This is Neil’s first novel and fulfils a long held ambition, possibly fuelled by the exact same crisis that hits all of his characters. It’s clear that there’s going to be some sort of social awakening for Marcus at this mid-point in his life. He’s been totally immersed in The Firm’s culture until recently and he’s only just realising how blinkered he’s been as he starts to see people in difficulties all around him – like the homeless man he shares a coffee with on the bench outside St. Paul’s Cathedral. His narration is alternated with that of Claire, who also has a huge landmark building dominating the skyline, Grenfell Tower. This is the south of Kensington and a place where gentrification is slowly pushing poorer and ethnic minority residents out of the area. Claire’s flat is social housing, it’s small but is also cozy and quite quirky especially her reconditioned egg chair that she worked on herself. Her children Alexa and NAME are well looked after and we get the sense that despite the shoplifting Claire is a great mum, just struggling to get by on the universal credit that’s supposed to keep her and her family fed. Claire relies on Gavin quite heavily for emotional support. She’s estranged from her family and friends fell by the wayside long ago. She’s happy to be offered a coffee by one of the new mums at school, Beverley who’s been living in Hong Kong and lives in a home straight out of an interiors magazine. Gavin also brings a little luxury into her life, with his Fortnum’s teas and now offering to come and cook a meal for her in the flat with his neighbour Marcus. For Claire it’s a chance to put on one of her dresses and have someone else cook for a change, something a step up from pasta and cottage pie. For Marcus it’s a chance to have something different from his wife and daughter’s relentless descent into veganism, something he doesn’t remember signing up for.
Marcus’s sections do have some financial jargon but it’s fairly easy to get a grasp of the type of company he works for and he certainly has some fun at their expense. His sections are laced with humour; training sessions in communicating without micro-aggression, joyless drone employees who ditched having fun before university, unhelpful departments like TOOL who seem guaranteed to take a financial pitch and turn it into a pantomime. I particularly loved his lock-down game ‘Through the Zoomhole’ complete with erotic paintings. His home life isn’t short of comic moments either, with his son’s contraband scotch eggs hanging out of his bedroom window advertising entirely the wrong sort of supermarket for their area. He hears about the mystery virus in China at the beginning of the year and his regular attempts to draw people’s attention to it fall on deaf ears. He becomes increasingly anxious as it draws nearer, incredulous that nothing is being prepared but still never realising the shattering personal impact it will have on his life. For Claire, who has asthma, and other residents of the flats it could be even worse. Mr Mahoney who pops in for cake and The Chase every afternoon is very elderly, neighbour Ian who has motor neurone disease and both could succumb to the virus. There’s a great contrast made in how the virus hits those in poverty hardest: Marcus’s boss Kelvin scoots down to his second home in Cornwall just before the lockdown starts whereas Claire and two children are locked down in a tiny flat with no outdoor space of their own. Those who can afford to bulk buy can hoard basic household items and food, whereas universal credit keeps claimants hand to mouth and if the shelves are empty on payday the only answer is to go without. As the circumstances really bite and Gavin is shut away on his parent’s estate in Scotland, it is Marcus who steps up for Claire in altruistic ways he might never have expected before.
I was lucky enough to have a discussion about the book with the author and I mentioned feeling conflicted about the balance of the story. There were long passages describing Marcus’s job where perhaps just a couple of scenes would have given us a flavour of working at The Firm and why Marcus was falling out of love with his role. I think it was an area where the author’s wealth of experience meant the writing flowed and more judicious editing could have cut some of that back. Neil felt the book needed this amount of focus on The Firm because he wanted to satirise the work culture and the corporate world in general. We discussed character and I observed that we had narration from Marcus and Claire throughout but nothing from Gavin’s perspective until the very end. He has some interesting anomalies in his life. He’s wealthy enough to have grown up on an estate in Scotland and while he isn’t the heir, he isn’t short of money. His flat next to Marcus would be unaffordable on a social worker’s pay and his extravagant taste in tea, wine and food is that of someone with an independent source of income. His lifestyle is possible due to a large inheritance from his grandfather, but this has dwindled a little – something explored briefly at the end of the novel and Neil promised there is more focus on this in his next instalment. I worried about Gavin because he seems such a solitary character and I found myself wondering what he did on those evenings when he wasn’t having dinner with Marcus. He has no significant other and dating or previous relationships are never mentioned. I wondered whether he had a lifestyle that wouldn’t have fit in with his wealthy and traditional family, hence the distance between his life and theirs. He is the most intriguing of the three main characters and these questions were never answered, so it was great to discuss them with Neil. I told him how much I wanted to hear Gavin’s perspective and live for a while inside his head so felt this was a wasted opportunity. Neil was happy that I was so involved with his character and told me that he deliberately left the question of Gavin’s sexuality ambiguous. He felt that Gavin was attracted to Marcus, but wanted the reader to think and make their own minds up. It’s a surprise when we do have a section narrated by him and witness something that came completely out of the blue and made me worry about his future. We discussed how, on the whole, I thought the novel made it’s point well and I really enjoyed the social justice aspects of the story as Marcus came ever closer to possibly changing his life. I was intrigued as to whether his wife Alice would be open minded enough to go with him and make radical changes to their lives. I certainly hoped so.
Out Now
I retired from a career in the corporate world in November 2019 with three objectives. To travel around the world and fly fish in the most exotic locations, to play my electric guitar better than I do and to write a novel that I could be genuinely proud of. The pandemic and lockdown in March 2020 put my first two objectives on hold leaving me no option but to start writing. Two and half years later, ‘Maybe It’s About Time’, my first novel, was published.
As a piece of work, I am incredibly proud of it. It makes me laugh and cry in equal measure. I am even more proud that readers seem to be enjoying it just as much and it is getting great reviews.
Travel and fly fishing has now started again, my guitar playing is improving and a sequel to ‘Maybe It’s About Time’ is planned to start in 2023!
The memory of that day is a part of me now, tough like hardened skin. You never forget your first. You hope and pray it will be the last you ever see. You already know. Deep down. It’ll happen again and you will have to watch. The screaming, the waiting, watching her body tied down, the boat rocking and shunting, capsizing. Drowning. The point where you can see with your own eyes what it means to be a woman.
Wow! This book was so evocative, from the author’s descriptions of the island’s landscape to the way of life followed by it’s inhabitants. It felt oppressive and bleak, but also strangely mystical. On an isolated island with no access to the ‘Otherlands’ beyond, a religious community observes a strict regime policed by male ‘Keepers’ and female ‘Eldermothers’ under the guidance of their leader Father Jessop. There were shades of The Handmaid’s Tale in this community, that polices it’s borders and it’s women. Women must not go near the water, lest they be pulled into the wicked ways of the Seawomen, seemingly a species of Mermaid. The water can breed rebellion in the women and cause bad luck for the islanders. Any woman could be singled out by the Eldermothers, so they must learn to keep their heads down and stay away from the water. Any bad luck – crop failure, poor fishing quotas, storms, pregnancy loss – all can be blamed on the community’s disobedient or disloyal women, influenced by the water. Each girl will have their husband picked out for them and once married, the Eldermothers will assign her a year to become a mother. If the woman doesn’t conceive she is considered to be cursed and is put through the ordeal of ‘untethering’ – a ceremonial drowning where she is tethered to the bottom of a boat. Esta is a young girl who lives with her super religious grandmother, but often asks questions about the mum she has never known. Her grandmother insists she sees a darkness in Esta and is constantly praying and fasting so that Esta doesn’t go the same way as her mother. The sea does call to Esta and she goes to the beach with her terrified friend Mull, to feel the water. There they see something in the waves, something semi-human, not a seawoman, but a boy. Will Esta submit to what her community has planned for her or will she continue to commune with the water?
The book opens with a description of an untethering ceremony, throwing us directly into the brutality of the Keepers and the terror of the drowning woman. It’s a visceral opening and cleverly leaves the reader very aware of the fate our heroine could face. I felt this really added to the atmosphere of the book, raising the tension and our trepidation for this bold and intelligent young woman. We don’t want to see her life mapped out for her with all the restrictions it implies, but we equally don’t want to see her become the next victim of this barbaric, patriarchal society. I also felt strangely unmoored by the setting. I saw in my mind’s eye, a rugged and weather beaten Scottish isle, miles from it’s neighbours, yet I couldn’t pinpoint it’s place in history. The clothing and the attitudes are strangely old-fashioned. The religion is very puritan in tone: a personal relationship with God is encouraged, along with modesty, industry, male domination and of course obedience. Having been brought up in an evangelical church I can honestly say these attitudes and expectations, especially the pressure on young women, is still alive and well in those types of communities. So we could be in the 19th Century or it could be yesterday. Father Jessop’s preaching is that that Otherlands are toxic, their land contaminated and their ability to produce wholesome food curtailed by their inability to listen to their God. This gave me the sense of a dystopian future, where perhaps global warming has decimated most of the planet and only these remote outposts survive. Adding to this sense of disorientation are the islander’s names, more like surnames than forenames the men have names like Morley or Ingram whereas the women have names like Seren and Mull. I felt genuinely uneasy about the island and felt something evil lurked under the piety and the fatherly control, something far uglier, that a rebel like Esta might awaken.
Esta’s questing mind is what drives the story forward. There are too many secrets in her background. She knows that the burn scarring on one side of her face happened when she was a baby and the house burned down killing her mother and whoever else was inside. Only Esta survived and her grandmother’s negativity surrounding her only daughter is excessive and this doesn’t allow Esta to ask questions or hear about a different side to her mother. She knows that there’s more to her history than she’s been told. Another conundrum is her grandmother’s cousin Barrett, a fisherman who lives by the harbour, as close to the water as he could be. He lives alone after the death of his wife and is possibly the only islander to have come across a Seawoman up close and was injured in the process. However, he doesn’t talk about his wife or where he went in the sea after her death. There are too many questions for a girl who’s already unsure whether she believes in the dark myths of the Seawomen, or the darkness she is potentially harbouring at her centre. Despite her upbringing there is a part of Esta that does question, that challenges and most importantly can accept that those in authority might be wrong. It’s a self belief and confidence that will stand her in good stead for what’s to come.
I had so many suspicions and theories of my own as the story unfolded, not just about Esta’s past, but about the patriarchal society itself. The last third of the book really did pick up the pace and we see the iron will of Father Jessop and the cruelty he is prepared to inflict in order to stay in control. I was so deeply pulled in by Esta’s will and her instinct to get away, that I felt anxious. I wanted her to have something in life that most of us take for granted, another person who truly cares for her and loves her. This feeling intensified as she is promised in marriage and goes to live with her husband’s family; a family who have a very low opinion of her and a husband who loves someone else. The way the author opens up the truth of the island is by using one of the older women who has some of the answers and also shows Esta that there are others who think the way she does, they just fly under the radar so they remain safe. To Esta this is unthinkable, to know the truth but continue to live under the false tyranny imposed on them feels cowardly to her. What will happen when the Esta’s story reaches its conclusion, when she might face the very ceremony she feared so much at the beginning? Will these free thinking individuals stand up for her? Even more important to me, was whether or not Esta reaches the Otherlands and the freedom she longs for, or whether she is fated to be forever one with the sea.
Published 14th June 2022 by Hodder Studio
Meet The Author
Chloe Timms is a writer from the Kent coast. After a career in teaching, Chloe studied for an MA in Creative Writing at the University of Kent and won a scholarship for the Faber Academy where she completed their six-month novel writing course. Chloe is passionate about disability rights, having been diagnosed with the condition Spinal Muscular Atrophy at 18 months old, and has campaigned on a number of crucial issues. The Seawomen is her first novel.
From listening to blogger’s conversations over the last couple of weeks I’ve learned a lot about reactions to this book and it seems to have completely divided readers. Maybe all bookworms can be divided into Lauras and Roaches – I certainly found a few clues about which on I was, so that made me smile at my own ridiculousness!
“I knew she was a bookseller as soon as I saw her. She wore a green beret, the colour of fresh pine needles, and a camel raincoat like a private detective in a film noir. Over one shoulder, the grubby straps of a shabby tote bag. It was decorated with a quote in a typewriter font, and although I couldn’t quite read it, I knew what it would say: Though she be but little, she is fierce, or Curiouser and curiouser, or Beware for I am fearless and therefore powerful.”
Brogan Roach works at a small London branch of Spines – the ubiquitous high street bookshop. She pretty much runs her own workday, keeping a close eye on her precious true crime section and sneakily reserving books, but secreting them in the staff room to read later. Things are about to change though, when a new team move in to pick up sales and improve the store. They’re like bookshop troubleshooters. Sharona is the manager and her team Laura and Eli are very experienced booksellers, eager to help the public and make sure the pyramid displays are perfect. Laura Bunting is just one of those people born to work with the public. She has an easy manner, quick to smile and engage customers in conversation, magically able to sell the book of the month. People warm to her immediately, but she hasn’t warmed to Roach.
“Laura Bunting. Her name was garden parties, and Wimbledon, and royal weddings. It was chintzy tea rooms, Blitz spirit, and bric-a-brac for sale in bright church halls. It was coconut shies and bake sales and guess-the-weight-of-the-fucking-cake.”
Laura and Roach are incredibly different characters anyway, but the rot sets in on a poetry evening. All the staff go, but Laura is performing. Her poetry takes the killer out of the murder narrative. She performs found poetry created from serial killer narratives, but telling the story of the women instead. Roach seems to miss the point though and as Laura comes off stage she greets her with excitement as if she’s a fellow true crime enthusiast. She wants to engage Laura in a debate over whether adding the violence she’s omitted might make the poems more exciting, or appeal to a larger audience. This would be fine if they were both enthusiasts, but they’re really not. For Laura, this is personal. Years before, Laura’s mother was the victim of Leo Steele, a prolific strangler. Laura hates true crime because it always tells the killer’s story. The whole point of her poetry is to right that wrong so she becomes furious when Roach misses the point. Other than that the pair just don’t click, not everyone does. Laura is the type of bookworm I know and love – she has the tote bag with the literary quote and all the book paraphernalia that signals to others she’s a bookworm. Roach sneers at this, she loves her genre but she seems to be reading exactly the same book throughout. It’s unforgivable when Roach re-inserts the violence and torture into Laura’s poetry, especially when it ends up published online. She has no concept of how much pain this will cause Laura, both personally and professionally. Laura’s full of memories of her mum that have nothing to do with her death or her killer and she thinks of her every time she walks to work.
“I think about the rhythm of my feet on the cracked path and about Patti Smith in New York, and of Joan Didion in Sacramento, and how each footstep is another connection between me and my neighbourhood, the streets on which I learned to ride a bike, where I walked hand in hand with my mother, and that despite all the pain, and the loss, and the grief, I’m tethered to Walthamstow because she still exists in the fabric of it, a ghost imprinted on every familiar sight. She knew these streets, these trees, these bricks, these bollards. These paving stones remember the bounce of her running shoes. I still can’t quite bring myself to walk past her old shop, even though it’s changed.”
Laura takes opportunities to dig at Roach and the genre she holds dear, but on Roach’s end there are sinister acts of sabotage. I found them disturbing, targeting Laura’s very sense of self. Both women are vulnerable in their own way with binge drinking and destructive sexual encounters shown as symptoms of low self-esteem. Laura’s encounters with Eli are particularly painful and indicative of relationships we settle for when we’re young and unsure of ourselves. Roach seems to have the confidence to embrace who she is, but is constructing her entire identity around her true crime fandom. There’s clearly either a jealousy or deep obsession where Laura is concerned. Is it Laura’s charm, her easy way with customers, her talent? Or is this much darker, an obsession with Laura’s proximity to a real life true crime story? Instead of seeing Laura’s work as an inspiration and a starting point for her own creative path, she decides to steal it. She even reasons that it isn’t theft, because many writers use other works in their own process. I was gripped, waiting to see if this would go further. I was unsure whether Roach even had her own identity, an idea of her authentic self, or whether this was another aspect of Laura she was willing to steal.
The book is fast paced and so addictive I read it in two short bursts over a Friday night and into Saturday morning. I was bleary eyed, but had to know. The title alludes to a death and I needed to know who would die and whether it was murder. Ironically, I found myself intrigued by the potential killers, just like any true crime fan. I loved the author’s sarcastic jibes about the book world and couldn’t help but laugh, even when I recognised myself. I thought she captured the loneliness of living and working in London as a young woman, especially in a relatively low paid job and the poor housing they find affordable. Locked in a solitary, damp flat with only books for company is a breeding ground for mental health issues, with heavy drinking used to self-medicate. It was tense towards an ending that could only be devastating for someone, but who? This was a brilliant debut thriller, that kept me rapt throughout.
The drinks glass and flashes of almost neon colour on this book’s cover were striking on NetGalley. To me they signified city living, the bar scene and potential for glitz and glamour – I’ve probably watched too much Sex and the City. However, the women depicted here were a long way from flashy, fashionista, New York City Girls. In fact there are only a couple of nights out in the whole book. This is a different NYC, where real people live and work day to day, just trying to get by in a city that’s exciting, but expensive and tough. In a split narrative, set partly in 1955 and partly in 1975, this is a novel that writes back to women’s history. It opened my eyes to a time when women were persecuted for the way they choose to live their lives. In 1955 Dovie Carmichael and her friend Gillian work together as teachers and share an apartment. The friends have a lot in common: they love jazz, a glass of whiskey at night and lazy Sundays at home. The pair guard their private time very carefully, until one day when the wrong person gets a glimpse into their lives, changing everything. Twenty years later teenager Ava Winter lives in the same apartment with her Mum and her Dad, when he’s around and not with his mistress. Ava’s mum is not well mentally and Ava is struggling to live a normal teenage life, preferring to stay home to keep an eye on her. She becomes fascinated with a mysterious box and letter sent to their address from France. Inside are letters, a butterfly necklace and a photograph with LIAR scrawled across a woman’s face. Ava wants to know the story behind the box. Who was this woman, that lived in her home and what do the letters say?
The theme that stood out to me more than anything was loneliness. I felt a contrast between the huge open city and the small private spaces where secrets are kept. The characters I felt most connection with were Ava and Dovie, both struggling to keep secrets about their living situation. The mistake Dovie and Gillian make allows a very manipulative woman to take advantage of them. Judith works at the same school and does come across as a lonely woman, but has allowed her situation to develop bitterness and envy in her character. In the guise of struggling to find an affordable apartment, she inveigles her way into Dovie and Gillian’s home and relationship. It’s clear she wants friends, but seemingly can’t stand to see two people who are happy in each other’s company and if she can’t have it for herself she might just set out to destroy it. Ava is also lonely and I think she senses a similar feeling in the box of keepsakes she discovers, it’s that connection with the sender’s loneliness that makes her so determined to find the person this box was meant for. It’s also a distraction from how miserable her own life is. With her mum and dad estranged she is often solely looking after her mother who seems severely depressed and liable to harm herself. It’s almost a role reversal, with Ava looking after her welfare instead of the other way round. I felt deeply for this young girl going through the usual teenage phases of a crush on a boy in the neighbourhood, a worry about how she looks and fitting in, and both the anticipation and fear of what comes next in life. On top of this her father uses his precious time with Ava to chat up the waitress in their favourite diner. Her mother is deteriorating, screaming and muttering through the night and Ava is so worried about the neighbours hearing her or her friend finding out what home is really like since her dad left. The scenes of her alone in their cold apartment, willing her mum to settle for the night and wishing her dad was there, were vivid and moving.
Whether in New York or Paris the settings are beautifully evoked and I could feel the change in time period from just a few well written sentences. Even the usually romantic Paris has it’s downsides because this is the reality of living there, rather than the dream. I felt the author really got under the surface of these cities and showed me what it was like to be a New Yorker. I found the LGBTQ+ scene so interesting and the contrast between women who kept their relationships secret, with more openly gay women in NYC or Paris, was beautifully portrayed. Dovie has never ventured into meeting other women and the scene where she visits a club stayed with me. There’s an innocence about Dovie that contrasts sharply with the sophisticated women she sees there, some of whom are scathing of Dovie’s lack of knowledge about being openly lesbian in 1955. I don’t think she really understood the danger she faced which could be anything from losing her job to being arrested or put into an asylum. I was just as shocked to realise that women who were open about their sexuality, or discovered, were subject to arrest and even ECT treatment to curb their ‘unnatural’ activities or desires. The nightclub raid where Dovie is helped to escape through a bathroom window is unbelievably tense and so poignant when we realise it’s link to 1975. The way police manhandle and sexually assault the women reminded me of how the suffragettes were treated so many decades earlier. The idea was to break the women’s resolve and remind them what they were really for – the amusement, desires and dominance of men. Reading these women’s experiences made me so angry, but also opened a door into a world I am ashamed to say I knew little about. At heart this is a love story and all the way through I wanted to know what had happened in that apartment in 1955 and I also hoped that Ava would find the intended recipient of the box from Paris. For me this book had a similar impact to the television series It’s A Sin. This was an emotionally captivating story that’s sure to stay with me and has inspired me to read more about the history of sexuality and the fight LGBTQ+ people still have for equal rights across the globe. It left me with a lump in my throat, thinking about how love can last a lifetime, even beyond separations and loss. I really look forward to reading more from this talented author in the future.
Meet The Author
Julie Owen Moylan is a writer whose short stories and articles have appeared in New Welsh Review, Horizon Literary Review, and The Voice of Women in Wales Anthology
She has also written and directed several short films as part of her MA in Film. Her graduation short film called ‘BabyCakes’ scooped Best Film awards at the Swansea Film Festival, Ffresh, and the Celtic Media Awards. She also has an MA in Creative Writing, and is an alumna of the Faber Academy’s Writing a Novel course.
Her debut novel THAT GREEN EYED GIRL was published by Penguin Michael Joseph on May 12 2022.
She is currently working on her second novel SPANGLELAND
What an intricately beautiful and nuanced novel this is! I had expected a story along the same lines as Eleanor Oliphant Is Completely Fine or Meredith Alone at first. The beautiful aesthetics of the setting and glamorous lifestyle dazzle us and everything on the surface seems benign as Sunday and her daughter Dolly start a relationship with their new neighbours. Vita is aristocratic in her manner and comes across as a likeable eccentric, perhaps a little pretentious but as my friend Nigel used to say, ‘a little bit of pretension doesn’t hurt anyone’. They love- bomb Sunday and her daughter with gifts and elaborate Friday night dinners. Vita and her husband Rollo are staying in the house next door while ‘Rols’ completes a plan to buy and convert a large institution for children in care nearby. Until this glamorous pair enter their lives, Sunday and Dolly lead a very quiet life. Divorced from Dolly’s father, they still live in a house on his family estate where Sunday works in the gardens. Sunday isn’t great with noise (especially several at once) only eats white food and struggles to read between the lines with others. She gets on best with David who works in the greenhouses with her and uses sign language to communicate. Extremes of anything, cause panic in Sunday, so the slow rhythms of nature and it’s subtle colouring are perfect for her. Sunday didn’t even know anything was missing in her life until Vita wants to become her friend. However, is Vita a genuine friend or does she have an ulterior motive? This is where the slightness of the story and the details of glamorous clothes, extravagant dinners and endless champagne started to remind me of Virginia Woolf and her clever way of hiding so much beneath a beautiful surface. Instead of being an uplifting tale about someone who struggles to make connections finding a friend and embracing their peculiarities, this promised to be something darker.
I felt a kinship with Sunday immediately and the tone is light at first as she meets new neighbour Vita and her comical little dog Beast. Vita is one of those people who never question themselves or worry about their interactions with others. She simply inserts herself into Sunday’s life, without any of the social angst over whether she’s wanted there. Vita and her husband Rollo are dazzling and disarming, from the clothes they wear to the hyperbole in their speech and the very best delicacies on the dinner table, including the most exquisitely wrapped and coloured petit fours. They are disarming in the way they present themselves, classy but bohemian and often a touch of carelessness like sitting on the front step in a silk kimono and old work boots. Is this nonchalance studied or natural? Conversely, Sunday can’t be what she isn’t and her ‘quirks’ are not affectations. She has learned to be less, to mask and try to make herself acceptable from a young age thanks to a mother who never showed her love. She constantly proclaimed Sunday was an ‘it’, a ‘what’, an unsavoury puzzle to be solved. We learn that this animosity towards her daughter worsened when a terrible family tragedy occurred. I loved how the author layered the voices in Sunday’s head: her daughter explaining that her dad and stepmum love each other so much, it’s just that Sunday is incapable of seeing it; her mother saying ‘you’re not wired right you’; her sister saying ‘I don’t know what you are Sunday’. At first, the friendship of Vita and Rollo soothes Sunday’s soul, because she feels accepted. They always make sure white rolls are available at the dinner table, in case the main course is too colourful or complex for her. They also make sure there is champagne or soda water, because Sunday will only drink cold, fizzy liquids. These attentions are simply there, neither one of the couple mention them, but they mean the world to Sunday:
‘their attention to my preferences touched me. I had not been known in this way before and found acceptable. There I was seen and approved of, even indulged’.
At first, Dolly and Sunday would often stay late next door after dinner, but subtle changes start to occur. Dolly wants to stay over with Vita on Friday nights. One night, after leaving for home, Sunday returns with her daughter’s favourite pyjamas and hears music as well as laughter next door. Yet when Rollo answers the door, he holds it closed behind him as he takes the pyjamas. He is perfectly polite, but does not step back as he once might have done to let Sunday inside. These subtleties make the reader nervous and I felt worse because I wasn’t sure whether Sunday could see what I was seeing.
‘painted subjects are easier to read than their physical counterparts […] in real life the details I am drawn to are often secondary, and these often mislead. That evening when I looked at Vita, I saw her pretty hair, her little wrists wrapped in gold chains, and her welcoming smile. I did not notice the grip of her hand on my daughter’s arm’.
I wanted to put myself between Sunday and these charming people. She recalls jealousy, but was it because she envied Dolly’s easy relationship with Vita or was she jealous of Vita’s relationship with her daughter? The subtle foreshadowing becomes more direct as Dolly relates the story of Vita simply taking a friend’s baby for a walk without telling the mother. Vita seemingly could not understand why the woman was so scared or why the police were called. Slowly, Sunday understands that her new friend is possibly not what she seems, by using a system of observation and noting patterns of behaviour. Yet I was still worried that she might underestimate the extent of Vita’s ability to create chaos. Sunday describes her way of analysing people, to look beyond their ‘fleeting expressions’ to see the repeated pattern on their heart. She looks beyond what they say and instead values and interprets them based on their repeated behaviour. Yet with Vita she declares herself too scared to look, because she isn’t sure whether the tick tock of her heart signifies a clock or a bomb.
Dolly’s changes are also subtle at first, but Sunday notices a new confidence and self-possession that she is acquiring from time spent with their neighbours. Whereas once Dolly might have been reserved with new people, Vita unlocks the young girl who is soon easily pushed to near hysteria over a shared joke. This quantity of feeling makes Sunday uneasy. Yet surely this new ease in her daughter’s manner can only make life easier for Dolly? She won’t share Sunday’s fears and awkwardness. The coming summer heralds a rollercoaster of change and emotions, first Dolly’s accent becomes more cut glass and she starts to dress differently, more like Vita. As exams loom and the renovation of the children’s home comes closer, the couple offer Dolly a job helping out with admin and interior design. She announces she’d like to do it for the holidays, but Sunday reminds her she does not need to work. Her father and grandparents get her everything her heart desires. Yet Sunday feels churlish refusing the opportunity, torn between what is best for her daughter’s future. I felt that Dolly used her mum’s inexperience against her at times, claiming that there were simply so many uses for her on site, but Sunday could never imagine them, because she’s only ever known the farm. If she refuses Dolly’s request to spend time in London with them, will it make Vita and Rollo’s offer even more attractive?
Vita isn’t above manipulation herself : ‘I’m so sorry Dolly, you know we love taking you out. And we had such fun planned in London. But…’
Sunday doesn’t know whether she can or should deny her daughter these experiences. It might help her get on in life. Should she be supporting her daughter to reach for something different? Should she be holding her back? However, some base instinct urges her to say no, to ban the trip and keep Dolly home for the summer, knowing this could backfire completely if their offer is benign, nothing more than a favour for the daughter of their friend. Sunday hasn’t had close friends before so can’t compare the situation. When Dolly receives her exam results, the dam breaks and out comes a voice Sunday has never heard before from her daughter, one filled with scorn, shame and no appreciation for her mother’s years of caring attention. Dolly sees her mother’s life as a failure and she will do anything not to be like her. The author cleverly contrasts this awful evening with the story of a fox that arrived in Sunday’s garden, a little too thin and straggly. It made it’s home under their shed for the winter and every day without fail Sunday would set milk and dog food down. In the spring the fox was sleek and flourishing because of Sunday’s steady and dutiful nature.
One of the most heartbreaking revelations for me is Sunday’s slow realisation that others have quirks and oddities, but it is still possible for people to be fond of them. To love them even. She had always thought it simply a fact of life that anyone with quirks like hers would be impossible to love, but that’s not the truth:
‘My mother could still have loved me had she chosen to’.
To befriend someone who has experienced this trauma, to make them feel loved and accepted, but then manipulate them for your own ends is evil. Yet the author keeps the reader unsure whether that’s what Vita is doing an I was constantly waiting for this ticking time bomb of a woman to explode. Yet whatever the outcome, I wasn’t sure that Vita was consciously acting this way. Her behaviour felt like a repeated pattern, possibly an enactment of her own traumas. Rollo knows though and when the truth starts to emerge he is openly affectionate to Sunday. Instead of serving up the usual air kisses, this is a hug that’s more substantial and perhaps honest. Showing a remarkable insight into his wife’s nature he tells Sunday:
‘It’s not you, darling. It’s Vee I’m afraid. She doesn’t think these things through. It might all change again by tomorrow’.
Yet he is willing to let her continue, to collude in destroying others casually and without consequence. At the very least she will offer friendship and take it away on a whim. They will simply slip into another life, with all the security their money and status gives them. Like Nick and Daisy in The Great Gatsby, Vita and Rollo are careless with other people, content to use others and leave them behind. Yet there are threads of hope in the conclusion, not least in Sunday’s ability to reflect on her own actions and feelings with more awareness. This novel is stunning, beautifully written and has such psychological complexity and insight. I loved it.
Meet the Author
Viktoria Lloyd-Barlow has a PhD in Creative Writing from the University of Kent. Like her protagonist, Sunday, in ALL THE LITTLE BIRD-HEARTS, Viktoria is autistic. She has presented her doctoral research internationally, most recently speaking at Harvard University on autism and literary narrative. Viktoria lives with her husband and children on the Kent coast.
Welcome to 2023 at The Lotus Readers! It’s already looking like a busy one and if January is anything to go by there are going to to be some hot contenders for my round-up in twelve months time. I’m going to be spoiled for choice. There are going to be some new and developing projects this year that I’m excited about and I’m already planning into June. I’m doing a lot more work with the Squad Pod Collective this year and I’m very excited at some of the books and read alongs we have scheduled. On a more personal level I’m hoping to be a better planner this year, with the hope of clearing some of my NetGalley backlog and keeping on top of publisher’s proofs. I want to develop my Instagram account and start work on TikTok too. I have various themes planned throughout the year and new spotlights to bring to you, with poetry and classics featuring more prominently. I’ve also realised I need to tell you all a little bit about me and I must get used to seeing to showing you my face a little bit. Finally I’m hoping to update the website with new photos and a better layout so I’m easier to find. So to kick off this new year, here are my first books of the month for January.
House of Fortune by Jessie Burton
To say I’m a fan of Jessie Burton is an understatement. I am in awe of her writing abilities and love every one of her books, but there’s a soft spot in my heart for her debut novel The Miniaturist. I was transported straight back to 16th Century Amsterdam and whenever I think about the town house where Nella goes to live with her new husband Johannes and his sister Marin, I have an almost synaesthesic response because I can smell it. It’s a mixture of wood panelling and beeswax. Considering how attached I am to this extraordinary tale, there was a certain amount of trepidation in reading her follow up House of Fortune. I’d saved it for the end of the year and it came to me in two special editions, one with spredges in a green pattern and one with a yellow pineapple print. It’s been eighteen years since the events of the first book and Thea’s birthday approaches. As her father Otto is let go by his employer the household is in decline, almost down to the last treasures it can sell to stay afloat. Maybe their only hope for the future is Thea and the family are forced to launch her on Amsterdam society with the hope of finding her a husband with the fortune to keep them afloat. Otto wants Thea to have a choice and with new friend Caspar he has planned to farm Thea’s childhood home, Assendelft, by growing a crop of pineapples. However, Thea has her own plans and when small packages start appearing on the doorstep it’s clear a period of change is on the way. Could this be the miniaturist, up to her old tricks?
I was sucked straight back into Nella’s world as mistress of this extraordinary house. I loved that Burton took us to Nella’s childhood, with the walls of Assendelft full of memories, good and bad. Over the eighteen years since Johannes’s death she has become a force to be reckoned with and this reminds us of how naïve and young she was at the beginning. I felt sad that she had almost written herself off, pinning all their hopes for the future on Marin’s daughter Thea and not even considering that she could be the one pursued by potential husbands. Wealthy widows can be very attractive in the marriage market and nobody knows what Johannes’s arrangements were for his wife. I felt that Nella didn’t want marriage though, having been free for eighteen years it would certainly be hard to adjust to the more conventional woman’s role a husband might expect. I also really enjoyed being taken into the world of the theatre, where Thea is transfixed by the stories being told on stage. Her fear that someone has seen her hanging around backstage, especially since spending time with scene painter Walter, really came across strongly. I felt for her and I wanted Thea to remember what it felt like to be a teenager without her whole family’s fortunes weighing heavy on her shoulders. I was compelled to keep reading, completely caught up in the world of this strange family of outsiders, but also wondering if this time the miniaturist would be unmasked and her purpose revealed. I throughly enjoyed being back in Nella’s world and it renewed my desire to go to Amsterdam to see the original cabinet house that fired up Jessie’s imagination.
We All Want Impossible Things by
This book was a joy. That’s going to seem odd when I explain what it’s about, but it is joyful and full of life. Even though at it’s centre there’s a death. Ash and Edi have been friends forever, since childhood in fact. They’ve gone through adolescence together: survived school; other girls; discovering boys and even that awkward phase of starting adult life, when one went to college and the other stayed behind. They’ve both married and been each other’s maids of honour and become mothers. Instead of any of these things pulling them apart they’ve remained platonic partners in life. However, now Edi is unwell and decisions need to be made. After years of struggle with being, treatment, remission and recurrence, Edi now has to decide how she’ll be dying. With all the hospices locally being full, Ash makes an offer – if Edi comes to a hospice near Ash, she can devote time to being with her and Edi’s husband can get on with every day life for her son Dash. There’s a hospice near Ash that’s like a home from home, with everything that’s needed medically, but the informality and personal touch of a family. Now Ash and Edi have to negotiate that strange contradiction; learning how to live, while dying.
Ash’s home and family life is so enviable I wanted to be part of it. Her estranged husband Honey is an incredible chef and her daughter seems to have picked up the talent. The author’s descriptions of their meals really did make the mouth water and are their way of contributing and supporting Ash. All of these people are so nurturing, in Honey’s case this is despite he and Ash being separated. Before you think this sounds schmaltzy and sentimental I can assure you that these characters are not perfect. Each has their flaws and their ways of coping, some of which are destructive and possibly difficult for others to understand. Ash particularly has a novel approach to grief, but I understood it. If we look beneath the surface, it’s a way of forging connection with others on the same journey and expressing their love for Edi. It’s also a distraction, a way of leaving all the paraphernalia of death behind and affirming life. That doesn’t mean her behaviour isn’t confusing, especially to her teenage daughter who supplies whip smart commentary, eye rolls and remarkable wisdom. The men in this friendship group seem to understand that their grief is secondary, because Edi is the love of Ash’s life. I enjoyed the little addition of Edi’s other friend – the college friend – who Ash has concerns about. Does Edi like her more than Ash? Do they have a special bond? The author provides us with this loving picture but then undermines it slightly, so it isn’t perfect. We are imperfect beings and no one knows how they will react in a time like this, until we’re there. Catherine Newman shows this with realism, charm, humour and buckets of compassion.
The Curious Case of The Alperton Angels by Janice Hallett.
I was enthralled, addicted and so desperate to find out what actually did happen on the night when the police found a strange cult massacre in a deserted warehouse. Open the safe deposit box. Inside you will find research material for a true crime book. You must read the documents, then make a decision. Will you destroy them? Or will you take them to the police? Everyone knows the sad story of the Alperton Angels: the cult who brainwashed a teenage girl and convinced her that her newborn baby was the anti-Christ. Believing they had a divine mission to kill the infant, they were only stopped when the girl came to her senses and called the police. The Angels committed suicide rather than stand trial, while mother and baby disappeared into the care system. Nearly two decades later, true-crime author Amanda Bailey is writing a book on the Angels. The Alperton baby has turned eighteen and can finally be interviewed; if Amanda can find them, it will be the true-crime scoop of the year, and will save her flagging career. But rival author Oliver Menzies is just as smart, better connected, and is also on the baby’s trail. As Amanda and Oliver are forced to collaborate, they realise that what everyone thinks they know about the Angels is wrong. The truth is something much darker and stranger than they’d ever imagined. And the story of the Alperton Angels is far from over.. After all, the devil is in the detail…
It was hard to review when I didn’t want to let slip any signal or clue, so I won’t comment on the storyline. It’s drip fed to you in the different communications and I loved how we were presented with other people’s opinions and thoughts on the discoveries being made. Who to trust and who to ignore wasn’t always clear and the red herrings, including the involvement of the Royal Family, were incredible. I felt that true crime author Amanda had an agenda, that possibly had nothing to do with the story at hand and was more about a personal grudge. Janice Hallet’s research is impeccable and here she has to cover the early 1990’s and 2003, as well as the workings of the police, special forces and the social services – some of which is less than flattering and even corrupt. I found delving into the True Crime genre fascinating considering how popular it is these days, something I’m personally very conflicted about. This has all the aspects of a sensational True Crime investigation with a more nuanced perspective from other characters to balance things out. I was gripped to the end and the end didn’t disappoint.
River Sing Me Home by Eleanor Shearer.
This incredible debut novel grabbed hold of my mind and heart, never letting go until the final paragraph. I shed tears at several points in Rachel’s journey and she’s a character I won’t forget. We meet her working on a plantation in Barbados, at that strange point after slavery when plantations were instructed to free slaves, but their sense of freedom was short-lived as masters were able to keep slaves for a further six years as apprentices. So, despite being freed the day afterwards started just the same, at the crack of dawn and walking to the cane fields for a day of back breaking work. Having nothing meant that most had no other choice. Rachel is thinking of her children, several lost before they had a chance to live but others scattered to the four winds. Her boys Micah and Thomas Augustus and her girls Cherry Jane, Mary Grace and Mercy all taken from her in different ways. Only Cherry Jane spends a few years nearby as a house slave, but in her superior position she doesn’t acknowledge Rachel who is merely a field hand. One day she decides that she must find her children, she mustknow where they are and what happened to them, even if the news is that devastating final loss. Rachel says that as a slave she plants cane but nothing of her own. However her children came about, Rachel feels that they anchor her in this world and she can’t rest until she finds them. So she runs and with our hearts pounding we follow her.
Shearer uses incredibly evocative detail to bring nature to life in this book and underscore Rachel’s sense of freedom. A river takes them deep into the forest and a community of freed slaves and indigenous tribespeople where one of her sons may be. It also sweeps them along, back to freedom after searching Grenadian plantation for daughter Mary Grace. The whole journey is littered with joys and terrible grief, but Rachel knows she must keep going. She meets others who have started to build a new life, placing the past firmly behind them and never pining for it. They live firmly in the here and now with questions left unanswered and people left behind. For Rachel that isn’t enough. Her children are like the scattered pieces of a broken vase. She doesn’t expect her family to be perfect and knows that there will be cracks and missing pieces. Rachel is putting her broken vase back together and she will pour a substance into the cracks, bringing the pieces together until her past is whole again. The binding substance used in Japanese Kintsugi pottery is usually gold, each crack making the piece more valuable and beautiful. In Rachel’s case the binding substance is love. Love for those here, those found but far away and those gone forever. An all encompassing love symbolised by the bond between a mother and her children.
Amazing Grace Adams by Fran Littlewood.
It’s possibly way too early to start picking candidates for favourite books of 2023 – I’m still deliberating over 2022 – but I think this book is certainly going to be in contention. Grace is one of those characters that you fantasise about having cocktails with and you already know you’d have the best time. Grace is stuck in traffic, it’s a boiling hot day and she’s melting. All she wants to do is get to the bakery and pick up the cake for her daughter’s birthday. This is one hell of a birthday cake, not only is it a Love Island cake; it has to say that Grace cares, that she’s sorry, that will show Lotte she loves her and hasn’t given up on their relationship. It’s shaping up to be the day from hell and as Grace sits in a tin can on boiling hot tarmac, something snaps. She decides to get out of the car and walk, leaving her vehicle stranded and pissing off everyone now blocked by a car parked in the middle of a busy road. So, despite the fact her trainers aren’t broken in, she sets off walking towards the bakery and a reunion with Lotte. There are just a few obstacles in the way, but Grace can see the cake and Lotte’s face when she opens the box. As she walks she recounts everything that has happened to bring her to where she is now.
When we first meet Grace she’s living alone, estranged from husband Ben and even from her teenage daughter Lotte. She’s peri-menopausal, wearing trainers her daughter thinks she shouldn’t be wearing at her age and she’s had enough. There’s that sense of the Michael Douglas film Falling Down except when the meltdown comes all she has is a water pistol filled with river water, an embarrassingly tiny Love Island cake and a blister on her heel. Then in flashbacks we can follow Grace all the way back to the start, to when she and Ben met at a competition for polyglots. The truth when it comes is devastating, but feels weirdly like something you’ve known all along. Those interspersed chapters from happier times are a countdown to this moment, a before and after that runs like a fault line through everything that’s happened since. As Grace closes in on Lotte’s party, sweaty, dirty and brandishing her tiny squashed cake, it doesn’t seem enough to overturn everything that’s happened, but of course it isn’t about the cake. This is about everything Grace has done to be here, including the illegal bits. In a day that’s highlighted to Grace how much she has changed what will happen to her relationship to the people she loves most?
All of these books are out now and you can potter along to your local book shop for them. Happy Reading! ❤️📚
This is my second of this weekend’s looks at new fiction for early 2023. These are the books I’m already excited about, some I’ve already read and others are waiting for me on NetGalley or via my Squad Pod Collective for our monthly book club. I hope you see some books here you’d like to try.
I had to use a bigger photo for this because it’s completely stunning! This is a book I’m going to want a posh finished copy of to adorn the book shelves. This book could have been written for me. Exploring universal themes of love and loss, the power of redemption and what it means to be unique, The Fascination is an evocative,glittering and bewitching gothic novel that brings alive Victorian London and darkness and deception that lies beneath…
Victorian England. A world of rural fairgrounds and glamorous London theatres. A world of dark secrets and deadly obsessions…Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn’t grown a single inch since she was five. Coerced into promoting their father’s quack elixir as they tour the country fairgrounds, at the age of fifteen the girls are sold to a mysterious Italian known as ‘Captain’. Theo is an orphan, raised by his grandfather, Lord Seabrook, a man who has a dark interest in anatomical freaks and other curiosities … particularly the human kind. Resenting his grandson for his mother’s death in childbirth, when Seabrook remarries and a new heir is produced, Theo is forced to leave home without a penny to his name. Unable to train to be a doctor as he’d hoped, Theo finds employment in Dr Summerwell’s Museum of Anatomy in London, and here he meets Captain and his theatrical ‘family’ of performers, freaks and outcasts. But it is Theo’s fascination with Tilly and Keziah that will lead all of them into a web of dark deceits, exposing the darkest secrets and threatening everything they know…
Exploring universal themes of love and loss, the power of redemption and what it means to be unique, The Fascination is an evocative, glittering and bewitching gothic novel that brings alive Victorian London and darkness and deception that lies beneath…
Published 22nd June 2023 by Orenda Books.
I’ve already had the chance of reading this fabulous new novel by Janice Hallett. I honestly couldn’t put this one down and it’s a fantastic mystery novel with some really unique approaches to storytelling.
Open the safe deposit box. Inside you will find research material for a true crime book. You must read the documents, then make a decision. Will you destroy them? Or will you take them to the police?
Everyone knows the sad story of the Alperton Angels: the cult who brainwashed a teenage girl and convinced her that her newborn baby was the anti-Christ. Believing they had a divine mission to kill the infant, they were only stopped when the girl came to her senses and called the police. The Angels committed suicide rather than stand trial, while mother and baby disappeared into the care system. Nearly two decades later, true-crime author Amanda Bailey is writing a book on the Angels. The Alperton baby has turned eighteen and can finally be interviewed; if Amanda can find them, it will be the true-crime scoop of the year, and will save her flagging career. But rival author Oliver Menzies is just as smart, better connected, and is also on the baby’s trail. As Amanda and Oliver are forced to collaborate, they realise that what everyone thinks they know about the Angels is wrong. The truth is something much darker and stranger than they’d ever imagined. And the story of the Alperton Angels is far from over.
Published 19th Jan by Viper.
You may think I’m overstating this, but I have read Louise Swanson’s new novel and it is a masterpiece. There was a point where I was wondering where the story was going and I worried about how it was going to resolve itself, but then everything changed. I felt the change in my bones and had a lump in my throat before the truth fully emerged. It was as if some muscle memory exists in my brain and it had worked out the puzzle before I fully realised. I was totally sideswiped.
Too much imagination can be a dangerous thing. It has been five years since writing fiction was banned by the government. Fern Dostoy is a criminal. Officially, she has retrained in a new job outside of the arts but she still scrawls in a secret notepad in an effort to capture what her life has become: her work on a banned phone line, reading bedtime stories to sleep-starved children; Hunter, the young boy who calls her and has captured her heart; and the dreaded visits from government officials. But as Fern begins to learn more about Hunter, doubts begin to surface. What are they both hiding?
And who can be trusted?
Published 23rd March 2023 Hodder and Stoughton
Ann Stilwell arrives in New York City, hoping to spend her summer working at the Metropolitan Museum of Art. Instead, she is assigned to The Cloisters, a gothic museum and garden renowned for its medieval and Renaissance collections. There she is drawn into a small circle of charismatic but enigmatic researchers, each with their own secrets and desires, including the museum’s curator, Patrick Roland, who is convinced that the history of Tarot holds the key to unlocking contemporary fortune telling. Relieved to have left her troubled past behind and eager for the approval of her new colleagues, Ann is only too happy to indulge some of Patrick’s more outlandish theories. But when Ann discovers a mysterious, once-thought lost deck of 15th-century Italian tarot cards she suddenly finds herself at the centre of a dangerous game of power, toxic friendship and ambition.
And as the game being played within the Cloisters spirals out of control, Ann must decide whether she is truly able to defy the cards and shape her own future . . .
Published 19th April 2023 Bantam Press
I adore this author so I’m really excited for this new novel from the author of The Metal Heart. Set in Toronto, Canada in 1926, we meet friends Lily di Marco and Mae Thebault. They were once inseparable, lived under the same roof and cared for each other’s children. But with mouths to feeds and demanding husbands to keep happy, both women are forced into terrible decisions as the Great Depression tightens its grip. When lawyer Charles Vance Miller’s will promises a handsome sum of money to the woman who can produce the most babies in the next ten years, it is initially dismissed as a vanity project. But as the Great Depression worsens, and times get increasingly tough across the world, for the most desperate in society this contest known as The Great Stork Derby suddenly seems like a way out. Ten years later, Lily and Mae couldn’t be further apart. And as The Great Stork Derby continues to make headlines, for all the wrong reasons, both these women must face up to their part in it, and the consequences…
Published 27th April 2023 by Penguin
This book has been on my radar for over six months and I’ve been lucky enough to have a NetGalley copy. For a counsellor the premise is fascinating. Imagine you could be rid of your sadness, your anxiety, your heartache, your fear. Imagine you could take those feelings from others and turn them into something beautiful. Lynx is a Grief Nurse. Kept by the Asters, a wealthy, influential family, to ensure they’re never troubled by negative emotions, she knows no other life. When news arrives that the Asters’ eldest son is dead, Lynx does what she can to alleviate their Sorrow. As guests flock to the Asters’ private island for the wake, bringing their own secrets, lies and grief, tensions rise.
Then the bodies start to pile up.
With romance, intrigue and spectacular gothic world-building, this spellbinding debut novel is immersive and unforgettable.
Published 13th April 2023 Sandstone Press.
London, 1870.
Lucy Braithwhite lives a privileged existence as heir to the fortune of Braithwhite & Company – the most successful purveyor of English luxury wallpapers the world over. The company’s formulas have been respected for nearly a century, but have always remained cloaked in mystery. No one has been able to explain the originality of design, or the brilliance of their colours, leaving many to wonder if the mysterious spell-like effect of their wallpapers is due simply to artistry, or something more sinister. When Mr Luckhurst, the company’s manager, and the man who has acted as surrogate father to Lucy and her invalid brother John since they were children, suddenly dies, Lucy is shocked to discover that there is no succession plan in place. Who will ensure that the company and her family continue to thrive?
The answer soon arrives in the form of the young and alluring Julian Rivers, who, unbeknownst to Lucy and John, has been essential to the company’s operations for some time. At first, he seems like the answer to their prayers, but as Lucy begins piecing together Julian’s true intentions, and John begins seeing spectral visions in the house’s wallpaper, it becomes clear to Lucy that she must do everything within her power to oppose the diabolic forces that have risen up to destroy her family.
Published 16th March 2023 Baskerville
Another book about books here and Fflur Dafydd has melded this world with a high concept thriller. Twins Ana and Nan are lost after the death of their mother. Everyone knows who drove Elena, the renowned novelist, to suicide – her long-term literary critic, Eben. But the twins need proof if they’re going to get revenge. Desperate to clear his name, Eben requests access to Elena’s diaries at the National Library where the twins work, and they see an opportunity. With careful planning, the twins lock down the labyrinthine building, trapping their colleagues, the public and most importantly Eben inside. But as a rogue security guard starts freeing hostages, the plan unravels. And what began as a single-minded act of revenge blooms into a complex unravelling of loyalties, motives and what it is that makes us who we are.
Hauntingly written, with a fresh, captivating voice, The Library Suicides is an intensely memorable and provocative literary read for fans of high concept thrillers that break the mould, and books about books and the concept of the written word.
Published 19th January by Hodder and Stoughton
I have everything crossed for a proof copy of this one, because I love Sarah Stovell and the way she writes relationship dynamics. Minnie and Bert are over the moon to have their three grown-up children home for the first time in a decade. But having Lizzie, Jess, Owen and the grandchildren under one roof isn’t without its dramas. Lizzie is off the alcohol (although emergency gin doesn’t count), Jess is juggling a toddler and a newborn, but it’s Owen who has the power to throw a grenade into everything. It all stems from an incident that happened years ago. And it involves Nora Skelly – a name you don’t mention in front of Minnie. With Nora also back in town, the past is about to come crashing into the present. And what better time to revisit old secrets and resentments than around the family dinner table?
Published 30th March 2023 by HQ
Laura Purcell is the absolute queen of gothic literature and despite this being a summer release, it’s already pre-ordered with an eye out for special editions, spredges and cover designs. I have every one of her books, signed and in my special collector’s cabinet.
Be careful what you wish for… it may just come true.
At The Mercury Theatre in London’s West End, rumours are circulating of a curse. It is said that the lead actress Lilith has made a pact with Melpomene, the tragic muse of Greek mythology, to become the greatest actress to ever grace the stage. Suspicious of Lilith, the jealous wife of the theatre owner sends dresser Jenny to spy on her, and desperate for the money to help her family, Jenny agrees. What Jenny finds is a woman as astonishing in her performance as she is provocative in nature. On stage, it’s as though Lilith is possessed by the characters she plays, yet off stage she is as tragic as the Muse who inspires her, and Jenny, sorry for her, befriends the troubled actress. But when strange events begin to take place around the theatre, Jenny wonders if the rumours are true, and fears that when the Muse comes calling for payment, the cost will be too high.
Published 2nd February 2023 Raven Books
River Sing Me Home is another impressive 2023 debut from Eleanor Shearer.
We whisper the names of the ones we love like the words of a song. That was the taste of freedom to us, those names on our lips.
Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy.
These are the names of her children. The five who survived, only to be sold to other plantations. The faces Rachel cannot forget. It’s 1834, and the law says her people are now free. But for Rachel freedom means finding her children, even if the truth is more than she can bear. With fear snapping at her heels, Rachel keeps moving. From sunrise to sunset, through the cane fields of Barbados to the forests of British Guiana and on to Trinidad, to the dangerous river and the open sea. Only once she knows their stories can she rest. Only then can she finally find home. Inspired by the women who, in the aftermath of slavery, went in search of their lost children.
Published 19th Jan 2023 by Headline Review
Police Chief Nash Morgan is known for two things: being a good guy and the way his uniform accentuates his rear end. But two bullets put a dent in his Southern charm and now he’s facing a criminal still on the loose and a town full of citizens that consider the law more of a ‘guideline’. The last thing he needs is the leggy, smart-mouthed Lina Solavita moving in next door, making him feel things he doesn’t have the energy to feel.
Lina is on a mission. As soon as she gets what she’s after, she has no intention of sticking around. The town of Knockemout has other ideas. Soon she finds herself sucked into small-town life. Dog-sitting. Saying yes to a bridesmaid’s dress. Listening to the sexy chief of police in the shower. But when Nash discovers Lina’s secret these friends become furious enemies – though the sparks flying between them don’t know the difference between love and hate.
Published 21st February by Hodder Paperbacks
Silence tore them apart. Can the truth bring them back together?
In 1960s Glasgow, anti-nuclear activists Judith and Jimmy fall in love. But their future hopes are dashed when their protestors’ squat is raided and many, including Jimmy, are sent to prison. Pregnant and with no word from Jimmy, Judith is forced to enter an unmarried mothers’ home, give up their baby and learn to live with her grief. More than half a century later, Judith’s Mending Shop restores broken treasures, just as Judith herself has been bound back together by her late, much-missed partner, Catherine. But her tranquillity is shattered when Jimmy―so different and yet somehow the same―reappears, yearning to unpick the painful past. Realising they each know only half of the other’s story, Jimmy and Judith finally break the silence that tore apart what might have been their family. Amid heartbreak and hope, how much can now be mended?
Published in Paperback 24th Jan 2023 by Lake Union Publishing.
I loved Philippa East’s Little White Lies and really enjoy a story full of dysfunctional family dynamics, so this sounds like the perfect read for me.
Keep your family close, and your secrets closer…
To the outside world, the Goodlights are perfect. Julia is a lawyer, Paul a stay-at-home dad who has dedicated his life to helping their daughter Chrissie achieve her dreams as a talented violinist. But on the night of a prestigious music competition, which has the power to change everything for Chrissie and her family, Chrissie goes missing. She puts on the performance of a lifetime, then completely disappears. Suddenly every single crack, every single secret that the family is hiding risks being exposed. Because the Goodlights aren’t perfect. Not even close.
Published 5th January 2023 by HQ
As you can see above I’m lucky enough to have a beautiful proof of this debut novel, which sounds fascinating.
Soon you will become the thing all other beasts fear.
Treasure and her mother lost everything when Treasure’s daddy died. Haggling for scraps in the market, Treasure meets a spirit who promises to bring her father back – but she has to do something for him first. Ozoemena has an itch in the middle of her back that can’t be scratched. An itch that speaks to her patrilineal destiny, to defend her people by becoming a leopard. Her father impressed upon her what an honour this was before he vanished, but it’s one she couldn’t want less. But as the two girls reckon with their burgeoning wildness and the legacy of their fathers’ decisions, Ozoemena’s fellow students at her new boarding school start to vanish. Treasure and Ozoemena will face terrible choices as each must ask herself: in a world that always says ‘no’ to women, what must two young girls sacrifice to get what is theirs?
Published 16th February 2023 by Wildfire Books
Summer, 1995.
July Hooper knows eighteen things about her mother. Like number thirteen: she loved dancing on the kitchen table. And number eight: she was covered in freckles. And then there’s number two: she died after being hit by a car when July was small. She keeps this list hidden in a drawer away from her father. Because they’re not allowed to talk about her mother. Ever. But an anonymous note slipped into July’s bag on her tenth birthday is about to change everything she thinks she knows about her mum. Determined to discover what really happened to her, July begins to investigate, cycling around the neighbourhood where her family used to live. There she meets someone who might finally have the answers. July wants her family to stop lying to her, but will the truth be harder to face?
Published 9th February Harvill Secker
What a privilege it is to receive Beth Lewis’s new novel in my book mail this week and it sounds incredible.
Welcome to Atlas. What would you do for a second chance?
Summer 1982. Deep in the Adirondack Mountains, over three hundred people live off-grid in a secret community. Atlas is a refuge for broken souls who long for a different life. Founded by the enigmatic Sol, the group now prepares for their final ceremony: the opening of the Golden Door. They believe they will cross to another world, to a new life where their past decisions never ended in tragedy. James Morrow is a rookie New York City reporter intent on making his name with an exposé of the crazy cult in the woods. He secures an invitation to the camp on the condition he tell the world of its wonders, but James is a sceptic. He’s sure there must be more to the mysterious leader and his endgame than his followers have signed up for. James soon finds there is a darker side to the cult beyond the prayers and yellow robes. A group of children are treated like gods, there are iron strips embedded in the earth, and nobody talks about what’s behind the gates of Sol’s private sanctuary. As James learns the stories of the members and how they came to be there, he begins to understand the desperate nature of their beliefs – a desperation he knows all too well.
As the final ceremony draws near, James must ask himself: what will it cost them to reach this other life? And is that a price he’s willing to pay?
Published 25th May by Hodder and Stoughton
I have a Netgalley ARC of this latest novel from Louise Candlish and as usual it’s addictive, tense and I read it in 24 hours. There’s the obvious story. And then there’s the truth. Alex lives a comfortable life with his wife Beth in the leafy suburb of Silver Vale. Fine, so he’s not the most outgoing guy on the street, he prefers to keep himself to himself, but he’s a good husband and an easy-going neighbour. That’s until Beth announces the creation of a nature trail on a local site that’s been disused for decades and suddenly Alex is a changed man. Now he’s always watching. Questioning. Struggling to hide his dread . . . As the landscapers get to work, a secret threatens to surface from years ago, back in Alex’s twenties when he got entangled with a seductive young woman called Marina, who threw both their lives into turmoil. And who sparked a police hunt for a murder suspect that was never quite what it seemed. And it still isn’t.
Published 2nd February by Simon and Schuster UK.
This second novel from the author of The Deception of Harriet Fleet (which I loved) takes us back to the aftermath of the Great War in another haunting, atmospheric Gothic tale. London in 1919 was a city of ghosts and absences, haunted by the men who marched away but never came back from ‘the war to end all wars.’ Grace Armstrong believes that she has come to terms with her own loss, the death of her fiancé, the brilliant and dazzling best friend of her brother. He was declared Missing in Action during the Battle of the Somme, but he starts to reappear both in her waking life and dreams.
Grace is appalled when a body, dragged from the Thames, is identified as Elizabeth Smith, who has lodged with Grace and her family for the last eight years before suddenly disappearing. Elizabeth had been more than a lodger; she had become a close friend to Grace, who feels compelled to find out what happened. In doing so she is drawn reluctantly into the sordid and dangerous underbelly of London and a scandal that rocked Edwardian society. Soon Grace finds herself under threat, and the only person prepared to listen is the brooding Tom Monaghan. But Tom has dark shadows of his own to navigate before being able to put his past behind him to help Grace in her quest for the truth.
Published 17th August by Quercus.
Among the cobbled streets of the Somerset town of Frome, Lou is embarking on the start of something new. After the death of her beloved mother, she takes a deep breath into the unknown and is opening her own vintage clothes shop.
In upstate New York, Donna has just found out some news about her family which has called into question her whole upbringing. The only clue she has to unlock her past is a picture of a yellow dress, and the fact it is currently on display in a shop in England.
For Maggy, she is facing life as a 70-something divorcee and while she got the house, she’s not sure what to fill it with now her family have moved out. The new vintage shop in town sparks memories of her past and reignites a passion she’s been missing…
Together, can these three women find the answers they are searching for and unlock a second chance at a new life?
Oh my goodness 2023 is looking delicious when it comes to new releases and there were so many I’ve been lucky enough to either read in the last month, or that are still waiting on my TBR that I’ve had to do this in two parts. I wanted to tell you about all of them. This is a combination of proofs I’ve been lucky enough to receive, NetGalley ARC’s, and others I’ve got on pre-order for their release date. Some are for blog tours, others I’ve been given through working with the Squad Pod Collective. It’s going to be a busy year for me and I’m hoping to go to a few more events this year and meet some of the lovely people who support me or who send me books, hoping that I’m going to love them. So, without further rambling, these are the books on my radar for the first part of 2023.
I’m so grateful that Viper Books sent me a copy of this beautiful book when I was too unwell to go to their showcase event. Slated as perfect for readers of Jessie Burton, Stacey Halls and Laura Purcell and recommended by the amazing Essie Fox, this might as well have ‘written for Hayley Baxter written across the cover! We’re in Victorian gothic territory as Many would find much to fear in Fyneshade’s dark and crumbling corridors, its unseen master and silent servants. But not I. For they have far more to fear from me… On the day of her grandmother’s funeral, Marta discovers that she is to be sent to be governess at Fyneshade, her charge the young daughter of the owner, Sir William Pritchard. All is not well at Fyneshade. Sir William is mysteriously absent, and his son and heir Vaughan is forbidden to enter the house. Marta finds herself drawn to him, despite the warnings of the housekeeper that Vaughan is a danger to all around him. But Marta is no innocent to be preyed upon. Guided by the dark gift taught to her by her grandmother, she has made her own plans. It will take more than a family riven by murderous secrets to stop her.
Published 18th May 2023 by Profile Books
Expectant is the latest novel in Vanda Symon’s Detective Sam Shephard series and I finished this late last night so I can reveal it’s brilliant and full of tension as the countdown to catch a murderer coincides with the last weeks of Sam’s pregnancy. This great series, set in Dunedin New Zealand, never lets me down. Sam is a fantastic character, who I’d happily go for a drink with. She’s professional and has one of those faces that people trust immediately, meaning she can elicit new leads and confessions from the unlikeliest criminal. She’s stubborn and outspoken, very ballsy and, although she tries her best not to use it, has an incredible swearing vocabulary. She and partner Paul are expecting their first child and she’s working up to two weeks before her due date. They haven’t found time to organise their endless piles of baby kit into a nursery when a case comes in that Sam can’t help but be drawn into. A group of kids who are hoping to tag the wall down a quiet side street find a woman covered in blood, only one of them has the conscience to stay and ring an ambulance. He’s willing to face the music for the graffiti if he can save her. At first it’s thought to be a stabbing, but it soon becomes clear this is something more sinister. A pregnant woman has been subjected to a rudimentary Caesarian and left for dead, even worse there’s no sign of the baby. This must be someone with a certain amount of medical skill. For Sam, who’s at her most vulnerable, it’s scary to think this might have been someone the victim trusted and it makes her more determined to catch her killer.
Published 18th May 2023 by Orenda Books
I received a beautiful copy of this book because I’m taking part in the blog tour with Random Things Tours. This is a heartbreaking memoir about the power of stories with beautiful illustrations from Anna Walker.
Let me tell you a story…
When Chloe Hooper’s partner is diagnosed with a rare and aggressive illness, she has to find a way to tell their two young sons. By instinct, she turns to the bookshelf. Can the news be broken as a bedtime tale? Is there a perfect book to prepare children for loss? Hooper embarks on a quest to find what practical lessons children’s literature—with its innocent orphans and evil adults, magic, monsters and anthropomorphic animals—can teach about grief and resilience in real life. As she discovers, ‘the right words are an incantation, a spell of hope for the future.’ From the Brothers Grimm to Frances Hodgson Burnett and Tolkien and Dahl—all of whom suffered childhood bereavements—she follows the breadcrumbs of the world’s favourite authors, searching for the deep wisdom in their books and lives. Both memoir and manual, Bedtime Story is stunningly illustrated by the New York Times award-winning Anna Walker. In an age of worldwide uncertainty, here is a profound and moving exploration of the dark and light of storytelling.
Out now from Scribner U.K.
Grace has the incredible power to grab hold of you, immerse you in her world and have you firmly on her side all the way through. It’s possibly way too early to start picking candidates for favourite books of 2023, but I think this book is certainly going to be in contention. I found myself fantasising about having cocktails with her, already knowing we’d have the best time. Grace is stuck in traffic, it’s a boiling hot day and she’s melting. All she wants to do is get to the bakery and pick up the cake for her daughter’s birthday. This is one hell of a birthday cake: it’s a Love Island cake; it has to say that Grace cares; that she’s sorry; that she loves Lotte and hasn’t given up on their relationship. It’s shaping up to be the day from hell and as Grace sits in her tin can of a car on boiling hot tarmac, something snaps. She decides to get out of the car and walk, leaving her vehicle stranded and pissing off everyone now blocked by a car parked in the middle of a busy road. So, despite the fact her trainers aren’t broken in, she sets off walking towards the bakery and a reunion with Lotte. There are just a few obstacles in the way, but Grace can see the cake and Lotte’s face when she opens the box. As she walks she recounts everything that has happened to bring her to where she is now. The deep delves into the past slowly recount how Grace’s life imploded and created a permanent before and after. This book is a stunning debut and should be on your reading list.
Published on 19th January 2023 by Michael Joseph.
Touted as perfect for fans of Eve Chase, Kate Morton and Kate Mosse – all of whom take up space on my forever shelves – this is the third novel from Polly Crosby and on the strength of her first two I would pre-order this without question. In a time slip structure we meet two women, Lady Vita Goldsborough and Eve Blakeney. In 1938 Vita lives in the shadow of her controlling older brother, Aubrey. Trapped and isolated on the East Anglian coast, Vita takes solace in watching the birds that fly over the marshes. But then she meets local artist Dodie Blakeney. The two women form a close bond, and Vita finally glimpses a chance to escape Aubrey’s grasp and be as free as the birds she loves. Decades later in the 1990’s and in the wake of her mother’s death, Eve Blakeney returns to the coast where she spent childhood summers with her beloved grandmother, Dodie. Eve hopes the visit will help make sense of her grief. The last thing she expects to find is a bundle of letters that hint at the heart-breaking story of Dodie’s relationship with a woman named Vita. Eve and Vita’s stories are linked by a shattering secret that echoes through the decades, and when Eve discovers the truth, it will overturn everything she thought she knew about her family – and change her life forever. It shows how much I rate Polly Crosby that this isn’t out until the end of May 2023 and I’m already anticipating publication day.
Published 25th May 2023 by HQ
I’ve been lucky enough to receive a special proof copy of this romantic book with special spredges, which I’m always a sucker for. This isn’t one love story. It’s two.
Becca Calloway is calling it: she’s ready for Mr Right, and she’s ready now. She even goes as far as to hold a manifestation ceremony for him – and when she receives a text from her ex five minutes later, she knows it’s a sign. The problem is, she doesn’t know which way it’s pointing…
Should Becca reply and reignite things with her old flame Mike? Or delete and block, moving forward with the new man in her life? Becca has one choice, with two ways this could go. And in Lovestruck, you’re about to see them both.
Published by Penguin 8th June 2023.
THEY TRIED TO CAGE US.
BUT A WEYWARD WOMAN BELONGS TO THE WILD.
WE CANNOT BE TAMED.
Kate, 2019 Kate flees London – abandoning everything – for Cumbria and Weyward Cottage, inherited from her great-aunt. There, a secret lurks in the bones of the house, hidden ever since the witch-hunts of the 17th century.
Violet, 1942 Violet is more interested in collecting insects and climbing trees than in becoming a proper young lady. Until a chain of shocking events changes her life forever.
Altha, 1619 Altha is on trial for witchcraft, accused of killing a local man. Known for her uncanny connection with nature and animals, she is a threat that must be eliminated.
But Weyward women belong to the wild. And they cannot be tamed…
I couldn’t be more excited about this debut. Weaving together the stories of three women across five centuries, Weyward is an enthralling novel of female resilience and the transformative power of the natural world.
Published 2nd February 2023 by Borough Press.
1852. Margaret Lennox, a young widow, is offered a position as governess at Hartwood Hall. She quickly accepts, hoping this isolated country house will allow her to leave the past behind.
Margaret soon feels there’s something odd about Hartwood: strange figures in the dark, tensions between servants and an abandoned east wing.
Margaret is certain that everyone here has something to hide, and as her own past threatens to catch up with her, she must learn to trust her instincts before it’s too late… this is another Gothic treasure that I can’t wait to open.
Published by 30th March 2023
I loved the psychological detail in Liz Nugent’s last novel about family dynamics and the fact that no two children have the same parent. I’m hoping for similar in this new novel. Sally Diamond cannot understand why what she did was so strange. She was only doing what her father told her to do, to put him out with the rubbish when he died.
Now Sally is the centre of attention, not only from the hungry media and police detectives, but also a sinister voice from a past she cannot remember. As she begins to discover the horrors of her childhood, Sally steps into the world for the first time, making new friends and big decisions, and learning that people don’t always mean what they say.
But who is the man observing Sally from the other side of the world? And why does her neighbour seem to be obsessed with her? Sally’s trust issues are about to be severely challenged . . .
Published 2nd March 2023 by Sandycove Publishing
‘All of you are cursed, you hear me? An ugly death for the ones with whom you fall in love’
For generations, the Montrose women have lived alone with their secrets, their delicate peace depending on the unspoken bond that underpins their family life – Voodoo and hoodoo magic, and a decades-old curse that will kill anyone they fall for. When seventeen-year-old Nickie Montrose brings home a boy for the first time, this careful balance is thrown into disarray. For the other women have been keeping the curse from Nickie, and revealing it means that they must reckon with their own choices and mistakes.
As new truths emerge, the Montrose women are set on a collision course that echoes back to New Orleans’ French Quarter, where a crumbling book of spells may hold the answers that all of them have been looking for… Rich in its sense of character and place, Black Candle Womenis a haunting and magical debut from a talented new storyteller.
Published 28th February 2023 by Headline
Power. History. Love. Hate. Vengeance.
She will be Queen. Whatever it takes…
Daughter of an ousted king, descendant of ancient druids, as a child it is prophesied that one day Gruoch will be queen of Alba.
When she is betrothed to Duncan, heir elect, this appears to confirm the prophecy. She leaves behind her home, her family and her close friend MacBethad, and travels to the royal seat at Scone to embrace her new position.
But nothing is as Gruoch anticipates. Duncan’s court is filled with sly words and unfriendly faces, women desperate to usurp her position, and others whose motives are shrouded in mystery. As her coronation approaches, a deadly turn of events forces Gruoch to flee Duncan and the capital, finding herself alone, vulnerable and at the mercy of an old enemy. Her hope of becoming Queen all but lost, Gruoch does what she must to survive, vowing that one day she will fulfill her destiny and take up the future owed to her. Whatever it may take.
Published 2nd March 2023 by Raven Books
In New York City, two rival witch families fight for the upper hand.
The Antonova sisters are beautiful, cunning and ruthless, and their mother – known only as Baba Yaga – is the elusive supplier of premium intoxicants. Their adversaries, the influential Fedorov brothers, serve their crime boss father. Named Koschei the Deathless, his enterprise dominates the shadows of magical Manhattan.
For twelve years, the families have maintained a fraught stalemate. Then everything is thrown into disarray. Bad blood carries them to the brink of disaster, even as fate draws together a brother and sister from either side. Yet the siblings still struggle for power, and internal conflicts could destroy each family from within. That is, if the enmity between empires doesn’t destroy both sides first. I’m totally new to this author, but have seen such great reviews for her last novel The Atlas Six and five star previews for this one too. I’m excited to discover an author that’s new to me but has a back catalogue to read my way through.
Published by Tor, 6th April 2023.
For someone who spent time studying the Gothic, Grotesque and Monstrous at university, this cover would have screamed out to me in any bookshop even if I wasn’t a book blogger. gothic adventure story, a classic tale with a feminist twist, a story of ambition and obsession, forbidden love and sabotage…
‘It is not the monster you must fear, but the monster it makes of men…’
Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic but she doesn’t know why or how…
The 1850s is a time of discovery and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and a sharper tongue, is keen to make her name in this world of science, alongside her geologist husband Henry, but without wealth and connections, their options are limited.
But when Mary discovers some old family papers that allude to the shocking truth behind her great-uncle’s past, she thinks she may have found the key to securing their future… Their quest takes them to the wilds of Scotland, to Henry’s intriguing but reclusive sister Maisie, and to a deadly chase with a rival who is out to steal their secret. Our Hideous Progeny is a sumptuous tale of ambition and obsession, of forbidden love and sabotage; an adventure story that blends classic, immersive storytelling with contemporary themes.
Published by Doubleday 4th May 2023
This is a book I’ll be reading along with the rest of my Squad Pod Collective and I’m looking forward to the discussions coming up. I’ve seen preview comments from other authors and it’s recommended by Erin Kelly, Catriona Ward and one of my favourite authors Will Dean, so it must be good. Plus it’s a book about books and what do we book bloggers like more than that? It’s billed as the debut thriller of 2023 and much as I usually avoid hype, this one has tempted me.
Roach – bookseller, loner and true crime obsessive – is not interested in making friends. She has all the company she needs in her serial killer books, murder podcasts and her pet snail, Bleep. That is, until Laura joins the bookshop. Smelling of roses, with her cute literary tote bags (oh I do love a tote bag) and beautiful poetry, she’s everyone’s new favourite bookseller. But beneath the shiny veneer, Roach senses a darkness within Laura, the same darkness Roach possesses. As Roach’s curiosity blooms into morbid obsession, it becomes clear that she is prepared to infiltrate Laura’s life at any cost.
Published by Hodder and Stoughton 28th April 2023
I heard the words ‘Edwardian heist novel’ and ‘Ocean’s 8 meets Fingersmith’ and I was hooked by this novel.
Mayfair, 1905. The grandest house on Park Lane has just dismissed its housekeeper. All manner of treasures lie behind the pillared doors – and scandalous secrets too. With the event of the season looming, nothing must go wrong. But what no one knows is that Mrs King will be back at Park Lane on the night of the ball. She has an audacious plan in mind… and knows just who to recruit to help her clean up.
Housekeeper. Sewing maid. Kitchen girl. Thief.
Never underestimate the women downstairs.
IT’S YOUR HOUSE. BUT IT’S THEIR RULES.
Dazzling, stylish and wildly entertaining, The Housekeepers lets loose an outlandish alliance of women you’ll never forget.
Published by Headline Review 6th July 2023.
Kate Sawyer’s debut novel The Stranding was my favourite novel of 2021 so I have high hopes for this second novel and have been the luckiest blogger in the world to receive this early copy.
It is my dearest wish, that after so long apart, I am able to bring this family together for my wedding day.
This house. This family.
Mary has raised a family in this house. Watched her children play and laugh and bicker in this house. Today she is getting married in this house, with all her family in attendance. The wedding celebrations have brought fractured family together for the first time in years: there’s Phoebe and her husband Michael, children in tow. The young and sensitive Rosie, with her new partner. Irene, Mary’s ex-mother-in-law. Even Emma, Mary’s eldest, is back for the wedding – despite being at odds with everyone else. Set over the course of an English summer’s day but punctuated with memories from the past forty years of love and loss, hope and joy, heartbreak and grief, this is the story of a family. Told by a chorus of characters, it is an exploration of the small moments that bring us to where we are, the changes that are brought about by time, and what, despite everything, stays the same. This sounds like my perfect mix of reminiscences and recriminations, with a fractured family dynamic there can be a dozen interpretations of the past and I’m looking forward to making sense of them.
Published 11th May 2023 by Coronet.
In the name of the Father, not a word of this. Her letters are forbidden.
Beatrice is the convent’s librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts.
Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent’s walls. Moments from death, one of them presses something into Beatrice’s hands: a bewitching book whose pages have a dangerous life of their own.
But men of the faith want the book destroyed, and a zealous preacher has tracked it to her door. Her sisters’ lives – or her obsession. Beatrice must decide.
The book’s voice is growing stronger. An ancient power uncoils. Will she dare to listen?
Published 2nd March 2023 by Wildfire.
My final pick for this post is The Walled Garden, which again has a stunning cover and is a debut novel. The aftermath of war is something I’ve been deeply interested in, although my reading covered the post- WW1 period. This past year I’ve read a couple of books set post WW2 and I learned so much about prisoners of war and how long it took communities, both those occupied and those of the occupier, to recover. No one survives war unscathed. But even in the darkest days, seeds of hope can grow.
It is 1946 and in the village of Oakbourne the men are home from the war. Their bodies are healing but their psychological wounds run deep. Everyone is scarred – those who fought and those left behind.
Alice Rayne is married to Stephen, heir to crumbling Oakbourne Hall. Once a sweet, gentle man, he has returned a bitter and angry stranger, destroyed by what he has seen and done, tormented by secrets Alice can only guess at. Lonely and increasingly afraid of the man her husband has become, Alice must try to pick up the pieces of her marriage and save Oakbourne Hall from total collapse. She begins with the walled garden and, as it starts to bear fruit, she finds herself drawn into a new, forbidden love. Set in the Suffolk countryside as it moves from winter to spring, The Walled Garden is a captivating love story and a timeless, moving exploration of trauma and the miracle of human resilience.
Published 16th March by Manila Press.
Tomorrow I’ll be musing on more new books from the coming year. ❤️📚
Following a long-standing feud and looking to settle the score, a woman decides to dismantle her home – alone and by hand – and move it across a frozen pond during a harsh New England winter in this mesmerizing debut. Home is certainly not where Del’s heart is. After a local scandal led to her parents’ divorce and the rest of her family turned their backs on her, Del left her small town and cut off contact. Now, with both of her parents gone, a chance has arrived for Del to retaliate.
Her uncle wants the one thing Del inherited: the family home. Instead of handing the place over, and with no other resources at her disposal, Del decides she will tear the place apart herself – piece by piece. But Del will soon discover, the task stirs up more than just old memories as relatives-each in their own state of unravelling – come knocking on her door.
This spare, strange, magical book is a story not only about the powerlessness and hurt that run through a family but also about the moments when brokenness can offer us the rare chance to start again.
I spent much of yesterday afternoon in the attic searching for Christmas decorations and our tree, but inevitably raving through boxes unearthed an awful lot of history. As usual I found myself poring over my old high school yearbook, reminiscing on other lives such as the time I spent in Milton Keynes with my late husband, and having that strange bittersweet feeling. It’s smiling about memories of the past but also a pang of sadness because it’s so long ago and there was the realisation that I’ve now spent more years without him than with him. When I return to Milton Keynes that feeling of nostalgia is even stronger and I even get the feeling I might bump into him, having a coffee and living a life that carried on without me. It’s these feelings we have when we return to a place that has huge significance in our lives and for Del that’s her home town and the family home she’s now inherited. Fate seems to be laughing at her though, because she’s never wanted to return to the small town in Maine where she grew up but she has nowhere else to go. Her friend and room mate Tym would like his boyfriend to move in and since Del has been sacked she can’t pay the rent anyway. Her uncle wants to buy the house and develop the plot, but with no other choice Del finds herself on a bus back to a place she’d left behind long ago and holds some of the worst memories of her life.
After dreading the house for a long time, Del is surprised that although it’s in a terrible state of repair, the house is conjuring up some good memories too. All relate way back, to the time before the scandal that forced her parent’s divorce. She’s surprised to find that she’s loathe to give the house up, even though she’s desperate for the money. Her uncle has inherited a lot of land around the house, but the house itself was the only thing her mother inherited from Del’s grandparents. Then an idea presents itself, what if she sells the site but keeps the house? To me, Del’s idea feels like an act of protest at first. However, as time goes on, I can see that the physical exertion seems to illicit a change in Del. I loved her grit and determination in taking the house apart, especially during the Maine winter. Her family can’t believe that she will succeed, fully expecting her to abandon the project and disappear again. Del surprises them all, but she also surprises herself. The house is almost a metaphor for the wall Del has built up to cope with mental anguish. With clients I always equate our ‘selves’ as wall built up of bricks, each one represents something about our development or experience. Here and there, are bricks that represent a trauma and they are often unstable. If we continue to build on top of that trauma without dealing with it, the foundations of the wall will be unstable. It’s only by dismantling the wall, brick by brick, that we can go back to the trauma and process the pain. Then the wall can continue on a strong base that will last. Del’s dismantling of her family home is the equivalent of therapy. Each brick represents a memory and Del needs to make peace with each one before she can move on.
I really enjoyed Del as a character. She’s beautifully written and is a bit of a ‘hedgehog’ person – covered in prickles, not to hurt others but to protect herself. She’s not great at sharing her feelings, with Tym being her only friend she’s effectively isolated herself. I really enjoyed Tym, who is a wonderful friend to Del despite his own sadness and tragedy. I thought the author depicted the physical and mental struggle that comes with working on ourselves really well. It’s wonderful to watch as Del puts down these huge burdens she’s been carrying and sloughs off those prickles and extra skins she’s used as a defence. I loved how more people started to form relationships with Del as she becomes more approachable and open. Her determination to move the house and move on in her emotional life touches other people. This is a quiet book, but don’t mistake that as a criticism. I love quiet books that follow the pace of life, that takes us into the heart of real life and how we make human connections. What I loved more than anything, after the reality of hard psychological graft, were the little glimmers of hope. It made me think of a couple of my favourite lines of poetry.
‘Hope is a thing with feathers, that perches in the soul,
I never stop counting my lucky stars that I’m a member of the Squad Pod Collective – a group of friends formed organically on Twitter who have formed a book blogging community. Not only are they lovely women who support each other daily they are very talented writers and book reviewers. Each month we have a book club pick and I’ve been lucky enough to have time at the end of the year to read this stunning fantasy duology back to back and I’m so glad I did. I loved escaping into the clouds in Sue Lynn Tann’s first instalment, Daughter of the Moon Goddess because it lured me into a richly evocative world of goddesses, monsters, warriors and Chinese mythology. I’m so in awe of this author’s imagination and I was fascinated to see the next part of Xingyin’s journey. The first book has really set the scene for this sequel in terms of the relationships and character developments that are immediately picked up where we left them last time. We meet Xingyin, now reunited with her mother and living contentedly back on the moon. However, this is only a short moment of peace because there is a power shift in the Celestial Kingdom and Xingyin is forced to flee from her home again and defend the realm.
The author’s vivid imagination can be seen on every page, with such lush description that I fully believed in this incredible world she builds, but her attention to detail doesn’t stop at the setting. Once again she takes her heroine through ordeals and personal choices that build real character growth. Her journey is an emotional one and her growing maturity is shown in the tough decisions she makes both in her quest and in her personal life. I felt that the romance angle was more successful this time, with all characters in the love triangle showing more maturity. This could be just my age and experience though and young adult readers may well identify strongly with the set up of this storyline in the first book. Here she has to face betrayal and I was caught up in this powerful dynamic that threatens to tip over into enemies, rather than potential lovers. Her sadness and conflicted feelings over Wenzhi’s betrayal work well and he’s still very much part of the story. In my opinion he brings that spark of chemistry too. He really wants to make things right with Xingyin and shows this by devotedly sticking by her side to be there whenever she needs him. There is less instant chemistry between Xingyin and Liwei, but there is strong friendship and loyalty. He shows he is willing to defy his parents for her which removes the main obstacle to their potential romance. The mental push and pull between these very polarised relationships was definitely more engaging this time and I became more and more interested to see who, if anyone, she would choose.
The pace of the novel did ebb and flow, with a quieter middle section followed by a helter -skelter rush towards the conclusion. The battle sequences are incredibly effective because they feel dynamic and there’s genuine peril – characters do die here. The decision to make this a duology was a clever one. As the novel rushed towards it’s conclusion I worried that it might feel jumbled or sudden, but everything worked and I came away feeling satisfied. In many ways The Heart of the Sun Warrior worked better for me than the first novel, taking the story to new places with higher stakes and life-changing consequences. There was more tension, a faster pace and a few twists and turns to surprise the reader. As mentioned the romance seemed better worked out here too, but everything Sue Lynn Tan did well in the first novel is maintained. We didn’t lose any of the luscious description and lyrical language that she does so well, drawing the reader into her magical world. As with the first novel though, it was the heroine’s self-growth that I enjoyed most and those life lessons extended to the other characters too, who go on their own inner journey. Of course there’s the strength and courage you would expect from warriors, but that conflict also brought lessons in loss and coping with grief. Each character had to practice forgiveness and learn what it means to give unconditional love. These deeper emotional elements really elevated this book for me and along with the strength of Chang’e and Xingyin’s mother/daughter relationship, they give a very magical world it’s human heart. Sue Lynn Tan should be incredibly proud of these debut novels and her beautiful, poetic writing style. What finishes these books off beautifully are those stunning covers, both of which would look perfect as framed book posters on my bedroom wall (if anyone’s listening).
Published 10th November 2022 by Harper Voyager
Meet The Author
Sue Lynn Tan writes stories inspired by the myths and legends she fell in love with as a child. After devouring every fable she could find in the library, she discovered fantasy books, spending much of her childhood lost in magical worlds.
Daughter of the Moon Goddess is her debut, the first in the Celestial Kingdom duology – a fantasy of immortals, magic and love, inspired by the beloved legend of the Chinese moon goddess, Chang’e. Its sequel, Heart of the Sun Warrior, is also out now.
When not writing or reading, she enjoys exploring the hills, lakes, and temples around her home. She is also grateful to be within reach of bubble tea and spicy food, that she unfortunately cannot cook.
The Lotus Readers 