Tag: Book Review

Posted in Publisher Proof

One Friday in Napa by Jennifer Hamm

Posted on by thelotusreaders

The word Vene would have used to describe her mother was ‘cold’ because they’ve always been at odds, even in childhood. So when news of her terminal illness comes, Vene wonders what to do. Is a reconciliation out of the question? She returns to Napa only to find that Olivia is as harsh as she always was. Yet, when Vene finds a cookbook belonging to her mother, it’s like a window on a different woman. Upstairs her dying mother is judgemental and snappy, but between the pages of the cookbook she’s a young woman full of romance and longing, but also duty and a terrible heartache. This is the mum she’s never met and she wants to go on an emotional journey, to connect with the ‘real’ Olivia before it’s too late.

Using a dual timeline, half a century apart Vene tries to unearth the secrets and sacrifice of two different women. I loved the use of food as a medium to communicate emotion and nostalgia. We all have these tastes that rocket us back to childhood in one mouthful. In fact one of my favourite memoirs is Nigel Slater’s Taste which conjures up so many memories of his mother. We don’t always see our parents as people in their own right, especially when there are secrets and we don’t know the truth of everything they’ve endured. Mothers don’t always fully see their daughters, often because they’re so busy trying to protect them from a similar harm to the one they suffered when they were a young woman. In trying not to repeat our youthful mistakes and create a pattern, we make new ones. I thought there was so much insight into women’s emotional history here. There was a running theme of service and sacrifice that reminded me of Virginia Woolf’s A Room of One’s Own. Are women now able to make life choices completely for themselves or do they sacrifice this freedom to look after the needs of others? As an artist can we ever be fulfilled if we don’t write, paint or create? I thought the setting really emphasised the idea of food and nostalgia too, because just reading it I could imagine myself on holiday there. The place was beautifully described and the recipes with their accompanying wines between the chapters conjured up so many tastes and smells. Don’t read this when hungry! I love Italian food so it was wonderful to read those colours and tastes brought to life.

Emotionally and psychologically the author presents heartbreak in such a raw and honest way. Olivia’s past is full of loss and the pain of that has informed the way she brings up her daughter. The hurt of the past always affects our future relationships in some way, but is it possible to acknowledge that hurt and stop it shaping our future and that of our children? If not, a destructive pattern emerges and there is definitely trauma between these two generations. As our trips into Olivia’s past start to explain more about her present, I was hoping that Vene’s newly found knowledge of her mother’s motivations would open up a space for them to communicate honestly and truly know each other as women. I felt more involved in the past timeline, which often happens to me in dual timeline stories, and found the young Olivia a more engaging character. However, it was the dynamic between the two of them I loved and the sense that women have a lot to learn from each other when they communicate honestly. I wondered about how we value the older women in our families and whether we’ve lost that ability to prize them? Is there a collective wisdom we’re missing out on when we stop seeing our older relatives as people. Every so often it’s good to remind ourselves that these people who happen to be our parents, had lives long before they had us and I wondered whether there were incredible stories buried within the past generations of my own family.

Meet the Author

Born and raised in Los Angeles, Jennifer Hamm graduated with a BA in English at UCLA and began her writing career developing screenplays for movies and television. As a travel writer, she has covered the globe on assignment for various magazines and brands. She also writes It’s Only for A Year, a long-running blog chronicling her adventures raising her four boys in two countries. Hamm currently splits her time between London and Los Angeles. One Friday in Napa is her first novel.

Posted in Squad Pod

Still Life by Val McDermid. Karen Pirie Series

Posted on by thelotusreaders

As you all know I’m quite happy to admit so called ‘guilty pleasures’ and glaring omissions from my library. You also know I like nothing better than discovering someone I haven’t read before, who has along back catalogue to enjoy. I am absolutely thrilled that the Squad Pod chose Val McDermid for our October book club. This is probably sacrilegious in crime reading circles, but I haven’t read a single book by the Queen of Tartan Noir. She is definitely deserving of the title and after reading Still Life I’ve purchased all the Karen Pirie series so I can read from the beginning and start my Val McDermid journey. Next month we have her new novel in the series Past Lying so my October is going to be pretty much dedicated to her.

Our story is a complicated combination of current and historic case that Pirie is set to investigate from the Historic Cases Unit. A trawler pulls a body from the Firth, eventually identified as a man called James Auld. His brother, Iain Auld, worked in the Scottish Office in Westminster and also disappeared, ten years ago. Even more odd, James had been living as Paul Allard and working in a jazz band in Paris. Two other events come up when researching the two men. Firstly, the paintings chosen from the National Collection for the Scottish Office, were found to be barely passable fakes when the government changed. Secondly, when a fire that destroyed an art gallery in Brighton appears in the press, a photograph seemed to show Iain Auld. An old school friend swears it was Iain, but he was already declared dead by this point. DCI Pirie’s starting point will have to be Iain’s widow Mary, who lives alone and has stayed in touch with brother-in-law James ever since Iain disappeared. Their second case seems less urgent and regards historic remains found in the camper van in the garage of an empty house. The van might have belonged to a young silversmith called Dani, a free spirited and bohemian girl in a relationship with a slightly older accountant called Andrea. Could this body be one of those women?

Both cases were intriguing and grabbed the attention. The story that emerges from their investigation into the camper van skeleton is one of opposites attracting. Opposites can attract, but can they co-exist over time? Dani was clearly the more bohemian of the pair and a bit younger too. She wanted to travel, design her jewellery and perhaps gain inspiration from staying at an artist’s commune. Andrea was more conservative, happy to stay in the same home and go to the same job. Andrea’s parents are abroad, could she have killed her partner and left the country? However, when they visit Dani’s father his first reaction is to ask what his daughter has done this time? So the weight of suspicion falls on her. Then they find a lead, a possible art collective where Dani is mentioned, over near Manchester. Karen sends her sergeant Jason to check things out, putting him in terrible danger. The visit quickly goes from being slightly comical (an elderly person’s painting class) to absolutely filled with tension and deadly. The case of the Auld brothers had so many facets to it and opened up the characters for me. It covered the issue of finding yourself in love with someone of the same sex after years of being heterosexual. The art and political elements were so interesting too. The criticism of the old Lib/Con coalition and the way Westminster works in general was something that chimed with my own views. The musing on Scottish independence and the way Scottish people feel about England really did interest me, but it also firmly sets a character in their place and time.

These subjects showed the reader how forthright and decisive Karen is, something we see in her professional life too – sometimes to her detriment. She had so many sneaky ways around her boss, known as the ‘Dog Biscuit’ thanks to her surname being the same as a brand of dog treats. It might not always be appreciated by her superiors but she does it to get results, out of a desire to help those affected by the crime and also because she has a disgust for unwanted bureaucracy and procedures. When she needs a European arrest warrant she goes direct to a contact who can organise it immediately, not through the boss. Often though, these short cuts do get the job done. She knows it pisses the boss off, but she’s willing to take the flak and smooth it over later. She’s a maverick whose not afraid to take a risk or spend money if it brings results for the victims of crime. I found her intelligent, determined, rebellious and competitive. She would probably drive me crazy in reality, but as a character I loved her. I also loved the way she’s trying to cope with ongoing grief for her partner Phil, while starting a new relationship with Hamish. I’ve been there so I understand the conflicting emotions, the guilt and the desire to move forward. This was so well written. She’s asserting her boundaries and trying not to jump in with both feet? There’s something she’s uncomfortable with about the relationship, but she talks herself round to the positives. Hamish’s business and the Croft in the Highlands keeps him busy and sometimes absent which I think suits her. It gives a distance to the relationship that she needs for now.

Her dogged determination and that of her team can lead to taking risks, but they don’t hesitate. Karen gives Jason his own tasks showing trust and confidence in him. She keeps her borrowed recruit Daisy close to her, they’re very different but there’s definitely an attention to detail in Daisy that echoes Karen’s. She instils in both of them her philosophy that just because it’s a cold case doesn’t mean they do half a job, or a slow one. She holds these mispers and victims of crime in high regard and expects the same from her team. As the COVID pandemic starts to move across the world there’s a further sense of urgency to their work. While the case of the body in the camper van starts to resolve, the Auld brothers case takes many unexpected turns. As the trail moves over to Ireland, using the art world to unravel some clues, it was great to see that Karen is happy to get her hands dirty and isn’t the sort of boss who hands that stuff to her juniors. Here she’s sitting in vegetation, watching a house for suspects and deftly deploying a tracker. She’s just as deft when walking into a small gallery and questioning an art dealer. Whatever it takes to uncover the next steps. When talking about her cold cases, Karen articulates something that crime readers often feel. She knows there’s an explanation that solves all these clues and exposes a pattern, but she just can’t see it yet. You have to let it wash over you, read more and hope that all will become clear. The difficulties solving this one kept me reading and kept me thinking about the case when I was doing other things. As COVID worsens and starts to lock down the country, decisions have to be made about how the team work and live. Karen makes a choice I didn’t see coming and I would be interested to read how it works out moving forward. This was one of the best crime novels I’ve ever read, with a fascinating central character that I can’t wait to read more about.

Meet the Author

Val McDermid is a number one bestseller whose novels have been translated into more than forty languages, and have sold over eighteen million copies. She has won many awards internationally, including the CWA Gold Dagger for best crime novel of the year and the LA Times Book of the Year Award. She was inducted into the ITV3 Crime Thriller Awards Hall of Fame in 2009, was the recipient of the CWA Cartier Diamond Dagger in 2010 and received the Lambda Literary Foundation Pioneer Award in 2011. In 2016, Val received the Outstanding Contribution to Crime Fiction Award at the Theakstons Old Peculier Crime Writing Festival and in 2017 received the DIVA Literary Prize for Crime, and was elected a Fellow of both the Royal Society of Literature and the Royal Society of Edinburgh. Val has served as a judge for the Women’s Prize for Fiction and the Man Booker Prize, and was Chair of the Wellcome Book Prize in 2017. She is the recipient of six honorary doctorates and is an Honorary Fellow of St Hilda’s College, Oxford. She writes full-time and divides her time between Edinburgh and East Neuk of Fife.

Posted in Personal Purchase

The Running Grave by Robert Galbraith

Posted on by thelotusreaders

I wouldn’t have imagined back at the beginning, that we would get this many books down the line with private investigators Cormoran Strike and Robin Ellacott. In fact after the last book I thought the author had hit a wall with ideas or was trying to hard to be up to the minute with technology and new trends. I was pleased to find that this was a much better investigation. Full of tension and very dark in tone, this book delves into a church that’s really a cult, every bit as huge and secretive as Scientology. This is a tale of abuse: financial, physical, sexual and spiritual. In parts it is hard to read but compelling and fascinating to see how it’s teaching affect the people who follow it, but also our investigative duo. Sir Colin Edensor approaches Strike to try and bring his son home from the United Humanitarian Church’s compound in Norfolk. Chapman Farm claims to be self-sufficient, growing fields of vegetables and keeping animals, as well as undertaking evangelical work on the streets of Norwich. Sir Colin’s son Will has been part of the UHC for several years and would seem completely indoctrinated. He’s failed to get him out before, but desperately wants him home to see his mother who is dying of cancer. How will Strike and Robin go about their task?

The best way to discredit the church and get close to Will would be for someone to go in undercover. It would be better if that was a woman and Robin volunteers. Strike is reluctant to agree, but can’t come up with a sensible reason for that instinct, knowing his reluctance is probably down to his growing feelings for his partner. However, their other female investigator Midge is covering a famous actress who has a father and son stalker team who want to kidnap her. Robin is adamant it should be her and creates a persona called Rowena, who visits their London base for a ‘service’ with just the right clothes to suggest she has money, borrowed from Strike’s half-sister Prudence. It’s agreed that Robin will go to Chapman Farm for an induction period but they pick a place on the perimeter fence to leave a fake rock. Every Thursday Strike will leave a letter under the rock for Robin to find and she will leave a reply, if she wants to come out she can let them know and they will use blot cutters on the fence and bring her out.

As regular readers will know, Strike and Robin are one of my favourite literary couples, but I’ve been wondering during the last two novels how long she can keep them apart? There’s also a trend for putting Robin in danger to evoke feelings in her partner. Here I was genuinely worried for Robin before she even went into the farm. I could understand her wanting to assert her ability to go undercover and her authority as partner to make the choice – it shouldn’t have to be okayed by Strike. Yet as a person Robin has certain life experiences that a church like this could see as weaknesses to exploit: the rape she suffered at university, the knife attack on her first case that left her with PTSD, there’s also the fall out from her marriage to Matthew and her undisclosed feelings for Strike. These chinks in her armour will be seen by people used to exploiting others. I think there are times when asserting your authority and taking a feminist stance are admirable, but not at the expense of your own safety. ‘Rowena’ is noticed straight away by recruiters at the London temple and after a few attendances, Rowena is taken to Chapman Farm and starts at the bottom of the pile, working in the fields and mucking out the animals. In between there are services or talks about the church’s purpose, bombarding new recruits with images of everything that’s wrong in the world until their current place seems like one of safety. Then a process of breaking recruits down begins – lack of sleep, restricted food or fasting, manual labour and strange interventions and group therapy where the individual is broken down mentally. All of this starts to have a detrimental effect on Robin, but the most disturbing practices are around familial relationships. Children are taken to a dormitory and school so they are no longer a family unit but belong to everyone. Family groupings outside the UHC are rubbished as false attachments that should be broken immediately. Then there’s the spirit bonding. On the farm there are pods called ‘retreat rooms’ there expressly for the purpose of when someone approaches you and asks for sex. Emotional bonding is not the norm, sex is just another form of service, given freely with no ties. What will Robin do if approached?

There were times when I found myself a bit lost on who was who because the cult has so many members and their relationships are complex. There are also complications about the names they have for themselves. I think the author could have achieved the same effects and build up of tension within the farm with less characters and a shorter process of indoctrination. I also felt that Robin would have struggled to come out more than she did. The PTSD seemed mild considering what she’s seen and heard. The experience of looking after a disabled child who isn’t receiving the medical care he should was horrifying and was the main experience she struggled to shake off. The neglect was terrible and Robin desperate wanted him found by the police. However, she was cornered in the retreat room by a naked Will Edensor and was sexually assaulted by the church leader, but once she’s out it’s never mentioned and she doesn’t even tell Strike or Detective Murphy, her boyfriend. I wondered if this might be revisited in the future but it did seem odd to leave it hanging. I also started to be confused by the ex members that Strike was interviewing and where they’d fit into the hierarchy. There was so much detail surrounding the doctrine of the cult and it’s different prophets that I felt the other cases disappeared into the background. In fact one case seemed to be there only to serve as a distraction for Strike at a strategic point. Nevertheless, the tension built as Strike started to unravel the truth and Robin was still inside.

All that being said this was a much better novel than the last in the series. I was totally engrossed in it by half way through and barely surfaced till the end. Of course there is the question of Robin and Strike’s relationship. Ex-girlfriend Charlotte comes to the fore again, trying to lure him back in with an unforgivable lie. I was hoping he would see the manipulation, especially since he’s on his own and can’t run anything past his best friend. He’s wrestling with risking all that he’s built in terms of his business and their friendship if he tells Robin that Charlotte has been right all along, he does love her. Can he find the courage to tell her?

Meet the Author

Robert Galbraith’s Cormoran Strike series is classic contemporary crime fiction from a master story-teller, rich in plot, characterisation and detail. Galbraith’s debut into crime fiction garnered acclaim amongst critics and crime fans alike. The first three novels The Cuckoo’s Calling (2013), The Silkworm (2014) and Career of Evil (2015) all topped the national and international bestseller lists and have been adapted for television, produced by Brontë Film and Television. The fourth in the series, Lethal White (2018), is out now.

Robert Galbraith is a pseudonym of J.K. Rowling, bestselling author of the Harry Potter series and The Casual Vacancy, a novel for adults. After Harry Potter, the author chose crime fiction for her next books, a genre she has always loved as a reader. She wanted to write a contemporary whodunit, with a credible back story.

J.K. Rowling’s original intention for writing as Robert Galbraith was for the books to be judged on their own merit, and to establish Galbraith as a well-regarded name in crime in its own right.

Now Robert Galbraith’s true identity is widely known, J.K. Rowling continues to write the crime series under the Galbraith pseudonym to keep the distinction from her other writing and so people will know what to expect from a Cormoran Strike novel.

Posted in Personal Purchase

The Invisible Hour by Alice Hoffman

Posted on by thelotusreaders

After a few years building on the Practical Magic series, I was looking forward to seeing what Alice Hoffman would come up with next. She has based her story around the writer Nathaniel Hawthorne and his classic novel The Scarlet Letter and introduces us to two young women facing difficulties. Ivy is from a rich Boston family and when she finds herself pregnant at 16, she truly expects support. The father of her baby retreats into his wealthy family and the elite university he’s due to attend, taking no responsibility for the predicament they’re both in. Facing her pregnancy alone she talks to her parents who also wash their hands of her, not wanting the stigma or embarrassment. Ivy decides to leave home and climbs out of the bedroom window, setting out to see a friend who she knows will have an idea. She suggests they leave together and make their way out to a religious community she’s heard of in Blackwood, Massachusetts, with a charismatic leader called Joel Davies. When her father decides to look for her several months later he finds the worst, Ivy has a little girl called Mia and has become the leader’s wife. Mia grows up in Joel’s community and he decides who is in favour and what is a transgression. Everyone is punished, but the women particularly so – they might have their hair cut off or even be branded with a letter. Women are not allowed reproductive rights, but nor do they get to keep their children. Children belong to everyone and after a few days with their mother, sleep in dormitories. Books are not allowed and as she grows up books are Mia’s particular downfall. She finds her way to the public library and starts to read American classics like Little Women and Huckleberry Finn. Then she finds a copy of The Scarlet Letter, beautifully bound and very old. On the fly leaf is a dedication:

To Mia. You were mine and mine alone.

Is it perhaps her mother, who does show her special attention despite the rules. She tucks the book into her dress and keeps it. Reading in the barn, where she has loosened a board to keep her treasures behind. She has a small landscape painting of the view from the community’s buildings. Land that was left to Joel by his first wife Carrie. Carrie was also a rich girl, but one who had assets to bring to this Puritan community. Carrie was a great painter, but was often punished lest she become too vain about it. On the back of this painting is an inscription about the lands she owns and a promise that Joel will get to keep it ‘as far as the eye can see’.

One day during the apple harvest, a terrible accident happens and Ivy is killed. Mia is distraught, but as her mothers body is carried away she grabs the red boots that Joel uncharacteristically bought for her mother to have as a keepsake. She knows that now it’s either run or stay forever. Grabbing The Scarlet Letter and the painting she takes a leap, out of the bedroom window and across the fields to the library. The librarian had noticed Mia lurking in there, reading in the warmth. She had a feeling the girl was in trouble so she gave her a key and invited her to let herself in if she is ever in danger. She understands that to keep Mia safe they must move quickly, so she packs up the car and takes her somewhere he won’t know, because nobody knows. She has a long-term partner, a woman she doesn’t live with but trusts implicitly. She knows that with them, Mia should be able to thrive without the community breathing down her neck, to go to school and read to her heart’s content and have the life she has dreamed up for herself.

She also sensed that Joel was a man who wouldn’t give up Mia without a fight.

Of course it wouldn’t be an Alice Hoffman without something magical happening and here Mia experiences a time slip and finds herself in the same time and place as her hero Nathaniel Hawthorne. He hasn’t yet written The Scarlet Letter, in fact he’s on the verge of giving up writing altogether. When he meets Mia their connection is instant despite the centuries between them. They start a love affair, but what will the consequences of that be? Anything they do will change the future. Could her presence in his world mean that the very book that brought her here, no longer exists? In fact the consequences of their love could be even more life changing for both of them. Can she stay in his world? Is there any way he could come into hers? Mia is becoming aware that Nathaniel may have to sacrifice his writing for them to be together and she’s not sure she can let him do that. All the while, her father Joel is still watching and waiting.

I loved the play on The Scarlet Letter here because it shows us how powerless women have been across the centuries. I loved how Alice Hoffman creates this magical setting. The landscape, particular the woods and river, feel like something out of A Midsummer Night’s Dream. It would be easy to dismiss her work as whimsical and romantic, but underneath is a fierce feminist manifesto and an equally fierce defence of the written word. I was aware as I read the novel that it could go the same way as other books that have supported women’s reproductive rights and end up banned. The way the religious community prevent women from controlling their own fertility is a representation of what’s happening in some states of America. Abortion has always been a controversial topic in the US and the rights of women in some areas have reverted back to the early 20th Century. Jodi Picoult often cites Alice Hoffman as her favourite writer and a huge influence on her own work. In some states of America Jodi Picoult’s work is banned from libraries and schools because it concerns issues like abortion, teenage pregnancy, fertility treatment and same sex marriage. Here Hoffman is hugely critical of a community that doesn’t value women’s education, burns books and leaves them with no rights over their own bodies. There’s a part of her magical landscape where desperate women have taken matters into their own hands. They’ve taken herbs or potions to end their pregnancies and have created a burial place for the children they’ve lost and those they can’t bear to have.

Mia’s surrogate parents are the antithesis of Joel’s community. They are intelligent and progressive women who actively encourage questioning and reading. They remind Mia that no matter how moral and righteous a community might seem, if it restricts education, burns books and controls women, believing them to be inferior to men, then it is on the way to being fascistic. It’s so sad that Joel won’t let women read but then uses letters to punish them and control their behaviour, by literally branding them into the skin in a ceremony. Instead of wearing a scarlet letter, an adulteress would be branded on the upper arm with a letter ‘A’. Words and books are the source of our knowledge and that scares men like Joel. This is a brave book and will probably be underestimated, but women have been speaking their truth in ways that fly under the radar for centuries; films or books dismissed as ‘chick lit’ or ‘rom coms’; jingly, bright pop music with dark or subversive lyrics; pretty pink fashion branding the wearer as stupid, like Elle in Legally Blonde. I think there are people who will see the beautiful landscape, the time travel and magical feeling of this nook and underestimate it. I’m hoping readers look for the deeper themes here and see what Alice Hoffman was doing when choosing to use The Scarlet Letter. It’s a much beloved classic that she clearly loves, but it’s also a perfect basis for a story about these women. The ending is perfect for the autumn in that it’s bittersweet. We love the beautiful fall colours, particularly in the part of the USA where the book’s set. Those brightly coloured leaves bring us joy, but they’re also signalling an ending. The beauty of loss. 🍂

Published on 17th August by Scribner

Meet the Author

Alice Hoffman is the author of thirty works of fiction, including Practical Magic, The Dovekeepers, Magic Lessons, and, most recently, The Book of Magic. She lives in Boston. Her new novel, The Invisible Hour, is forthcoming in August 2023. Visit her website: http://www.alicehoffman.com

Posted in Random Things Tours

The Murmurs by Michael J Malone

Posted on by thelotusreaders

I quickly became fascinated with this mix of historical fiction, psychological suspense and the paranormal. We meet Annie Jackson as she tentatively starts her new job in a nursing home in the West End of Glasgow, hoping to get her life back on track. Annie suffers with terrible nightmares where she’s stuck in a car underwater. She also has the sensation that someone is holding her head under water until her lungs feel ready to burst. She also has debilitating headaches and she can feel one threatening as her new manager introduces her to resident Steve. Then something very odd happens, as a blinding pain in Annie’s head is followed by Steve’s face starting to shake, then reform. A whispering sound begins in her head and she sees Steve as a skull, followed by a vision of him falling in his room and suffering a debilitating stroke. She desperately wants to tell him but how can she without seeming like a lunatic? He becomes agitated and upset, as Annie starts to describe the layout of Steve’s bathroom and he asks her to stop. As she’s sent home from another job she starts to think back to her childhood and the first manifestations of her debilitating problem. Annie survived the terrible car accident that wiped her childhood memories and killed her mother. This strange supernatural phenomenon is why Annie is alone and struggles to make friends. These are ‘the murmurs’.

I felt so much compassion for Annie, as the story splits into two different timelines: we are part of Annie’s inner world as a child, but also 0in the present as fragments of memory slowly start to emerge. We also go back even further to the childhood of Annie’s mother Eleanor and her two sisters Bridget and Sheila. We experience their lives through other people’s stories and written correspondence, especially that of a nun who also works in a residential home. I enjoyed how this gave me lots of different perspectives and how the drip feed of information slowly made sense of what was happening in the present day. Different revelations have a huge effect on the adult Annie and because her memories have been buried for so long she experiences the shock and surprise at exactly the same time as we do. This brings an immediacy to the narrative and I felt like I was really there alongside her, in the moment. With my counselling brain I could see a psyche shattered by trauma, desperately looking for answers, she is piecing herself back together as she goes.

Teenage Annie had a similar vision about a girl called Jenny Burn, who went missing never to return. The murmurs awakened when her mum’s sister Aunt Sheila came to visit them. She tried to openly discuss an Aunt Bridget who also had a ‘gift’ but has ended up in a home. Eleanor, Annie’s mother, asks Sheila to leave, but it’s too late because Annie has already seen that her aunt is dying of cancer. Annie evades her mum and makes her way to the hotel, the only place Sheila can be staying. Unfortunately, Jenny is working on reception. Annie can see her climbing into a red car and she desperately wants to warn her, but she knows she’ll come across as a crazy person. Eleanor is desperately looking for a way to deal with her daughter, she’s a person of importance in the church and she can’t be seen to have a daughter who has visions. Pastor Mosley has Eleanor exactly where he wants her. There’s a control and fanaticism in him that scared me much more than Annie’s murmurs. When Eleanor takes Annie to the pastor, he demonstrates his control by holding her head firmly under his head as he prays for her. When she almost faints, he’s convinced there’s a demon in her. Annie is scared of him, she gets a terrible feeling about him but doesn’t know why. Religion is portrayed as sinister and controlling, with fervent followers who never question, but live in the way they’ve been instructed is Christian? story takes an interesting turn when Annie’s brother Lewis, a financial advisor, becomes involved with the church once more and it’s new pastor Christopher Jenkins, the son of their childhood neighbour. He’s revolutionised the church and through the internet he’s turning it into a global concern. He’s not just interested in saving souls though, he’s also amassing money from his internet appeals. He also seems very interested in meeting Annie.

As the book draws to a close the revelations come thick and fast as both past and future collide. The search for Aunts Bridget and Sheila seems to unearth more questions than answers. Annie finds out that Jenny wasn’t the only woman who went missing in Mossgaw all those years ago. As she starts to have suspicions about her childhood home, Chris seems very keen to draw her back there. Might he be planning a huge surprise? I was a bit confused at first with all these disparate elements, but as all the pieces started to slot together I was stunned by the truths that are unearthed. Then as Annie’s childhood memories were finally triggered I felt strangely terrified but also relieved for her all at once. I hoped that once she’d regained that past part of herself she would feel more confident and free, despite the strange gift she seemed to have inherited. Maybe by facing the past and leaning in to her relationship with her brother, she might feel more grounded and strong enough to cope with her ‘gift’. I thought the author brought that compassion he’s shown in previous novels but combined it with a spooky edge and some intriguing secrets. I really loved the way he showed mistakes of the past still bleeding into the present, as well as the elements of spiritual abuse that were most disturbing. This book lures you in and never lets go, so be prepared to be hooked. Michael Malone is a natural storyteller and the fact this is billed as Annie Jackson Number One makes me think there may be others. I certainly hope so,

Out Now from Orenda Books.

Meet the Author

Michael Malone is a prize-winning poet and author who was born and brought up in the heart of Burns’ country. He has published over 200 poems in literary magazines throughout the UK, including New Writing Scotland, Poetry Scotland and Markings. Blood Tears, his bestselling debut novel won the Pitlochry Prize from the Scottish Association of Writers. Other published work includes: Carnegie’s Call; A Taste for Malice; The Guillotine Choice; Beyond the Rage; The Bad Samaritan; and Dog Fight. His psychological thriller, A Suitable Lie, was a number-one bestseller, and the critically acclaimed House of Spines and After He Died soon followed suit. Since then, he’s written two further thought-provoking, exquisitely written psychological thrillers In the Absence of Miracles and A Song of Isolation, cementing his position as a key proponent of Tartan Noir and an undeniable talent. A former Regional Sales Manager (Faber & Faber) he has also worked as an IFA and a bookseller. Michael lives in Ayr.

Posted in Netgalley

The Quiet Tenant by Clémence Michallon

Posted on by thelotusreaders

He took you and you have been his for five years. But you have been careful. Waiting for him to mess up. It has to be now.

Reading this novel was quite an experience! I didn’t want to put it down, I was reading so fast to get to the next bit that I sometimes had to go back and re-read a paragraph. I had to tell myself to read slower and take it in, because the urge to devour this story is so strong. The writer has chosen an interesting viewpoint, that of the women in a killer’s life. I loved that contrast to other serial killer novels where a male serial killer and a male detective often narrate the story. Where the only women are the dead ones. Women are not expendable here. Even the murdered ones.

This is still the story of Aiden, a serial killer, but told from the perspective of the women in his life: his daughter, the woman he has abducted and imprisoned in a shed, and the bartender who is infatuated with him. There are also small sections from the women he imprisoned before, now dead. Each woman’s narrative gives the reader a different side to this hidden monster. It’s an intimate reading experience, because I felt like I knew everything about this woman: how she thinks, how she feels and even the details of her dreams. It feels like you’re with her in that tiny space, sharing her experience. It’s a very tense existence, knowing that you’re here at the whim of a man who’s already killed so many times you mean nothing to him. As someone who gets claustrophobic it felt almost too close and I felt her fear that it might just take one wrong move for him to kill again.


Aiden’s wife has just died, so he and his daughter Cecelia need to move house and his captive moves with them. She goes from her place in the garden shed to being chained to a radiator in the house. If she puts a foot wrong he will kill her and somehow he does know everything she’s doing even while he’s out of the house. How is he watching her? Incredibly, he has a daughter in the main part of the house as well as a souvenir stash in the basement. This only adds to the tension. What is hard to understand is how he rationalises his killing of women when he’s father to a daughter.– to a place with no shed. After years of isolation, Rachel is allowed inside a house again, and meets her captor’s child. I had so many questions though. Why is she still alive? It’s been five years now and he’s always killed his victims. He also seems to be out stalking a new victim, Emily, a local restaurant owner. Is this good news for the captive, or is he looking for a replacement?

Since the book Rebecca I’ve always been intrigued by characters that we don’t see, but even more so, by characters without the right name or a name at all. We know this woman as Rachel, but the choice not to use her own name makes you think. It seems common sense that he wouldn’t use it, he’s trying to distance himself. To make her an object rather than a human being. Yet she doesn’t mention her name either. Maybe even she can’t remember it or maybe every one of his captives is ‘Rachel’. This is part of the mystery that I wondered about when I was going about my day. It has allowed the author to place emotion and the victims at the centre of this thriller, making it stand out. As others have noted there’s a hint of Emma Donoghue’s Room here, where the four walls you’re in become your whole world and you become whatever you’re called. Rachel is a complicated character, and it’s clear that she’s suffered at the hands of Aiden. There are moments where I was rooting for her escape. She has time and opportunity, but can’t take it out of fear. From reading cases of abductions and long captivity, this isn’t unrealistic. Yes, she’s a strong woman, but she’s been manipulated and terrorised by this man so has to be sure before she takes a chance.

In the local area Aiden is seen as a good husband and father, in fact there’s probably an element of hero worship. So, local restaurateur Emily is aware of him already and might even be a little into him. She’s also young and alone, so it doesn’t take long for till she’s under his spell completely. Through these three narratives, Aiden’s captive, his daughter and the new love interest, Aiden’s dark truths are unravelled. This is not about considering his motivation or perspective, all of this story is about his victims and the mess the man like this leaves in his wake. I loved how the style of the author’s writing, which is mesmerising and poetic contrasts strongly with the dark subject matter. I doesn’t rush like thrillers often do. The contrast shows us that life can be beautiful, but what Aiden does is twisted and sadistic. I was desperately hoping that Rachel would survive and we might know who she really is.

Meet the Author

Clémence Michallon was born and raised near Paris. She studied journalism at City University of London, received a master’s in Journalism from Columbia University, and has written for The Independent since 2018. Her essays and features have covered true-crime, celebrity culture, and literature. She moved to New York City in 2014 and recently became a US citizen. She now divides her time between New York City and Rhinebeck, NY.

Posted in Publisher Proof

The Zebra and Lord Jones by Anna Vaught

Posted on by thelotusreaders

Autumn, 1940. As the Blitz rages in London, Lord Ashburn (known as Lord Jones) is conducting some family business in the capital. As he walks the streets of Knightsbridge he finds himself confronted with an amazing and incongruous sight; a zebra and her foal are sharing the sights and sounds of the city. They have have escaped from London Zoo after their enclosure is damaged. A strange but unforgettable connection is formed between Lord Jones and the animal, who begins to follow him. The instant connection sparks a rebellion in him and he can’t leave her, so decides to do the unthinkable instead. He takes the zebra and her foal, Sweetie, back to his family’s estate in Pembrokeshire.

These beautiful and exotic animals arrive at Cresswell Manor in rural Wales and immediately start working their magic. Slowly, they start to transform the lives of those who live on the estate. Lord Jones seems inspired and has a thriving sense of purpose for the first time in his life. He finds the courage to put some distance between himself and the family that have always treated him with coldness and disdain. Strangely he finds himself forming a friendship with Anwen Llewelyn, the feisty and independent housekeeper at Cresswell, while all the time these wise creatures look on…

I love books that are hard to pigeonhole into one category and this is a mix of personal growth, historical fiction, romance, and a sprinkle of magic realism. Anna Vaught seems to choose these fascinating and unusual events in history to explore a familiar trope from a unique perspective. Half of the appeal is in the beautiful way she writes, something that grabbed me with her novel Saving Lucia. The Zebra and Lord Jones is a simple boy-meets-girl, but made magical by the dangerous backdrop of bombs falling from the sky and one man’s destiny with two zebras. The zebra’s escape from London Zoo is part of historical record, but with her unique style and talent Anna uses this one event to explore so many aspects of life. She weaves these strands together, slowly creating a tapestry of love and loss, threaded with some much needed hope.

I had so much empathy for Lord Jones, who contracted polio as a child and has always had a limp. His aristocratic family have looked down on him all his life, withholding love and physical affection. In this historical period, the aristocracy in this country really were dreadful. Many were instrumental in the plan to appease Hitler prior to WW2 and Lord Jones’s father was friends with Mosley and his wife Diana Mitford, even attending their wedding at Joseph Goebbel’s home in Germany. The way they’ve treated their son has left him depressed and with low self-esteem. Despite being tremendously privileged materially he is emotionally malnourished and desperately in need of a focus, preferably something he can become good at and build his confidence. It is perfect timing for these beautiful creatures to appear in his life and his plan to take them back to Wales with him is his first confident and decisive step into a new way of living. A more hopeful one.

Hope is a precious commodity at this point in the war and it isn’t just London where people are in need of a magical uplift. Anna has woven some of these characters into her story, such as Ernest the evacuee, Talbot the dedicated zookeeper and his counterparts in Germany. All of them are just trying to live their ordinary day to day lives in extraordinary times. There’s even an unexpected cameo from the Emperor of Ethiopia, Haille Selassie. Most interesting of all to me is Anwen, who has a keen sense of justice and a fierceness that I admired immediately. The characters are the stars of this particular show and they are a joy, including Lord Jones and his slow transformation into a different man. At the centre, drawing all of these people together, are the beautiful zebras Mother and Sweetie, who feel like characters in their own right.

I love magic realism, it’s one of those genres that make me a little bit giddy when I’m reading. It’s possibly the closest thing an adult reader can have to the stories we encounter as children that fill us with wonder. It has a different effect to all out fantasy because it creates what I call ‘literary glimmers’ – those shimmery moments of wonder amidst the drudgery and routine of the everyday. The contrast between the magic and the ordinary, elevates the themes and emotions of the story. The narrator is also playing with the reader, they walk us through the story showing us what happens like a puppeteer, deciding what to show us and when to draw the curtain. They display a giddiness and excitement at what’s happening, as they place in front of us a new snippet of gossip or historical document. It’s as if they’re discovering it at the same time we are, so we’re inspired by their immediacy and excitement. It’s as if they run up to us, waving a letter and saying ‘wait till you hear this!’

I felt inspired by this childlike curiosity and I found myself actually smiling on the outside at the playful details, ghosts, owls and zebras communicating with humans. I felt comforted, provoked, happy and full of hope about life, which is a gift in itself. The backdrop is hard hitting. I’ve always remembered the Stephen Poliakoff piece Glorious 39 because it depicted people in London queueing up to have their animals put to sleep and our main character Anne feeling unable to part with their cat. I’d never seen this depicted in a war drama before or after, so to see it as part of the narrative here made it real for me. I couldn’t imagine letting go of my animals even for the war effort and it made me think about the all domestic sacrifices being made for the public good. This historical detail, as well as the changes being made at the zoo, were so important to include, but absolutely heartbreaking to read. This is the hard part of surrendering to her mix of reality and fairy tales, but it was beautifully offset with the humour around Operation Zebra too. In all this is a wonderful tale, told by a unique and playful writer at her most skilful.

Thanks to Renard Press for inviting me to join the tour. The book is out on 27/9/23. You can buy The Zebra and Lord Jones

http://www.annavaughtwrites.com for recent articles and news!

Meet the Author

Anna’s next publication is her new novel, Saving Lucia, about the Honourable Violet Gibson who tried to kill Mussolini; this will be published by Bluemoose Books in April, 2020. Anna also publishes her first short story collection in September 2020; this is Famished and published by Influx Press. At the time of writing, Anna has three further books in the area, various short fiction coming and is writing a new book. She is an English teacher, tutor and mentor to young people, volunteer with young people, editor, short fiction writer, creative writing tutor and copywriter. She currently lives in Wiltshire, with her husband and three boys.

Posted in Squad Pod

The Continental Affair by Christine Mangan

Posted on by thelotusreaders

Meet Henri and Louise.

Two strangers, travelling alone, on the train from Belgrade to Istanbul. Except this isn’t the first time they have met. It’s the 1960s, and Louise is running: from her past in England, from the owners of the money she has stolen―and from Henri, the person who has been sent to collect it. Across the Continent―from Granada to Paris, from Belgrade to Istanbul―Henri follows. He’s desperate to leave behind his own troubles and the memories of his past life as a gendarme in Algeria. But Henri soon realises that Louise is no ordinary traveller.

As the train hurtles toward its final destination, Henri and Louise must decide what the future will hold―and whether it involves one another. Stylish and atmospheric, The Continental Affair takes you on an unforgettable journey through the twisty, glamorous world of 1960s Europe.

All the way through the novel I kept thinking of The Thomas Crown Affair, the glamorous and seductive 1960’s film starring Faye Dunaway and Steve McQueen as a rich playboy suspected of stealing a priceless painting and the insurance investigator sent in to catch the thief. The Continental Affair had that same mix of incredible style, plot twists and wonderful locations. I mustn’t forget the sexual tension – that chess scene alone is a masterclass in seduction! Christine Mangan’s third novel is similarly alluring, from the Hitchcock-esque cover design to the incredible cat and mouse tale within.

The story is told through a dual timeline narrative, enhancing the sense of cat and mouse between the characters. Yet they have more in common than we might initially think. Yes, the chase has this cat and mouse running in the same direction but it’s not just about the chase, they’re both trying to escape their past as well. From the moment they ‘meet’ in a train compartment on the way to Istanbul they’re playing a game. They might be acting as if they’ve never met, with their polite conversation, but Henri knows who she is because he’s been tracking her from country to country. Similarly, Louise knows exactly who Henri is and why he’s there. She first ventured into Europe as an escape from a cruel and restrictive family life in England. Then, in Granada she stole from a criminal gang and went on the run. Henri was related to the criminal gang who sent him to collect an amount of money, only to witness Louise stealing it right in front of him. Yes, he’s been sent to retrieve the money but he’s also driven by a fascination in Louise and the more he follows her, the more fascinated he is. Interestingly, Henri worked in Algeria as a gendarme and this past plays on his mind constantly, yet once he starts pursuing Louise he’s distracted from his own demons. This is a police officer who finds himself on the wrong side of the law. Henri is the first narrator and once I got to know him I expected to be on his side. Then I heard Louise’s back story and I felt sorry for her, struggling with her disabled father after her mother left the family home. The only joy and escape she had was in books and I was torn between my understanding for her and my knowledge that she’s taken someone else’s money.

Reading this book felt like the Saturday afternoons I spent with my grandad watching old black and white films, where he’d teach her me who all the actors and actresses were. This could have been the gentleman Cary Grant pursuing Grace Kelly with her sleek, sophisticated glamour. I’m now waiting for a gap in reads so I can go back and read the author’s previous novels on the strength of this one. I enjoyed all the settings, the incredible landmarks, the food and the two intriguing people I was travelling alongside. I was glued to this tale wondering whether Henri would overcome his fascination and retrieve the money or whether this developing relationship would take our pair to becoming friends, or even more. I’d had this book on NetGalley for quite a while and I can’t believe I left it until the Squad Pod got the chance to read and review? It’s the sort of book I love to get lost in because it combines such evocative descriptions of European destinations and the 1960’s era. I felt like I was there for every moment and I when I was away from the book, I missed it. I loved the journey, the actual and the emotional one. Henri and Louise want the same things and it was delicious watching them realise this and become ever closer. I was transfixed, waiting to see if Henri would actually complete his mission to retrieve the family money, or whether he’d forget their game of cat and mouse. Christine Mangan has created two such intriguing characters who despite their mistakes are incredibly likeable and memorable. This a wonderful escapist read full of both style and substance.

Meet the Author

Christine Mangan has a PhD in English from University College Dublin, where her thesis focused on eighteenth-century Gothic literature, and an MFA in fiction writing from the University of Southern Maine. Tangerine is her first novel

Posted in Publisher Proof

The Mystery of Yew Tree House. The Detective’s Daughter Series – Book 9

Posted on by thelotusreaders

As Stella Darnell arrives at Yew Tree House, it seems like an idyllic little place to spend the summer. Like any village, Bishopstone has it’s past and a dark side lurking beneath the surface. The holiday is a trial of sorts for her, partner Jack Harmon and his seven-year-old twins, Milly and Justin, not forgetting Stanley the dog. Stella‘s thoughts and feelings around a more permanent living arrangement with Jack is always changing, but what better way to trial the arrangement? As they disembark and start to explore it’s clear that the house is a little dilapidated once you look closer. Stanley and Millie, both as lively and full-on as each other, are soon tramping round the garden making discoveries. The house belongs to the Stride family, two sisters Stevie and Rosa live in the annex while eking out their state pension by renting the main house for holidays. Perpetually single, the two women can’t afford to run Yew Tree House, but can’t afford to leave either. It’s clear that some parts of the house are past their best, but cleaning company owner Stella, can see past that and once the place has had a good scrub it will be adequate for a family holiday. However, the house has a complex history, especially the period during WW2 when Stevie and Rosa were girls, living with mum Adelaide and an evacuee called Henry. Their Dad Rupert is called up but loses his life at Dunkirk, leaving his family to make their own way in the midst of rationing and the bombings while their house is also used as a meeting place for the Home Guard. When Millie is exploring one day she finds an old pill box in the garden (a concrete guard post or dug-out from where volunteers would defend the coastline) putting past and future on a collision course. Inside is a skeleton, with a hole in it’s skull that’s been caused by serious force. Jack and Stella may have fallen upon a murder mystery for their popular podcast, but as the aged vicar glares at them from his cemetery across the road, it could be that not everyone wants the truth to be discovered.

This is a book within a series based around Jack’s true crime podcast and I would recommend reading the others to better understand the relationships in this story. I felt I connected better with the wartime section of the story and I think it was because regular readers will know these characters well. Jack is rather blindly optimistic about their first family holiday, leaving readers and Stella as the more doubtful parties on this journey, especially when we meet the redoubtable Milly. Despite being of primary school age, Millie is possibly in charge of every room she walks in and if I were Stella, I’d be imagining what this exuberance might look like when ramped up by teenage hormones! A terrifying thought. I didn’t pick up the chemistry between Stella and Jack at first, but they clearly have a joint passion for solving mysteries and presenting true crime stories that’s rather infectious. I really liked the fact that both characters were connected to the area, bringing an added element to their sleuthing as I felt they had a stake in the village’s history and a real thirst for the truth. I thought the author created an interesting balance, not only between the two timelines, but with a contrasting lightness and shade of the plot. Family life is very lively and full of fun, especially with Stanley’s antics, and there was an almost Famous Five style coziness to the mystery. However, as foreshadowed by the glowering vicar in the book’s opening, there are darker undertones that become even more pronounced as we travel back to the 1940’s.

War isn’t the only cloud over Rosa and Stevie’s family, there is a missing girl too and the anxiety felt by Adelaide Stride about her two girls is very real. I felt Adelaide’s uneasiness around some of the guard, who move freely around the downstairs at night. The house is split between normal family life upstairs, with the realties and tension of war downstairs. There’s a sense this is men’s business and the presence of them in her family home must have added to her worries about her girls. Can Adelaide trust them? It seems clear she has her instincts and one character definitely raised her hackles (and mine). Tension and suspense build in both timelines, with some creepy moments but the wartime sections were the more disturbing. The present day sections have plenty of humour, the directness and attitude of Miliie, as well as plenty of twists to keep the reader on their toes. The fact that some of the characters from the 1940’s still live in the vicinity added to the tension towards the end of the book, as I wondered if any of them were still a danger in the present day. What might they do to keep certain secrets buried? Stella and Jack would need to keep their little family safe, all the while uncovering a tale that holds the heartbreak and tragedy of WW2, alongside a vengeful and murderous secret.

Meet the Author

Lesley Thomson was born in 1958 and grew up in London. She went to Holland Park Comprehensive and the Universities of Brighton and Sussex. Her novel A Kind of Vanishing won The People’s Book Prize in 2010. Lesley combines writing with teaching creative writing. She lives in Lewes with her partner.

Posted in Netgalley

Harlem After Midnight by Louise Hare

Posted on by thelotusreaders

Ever since the final page of Miss Aldridge Regrets I’d wondered what would happen next to Lena, who had managed to escape the clutches of a murderer, find her birth mother and become the lover of band leader Will all on board ship. She was sailing to New York to audition for a new musical on Broadway, but became embroiled in the life of a rich NYC family after being placed with them for dinner. Now in New York, what would become of her relationships – both with her mother and with Will? Would she be able to find work after finding out the Broadway job was a ruse to get her on the voyage? I was shocked when the novel began with a woman, sprawled on the sidewalk after failing from a high rise window. As the police arrived and start to look at the body they notice she’s clutching something in her hand. It’s a passport in the name of Lena Aldridge. The author then takes us back to Lena’s arrival in NYC nine days earlier, when Will had taken her to stay with friends of his until the return voyage. What could possibly have gone so wrong?

Lena has found herself dragged into Will’s world, perhaps a little sooner than would be expected in a conventional relationship. As Will takes leave she wonders if this will give them time to test their relationship out and whether they could have a future. His friends Claudette and Louis are a lovely couple who live in a good neighbourhood in Harlem. Claudette is a librarian and she settles Lena into their spare bedroom, telling her about how long they have known Will and that they’re looking forward to getting to know her. Will’s only family is his sister Belle and niece Joey, who he stays with when the ship’s on a fortnight turnaround. The five are pretty close knit, apart from the obvious tension between Will and his sister, despite which he absolutely adores his niece. Even though she’s wary, Lena and Belle get along enough to go out shopping and have cocktails in a fancy bar. I started to feel this creeping sensation that Lena was on the outside of something. The three friends have secrets and so does Belle, is it because Lena is new to the group and maybe not quite trusted yet? Is there something about her being British that makes them think she won’t get it? She is surprised to find out That despite their animosity, Will does go to any lengths to protect his sister. Lena is patient though, she has concerns about her own situation and doesn’t want to delve too far into their secrets, without knowing what’s going to happen between her and Will. It’s too early to say love or talk about permanence. She doesn’t even know if she could find herself living in Harlem. Lena’s also looking for people who knew her father to learn about his early life and if there’s family that Lena’s never met. There are also financial and emotional issues in her relationship with her mother that must be resolved. It’s a huge crossroads to negotiate and the tension builds as we start rooting for her future and worrying she’s plummeted to her death.

I love this combination of historical crime mystery, especially those set in such a stylish city and time period. I think in a lot of ways this was a more successful novel than the first and I definitely felt the time period in the social life of Harlem and the contrasting Sunday church going. The glamour of New York was set beautifully against those less fortunate and I was interested in the way colour had some bearing on this; Lena and Belle can ‘pass’ as white enough to get into a fancy bar, but the much darker skinned Will would have struggled. I enjoyed these deeper looks into racial divisions, class and privilege, as well as how they differed in the earlier timeline. Lena being bi-racial didn’t seem to have the same complexity in London as it did in New York, but she is reminded a few times that it would be worse in the south. There are references to lynchings, the prejudice around mixed race relationships (both for Alfie and his daughter) and the exploitation of black women by wealthy white men. In this earlier timeline I enjoyed this exploration of young black women’s lives as well as the contrast with the relative freedom Lena and Belle are enjoying. Have things changed or is it their lighter skin?

I thought the historical element really came to life and I enjoyed these sections that went back even further to 1908, when her father Alfie suddenly fled New York for London. As both of these storylines started to reveal their secrets, the novel became intense and gripping. I had suspicions around both Claudette and her husband, because although they were there for Lena in a practical sense they didn’t give much of themselves emotionally. There were also certain morals to their way of life, such as Will not staying with Lena at their flat. I wasn’t sure that they actually liked her, but wanted to do a favour for Will. The central mystery really held my attention and remained tense even with the flashbacks in-between. The more building blocks we had to construct Lena’s, the more I felt I knew her and the hope she’d have a happy ending grew for me. I would suggest reading the first novel before this one as there are links and recurring characters throughout. There was an open ended feel to the final chapter so who knows we may be able to spend time with Lena again. I’d be more than happy to join her.

Meet The Author

Louise Hare is a London-based writer and has an MA in Creative Writing from Birkbeck, University of London. Originally from Warrington, the capital is the inspiration for much of her work, including This Lovely City, which began life after a trip into the deep level shelter below Clapham Common. This Lovely City was featured on the inaugural BBC TWO TV book club show, Between the Covers, and has received multiple accolades, securing Louise’s place as an author to watch.