Posted in Personal Purchase

The Boleyn Traitor by Phillipa Gregory 

She survives four queens. Will she fall to a tyrant?

Philippa Gregory brings the Boleyn traitor into the light in an explosive story of one woman’s survival in the treacherous heart of the Tudor court.

It’s been a while since author and historian Phillipa Gregory delved into the lives of the Tudors, but what a character to come back to. I’ve always been interested in those women who survived Henry VIII, not just Katherine Parr but Mary Boleyn, who was the subject of Phillipa’s first book and managed to spurn court and live in the countryside with her husband and children. There’s Anne of Cleeves who had the common sense to take an annulment and lived the rest of her life as a wealthy woman. Then there’s Jane Boleyn, one of those fascinating people who seems in the background and very unimportant. In fact when I first read about Anne Boleyn her sister-in-law was no more than a functionary, a lady-in-waiting with no bearing on the main story. However, the more I read, the more interesting little snippets occurred to me. She’s named as someone who betrayed their own husband in the trial Henry VIII held against Anne and three men who were close to her, including her brother and Jane’s husband, George Boleyn. I wondered why he wanted to prove incest against Anne, when her adultery was treason anyway. This was a claim that had anger and spite behind it, that wanted to taint and bury the name Boleyn and with Jane surviving the fall it seemed likely that she had provided this salacious claim, perhaps jealous of her husband’s close relationship with his sister. Maybe she was just lucky, but Jane survived four queens, serving as lady in waiting from Katherine of Aragon to Katheryn Howard. That shows she was accomplished at court and able to weather the changes under a very unpredictable king. She survived the change from Roman Catholicism to the Church of England and the huge change in Henry’s court when he became less dependent on the opinions of his dukes and more on the commoner Thomas Cromwell. So I was really looking forward to reading more about this woman and her perspective on a story we know very well. 

Of course there was a certain amount of repetition, but that’s my fault for having read everything there is to know about Henry’s court. Even though we’re firmly in Henry’s time, this book felt strangely contemporary in its themes. As it goes along we start to see Henry the tyrant emerge from the sought after and enlightened prince he once was, possibly due to the blow on the head he suffered while jousting. Now America is in the grip of a similar man, they’re both petty, vindictive, vengeful and willing to manipulate the truth to get the outcome they want. 

“Pity about the horse” my father says […] “the King had him beheaded”. 

By the time we reach Cromwell’s search for a new wife, after the death of Jane Seymour, Henry seems on the brink of insanity and no one can say no to his demands. A whole court revolves around his wishes, no matter how irrational they may be. 

“The King kills those closest to him […] he loves them at first, calling them to his side to make himself shine and then he cannot tolerate that they eclipse him.” 

Phillipa writes a brilliant scene based on what we know of Anne of Cleeve’s arrival in the country. We know she spoke very little English or French, but she also had no experience of Henry. One of his foibles was dressing up and fooling people with his appearance. He failed to realise that his sheer size, not to mention his gait which was affected by the wound on his leg, meant he was likely to be identified whatever mask or disguise he wore. Used to the pandering of his courtiers who would pretend not to know him, he was horrified when he burst into Anne’s room dressed as a beggar and she failed to recognise him, even flinching at his touch. It’s was an appalling first impression and Phillipa writes Jane as desperately trying to stop it from happening. She had spent time with the German bride and knew she wouldn’t get the King’s humour, pleading with Cromwell to stop him. However, it was too late and seeing this woman’s reaction to him would have been a huge dent to his pride. This rejection doomed their relationship before it started, with Henry claiming she was overweight, her breasts were slack and she had a strange smell – a rather bold claim considering Henry’s persistently infected leg and his courtiers having to hold perfume to their noses to disguise the smell. The annulment was swift and Henry’s eye was drawn to a new girl at court, the fifteen year old Katheryn Howard. 

Of course, there is also a contemporary parallel between Epstein’s island and Katheryn Howard’s past at her aunt’s home, supposedly being trained as a lady-in-waiting. In Gregory’s novel about Katheryn’s short time as Queen she reveals that this finishing school in Norfolk is a magnet for the men of the area who are allowed to visit the girls at night. Katheryn has always been portrayed as promiscuous and it is thought by more recent historians that she was sexually active from a very young age of about twelve to thirteen. We would consider this grooming of a minor for sexual exploitation and it’s worth remembering that she was executed for treason due to her infidelity with Thomas Culpepper, who had been the King’s favourite, but also for adultery with young men she met before she’d ever come to court. He changed the law specifically to do this when he had the evidence to sign her death warrant anyway. He’s not alone in his predilection for young women. His best friend Charles Brandon, Duke of Suffolk, has a young ‘ward’ who lives at Grimsthorpe Castle in my home county of Lincolnshire. As a middle aged man he thinks nothing of marrying her as soon as she’s of age and taking her property as his own. He’s also a lot less appealing when I’m not imagining Henry Cavill who played him in The Tudors. I found the scenes where Henry is brought to Katheryn’s bedchamber almost unbearable to read, but I can’t deny that they are well written. Henry is described as bloated, sweating and leaning upon his courtiers who have to heave him into bed with this young girl. We know he is likely to be impotent at this point in his life, but the fact that this tiny girl has to try and initiate sexual activity with him made me feel sick. I felt a tremendous pity for her and a hope that she found some moments of happiness and love in her short life. 

Gregory writes Jane as a woman who lost her husband, her status and her role as a mother to serve this tyrant King. It’s so fascinating to read how she stays within the King’s good graces for such a length of time. Here the author writes an alliance that might explain that, but we can see she’s intelligent, speaks several languages, is good at reading people and has a shrewd ability to sense which way the King might drift next. I found myself admiring her quick thinking and felt she could have easily been a politician or spin doctor in modern times. Something that stood out strongly in this novel was the misogyny, which wasn’t surprising but still felt desperately unfair. After Henry suffers his jousting accident he is unconscious for anything from 45 minutes to a couple of hours, with Anne distraught and by his side. Later she miscarries and as awful as that experience is, having been there more than once, what struck me was the shame and guilt she was made to feel. The rush to clean her up and change the bed, making sure it’s all presentable and the Queen looks well enough to accept a visit from the King. Her brother George is the only man who goes to bring comfort, not caring what state she is in. This belief that women are unclean and should come to a marriage bed untouched, no matter how experienced her new husband may be, does breed a resentment and fury into those women who start to question but it can’t be voiced yet. This is about little rebellions and pushing the boundaries of the powers they do have and Jane is very good at this, knowing which powerful men to trust and those to placate. I found the book gripping even though I knew the outcome would not change and I think that’s a great skill to have. Phillipa Gregory takes people we know from school and history books and makes them into living breathing humans, with wants and needs that are no different from ours. I felt Jane’s loneliness and this was perhaps why she helped Katheryn. Both have had very little love in their lives and for Jane living this vicariously was tempting, but very dangerous. This was an interesting look at the Tudor court from the viewpoint of a character whose position makes her almost invisible and a very compelling witness. 

Meet the Author

Philippa Gregory is an internationally renowned historian and novelist. She holds a PhD in eighteenth-century literature at the University of Edinburgh and is a fellow of the Royal Historical Society and the Universities of Sussex and Cardiff, an honorary research fellow at Birkbeck University of London and she was awarded a CBE in the Queen’s Birthday Honours for her services to literature and to charity. Her novels have been adapted for stage and screen and in 2023 she published her groundbreaking history book, Normal Women – 900 Years of Making History, which was also released as a podcast, a teen edition and a series for young children.

Posted in Netgalley

The Shadow of the Northern Lights by Satu Rämö

As Christmas comes to the west cost of Iceland, a corpse is found in a fish farming pond. Detective Hildur Rúnarsdóttir and trainee Jakob Johanson barely have time to start their investigation before another body is discovered. And soon a third.

While investigating the case, Hildur’s lost sister weighs heavy on her mind. Meanwhile, Jakob travels to Finland for the hearing of his fraught custody battle, that leaves him facing dire consequences. As the number of deaths continues to grow, Hildur and Jakob are desperate to catch the killer before they strike again.

If I said to you ‘horse vampire crime spree’ you’d probably think I’d gone bonkers, but that’s just a small part of what might be going on in this Icelandic thriller from Satu Rämö. When a body is found suspended by hooks in an Icelandic fish farm in the run up to Christmas, Detective Hildur is put in charge of the investigation, by her objectionable boss Jonas. Hildur’s partner Jakob’s mind isn’t on the job but on his custody battles, so she’s working alone a lot of the time and we’re in it with her, party to her thoughts and theories. So when a second victim has her hair burned off with a candle, a strange idea starts to form. Could the attacker be basing their methods on the Icelandic tradition of the Yule Lads?  I’m an avid QI fan and without it I would have known nothing about this particular tradition of thirteen mischievous troll-like creatures who come down from the hillsides and play tricks on people. The translations of their names include Spoon Licker, Pot Scraper and Sausage Swiper, something I have never forgotten since. The case is interesting psychologically, but there’s a lot more going on here and I found myself sidetracked by the lives of the detectives. I did find it a bit slow to get going and I think it was when these family stories developed that I became gripped. 

Jakob is rather fascinating – a taciturn character who has the unlikely hobby of knitting. In fact he’s so compelled to knit, that he’s able to do it in the car while Hildur is driving and in waiting rooms. It’s clearly displacement activity and we learn that Jakob has a son with his estranged partner Regina who has taken him out of the country to Finland. Although Jakob is fighting this, he’s now at the mercy of a foreign legal system and is having to fly over to attend court which affects his job and leaves Hildur coping alone. In the midst of her investigation Jakob calls Hildur to give her some shocking news, he has been arrested on suspicion of murder. Regina and the new man in her life have been shot dead in their vehicle while in a car park. Worse than this, a witness has described someone who looks remarkably like Jakob as being in the vicinity before the shooting. He has access to a gun and is in a contentious court battle with the deceased, he knows his chances aren’t good and asks for Hildur. Surely, if she had even the smallest suspicion of Jakob being guilty, Hildur wouldn’t fly to his aid without question? 

Underneath everything, this is a novel about family. The estrangement between Hildur and her sisters is so painfully believable and we can see the effects of generational trauma in the family. Their mother was an alcoholic, leading to neglect and one sister being very badly burned. We’re reminded of those small traditions families have that make celebrations personal and bind us together. Yet the story is also full of secrets people are keeping from each other and things they can’t talk about, until the right person comes along to unlock that emotion. 

“She knew from experience that she had a hard time forming attachments with anyone who hadn’t known grief.” 

This was such an eloquent description of how grief feels, almost like living on a different plane of existence to others. I felt this deeply when in the depths of grief and ever since I’ve been unable to do small talk and my tolerance levels for certain people and activities have lowered significantly. Some doors can only be opened with experience. What kept me reading was Jakob’s situation and the incredibly difficult opening flashback of three boys playing by a lake, a quietly devastating scene with ripples that must have spread through the community for years. The haunting and secretive nature of that event sets the tone for the rest of this novel, a perfect reading choice for those who like their Christmas nostalgic and a little bleak. 

Translated by Kristian London

Meet the Author

 

Hæ hæ! My name is Satu Rämö, I’m a Finnish-Icelandic author of bestselling nordic blue crime series called HILDUR. International rights are sold to 20+ countries and d during the first 2,5 years HILDUR books have sold over one million copies worldwide.

I was born in Finland in 1980 and moved to Iceland twenty years ago as an economics exchange student. Instead of macroeconomics I ended up studying Icelandic culture, literature and mythology.

Living in Iceland, I have written extensively about Nordic culture and life in the North Atlantic, blending my firsthand experiences into my novels.

I live with my family in the small town of Ísafjörður in northwest Iceland. I love ice cream, rye bread and sparkling wines. I drink my coffee with cream as often as possible.

My crime fiction debut Hildur (2022) changed the game for me as an author, totally. HILDUR-series is Icelandic-Finnish nordic blue crime fiction that takes place in a small village in the Westfjords of Iceland. Nordic blue is similar to nordic noir but more human. The stories are from the darker sides of the Nordic society but they also follow how people are dealing with each other in life in general.

Finnish Take Two Studios will shoot the HILDUR series in Iceland with an Icelandic co-production.

Turku City Theather stages HILDUR on their Main Stage in autumn 2024–2025.

I just love writing!

You can chat me your thoughts in Instagram at @satu_ramo I hope to hear from you 🙂

Posted in Personal Purchase

Her Many Faces by Nicci Cloke 

ONE TRIAL. FIVE TRUTHS. BUT ARE THEY READY FOR HERS?

When a waitress is charged with murdering four men at an exclusive private club, her personal life and upbringing are thrust into the spotlight. During the trial, people closest to Katie start to question what they know about her.

Her father remembers the sweet schoolgirl.

Her childhood friend misses her kindness and protection.

Her lover regrets ever falling for her.

Her lawyer believes she is hiding something.

A journalist is convinced she is a cold-blooded killer.

To each of them she’s someone different. But is she guilty?

This thriller grabbed me straight away and never let go! The pace was fast, with short punchy chapters containing the narratives of five men each linked in some way to a woman called Katie. Each man has his own name for this woman and their narratives tell us her story as they see it. John is her father, Gabe is her childhood friend, Conrad is her lover, Tarun is a lawyer and Max is a journalist. Each one thinks they know her, each one presents a different face. But who is she and which is her real identity? Is she a combination of all five or nothing like this at all. It’s a timely, compelling and addictive story that you’ll want to finish in one go. 

The murder that has taken place at March House has killed four very important men at once. Lucian is a businessman and owner of March House, a private members club for the richest and most influential men in the UK and their guests. His guests that night were Harris Lowe, Lucian’s new right hand man, Dominic Ainsworth MP and Russian millionaire Aleksander Popov. They appear to have been poisoned with an incredibly expensive bottle of brandy laced with poison. Only one person has been serving the party all evening and that is waitress Katie. She is soon under arrest, but what possible motive could she have had to kill these men? Yet when police apprehend her not long after she’s left work for the evening she is reported as saying ‘they got what they deserved’. Is this an admission of guilt or an acknowledgment that whoever killed them, did the world a favour? 

It’s hard to get to know Katie because she is simultaneously a wildcat, a conspiracy theorist, a squatter, a farmhand, a waitress or the accused. These are just some of the descriptive words used to label her by the men in her life, but we have to remember that they are viewing her through their own lens. How much can we trust their impressions of her and do we accept that they’re telling the truth? She’s clearly beautiful, even without the ‘right’ clothes she has something that men desire. Conrad feels this when she’s helping out with the pigs on her uncle’s farm but then is shocked when she turns up at his club and his boss Lucien clearly desires her too. Both of them see a sex object rather than the young, troubled woman in front of them. John still sees his little girl, unable to equate the terrible crime she’s accused of with his daughter. However, we learn that she’s always been sympathetic and perhaps a little soft where his daughter is concerned whereas her mother sees her as a naughty child who grew up still getting into trouble. If anyone sees a more rounded Katie it’s her childhood friend Gabe, even if he is in love with her. She pulls him into her internet wormhole of conspiracy theories and he follows her down to London, ready for direct action to change everything that’s wrong with society. Yet when he gets there, Katie is living in a squat and has moved on in her belief system. Gabe has fallen under the spell of the elusive Mr E who appears in the comments under YouTube videos, disparaging the rich and the corruption within the system. He’s saddened to find her working at March House, the centre of online rumours about secret cabals and the ‘real’ people who run the world. He sees the Katie who had these beliefs as the real Katie and now she doesn’t believe or belong to him anymore. Similarly, Conrad sees her as this beautiful, innocent farmhand: 

“You’d taken on a hazy, pure quality, a perfume ad of a person. In the cafe you looked ordinary.” 

Every so often a book comes along that captures a moment and this definitely does. It isn’t the first book I’ve read where online radicalisation is part of the story and how dangerous it can be to become drawn in by conspiracy theorists. We tend to use the word grooming when it refers to children, but young adults and people with learning disabilities are also vulnerable and political or conspiracy theories seem to be changing the way people view the world without them even leaving the house and experiencing it for themselves. The echo chambers created when we look at certain subjects means people can be left thinking they have the majority viewpoint, no matter how crazy or extreme the ideas. Conspiracy theories are popular because it gives explanations for events that are incredibly complex and totally outside of our control. The realisation that a small group of individuals could hijack a few planes and attack the most powerful cities in the USA is almost too scary. People didn’t want to feel that their country was that vulnerable and open to attack, so they created stories that their own government must have been involved. Mr E directs his followers to March House as the real seat of power and their list of members could easily feed into that narrative. There is no doubt that some dodgy deals and introductions go on there, but the difficulties facing the country are international and much more complex than a few smoking men in a private room, but for some, life being random chaos is a scary prospect. 

At the centre of all this is Katie, a lost young woman unsure of who she is and what she wants from life. With no plan or purpose, she lurches from one crisis to the next never feeling safe or grounded. The novel made me angry, especially with Conrad and Max who want to use and exploit Katie. Conrad has the audacity to suggest his connection to her was flimsy at best: 

“I could barely even remember your real name. You had come onto me so hard, when I looked back, that in a way it was embarrassing. I was embarrassed for you”. 

I was furious and desperately wanted him pulled apart in court by her barrister Tarun. It reminded me of how women who are seen as controversial, such as Caroline Flack or the Duchess of Sussex, are presented and packaged by the media. There’s misogyny at the root of this and it’s the same with the male characters in the book who package Katie into roles and personalities that absolves them for the harm they cause and assuages their guilt. This is brilliantly done by the author who doesn’t put a foot wrong in her characterisation and the pace of this novel. It’s fast moving and she doesn’t waste a single word, keeping you gripped by what might happen next. We’re never sure on what has happened or who is responsible and the courtroom scenes are brilliant meaning it was impossible to put down – there was one late night where I completely wrote off the following day for anything useful. This is powerful and will make you angry, but you won’t be able to stop those pages turning. 

Meet the Author

Nicci Cloke is an author and editor based in Cambridgeshire. Her novels have been published in twelve languages, and she has previously worked as a nanny, a cocktail waitress and a Christmas Elf. Before being published, she was a permissions manager, looking after literary estates including those of Sylvia Plath, Ted Hughes and T. S. Eliot, and was also communications manager at the Faber Academy.

Posted in Netgalley

The House of Hidden Letters by Izzy Broom 

Be whisked away to Greece with this dual narrative novel set on the Greek Islands. Greek cottage. Price: One Euro. Skye doesn’t make impulsive decisions. But when she sees a derelict Greek cottage for sale by lottery, she enters with dreams of a fresh start. However, her heart sinks as she pushes open the tattered blue door weeks later. Can this wreck ever be her home? Then Skye finds a bundle of letters hidden in the fireplace, their faded pages drawing her in with a story of long-forgotten love, tragedy, and unbelievable bravery during WW2. But all the while, Skye’s own past is circling. No matter how far she goes, fate is never far behind…

I throughly enjoyed this novel that treads the difficult line between feeling escapist while looking back to harrowing events in the island’s history. The people who buy the one Euro houses bring an optimism and sense of renewal to the island. The current residents of the island are a joy, incredibly generous with the new arrivals and particularly Andreas who is the builder commissioned to renovate the houses. He is hospitable, showing Skye around her new home and chatting ideas, but he goes above and beyond when he realises she is staying in the empty house so brings her groceries and coffee. When some of the other residents arrive the place is full of camaraderie and new friendships. These are mainly women. Joy is an artist from Australia who clicks with Skye straightaway. There are three sisters, one of which is a builder determined to renovate in her own way much to Andreas’s disgust. As Skye wanders through her house alone, taking in the sea view from the attic room we get a sense of freedom and independence from her, possibly a feeling she hasn’t had for some time. All of this activity is exciting and hopeful, a light-heartedness that’s at odds with the reasons Skye left the UK and her new home’s sad history. Skye and Andreas find Nazi dog tags and a stash of letters in a half collapsed wall, so they know these are from the time of occupation, when Italian and German soldiers were present in the islands. It’s more troubling when remains are unearthed in the garden, some of which appear to be human. What has happened on this particular street? 

I found Katerina’s letters and the times we delve back into the island’s history so vivid and there were scenes so memorable, I don’t think I’ll forget them. It really engaged my emotions and I fell in love with Katerina when we first meet her as she’s climbing to reach her goats. Her relationship with the little three legged goat is so touching. It’s also the reason she meets Stefanos, as her goat climbs a little higher than she should considering her poor balance. Katerina tucks her skirt into her knickers and shows off her own climbing skills. It feels like love at first sight for these two, but war will get in the way of their courtship. This heroine is bold and brave and even though she faces some terrible events she never loses her determination or her love. This is a turn around for the girl who scorned her sister’s marriage and the constraints it placed on her.

“Love, such a stupid thing. She was eighteen, strong, healthy and free to roam between chores. A man would not let her behave in such a way.” 

I found the islander’s experiences at the hands of their occupiers harrowing. They take everything they can from the villager’s stores of food, requisition their animals and leave them starving slowly. Katerina can see her sister is becoming frail, but doesn’t realise what she’s enduring in order to secure the tiny amount of food they have. One particular soldier takes an interest in her and she knows he won’t take no for an answer, even though she is expecting to marry Stefanos if he comes home. As she symbolically tries on her mother’s wedding dress she feels the strength of the older generation with her. This is a strength she sees when encountering an elderly man on the beach who greets her warmly then simply walks away into the sea, unable to cope with what is happening on the island and knowing the young need to be priority when it comes to resources. It’s the young who have to fight, including Stefanos and her sister’s husband, but it’s easy to forget that occupied women are also fighting in their own way. That might be foraging for food, hiding supplies from the occupiers, or even collaborating to survive – something that women were often punished for by their community, but is understandable when there are children to feed and refusal only means they take what they want anyway. Katerina’s principles are steadfast, even when starving and pregnant, but they also lead to devastating consequences. I loved the author’s focus on women helping women, even across the barriers between them. 

Skye arrives in a timid state, but blossoms on the island. She has come through a period of grief after losing her father, but there’s something more in the way she reacts to men and in the joy she takes in making her own choices for her new home. She gains the confidence to tutor some of the children and her friendship with the bold and liberated Joy seems to be exactly what she needs. She also builds a good relationship with Andreas, they work well on the house together and he quickly learns her boundaries. If something has to be done his way because of safety or local regulations he stands his ground, but all other decisions belong to Skye. He literally gives her own power back to her by remaining respectful and passive with decision making. It’s a marker of how broken the mother daughter relationship is, that Skye’s mother turns up on the island with her husband. If I’d disappeared across the continent with no forwarding address my mum would know something was very wrong back home. The author illustrates so well how grief is life-altering, leaving us potentially vulnerable to those who seem to offer love and protection, but actually want to control. With a total break from her usual life and the new people she has around her, I hoped Skye would have enough strength to break from relationships that have become abusive. It emphasises ‘found family’ and shows that community is vitally important to our wellbeing. 

This was a fabulous read, a dual narrative storyline where both timelines held my interest and kept the pages turning. Of course Katerina’s experiences have more power because of the horrors they faced during occupation. I also particularly loved Katerina’s bond with Chrysi her little goat, a relationship that was so touching it brought me to tears. Skye is also fighting for her survival, to build a life that’s how she wants it and the freedom to make her own choices and mistakes. I loved the hint of romance that didn’t overpower or devalue the serious points being made about the strength of women and their supportive bonds with each other. The historical finds that are made really piqued my interest and it was fascinating to see Katerina’s story slowly uncovered and I have wondered since finishing what she might have done next. There is loss, domestic abuse and sexual violence which can be a tough read if you’ve been through it, but all are handled well and felt authentic. I felt Katerina’s despair when she realises she no longer ‘feared the enemy, not their guns and bombs. It was the sorrow that terrified her.’ Like Skye she realises that she must use this as a strength going forward. I was rooting for both women throughout, dealing with the oppression of men and finding their own path. 

Meet the Author

My career as an author really began when I won The Great British Write Off competition in 2014 with a short story called The Wedding Speech. It was the first time anyone in the publishing industry had looked at my writing, and their collective advice and guidance gave me the confidence to complete a proper novel. My Map Of You was the result.

I write escapist fiction because travel is in my soul. My books are about all facets of life and often feature a love story. Getting inside the hearts and minds of my characters continues to fascinate me, as does searching the globe for settings in which to set their stories. I have scaled mountains in Sri Lanka, watched fireworks over Lake Como, swam in crystal clear Croatian waters, made wishes in Prague, hunted for orange houses in Mallorca, fallen off chairs in French bistros and wept over the beauty of the stars in Zakynthos – and these experiences are just the tip of the iceberg.

Each of my novels comes with a promise: to take my readers on an adventure and leave them with hope in their hearts. I hope you enjoy reading them as much as I love writing them.

Posted in Random Things Tours

Blackwater by Sarah Sultoon 

As the clock ticks towards the millennium – and the threat of a potentially new apocalyptic reality – Jonny Murphy is sent to investigate the discovery of a child’s body on a deserted swamp island, fifty miles from London. What he finds is more than just a tragedy, it’s a warning. Something big is coming … Can Jonny stop it? Should he?

London, Christmas 1999. The world is on edge. With the new millennium just days away, fears of the Millennium Bug are spiralling – warnings of computer failures, market crashes, even global catastrophe. But fifty miles east, on the frozen Blackwater Island, a different kind of mystery unfolds. A child’s body is discovered on the bracken, untouched by footprints, with no sign of how he died. And no one has come forward to claim him.

At the International Tribune, reporter Jonny Murphy senses something is off. Police are appealing for relatives, not suspects. An anonymous call led officers to the scene, but no one knows who made it. While the world fixates on a digital apocalypse, Jonny sees the real disaster unfolding closer to home. With just twenty-hour hours before the century turns, he heads to Blackwater – driven by curiosity, desperation, and the sting of rejection from his colleague Paloma.

But Blackwater has secrets buried deep in the frozen ground. More victims – some dead, others still paying for past sins. And when Paloma catches up to him, they stumble onto something far bigger than either of them imagined. Something that could change everything. The millennium is coming. The clock is ticking. Can Jonny stop it? Should he?

I went into this novel quite late, so I was incredibly pleased to find that this is definitely a gripping, read in one sitting type of thriller. This is Sarah Sultoon’s third novel featuring investigative journalist Jonny Murphy, but could very easily be read as a standalone. For people like me, old enough to be an adult at the time of the possible ‘millennium bug’, I remember the panic and the predictions that planes would fall out of the sky, banking systems would collapse and the apocalypse would begin. I remember the money spent trying to mitigate its potential effects but like the British seem to do, we gathered with friends and family anyway and set off fireworks in the freezing cold and precisely nothing happened. It feels like an innocent time now, when we think that 9/11 came only 18 months later, followed by going to war in Afghanistan and Iraq and then years of austerity followed by a pandemic. It’s certainly been turbulent ever since. My dad was convinced that the bug was a made up bogeyman, allowing technology companies and their shareholders to clean up by proposing to ‘fix’ something that didn’t exist. Maybe he was right. We don’t call him Fox Mulder for nothing.

Here Sarah Sultoon has created a fast paced thriller that plays out in the days before Millennium Eve. The timing gives us a countdown, but believe me this story creates its own tension. The setting of Blackwater Island is familiar but alien at the same time. Situated in an inlet only 50 miles from London and with a direct route by boat into the Channel and the Thames this place is hiding in plain site. Beyond the last village, the terrain feels like the eerie marshlands at the beginning of Charles Dickens’s David Copperfield. The mist is so thick someone could be standing next to you and the black, viscous mud has the feel of quicksand. It sucks all explorers into its depths and is enough to put anyone off reaching the island itself. As if that wasn’t enough, the author brings elements of folk horror to the narrative as Jonny is warned off by very unfriendly and odd locals. The only place to stay is an old inn in the village, but the landlady isn’t very welcoming. She warns him that the only resident of Blackwater is Inka who is depicted in a framed picture behind the bar and on graffiti near the island:  

“it’s apparently a picture of a ghost that’s been haunting Blackwater since the Dark Ages. Our landlady told me some mad story about a mythical Icelandic warrior named Inka with a diamond-tipped spear and a mermaid’s tail.” 

Jonny is canny enough to know when he’s being warned away from something and it only sets his investigative skills tingling. On the other hand, actual protection for the crime scene is very thin on the ground. He meets the only police officer in the area and she feels like she’s been dumped in the backwaters of Essex with no support or back up. The facts are that the body of a boy was found on the island with no visible cause of death, but the weirdest part is that he was dressed like an extra from Oliver! His Victorian urchin clothing is so incongruous, but could mean anything from local amateur dramatics to time travel. It’s once Jonny manages to get on the island that answers start to come and it was nothing I’d considered. 

Jonny is a rather fascinating character. He’s absolutely determined to track down his story and has defensive walls a mile high where friendship and romance are concerned. Yet he does have empathy and tries to take the honourable route where possible. He clearly has feelings for photographer Paloma, but has been determined not to pursue them, not wanting to inflict himself on someone else. What does he know about himself that makes him hesitate? Will the story always come first? The scariest part of the whole story is that it’s believable and the afterword really does show that sometimes, what feels far fetched, is only the beginning. Taking in biological experimentation and weaponry, black ops, government conspiracies and the price paid by the locals caught up in it, it’s the writing and the very real atmosphere at the time that makes this a believable story. Jonny’s mission becomes unbearably tense as he has to make it to the centre of London with the city’s ’River of Fire’ fireworks display under threat. Thousands are gathered to hear Big Ben strike midnight and the start of a new century. Jonny fears they may be the target, but there’s also the press area where Paloma is hoping to catch the display on camera, no matter his reservations he’s determined to save her. Events and emotions build and I was half expecting a huge explosion, but Sarah Sultoon is more subtle than that and the fear here is insidious. It warns us not to trust those in authority, to question and investigate everything – an instinct that in real life seems to have been lost since the pandemic. Jonny is a brilliant hero because he has that instinct still and a moral compass that guides his work, something that’s a rare combination. This is incredibly tense, gripping and packed full of action with the added nostalgia of millennium memories. 

Out now from Orenda Books

Meet the Author

Sarah Sultoon is a novelist and journalist, whose prior work as an international news executive at CNN has taken her all over the world, from the seats of power in both Westminster and Washington to the frontlines of Iraq and Afghanistan. She has extensive experience in conflict zones, winning three Peabody awards for her work on the war in Syria, an Emmy for her contribution to the coverage of Europe’s migrant crisis in 2015, and a number of Royal Television Society gongs. As passionate about fiction as nonfiction, she recently completed a Masters of Studies in Creative Writing at the University of Cambridge, adding to an undergraduate degree in languages, chosen mainly so she could spend time itinerantly travelling the world. She likes running, Indian food, cocktails, playing sport with her children and throwing a ball for her dog, order dependent on when the cocktails are consumed.