Posted in Squad Pod Collective

Paper Sisters by Rachel Canwell

Lincolnshire, 1914. As the First World War approaches, three women are living, trapped between the unforgiving marsh, the wide, relentless river, and the isolation of the fen.

Their lives are held fast by profound grief, haunted by the spectres of the past. Trapped by the looming presence and eerie stillness of a hospital that has never admitted a single patient.  

Eleanor longs to escape. To make a life with the man she loves, leaving her sister, and all her ghosts behind. Clara’s marriage is crumbling and violent and she yearns for peace and security for both herself and her innocent children. Meanwhile, Lily, a formidable force of will, stands resolute against the relentless tide of change. She will stop at nothing, no matter the devastating cost, to ensure that life, and her family, remain frozen in an unyielding embrace of the past.

The author, Rachel Canwell, grew up with the story of this forgotten hospital. Isolated, stocked weekly and cleaned daily but never admitting a single patient. The hospital was real, tended by her family for over sixty years and set against the ethereal beauty and loneliness of the Fens, is the inspiration for her novel.

The atmosphere in this story perfectly captures the strange isolated feel of Lincolnshire’s fens. I’m Lincolnshire born and bred, further north than the fens but I know the area. It’s a flat, almost featureless place with dykes that drain the fields and the constant smell of vegetable crops in the air. The novel’s focus is on the area of Sutton Bridge, a village with a famous swing bridge built in 1897 across the River Nene. On one bank, an area of several acres is home to a building site where a port is being built and on the other is a hospital, built to service the workers of the port area. Alongside it is the home of the family who will run it. The author’s family waited for many years, ready to run their hospital, but this is not their story. The author opens with a strange and disorienting scene where a family are disturbed by noises at night and venture out in the pitch dark. As they stand on the bank, theres a loud rumble and the sound of heavy things hitting the water. The family can’t see anything, but in the light it’s clear that all their hopes for a future working alongside the port are gone. The bank on the far side has collapsed in the night, even worse one of their sons is missing, presumed drowned, while helping to look for workers. As we join them in 1910 only two sisters remain on the hospital side of the bank, Lily who has barely moved beyond the threshold since her twin drowned and Eleanor who tends to Lily, their garden and the hospital. Their other sibling, Frank, lives down in the village with his wife Clara and their children. It is the three women – Eleanor, Clara and Lily – who narrate our story. 

I felt so strongly about these characters, especially Clara and Eleanor who have always been friends. It soon becomes clear that both are in a similar position. Eleanor is at the mercy of Lily’s health and her moods. She claims to be unable to leave her room and hates to be left alone in the house. Despite being so isolated Eleanor has met and fallen in love with a young man called John who has taken over the village’s smithy. How can she ever plan a future with him if she’s unable to leave the house? Similarly, Eleanor’s friend Clara is at the mercy of husband Frank’s moods and how much he’s had to drink. One of the book’s opening chapters follows the couple and their children on a train to the coast. However, the train hasn’t even left the station and Frank is already belligerent. The author writes this beautifully, with Clara’s hopes for one day of freedom as a family dwindling by the moment. The tension rises as Clara desperately tries to quiet the children, holding herself tightly, too terrified to move and incur his anger. Luckily, his behaviour draws young men from the next carriage and Clara leaves him to fight his own battles. The sudden freedom she and the children have is blissful, laughing as they run down to the sea, removing shoes and socks to jump in the waves. Clara knows her friend Eleanor is under equal pressure, because under a quiet and timid exterior Lily has a core of steel. While Eleanor feels sorry for Lily, trying to respect her grief and many physical symptoms, Clara lives with a bully and she sees beyond Lily’s quiet and apparent shyness, recognising them as control and emotional blackmail. Her interventions at the house, forcing Lily into activity, almost made me laugh. Clara isn’t emotionally attached to Lily so can’t be bullied. This dynamic brings enough tension but soon WW1 will cut a swathe through the men of the village bringing fear and loss in its wake. 

Lily made me furious. Her sly nature is infuriating, always listening where she shouldn’t be and snooping in other people’s things. She seems to struggle with empathy, unable to see what her actions might do to others. Despite keeping her own artefacts of a time when the family were whole, she doesn’t recognise other people’s attachment to keepsakes. She’s quite happy to destroy things if she can’t have her way. John is unsure what to do in order to help Eleanor, if they’re to have a future things must change, but how to bring that about without making things worse? It may not be possible for Eleanor to sever her ties as her sister’s carer. Maybe he will have to come to them and get to know Lily. He doesn’t want Eleanor to think he doesn’t care about her sister, but equally he needs Lily to understand that he’s going to be in Eleanor’s life, whatever that takes. However, when pushed, Lily can be incredibly spiteful and destructive. It’s this selfish streak that sees her making reckless and desperate choices. The only times when we see the girl in Eleanor is when she’s with Clara and their shared history gives us all those elements of female friendship that mean so much – the shared jokes and memories, but also the support both physical and emotional. Eleanor may be in love but it’s Clara who fully knows her and will always hold her up when she can’t support herself. All of these women are trapped: Lily by her memories and fears, Clara by her marriage and Eleanor by Lily and the empty hospital she continues to maintain to her father’s standards. It’s almost a shrine to the dreams of those they’ve lost. Then there’s the isolation of the fen, trapped between salt marsh and the river.

War brings different experiences for Clara and Eleanor, especially when Frank joins up early. It’s like spring comes to Clara’s house because the children can play and make noise, she can run the house in a more relaxed way. She can pop over to sit with Lily giving John and Eleanor some freedom too. John’s is a reserved occupation so he doesn’t have to join up straight away. However, these golden times are short lived. It isn’t long before injury, shell shock and even death reach the village and it’s very hard for any of the women to understand their husband’s or brother’s experiences. Through the male characters we see every consequence of fighting for your country. Meanwhile the women are trying to produce food and help on the land. Even to this day, the fen area of the county still produces huge amounts of vegetable produce, as well as potatoes and flowers. To keep crops growing the farmers need labourers and one solution comes in the form of a prisoner of war camp, situated on the site of the old port, directly opposite Eleanor and Lily. The POWs are mainly German soldiers, who will bunk in cabins and work the fields. The author beautifully shows the tensions between prisoners and those men who’ve been fighting overseas. As a dreaded black edged letter arrives, grief now joins domestic violence, manipulation and alcohol issues. This family is set for an explosive reckoning. I became so attached to these women and their family’s tragic history that I read it so quickly. I already know I will go back and read it again though. Every element – character, setting, plot – is beautifully done and the historical background took me back to a time when my own grandparents would have been working the land and living next to the River Trent further north in the county. This is an excellent debut from Rachel Canwell that had me utterly absorbed and feeling every emotion alongside her characters.

Out now from Northodox Press

Meet the Author

For those close by Rachel will be appearing at Lindum Books on the Bailgate in Lincoln on Saturday 21st Feb from 10.30am

https://www.visitlincoln.com/event/author-shop-signing-rachel-canwell%3B-paper-sisters/104373101/

Posted in Netgalley

The House of Fallen Sisters by Louise Hare

A fantastic new novel from a writer who is now on my list of ‘must buy’ authors. She sets her novel in 18th Century Covent Garden, where bawdy houses are far from uncommon and while Mrs Macauley’s house isn’t a high class establishment, her girls are clean and she looks after them well. Our main character Sukey Maynard is a young black woman who has run from Mrs Macauley and finds a young man almost beaten to death in the street. He is also black and she fears he’s a runaway slave. So she finds a local doctor who is known to treat people in poverty and leaves him there, with Dr. Sharp promising to let her know how he gets on. Sadly, her altruistic act means Mrs Macauley’s security man Jakes catches up with her; in saving Jonathon’s life she has forfeited her own. As she’s dragged back to the house and a punishment in ‘the coffin’, it sets up a claustrophobic and scary atmosphere where the rules have to be obeyed. However, life at Mrs Macauley’s is more complicated than that. Sukey is anxious, having just had her first bleed. This means she is ready for work and has years of ‘debt’ owed for her keep so far. She and her equally young friend, Emmy are like family, having grown up together after the death of Sukey’s mother who was Mrs Macauley’s friend. They were prostitutes together in their younger years, along with a third woman Madame Vernier who is recently back on the London scene after years in France. After visiting Mrs Macauley, Madame Vernier learns that Sukey may be ready to work and that an auction will be held for her virginity. She promises to help, hopefully finding someone for the auction who has the means to ‘keep’ Sukey if he’s pleased with her. But why does Madame Vernier want to help? Is it in remembrance of her friend or does she have a different scheme in mind? 

The plot is fascinating with disappearing prostitutes, competing houses and Sukey desperately trying to work out who has fled of their own accord and who might have been taken by the feared ‘Piper’. When Madame Vernier secures Sukey a regular client she feels her worries are solved, but as Mrs Macauley starts to apply pressure for more than a week to week retainer will he come through for her? She dreads being thrown downstairs into the parlour for the nightly competition with the other girls for whichever drunk falls through the door. When the most vocal and experienced resident Camille goes missing from one of Madame Vernier’s parties, Sukey is determined to find out what happened to her. Weirdly she’s also sure she saw another girl missing from their neighbourhood, but working the party under a different name. There’s a mystery here and Sukey is unsure who to trust. This mystery brings an element of suspense to the story and means Sukey must grow up fast if she’s to solve it. She’s a naive girl, only just a young teenager really. She’s been protected until now by Mrs Macauley and considers Emmy her sister, so it’s a huge jolt to suddenly be deemed a woman and expected to entertain men with no experience whatsoever. Even worse must be seeing the ledger with every moment of her childhood laid out in pounds and shillings – an amount she now has to pay back. It’s no surprise that Sukey’s hopes for a ‘keeper’ are paramount and when she thinks she’s safe it leaves the other girls thinking she feels superior. 

I thoroughly enjoyed getting to know this house of working women and regular readers know my love for writing marginalised people back into history. Here it was great to read about women who are not the middle or upper class characters we often encountered in historical fiction. This is the turning upside down of 19th Century fiction norms, where we might expect the book’s focus to be one of rescuing our heroine. Yes, these women are in a tough situation and it may not be the way they’ve chosen to earn a living, but there are benefits compared to service or marriage. They are cooked for, sleep till late in the morning and they don’t have the drudgery of housework. They are also free from spending their lives obeying the man of the house. They earn more for less hours of work than a domestic servant. Their hours of leisure are their own, within reason and we see Sukey become more emancipated as she meets others who are black and live in her neighbourhood. I particularly loved the bookshop owner and his son who write the famous guide to London’s prostitutes and a profitable line in erotic literature. This is a great novel where no one is quite what you think they are and our intrepid heroine has a lot to learn, very fast. I learned a huge amount about the ethnicity of London in the 18th Century and I have to say I loved how the mystery unravelled. Sukey’s choices towards the end show a huge amount of growth and a deep longing for independence. I must also mention the title, bringing to mind a very different type of house and a sisterhood of nuns. This is another fantastic novel from Louise Hare with a complex and fascinating heroine. 

Out on 12th February from HQ

Meet the Author

Louise Hare is a London-based writer and has an MA in Creative Writing from Birkbeck, University of London. Originally from Warrington, the capital is the inspiration for much of her work, including This Lovely City, which began life after a trip into the deep level shelter below Clapham Common. This Lovely City was featured on the inaugural BBC TWO TV book club show, Between the Covers, and has received multiple accolades, securing Louise’s place as an author to watch. This is her fourth novel.

Posted in Squad Pod

The Future Saints by Ashley Winstead 

A band on the brink. A love worth playing for.

When record executive Theo meets the Future Saints, they’re bombing at a dive bar in their hometown. Since the tragic death of their manager, the band has been in a downward spiral and Theo has been dispatched to coax a new – and successful – album out of them, or else let them go.

Theo is struck right away by Hannah, the group’s impetuous lead singer, who has gone off script in debuting a new song-and, in fact, a whole new sound. Theo’s supposed to get the band back on track, but when their new music garners an even wider fan base than before, the plans begin to change-new tour, new record, new start.

But Hannah’s descent into grief has larger consequences for the group, and she’s not willing to let go yet. not for fame or love.

I wasn’t sure at first that I’d get into this novel about a rock band, but it soon grabbed hold of me and I was rooting for all of them and their new manager Theo. The book managed to be both sad and angry, but also romantic and full of hope. The Future Saints are reeling from the death of their manager Ginny who was the lead singer Hannah’s sister. The rest of the band are simply following Hannah’s lead at the moment and she’s gone off their usual track with a new sound that’s darker and more rock. Theo is known as ‘the fixer’ at Manifold Records, he is sent in when a band is struggling or going off the rails. He has one instruction from the CEO, bring in a Future Saints album, then let them go. However, fate intervenes at their first gig when Hannah debuts a deeply emotional new song and falls into the audience while being filmed. The clip goes viral and everyone is talking about the Future Saints new sound and their singer who appears to be having a meltdown. The telephone starts to ring with bookings for gigs and television, but are Hannah and the band in the best frame of mind for interviews and this kind of exposure? Theo has a difficult line to tread, between the instructions from Manifold and this whole new world opening up for a band he’s starting to care about. Perhaps he cares a little too much. 

It took me a while to connect with Hannah, she’s angry, defensive and you never quite know what she’s going to do next. Somehow the author conveys just how magnetic a presence she is on stage and the depths of emotion she has the ability to communicate. She constantly talks to Ginny, something I assumed was only happening internally but Hannah is very clear. Ginny is the only person she allows close to her, even more so since she became ‘the girl who haunts me, my own personal ghost.’ I could see she was so wrapped up in her grief, that she’s forgotten others are grieving too. Her bandmates and her parents have also lost Ginny, but Hannah can only cope with her own pain. Her bandmates are going along with the new sound and direction, especially as the album starts to take shape, and they’re committed to Hannah too but as she increasingly melts down she seems to have forgotten that her actions affect all three of them. They now affect Theo too, but where he might have come down hard on a musician in the past, when Hannah plays up he increasingly feels an urge to hug and protect her. She’s so unbelievably raw but even with therapy she struggles to articulate what she’s really feeling and why. She also hasn’t stopped to think whether her version of Ginny is accurate, or simply the Ginny she wants to see. Anyone who has lost someone will identify with Hannah’s loss and perhaps the catharsis of using her creativity to express those difficult emotions. After my husband’s death I wrote a book about my experience and it did help me process some of the trauma as well as the loss. Hannah wants to communicate what an incredible person Ginny was and everything she meant to her. This is understandable as sometimes I felt like screaming because of all the turmoil inside, especially in places where everyone else doesn’t know what happened and is just going about their everyday life. 

However, Hannah isn’t reserving this raw anger for the stage, her drinking is reaching worrying levels and she’s taking on stunts like shaving her own head at a party, egged on by Manifold Records’ CEO Roger. Through him we see the exploitative side of the music industry, because instead of looking after Hannah outside of working in the studio, he’s taking on bigger and bigger gigs and bookings from Jimmy Kimmell and SNL. He also makes sure she’s seen with the right people at parties – usually other Manifold signings he wants to promote – and encourages her destructive side. After all, a lead singer in meltdown is always going to be news, especially when they’re a woman. We learned this from Britney. Hannah isn’t strong enough to withstand this sort of pressure and Roger knows that. I didn’t trust him with the band or in his promise that he’ll make Theo director of management if the Saints deliver their album. We get a glimpse of the luxury that’s available when you’re a star in the ascendancy, but posh hotel rooms, infinity pools and champagne on private jets isn’t the way this band need looking after. Theo knows this and while I often find romantic prospects in novels rather boring, Theo is interesting and has his own conflicts that cause him to be a ‘rescuer’ of people. He longs to do well in his job, then perhaps when he meets his absent father he might be proud of him. There’s a conflict here though. He really starts to love the members of this band and desperately wants success for them, but he also wants them to be well and happy – something they’re a long way from when he finds them. If Roger comes good on his promise, could Theo walk away from the Saints and become the ‘Suit’ they tease him about? Also, realising the person you have feelings for needs help is hard, especially when you suspect the help they need will take them away from you. Can Theo prove his worth and wait?

We hear more from the rest of the band through articles and transcripts of interviews, but that doesn’t mean that Ripper and Kenny are one dimensional. Ripper is proudly one of the few South Asian guitarists on the scene and his move to lead guitar on some of their new tracks has really blown the audience away. He is interested in his Hindu roots and the philosophy around the religion, something that he also has to reconcile with coming out as bisexual. Kenny is the happy little heartbeat of the group, an incredibly skilled drummer who keeps the others on track. He is also surprising, he could have been a stereotypical flower child but he isn’t, having an interest in the philosophy of Heidegger and how it relates to music. I used Heidegger for my unfinished PHD on disability representation, because he was part of the phenomenological branch of thinking that values lived experience and being in the moment. It adds a dimension that I hadn’t expected when in one interview Kenny sums up exactly why human life is of such value and it’s because of time, our existence is finite and therefore becomes more precious. I was fascinated with the author’s depiction of therapy and the self insight Hannah has that allows her to engage with it fully and with commitment. The author pitched the novel well, flowing from the depths of grief to the terrible tension of Hannah’s eventual breakdown and Theo desperately trying to save her. What stops Hannah’s grief from being unbearable are the humorous moments of party antics, the band playing her old school and the stories of Ginny – one involving a tapir! I loved learning about Ginny through these people who loved her and had every hope that through their music the Saints would immortalise her. These moments lift the book and I did hope that the band would succeed, that Hannah would recover and laugh again, that Theo would find his path in life and perhaps that love might eventually find a way. As Kenny tells his interviewer, music is the perfect medium to express the experience of living because like life, a song is a finite thing. It’s why when the music builds and reaches a crescendo we feel euphoric and emotional, because we know it signals we’re nearing the end. 

“Her art is alive, searing, moving, brutal, honest. She represents us as we are in this moment; beleaguered by pain and exhaustion, unsure if we can save ourselves, but incapable of not trying, of not making art and meaning.” 

From a review of Hannah and the Future Saints’ performance that goes viral. 

Meet the Author

Ashley Winstead is an academic turned bestselling novelist with a Ph.D. in contemporary American literature. She lives in Houston with her husband, three cats, and beloved wine fridge.

Posted in Netgalley

Let the Bad Times Roll by Alice Slater

THEN

Alone in New Orleans, Selina is struggling to fit in until a charismatic stranger invites her for a drink. It feels like fate, but who is Daniel, and what does he want from her? Just as the humidity and the hangovers start to take their toll, Daniel vanishes

NOW

Daniel is missing. No one has seen or heard from him in weeks. Beside herself with worry, his sister Caroline hosts an intimate gathering in her London home so those closest to Daniel can come together and compare notes. But what should have been five courses of a Cajun-style feast has now become an interrogation. Those left behind must piece together their shared understanding of the man they thought they knew.

And all isn’t quite as it seems: Caroline has invited a stranger to the table, an accomplished psychic who claims to have met Daniel four thousand miles away in New Orleans. As evening turns to night, the dark truth of what really happened begins to emerge…

As a lifelong fan of Harry Connick Junior I have always fancied a trip to New Orleans. I certainly don’t want this trip to New Orleans, although the author presents a city that’s full of life and her descriptions of the food, cocktails and atmosphere really set the scene for me. It feels like a place where you could have a very good time or a very bad time with nothing in between. I felt something was ‘off’ very quickly, both at Caroline’s house and during their dinner guest Selina’s story of her trip to New Orleans. As Daniel’s friends gathered at his sister’s London home it took me a while to get to know everyone, but something about the gathering and their relationships seemed strange. If my brother had gone missing somewhere in the world, I’m not sure I’d have gone out of my way to cook a dish from that place. It felt a little suffocating and even in their reminiscences Caroline seemed unusually attached to her brother. We know their parents are dead and they only have each other, but they went to university together, live together and Caroline was trying hard to control her brother’s share of their inheritance. I was starting to think that if I were Daniel, I might have disappeared. As the novel begins she is getting ready for her brother’s return like Mrs Dalloway, picking up flowers and shopping for a special dinner almost as if she’s preparing for a lover. Then there’s Richard, friend to them both and their housemate at university. His attachment to Caroline does go further than friendship, but it feels one sided with one flashback that may be the most awkward sex scene I’ve ever read. 

As psychic Selina starts to relate her story of meeting Daniel in New Orleans the discomfort continues. I liked Selina and related to her feelings of empathy for Daniel, but she has no boundaries. She’s booked an ordinary New Orleans tourist experience, but once Daniel is involved he seems determined to show her his version of the city and she goes willingly. He had me on edge immediately because he felt like a swan, seemingly chilled and witty on the surface, but clearly pedalling like mad underneath to keep up a front. I suspected early on that he was struggling, emotionally and financially, latching onto people who would be susceptible to his charm. With his white shirt and long hair (I might have imagined the leather trousers) his appearance made me think of Michael Hutchence – very dynamic and magnetic but perhaps hasn’t washed for a few days! I kept veering between thinking he was genuine then suspecting that he’d noticed Selina’s alternative look and her habit of consulting her tarot cards in public places. Did he see her as gullible and potentially his next mark? He matches the city perfectly. Underneath the usual tourist hotspots there’s a decadence in the food, the bars and even the people. Some of the food and drink scenes made me queasy. It sounds delicious in theory but never tastes quite right, it’s too rich and full of seafood. There’s a particular shot that’s like oysters, it feels like drinking ‘phlegm’ something I’m almost phobic about. Daniel suggests trips to a death museum and out to the Bayou trail where morbid death stories are the norm. He’s like an energy vampire, feeding off making someone else unsettled and slowly Selina becomes more unsure of herself, her judgement and even her psychic abilities. We shouldn’t be surprised, after all this city is the home of voodoo priestesses, ghosts and vampire stories. Death seems to be everywhere and the city starts to feel as claustrophobic as Caroline’s flat. 

Of course this is Selina’s version of events and it’s a brave thing to do, going into Daniel’s home and meeting his closest friends and family. Especially when the story you have to tell either puts their loved one in a bad light or confirms they’re in danger. However, as we learn more about his friends between Selina’s story, I couldn’t understand what kept them together as a group. There’s a history of Daniel taking from people, whether it’s knowledge, sex, or money and he never seems to be held accountable. Caroline is always there to mop things up, like an overprotective mother. There are so many unspoken feelings here, Selina loves Max but suspects he loves Daniel. Richard still loves Caroline. They clearly care about Daniel, but their memories throw up so many questions about him. I didn’t really like any of them. There are so many twists and turns in their reminiscences as well as in Selina’s tale. They take us as far back as their shared university years and through many unexpected places and events before we reach the end. Everyone has a reason to dislike Daniel. He is a strange combination of both scared and reckless. It’s as if Caroline has been holding on so tight because she knows that out of her sight he will self destruct, taking more risks and falling further than ever. Is her tendency to control coming from a place of fear? It’s almost as if Daniel can only throw himself into life fully if he knows it has a finite end. I won’t tell you anymore, but it doesn’t end the way you expect. This is very clever writing and I really didn’t know how I felt at the end. I disliked pretty much every character, but still couldn’t put this book down. Everyone is hiding something and the journey to find out their secrets is unnerving, confusing and very disturbing indeed. 

Meet the Author


Alice Slater is a writer, podcaster and ex-bookseller from London. She studied creative writing at MMU and UEA. She lives in London with her husband and a lot of books. Death of a Bookseller is her first novel.

Posted in Netgalley

High Season by Katie Bishop

In the heat of summer, the past can become hazy. . .

For twenty years, Nina Drayton has told herself that she must have seen her sister, Tamara, being murdered by the family babysitter – Josie Jackson. That she doesn’t remember it because she was five, and amnesia is a normal trauma response.

But now, with the anniversary of Tamara’s death approaching and true crime investigators revisiting the case, Nina finds it harder to suppress her doubts.

Returning to her family’s sparkling villa on the Cote d’Azur for the first time since the murder, she wants to uncover more about the summer that changed so many lives.

Because if she was wrong, then she sent an innocent woman to jail – and the real killer is still walking free.

I really enjoyed Katie’s debut novel The Girls of Summer so this was a definite must buy for me. The setting was so evocative and I loved the tension between the two different versions of this small town on the Cote d’Azure. There’s the statement holiday home of the Drayton’s, architect designed and jutting out over the sea as if imposing itself on nature. This house and the parties held there in the summer season are all about the rich heiress impressing her friends and other society families holidaying in the area. From it’s viewpoint on the cliff top, the beach shack and the local dive school seem rather shabby but these belong to the families who live here all year round and are simply trying to make a living. They work hard, long hours in the summer season so that they can make the money for the rest of the year, when the everything closes and people like the Draytons return to London or go skiing in the Alps. Through two timelines we’re shown what happens when these two sets of people collide, sparking an event that changes lives and still affects those involved in the present day. Nina Drayton has returned to sort out her mother’s affairs and decide what to do with the crumbling property they never use. However, her visit has stirred up memories of that summer when her sister Tamara died and she gave evidence that put a young local woman called Josie in prison. Now released, Josie has returned to the dive shop her family owned, now run by her brother and his girlfriend. She will be moving in with them until she can get her life on track, but in the meantime Tamara’s murder has become a social media sensation and a podcaster is in town researching the case. Will Josie be able to build a life for herself with this much publicity surrounding the case and will Nina be able to shake off the uneasy feeling she has about what she saw the night her sister died? 

There were shades of Atonement in this story that explores memory, identity and how we view events at different points in life. As a child Nina gave her evidence, but even after years of psychology training she’s unsure about exactly what she saw. Her husband Ryan asks her outright: 

“How do you know you weren’t making it up? Kids make things up all the time right?” 

It’s the first time anyone has ever had the guts to ask her the very thing she has always wondered. It’s something she has tried to cover up, shove to the back of her mind and starve out of her body. She’s tormented by the elusive nature of her memories, as one summer becomes conflated with several others, just a stream of partying adults and often forgotten children. Josie was in and out of the Drayton’s house that summer, either earning money with her friend Hannah for keeping an eye on Nina and the guests smaller children or by invite when Blake Drayton started to take an interest in her. The author takes us back in time between that summer and the present when Josie has been released from prison. Josie has always claimed to be innocent and her yearning for an ordinary life is very endearing. I felt for her as she struggles to keep hold of her sense of self in a world where other people will only see an ex-prisoner. She may have served her sentence but to others she will always be a murderer, so she’s not expecting to be given a chance. She’s surprised when Nic stops to pass the time of day and asks if she would like to go out. We’re shown exactly who Josie is when she feels uncomfortable in the posh restaurant he takes her to and they ditch their booking for lobster rolls at the beach shack instead. When we see her with her brother or out in the water we can see how at home she is here, in tune with nature and the simple things in life. 

The author uses transcripts from TikTok videos and the true crime podcast to show us how human lives are no more than a commodity to be packaged in sensational one minute reels to keep the conversation going. Engagement is the goal and there’s plenty, showing us exactly what happens when people become gripped by a puzzle to solve forgetting that behind the headlines are real people trying to live their lives. Here the truth is especially elusive. Josie is fixated on the person who is destroying her second chance, just throwing out wild theories and ludicrous cliffhangers for her followers to pass judgement on. Josie has been judged and served her time, so she didn’t expect to be tried in the court of social media opinion once again. We never truly know who is behind the anonymous profile picture, it could be someone next door or it could be someone on the other side of the world. When we go back to that summer we can see that both Tamara Drayton and her brother Blake are damaged by their upbringing. When he shows an interest in Josie she’s unbelievably flattered. She knows there is a gulf between their lifestyles and for a teenage girl attention from the wealthy, good looking Blake Drayton gives her a sense of acceptance. This, much younger Josie, would stay in the posh restaurant because she’s not comfortable enough to say ‘this isn’t me.’ It’s this uncertainty and inadequacy that Blake has noticed, he sees the local girls as expendable but he assures Josie that it’s over with his rich girlfriend and he really likes her. Meanwhile, Josie’s friend Hannah has struck up a friendship with the rich and popular Tamara Drayton. However assured she seems, under the expensive clothes and air of sophistication, Tamara is still a teenage girl struggling with her own identity and lack of support from her mother. As the days become hotter, the tension between these young people is certain to boil over. 

I found the final third of this book impossible to put down. I was waiting desperately for a confrontation between Nina and Josie, something that could help both of them. I wasn’t sure whether these tentative connections would spark another terrible event or whether as adults there could be reconciliation. Would Nina be able to voice her uncertainty and guilt? Would Hannah reach out to her friend, now released and needing to hear about what happened between her and Tamara? At the very least I was rooting for Josie to find a peace within herself. As their present lives threaten to move out of control, Josie starts to have a dream she’s had all her life at times of pressure. A dream of falling.. 

“The future seems to gape in front of Josie, vast and undefined […] a fall from a very high cliff”. 

I really wanted her to think about the times she dives, with all the confidence of someone who’s done this since they were a child. Underneath the water she is both at home and awed by the wonder of what’s living just underneath the surface, especially when she dives for the first time since her release. I wanted her to remember how comfortable she is in the water and realise that it never mattered if she fell: she knows how to swim. 

Meet the Author

Katie Bishop is a writer and journalist based in the UK. Her debut novel, The Girls of Summer published in 2023 with Transworld, UK and St. Martin’s Press, US. Her second novel, High Season, was published in August 2025.

Posted in Netgalley

The House of Hidden Letters by Izzy Broom 

Be whisked away to Greece with this dual narrative novel set on the Greek Islands. Greek cottage. Price: One Euro. Skye doesn’t make impulsive decisions. But when she sees a derelict Greek cottage for sale by lottery, she enters with dreams of a fresh start. However, her heart sinks as she pushes open the tattered blue door weeks later. Can this wreck ever be her home? Then Skye finds a bundle of letters hidden in the fireplace, their faded pages drawing her in with a story of long-forgotten love, tragedy, and unbelievable bravery during WW2. But all the while, Skye’s own past is circling. No matter how far she goes, fate is never far behind…

I throughly enjoyed this novel that treads the difficult line between feeling escapist while looking back to harrowing events in the island’s history. The people who buy the one Euro houses bring an optimism and sense of renewal to the island. The current residents of the island are a joy, incredibly generous with the new arrivals and particularly Andreas who is the builder commissioned to renovate the houses. He is hospitable, showing Skye around her new home and chatting ideas, but he goes above and beyond when he realises she is staying in the empty house so brings her groceries and coffee. When some of the other residents arrive the place is full of camaraderie and new friendships. These are mainly women. Joy is an artist from Australia who clicks with Skye straightaway. There are three sisters, one of which is a builder determined to renovate in her own way much to Andreas’s disgust. As Skye wanders through her house alone, taking in the sea view from the attic room we get a sense of freedom and independence from her, possibly a feeling she hasn’t had for some time. All of this activity is exciting and hopeful, a light-heartedness that’s at odds with the reasons Skye left the UK and her new home’s sad history. Skye and Andreas find Nazi dog tags and a stash of letters in a half collapsed wall, so they know these are from the time of occupation, when Italian and German soldiers were present in the islands. It’s more troubling when remains are unearthed in the garden, some of which appear to be human. What has happened on this particular street? 

I found Katerina’s letters and the times we delve back into the island’s history so vivid and there were scenes so memorable, I don’t think I’ll forget them. It really engaged my emotions and I fell in love with Katerina when we first meet her as she’s climbing to reach her goats. Her relationship with the little three legged goat is so touching. It’s also the reason she meets Stefanos, as her goat climbs a little higher than she should considering her poor balance. Katerina tucks her skirt into her knickers and shows off her own climbing skills. It feels like love at first sight for these two, but war will get in the way of their courtship. This heroine is bold and brave and even though she faces some terrible events she never loses her determination or her love. This is a turn around for the girl who scorned her sister’s marriage and the constraints it placed on her.

“Love, such a stupid thing. She was eighteen, strong, healthy and free to roam between chores. A man would not let her behave in such a way.” 

I found the islander’s experiences at the hands of their occupiers harrowing. They take everything they can from the villager’s stores of food, requisition their animals and leave them starving slowly. Katerina can see her sister is becoming frail, but doesn’t realise what she’s enduring in order to secure the tiny amount of food they have. One particular soldier takes an interest in her and she knows he won’t take no for an answer, even though she is expecting to marry Stefanos if he comes home. As she symbolically tries on her mother’s wedding dress she feels the strength of the older generation with her. This is a strength she sees when encountering an elderly man on the beach who greets her warmly then simply walks away into the sea, unable to cope with what is happening on the island and knowing the young need to be priority when it comes to resources. It’s the young who have to fight, including Stefanos and her sister’s husband, but it’s easy to forget that occupied women are also fighting in their own way. That might be foraging for food, hiding supplies from the occupiers, or even collaborating to survive – something that women were often punished for by their community, but is understandable when there are children to feed and refusal only means they take what they want anyway. Katerina’s principles are steadfast, even when starving and pregnant, but they also lead to devastating consequences. I loved the author’s focus on women helping women, even across the barriers between them. 

Skye arrives in a timid state, but blossoms on the island. She has come through a period of grief after losing her father, but there’s something more in the way she reacts to men and in the joy she takes in making her own choices for her new home. She gains the confidence to tutor some of the children and her friendship with the bold and liberated Joy seems to be exactly what she needs. She also builds a good relationship with Andreas, they work well on the house together and he quickly learns her boundaries. If something has to be done his way because of safety or local regulations he stands his ground, but all other decisions belong to Skye. He literally gives her own power back to her by remaining respectful and passive with decision making. It’s a marker of how broken the mother daughter relationship is, that Skye’s mother turns up on the island with her husband. If I’d disappeared across the continent with no forwarding address my mum would know something was very wrong back home. The author illustrates so well how grief is life-altering, leaving us potentially vulnerable to those who seem to offer love and protection, but actually want to control. With a total break from her usual life and the new people she has around her, I hoped Skye would have enough strength to break from relationships that have become abusive. It emphasises ‘found family’ and shows that community is vitally important to our wellbeing. 

This was a fabulous read, a dual narrative storyline where both timelines held my interest and kept the pages turning. Of course Katerina’s experiences have more power because of the horrors they faced during occupation. I also particularly loved Katerina’s bond with Chrysi her little goat, a relationship that was so touching it brought me to tears. Skye is also fighting for her survival, to build a life that’s how she wants it and the freedom to make her own choices and mistakes. I loved the hint of romance that didn’t overpower or devalue the serious points being made about the strength of women and their supportive bonds with each other. The historical finds that are made really piqued my interest and it was fascinating to see Katerina’s story slowly uncovered and I have wondered since finishing what she might have done next. There is loss, domestic abuse and sexual violence which can be a tough read if you’ve been through it, but all are handled well and felt authentic. I felt Katerina’s despair when she realises she no longer ‘feared the enemy, not their guns and bombs. It was the sorrow that terrified her.’ Like Skye she realises that she must use this as a strength going forward. I was rooting for both women throughout, dealing with the oppression of men and finding their own path. 

Meet the Author

My career as an author really began when I won The Great British Write Off competition in 2014 with a short story called The Wedding Speech. It was the first time anyone in the publishing industry had looked at my writing, and their collective advice and guidance gave me the confidence to complete a proper novel. My Map Of You was the result.

I write escapist fiction because travel is in my soul. My books are about all facets of life and often feature a love story. Getting inside the hearts and minds of my characters continues to fascinate me, as does searching the globe for settings in which to set their stories. I have scaled mountains in Sri Lanka, watched fireworks over Lake Como, swam in crystal clear Croatian waters, made wishes in Prague, hunted for orange houses in Mallorca, fallen off chairs in French bistros and wept over the beauty of the stars in Zakynthos – and these experiences are just the tip of the iceberg.

Each of my novels comes with a promise: to take my readers on an adventure and leave them with hope in their hearts. I hope you enjoy reading them as much as I love writing them.

Posted in Netgalley

The Killing Stones by Anne Cleeves

I can barely contain my happiness at being back in the world of Jimmy Perez, this time in the Orkney islands where he grew up. Jimmy is living with partner Willow Reeves, who’s both his boss and heavily pregnant with his child. It’s Christmas and the couple are looking forward to the celebrations. Jimmy’s stepdaughter Cassie is spending the holidays with her father Duncan and his family on Shetland, so it just the two of them and son James. For the police, Christmas isn’t a holiday and as a huge storm passes across the islands, terrible discoveries are made. Everywhere there’s storm damage, but when a body is found at an ancient archaeological site Jimmy is devastated to find out it’s his childhood friend Archie Stout. Archie is a well known ‘larger than life’ character who’s the centre of every gathering and runs the family farm with a wife and two teenage sons. Jimmy finds that Archie has suffered a blow to the head and the murder weapon is a Neolithic stone covered in ancient runes and Viking graffiti, one of a pair taken from the heritage centre. Now Willow and Jimmy must investigate their friends and neighbours to solve the murder in the run up to Christmas, where events will traditionally bring the whole island together. The uncomfortable truth is that the murderer is likely to be someone they know and that means nobody is safe. 

Jimmy always comes across as someone who’s very still, the listener rather than the talker and the exact opposite of Archie and perhaps that’s why they became friends when they boarded at secondary school, something that all the islanders doat that age. Only the reader and perhaps Willow know the depth of feeling that runs underneath Jimmy’s calm exterior. We are privileged in knowing the depth of his grief for his previous partner Fran, the mother of his stepdaughter Cassie. I’ve always loved the way Duncan and Jimmy co-parent Cassie after Fran made it clear she wanted Jimmy to be the resident parent. He’s also dad to James and we can see the love and the anxiety he has about both his children, brought to a head when James becomes lost on Christmas Day. Part of him hates delving into the private lives of people he’s so close too, but then his knowledge and understanding of this small community is also a strength. He finds out things he didn’t know about his friend: an unexpected relationship with an island newcomer; a secret investment in the hotel and bar; financial difficulties at the farm. The killer made a point with their choice of weapon because they managed to get access to the heritage centre then lugged the stones to the murder site. But what was the point? Did they think Archie was betraying the community or the history of the islands? Is the inscription a clue? To have lured Archie out to such a remote spot in a storm means the site or the weapon must have been important to him. 

Anne Cleeves creates a beautiful atmosphere in this novel, her descriptions of this series of islands are both beautiful and savage, echoing its residents who are inextricably linked to each other and their shared ancestry. The storm really sets the scene of just how remote this community is and how they must pull together to get through difficulties, even where they don’t like each other. Each of the families are living history, something you can hear when Jimmy and Willow interview people and they have an encyclopaedic knowledge of several generations of other island families. Each generation has been at school together, worked together, attended each other’s weddings and celebrated the birth of the next generation. Archie’s father Magnus was an amateur historian and archivist, with a box of his research in the heritage centre. Even his looks hark back to a time when Vikings invaded the islands with his blonde hair and stature a stark contrast to Jimmy’s dark hair and Spanish eyes, thought to be a throwback to an Armada ship blown off course and it’s sailors who settled in Orkney. The different celebrations that lead up to Christmas show these different influences from the Christian carol service at the cathedral, to The Ba on Christmas Day and then Shetland’s Up Helly Aa in January. James’s determination to watch Archie’s sons participate in The Ba shows how the upcoming generations are inspired to take part just as their forefathers did in their predestined teams of the Uppies and Doonies. It’s best described as a game of ‘mob football’, something very like the Haxey Hood that takes place on 6th January with two teams trying to get their hands on a leather hood and take it back to one of two pubs in the village in the Isle of Axholme. My dad and his father before him participated in the Hood as young men and it’s still Christmas until Twelfth Night in our family. The author also uses this history to highlight tension between generations, those who leave and those who stay, those who participate and those who don’t, islanders and incomers. This tension also exists over development on the island and those trying to keep a balance between respecting the past, but also providing projects to employ newer generations. Incomers who use islanders to further their own agenda or make money will be made unwelcome. 

I really loved Willow and the atmosphere she creates at home, particularly around Christmas. Just as dedicated to her work as Jimmy she takes an active role in the investigation, her pregnancy not holding her back at all. She knows it’s a delicate situation, working together and being in a relationship, especially when she’s the boss. Somehow they manage to keep the personal and the work life separate and she seems to know which responsibilities she must let Jimmy bear and those she’s happy to share. As Christmas Eve approaches fast she’s not running around like a headless chicken trying to make sure they have all the right things, they have food and she points out something I say every year – the shops are only closed for one day. It’s the traditions and being together that are the most important thing. She’s a great interviewer though, brilliant at picking up what people are not saying. She reads their body language and their tone, plus knowing each islander’s history helps too. What she picks up on are the unexpected or secret alliances, such as Archie’s investment in the hotel or his in-law’s apparent friendship with a regularly visiting academic. The case is fascinating, covering potential adultery, family tensions, environmental disagreements and historical conflicts, as well as academic jealousy. As everyone gathers on Christmas Day for The Ba and someone goes missing, my nerves were like violin strings! It’s this gradually rising tension alongside the beautifully drawn relationships that make Anne Cleeves’s novels. Jimmy has always had incredible empathy for others, feeling his own loss alongside theirs and understanding behaviour that might at first glance seem inexplicable. This is a hugely welcome return for Jimmy, both in a different landscape and place in life. Hopefully it’s the first of many. 

Meet the Author

Ann Cleeves is the author of more than thirty-five critically acclaimed novels, and in 2017 was awarded the highest accolade in crime writing, the CWA Diamond Dagger. She is the creator of popular detectives Vera Stanhope, Jimmy Perez and Matthew Venn, who can be found on television in ITV’s Vera, BBC One’s Shetland and ITV’s The Long Call respectively. The TV series and the books they are based on have become international sensations, capturing the minds of millions worldwide.

Ann worked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She is a member of ‘Murder Squad’, working with other British northern writers to promote crime fiction. Ann also spends her time advocating for reading to improve health and wellbeing and supporting access to books. In 2021 her Reading for Wellbeing project launched with local authorities across the North East. She lives in North Tyneside where the Vera books are set.

Posted in Netgalley

The Light a Candle Society by Ruth Hogan

Ruth Hogan is one of my cozy authors. These are books I read when I need comfort and boy did I need it last week. I’m having the kitchen renovated, not just new units but ripping out the floor and ceiling, putting in new joists and laying a floor that’s been so wonky I’ve tripped over it a couple of times. We’ve taken out an island that was hogging all the space and finally new units are slowly going in. I’ve been without a kitchen sink for a fortnight and my other half has wired the oven up in the garage so everything we cook has to be oven or microwave only and I keep meeting neighbours as I’m walking past with oven gloves and a tray of chicken kievs. I’m washing up in the bath tub (not while I’m in it) so this time last week I lost my marbles and we’ve been staying in a holiday cottage nearby for some quiet. So I’ve spent a lovely week being mostly unreachable, laying back in a huge bubble bath with a view, and reading my cozy books. 

So let’s talk about the book which was a lovely oasis of calm in my personal chaos. It covered a subject close to my heart. My first job in mental health was as a support worker and since I lived in a small town I would often see clients I worked with on days off and even for years after I left. These were usually single people, living alone and only just managing to function with the basics. They were so isolated and when I stopped working I would volunteer at a local community centre twice a week to have a drop-in place for people struggling or feeling isolated. Sometimes though I would find out someone had died and if I wasn’t too late I would go to the funeral. However if someone is estranged from their family due to their mental health history and lived alone I wouldn’t always be able to find out when and where it was. I hated the idea of no one being there, so I immediately understood our main character George and where he was coming from. He has lost his wife Audrey and takes her flowers every week down at the cemetery. It’s there he meets Edwin, a local undertaker who appears to be lurking by the bins. He explains that he’s watching the new council worker responsible for the funerals of those who had died without family or funds of their own. Edwin is making sure that new recruit Niall knows what he’s doing and giving the person the reverence and dignity they can. George hates the idea of such a lonely send off with no one to witness your journey beyond this life. He muses about it and talks to his friends at the Dog and Duck pub where he goes to the quiz night. He would like to mark these funerals in some way so he invites Edwin to join his group at the pub for a chat. From a simple wish to be there for these send offs the Light a Candle Society is born. 

Like all Ruth’s books this has a wonderful cast of interesting and quirky characters, many of whom do live alone. There’s Roxy, George’s friend and colleague from the library where he works part-time. She has an alternative look, with tattoos and piercings and is probably not the person you’d expect to be so close with an older widower. Slowly we’re drawn into their circle. There’s Elena from the florist who does George’s flowers for Audrey every week and would like to make a contribution to the funerals. There’s Captain and his dog Sailor, one of the library regulars who comes in and reads most days. He talks very little about himself, only seeming to warm up when people pet his canine companion. Then there’s Briony who works for the local paper and decided to write a piece about the funerals, something she can take to her rather dismissive and sneaky boss and show him she can write more than a few words about someone’s giant vegetable. Her downstairs neighbour Allegra is an absolute riot and I would have loved to be friends with her. She has led a rather colourful life and acts like a mentor to Briony, pushing her to trust her own instincts and talent. Briony needs her combination of feminism, cocktails and a kindly kick up the behind. 

The funerals grow when Edwin tips George off about a house clearance firm, who log all the deceased belongings, sorting through them for valuables and taking them away to sell. He agrees to tip George off if he’s doing the house of someone who has no relatives or friends, allowing him to come to the house and get more of a sense of who they were. From there he can write a eulogy that matters and resonates with anyone who does come along unexpectedly. The author has created short chapters that take us back in that person’s life in between the main narrative, showing us a moment from their life and the sometimes devastating circumstances of their death. It’s a reminder that no matter who it is or how their lives have ended, we can’t judge because we haven’t lived their life or experienced the unique and sometimes traumatic circumstances they find themselves in. This resonated strongly with me having had clients with addictions and mental illnesses that have driven family away. I was so touched by one young man who had the dream and potential of become a professional footballer. I was also touched by Captain who slowly builds a relationship with Roxy for a very particular purpose. When we’re taken back into his life it explains completely why a man called Captain lived so far from the sea. I may have shed a tear or two there.

As the society grows it takes in people who would have otherwise been alone. There are younger people like Briony or Niall who have often moved to start a career they’ve longed for, but have to then make a life far away from home where they don’t know anyone. There are older people who have retired and perhaps lost their partner who have the time and the enthusiasm for the society. However the society is also a lifesaver for them, getting them out of the house and making new connections. They’ve needed to make friends and have a home from home like the Dog and Duck to meet new people and of course, come to quiz night. There are potential romances but they’re kept quite low key because they’re not the story’s focus. The focus is one friendship and how the society isn’t just honouring those who have died, it’s making sure that lonely people who might easily have become one of the statistics, are looked after. It made me think of people I’ve let go off in life. Those I’ve lost touch with when one of us has moved or has had a partner who isn’t keen on me or vice versa. It reminded me that when someone pushes you away, it might be the time when they need you the most.  

Meet the Author

My new novel – THE LIGHT A CANDLE SOCIETY – is out in NOW! It’s about a man called George McGlory – recent widower, part-time librarian, pub quiz enthusiast and lover of loud shirts – who witnesses a public health funeral and is deeply moved by the sight of the lonely coffin with no flowers and no mourners in attendance. George believes that everyone deserves a decent send-off and decides to do something about what he calls these ‘lonely funerals’ – and so THE LIGHT A CANDLE SOCIETY is formed. The book contains a number of short stories which give a glimpse into the lives of those whom George and his friends take it upon themselves to honour and remember in their own unique way. Despite it being a story about funerals, it’s full of life, love, humour, community and human connections. And, of course, there is a very special dog!

THE PHOENIX BALLROOM, MADAME BUROVA, THE KEEPER OF LOST THINGS, THE WISDOM OF SALLY RED SHOES and QUEENIE MALONE’S PARADISE HOTEL – are out now in all formats.

I was brought up in a house full of books, and grew up with an unsurprising passion for reading and writing. I also loved (and still do) dogs and ponies, seaside piers (particularly the Palace Pier in Brighton) snow globes and cemeteries. And potatoes. So of course, I was going to be a vet, show jumper, or gravedigger. Or potato farmer.

Or maybe a writer…

Posted in Random Things Tours

The Transcendent Tide by Doug Johnstone 

The Enceladons are back! We left them on the up, having destroyed the American facility that captured and tortured them with a tsunami wave. Lennox, Heather as well as Ava and her daughter Chloe were recovering from the torture they suffered and had to make a big decision, to leave for the Arctic as part of the Enceladon community or stay on land. Heather chose to leave with them. Now the remaining friends have established new lives. Lennox and his girlfriend Vonnie are studying together at university. Ava and Chloe are settled with Ava’s sister, but they all miss the group especially Heather, Sandy and Xander. It’s hard not to miss the extraordinary experiences they had, such as Lennox becoming part of Xander and flying off into space. It is Ava who brings everyone back together after Chloe appears to suffer a stroke, only to return back to normal, just as the friends did after first meeting Sandy. A follow-up MRI shows a brain tumour and Ava has a difficult decision to make: does she stay put and follow the medical route or does she try to find the Enceladons? She wonders whether the torture Chloe endured or her communications with the creatures could have caused this illness? She also remembers how Sandy cured Heather’s cancer and decides to take her daughter to Greenland. At the same time, Lennox and Vonnie are approached by an Norwegian tech billionaire who wants to meet the enceladons. Even the logo of his new company is a moon being held in giant tentacles. The couple are very unsure and inside I was screaming at them not to work with him, but when Ava contacts them about Chloe they both agree to work with him under certain conditions. Will those conditions be met and is this man as trustworthy as he seems? 

Niviaaq is our first new character, an Inuit woman who has lived in her small community on Greenland her whole life. The community still live like their ancestors with the principals of working with nature, not against it and they are feeling the effects of climate change. Glaciers are melting and species like polar bears are unable to hunt for food. Out on her boat, Niviaaq encounters another vessel, upturned and badly damaged. She also finds a man floating upside down in the water, hypothermic and barely alive. His coat has a symbol of a moon and octopus with the word ‘Sedna’, the name of an Inuit sea monster. She drags the man into her boat and takes him for medical help. The Inuit people have several legends of strange monsters  but lately the Northern Lights have been very active and people have seen strange glowing objects on the ice. Are these signals that something is going to happen? I loved this character throughout the book, mainly because she is so wholly and unselfconsciously her self. She is a strong woman, mentally and physically. She can take care of herself, taught from a young age how to use a rifle, to sail boats and fish on the ice floes. She doesn’t show off about this strength, it is simply part of her that can be used whenever it’s needed. She is used to long spells of time alone so she comes across as self-contained and very grounded. She is calm and gentle, not chatty but only speaking when necessary. I loved that she and Ava had an instant affinity and I could see how cozy and safe Ava would feel when with her, something she needs after her experiences with her violent husband. 

As always with Doug there are politics behind the actual story and setting it in Greenland, when it has been a constant topic in the media since Donald Trump came back into power had to be deliberate. It brought back to me how brash and ignorant the US Vice-President JD Vance appeared when he visited earlier this year. His first comment, that nobody had warned him how cold it was, just made me groan with embarrasment. It was no surprise that he was only welcome at the US Airforce Base. Their blatant and greedy desire for Greenland and parts of the Ukraine is all about mineral mining, taking what they need and further damaging the fragile ecosystem for its human and animal inhabitants. There are only two reasons a multi-billion dollar organisation would build a base there, either to exploit Greenland or the Enceladons. Probably both. Even though the business owner Karl Jensen initially impresses Lennox with his reaction to meeting the enceladons, while I was still very wary. He calls Sandy and Xander ‘they’ without prompting, because they don’t see themselves as individuals but as a collective. I loved this because it shows how easy it is to shift your perception and take care with other people’s feelings – it reminded me of the series of Taskmaster where I pointed out to my husband that Greg Davies had been using ‘they’ as Mae Martin’s pronoun for the whole series and he hadn’t even noticed. 

He seems to have a deep and profound experience on their first dive and when Sandy connects with him telepathically he suddenly understands everything that is wrong with the world. It’s the capitalism, the greed and simply exploiting every resource the earth has to give, without once considering whether it is ours to take. We don’t treat our fellow creatures as equals but as something we have dominion over and the right to kill for resources or for pleasure. We kill for yet more, when we already have so much. It’s an absolute tour de force of a speech and for a moment life is hopeful. However, as is pointed out by Vonnie, no one becomes a billionaire through philanthropy. Human nature intervenes suddenly and with finality, because it’s just so much easier to carry on as we are instead of making those personal and political changes. This is where Niviaaq is a brilliant contrast to mankind in general. When she and Ava have to take shelter in the hunting hut – one of several up and down the glacier, always ready for anyone to use – it made me realise how much the Inuit people have in common with the Enceladons. As she’s offered whale blubber to eat, Ava refuses it with a shudder. Niviaaq explains that the whale is suited to the environment they both live in and if they do hunt a whale, every single part of it is used. Eating two tiny chunks of it will give them the calories they need to survive the cold and the exertions of the journey ahead. To kill it, then refuse to use it for the purpose of staying alive is an insult. It made me realise that if people had stayed in their tribes and clans and used their original principles in this way – just like the Aboriginal and Māori people, and the Native Americans – we would have always lived in harmony with the earth. It’s possible certain animals wouldn’t be extinct and we might not have faced climate change. Their creation myths are so different too, not giving us dominion over the animals but being a harmonious whole. Or is human nature always determined to chase money and progress until we wipe ourselves out? 

I won’t divulge any more of the plot because that would ruin it for you. I get so excited about reading Doug’s books because reading them is a little like connecting with one of Sandy’s tentacles for a second. Ideas and light bulb moments appear in my brain and I have to write down all these weird notes and things to look up before I can review. Then I rabbit on about them to anyone who will listen for months to come! You can read these books on a surface level and they are still brilliant. The characters are full of heart and love for each other and their Enceladon friends. It’s also full of heart racing action sequences that would be amazing on screen – especially when all of the animals come along. You become so absorbed that you forget it’s all a bit weird, then you read a sentence like ‘Chloe was playing ball inside Sandy’ and it blows your mind. However, if you do delve under the surface it’s a profound comment on our times, our politics and capitalist lifestyles. Read the whole series and you’ll see how the author balances profundity, action, romance, sci-fi and humour like a magician. You’ll finish them, as I did, with a tear in your eye for these extraordinary creatures and a world with so much more variety and beauty than we’ll ever deserve. The Enceladons wake people up – yes I’m using that word ‘woke’ often thrown about as an insult these days, but why wouldn’t you want to shake an alien octopus’s tentacle and become enlightened, compassionate, open and perhaps your very best self? 

Out Now from Orenda Books

Meet the Author

Doug Johnstone is the author of 18 previous novels, most recently Living Is a Problem (2024) and The Collapsing Wave (2024). The Big Chill (2020) was longlisted for Theakston Crime Novel of the Year, and Black Hearts was shortlisted for the same award. Three of his books, A Dark Matter (2020), Breakers (2019) and The Jump (2015), have been shortlisted for the McIlvanney Prize for Scottish Crime Novel of the Year.

He’s taught creative writing and been writer in residence at various institutions over the last decade, and has been an arts journalist for over twenty years. Doug is a songwriter and musician with six albums and three EPs released, and he plays drums for the Fun Lovin’ Crime Writers. He’s also co-founder of the Scotland Writers Football Club, and has a PhD in nuclear physics. He lives in Edinburgh.

Posted in Publisher Proof

The Forest Hideaway by Sharon Gosling

Hidden away in Cumbria’s Gair Forest is the most romantic setting, a ruined castle. It’s a haven for local history lovers and a once in a lifetime project for architect Saskia Tilbury Martin. She’s finding it difficult to get a builder to take the project on so Owen is her last hope and she’s already running late to meet him. She knows that she’s overdressed for the great outdoors and she’s had to borrow her friend’s BMW sports car because her trusty Land Rover is in the garage. In a way this is Owen’s last chance too. Previously in the forces, he has been a builder for a number of years but the business is struggling and he knows he’s not pulling his weight with wife Tasha and their gorgeous little girl. They have debts and if he doesn’t take this job he’s looking at failure, but when Saskia turns up with her sports car, three inch heels and double-barrelled name he’s isn’t impressed. Especially since she’s an hour late. He dismisses her as a rich girl throwing her money around. However, when she gets the plans out he can’t help but be intrigued. Saskia assures him that she wants to preserve what’s here, to leave the ruin looking as it does now but create a number of platforms inside to house her living spaces. She even intends to leave the slightly dilapidated oak tree growing in the centre of the castle, with a glass roof that can open in good weather. She doesn’t tell him that she’s the architect because other builders have been unsure about working with an unproven architect before. Owen takes the night to think about it, but when she offers him ten grand up front to get started he knows he can’t turn her down. Saskia reflects that they don’t have to like each other, they just have to be a good professional team for the project and save this beautiful building that holds so many memories for her. 

Owen soon finds he has assumed a lot about Saskia. When he sees the cabin she tows onto the site with her Land Rover back on the road, he thinks it’s an affectation to need a whole kitted out living space for when she’s here in the day. The builders have to make do with bare sectional buildings with no comforts. When he’s there early one morning, he’s surprised to see her appear from the cabin in her old denim shirt and her hair tied back, all set to walk her dog. She’s living in the cabin when he’s assumed she had a boutique hotel booked for the duration of the build. I wouldn’t have blamed her, having half my house out of bounds for building work at the moment I’d give anything for a couple of nights in a nice hotel! The truth is Saskia doesn’t have many people or places she could say feel like home. Her inheritance is from a grandparent and she has no relationship with her mother, instead she has best friend Vivian. Owen isn’t doing any better on the family front, Tasha has put up with a lot and has decided that their relationship just isn’t working anymore and he’s bunking down with friend and fellow builder Stuart. I found Saskia interesting and loved that she had a dream she was seeing through. She seems very sure of her ability and has confidence in her design which I found inspirational because I’m not confident and I’m rubbish at finishing projects. I admired that perseverance because she isn’t just hanging around waiting for life to happen. Owen’s life path felt more passive, despite seeing different parts of the world his life hasn’t been his own, it belonged to the army. He’s also drifted in his relationship. It clearly hasn’t been right for some time and Tasha tells him that his long absences on detachment meant they never really built a life together. As soon as he left the army and was home full time, they could both see their differences. Neither of them have tried to address the decline and now it’s too late. Maybe he needs to spend some time with Saskia because her self-reliance and determination could inspire him. 

The setting is absolutely stunning. I love the Lakes, a love that was awakened again on a recent visit. I loved the idea of taking such a romantic ruin and making it into a home without taking away any of the decay that makes it so picturesque, the beauty being tied up with its imperfection. The isolation is fascinating too. I used to live in a large house in the middle of nowhere and friends would be aghast that I didn’t shut my curtains or check that all five doors were properly locked every night. Saskia isn’t afraid of the isolation either and I liked that about her. The history of the site is important too, both Saskia’s link to it but also the local history buff’s attachment to the building. So far they haven’t even given Saskia a chance, stating they want Gair preserved as it is without realising that’s exactly what she’s trying to do. I loved the idea that there are:

‘Two types of history here […] the castle ruins, the ancient oak tree. They both have worlds within them”.

This is so true because they hold the history of many people over centuries, enduring every new generation and what they bring. When we think about it like that it’s clear that making it a home again is exactly the right thing to do, reintroducing humans to the building and the nature surrounding it. I thought the added intrigue of Roman ruins under castle was fascinating and I was again impressed that Saskia had thought of this and ordered drone scans of the castle and underneath to see what the layers of soil revealed. I was hoping the local history lovers would give her a chance if she tried to her plans to them. 

There is a ‘will they, won’t they’ to this couple’s relationship and while a touch of romance is always nice it isn’t the main focus here. Owen slowly comes round to Saskia once he’s realised how much of his assessment of her was based on assumptions. She isn’t a rich girl playing at property development. Owen doesn’t know himself as well as Saskia does and part of that is because of his years in the army. It takes time after coming out, to get to know the person inside and decide what you want the rest of your life to look like. I imagined that if Tasha hadn’t been brave enough to say something that morning, Owen would have drifted along for years in an unfulfilling marriage never knowing any different. His growing inner world was very well written as he learns to read other people better and how to be a responsible co-parent with Tasha for the future. Whereas Saskia has worked on herself and needs Gair to be her home, somewhere to feel grounded. When she needs support she checks in with Vivian and I loved this idea of ‘found family’, the people you choose to support and sustain you in life when the family you’re born with can’t. They aren’t an obvious match and this is not one of those books that ends with a big fairytale wedding. We just have the sense that they’re gradually moving towards each other as the build progresses and they learn how to be a team. The oak tree felt like a metaphor for both these people, but also for life in general. It’s not the most beautiful tree, in fact part of it has been hit by lightning and someone had an abandoned attempt at pruning it once, very badly. Despite these setbacks the oak has kept growing, not in the most beautiful shape but still reaching for the sky. This is the perfect, cozy, autumnal read.

Out now from Simon & Schuster Uk

Meet the Author

I’ve been writing since I was a teenager, which is now a distressingly long time ago! I started out as an entertainment journalist – actually, my earliest published work was as a reviewer of science fiction and fantasy books. I went on to become a staff writer and then an editor for print magazines, before beginning to write non-fiction making-of books tied in to film and television, such as The Art and Making of Penny Dreadful and Wonder Woman: The Art and Making of the Film. 

I now write both children’s and adult fiction – my first novel was called The Diamond Thief, a Victorian-set steampunk adventure book for the middle grade age group. That won the Redbridge Children’s prize in 2014, and I went on to write two more books in the series before moving on to other adventure books including The Golden Butterfly, which was nominated for the Carnegie Award in 2017, The House of Hidden Wonders, and a YA horror called FIR, which was shortlisted for the Lancashire Book of the Year Award in 2018. My last children’s book (to date) is called The Extraordinary Voyage of Katy Willacott, and was published by Little Tiger in 2023. 

My debut adult novel, The House Beneath the Cliffs, was published by Simon & Schuster in August 2021. Since then I’ve written three more: The Lighthouse Bookshop, The Forgotten Garden, and The Secret Orchard, which is out in September 2024. My adult fiction tends to centre on small communities – feel-good tales about how we find where we belong in life and what it means when we do. Although I have also published full-on adult horror stories, which are less about community and more about terror and mayhem…

I was born in Kent but now live in a very small house in an equally small village in northern Cumbria with my husband, who owns a bookshop in the nearby market town of Penrith.

From Sharon’s Amazon Author Page 28th August 2023