trapped inside Elspeth Spindle’s head – she calls him the Nightmare. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, she is thrust into a world of shadow and deception. Together, they embark on a dangerous quest to cure the town of Blunder from the dark magic infecting it. As the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him.

I’m so excited to be on the blog tour for this gothic mystery novel, with such a lush cover I want to frame it.

1930. Nell Fagan is a journalist on the trail of a intriguing and bizarre mystery: in 1606, a man vanished from a locked gatehouse in a remote Yorkshire village, and 300 years later, it happened again. Nell confides in the best sleuth she knows, judge’s daughter Rachel Savernake. Thank goodness she did, because barely a week later Nell disappears, and Rachel is left to put together the pieces of the puzzle. Looking for answers, Rachel travels to lonely Blackstone Fell in Yorkshire, with its eerie moor and sinister tower. With help from her friend Jacob Flint – who’s determined to expose a fraudulent clairvoyant – Rachel will risk her life to bring an end to the disappearances and bring the truth to light. A dazzling mystery peopled by clerics and medics; journalists and judges, Blackstone Fell explores the shadowy borderlands between spiritual and scientific; between sanity and madness; and between virtue and deadly sin. Full of my favourite themes and brimming with all things gothic, this is surely an autumn must—read.

How good do all these picks sound? Look out next Sunday for my look at Historical Fiction and Romance.

Posted in Publisher Proof

The Change by Kirsten Miller

You have to indulge me with this review, because it’s quite a personal response to Kirsten Miller’s novel. It had to be personal, because as a peri-menopausal woman, I fell in love with the idea of a latent power that women can tap into at an age when we are often dismissed as ‘past it’. An age I’ve now reached. ‘The Change’ was a whispered word in my family. At my Grandma’s house there was a clear dividing line at the front door, right into the living room for my Grandad and left into the dining room for my Grandma. I was the only granddaughter and I did spend a lot of time with Grandad, but the other room with my two aunties, Grandma and Mum was where secret feminine conversations took place. ‘The Change’ was first overheard when I was just getting used to my periods starting. Older family members were struggling with the symptoms of menopause. Now, thirty years later I’m experiencing symptoms of peri-menopause and I realise we never really had full and frank conversations about it. Starting my periods was traumatic. I was constantly worried about leaking through my clothes, particularly at school. I was embarrassed that sometimes I had to take my bag to the toilet with me from the classroom and I was mortified that to get out of swimming I had to shout out, in front of everyone, that I had my period.

I’d started my period in my first week of secondary school, in the same summer that I broke my back so I went through an enormous amount of change. I felt tied down and I certainly wasn’t the same tree climbing, dog walking tomboy I had been up till now. I’m thinking that menopause is going to have another seismic effect. I’m already finding it difficult to contain symptoms like sweating and hair loss, but I don’t want to lose myself. I love that menopause is starting to be talked about thanks to media celebrities like Davina McCall and I’m trying to be open and honest talking about my experiences with friends. So I was really up for reading a book about women who are moving towards middle age. Women become more interesting as they get older, more confident and full of wisdom and experience. I certainly found that in my friends and in the characters of this book who I fell immediately in love with. They are definitely meant to be a trio.

Nessa: The Seeker
Jo: The Protector
Harriett: The Punisher

Each woman finds herself bestowed with incredible powers. When Nessa is widowed and her daughters leave for college, she’s left alone in her house near the ocean. Finally, she has time and quiet hours to herself, and she hears voices belonging to the dead – who will only speak to her. They’ve possibly always been there, but she’s been too busy with her family’s needs to hear them. Harriett is almost fifty, her marriage and career have imploded, and she hasn’t left her house in months. Her house was the envy of the neighbourhood and graced the cover of magazines, but now it’s overgrown with incredible plants. Harriett realises that her life is far from over – in fact, she’s undergone a stunning metamorphosis.

Jo has spent thirty years at war with her body. The rage that arrived with menopause felt like the last straw – until she discovers she’s able to channel it, but needs to be able to control it too. The trio are guided by voices only Nessa can hear and discover the abandoned body of a teenage girl. The police have already written off the victim. But these women have not. Their own investigations lead them to more bodies and a world of wealth where the rules don’t apply – and the realisation that laws are designed to protect villains, not the vulnerable.So it’s up to these three women to avenge the innocent, and punish the guilty…

The time has come to embrace The Change.

I loved these women, they were powerful, sexy, sassy and deeply committed to their fellow women – dead or alive. Some might call them witches, but isn’t that a man’s name for a woman who won’t be controlled? Harriett is wonderful! She’s unapologetically sexy and partakes of beautiful men or women when she fancies, but doesn’t feel a need to be attached. She lets her garden run riot and has her own methods for dealing with those who complain. I loved her fearlessness and sense of humour. Nessa has a gift that’s past down through the generations, but has laid dormant till now. I loved that Nessa’s situation is a positive spin on the empty nest, although her gift is not one most people would want. I loved her compassion for the girls she sees and her drive to help, to the extent of taking a ghost home with her. Jo’s gift felt like the embodiment of the rage a lot of women feel about the injustices of the world we live in. The author tells us tales about what women face every day: husbands who control their lives; young girls preyed on by their sport’s coach; vibrant and intelligent women overlooked for promotion; creative women having their ideas stolen by men; women excluded from the gent’s club where a group of millionaire men rule the world. These women are determined to speak out, be open about what women’s lives are like and educate other women to speak their truth and feel their power. It’s inspiring and exhilarating.

The mystery of the serial killer is compelling and really keeps you reading. I kept picking this up in every spare moment, wanting to spend time with these women and see where their investigations lead. I really loved the clever way the author took on the concept of serial killer stories while writing one. She addresses the popularity of crime thrillers and true crime podcasts and how they appeal to men. They’re written as if the victims are expendable and the killers get special nicknames as if they are comic book villains. I’ve often thought this about the Yorkshire Ripper. He’s notorious, but I couldn’t tell you a single name of his victims. There is a truth about the world right at the heart of her story. It comes to light when the women involve the police. There are women in the world who matter and there are others who are worthless, both to law enforcement and to the powerful men encountered in this book. They can be dismissed, because they’re sex workers, or drug addicts, or live in poverty. The Yorkshire Ripper’s first victims were possibly sex workers, then a young girl was attacked after walking home from a night out. She was perceived, by law enforcement and the media, as coming from a decent family. Media headlines screamed that the Ripper had taken his first ‘innocent’ victim. The implication being that the other victims deserved their fate. The author really got this message across, but without losing any of the power, the tension or the desperate need to see the killer caught. Finally, I have to say something about magic realism and being a huge fan of Silvia Moreno-Garcia and Alice Hoffman, I’ve been reading some of the best writers in the genre. Miller’s story is so strong and the characters so well constructed, that I never felt a sense of disbelief. I have quite a collection of magic realism starting with my teenage love for Fay Weldon’s Life and Loves of a She-Devil and Angela Carter’s short stories. This book can easily sit next to my favourites. It really is that good.

Meet The Author

Kirsten Miller grew up in a small town in the mountains of North Carolina. At seventeen, she hit the road and moved to New York City, where she lives to this day. Kirsten’s first adult novel, The Change, is a feel good feminist revenge fantasy–with witches. The Change is a Good Morning America Book Club pick for May 2022. Kirsten also the author of over a dozen middle grade and YA novels, including the acclaimed Kiki Strike books, which tell the tale of the delinquent girl geniuses who keep Manhattan safe, and How to Lead a Life of Crime. She is not the Kirsten Miller who wrote All That Is Left (which appears on the list of the books she’s written), but she assumes that Kirsten is lovely and talented.

Posted in Netgalley

The Last Girl to Die by Helen Fields.

This book is one of my picks for the autumn and I really did pick an absolute cracker of a crime novel. It’s chilling, atmospheric and incredibly clever, especially at weaving the setting into the story. I read this straight through and halfway through my binge read I had to look it up and check that it really was a stand-alone novel. Sadie Levesque is a compelling central character: brave, resourceful, determined, intelligent and ever so slightly impulsive. I could easily imagine her as the backbone of a great crime series. Sadie is a private investigator based in Canada where she’s about to be the birth partner for her sister. She has time to fit in one last job, which takes her to Scotland and the atmospheric island of Mull. The Clark family recently moved to Mull from the United States to start a new life, but their plans have been derailed by the disappearance of their seventeen year old daughter Adriana. With her American accent and dark Latino looks, Adriana caused a stir among the teenagers of Mull and was very noticeable in her job at the local pub. Her desperate parents feel the local police force are doing very little to look for their daughter, possibly because they are outsiders. When Sadie finds the girl’s body while searching local teen hang outs, the police become hostile. Adriana has been drowned. The killer has sexually assaulted her, adorned her with a seaweed crown and filled her mouth and throat full of sand. Sadie’s immediate thought is she’s been silenced. Without police cooperation, Sadie must find the killer and is drawn into a mix of local folklore, witches, a misogynistic priest and a community that looks after it’s own. Will Adriana be the last girl to die?

The island is definitely a character in it’s own right here. It even narrates it’s own chapters. Nature is in every part of the book, starting with Sadie who seems more comfortable outside than in. She feels more powerful out there, sleeping in a tent and lurking around in the dead of night, observing the islanders. For the island’s teenagers, the beaches and stone circles become the backdrop for their vigils and parties. Of course Adriana is also found outdoors, in a cave adorned with the plants and products of the sea. There’s something folkloric about the way she is posed and especially the sand, which Sadie finds out is part of ancient lore dating back to the 16th Century if not further. It is part of a ritualistic killing, if her mouth is full of sand she can’t utter the truth about what or who killed her. It is a method used by witches to silence those who might identify them. The outdoors and the sea is in these people’s DNA for generations, many are fishermen and one of the island’s legends is of a ship from Spain that was wrecked on the coast of Mull. On board was a Spanish princess who had dreamed of a beautiful man on a Scottish island and saw him as they reached the shore at Tobermory and fell instantly in love. The man’s wife saw the look in the princess’s eyes and called on the Mull Witch who destroyed the vessel, killing all 300 souls on board. History tells us that the boat was part of the armada and that islanders sank the vessel, a terrible end for the sailors who were seeking help. These deaths, from the 16th century to the present leave their mark. The island is a living thing, we are told, it feels everything. I loved the poetic way the author writes in the island’s sections:

‘Sea deaths bring furious tides. The waves slap the sides of boats, knocking the sailors from port to starboard, and the fish thrash so hard they break nets. Shells smash, scattering vicious fragments on beaches to slice careless feet. Salty tears form an ocean.’

It’s following her instinct and looking into the death of a young woman years before that first sparks the idea of witchcraft. Flora Kydd’s father laments in the village pub that his daughter’s death was glossed over by the police. Her killer had never been found. Sadie finds the Kydd’s house covered with posies of flowers to deter witchcraft and dark symbols burned into the beams to ward off the evil eye. I loved the way the author paired witchcraft with feminism, showing a deep seated misogyny in some of the islands men, particularly the local priest. Sadie stumbles across a group of women in a forest clearing, late at night. They are naked, but covered in clay, dancing around a fire. Their leader, Hilda, talks to Sadie at length dismissing the idea of darker witchcraft and claiming to be a women’s group, offering support and learning the old healing ways of nature. They protest at a community meeting where women have been told they have a curfew and should stay indoors after dark. Hilda has a strong position on this, maybe men should stop killing women. Sadie’s thoughts are going in two different directions. Could Adriana have been killed by unscrupulous members of Hilda’s group who were pressuring her to join in? Or had she become one of the women dancing around the fire and been killed because she was deemed a witch? There are some twists to the final stages that came as a huge shock. I love to be surprised and I really was here, with my heart sat in my throat at times. Could the truth be more prosaic than the legends? That men kill and could use the excuse of ancient folklore and witchcraft to cover their tracks. I was torn between this more logical explanation and the sense of an ancient evil at play on this remote and wild island. If anyone knows, the island does.

Published by Avon 1st September 2022.

Meet the Author.

Helen is a former criminal and family law barrister. Every book in her brilliant Callanach series has claimed an Amazon #1 bestseller flag. The last book in the series, ‘Perfect Kill’ was longlisted for the Crime Writers Association Ian Fleming Steel Dagger in 2020, and others have been longlisted for the McIlvanney Prize, Scottish crime novel of the year. Helen also writes as HS Chandler, and has released legal thriller ‘Degrees of Guilt’. Her audio book ‘Perfect Crime’ knocked Michelle Obama off the #1 spot. In 2020 Perfect Remains was shortlisted for the Bronze Bat, Dutch debut crime novel of the year. Now translated into 16 languages, and also selling in the USA, Canada & Australasia, Helen’s books have won global recognition. Her historical thriller ‘These Lost & Broken Things’ came out in May 2020. Her first standalone thriller – The Shadow Man – from HarperColllins was published on February 4, 2021. She currently commutes between West Sussex, Scotland and California. She lives with her husband and three children. Helen can be found on Twitter @Helen_Fields for up to date news and information or at http://www.helenfields.co.uk.

Posted in Netgalley

Small Angels by Lauren Owen

I love a gothic novel, something I put down to my first reading of Jane Eyre. Being only ten years old I read it as a ghost story, full of horrors like the Red Room and the haunted ghost-like creature stalking the corridors of Thornfield Hall, setting fire to Rochester’s bed and rending Jane’s wedding veil in two. So I picked this from the NetGalley shelves, my brain already turning towards the cooler air of September and the dark nights of the autumn. As it is I read it in the middle of a heatwave, but it still managed to send the odd chill up my spine. Chloe and Sam are getting married at Small Angels, a quaint little church in a wooded area with nearby Tithe Barn for their reception. The venue is situated near to Sam’s childhood village and they are the first couple to be married there. The owner has given them a key and they have a few days up to the wedding day to clean the dusty church and decorate both buildings. They’re staying at the Albatross, the village pub, and on the first night they gather to have a drink with their guests among the locals. One local man, Brian, approaches the couple to tell them a story about Small Angels that might make them rethink their plans. Others are more reticent, they don’t want Brian to tell the tale and ruin the couple’s big day. What Sam doesn’t know is that the person best placed to tell this tale is his own sister Kate.

We’re told this story from several perspectives and to be honest I did get a little confused at first. The current perspectives are split between Chloe and Kate. However, Kate also goes back to when she was a child and started a friendship with one of the Gonne girls. The Gonnes lived on a farm, close to Small Angels and Mockbeggar – the local woodland. For years they have kept up a ritual of lighting beacons every evening and ringing the church bells once a year, followed by a candlelight vigil overnight. The rest of the village have traditionally left the Gonnes to their lonely rituals, but Kate knows that the story Brian will tell the wedding party, might not be so far fetched. The Gonnes believe they are appeasing the ghost of Harry Child, a vicious and vengeful phantom who wants to keep the wood for his own, but is also very lonely. Kate is shocked to hear that one of the sisters she knew from childhood is living at the farm. Will all the generations of secrets surrounding the village come to light on her brother’s wedding day? Kate questions her brother’s sense in agreeing to hold it at Small Angels, no matter how much Chloe fell in love with it.

Chloe takes up the narrative, as the innocent bystander thrown into this strange village with it’s spooky history. Chloe has been the driving force behind the week’s celebrations and has no idea of the story Brian tells on the Hag Night. She is amazed that Sam has never told her and has thought Kate doesn’t like her because she’s seemed disinterested in their plans. She’s surprised that Kate has committed to helping out this week, not realising that she’s coming to keep an eye on things. The tension in this section is brilliant as we see Chloe sucked in by the legend and looking for local history at the library. She’s confused by the villagers avoidance of the subject, even her own in- laws are reluctant to discuss it. Chloe start to find her sleep disturbed and with Sam called away to work she’s alone at the Albatross. She can’t shake the feeling she’s being watched after taking a walk into the woods. While cleaning the church she hears an animal scratching at the door, then again at night. Has something or someone followed her? I was intrigued as to what it might want from Chloe and whether the wedding would ever happen.

The Gonnes seem to be the key to solving this mystery so I was fascinated with Lucia’s sections of the book, especially those that go back to her childhood. She lives at the farm with her father, her grandparents and three sisters: Elphine, Helena and Ruby. One day while playing, Lucia goes into the woods and finds a small boy to play with. He becomes her secret friend and his name is Harry. With all the adults working on the vines at the farm and keeping up the family rituals, it’s easy for her to slip away unnoticed. Besides she’s the black sheep of the family, Nan calls her Lucia the Bad, so I felt sorry for her and could understand why she was looking for friends. Years later she meets another teenage girl in the woods and is happy to have a second friend, but Harry isn’t so happy. He wants Lucia to himself and she’s never seen him angry. All the rituals in the world won’t satisfy his wrath and Lucia is terrified. What will happen to the Gonne family now?

As we countdown to the wedding the stakes become greater and the author creates a real sense of fear and horror. Whatever force is in the woods, it’s growing stronger by the day. The real cost of the wedding starts to become clear and I loved how the author brought experiences from the past into the present to terrify the wedding party. I had a real sense of my old Jane Eyre fears when Chloe wakes from a nightmare to find a tear in her wedding dress and her veil fashioned into a noose. I really felt the burden of the Gonne family, ostracised by the village and left with the responsibilities of Mockbeggar. Once I’d reached a third of the way in, I was hooked on the mystery in the same way Chloe was, wanting to find out more about the malicious spirit and why he is determined to terrify her. I was also fascinated by the Gonne sisters and why Lucia is the only one left at the farm. I was also interested in how long the locals had kept their heads in the sand, merely speeding up on the road out of the village to evade the woods. You’ll be asking all the same questions and more. This is a really atmospheric, modern, Gothic tale with enough scares that I kept the bedside light on once or twice.

Published by Tinder Press 2nd August 2022

Meet The Author

Lauren Owen is the author of THE QUICK and SMALL ANGELS. She studied at St. Hilda’s College, Oxford, holds an MA in Victorian Literature from Leeds University, and an MA in Creative Writing from the University of East Anglia, where she was awarded the Curtis Brown Prize. In 2017 she completed a PhD in English Literature with a thesis on vampires and the gothic in fiction.