Posted in Publisher Proof

The Keeper by Tana French

On a cold night in a remote Irish village, a girl goes missing.

Sweet, loving Rachel Holohan was about to be engaged to the son of the local big shot. Instead, she’s dead in the river.

In a place like this, her death isn’t simple. It comes wrapped in generations-old grudges and power struggles, and it splits the townland in two. Retired Chicago detective Cal Hooper has friends here now and he owes them loyalty, but his fiancée Lena wants nothing to do with Ardnakelty’s tangles. As the feud becomes more vicious, their settled peace starts to crack apart. And when they uncover a scheme that casts a new light on Rachel’s death and threatens the whole village, they find themselves in the firing line.

This was a new series to me, but having read some of Tana French’s earlier novels such as In The Woods I knew it would be something I’d enjoy. I love her writing and here it is such a beautiful balancing act. This is a slow burn novel that’s beautifully atmospheric and manages to convey both moments of high humour and menacing evil. The small village of Ardnakelty is a quagmire. It’s described as gloomy, misty and wet most of the time. There’s something about the weather that’s oppressive and any walk outdoors is liable to leave you muddy and wet. It seems like a harmless place, but it’s full of pitfalls and weeds that can drag you under. The emotional quagmire is impossible to avoid if we look at it through Lena’s eyes. It is so remote, but anyone like Cal thinking they’ve come here for quiet and to avoid other people is in for a shock. He already has Trey, a teenage girl from a difficult family who is like an adopted daughter to him. How much more tied to this place might he become? Villages like this have one shop and one pub and everyone frequents them so eventually there’s a passing acquaintance with everyone. This is a place where neighbours are more like family. They’ve known each other forever, and their mothers knew your mother too. This could be seen as a bonus, but the author depicts it as spider’s web that once you’re stuck it’s impossible to escape. The only question is, who is the spider? 

“The cloud is high tonight, letting through a haze of moonlight here and there so that streaks of fields rise ghostly out of the darkness and the air has an icy bite that burrows to the bone.”

The plot reveals itself slowly and once Cal and Trey find the body of local teenager Rachel in the river, the tension starts to build in this small community, until it’s pushed to breaking point. It made me feel angry and utterly powerless in parts. Rachel had been going out with Eugene Moynihan for years and it was apparently Eugene she had been out to meet on that night. Was this a tragic accident or is something more insidious going on? Rachel’s family are devastated and Lena is shocked to find out she was the last person to see her that night. The village gossip is in overdrive with different theories, but the narrative that seems to be emerging is that Rachel might have committed suicide. Cal doesn’t think so, but most people daren’t think anything different. The Moynihans are a big deal in Ardnakelty, living in a huge house with all mod cons and Eugene’s dad Tommy has a finger in every lucrative pie. Cal is told no one is going up against the Moynihans, because Tommy has all the right friends in very high up places. There was part of me that could see this story as an allegory for what’s happening in the world – a money-hungry bully, who is always looking for the next chance and has such a hold over people he could get away with almost anything. 

Underneath this main mystery is the narrative of Cal and Lena’s relationship, in fact very early on we get a conversation about their wedding. Despite being engaged, Cal and Lena are still in two separate houses and have made no wedding plans. This suits them, but Lena’s sister Noreen who runs the shop is forever warning them. If they don’t book something round here they’ll lose the only venue. There’s Cal’s worries about Trey who is hoping to gain an apprenticeship as a joiner, has exams to get through and trouble at home where the landlord seems to want them out of their house. All of these things weave in and out of each other, seemingly unconnected but as with everything here patterns and connection exist under the surface. Tommy and Eugene pay Cal a visit, as an outsider maybe he’s the best person to investigate this? Cal refuses but is left with the feeling that will count against him. If he’s to ask any questions he’d rather do it alone, with no one controlling the narrative. What he doesn’t know is that Lena is already asking questions and because she’s from this place she knows who to ask. It’s clear sides are forming, even in the way people arrange themselves at the wake. Cal is with Trey but also his neighbour Mart, the only locals he feels any allegiance to. While Lena is drawn to a women’s table, containing everyone she went to school with and usually avoids. She doesn’t want to join sides, but with Cal increasingly pulled into Mart’s group she knows there’ll be pressure from the Moynihans. Maybe there’s a positive to being part of Ardnakelty, but she can’t see it as yet. 

I loved the build up of tension in this small village and the wonderful way the author balances that with humour. There’s a scene with Mart and a squirrel that’s comedy gold and made me laugh out loud then read it to my husband. Mostly it’s the juxtaposition of things; a gang of masked men is menacing, but has a more comical touch when some are Wolverine and other varied superheroes. As the situation escalated I felt angry and powerless to stop what was happening. It wasn’t so much the brawls, it was the quiet threats and controlling nature of what was happening, particularly to the women involved. Tommy Moynihan made my skin crawl but so did Noreen’s mother-in-law Mrs Duggan, the perfect example of someone who appears powerless but actually controls the household and watches the to and fro of the village from her armchair. This fight could knit Cal, Lena and Trey into this place’s history. They could commit to being lifelong Ardnakelty people but if they are, they must find out what’s behind Rachel’s death and end Tommy’s dominance over the place. I became so drawn into this world that I was genuinely upset by the loss and how far apart Lena and Cal become. I loved that he didn’t crowd her and gave her the space to be her own person. I also loved the way he parented Trey and responded to her new relationship. This is an intricate and carefully balanced thriller that’s perfectly grounded in its rural Irish setting. Cal learns that the villager’s allegiance to their land runs deep and they are willing to put absolutely everything on the line for it, even their lives;

“Their tie to their land is different, not in its intensity but in its nature: rooted thousands of years deep, through strata of dispossession, famine, bloody rebellion. This land has been reclaimed and that changes things.”

Out 2nd April from Penguin

Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, and The Trespasser. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.

Posted in Netgalley

The Witch Finder by Tracy Whitwell

This is the fifth and final installment in the hilarious Accidental Medium series featuring Tanz, who with the help of the dead, has become an unwilling crime-solver.

When Tanz returns to her hometown in Newcastle, she comes face-to-face with dark, ancestral secrets lurking in its shadows. Haunted by chilling visions of the witch-trials, a voice from the past warns her, You’re the one. Burn it, chosen one. As a sinister figure threatens to ruin everything she’s built for herself, Tanz must embrace her connection to the dead to uncover her destiny.

With everything on the line, Tanz finds herself entangled in a web of folklore, mystery and imminent danger. Elements collide as the echoes of history demand intervention and new relationships entwine in her mystical journey. Tanz must wield courage against paranormal forces and listen to old and new allies in order to prevent ominous threats from consuming her world.

Will Tanz unravel the mysteries surrounding the witch pricker and her own lineage in time, or will she fall prey to the darkness that stalks her?

I love a good witch story and the Accidental Medium books have been a brilliant series from Tracy Whitwell. So much so that I’m really sad this is the last set of adventures for our titular accidental medium Tanzy. I love the combination of magical and ghostly goings on with our down to earth and sweary Geordie witch. This time the atmosphere is slightly different as we’re delving into the history of witches in Tanz’s home town of Newcastle. After returning from her exciting and romantic exploits in Iceland, she takes a worried call from her ‘little mam’ who has had strange and unsettling dreams about hangings. As usual Tanz tries not to alarm her mam because she isn’t comfortable with the family gift, but Tanz has also had similar dreams of feeling a bag over her head and a noose around her neck. She gets straight into the car and drives home and not a moment too soon since someone has thrown a dead hare over her parent’s garden wall warning them away, but from what? Newcastle is a lovely city and I enjoyed seeing Tanz in her own environment. She soon calls her friend Sheila to join her and tries to find out as much as she can about the city’s history with witches. As a contrast to the friendliness of people and the buzz of a lively city, Tanz starts to notice an atmosphere change heralding one of her visions. She notices storm clouds suddenly gathering and rain lashing down, especially when she’s confronted with the figure of the witchfinder, Matthew Hopkins. More disturbingly, he seems to be able to see Tanzy too and tries to attack her with his ‘pricker’ – the implement he uses to test whether marks on a witch’s skin bleed or not. In one terrifying scene he makes a swipe for the window of a tearoom leaving a scratch down the glass and down Tanzy’s cheek. As they research Hopkins in the library, Tanzy finds out that he identified several witches who were all hanged together on the common. She can hear Hopkins’s hatred of women and there were definite parallels with the current political situation around the Epstein files and Andrew Tate. 

“All of them are witches, these sly cows with their lies and their ‘ways’. Once they’ve bred we should hang ‘em all. More peace for us”. 

Tanzy feels more powerful than ever after her trip and her meeting with the Icelandic magical folk, there’s also the matter of Thor who it’s quite clear she’s fallen in love with. Her visions are so incredibly vivid and they seem to tire her more easily. In fact she collapses on the common at one point and ends up covered in mud. Tanz feels the emotions of the witches who’ve been imprisoned for a long time, broken down by lack of food and unsanitary conditions, not to mention the way they’ve been treated by the male guards. Hopkins was being paid ‘by the witch’ so it’s in his interest to find as many as possible. Tanz and Sheila soon realise that his pricker is false, with a needle that disappears inside the shaft when he uses it, leaving no marks on the woman and branded her a witch. In her usual frank language Tanz brands him ‘ a cunt and a shithouse’ which made me laugh out loud. When she’s not incensed, Tanzy is delightfully warm and open, making friends with a couple who own a small bar near the hotel and an Amazon woman called Lydia who definitely dresses like she enjoys taking up space! She is also connected to the mass hangings and has been researching her family tree and local witches at the library for years. There is also a new ghostly friend, a hooded lady called Mags who is an absolute mischief and brings some comic relief between the most serious scenes. In the bar, Mags terrorises a cocky young man who is manipulating his shy girlfriend by moving his drink and pulling his chair away. She proves very useful and doesn’t leave Tanz’s side until the spiritual warfare is over. 

I did really worry for Tanz this time, especially when Sheila is laid low by a cold and can’t accompany her. Tanz knows she needs to be on her guard, but the plight of these women have left her feeling furious constantly. There will be a final showdown and with this being our last adventure I was on tenterhooks wondering whether Tanzy would come through okay. While I love all the characters in the book she is the magic spell of this series. Her earthiness and Northern wit balance out the more ‘woowoo’ aspects of her life and I wondered if it was time for her to return home? Somehow, despite nothing being resolved between them, Tanz also seems quite settled in her feelings for Thor and the more settled she is the more powerful she seems. As she’s offered a completely unexpected opportunity I really hoped she would take it. I recommend this whole series to anyone who enjoys a touch of the supernatural with a side order of history and realism. I’m going to miss Tanzy hugely but I’m excited for what this author might do next too.

Out now from Pan MacMillan

Meet the Author

Tracy Whitwell was born, brought up and educated in the north-east of England. She wrote plays and short stories

from an early age, then moved to London where she became a busy actress on stage and screen. After having her son, she wound down the acting to concentrate on writing full time. Many projects followed until she finally found the courage to write the first in her Accidental Medium series, a work of fiction based on a whole heap of crazy truth​. Apart from the series, Tracy has written novels in several other genres and also writes mini self-help books as the Sweary Witch.

Tracy is nothing like her lead character Tanz in The Accidental Medium. (This is a lie.)

Posted in Squad Pod Collective

Paper Sisters by Rachel Canwell

Lincolnshire, 1914. As the First World War approaches, three women are living, trapped between the unforgiving marsh, the wide, relentless river, and the isolation of the fen.

Their lives are held fast by profound grief, haunted by the spectres of the past. Trapped by the looming presence and eerie stillness of a hospital that has never admitted a single patient.  

Eleanor longs to escape. To make a life with the man she loves, leaving her sister, and all her ghosts behind. Clara’s marriage is crumbling and violent and she yearns for peace and security for both herself and her innocent children. Meanwhile, Lily, a formidable force of will, stands resolute against the relentless tide of change. She will stop at nothing, no matter the devastating cost, to ensure that life, and her family, remain frozen in an unyielding embrace of the past.

The author, Rachel Canwell, grew up with the story of this forgotten hospital. Isolated, stocked weekly and cleaned daily but never admitting a single patient. The hospital was real, tended by her family for over sixty years and set against the ethereal beauty and loneliness of the Fens, is the inspiration for her novel.

The atmosphere in this story perfectly captures the strange isolated feel of Lincolnshire’s fens. I’m Lincolnshire born and bred, further north than the fens but I know the area. It’s a flat, almost featureless place with dykes that drain the fields and the constant smell of vegetable crops in the air. The novel’s focus is on the area of Sutton Bridge, a village with a famous swing bridge built in 1897 across the River Nene. On one bank, an area of several acres is home to a building site where a port is being built and on the other is a hospital, built to service the workers of the port area. Alongside it is the home of the family who will run it. The author’s family waited for many years, ready to run their hospital, but this is not their story. The author opens with a strange and disorienting scene where a family are disturbed by noises at night and venture out in the pitch dark. As they stand on the bank, theres a loud rumble and the sound of heavy things hitting the water. The family can’t see anything, but in the light it’s clear that all their hopes for a future working alongside the port are gone. The bank on the far side has collapsed in the night, even worse one of their sons is missing, presumed drowned, while helping to look for workers. As we join them in 1910 only two sisters remain on the hospital side of the bank, Lily who has barely moved beyond the threshold since her twin drowned and Eleanor who tends to Lily, their garden and the hospital. Their other sibling, Frank, lives down in the village with his wife Clara and their children. It is the three women – Eleanor, Clara and Lily – who narrate our story. 

I felt so strongly about these characters, especially Clara and Eleanor who have always been friends. It soon becomes clear that both are in a similar position. Eleanor is at the mercy of Lily’s health and her moods. She claims to be unable to leave her room and hates to be left alone in the house. Despite being so isolated Eleanor has met and fallen in love with a young man called John who has taken over the village’s smithy. How can she ever plan a future with him if she’s unable to leave the house? Similarly, Eleanor’s friend Clara is at the mercy of husband Frank’s moods and how much he’s had to drink. One of the book’s opening chapters follows the couple and their children on a train to the coast. However, the train hasn’t even left the station and Frank is already belligerent. The author writes this beautifully, with Clara’s hopes for one day of freedom as a family dwindling by the moment. The tension rises as Clara desperately tries to quiet the children, holding herself tightly, too terrified to move and incur his anger. Luckily, his behaviour draws young men from the next carriage and Clara leaves him to fight his own battles. The sudden freedom she and the children have is blissful, laughing as they run down to the sea, removing shoes and socks to jump in the waves. Clara knows her friend Eleanor is under equal pressure, because under a quiet and timid exterior Lily has a core of steel. While Eleanor feels sorry for Lily, trying to respect her grief and many physical symptoms, Clara lives with a bully and she sees beyond Lily’s quiet and apparent shyness, recognising them as control and emotional blackmail. Her interventions at the house, forcing Lily into activity, almost made me laugh. Clara isn’t emotionally attached to Lily so can’t be bullied. This dynamic brings enough tension but soon WW1 will cut a swathe through the men of the village bringing fear and loss in its wake. 

Lily made me furious. Her sly nature is infuriating, always listening where she shouldn’t be and snooping in other people’s things. She seems to struggle with empathy, unable to see what her actions might do to others. Despite keeping her own artefacts of a time when the family were whole, she doesn’t recognise other people’s attachment to keepsakes. She’s quite happy to destroy things if she can’t have her way. John is unsure what to do in order to help Eleanor, if they’re to have a future things must change, but how to bring that about without making things worse? It may not be possible for Eleanor to sever her ties as her sister’s carer. Maybe he will have to come to them and get to know Lily. He doesn’t want Eleanor to think he doesn’t care about her sister, but equally he needs Lily to understand that he’s going to be in Eleanor’s life, whatever that takes. However, when pushed, Lily can be incredibly spiteful and destructive. It’s this selfish streak that sees her making reckless and desperate choices. The only times when we see the girl in Eleanor is when she’s with Clara and their shared history gives us all those elements of female friendship that mean so much – the shared jokes and memories, but also the support both physical and emotional. Eleanor may be in love but it’s Clara who fully knows her and will always hold her up when she can’t support herself. All of these women are trapped: Lily by her memories and fears, Clara by her marriage and Eleanor by Lily and the empty hospital she continues to maintain to her father’s standards. It’s almost a shrine to the dreams of those they’ve lost. Then there’s the isolation of the fen, trapped between salt marsh and the river.

War brings different experiences for Clara and Eleanor, especially when Frank joins up early. It’s like spring comes to Clara’s house because the children can play and make noise, she can run the house in a more relaxed way. She can pop over to sit with Lily giving John and Eleanor some freedom too. John’s is a reserved occupation so he doesn’t have to join up straight away. However, these golden times are short lived. It isn’t long before injury, shell shock and even death reach the village and it’s very hard for any of the women to understand their husband’s or brother’s experiences. Through the male characters we see every consequence of fighting for your country. Meanwhile the women are trying to produce food and help on the land. Even to this day, the fen area of the county still produces huge amounts of vegetable produce, as well as potatoes and flowers. To keep crops growing the farmers need labourers and one solution comes in the form of a prisoner of war camp, situated on the site of the old port, directly opposite Eleanor and Lily. The POWs are mainly German soldiers, who will bunk in cabins and work the fields. The author beautifully shows the tensions between prisoners and those men who’ve been fighting overseas. As a dreaded black edged letter arrives, grief now joins domestic violence, manipulation and alcohol issues. This family is set for an explosive reckoning. I became so attached to these women and their family’s tragic history that I read it so quickly. I already know I will go back and read it again though. Every element – character, setting, plot – is beautifully done and the historical background took me back to a time when my own grandparents would have been working the land and living next to the River Trent further north in the county. This is an excellent debut from Rachel Canwell that had me utterly absorbed and feeling every emotion alongside her characters.

Out now from Northodox Press

Meet the Author

For those close by Rachel will be appearing at Lindum Books on the Bailgate in Lincoln on Saturday 21st Feb from 10.30am

https://www.visitlincoln.com/event/author-shop-signing-rachel-canwell%3B-paper-sisters/104373101/

Posted in Netgalley

The House of Fallen Sisters by Louise Hare

A fantastic new novel from a writer who is now on my list of ‘must buy’ authors. She sets her novel in 18th Century Covent Garden, where bawdy houses are far from uncommon and while Mrs Macauley’s house isn’t a high class establishment, her girls are clean and she looks after them well. Our main character Sukey Maynard is a young black woman who has run from Mrs Macauley and finds a young man almost beaten to death in the street. He is also black and she fears he’s a runaway slave. So she finds a local doctor who is known to treat people in poverty and leaves him there, with Dr. Sharp promising to let her know how he gets on. Sadly, her altruistic act means Mrs Macauley’s security man Jakes catches up with her; in saving Jonathon’s life she has forfeited her own. As she’s dragged back to the house and a punishment in ‘the coffin’, it sets up a claustrophobic and scary atmosphere where the rules have to be obeyed. However, life at Mrs Macauley’s is more complicated than that. Sukey is anxious, having just had her first bleed. This means she is ready for work and has years of ‘debt’ owed for her keep so far. She and her equally young friend, Emmy are like family, having grown up together after the death of Sukey’s mother who was Mrs Macauley’s friend. They were prostitutes together in their younger years, along with a third woman Madame Vernier who is recently back on the London scene after years in France. After visiting Mrs Macauley, Madame Vernier learns that Sukey may be ready to work and that an auction will be held for her virginity. She promises to help, hopefully finding someone for the auction who has the means to ‘keep’ Sukey if he’s pleased with her. But why does Madame Vernier want to help? Is it in remembrance of her friend or does she have a different scheme in mind? 

The plot is fascinating with disappearing prostitutes, competing houses and Sukey desperately trying to work out who has fled of their own accord and who might have been taken by the feared ‘Piper’. When Madame Vernier secures Sukey a regular client she feels her worries are solved, but as Mrs Macauley starts to apply pressure for more than a week to week retainer will he come through for her? She dreads being thrown downstairs into the parlour for the nightly competition with the other girls for whichever drunk falls through the door. When the most vocal and experienced resident Camille goes missing from one of Madame Vernier’s parties, Sukey is determined to find out what happened to her. Weirdly she’s also sure she saw another girl missing from their neighbourhood, but working the party under a different name. There’s a mystery here and Sukey is unsure who to trust. This mystery brings an element of suspense to the story and means Sukey must grow up fast if she’s to solve it. She’s a naive girl, only just a young teenager really. She’s been protected until now by Mrs Macauley and considers Emmy her sister, so it’s a huge jolt to suddenly be deemed a woman and expected to entertain men with no experience whatsoever. Even worse must be seeing the ledger with every moment of her childhood laid out in pounds and shillings – an amount she now has to pay back. It’s no surprise that Sukey’s hopes for a ‘keeper’ are paramount and when she thinks she’s safe it leaves the other girls thinking she feels superior. 

I thoroughly enjoyed getting to know this house of working women and regular readers know my love for writing marginalised people back into history. Here it was great to read about women who are not the middle or upper class characters we often encountered in historical fiction. This is the turning upside down of 19th Century fiction norms, where we might expect the book’s focus to be one of rescuing our heroine. Yes, these women are in a tough situation and it may not be the way they’ve chosen to earn a living, but there are benefits compared to service or marriage. They are cooked for, sleep till late in the morning and they don’t have the drudgery of housework. They are also free from spending their lives obeying the man of the house. They earn more for less hours of work than a domestic servant. Their hours of leisure are their own, within reason and we see Sukey become more emancipated as she meets others who are black and live in her neighbourhood. I particularly loved the bookshop owner and his son who write the famous guide to London’s prostitutes and a profitable line in erotic literature. This is a great novel where no one is quite what you think they are and our intrepid heroine has a lot to learn, very fast. I learned a huge amount about the ethnicity of London in the 18th Century and I have to say I loved how the mystery unravelled. Sukey’s choices towards the end show a huge amount of growth and a deep longing for independence. I must also mention the title, bringing to mind a very different type of house and a sisterhood of nuns. This is another fantastic novel from Louise Hare with a complex and fascinating heroine. 

Out on 12th February from HQ

Meet the Author

Louise Hare is a London-based writer and has an MA in Creative Writing from Birkbeck, University of London. Originally from Warrington, the capital is the inspiration for much of her work, including This Lovely City, which began life after a trip into the deep level shelter below Clapham Common. This Lovely City was featured on the inaugural BBC TWO TV book club show, Between the Covers, and has received multiple accolades, securing Louise’s place as an author to watch. This is her fourth novel.

Posted in Squad Pod

The Future Saints by Ashley Winstead 

A band on the brink. A love worth playing for.

When record executive Theo meets the Future Saints, they’re bombing at a dive bar in their hometown. Since the tragic death of their manager, the band has been in a downward spiral and Theo has been dispatched to coax a new – and successful – album out of them, or else let them go.

Theo is struck right away by Hannah, the group’s impetuous lead singer, who has gone off script in debuting a new song-and, in fact, a whole new sound. Theo’s supposed to get the band back on track, but when their new music garners an even wider fan base than before, the plans begin to change-new tour, new record, new start.

But Hannah’s descent into grief has larger consequences for the group, and she’s not willing to let go yet. not for fame or love.

I wasn’t sure at first that I’d get into this novel about a rock band, but it soon grabbed hold of me and I was rooting for all of them and their new manager Theo. The book managed to be both sad and angry, but also romantic and full of hope. The Future Saints are reeling from the death of their manager Ginny who was the lead singer Hannah’s sister. The rest of the band are simply following Hannah’s lead at the moment and she’s gone off their usual track with a new sound that’s darker and more rock. Theo is known as ‘the fixer’ at Manifold Records, he is sent in when a band is struggling or going off the rails. He has one instruction from the CEO, bring in a Future Saints album, then let them go. However, fate intervenes at their first gig when Hannah debuts a deeply emotional new song and falls into the audience while being filmed. The clip goes viral and everyone is talking about the Future Saints new sound and their singer who appears to be having a meltdown. The telephone starts to ring with bookings for gigs and television, but are Hannah and the band in the best frame of mind for interviews and this kind of exposure? Theo has a difficult line to tread, between the instructions from Manifold and this whole new world opening up for a band he’s starting to care about. Perhaps he cares a little too much. 

It took me a while to connect with Hannah, she’s angry, defensive and you never quite know what she’s going to do next. Somehow the author conveys just how magnetic a presence she is on stage and the depths of emotion she has the ability to communicate. She constantly talks to Ginny, something I assumed was only happening internally but Hannah is very clear. Ginny is the only person she allows close to her, even more so since she became ‘the girl who haunts me, my own personal ghost.’ I could see she was so wrapped up in her grief, that she’s forgotten others are grieving too. Her bandmates and her parents have also lost Ginny, but Hannah can only cope with her own pain. Her bandmates are going along with the new sound and direction, especially as the album starts to take shape, and they’re committed to Hannah too but as she increasingly melts down she seems to have forgotten that her actions affect all three of them. They now affect Theo too, but where he might have come down hard on a musician in the past, when Hannah plays up he increasingly feels an urge to hug and protect her. She’s so unbelievably raw but even with therapy she struggles to articulate what she’s really feeling and why. She also hasn’t stopped to think whether her version of Ginny is accurate, or simply the Ginny she wants to see. Anyone who has lost someone will identify with Hannah’s loss and perhaps the catharsis of using her creativity to express those difficult emotions. After my husband’s death I wrote a book about my experience and it did help me process some of the trauma as well as the loss. Hannah wants to communicate what an incredible person Ginny was and everything she meant to her. This is understandable as sometimes I felt like screaming because of all the turmoil inside, especially in places where everyone else doesn’t know what happened and is just going about their everyday life. 

However, Hannah isn’t reserving this raw anger for the stage, her drinking is reaching worrying levels and she’s taking on stunts like shaving her own head at a party, egged on by Manifold Records’ CEO Roger. Through him we see the exploitative side of the music industry, because instead of looking after Hannah outside of working in the studio, he’s taking on bigger and bigger gigs and bookings from Jimmy Kimmell and SNL. He also makes sure she’s seen with the right people at parties – usually other Manifold signings he wants to promote – and encourages her destructive side. After all, a lead singer in meltdown is always going to be news, especially when they’re a woman. We learned this from Britney. Hannah isn’t strong enough to withstand this sort of pressure and Roger knows that. I didn’t trust him with the band or in his promise that he’ll make Theo director of management if the Saints deliver their album. We get a glimpse of the luxury that’s available when you’re a star in the ascendancy, but posh hotel rooms, infinity pools and champagne on private jets isn’t the way this band need looking after. Theo knows this and while I often find romantic prospects in novels rather boring, Theo is interesting and has his own conflicts that cause him to be a ‘rescuer’ of people. He longs to do well in his job, then perhaps when he meets his absent father he might be proud of him. There’s a conflict here though. He really starts to love the members of this band and desperately wants success for them, but he also wants them to be well and happy – something they’re a long way from when he finds them. If Roger comes good on his promise, could Theo walk away from the Saints and become the ‘Suit’ they tease him about? Also, realising the person you have feelings for needs help is hard, especially when you suspect the help they need will take them away from you. Can Theo prove his worth and wait?

We hear more from the rest of the band through articles and transcripts of interviews, but that doesn’t mean that Ripper and Kenny are one dimensional. Ripper is proudly one of the few South Asian guitarists on the scene and his move to lead guitar on some of their new tracks has really blown the audience away. He is interested in his Hindu roots and the philosophy around the religion, something that he also has to reconcile with coming out as bisexual. Kenny is the happy little heartbeat of the group, an incredibly skilled drummer who keeps the others on track. He is also surprising, he could have been a stereotypical flower child but he isn’t, having an interest in the philosophy of Heidegger and how it relates to music. I used Heidegger for my unfinished PHD on disability representation, because he was part of the phenomenological branch of thinking that values lived experience and being in the moment. It adds a dimension that I hadn’t expected when in one interview Kenny sums up exactly why human life is of such value and it’s because of time, our existence is finite and therefore becomes more precious. I was fascinated with the author’s depiction of therapy and the self insight Hannah has that allows her to engage with it fully and with commitment. The author pitched the novel well, flowing from the depths of grief to the terrible tension of Hannah’s eventual breakdown and Theo desperately trying to save her. What stops Hannah’s grief from being unbearable are the humorous moments of party antics, the band playing her old school and the stories of Ginny – one involving a tapir! I loved learning about Ginny through these people who loved her and had every hope that through their music the Saints would immortalise her. These moments lift the book and I did hope that the band would succeed, that Hannah would recover and laugh again, that Theo would find his path in life and perhaps that love might eventually find a way. As Kenny tells his interviewer, music is the perfect medium to express the experience of living because like life, a song is a finite thing. It’s why when the music builds and reaches a crescendo we feel euphoric and emotional, because we know it signals we’re nearing the end. 

“Her art is alive, searing, moving, brutal, honest. She represents us as we are in this moment; beleaguered by pain and exhaustion, unsure if we can save ourselves, but incapable of not trying, of not making art and meaning.” 

From a review of Hannah and the Future Saints’ performance that goes viral. 

Meet the Author

Ashley Winstead is an academic turned bestselling novelist with a Ph.D. in contemporary American literature. She lives in Houston with her husband, three cats, and beloved wine fridge.

Posted in Netgalley

Let the Bad Times Roll by Alice Slater

THEN

Alone in New Orleans, Selina is struggling to fit in until a charismatic stranger invites her for a drink. It feels like fate, but who is Daniel, and what does he want from her? Just as the humidity and the hangovers start to take their toll, Daniel vanishes

NOW

Daniel is missing. No one has seen or heard from him in weeks. Beside herself with worry, his sister Caroline hosts an intimate gathering in her London home so those closest to Daniel can come together and compare notes. But what should have been five courses of a Cajun-style feast has now become an interrogation. Those left behind must piece together their shared understanding of the man they thought they knew.

And all isn’t quite as it seems: Caroline has invited a stranger to the table, an accomplished psychic who claims to have met Daniel four thousand miles away in New Orleans. As evening turns to night, the dark truth of what really happened begins to emerge…

As a lifelong fan of Harry Connick Junior I have always fancied a trip to New Orleans. I certainly don’t want this trip to New Orleans, although the author presents a city that’s full of life and her descriptions of the food, cocktails and atmosphere really set the scene for me. It feels like a place where you could have a very good time or a very bad time with nothing in between. I felt something was ‘off’ very quickly, both at Caroline’s house and during their dinner guest Selina’s story of her trip to New Orleans. As Daniel’s friends gathered at his sister’s London home it took me a while to get to know everyone, but something about the gathering and their relationships seemed strange. If my brother had gone missing somewhere in the world, I’m not sure I’d have gone out of my way to cook a dish from that place. It felt a little suffocating and even in their reminiscences Caroline seemed unusually attached to her brother. We know their parents are dead and they only have each other, but they went to university together, live together and Caroline was trying hard to control her brother’s share of their inheritance. I was starting to think that if I were Daniel, I might have disappeared. As the novel begins she is getting ready for her brother’s return like Mrs Dalloway, picking up flowers and shopping for a special dinner almost as if she’s preparing for a lover. Then there’s Richard, friend to them both and their housemate at university. His attachment to Caroline does go further than friendship, but it feels one sided with one flashback that may be the most awkward sex scene I’ve ever read. 

As psychic Selina starts to relate her story of meeting Daniel in New Orleans the discomfort continues. I liked Selina and related to her feelings of empathy for Daniel, but she has no boundaries. She’s booked an ordinary New Orleans tourist experience, but once Daniel is involved he seems determined to show her his version of the city and she goes willingly. He had me on edge immediately because he felt like a swan, seemingly chilled and witty on the surface, but clearly pedalling like mad underneath to keep up a front. I suspected early on that he was struggling, emotionally and financially, latching onto people who would be susceptible to his charm. With his white shirt and long hair (I might have imagined the leather trousers) his appearance made me think of Michael Hutchence – very dynamic and magnetic but perhaps hasn’t washed for a few days! I kept veering between thinking he was genuine then suspecting that he’d noticed Selina’s alternative look and her habit of consulting her tarot cards in public places. Did he see her as gullible and potentially his next mark? He matches the city perfectly. Underneath the usual tourist hotspots there’s a decadence in the food, the bars and even the people. Some of the food and drink scenes made me queasy. It sounds delicious in theory but never tastes quite right, it’s too rich and full of seafood. There’s a particular shot that’s like oysters, it feels like drinking ‘phlegm’ something I’m almost phobic about. Daniel suggests trips to a death museum and out to the Bayou trail where morbid death stories are the norm. He’s like an energy vampire, feeding off making someone else unsettled and slowly Selina becomes more unsure of herself, her judgement and even her psychic abilities. We shouldn’t be surprised, after all this city is the home of voodoo priestesses, ghosts and vampire stories. Death seems to be everywhere and the city starts to feel as claustrophobic as Caroline’s flat. 

Of course this is Selina’s version of events and it’s a brave thing to do, going into Daniel’s home and meeting his closest friends and family. Especially when the story you have to tell either puts their loved one in a bad light or confirms they’re in danger. However, as we learn more about his friends between Selina’s story, I couldn’t understand what kept them together as a group. There’s a history of Daniel taking from people, whether it’s knowledge, sex, or money and he never seems to be held accountable. Caroline is always there to mop things up, like an overprotective mother. There are so many unspoken feelings here, Selina loves Max but suspects he loves Daniel. Richard still loves Caroline. They clearly care about Daniel, but their memories throw up so many questions about him. I didn’t really like any of them. There are so many twists and turns in their reminiscences as well as in Selina’s tale. They take us as far back as their shared university years and through many unexpected places and events before we reach the end. Everyone has a reason to dislike Daniel. He is a strange combination of both scared and reckless. It’s as if Caroline has been holding on so tight because she knows that out of her sight he will self destruct, taking more risks and falling further than ever. Is her tendency to control coming from a place of fear? It’s almost as if Daniel can only throw himself into life fully if he knows it has a finite end. I won’t tell you anymore, but it doesn’t end the way you expect. This is very clever writing and I really didn’t know how I felt at the end. I disliked pretty much every character, but still couldn’t put this book down. Everyone is hiding something and the journey to find out their secrets is unnerving, confusing and very disturbing indeed. 

Meet the Author


Alice Slater is a writer, podcaster and ex-bookseller from London. She studied creative writing at MMU and UEA. She lives in London with her husband and a lot of books. Death of a Bookseller is her first novel.

Posted in Netgalley

High Season by Katie Bishop

In the heat of summer, the past can become hazy. . .

For twenty years, Nina Drayton has told herself that she must have seen her sister, Tamara, being murdered by the family babysitter – Josie Jackson. That she doesn’t remember it because she was five, and amnesia is a normal trauma response.

But now, with the anniversary of Tamara’s death approaching and true crime investigators revisiting the case, Nina finds it harder to suppress her doubts.

Returning to her family’s sparkling villa on the Cote d’Azur for the first time since the murder, she wants to uncover more about the summer that changed so many lives.

Because if she was wrong, then she sent an innocent woman to jail – and the real killer is still walking free.

I really enjoyed Katie’s debut novel The Girls of Summer so this was a definite must buy for me. The setting was so evocative and I loved the tension between the two different versions of this small town on the Cote d’Azure. There’s the statement holiday home of the Drayton’s, architect designed and jutting out over the sea as if imposing itself on nature. This house and the parties held there in the summer season are all about the rich heiress impressing her friends and other society families holidaying in the area. From it’s viewpoint on the cliff top, the beach shack and the local dive school seem rather shabby but these belong to the families who live here all year round and are simply trying to make a living. They work hard, long hours in the summer season so that they can make the money for the rest of the year, when the everything closes and people like the Draytons return to London or go skiing in the Alps. Through two timelines we’re shown what happens when these two sets of people collide, sparking an event that changes lives and still affects those involved in the present day. Nina Drayton has returned to sort out her mother’s affairs and decide what to do with the crumbling property they never use. However, her visit has stirred up memories of that summer when her sister Tamara died and she gave evidence that put a young local woman called Josie in prison. Now released, Josie has returned to the dive shop her family owned, now run by her brother and his girlfriend. She will be moving in with them until she can get her life on track, but in the meantime Tamara’s murder has become a social media sensation and a podcaster is in town researching the case. Will Josie be able to build a life for herself with this much publicity surrounding the case and will Nina be able to shake off the uneasy feeling she has about what she saw the night her sister died? 

There were shades of Atonement in this story that explores memory, identity and how we view events at different points in life. As a child Nina gave her evidence, but even after years of psychology training she’s unsure about exactly what she saw. Her husband Ryan asks her outright: 

“How do you know you weren’t making it up? Kids make things up all the time right?” 

It’s the first time anyone has ever had the guts to ask her the very thing she has always wondered. It’s something she has tried to cover up, shove to the back of her mind and starve out of her body. She’s tormented by the elusive nature of her memories, as one summer becomes conflated with several others, just a stream of partying adults and often forgotten children. Josie was in and out of the Drayton’s house that summer, either earning money with her friend Hannah for keeping an eye on Nina and the guests smaller children or by invite when Blake Drayton started to take an interest in her. The author takes us back in time between that summer and the present when Josie has been released from prison. Josie has always claimed to be innocent and her yearning for an ordinary life is very endearing. I felt for her as she struggles to keep hold of her sense of self in a world where other people will only see an ex-prisoner. She may have served her sentence but to others she will always be a murderer, so she’s not expecting to be given a chance. She’s surprised when Nic stops to pass the time of day and asks if she would like to go out. We’re shown exactly who Josie is when she feels uncomfortable in the posh restaurant he takes her to and they ditch their booking for lobster rolls at the beach shack instead. When we see her with her brother or out in the water we can see how at home she is here, in tune with nature and the simple things in life. 

The author uses transcripts from TikTok videos and the true crime podcast to show us how human lives are no more than a commodity to be packaged in sensational one minute reels to keep the conversation going. Engagement is the goal and there’s plenty, showing us exactly what happens when people become gripped by a puzzle to solve forgetting that behind the headlines are real people trying to live their lives. Here the truth is especially elusive. Josie is fixated on the person who is destroying her second chance, just throwing out wild theories and ludicrous cliffhangers for her followers to pass judgement on. Josie has been judged and served her time, so she didn’t expect to be tried in the court of social media opinion once again. We never truly know who is behind the anonymous profile picture, it could be someone next door or it could be someone on the other side of the world. When we go back to that summer we can see that both Tamara Drayton and her brother Blake are damaged by their upbringing. When he shows an interest in Josie she’s unbelievably flattered. She knows there is a gulf between their lifestyles and for a teenage girl attention from the wealthy, good looking Blake Drayton gives her a sense of acceptance. This, much younger Josie, would stay in the posh restaurant because she’s not comfortable enough to say ‘this isn’t me.’ It’s this uncertainty and inadequacy that Blake has noticed, he sees the local girls as expendable but he assures Josie that it’s over with his rich girlfriend and he really likes her. Meanwhile, Josie’s friend Hannah has struck up a friendship with the rich and popular Tamara Drayton. However assured she seems, under the expensive clothes and air of sophistication, Tamara is still a teenage girl struggling with her own identity and lack of support from her mother. As the days become hotter, the tension between these young people is certain to boil over. 

I found the final third of this book impossible to put down. I was waiting desperately for a confrontation between Nina and Josie, something that could help both of them. I wasn’t sure whether these tentative connections would spark another terrible event or whether as adults there could be reconciliation. Would Nina be able to voice her uncertainty and guilt? Would Hannah reach out to her friend, now released and needing to hear about what happened between her and Tamara? At the very least I was rooting for Josie to find a peace within herself. As their present lives threaten to move out of control, Josie starts to have a dream she’s had all her life at times of pressure. A dream of falling.. 

“The future seems to gape in front of Josie, vast and undefined […] a fall from a very high cliff”. 

I really wanted her to think about the times she dives, with all the confidence of someone who’s done this since they were a child. Underneath the water she is both at home and awed by the wonder of what’s living just underneath the surface, especially when she dives for the first time since her release. I wanted her to remember how comfortable she is in the water and realise that it never mattered if she fell: she knows how to swim. 

Meet the Author

Katie Bishop is a writer and journalist based in the UK. Her debut novel, The Girls of Summer published in 2023 with Transworld, UK and St. Martin’s Press, US. Her second novel, High Season, was published in August 2025.

Posted in Netgalley

The House of Hidden Letters by Izzy Broom 

Be whisked away to Greece with this dual narrative novel set on the Greek Islands. Greek cottage. Price: One Euro. Skye doesn’t make impulsive decisions. But when she sees a derelict Greek cottage for sale by lottery, she enters with dreams of a fresh start. However, her heart sinks as she pushes open the tattered blue door weeks later. Can this wreck ever be her home? Then Skye finds a bundle of letters hidden in the fireplace, their faded pages drawing her in with a story of long-forgotten love, tragedy, and unbelievable bravery during WW2. But all the while, Skye’s own past is circling. No matter how far she goes, fate is never far behind…

I throughly enjoyed this novel that treads the difficult line between feeling escapist while looking back to harrowing events in the island’s history. The people who buy the one Euro houses bring an optimism and sense of renewal to the island. The current residents of the island are a joy, incredibly generous with the new arrivals and particularly Andreas who is the builder commissioned to renovate the houses. He is hospitable, showing Skye around her new home and chatting ideas, but he goes above and beyond when he realises she is staying in the empty house so brings her groceries and coffee. When some of the other residents arrive the place is full of camaraderie and new friendships. These are mainly women. Joy is an artist from Australia who clicks with Skye straightaway. There are three sisters, one of which is a builder determined to renovate in her own way much to Andreas’s disgust. As Skye wanders through her house alone, taking in the sea view from the attic room we get a sense of freedom and independence from her, possibly a feeling she hasn’t had for some time. All of this activity is exciting and hopeful, a light-heartedness that’s at odds with the reasons Skye left the UK and her new home’s sad history. Skye and Andreas find Nazi dog tags and a stash of letters in a half collapsed wall, so they know these are from the time of occupation, when Italian and German soldiers were present in the islands. It’s more troubling when remains are unearthed in the garden, some of which appear to be human. What has happened on this particular street? 

I found Katerina’s letters and the times we delve back into the island’s history so vivid and there were scenes so memorable, I don’t think I’ll forget them. It really engaged my emotions and I fell in love with Katerina when we first meet her as she’s climbing to reach her goats. Her relationship with the little three legged goat is so touching. It’s also the reason she meets Stefanos, as her goat climbs a little higher than she should considering her poor balance. Katerina tucks her skirt into her knickers and shows off her own climbing skills. It feels like love at first sight for these two, but war will get in the way of their courtship. This heroine is bold and brave and even though she faces some terrible events she never loses her determination or her love. This is a turn around for the girl who scorned her sister’s marriage and the constraints it placed on her.

“Love, such a stupid thing. She was eighteen, strong, healthy and free to roam between chores. A man would not let her behave in such a way.” 

I found the islander’s experiences at the hands of their occupiers harrowing. They take everything they can from the villager’s stores of food, requisition their animals and leave them starving slowly. Katerina can see her sister is becoming frail, but doesn’t realise what she’s enduring in order to secure the tiny amount of food they have. One particular soldier takes an interest in her and she knows he won’t take no for an answer, even though she is expecting to marry Stefanos if he comes home. As she symbolically tries on her mother’s wedding dress she feels the strength of the older generation with her. This is a strength she sees when encountering an elderly man on the beach who greets her warmly then simply walks away into the sea, unable to cope with what is happening on the island and knowing the young need to be priority when it comes to resources. It’s the young who have to fight, including Stefanos and her sister’s husband, but it’s easy to forget that occupied women are also fighting in their own way. That might be foraging for food, hiding supplies from the occupiers, or even collaborating to survive – something that women were often punished for by their community, but is understandable when there are children to feed and refusal only means they take what they want anyway. Katerina’s principles are steadfast, even when starving and pregnant, but they also lead to devastating consequences. I loved the author’s focus on women helping women, even across the barriers between them. 

Skye arrives in a timid state, but blossoms on the island. She has come through a period of grief after losing her father, but there’s something more in the way she reacts to men and in the joy she takes in making her own choices for her new home. She gains the confidence to tutor some of the children and her friendship with the bold and liberated Joy seems to be exactly what she needs. She also builds a good relationship with Andreas, they work well on the house together and he quickly learns her boundaries. If something has to be done his way because of safety or local regulations he stands his ground, but all other decisions belong to Skye. He literally gives her own power back to her by remaining respectful and passive with decision making. It’s a marker of how broken the mother daughter relationship is, that Skye’s mother turns up on the island with her husband. If I’d disappeared across the continent with no forwarding address my mum would know something was very wrong back home. The author illustrates so well how grief is life-altering, leaving us potentially vulnerable to those who seem to offer love and protection, but actually want to control. With a total break from her usual life and the new people she has around her, I hoped Skye would have enough strength to break from relationships that have become abusive. It emphasises ‘found family’ and shows that community is vitally important to our wellbeing. 

This was a fabulous read, a dual narrative storyline where both timelines held my interest and kept the pages turning. Of course Katerina’s experiences have more power because of the horrors they faced during occupation. I also particularly loved Katerina’s bond with Chrysi her little goat, a relationship that was so touching it brought me to tears. Skye is also fighting for her survival, to build a life that’s how she wants it and the freedom to make her own choices and mistakes. I loved the hint of romance that didn’t overpower or devalue the serious points being made about the strength of women and their supportive bonds with each other. The historical finds that are made really piqued my interest and it was fascinating to see Katerina’s story slowly uncovered and I have wondered since finishing what she might have done next. There is loss, domestic abuse and sexual violence which can be a tough read if you’ve been through it, but all are handled well and felt authentic. I felt Katerina’s despair when she realises she no longer ‘feared the enemy, not their guns and bombs. It was the sorrow that terrified her.’ Like Skye she realises that she must use this as a strength going forward. I was rooting for both women throughout, dealing with the oppression of men and finding their own path. 

Meet the Author

My career as an author really began when I won The Great British Write Off competition in 2014 with a short story called The Wedding Speech. It was the first time anyone in the publishing industry had looked at my writing, and their collective advice and guidance gave me the confidence to complete a proper novel. My Map Of You was the result.

I write escapist fiction because travel is in my soul. My books are about all facets of life and often feature a love story. Getting inside the hearts and minds of my characters continues to fascinate me, as does searching the globe for settings in which to set their stories. I have scaled mountains in Sri Lanka, watched fireworks over Lake Como, swam in crystal clear Croatian waters, made wishes in Prague, hunted for orange houses in Mallorca, fallen off chairs in French bistros and wept over the beauty of the stars in Zakynthos – and these experiences are just the tip of the iceberg.

Each of my novels comes with a promise: to take my readers on an adventure and leave them with hope in their hearts. I hope you enjoy reading them as much as I love writing them.

Posted in Netgalley

The Killing Stones by Anne Cleeves

I can barely contain my happiness at being back in the world of Jimmy Perez, this time in the Orkney islands where he grew up. Jimmy is living with partner Willow Reeves, who’s both his boss and heavily pregnant with his child. It’s Christmas and the couple are looking forward to the celebrations. Jimmy’s stepdaughter Cassie is spending the holidays with her father Duncan and his family on Shetland, so it just the two of them and son James. For the police, Christmas isn’t a holiday and as a huge storm passes across the islands, terrible discoveries are made. Everywhere there’s storm damage, but when a body is found at an ancient archaeological site Jimmy is devastated to find out it’s his childhood friend Archie Stout. Archie is a well known ‘larger than life’ character who’s the centre of every gathering and runs the family farm with a wife and two teenage sons. Jimmy finds that Archie has suffered a blow to the head and the murder weapon is a Neolithic stone covered in ancient runes and Viking graffiti, one of a pair taken from the heritage centre. Now Willow and Jimmy must investigate their friends and neighbours to solve the murder in the run up to Christmas, where events will traditionally bring the whole island together. The uncomfortable truth is that the murderer is likely to be someone they know and that means nobody is safe. 

Jimmy always comes across as someone who’s very still, the listener rather than the talker and the exact opposite of Archie and perhaps that’s why they became friends when they boarded at secondary school, something that all the islanders doat that age. Only the reader and perhaps Willow know the depth of feeling that runs underneath Jimmy’s calm exterior. We are privileged in knowing the depth of his grief for his previous partner Fran, the mother of his stepdaughter Cassie. I’ve always loved the way Duncan and Jimmy co-parent Cassie after Fran made it clear she wanted Jimmy to be the resident parent. He’s also dad to James and we can see the love and the anxiety he has about both his children, brought to a head when James becomes lost on Christmas Day. Part of him hates delving into the private lives of people he’s so close too, but then his knowledge and understanding of this small community is also a strength. He finds out things he didn’t know about his friend: an unexpected relationship with an island newcomer; a secret investment in the hotel and bar; financial difficulties at the farm. The killer made a point with their choice of weapon because they managed to get access to the heritage centre then lugged the stones to the murder site. But what was the point? Did they think Archie was betraying the community or the history of the islands? Is the inscription a clue? To have lured Archie out to such a remote spot in a storm means the site or the weapon must have been important to him. 

Anne Cleeves creates a beautiful atmosphere in this novel, her descriptions of this series of islands are both beautiful and savage, echoing its residents who are inextricably linked to each other and their shared ancestry. The storm really sets the scene of just how remote this community is and how they must pull together to get through difficulties, even where they don’t like each other. Each of the families are living history, something you can hear when Jimmy and Willow interview people and they have an encyclopaedic knowledge of several generations of other island families. Each generation has been at school together, worked together, attended each other’s weddings and celebrated the birth of the next generation. Archie’s father Magnus was an amateur historian and archivist, with a box of his research in the heritage centre. Even his looks hark back to a time when Vikings invaded the islands with his blonde hair and stature a stark contrast to Jimmy’s dark hair and Spanish eyes, thought to be a throwback to an Armada ship blown off course and it’s sailors who settled in Orkney. The different celebrations that lead up to Christmas show these different influences from the Christian carol service at the cathedral, to The Ba on Christmas Day and then Shetland’s Up Helly Aa in January. James’s determination to watch Archie’s sons participate in The Ba shows how the upcoming generations are inspired to take part just as their forefathers did in their predestined teams of the Uppies and Doonies. It’s best described as a game of ‘mob football’, something very like the Haxey Hood that takes place on 6th January with two teams trying to get their hands on a leather hood and take it back to one of two pubs in the village in the Isle of Axholme. My dad and his father before him participated in the Hood as young men and it’s still Christmas until Twelfth Night in our family. The author also uses this history to highlight tension between generations, those who leave and those who stay, those who participate and those who don’t, islanders and incomers. This tension also exists over development on the island and those trying to keep a balance between respecting the past, but also providing projects to employ newer generations. Incomers who use islanders to further their own agenda or make money will be made unwelcome. 

I really loved Willow and the atmosphere she creates at home, particularly around Christmas. Just as dedicated to her work as Jimmy she takes an active role in the investigation, her pregnancy not holding her back at all. She knows it’s a delicate situation, working together and being in a relationship, especially when she’s the boss. Somehow they manage to keep the personal and the work life separate and she seems to know which responsibilities she must let Jimmy bear and those she’s happy to share. As Christmas Eve approaches fast she’s not running around like a headless chicken trying to make sure they have all the right things, they have food and she points out something I say every year – the shops are only closed for one day. It’s the traditions and being together that are the most important thing. She’s a great interviewer though, brilliant at picking up what people are not saying. She reads their body language and their tone, plus knowing each islander’s history helps too. What she picks up on are the unexpected or secret alliances, such as Archie’s investment in the hotel or his in-law’s apparent friendship with a regularly visiting academic. The case is fascinating, covering potential adultery, family tensions, environmental disagreements and historical conflicts, as well as academic jealousy. As everyone gathers on Christmas Day for The Ba and someone goes missing, my nerves were like violin strings! It’s this gradually rising tension alongside the beautifully drawn relationships that make Anne Cleeves’s novels. Jimmy has always had incredible empathy for others, feeling his own loss alongside theirs and understanding behaviour that might at first glance seem inexplicable. This is a hugely welcome return for Jimmy, both in a different landscape and place in life. Hopefully it’s the first of many. 

Meet the Author

Ann Cleeves is the author of more than thirty-five critically acclaimed novels, and in 2017 was awarded the highest accolade in crime writing, the CWA Diamond Dagger. She is the creator of popular detectives Vera Stanhope, Jimmy Perez and Matthew Venn, who can be found on television in ITV’s Vera, BBC One’s Shetland and ITV’s The Long Call respectively. The TV series and the books they are based on have become international sensations, capturing the minds of millions worldwide.

Ann worked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She is a member of ‘Murder Squad’, working with other British northern writers to promote crime fiction. Ann also spends her time advocating for reading to improve health and wellbeing and supporting access to books. In 2021 her Reading for Wellbeing project launched with local authorities across the North East. She lives in North Tyneside where the Vera books are set.

Posted in Netgalley

The Light a Candle Society by Ruth Hogan

Ruth Hogan is one of my cozy authors. These are books I read when I need comfort and boy did I need it last week. I’m having the kitchen renovated, not just new units but ripping out the floor and ceiling, putting in new joists and laying a floor that’s been so wonky I’ve tripped over it a couple of times. We’ve taken out an island that was hogging all the space and finally new units are slowly going in. I’ve been without a kitchen sink for a fortnight and my other half has wired the oven up in the garage so everything we cook has to be oven or microwave only and I keep meeting neighbours as I’m walking past with oven gloves and a tray of chicken kievs. I’m washing up in the bath tub (not while I’m in it) so this time last week I lost my marbles and we’ve been staying in a holiday cottage nearby for some quiet. So I’ve spent a lovely week being mostly unreachable, laying back in a huge bubble bath with a view, and reading my cozy books. 

So let’s talk about the book which was a lovely oasis of calm in my personal chaos. It covered a subject close to my heart. My first job in mental health was as a support worker and since I lived in a small town I would often see clients I worked with on days off and even for years after I left. These were usually single people, living alone and only just managing to function with the basics. They were so isolated and when I stopped working I would volunteer at a local community centre twice a week to have a drop-in place for people struggling or feeling isolated. Sometimes though I would find out someone had died and if I wasn’t too late I would go to the funeral. However if someone is estranged from their family due to their mental health history and lived alone I wouldn’t always be able to find out when and where it was. I hated the idea of no one being there, so I immediately understood our main character George and where he was coming from. He has lost his wife Audrey and takes her flowers every week down at the cemetery. It’s there he meets Edwin, a local undertaker who appears to be lurking by the bins. He explains that he’s watching the new council worker responsible for the funerals of those who had died without family or funds of their own. Edwin is making sure that new recruit Niall knows what he’s doing and giving the person the reverence and dignity they can. George hates the idea of such a lonely send off with no one to witness your journey beyond this life. He muses about it and talks to his friends at the Dog and Duck pub where he goes to the quiz night. He would like to mark these funerals in some way so he invites Edwin to join his group at the pub for a chat. From a simple wish to be there for these send offs the Light a Candle Society is born. 

Like all Ruth’s books this has a wonderful cast of interesting and quirky characters, many of whom do live alone. There’s Roxy, George’s friend and colleague from the library where he works part-time. She has an alternative look, with tattoos and piercings and is probably not the person you’d expect to be so close with an older widower. Slowly we’re drawn into their circle. There’s Elena from the florist who does George’s flowers for Audrey every week and would like to make a contribution to the funerals. There’s Captain and his dog Sailor, one of the library regulars who comes in and reads most days. He talks very little about himself, only seeming to warm up when people pet his canine companion. Then there’s Briony who works for the local paper and decided to write a piece about the funerals, something she can take to her rather dismissive and sneaky boss and show him she can write more than a few words about someone’s giant vegetable. Her downstairs neighbour Allegra is an absolute riot and I would have loved to be friends with her. She has led a rather colourful life and acts like a mentor to Briony, pushing her to trust her own instincts and talent. Briony needs her combination of feminism, cocktails and a kindly kick up the behind. 

The funerals grow when Edwin tips George off about a house clearance firm, who log all the deceased belongings, sorting through them for valuables and taking them away to sell. He agrees to tip George off if he’s doing the house of someone who has no relatives or friends, allowing him to come to the house and get more of a sense of who they were. From there he can write a eulogy that matters and resonates with anyone who does come along unexpectedly. The author has created short chapters that take us back in that person’s life in between the main narrative, showing us a moment from their life and the sometimes devastating circumstances of their death. It’s a reminder that no matter who it is or how their lives have ended, we can’t judge because we haven’t lived their life or experienced the unique and sometimes traumatic circumstances they find themselves in. This resonated strongly with me having had clients with addictions and mental illnesses that have driven family away. I was so touched by one young man who had the dream and potential of become a professional footballer. I was also touched by Captain who slowly builds a relationship with Roxy for a very particular purpose. When we’re taken back into his life it explains completely why a man called Captain lived so far from the sea. I may have shed a tear or two there.

As the society grows it takes in people who would have otherwise been alone. There are younger people like Briony or Niall who have often moved to start a career they’ve longed for, but have to then make a life far away from home where they don’t know anyone. There are older people who have retired and perhaps lost their partner who have the time and the enthusiasm for the society. However the society is also a lifesaver for them, getting them out of the house and making new connections. They’ve needed to make friends and have a home from home like the Dog and Duck to meet new people and of course, come to quiz night. There are potential romances but they’re kept quite low key because they’re not the story’s focus. The focus is one friendship and how the society isn’t just honouring those who have died, it’s making sure that lonely people who might easily have become one of the statistics, are looked after. It made me think of people I’ve let go off in life. Those I’ve lost touch with when one of us has moved or has had a partner who isn’t keen on me or vice versa. It reminded me that when someone pushes you away, it might be the time when they need you the most.  

Meet the Author

My new novel – THE LIGHT A CANDLE SOCIETY – is out in NOW! It’s about a man called George McGlory – recent widower, part-time librarian, pub quiz enthusiast and lover of loud shirts – who witnesses a public health funeral and is deeply moved by the sight of the lonely coffin with no flowers and no mourners in attendance. George believes that everyone deserves a decent send-off and decides to do something about what he calls these ‘lonely funerals’ – and so THE LIGHT A CANDLE SOCIETY is formed. The book contains a number of short stories which give a glimpse into the lives of those whom George and his friends take it upon themselves to honour and remember in their own unique way. Despite it being a story about funerals, it’s full of life, love, humour, community and human connections. And, of course, there is a very special dog!

THE PHOENIX BALLROOM, MADAME BUROVA, THE KEEPER OF LOST THINGS, THE WISDOM OF SALLY RED SHOES and QUEENIE MALONE’S PARADISE HOTEL – are out now in all formats.

I was brought up in a house full of books, and grew up with an unsurprising passion for reading and writing. I also loved (and still do) dogs and ponies, seaside piers (particularly the Palace Pier in Brighton) snow globes and cemeteries. And potatoes. So of course, I was going to be a vet, show jumper, or gravedigger. Or potato farmer.

Or maybe a writer…